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UID:8763-1746057600-1777593599@www.h-r.la
SUMMARY:HRLA | 15 Years | Everyone
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Journal\, Thalia Williamson\, Thank You Rosekind\, The Action Bureau\, The Adonis Project\, The Album Leaf\, The All Stars of Non-Violet Communication\, The Barbra Streisand Portrait Bender\, The Canary Project\, The Centimeters\, The Crop Project\, The Deep Silence\, The Department of Descriptive Services\, The Dog Star Orchestra\, The Eternal Chord & Zachary Paul\, The Experimental Music Yearbook\, The Gears\, The Gift Machine\, The Goddexx Cori\, The Hag\, The Hangar Quartet\, The Institute For New Feeling\, The Institute of Ceramics and Alliance\, The Karabal Nightlife\, The Koan Quarter\, The Los Angeles Wood Wind Skill Share\, The Mamas\, The New Brutalists\, The Oriental Picture Factory\, The Relatives\, The Royal US\, The Sand Ninja\, The Uhuruverse\, The Unwrinkled Ear\, The Urxe\, Thee Oh Sees\, Thee Snow Snake Orchestra\, Theo Adams\, Theo Cuthand\, Theo Triiantafyllidis\, Theresa Hak Kyung Cha\, Thiago Hersan\, Thibault Delferiere\, Thinh Nguyen\, Thirstie Alley\, Tiana Reid\, TiFemme\, Tiger Munson\, Tim Barnes\, Tim Dahl\, Tim Feeney\, Tim Hecker\, Tim Reid\, Timo Fahler\, Timonium\, Timothy Hatch\, Tiny Creatures\, Tiny Tech Zines\, tir journal\, Tita Salina & Irwan Ahmett\, TJO\, Tobaron Waxman\, Todd Lerew\, Todd McQuade\, Tolliver\, Tom and Christina Carter\, Tom Carter\, Tom Dunn\, Tom Greenwood\, Tom Hall\, Tom Tom Magazine\, Tom Tsai\, Tony Feher\, Tony Payne\, Tora Kim\, Torie Zalben\, Toshinori Tanaka\, Total Freedom\, Totally Serious\, Touch Praxis\, Touriszt\, Tra My Nguyen\, Tracy Jeanne Rosenthal\, Tracy Zuniga\, Tranze Danza Contemporánea\, Trap Girl\, Travelling Kolkata People’s Film Festival \, Travesdee\, Travis Diehl\, Travis Walker\, Travis Wood\, Tre’vell Anderson\, Trent Crawford\, Trenttruce\, Trevor Treglia\, Trevor Wayne\, Tricia Lawless Murray\, Tristan Douglas Acker\, Tristan Espinoza\, Troy Sanders\, Troyese Robinson\, Trulee Hall\, Tuni Chatterji\, Twin Schism\, Twin Steps\, Two Serious Ladies\, Twomey\, Tyler Holmes\, Tyler Matthew Oyer\, Tyler Yin\, Tzuan Wu\, UBIKETAL\, Ulrik Heltoft\, Ultra Red\, Ulysses Jenkins\, Ulysses Pascal\, Umbra Vita\, Un Ciego\, Unica\, Unitry Garish\, Univa\, untune\, Uriel Orlow\, V Haddad\, Vaginal Davis\, Val Koziak\, Valentine\, Valeria Tizol Vivas\, Vanessa Angélica Villarreal\, Vanessa Daish\, Vanessa Hernández Cruz\, Vanessa Roveto\, VAR\, Varese Group\, Vasculae\, Veggie Cloud\, Venus Wikifur\, Véra (V) Haddad\, Verbs\, Verma\, Veronica Bianqui\, Veronica De Jesus\, Veronique d’Entremont\, Vertical Blanking\, Very Be Careful\, Vicki Ray\, Vicki Vértiz\, Vicky & The Vengents\, Víctor Santana\, Victoria Keddie\, Victoria Sin\, Vincent Ramos\, Vincente Colomar\, vine a incendiar este lugar\, Viola Yesiltac\, Violet Hannesena\, VIP\, Virgie Tovar\, Virons\, Vishal Jugdeo\, Visperd Madad-Doust\, Viva Padilla\, Voice on Tape\, VOLUME\, Von Curtis\, Von Doog\, Vyper SynVille\, W00DY\, Waggy Baby\, Walt Gorecki\, Warm Climate\, Warren Neidich\, Watermelon Sisters\, Waverly Mandel\, Wayne Koestenbaum\, WDSM\, Weasel Walter\, weepingwillowtree\, Wells Lang\, Wendy C. Ortiz\, Wendy Cabrera Rubio\, Wendy Mason\, Wendy Red Star\, Weng San Sit\, Wesleigh Gates\, Weston Lyon\, Wet Power\, Whirlynn\, White Dove\, White Gold\, White Magic\, White Manna\, White Rainbow\, Whitman\, Whitney Gibson\, Whitney Hook\, Whits n Giggles\, WIFE\, Wild