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X-WR-CALDESC:Events for Human Resources
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DTSTART;TZID=America/Los_Angeles:20240817T000000
DTEND;TZID=America/Los_Angeles:20240908T235959
DTSTAMP:20260825T031110
CREATED:20240801T205057Z
LAST-MODIFIED:20240821T225741Z
UID:8367-1723852800-1725839999@www.h-r.la
SUMMARY:There is almost not an interval
DESCRIPTION:Theresa Hak Kyung Cha “Mouth to Mouth” (1975) black and white video\, sound\n\n\n\nOpen hours 12-6pm Fridays\, Saturdays\, and Sundays and by appointment all other times \n\n\n\nRenee GladmanWill RawlsTheresa Hak Kyung ChaAllison ParrishJJJJJerome EllisSarah RaraLuke Fischbeck \n\n\n\n\n“People will never believe you are ‘without events.’ And that is why decay is slow\, and why it is not devastation.” (1) \n\n\n\n\nIntervals are what a threshold makes\, a here and there\, (held) in suspension\, a distinction (telling the difference)\, undifferentiated (holding difference)\, without separation\, a crossing\, where limits meet\, anticipation (a margin to move in)\, body horror (I’m an alien)\, reperforming events\, switching (logic)\, binary\, alternating\, lenticular\, talking back\, the transformation of silence into language and action\, some temporalities (for sure)\, stop motion\, flicker\, duration\, bracketing\, the suspension of judgment\, the withholding of assent\, the preconditions\, the prior logic\, intersection\, coincidence\, suture\, stitch\, montage\, cut\, rupture\, glitch\, break\, gap\, clearing\, hesitation\, some kinds of waiting\, losing control\, building community\, falling in love\, between thought and speech\, between speech and act\, between action and listening\, between memory and futurity\, between what’s in my head and what’s in yours\, side by side\, boundary objects\, parallel selves\, the fantasy of continuity\, a movement between the pieces\, fragments of actual energy\, time away\, life\, a long take\, notes in a chord\, frames in a film\, unnatural bridges. “Allegory\, here\, is material\,” Ian White wrote: “An interval\, occupied.” (2) \n\n\n\n“Intervals”\, Trinh T. Minh-Ha observed\, don’t “bring about any tremor like ‘passion\,’ ‘death\,’ or ‘love.’” It’s thanks to intervals\, however\, that “a direct relation is possible: a relation of infinity assumed in works that accept the risks of spacing and take in the field of free resonances—or\, of indefinite substitutions within the closure of a finite work.” (3) \n\n\n\nA barely-perceptible interval is space enough for holding movement between pieces that have been cut apart or never really touched\, whose relation is latent or obscured. We will approach “intervals” as tainted binaries or boundaries: before and after\, bodies and spaces\, events and images\, internal and external\, spoken and thought\, original and translation. Forms to explore include traveling in time\, interpolating (imagined continuities)\, waiting (pausing\, anticipating)\, transducing (moving across one medium into another)\, flickering\, hovering over\, pivoting on\, or crossing of thresholds\, pushing sequences out of order\, ambivalence\, and self-contradiction. Intervals show a special kind of coherence across duration\, distance\, or difference. Intervals are the mechanics of memory and representation\, the choreographies of reconstruction\, where fiction and testimony are glued together to assemble critical\, speculative\, fabulous histories.  \n\n\n\nWill Rawls “Sister Spell” (video still)\n\n\n\nWill Rawls “Sister Spell” (video still)\n\n\n\nSarah Rara “Untitled (Door)” 2024 (video still)\n\n\n\nSarah Rara “Untitled (Door)” 2024 (video still)\n\n\n\n\n“There is almost not an interval. For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused […] the rapidity of the change is always startling.” (4) \n\n\n\n\nThe whiplash of recognition! \n\n\n\n\n\n\n\n(1) Renee Gladman\, The Ravickians(2) Ian White\, “What is Material?”(3) Trinh T. Minh-Ha\, “Beware of Wolf Intervals”(4) Gertrude Stein\, “Composition as Explanation”
URL:https://www.h-r.la/event/there-is-almost-not-an-interval-2/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2024/08/mouth-to-mouth_low.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240912T000000
DTEND;TZID=America/Los_Angeles:20240913T235959
DTSTAMP:20260825T031110
CREATED:20240909T140908Z
LAST-MODIFIED:20240909T140909Z
UID:8429-1726099200-1726271999@www.h-r.la
SUMMARY:Holly Harrell: The argument at the family barbecue the day after the office St. Patrick’s Day party
DESCRIPTION:Thursday\, September 12 and Friday\, September 13\, 7pmA surgical exquisite corpse. An eternal reoccurrence. A replica made from memory with no skills to work with.A two day participatory performance. The first night we investigate the space\, take it apart and then rebuild it from memory with no references. The second night we activate the space through improvised situations which force us to negotiate an unfamiliar circumstance.Through this activation we unmake what was made. \n\n\n\nHolly Harrell subverts genres in an attempt to find what confronts us in reality and in between realities\, bifurcating the varied experiences of the audience.
