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X-WR-CALDESC:Events for Human Resources
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DTSTART;TZID=America/Los_Angeles:20230301T190000
DTEND;TZID=America/Los_Angeles:20230301T190000
DTSTAMP:20260824T194945
CREATED:20230210T195437Z
LAST-MODIFIED:20230210T201438Z
UID:7272-1677697200-1677697200@www.h-r.la
SUMMARY:Exquisite Corps: a trio of solos
DESCRIPTION:Exquisite Corps: a trio of solos by \n\n\n\nmia simonović / allie miks / diana relth \n\n\n\nHuman Resources Gallery \n\n\n\nWednesday\, March 1st \n\n\n\nDoors at 7pm \n\n\n\n$10 suggested donation \n\n\n\nmasks are encouraged \n\n\n\n“Exquisite Corps” is one night of 3 solo performances by 3 artists. \n\n\n\nmia simonović (they/them/she/her) is a Balkan-American movement artist and teacher. mia’s choreography explores vessels such as the body and their abilities to share messages through movement\, feedback\, and sensation. Photo credit: Matt Jones \n\n\n\nallie miks (she/her) is a performing artist\, mover\, and teacher from Los Angeles. She creates in a process-based method that focuses on collaboration with others involved. The piece allie will present is in collaboration with Designer Artist Kelsey Vidic. Photo credits: Matthew Genecov (flyer)\, Skye Schmidt (portrait) \n\n\n\nDiana Relth (she/they) is an artist and performer navigating liminal spaces\, and draws connections between seemingly disjointed places. Diana’s performance is in collaboration with Musician Garrett Scott Dowell. Photo credit: Madison Stonefield
URL:https://www.h-r.la/event/exquisite-corps-a-trio-of-solos-by/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2023/02/IMG_4100.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230304T193000
DTEND;TZID=America/Los_Angeles:20230304T193000
DTSTAMP:20260824T194945
CREATED:20230106T042007Z
LAST-MODIFIED:20240818T010545Z
UID:7154-1677958200-1677958200@www.h-r.la
SUMMARY:CROM: The Cocaine Wars 1974-1989
DESCRIPTION:In celebration of the LP/CD re-release of The Cocaine Wars 1974-1989 on To Live A Lie Records\, CROM will be performing the album in its entirety at their first Sumerian Swap Meet. The event also includes performances by: \n\n\n\nPhalanx \n\n\n\nCiverous \n\n\n\nTraümer \n\n\n\nRed Rot \n\n\n\nDNS \n\n\n\nOrganized with Snow Goat Productions and Church of the 8th Day. \n\n\n\nDoors at 7:30pm
URL:https://www.h-r.la/event/crom-the-cocaine-wars-1974-1989/
CATEGORIES:music/sound,one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230315T200000
DTEND;TZID=America/Los_Angeles:20230315T200000
DTSTAMP:20260824T194945
CREATED:20230308T233004Z
LAST-MODIFIED:20230309T184826Z
UID:7368-1678910400-1678910400@www.h-r.la
SUMMARY:Christine's 2022 Schedule C
DESCRIPTION:Christine’s 2022 Schedule C \n\n\n\nChristine Tien Wang \n\n\n\nHuman Resources is ashamed to present a performative lecture by Christine Tien Wang. She will walk audiences through 12 years of filing taxes as a self-employed artist and reporting losses for many of those years. As a financial exhibitionist\, Christine will also talk about her family’s financial history as it relates to her own artistic production. The lecture will close with Christine showing audiences her 2022 Schedule C. All of her artist expenses from last year will be revealed.
