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UID:8763-1746057600-1777593599@www.h-r.la
SUMMARY:HRLA | 15 Years | Everyone
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Journal\, Thalia Williamson\, Thank You Rosekind\, The Action Bureau\, The Adonis Project\, The Album Leaf\, The All Stars of Non-Violet Communication\, The Barbra Streisand Portrait Bender\, The Canary Project\, The Centimeters\, The Crop Project\, The Deep Silence\, The Department of Descriptive Services\, The Dog Star Orchestra\, The Eternal Chord & Zachary Paul\, The Experimental Music Yearbook\, The Gears\, The Gift Machine\, The Goddexx Cori\, The Hag\, The Hangar Quartet\, The Institute For New Feeling\, The Institute of Ceramics and Alliance\, The Karabal Nightlife\, The Koan Quarter\, The Los Angeles Wood Wind Skill Share\, The Mamas\, The New Brutalists\, The Oriental Picture Factory\, The Relatives\, The Royal US\, The Sand Ninja\, The Uhuruverse\, The Unwrinkled Ear\, The Urxe\, Thee Oh Sees\, Thee Snow Snake Orchestra\, Theo Adams\, Theo Cuthand\, Theo Triiantafyllidis\, Theresa Hak Kyung Cha\, Thiago Hersan\, Thibault Delferiere\, Thinh Nguyen\, Thirstie Alley\, Tiana Reid\, TiFemme\, Tiger Munson\, Tim Barnes\, Tim Dahl\, Tim Feeney\, Tim Hecker\, Tim Reid\, Timo Fahler\, Timonium\, Timothy Hatch\, Tiny Creatures\, Tiny Tech Zines\, tir journal\, Tita Salina & Irwan Ahmett\, TJO\, Tobaron Waxman\, Todd Lerew\, Todd McQuade\, Tolliver\, Tom and Christina Carter\, Tom Carter\, Tom Dunn\, Tom Greenwood\, Tom Hall\, Tom Tom Magazine\, Tom Tsai\, Tony Feher\, Tony Payne\, Tora Kim\, Torie Zalben\, Toshinori Tanaka\, Total Freedom\, Totally Serious\, Touch Praxis\, Touriszt\, Tra My Nguyen\, Tracy Jeanne Rosenthal\, Tracy Zuniga\, Tranze Danza Contemporánea\, Trap Girl\, Travelling Kolkata People’s Film Festival \, Travesdee\, Travis Diehl\, Travis Walker\, Travis Wood\, Tre’vell Anderson\, Trent Crawford\, Trenttruce\, Trevor Treglia\, Trevor Wayne\, Tricia Lawless Murray\, Tristan Douglas Acker\, Tristan Espinoza\, Troy Sanders\, Troyese Robinson\, Trulee Hall\, Tuni Chatterji\, Twin Schism\, Twin Steps\, Two Serious Ladies\, Twomey\, Tyler Holmes\, Tyler Matthew Oyer\, Tyler Yin\, Tzuan Wu\, UBIKETAL\, Ulrik Heltoft\, Ultra Red\, Ulysses Jenkins\, Ulysses Pascal\, Umbra Vita\, Un Ciego\, Unica\, Unitry Garish\, Univa\, untune\, Uriel Orlow\, V Haddad\, Vaginal Davis\, Val Koziak\, Valentine\, Valeria Tizol Vivas\, Vanessa Angélica Villarreal\, Vanessa Daish\, Vanessa Hernández Cruz\, Vanessa Roveto\, VAR\, Varese Group\, Vasculae\, Veggie Cloud\, Venus Wikifur\, Véra (V) Haddad\, Verbs\, Verma\, Veronica Bianqui\, Veronica De Jesus\, Veronique d’Entremont\, Vertical Blanking\, Very Be Careful\, Vicki Ray\, Vicki Vértiz\, Vicky & The Vengents\, Víctor Santana\, Victoria Keddie\, Victoria Sin\, Vincent Ramos\, Vincente Colomar\, vine a incendiar este lugar\, Viola