URL:https://www.h-r.la/event/holly-harrell-the-argument-at-the-family-barbecue-the-day-after-the-office-st-patricks-day-party/
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2024/09/Screenshot-2024-07-25-at-12.05.10-PM.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240917T000000
DTEND;TZID=America/Los_Angeles:20240919T235959
DTSTAMP:20260825T031110
CREATED:20240807T182233Z
LAST-MODIFIED:20240818T004903Z
UID:8377-1726531200-1726790399@www.h-r.la
SUMMARY:Dorian Wood: I Do Not Want What I Haven't Got
DESCRIPTION:Doors at 7pm / show at 7:30pm on all nights. \n\n\n\nPhoto credit: Laura Pardo\n\n\n\nDorian Wood returns to L.A. for three nights only\, performing the entirety of Sinéad O’Connor’s groundbreaking album on each night. Almost one year after the iconic singer/songwriter’s passing\, Wood pays tribute to her with an intimately heartfelt arrangement for piano and voice. Says Wood: “There is no album that has inspired me more than I Do Not Want What I Haven’t Got\, and no artist has impacted my life more than the goddess Sinéad. It is an immense honor to celebrate her\, revisiting these songs filled with her truth; songs that helped shape so many of us.” Originally released in 1990\, the album was a global success for O’Connor\, spawning such hit singles as “Nothing Compares 2 U”\, “The Emperor’s New Clothes” and “Jump in the River”. 
URL:https://www.h-r.la/event/dorian-wood-i-do-not-want-what-i-havent-got/
CATEGORIES:music/sound
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2024/08/LPP_3902-Copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240920T200000
DTEND;TZID=America/Los_Angeles:20240920T230000
DTSTAMP:20260825T031110
CREATED:20240910T172749Z
LAST-MODIFIED:20240910T211446Z
UID:8421-1726862400-1726873200@www.h-r.la
SUMMARY:MSHR / Slipper / Jonathan Snipes
DESCRIPTION:UPEND Presents \n\n\n\nMSHR \n\n\n\nSlipper  \n\n\n\nJonathan Snipes \n\n\n\n[ [ TICKETS ] ] \n\n\n\nMSHR upends L.A. with back-to-back nights of performance at Human Resources\, each night featuring a distinct mode of the Portland\, Oregon-headquartered collective’s networked visual artwork\, soundwork\, feedback\, and shape shift. \n\n\n\nOn night one MSHR unfurls the latest iteration of their live sound-sculpture cycle. Performing in the round on a menagerie of fantastical sculptures\, novel instruments that can emit light\, audio signal\, and data AND – through custom circuitry and software – process the emissions of neighboring sculptures\, MSHR coax a wild electronic stew of chirp\, click\, pulse\, zap\, and pow\, through a four-channel speaker system\, fully enveloping the audience in the intermedia drama. MSHR is a collective comprised of Brenna Murphy and Birch Cooper. \n\n\n\nChloé Marrata – formerly one half of the heroic sui generis DIY duo Odwalla1221 – shares her solo project\, Slipper. Within\, Maratta continues to explore an intuitive and intimate sample based language\, a perfect match for her own idiosyncratic vocal style and sassy aesthetics. \n\n\n\nNo sound concept or technique is beyond the reach of Jonathan Snipes. His all-too-rare solo outings – which can take the form of ad hoc electroacoustic devices or various digital precisions – ever make the sonic seem elastic. \n\n\n\nAlso come through HR the following night to catch another mode of the Portland\, Oregon-headquartered collective’s networked visual artwork\, soundwork\, feedback\, and shape shift\, as MSHR peforms Network Entity.