Up\, Will O’Loughlen\, Will Rawls\, Will Schwartz\, William Basinski\, William Burgess\, William Camargo\, William E. Jones\, William Fowler Collins\, William Hutson\, William Jones\, William Roper\, William Ruíz Morales\, Willian Basinski\, Wilson Shook\, Wing Cheung\, Winston Hacking\, Witches of Malibu\, Wizard Apprentice\, Wo Chan\, Wojciech Kosma\, Wolfboy\, WoM\, Wood Wind Skill Share\, Woodbury College\, Woohee Cho\, Wounded Lion\, Wren Gardiner\, Wynne Greenwood\, X-TRA\, XANA\, Xandra Ibarra\, Xandro Segade\, XI: A North American Football Quarterly\, Xin Xin Ahree Lee\, Xina Xurner\, Xiner Lan\, Xiu Xiu\, xTimido\, Yacuziz\, Yanina Orellana\, Yann Novak\, Yann Sérandour\, Yasi Alipour\, Yasmine Diaz\, Yek Koo\, Yelena Zhelezov\, Yishi Chen\, Yo-Yo Lin\, Yong Soon Min\, Yoni Zonszein\, Yoshi Sakai\, Yoshie Sakai\, You (流)\, You Guys Suck Like Real Hard Shut The Fuck Up Thanks! (YGSLRHSTFUT!)\, Young Chung\, Young Joon Kwak\, Yrneh Gabon Brown\, Yu Chen-Ta\, Yunhee Min\, Yunuen Rhi\, Yuri Ríos\, Yuval Pudik\, Zachary Paul\, Zack Benson\, Zack Khalil\, Zackary Drucker\, Zah\, Zaina Bseiso\, Zander Porter\, Zara Kuredjian\, Zeek Scheck\, Zeina Baltagi\, Zen Sekizawa\, Zoë Beery\, Zoe Rappaport\, Zoé Samudzi\, Zora Duncan\, Zoria Swanegan\, Zyanya Arellano\, ZZ Krebs\, Zzyzxzyzz \n\n\n\nHRLA opened its doors on May 1\, 2010. The names listed above belong to the more than 3\,100 people & organizations who have shared their work with us over the past fifteen years. This list includes visual & performance artists\, musicians & noise/sound artists\, writers\, filmmakers\, video and digital media artists\, choreographers and dancers\, comedians\, small presses\, programming collectives\, sister arts organizations\, record labels\, teachers\, students\, & activists. (If we are missing anything/anyone\, let us know!) \n\n\n\nHRLA’s program is curated by an artist-centered\, volunteer collective. Most of our resources are directed to artists and to the people making their projects happen.  \n\n\n\nWe welcome donations to HRLA — $15\, $115\, $1515 — it all makes a difference! You can make a one-time donation or give regularly via our ticketing platform. As you can see from the above list\, donations go a long way\, long way!
URL:https://www.h-r.la/event/hrla-15-years-everyone/
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DTSTART;TZID=America/Los_Angeles:20260411T160000
DTEND;TZID=America/Los_Angeles:20260426T180000
DTSTAMP:20260408T013135
CREATED:20260331T015123Z
LAST-MODIFIED:20260407T230124Z
UID:9450-1775923200-1777226400@www.h-r.la
SUMMARY:Cumbia de mi Tierra
DESCRIPTION:Gallery Hours: Friday- Sunday\, April 12th – April 26th\, 12pm – 6pm \n\n\n\nOpening event on Saturday\, April 11 from 4pm – 9pm. \n\n\n\n \n\n\n\nOpening event on Saturday\, April 11 from 4pm – 9pm \n\n\n\nRSVP \n\n\n\nDance performance by Club Inspiración Mexico. \n\n\n\nSonidero performances by Sonido La Rumba and El Tropical San Pancho. \n\n\n\nLive music by cumbia group Dolores y su Conjunto. DJ sets by Ganas\, El Kevin and Sonido Dolores. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\nCeviche by Correas Mariscos. \n\n\n\n \n\n\n\nFilm screening on Saturday\, April 18 at 6pm \n\n\n\nTickets \n\n\n\nScreening of Sonidero Metropólis and Kumbia Net\, both directed by Alvaro Parra\, and Grupo Kual \n\n\n\nMusica de Barrio\, directed by Discos Rolas. \n\n\n\nDJ sets by Noche Romantica\, Que Madre\, Dave Salvaje\, Sonido Sapo\, Kumbia Net\, Space Primo\, Discos Rolas\, Xandao and Ganas. \n\n\n\nQ&A with director Alvaro Parra. