G.Brenner Live at HRLA

G. Brenner’s live rendition of ‘Caustic’ at Human Resources-Los Angeles off of their debut album ‘Brushfire’ out August 20th via Very Jazzed.

Producers: Amara Higuera, Gabriel Brenner & Hugo Cervantes
Director: Amara Higuera

Director of Photography: Amara Higuera
Styling: Gabriel Brenner
Hair: Nicole Arteaga
Makeup: Gabriel Brenner

Editor: Amara Higuera
Lighting Direction: Amara Higuera
Sound: Gabriel Brenner, Hugo Cevantes & Ruairi O’Brien

Special Thanks:
Human Resources – Los Angeles
Nika Chilewich
Sara Frier
LAR Arts

Stoking The Flame

Pull was filmed in Slovakia at Pajštún castle with Susanne Songi Greim. In a rental car, we drove across the Austrian border. After hiking up the mountain for over an hour with bags full of supplies, we wove into the trees and landscape surrounding the castle, drawing into the hill and melting ice just before sunset.

The project was filmed January 2020 and edited between March and May of 2021.

Elliot Reed is an artist and director based in New York. He assembles bodies, movement, and narrative within exhibition space, wielding performance as a tool. Their projects span video, dance, performance, and sculpture highlighting the ways seen (and unseen) actors make their mark.

Elliot is a 2019 danceWEB scholar, 2019–20 Artist in Residence at The Studio Museum in Harlem, and recipient of the 2019 Rema Hort Mann Emerging Artist Grant. Exhibitions include a commission with JACK Quartet (2021), Metro Pictures (2021), MoMA PS1 (2020/21), OCD Chinatown (2021), The Getty Center (2018), Hammer Museum (2016), Dorothy Chandler Pavilion (2018), The Broad (2017), and performances in Tokyo, Osaka, London, Mexico City, Vienna, and Hamburg. Their next show opens Fall 2021 at Kunsthaus Glarus.


Keijaun Thomas: I Knew That Was You

In a special iteration, Keijaun Thomas will present two sections from her current project, My Last American Dollar: Round 1. Tricking and Flipping Coins: Making Dollars Hit and Round 2. Black Angels in the Infield: Dripping Faggot Sweat. I am thinking about resistance. How do we resist temptation, how do we slow down, how do we play, how do we survive? How do we hold space for each other, how do you carry the multiplicities of being young, gifted and black.

“It is complicated. it is blurry. it is rooted and unrooted in my peoples history. my people being black people. it is difficult and hard, it is attached to my spine, it is connected to the middle passage of the Atlantic slave trade, it is in my blood, it is in the color of my shit in the toilet bowel, it is in the smell of my ancestors shit for weeks on end decaying, decaying on their chained bodies. it is crystal clear. it is as blue as water, it is as heavy as 1,000 black bodies being dumped into the ocean. it is dark. it is so peculiar. it is only felt as phantom pains, missing links, pedestals of display. it is the value of the auction block, it is the price of your coffee beans, your sugar and your tea leaves.your coffee beans, your sugar and your tea leaves. it is unforgiven and not speakable. it is unbelievable and thinkable. it is high yellow, red bone, caramel, chocolate. it is so black, it is blue. it is so black, it is blue. it is so fucking queer, it is so fucking clear, it is so fucking queer, it is detached and left for the faggots that can never be black men. it is detached and left for the faggots that can never be black men. it is fragile, it is as soft as cotton and hair weaves. as cotton and hair weaves. it is an open as the wounds on a slaves back. my ancestors backs. it is everything that i have ever known and resisted. it is everything that I have ever known and resisted. it is every piece of fabric and different colored paper with numerical value. it is the palms of my hands, my fathers hands, my brothers hands, my mothers hands, my sisters hands, my aunties hands, my cousins hands, my children’s hands. it is… complicated.”

— “it is complicated” (2018)

Keijaun Thomas creates live performance and multimedia installations that oscillate between movement and materials that function as tools, objects and structures, as well as a visual language that can be read, observed, and repeated within spatial, temporal, and sensorial environments. Her work investigates the histories, symbols, and images that construct notions of Black identity within Black personhood.  Thomas earned their Masters degree from the School of the Art Institute of Chicago and is a current  Franklin Furnace Fund Recipient. Thomas has shown work nationally and internationally in Los Angeles, CA; Portland, OR; Portland, ME; Chicago, IL; Saugatuck, MI; Boston, MA; New York, NY; Miami, FL; and Taipei, Taiwan; Paris, France; Mexico City, Mexico; Santiago, Chile; Istanbul, Turkey; Beirut, Lebanon; Saskatchewan and Vancouver, Canada; and the United Kingdom.

Nicolas Bermeo is an artist currently living in Los Angeles, California. He is the founder of both Like • Magazine and Like • Movie Night and has shown at 315 Gallery, The Echo Park Film Center, The Squeaky Wheel, The New Latin Wave Festival, The Queer Arts Festival and  The Hyde Park Art Center.