URL:https://www.h-r.la/event/mshr-slipper-jonathan-snipes/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2024/09/MSHR-UPEND-2024-friday-obj0560-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240921T200000
DTEND;TZID=America/Los_Angeles:20240921T220000
DTSTAMP:20260825T031110
CREATED:20240910T174814Z
LAST-MODIFIED:20250812T103508Z
UID:8427-1726948800-1726956000@www.h-r.la
SUMMARY:MSHR: Network Entity
DESCRIPTION:UPEND presents a live audio visual performance from MSHR \n\n\n\nNetwork Entity: A Live Rendered Sonic Sculpture System \n\n\n\n{ { RSVP } } \n\n\n\nMSHR upends L.A. with back-to-back nights of performance at Human Resources\, each night featuring a distinct mode of the Portland\, Oregon-headquartered collective’s networked visual artwork\, soundwork\, feedback\, and shape shift. \n\n\n\nOn night two\, MSHR will perform NETWORK ENTITY\,  a live audiovisual improvisation which will see their hyper-cyber-extended cinema projected upon the grand wall of Human Resources. Within the video signal and 4-channel audio realm of NETWORK ENTITY\, “sculptural and sonic shapes are formally linked in an ever-mutating composition.” MSHR’s interplay with the shape-shifting is\, of course\, via instruments of their own devise: sculptural electronic interfaces and open source software structures. MSHR is a collective comprised of Brenna Murphy and Birch Cooper. \n\n\n\nThis event is free\, however\, donations are welcome. Click above to RVSP and/or donate in advance. \n\n\n\nAlso come through HR the previous night to catch MSHR performthe latest iteration of their live sound-sculpture cycle\, plus sets by Slipper and Jonathan Snipes.
URL:https://www.h-r.la/event/mshr-network-entity/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2024/09/MSHR-UPEND-2024-saturday-obj0554.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240928T200000
DTEND;TZID=America/Los_Angeles:20240928T233000
DTSTAMP:20260825T031110
CREATED:20240830T183953Z
LAST-MODIFIED:20240830T184153Z
UID:8410-1727553600-1727566200@www.h-r.la
SUMMARY:MIRRORED FATALITY: LABUAD MEKLOOQ
DESCRIPTION:Doors at 8pm; performance at 9:30pm \n\n\n\n\n\n \n\n\n\n\n\n\n\nIt’s 3034 on ECOCIDE 3URTH\, and the corpses of natural ecosystems of planet Earth murdered by apathetic humans and artificial intelligence are seeking vengeance. A transmuted species formed from the lava eruption of Mount Pinatubo\, a dormant stratovolcano awakened after 500 years on Philippines’ Araw ng Kalayaan during U.S.A’s occupation and the ruins of floods and cyclones of post-partition South Asia after British rule are born – the labuad me looks. \n\n\n\nmirrored fatality: Láwû Makuriye’nte & Samar Dagger bring to Human Resources LABUAD MEKLOOQ\, a live biohacking performance in which the cross disciplinary performance punk duo transmutes as labuame looksqs— a multispecies of beaststerritoriesds\, and transhumans in their immersive biome ECOCIDE 3URTH. Experimenting for this immersive installation/performance with decolonial regeneration as their voice\, wearable sculptures\, and movement trigger an industrial and noise live score with vocals in Kapampangan\, Urdu\, and English. The material pulls from the duo’s album LABUAD MEKLOOQ\, released in 2024\, and their internationally screened mixed-reality films. \n\n\n\nThis project is the 2023-2024 Commission by Boss Witch Productions\, an artistic production company focused on the intersection of experimental sound art\, ritual performance\, video art\, and transmedia collaboration within natural landscapes and unusual performance sites founded in 2021. This year’s commission in partnership with mirrored fatality features creative collaborations with 24+ international Trans\, Queer\, QTBIPOC\, and underground experimental multidisciplinary artists across fashion\, prosthetics\, mixed-reality visuals\, sound art\, facilitated movement\, and handcrafted noise instruments.
URL:https://www.h-r.la/event/mirrored-fatality-labuad-meklooq/
CATEGORIES:music/sound,performance
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