URL:https://www.h-r.la/event/christines-2022-schedule-c/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230319T170000
DTEND;TZID=America/Los_Angeles:20230319T170000
DTSTAMP:20260824T194945
CREATED:20230302T003842Z
LAST-MODIFIED:20240818T010534Z
UID:7358-1679245200-1679245200@www.h-r.la
SUMMARY:Page Person - THE EAR* (*or how I became a person)
DESCRIPTION:THE EAR* (*or how I became a person) is a performance by interdisciplinary artist Page Person Sunday\, March 19 at 5:00 pm. At a time when the very existence of trans people is under attack\, the artist describes how claiming space for their own existence healed a lifetime of being the subject of discrimination\, bullying and the treat of physical assault. Who owns the narrative of our lives? If a hurtful narrative is placed upon us\, how can we assert ourselves and change that narrative? Person physically manifests as The Ear\, an oversized organ for hearing\, and invites the audience to hurl fragmented sounds and syllables of various homophobic and transphobic slurs; enacting the harm that it caused them as an individual to absorb these sounds. The Ear becomes twisted\, bound and deformed from the abuses enacted upon it. Various ritualized re-enactments of performances from their early drag career then give voice and agency to the artist and incrementally heal The Ear; which by the end of the work is returned to a whole and complete state. Owning the narrative of their gender has been the single healthiest choice the artist has made in a career that spans three decades; here they speak directly about their experiences and ask who has the right to deny us the power of creating our own life stories to live as complete people.
URL:https://www.h-r.la/event/page-person-the-ear-or-how-i-became-a-person/
CATEGORIES:performance
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230326T160000
DTEND;TZID=America/Los_Angeles:20230326T200000
DTSTAMP:20260824T194945
CREATED:20230213T233320Z
LAST-MODIFIED:20230213T235133Z
UID:7300-1679846400-1679860800@www.h-r.la
SUMMARY:Matt Savitsky: March Readings (2020-2023)
DESCRIPTION:Matt Savitsky reads seven issues of the Los Angeles Times\, dated March 19 – March 26\, 2020.  \n\n\n\nThis project began in 2020 as thirty daily performances done live on Instagram in the first months of lockdown. Each day\, Savitsky would free-associate to pictures he had removed from the newspaper and taped together in long strips and pulled in front of his cell phone camera.  \n\n\n\nThis will be the first live in-person reading of the newspapers by Savitsky\, meant to allow for a collective reflection on the events of three years ago and their journalistic depictions.  \n\n\n\n  \n\n\n\nmattsavitsky.com
URL:https://www.h-r.la/event/matt-savitsky-march-readings-2020-2023/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230328T200000
DTEND;TZID=America/Los_Angeles:20230328T220000
DTSTAMP:20260824T194945
CREATED:20230310T202220Z
LAST-MODIFIED:20230322T004545Z
UID:7379-1680033600-1680040800@www.h-r.la
SUMMARY:Ryat Yezbick\, Sarah Gail\, Isidro Pérez García\, Jmy James Kidd
DESCRIPTION:New performances on a Tuesday night. \n\n\n\nJmy James Kidd \n\n\n\ndog – fly free – sing\, Jmy dances on a felted flying carpet \n\n\n\n \n\n\n\nIsidro Pérez García \n\n\n\nPerforming as the character Tuleño\, the artist will weave a chair seat using tule/cattails harvested from an ecological reserve\, while audience members sitting in spiral formation pass him the materials for weaving.   \n\n\n\n \n\n\n\nSarah Gail \n\n\n\nSarah Gail talks about their life. In an artistic way.  \n\n\n\n \n\n\n\nRyat Yezbick \n\n\n\nRyat is exploring new practices contending with the body\, architecture\, targets\, running into walls\, limits and limitlessness. This work in progress plays with the varied meanings of the word “target”\, both as an aim\, goal or destination and as an object of obsession or derision. 
URL:https://www.h-r.la/event/ryat-yezbick-sarah-gail-isidro-perez-jmy-james-kidd/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2023/03/march28-2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230331T200000
DTEND;TZID=America/Los_Angeles:20230331T200000
DTSTAMP:20260824T194945
CREATED:20230302T004406Z
LAST-MODIFIED:20230315T231727Z
UID:7364-1680292800-1680292800@www.h-r.la
SUMMARY:Ajani Brannum - TROUBLE
DESCRIPTION:We will be in TROUBLE together. This is a project hovering somewhere between concert and conversation\, between dance and its presumed opposite (whatever that might be). We will learn\, perhaps\, what performance and performers might do on behalf of the people who gather to witness them. \n\n\n\nTickets are available here \n\n\n\nInitiated and directed by Ajani Brannum \n\n\n\nCreated and performed by Ajani Brannum\, Mark Gutierrez\, Arushi Singh\, sam wentz and devika wickremesinghe
URL:https://www.h-r.la/event/ajani-brannum-trouble/
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2023/03/THE-DANCE-reversed.jpg
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