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DTSTART;TZID=America/Los_Angeles:20230503T210000
DTEND;TZID=America/Los_Angeles:20230830T210000
DTSTAMP:20260824T212857
CREATED:20230502T194553Z
LAST-MODIFIED:20240818T010326Z
UID:7442-1683147600-1693429200@www.h-r.la
SUMMARY:Wednesday Summer Screenings
DESCRIPTION:A casual series of moving image works\, presented every Wednesday night at 9 \n\n\n\n \n\n\n\nfree \n\n\n\n \n\n\n\nimage by Aimee Goguen
URL:https://www.h-r.la/event/wednesday-summer-screenings/
CATEGORIES:screening
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230512T000000
DTEND;TZID=America/Los_Angeles:20230604T235959
DTSTAMP:20260824T212857
CREATED:20230227T202519Z
LAST-MODIFIED:20240818T010320Z
UID:7349-1683849600-1685923199@www.h-r.la
SUMMARY:Antoni Hervás - the awakening
DESCRIPTION:May 12 – June 4\, 2023 –– Wednesday through Sunday\, 12 – 6pm \n\n\n\nOpening: May 12\, 6 – 10pm \n\n\n\nCuero Amanecer: a celebration of queer clubs\, sexy dancing\, leather and fun! \n\n\n\nMay 18\, 9pm till L8 \n\n\n\n \n\n\n\nthe awakening is a project by Barcelona-based artist Antoni Hervás\, curated by Clara López Menéndez. The exhibition will be accompanied by a 3 month long residency at the Tom of Finland Foundation (April-June). The show has been realized with the inestimable help and advice of Valeria Tizol Vivas. \n\n\n\nthe awakening departs from Hervás’ initiative to come to Los Angeles in Spring 2022 to research the beginnings of what is called “leather culture.” Interested in the murky origins of these aesthetics and performative codes of queer/gay life\, Hervás wanted to look into the origins of this community in Southern California. Especially how the drawings and life of Tom of Finland intersected in the dissemination of this aesthetic worldwide. Hervás looked into the places where Finland found his earliest inspiration and how\, through Finland’s fantasy\, this nowadays widely expanded gender identity and set of practices came to be. Hervás is particularly curious about how the specific forms of this subculture emerged\, becoming recognizable codes for those who knew how to see them\, while hiding in plain sight by taking from widely spread popular culture tropes––the cowboy\, the motorcycle gang\, the various men in uniform––and utilizing an exalted form of high masculinity as drag and cover. \n\n\n\nIn addition Hervás also dove into Los Angeles’s contemporary underground queer culture\, interested in putting together the less recorded inspirational wells of this history: the laidback working class clandestine gay clubs were men of all social and racialized backgrounds meet to find each other on the dancefloor and forget the rigid social strictures that demand heteronormative performances of them––at their jobs\, in the street\, with their families. These spaces represent for Hervás the heterogenous fertile grounds that inspired artists like Tom of Finland\, who then crystalized in their drawings a more whitewashed vision of these opaque origins. For Hervás\, this whitewashing obscures how in the club lines get blurred and difference dances in joy instead of splitting apart.  \n\n\n\nThe club is a fundamental space for gay life and culture\, one that is currently endangered by real estate speculation and the changes in habits catalyzed by the use of cruising apps. The show’s work is therefore partially a celebration of gay clubs and bars as a needed refuge and crucial space for queer becomings.   \n\n\n\nIn conjunction with the exhibition at HRLA\, an installation of drawings and materials from the Tom of Finland Archive will take place offsite at the Tom of Finland Foundation. These pieces have been selected by Hervás for being inspirational sources and key findings during his archival research for the project in 2022. This installation will run until the end of June (exact date TBD). \n\n\n\nWith the support of the PICE AC/E Mobility Grants and the California Institute of the Arts.  \n\n\n\nThank you Adam Otto Lutz\, Amy Chao\, Christine Yerie Lee\, Wes Larios for their help in making this fantasy happen!