Yesiltac\, Violet Hannesena\, VIP\, Virgie Tovar\, Virons\, Vishal Jugdeo\, Visperd Madad-Doust\, Viva Padilla\, Voice on Tape\, VOLUME\, Von Curtis\, Von Doog\, Vyper SynVille\, W00DY\, Waggy Baby\, Walt Gorecki\, Warm Climate\, Warren Neidich\, Watermelon Sisters\, Waverly Mandel\, Wayne Koestenbaum\, WDSM\, Weasel Walter\, weepingwillowtree\, Wells Lang\, Wendy C. Ortiz\, Wendy Cabrera Rubio\, Wendy Mason\, Wendy Red Star\, Weng San Sit\, Wesleigh Gates\, Weston Lyon\, Wet Power\, Whirlynn\, White Dove\, White Gold\, White Magic\, White Manna\, White Rainbow\, Whitman\, Whitney Gibson\, Whitney Hook\, Whits n Giggles\, WIFE\, Wild Up\, Will O’Loughlen\, Will Rawls\, Will Schwartz\, William Basinski\, William Burgess\, William Camargo\, William E. Jones\, William Fowler Collins\, William Hutson\, William Jones\, William Roper\, William Ruíz Morales\, Willian Basinski\, Wilson Shook\, Wing Cheung\, Winston Hacking\, Witches of Malibu\, Wizard Apprentice\, Wo Chan\, Wojciech Kosma\, Wolfboy\, WoM\, Wood Wind Skill Share\, Woodbury College\, Woohee Cho\, Wounded Lion\, Wren Gardiner\, Wynne Greenwood\, X-TRA\, XANA\, Xandra Ibarra\, Xandro Segade\, XI: A North American Football Quarterly\, Xin Xin Ahree Lee\, Xina Xurner\, Xiner Lan\, Xiu Xiu\, xTimido\, Yacuziz\, Yanina Orellana\, Yann Novak\, Yann Sérandour\, Yasi Alipour\, Yasmine Diaz\, Yek Koo\, Yelena Zhelezov\, Yishi Chen\, Yo-Yo Lin\, Yong Soon Min\, Yoni Zonszein\, Yoshi Sakai\, Yoshie Sakai\, You (流)\, You Guys Suck Like Real Hard Shut The Fuck Up Thanks! (YGSLRHSTFUT!)\, Young Chung\, Young Joon Kwak\, Yrneh Gabon Brown\, Yu Chen-Ta\, Yunhee Min\, Yunuen Rhi\, Yuri Ríos\, Yuval Pudik\, Zachary Paul\, Zack Benson\, Zack Khalil\, Zackary Drucker\, Zah\, Zaina Bseiso\, Zander Porter\, Zara Kuredjian\, Zeek Scheck\, Zeina Baltagi\, Zen Sekizawa\, Zoë Beery\, Zoe Rappaport\, Zoé Samudzi\, Zora Duncan\, Zoria Swanegan\, Zyanya Arellano\, ZZ Krebs\, Zzyzxzyzz \n\n\n\nHRLA opened its doors on May 1\, 2010. The names listed above belong to the more than 3\,100 people & organizations who have shared their work with us over the past fifteen years. This list includes visual & performance artists\, musicians & noise/sound artists\, writers\, filmmakers\, video and digital media artists\, choreographers and dancers\, comedians\, small presses\, programming collectives\, sister arts organizations\, record labels\, teachers\, students\, & activists. (If we are missing anything/anyone\, let us know!) \n\n\n\nHRLA’s program is curated by an artist-centered\, volunteer collective. Most of our resources are directed to artists and to the people making their projects happen.  \n\n\n\nWe welcome donations to HRLA — $15\, $115\, $1515 — it all makes a difference! You can make a one-time donation or give regularly via our ticketing platform. As you can see from the above list\, donations go a long way\, long way!