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\n \n\n\n\nClosing Celebration on Saturday\, April 25 from 4pm – 9pm. \n\n\n\nTickets \n\n\n\nDance performance by Cali All-Stars. \n\n\n\nSonidero performances by Rafael Pamatz and Tropical San Pancho. \n\n\n\nDJ sets by Ritmo Santanero\, Discos Rolas\, Mas Exitos. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\nMore related programs to be announced. \n\n\n\nCumbia de mi Tierra is an art exhibit and installation that celebrates cumbia music from Mexico through ephemera\, material culture\, and art. From humble beginnings at family gatherings in Tepito and Peñon de los Baños\, Mexican cumbia transformed the folkloric\, regional dance music style from Colombia as it took roots in Mexico City and Puebla and in the diaspora in New York\, New Jersey and LA. Independent labels including Discos Dancing\, Discos Room\, and Discos Lambda released records of Mexican cumbia groups alongside bootleg compilations of South American cumbia. Sonideros such as La Changa\, La Conga\, Sonido Samurai and thousands of others not only set up mobile soundsystems throughout Mexico but also DJ their vast collections and perform saludos (shout-outs). Groups such as Super Grupo Colombia and Los Angeles Azules emerged in Mexico City innovating the cumbia by imitating the bass-heavy and mediated sound of cumbia sonidera.  \n\n\n\nCurated by artist Gary Garay\, the exhibit brings together collector\, Jose Hernández\, photographer Stefan Ruiz\, and artist Yair Sarmiento. Drawing on the extensive collection of Jose Hernández\, Gary Garay tells a story of cumbia sonidera in Mexico through curation and the creation of new work based on this archive. Consisting of flyers\, posters\, stickers\, sonidero business cards\, and cassette mixtapes and cassette recordings of specific bailes from the 1980s and 1990s Mexico City constitute a counter-history of print and graphic design. With its wild appropriation of Looney Toons\, Hannah Barbera\, Betty Boop\, this visual vernacular helped transform cumbia from rural folkloric popular dance music from Colombia into a modern\, urban\, soundsystem-based culture. From the printing press to the record press\, typewritten and Xeroxed cassette covers\, screen printing\, this fast-paced\, inexpensive independent media culture of the marginalized masses.  \n\n\n\nDancer and record collector\, Hernández is an organic archivist of the cumbia sonidero scene who grew up in Mexico City and in the 1980s and 1990s and built his massive collection around the various ephemera of the scene. Garay documented\, archived\, and curated Hernández’s vast collection—which had been spread between California and his mother’s house in Mexico City.  Inspired by the collection\, Garay’s new work amplifies details that matter to diggers—record label logos\, album cover photographs of dancers and sonideros—by screen printing on materials such as silver\, tarps\, and brick. The metallic color recalls platinum records\, Mexican silver mines\, Pop Art\, and roll-up galvanized metal shop doors for places like Sonoramico Records and Discos Cali. Long part of Garay’s art practice\, the tarp acknowledges improvisation\, making do\, hiding\, and taking care—a temporary roof or wall at swap meets\, alleys\, bailes\, and Hélo Oiticica’s Tropicália. \n\n\n\nFinally\, Stefan Ruiz will have five large-format photographs from his 2011 photo essay documenting the “Cholombiano” street style of young cumbia and vallenato fans in Monterrey\, Mexico. 