URL:https://www.h-r.la/event/antoni-hervas-the-awakening/
CATEGORIES:exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230607T210000
DTEND;TZID=America/Los_Angeles:20230607T210000
DTSTAMP:20260824T212857
CREATED:20230531T213809Z
LAST-MODIFIED:20240818T010313Z
UID:7494-1686171600-1686171600@www.h-r.la
SUMMARY:Prima Sakuntabhai & Olivia Leiter
DESCRIPTION:This weeks Wednesday Night Summer Screening Series features short videos Olivia Leiter and Prima Sakuntabhai. \n\n\n\nOlivia LeiterDrawing from archival materials and phone interviews\, Amalgamated explores cooperation\, unions\, the 60s and 70s New York City tenant movement\, compromises\, financial issues and ideas around community and belonging. Special thanks to Ed Yaker\, David Wayne\, The Bronx Historical Society\, The Kneel Center for Labor-Management Documentation and Archives and The Tamiment Library and Robert F. Wagner Labor Archives. Amalgamated\, 202320 MinutesPrima Sakuntabhai Looking back at the work I made when I first moved to LA in 2017\, Site Specificity III is a reflection on how absence and disappearance render a site specific because it is no longer accessible. I turned my bedroom in Boyle Heights into a performance space for twenty audience members for an evening. The window covered in vellum becomes a projection screen\, revealing the projected image as the sun sets. The three-channel documentation shows the performance from three perspectives: the point of view of the performer\, the projection screen and through an X-ray filter. Ranging from fragmented childhood memories\, a city built by a heartbroken Roman emperor to proliferation of passenger planes\, the narratives and imagery in the work still resonate with my current work on memory in connection to place and blending of fact and fiction.Fast forward to the present\, Etretat is a short clip I put together from my return visit to France the summer of 2022. I had asked my parents to take me to Etretat\, a village on the Normandy coast\, known for its white chalk cliffs and remnants of World War II. When my dad was 16\, he visited his grand-uncle\, Pridi Banomyong\, the Thai revolutionary in exile in France\, who took him on a trip there. \n\n\n\n\n \n\n\n\n\nSite Specificity III\, 2018 \n\n\n\nThree-channel video documentation of performance \n\n\n\n19:55 minutes \n\n\n\n\n\n\n\nEtretat\, 20233 minutes
URL:https://www.h-r.la/event/wednesday-night-screenings-prima-sakuntabhai-olivia-leiter/
CATEGORIES:screening
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2023/05/olivia-still.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230608T190000
DTEND;TZID=America/Los_Angeles:20230608T190000
DTSTAMP:20260824T212857
CREATED:20230221T042509Z
LAST-MODIFIED:20230225T211132Z
UID:7318-1686250800-1686250800@www.h-r.la
SUMMARY:Aki Onda: Spirits Known and Unknown
DESCRIPTION:Photo by Aki Onda\n\n\n\nAki Onda “Spirits Known and Unknown” featuring Eyvind Kang \n\n\n\n“Spirits Known and Unknown” is a performance featuring various kinds of brass bells. It examines the materiality and spirituality of these objects and explores the uncanny and unknown. \n\n\n\nBells are a mysterious instrument. It is said that they were born when primitive people banged on resonant surfaces to frighten away evil. They have been used to call spirits in different cultures. They appear in church towers\, symbols of peace\, but have also been melted down and turned into bullets. \n\n\n\nOnda remarks “Playing bells can be eerie at times. I get the sensation that ringing them connects me to their former owners who may have rung them. The actions recall lost sounds and sense histories that would otherwise be erased. It’s like collaborating with forces such as spirits and ancestors which transcends the sense of time and space experienced through multi-sensory channels.” \n\n\n\nFor this special occasion\, Onda invited LA-based composer and multi-instrumentalist Eyvind Kang as a co-performer. \n\n\n\nPhoto by Lukasz Gawronski\n\n\n\nAki Onda is an artist\, composer\, and curator currently based in Mito\, Japan\, after living in New York for two decades. His works are often catalyzed by and structured around memories—personal\, collective\, historical—such as his widely-known project\, Cassette Memories (2004–ongoing)\, drawn from three decades of field recordings. Crossing genres\, he has been active internationally in art\, film\, music and performance. His artistic collaborators include Michael Snow\, Ken Jacobs\, Raha Raissnia\, Paul Clipson\, Loren Connors\, Alan Licht\, David Toop and Akio Suzuki. Onda has presented his work at The Kitchen\, MoMA\, MoMA P.S.1\, New Museum\, Blank Forms\, ICA Philadelphia\, REDCAT\, Time-Based Art Festival\, documenta 14\, Louvre Museum\, Pompidou Center\, Palais de Tokyo\, Fondation Cartier\, Argos\, Bozar\, ICA London\, International Film Festival Rotterdam\, Nam June Paik Art