URL:https://www.h-r.la/event/hrla-15-years-everyone/
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DTSTART;TZID=America/Los_Angeles:20260227T180000
DTEND;TZID=America/Los_Angeles:20260301T170000
DTSTAMP:20260219T231552Z
CREATED:20260217T233956Z
LAST-MODIFIED:20260219T231552Z
UID:9418-1772215200-1772384400@www.h-r.la
SUMMARY:Lynne Marsh: after-lived
DESCRIPTION:Friday\, February 27 –Opening Performances 6–9 pm \n\n\n\nSaturday\, February 28 –Performances 1–5 pm \n\n\n\nSunday\, March 1 –Performances 1–3 pm\, Conversation 3–5 pm \n\n\n\nThese poor nymphs of the present\, distorted by the endless screens they must pass through before finding themselves in something resembling “the real world.” Unaccustomed to the weight of what we might call reality\, they fall out of an infinite space-time into the brutal pull\, or rather push\, of gravity. \n\n\n\n–Hannah Sage Kay\, Poor Nymphs Poorer Selves* \n\n\n\nafter-lived unfolds over three days at Human Resources Los Angeles as an exhibition-based performance. Performers work through gestures learned from a motion-capture animation archive: they embody\, repeat\, reorient\, and endure them. Each performer trains with an avatar generated from a digital scan of their own body\, set in motion as if possessed. What begins as data becomes flesh\, altered by the screens it has passed through. \n\n\n\nThe archive carries its own residue: combat loops\, evasions\, falls\, and impacts. Gestures circulate in a dense image economy\, detached from their original conditions and optimized for reuse. Here\, however\, they meet the weight of gravity. Slowed down and enfleshed\, a fall is no longer seamless. Impact registers. Repetition produces strain. \n\n\n\nThe title after-lived names a condition in which systems persist beyond their declared obsolescence\, continuing to operate even after their logic has been exhausted. In this state\, gestures survive their contexts. They loop\, mutate\, and return. The body becomes the site where these loops are absorbed\, tested\, redirected\, and possibly exited. \n\n\n\n*excerpt from exhibition text for Standing Death Backward at council_st\, June 2025 \n\n\n\nLynne Marsh is a Canadian artist based in Los Angeles and Associate Professor at UC Riverside. Her practice questions the status of the image through mediation\, technology\, and production. Ideas central to Marsh’s research include offstage space\, production-in-production\, affective and cultural labor\, music as a framing device\, and the Brechtian revealing of the mechanics of cultural and theatrical production. \n\n\n\nPerformers \n\n\n\nAbriel Gardner (aka bob) is an artist. She has a background in dance and works in many media. She currently lives in New York. \n\n\n\nJobel Medina is a Filipino-American dancer and choreographer based in Los Angeles. His work spans the United States and France\, and he has collaborated with artists including Tino Sehgal\, Benjamin Millepied\, Dimitri Chamblas\, Alex Prager\, Kim Gordon\, Simon McBurney\, Shahar Binyamini\, Danielle Agami\, and Tom Weinberger. His choreography has been presented at institutions such as the Philharmonie de Paris (with LA Dance Project)\, The Broad\, the Museum of Contemporary Art\, the Musée d’Orsay\, and the Institute of Contemporary Art. \n\n\n\nRyan OByrne is an artist and MFA candidate in Studio Art at The University of California\, Riverside. His work antagonizes the compulsive circulation of conventional terms of logic\, investing in the poetic potential of neologisms that might interrupt repetitions of violence\, extraction\, and exploitation. He is a graduate of The Juilliard School’s Drama Division. \n\n\n\nCecilia Slongo is an interdisciplinary artist from Argentina\, based in Los Angeles. She investigates the body as an archive and its relationality with the material and non-material realms. Cecilia is currently exploring the intersection of media\, corporeality and memory. \n\n\n\nIn conversation with \n\n\n\nAmy Skjerseth is Assistant Professor of Popular Music at University of California\, Riverside. She researches media\, music\, material culture\, and technology. Her books Preprogrammed: How Electronic Presets Changed Music and Media (UC Press) and the coedited volume The Routledge Companion to Voice and Identity will be out later this year. \n\n\n\nJudith Rodenbeck is an art and cultural historian whose research focuses on intermedial art practices since 1945. She trained at Yale\, Columbia\, and the Massachusetts College of Art & Design\, and is currently a Professor of Media & Cultural Studies at the University of California\, Riverside. \n\n\n\nLynne Marsh would like to acknowledge the support of the UC Riverside Center for Ideas and Society and the UC Humanities Research Institute.