URL:https://www.h-r.la/event/cumbia-de-mi-tierra/
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DTSTART;TZID=America/Los_Angeles:20260413T200000
DTEND;TZID=America/Los_Angeles:20260413T223000
DTSTAMP:20260408T013135
CREATED:20260407T230910Z
LAST-MODIFIED:20260407T230911Z
UID:9472-1776110400-1776119400@www.h-r.la
SUMMARY:SPRINGCLING
DESCRIPTION:SPRINGCLING is the latest experiment in curation by local percussionist-artist Corey Fogel\, challenging & augmenting what fits in a gallery\, on a “music program”\, within an acoustic setting\, and at an event. “Salon” may best describe this happening that marries artists from all corners of the country; of Corey’s creative friend circle; of the media sphere. Proceeding these prepositions is a preposterously proposed presentation of presumably preferred praxes. P’rhaps we’ll see you there!  \n\n\n\nsound\, saxophone\, food\, voice\, bass\, drama\, poetry\, percussion\, food\, projection\, electronics\, performance\, text\, noise.  7:58 PM \n\n\n\nTickets \n\n\n\nSam Weinberg is a saxophonist\, composer\, and improviser from New York City. His work attempts to forge and develop a distinct intervallic lexicon which is both mutable and structurally coherent.He has released three records for trio since 2023: Implicatures (Astral Spirits\, with Chris Lightcap and Tom Rainey)\, and two with his long-standing group with Henry Fraser and Jason Nazary (Plays Quarter Notes and Other Notes\, and Of Peeling Passage: Live at Sisters). Weinberg has also focused heavily on solo work in the last several years\, which has resulted in the albums Academy\, My Druthers\, Live at the Oche\, with another forthcoming in 2025. \n\n\n\nHeidi Ross is a private chef and multidisciplinary artist who creates culinary performances\, installations\, and dinners for private events\, galleries\, public and outdoor spaces. Heidi uses food as visceral communication through communion—exploring sentience and interspecies connection through sound\, touch\, taste\, and new media. \n\n\n\nCordey Lopez is an experimental musician and audio engineer currently based in Los Angeles\, CA. Through original composition and collaborative projects\, such as Gong Gaada and the Berkeley Gamelan\, his work currently explores intersections of electronics and Indonesian gamelan music. Cordey also performs solo under the moniker Baby Aspirin DVD using modular synthesizer to deconstruct and recontextualize cultural aesthetics of death metal. As an audio engineer\, Cordey tours internationally as Front of House with other experimental artists and is the lead engineer at Gnarnia Studios. \n\n\n\nMeg Shevenock is a writer\, artist and private teacher.Meg’s debut poetry collection\, The Miraculous\, Sometimes\, won the Marystina Santiestevan first book prize\, judged by Bob Hicok for Conduit Books & Ephemera. Her poems and essays have appeared in such places as Times Literary Supplement\, Lana Turner\, Best New Poets\, Denver Quarterly\, Ninth Letter\, jubilat\, and Kenyon Review blog. She is a recipient of a writer’s grant from The American Academy of Arts and Letters and an Ohio Arts Council Individual Excellence Award winner in Poetry. She is an occasional “reader” and researcher for internationally acclaimed visual artist Ann Hamilton. \n\n\n\nJudith Berkson is a composer\, vocalist\, and pianist. Her multi-disciplinary work explores tuning as it relates to memory and perception. She explores small spaces between similarity and difference as in her String Quartet 1 where each instrument is tuned a syntonic comma apart. Her solo project\, Liederkreis\, draws on 19th century German lieder\, noise\, and electroacoustic performance. She is also a Cantor and officiates traditional liturgical chanting. She has been featured in the Wall Street Journal\, The New York Times\, The New Yorker\, and on NPR. She has collaborated with the Kronos Quartet\, City Opera\, Laurie Anderson and has worked with ensembles including Mivos Quartet\, Wet Ink\, Yarn/Wire\, Experiments in Opera\, and the Boston Microtonal Society. She has recorded for ECM Records\, has written two operas. She is currently based in Los Angeles. \n\n\n\nCorey Fogel (b 1977) is a composer\, drummer\, and artist based in Los Angeles. He works across genre and medium to explore many facets of improvisation. He approaches sounds\, textiles\, collaborators\, gestures\, and objects as viable materials for spontaneous\, strategized\, time-based experimental performance\, often incorporating sculpture\, video\, music traditions\, theatricality\, and ritual. Fogel performs and composes in many rock\, jazz\, noise\, folk\, and chamber music capacities. He can be heard on over one hundred recordings as a percussionist. His compositions range from collaborative media scores to aleatoric ensemble compositions which use a combination of traditional and novel notation. For two decades\, he has worked with alternative music notation\, creating innovative and novel systems that encode and visualize the behaviors that comprise musicians’ improvisational vocabulary. His scores use digital design techniques to represent sonic trajectories\, relational dynamics\, and situationism in space. Once an exclusive transaction between composer and performer\, this work has grown into site-specific\, immersive mural paintings for an expanded audience. This creative activity became the subject of his doctoral dissertation\, entitled Graphic Score On Trial – The Utility and Emergence of a Transciplinary Linguistic. \n\n\n\nEllenberg is an academic and artist who works across the disciplines of film/video\, performance and theater. She began her career as filmmaker and video artist\, screening her films widely at international venues\, since creating her first film at Ocularis Collective\, in Williamsburg in 2000. Her creative practice centers around a re-imaging of the gendered subject within contemporary American popular culture and mythology. In the 2000’s\, she curated a range of multi-media events and screenings at venues including Monkeytown\, Anthology Film Archives\, Galapagos and The Horse Hospital (London). Ellenberg’s short films and art installations have been exhibited internationally at venues such as The Collectif Jeune Cinéma\, LA Freewaves\, LACMA\, Gallery SC (Zagreb)\, Issue Project Room\, Migrating Forms\, La Di Da Film Festival\, Art in General and EMAF (Osnabrueck). Recent Press; Art F City\, Art in America\, Bomb\, LA Weekly and Hyperallergic.
URL:https://www.h-r.la/event/springcling-2/
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