Center and many others. \n\n\n\nEyvind Kang—a multi-instrumentalist\, composer and arranger—works across genre and discipline\, bringing subtlety\, fluidity\, and emotional intensity to each of his varied projects. Wary of the divisions of music by nation\, Kang makes “people music” influenced by geology\, collective memory and sonic possibility. \n\n\n\n \n\n\n\nEverything in AirHuman Resources LA presents Everything in Air\, a series of public programs over the course of a year—new commissions\, exhibitions\, performances\, and forums\, often in hybrid combinations—using key concepts within artist and composer Maryanne Amacher’s work as points of departure. The series was supported by a Mike Kelley Foundation Grant. \n\n\n\nJune 8th\, 2023.  Doors open at 7pm\, Performance begins 8pm sharp  \n\n\n\nAdvance Tickets Available: https://withfriends.co/event/15758766/General_Admission
URL:https://www.h-r.la/event/aki-onda-spirits-known-and-unknown/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230609T190000
DTEND;TZID=America/Los_Angeles:20230609T190000
DTSTAMP:20260824T212857
CREATED:20230221T052107Z
LAST-MODIFIED:20230225T210906Z
UID:7328-1686337200-1686337200@www.h-r.la
SUMMARY:Aki Onda: Spirits Known and Unknown
DESCRIPTION:Photo by Aki Onda\n\n\n\nAki Onda “Spirits Known and Unknown” featuring Eyvind Kang \n\n\n\n“Spirits Known and Unknown” is a performance featuring various kinds of brass bells. It examines the materiality and spirituality of these objects and explores the uncanny and unknown. \n\n\n\nBells are a mysterious instrument. It is said that they were born when primitive people banged on resonant surfaces to frighten away evil. They have been used to call spirits in different cultures. They appear in church towers\, symbols of peace\, but have also been melted down and turned into bullets. \n\n\n\nOnda remarks “Playing bells can be eerie at times. I get the sensation that ringing them connects me to their former owners who may have rung them. The actions recall lost sounds and sense histories that would otherwise be erased. It’s like collaborating with forces such as spirits and ancestors which transcends the sense of time and space experienced through multi-sensory channels.” \n\n\n\nFor this special occasion\, Onda invited LA-based composer and multi-instrumentalist Eyvind Kang as a co-performer. \n\n\n\nPhoto by Lukasz Gawronski\n\n\n\nAki Onda is an artist\, composer\, and curator currently based in Mito\, Japan\, after living in New York for two decades. His works are often catalyzed by and structured around memories—personal\, collective\, historical—such as his widely-known project\, Cassette Memories (2004–ongoing)\, drawn from three decades of field recordings. Crossing genres\, he has been active internationally in art\, film\, music and performance. His artistic collaborators include Michael Snow\, Ken Jacobs\, Raha Raissnia\, Paul Clipson\, Loren Connors\, Alan Licht\, David Toop and Akio Suzuki. Onda has presented his work at The Kitchen\, MoMA\, MoMA P.S.1\, New Museum\, Blank Forms\, ICA Philadelphia\, REDCAT\, Time-Based Art Festival\, documenta 14\, Louvre Museum\, Pompidou Center\, Palais de Tokyo\, Fondation Cartier\, Argos\, Bozar\, ICA London\, International Film Festival Rotterdam\, Nam June Paik Art Center and many others. \n\n\n\nEyvind Kang—a multi-instrumentalist\, composer and arranger—works across genre and discipline\, bringing subtlety\, fluidity\, and emotional intensity to each of his varied projects. Wary of the divisions of music by nation\, Kang makes “people music” influenced by geology\, collective memory and sonic possibility. \n\n\n\nEverything in AirHuman Resources LA presents Everything in Air\, a series of public programs over the course of a year—new commissions\, exhibitions\, performances\, and forums\, often in hybrid combinations—using key concepts within artist and composer Maryanne Amacher’s work as points of departure. The series was supported by a Mike Kelley Foundation Grant. \n\n\n\nJune 9th\, 2023. Doors open at 7pm\, Performance begins 8pm sharp \n\n\n\nAdvance Tickets Available: https://withfriends.co/event/15758799/General_Admission
URL:https://www.h-r.la/event/aki-onda-spirits-known-and-unknown-2/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:performance
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230610T200000
DTEND;TZID=America/Los_Angeles:20230610T230000
DTSTAMP:20260824T212857
CREATED:20230512T021239Z
LAST-MODIFIED:20230512T021614Z
UID:7454-1686427200-1686438000@www.h-r.la
SUMMARY:Macula Dog • Bromp Treb • Mas Guerrero