URL:https://www.h-r.la/event/after-lived/
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DTSTART;TZID=America/Los_Angeles:20260307T160000
DTEND;TZID=America/Los_Angeles:20260322T180000
DTSTAMP:20260318T170041Z
CREATED:20260215T200413Z
LAST-MODIFIED:20260318T170041Z
UID:9388-1772899200-1774202400@www.h-r.la
SUMMARY:*autonomous together
DESCRIPTION:a proposition about autonomies and their meanders by gloria galvez\, fran ilich and clara lópez menéndez – with contributions from the larger Los Angeles organizing community \n\n\n\nOpening March 7th\, 4 – 8pm \n\n\n\nFor all related public programs please see bottom of this page \n\n\n\nautonomous together* \n\n\n\nautonomy is an act in motion\, a practice\, an attitude and approach to experience\, but one that is not pursued alone. autonomy is a perpetual joyous negotiation of the conditions of our shared freedom from the mandates of colonization\, commodification\, exchange\, dehumanization\, and the destruction of nature. \n\n\n\nlike ants move by sensing other ants\, tracing their routes through walls\, around trees\, and into the earth\, we move towards our desired autonomy following the trails that others have left behind in its quest.  \n\n\n\nworks throughout this exhibition study various social and political practices that move away from dominant systems that deprive the many and\, instead\, build towards collective\, non-hierarchical people and earth-centered infrastructures. together we seek to invite the audience to co-imagine a new commons\, because\, as some friends said over ten years ago\, we owe each other everything.** And liberation is not a solitary practice\, but an interdependent one. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nProgramming \n\n\n\nMarch 7 at 6pm Tumbleweed Soup Kitchen & Recipe Share session with Community Chef Chris Rodriguez \n\n\n\nOur knowledge of our surrounding edible environment has been intentionally severed by the dominant systems that seek to keep us dependent on their low wages and commodities. Tumbleweed soup is a generations-old recipe that has been passed on by indigenous communities and shared amongst people as a survival food during the Great Depression and Dust Bowl period. Chris Rodriguez\, a mutual aid chef of Mexican-Indigenous and Iberian ancestry\, will continue the culinary lineage of this soup and share with attendees a bowl of soup and his recipe for how to make it. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 15 – Urban Foraging session with Community Chef Chris Rodriguez\, Atlakatl Ce Totchli and clara lópez menéndez \n\n\n\nIn this session attendees will learn how to i.d. and harvest tumbleweed from Chef Chris Rodriguez. Through the hike to forage the plants Chris\, Atlakatl Ce Totchli and clara lópez menéndez will share stories about how traditional knowledge of foraging medicinal and edible plants around the world has actively suppressed as a means of status quo control. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 20\, 7m to 9pm Autonomous Convening with Skira Martinez – Cielo\,  Kruti Parekh – Youth Justice Coalition\, and Marta Escudero – Alcove Learning Center. Food served by M.A.A.L.A. \n\n\n\nThis convening invites the community to share a meal and strategies for building resilient autonomous communities. The convening will be facilitated by community organizers who work in housing\, community safety\, and arts projects that practice community autonomy. They will  share strategies from their work and facilitate a conversation that explores how we can together build the world we desire. Food will be provided by Mutual Aid Action Los Angeles.  \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 21\, Reclaiming Presence – Saturday March 21st\, 5pm onward                    \n\n\n\nClosing gathering for autonomous together* –– join us for an evening that explores autonomy through storytelling\, film\, text\, and shared body movement  \n\n\n\n5:30pm – Amelia Bande\, will present a performance that is also a conjuring for us to orally weave counter narratives together. \n\n\n\n7:30pm – Screening Fences to Freedom (45min\, 2025) –– In 2021\, Gustavo Otzoy and his neighbors found themselves surrounded by hundreds of LAPD officers in the midst of the controversial raid on the Covid-era Echo Park homeless encampment. Fences to Freedom is the untold story of what led to the encampment forming\, its eventual eviction\, and the consequential effects on Gustavo’s life thereafter. Stick around after the screening for a Q&A with director Ian Midgley and community organizer Joann Swann. \n\n\n\n9 – 9:30pm – Bite & Write –– Grab a slice of pizza\, browse a book on autonomy\, and write down\, on the table\, a meaningful book quote for others to encounter \n\n\n\n10pm – closing – Music to celebrate\, reclaim