DESCRIPTION:On Saturday June 10th MACULA DOG – the enigmatic\, electronic\, off-kilter\, self-contained band and performance unit from New York City – bring themselves and their holographs to Human Recources Los Angeles via UPEND. \n\n\n\nPlus\, the blurp and pivot of BROMP TREB\, a single human – Neil ‘Cloaca’ Young – who teases a tangle of crisscrossed gear and microphoning in a revue of body comedy and little ‘lectronic frenzies. \n\n\n\nAnd Angelino audio pilot MAS GUERRERO\, herself a node of high quality alt-reality squonk and digi-pastiche that hits ears in both abstractronic and song forms. \n\n\n\nAdvance tickets available here. \n\n\n\n++ \n\n\n\nMacula Dog is a New York City-based band\, a fully weird and wireless electronic audio-video duo that divvies out a flurry of wild and fun songs that’ve apparently jumped out of the same variable pitch blender as Devo and the Residents (and for headier heads Melted Men and Zoogz Rift!) \n\n\n\nIn support of a new LP\, Orange 2 on Wharf Cat Records\, they hit the west coast with their futurist-absurdist antics and a full costumery upgrade for the first time in six years. This gig will gig showcase the band’s new live configuration\, in which “…they carry their gear on harnesses\, adorning themselves with impact-resistant clothing to cushion from injury should their exoskeletal sit-stand legs slip out from under them. The duo also carry a camera and hologram projection system\, transforming each member into a fully mobile performance rig\, each with a mini jumbotron.“ \n\n\n\nhttps://maculadog.bandcamp.com/
URL:https://www.h-r.la/event/macula-dog-bromp-treb-mas-guerrero/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2023/05/maculadog_orange2.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230612T190000
DTEND;TZID=America/Los_Angeles:20230612T190000
DTSTAMP:20260824T212857
CREATED:20230523T202634Z
LAST-MODIFIED:20230523T202700Z
UID:7487-1686596400-1686596400@www.h-r.la
SUMMARY:Ari Brostoff & Emily Segal in Conversation 
DESCRIPTION:This event is a conversation between Ari Brostoff\, author of Missing Time\, and Emily Segal\, author of Mercury Retrograde\, about their respective books–two reflections on the cultural and political vertigo of the 2010s. Possible discussion topics: information theory\, cultural experimentation\, political commitment\, historical memory\, New York Jews.  \n\n\n\nAri Brostoff is the author of the essay collection Missing Time (2022) and an editor at Jewish Currents magazine. Emily Segal is a writer\, artist and trend forecaster based in Los Angeles. She is the publisher of Deluge Books and the author of the novel Mercury Retrograde (2020). Previously\, she co-founded the trend forecasting group K-HOLE.
URL:https://www.h-r.la/event/ari-brostoff-emily-segal-in-conversation/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230617T190000
DTEND;TZID=America/Los_Angeles:20230617T190000
DTSTAMP:20260824T212857
CREATED:20230607T212430Z
LAST-MODIFIED:20240818T010225Z
UID:7513-1687028400-1687028400@www.h-r.la
SUMMARY:Sebastian Hernandez - REVERB
DESCRIPTION:Reverb is a quartet movement based performance that thinks through ideas of queerness\, kin\, sorrow and the body. This performance asks the performers to question their commitment to performance\, movement\, and art making. How do we give and conserve energy. How do we survive in times of duress? How do we breathe amidst legislative violence? How do we find freedom in todays violently oppressive capitalist structures that seek to consume and dispose our bodies? \n\n\n\nSebastian invited queer black and brown movers they have met and danced with in queer Los Angeles night life. This politically direct invitation is no coincidence as this queer commons aids Sebastians work. This commons allows for the organic nature and mutual understandings of Sebastians artistic ideas and shared life experiences as minoritarian subject in todays increasing anti LGBT+ America. This mode of working is a central part of Sebastian’s practice as they not only source from the club but simultaneously contribute to queer club culture in LA through their monthly party\, YOU Los Angeles. \n\n\n\nDirected by Sebastian HernandezPerformed by Sebastian Hernandez\, Kearian\, Augustine\, Summer Breeze HoskinsMusic Score and Mixing by Sebastian Hernandez \n\n\n\nPresale tickets are available here\, and at the door- No one will be turned away 
URL:https://www.h-r.la/event/sebastian-hernandez-reverb/
CATEGORIES:performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230618T200000
DTEND;TZID=America/Los_Angeles:20230618T200000
DTSTAMP:20260824T212857
CREATED:20230613T215853Z
LAST-MODIFIED:20230615T173236Z
UID:7531-1687118400-1687118400@www.h-r.la
SUMMARY:Sam Weinberg - Haydee Jimenez - Michael Dessen - Judith Berkson
DESCRIPTION:Local percussionist Corey Fogel hosts a program of four diverse\, improvising soloists from NY\, Mexico\, and California.   \n\n\n\nSam Weinberg is a saxophonist and improviser living in New York City. He has participated in many improvised contexts which have included Henry Fraser\, Jason Nazary\, Weasel Walter\, Sandy Ewen\, Andrew Smiley\, Laura Cocks\, Charmaine Lee\, Barry Weisblat\, Nate Wooley\, Ben Bennett and many others. He has led the group Bloar for over five years\, and he also leads a trio with bassist Chris Lightcap and drummer Tom Rainey\, whose album Implicatures will be released by Astral Spirits in early 2023. He has performed throughout the United States\, Canada\, and Europe. Weinberg was profiled in a long piece about his playing in Bandcamp Daily and his music was highlighted in consecutive year-end lists by Rolling Stone. His music has also been featured in WIRE\, The Quietus\, and The Brooklyn Rail. https://www.samweinberg.net/ \n\n\n\nHaydee Jimenez : transdisciplinary artist and curator based in the Southern California – Northern Baja California region; Co-founder of nettnettradio and nettnett space in Tijuana ; Explorer in the realms of artistic and holistic approaches to healing through sound frequencies\, vibrations and computer music ; Composer / producer / performer of electronic music aka AyDD / Hidhawk and drummer with Traviesas y Milagros; Promoter of experimental / electronic musicians and artists of the region – Borderlandnoise.  Faculty member of the Art Department at California State University Los Angeles teaching Art & Design in the Community and Social Engagement Through Fashion\, Fiber & Materials. http://haydeejimenez.net \n\n\n\nComposer and trombonist Michael Dessen creates highly interactive\, improvisatory music and collaborates with leading artists\, while also working as a university professor to expand institutional spaces for cultural innovation and exchange. His compositions often blend abstract\, immersive sound worlds with lyricism and groove\, and have integrated technologies such as live sampling/processing and dynamic\, algorithmic “scorestreams.” Dessen’s releases include four critically-acclaimed albums on Clean Feed Records\, and his music has been recognized with awards from Chamber Music America\, New Music USA and the Fromm Foundation. He has also worked extensively since 2007 in telematic music\, composing and performing on dozens of networked concerts with international collaborators\, and co-directing many projects that have enabled diverse composer-improvisers to experiment with this emerging medium. https://mdessen.com \n\n\n\nJudith BerksonComposer/Performer Judith Berkson uses voice along with digital and analog keyboards to create pieces that cross the boundaries of classical\, electronic\, and experimental music. She has collaborated with the Kronos Quartet\, City Opera\, Laurie Anderson and has premiered vocal works by Chaya Czernowin\, Enno Poppe\, Mick Barr\, Joe Maneri\, Rick Burkhardt\, Gerard Pape\, Julia Wentz and Aleksandra Vrebalov. She has collaborated on Yiddish folk music with Theodore Bikel and has presented solo works at the Picasso Museum Malaga\, Le Poisson Rouge and National Sawdust. http://judithberkson.info \n\n\n\n$10 suggested donation at the door
URL:https://www.h-r.la/event/sam-weinberg-haydee-jimenez-michael-dessen-judith-berkson/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230624T180000
DTEND;TZID=America/Los_Angeles:20230627T140000
DTSTAMP:20260824T212857
CREATED:20230611T211845Z
LAST-MODIFIED:20230611T211846Z
UID:7523-1687629600-1687874400@www.h-r.la
SUMMARY:Jean Robison: Wandering Eye
DESCRIPTION:Opening: Saturday\, June 24\, 6–9pm \n\n\n\nExhibition Dates: June 24-27\, 2023 \n\n\n\nGallery Hours: Sunday June 25 11am – 2pm and by appointment \n\n\n\nRobison’s immersive installation showcases new work in an experimental audio/visual arrangement. Images\, objects\, sounds and other phenomena are pushed to new interpretations as they wander between physical and digital reference points. \n\n\n\nJean Robisonjeanrobison.com \n\n\n\nJean Robison is an interdisciplinary multimedia artist. Working primarily in video\, the internet and social practice. Her work includes experimental websites\, animation\, digitally manipulated paintings\, photography and performance. Robison’s work reinterprets artifacts of mass media to explore how consciousness and perception are shaped by pre-digested imagery and information generally brought to us by the web\, movies and television. Often infused with an unlikely mix of gravity and humor\, her work embodies a hybrid sensibility that utilizes a variety of media to explore popular culture as well as the mechanical devices of information delivery like cameras\, screens and the printed surface. \n\n\n\nRobison’s outlook on art-making is highly motivated by interactivity and engagement. Whether through a computer screen as in her online and digital work or large-scale public engagement as with social practice projects\, her work offers a disposition of intimacy rather than intimidation.
URL:https://www.h-r.la/event/jean-robison-wandering-eye/
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END:VEVENT
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