collective presence and dancing with rhythms by DJ Adam O and DJ Swann \n\n\n\n∞∞∞∞∞∞ \n\n\n\n* in 2017 virgil b/g taylor made a series of screen printed t-shirts that said “autonomous together”\,  as a commemoration of virgil’s friends’s traumatic experience as part of the counter-rally that gathered in Charlottesville\, Virginia\, in August 2017. As an expression\, “autonomous together” articulates a form of reciprocity that resonated deeply with ourselves and the ethos of this project. So we asked if we could summon it for the title of this show. \n\n\n\n** Fred Moten and Stephano Harney in the Undercommons\, 2013. \n\n\n\n∞∞∞∞∞∞ \n\n\n\ngloria galvez is an artist\, educator\, organizer\, and nature steward whose artistic practice zig-zags across drawing\, video\, sculpture\, and communal experiences — while every so often interweaving into these forms and their making\, community organizing and citizen science insights and frameworks. within this practice\, her current focus invokes alternate and simultaneous realities that prompt rebellious and revealing questions to the current social-political conditions of things – both living and nonliving things – both human and non-human things. and her work offers people physical and abstract spaces of learning\, recollection\, possibility\, self-determination\, and imagination. \n\n\n\nFran Ilich is an artist and writer based in NYC. His practice deals with narrative media\, economy\, games and hacktivism. For instance\, the creation of collective wealth and alternative financial flows\, inventing unorthodox ways to fund and maintain social infrastructures. He draws on ancient modes of exchange\, and uses narrative and creative devices to forge organizational models that transform capitalist systems into solidarity platforms. Rather than reject existing financial tools and capitalist mechanisms\, such as banks\, bonds\, hedge funds\, and capital accumulation\, he shuffles them around in such a way that they instead can foster community building enterprises and non-vertical economies. He is the author of 3 novels and the book-long essay Another Narrative is Possible. His works range from interactive web telenovelas to alternate reality games and utopian experiments in social organization\, like the Diego de la Vega Coffee Co-op and Spacebank\, a virtual community investment bank. \n\n\n\nclara lópez menéndez is an art worker practicing in the fields of curating\, pedagogy\, writing and performance. Among her recent projects are The Awakening\, Antoni Hervas’ solo exhibition at Human Resources LA\, and HRLA Studies\, a series of free classes. She is regular faculty in the Art Program at CalArt’s School of Art.
URL:https://www.h-r.la/event/autonomous-together/
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DTSTART;TZID=America/Los_Angeles:20260328T200000
DTEND;TZID=America/Los_Angeles:20260328T235900
DTSTAMP:20260326T225740Z
CREATED:20260227T194647Z
LAST-MODIFIED:20260326T225740Z
UID:9433-1774728000-1774742340@www.h-r.la
SUMMARY:SHAME
DESCRIPTION:$15 tickets \n\n\n\nSHAME is a deliberately subversive nightlife concept created by curator Peter Kalisch after stepping away from booking Queerspace LA. Framed as a reaction against the excess\, vanity\, and image-driven culture of Los Angeles nightlife\, the party rejects hedonism and performative self-indulgence in favor of introspection\, discomfort\, and raw authenticity. Rather than offering escapism\, “Shame” confronts attendees with the emotional undercurrents often masked by club culture—inviting a space where vulnerability replaces spectacle. \n\n\n\nGirl Pusher “With a streamlined set up of just vocals from Gabby Giuliano and drums (both electronic & acoustic) from Jarrod Hine\, Girl Pusher is punk just the way we like it – futuristic and uncompromising” – Deathbomb Arc \n\n\n\nSRSQ (pronounced seer-skew) is the solo project of Kennedy Ashlyn. SRSQ explores nuance\, nostalgia\, reflection\, and reconciliation\, manifesting in the aural landscape of her 2018 debut album Unreality. \n\n\n\nDiesel Dudes is an Oakland-based “musclewave” or electro-punk band specializing in high-energy\, sweat-soaked music paired with body-building themes. Known for intense live performances involving muscle-bound dancers\, the group blends EBM (Electronic Body Music) with punk energy\, focusing on themes of strength\, lifting\, and humor. \n\n\n\nDagger Wound – a noise masochist bringing abrasive sounds with a strong political message and a cathartic performance style that slices through reality. \n\n\n\nDVVSK – (pronounced Dusk) is a non-binary drag queen based in Los Angeles\, known for their performances and artistry. with shoutouts from notable figures like Alaska Thunderfuck.
URL:https://www.h-r.la/event/shame/
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