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X-WR-CALDESC:Events for Human Resources
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DTSTART;TZID=America/Los_Angeles:20221209T060000
DTEND;TZID=America/Los_Angeles:20221216T070000
DTSTAMP:20221216T200350Z
CREATED:20221130T060021Z
LAST-MODIFIED:20221216T200350Z
UID:7020-1670565600-1671174000@www.h-r.la
SUMMARY:Sam Rowell: Call Of The Chromophore
DESCRIPTION:  \n\n UPEND Presents \nSAM ROWELL:CALL OF THE CHROMOPHOREA series of performances in light and sound \nDecember 9-16 \nFinal Performances: Friday December 16\, 8PM & 10PM \nFREE \nLimited Capacity / Prompt arrival recommended \n– \n“An abstract investigation into the quantum nature of color and the relationship between perception\, metaphysics\, and language” \n– \nWith a site-specific installation of lights\, and an array of audio electronics\, Sam Rowell navigates trips through undulating fields of color\, flurries of flash\, and patches of pitch darkness. Simultaneously improvising sequences of deep hues and alien soundscapes\, hers is an expansive practice of perceptual play – literally spectacular and sensational. \nFor Call of the Chromophore\, Rowell has created within Human Resources an ad hoc theatre of light and sound to stage a series of 8 performances over the course of 8 days\, at 8pm each evening. Each show comes with a tasty title – and a heady introduction – providing a set and setting for the journey. Exploring themes around electromagnetic radiation and the cosmos\, Rowell is also literally playing with the material of such\, bouncing photons off the wall to explore specific frequencies of visible light\, and – of course – vibrations within the human range of hearing. \nRowell’s preference for group reception and live performance are key to her inquiry into the subjective. Rather than just color itself\, her palette includes the varied perceptions of audience members’ sensations of color. How do we talk about what we see? Do we see the same thing\, or are words a compromise to forge a consensus reality? \n– \nSam Rowell lives and plays in Los Angeles. Recent solo light and sound performances include: Dissolving the Sky\, Hunter Shaw Fine Arts (2021); Dark Energy & Spectral Redshift: A History of the Universe\, as told by Cosmic Radiation\, Dem Passwords & And/Or Gallery\, Los Angeles (2021); Looking Through the Gravity Lens: An Evocation of Sound as Radiant Energy\, Work Related\, Austin\, TX (2019); Trichromatic Phenomena in the Service of Induced Color\, Eternal 30 Festival\, Houston\, TX (2019). Rowell is the bassist for celebrated radical improv duo Eloe Omoe\, produces the live sound collage broadcast Special Collections\, and is part of the creative and engineering team of Lookout FM. \n– \nFriday December 9The Electromagnetic Enigma \nSaturday December 10Wells of Poison\, Columns of Smoke \nSunday December 11Newton Invented Indigo \nMonday December 12Lovecraftian Perceptual Color Theory \nTuesday December 13Earth People: Controlled by Gamma Light \nWednesday December 14Color Confusion \nThursday December 15Roses are Red\, Violets are Blue: Blackbody Radiation as it Relates to Hue \nFriday December 16\, 8PMWhite Light Unimagined by Dark Matter \nFriday December 16\, 10PMThe Bringer of Night Borne Intelligence
URL:https://www.h-r.la/event/sam-rowell-call-of-the-chromophore/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:performance series
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/11/samrowellchromophore.jpg
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DTSTART;TZID=America/Los_Angeles:20221217T170000
DTEND;TZID=America/Los_Angeles:20221217T170000
DTSTAMP:20221214T173016Z
CREATED:20221212T225514Z
LAST-MODIFIED:20221214T173016Z
UID:7055-1671296400-1671296400@www.h-r.la
SUMMARY:Like Spiders Spinning Light
DESCRIPTION:X-TRA Presents: Like Spiders Spinning Light a conversation between David Weldzius\, Britt Salvesen\, and Jon Leaver\, Saturday\,  December 17th\, 2023. \n\n\n\nA conversation around “Like Spiders Spinning Light: Reflections on Jacqueline de la Baume Dürrbach’s Guernica Tapestry at the UN\,” written by artist David Weldzius for X-TRA Volume 24\, Number 2. During the conversation\, Weldzius will be joined by X-TRA Editor Jon Leaver and LACMA Curator Britt Salvesen\, who will reflect on the duplication and circulation of the Guernica Tapestry by Jacqueline de la Baume Dürrbach. \n\n\n\nDoors open at 5 pm \n\n\n\nRead Weldzius’s essay\, “Like Spiders Spinning Light: Reflections on Jacqueline de la Baume Dürrbach’s Guernica Tapestry at the UN” here. \n\n\n\nDavid Weldzius is an artist based in Los Angeles. He has exhibited at Kordansky Gallery\, MAK Center\, and Stephen Cohen Gallery\, among other venues. In 2012\, he was an artist resident at the Terra Foundation of American Art in Giverny\, France. His work is in the collection of the California Museum of Photography. David’s work has received critical attention from writer Jan Tumlir and art historian Eric Mazariegos\, Jr. To date\, David has published two essays with X-TRA. David teaches courses in photography and printmaking at Occidental College\, Los Angeles. \n\n\n\nBritt Salvesen is the curator and department head of the Wallis Annenberg Photography Department and the Prints & Drawings Department at LACMA. Recent exhibitions include *3D: Double Vision* (2018) and *City of Cinema: Paris 1850–1907* (with Leah Lehmbeck and Vannessa R. Schwartz\, 2022). \n\n\n\nJon Leaver is a Professor of Art History at the University of La Verne\, and editor for X-TRA Contemporary Art Journal. Born in the UK where he studied and began his teaching career\, he moved to California 20 years ago. His research covers a wide range of art history and visual culture from nineteenth-century French painting to the contemporary art of Los Angeles. He has written extensively on the painter Édouard Manet\, and the art critic Charles Baudelaire\, as well as subjects as diverse as the aesthetics of soccer and the history of World’s Fairs and Expositions.
URL:https://www.h-r.la/event/like-spiders-spinning-light/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/12/HR-Flyer.jpg
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DTSTART;TZID=America/Los_Angeles:20221222T190000
DTEND;TZID=America/Los_Angeles:20221222T190000
DTSTAMP:20221214T220857Z
CREATED:20221214T164753Z
LAST-MODIFIED:20221214T220857Z
UID:7065-1671735600-1671735600@www.h-r.la
SUMMARY:Dead Thoroughbred
DESCRIPTION:DT a non-band band. \n\n\n\nDT never; not happening. \n\n\n\nDT heavy evasion—worthless. \n\n\n\nDT so goth\, born black. \n\n\n\nDT at least sidony o’neal and keyon gaskin. \n\n\n\n\n\n\n\nDead Thoroughbred is presented as part of “Everything in Air”\, a series of public programs at Human Resources over the course of a year—new commissions\, exhibitions\, performances\, and forums\, often in hybrid combinations—using key concepts within artist and composer Maryanne Amacher’s work as points of departure. The series was supported by a Mike Kelley Foundation Grant.
URL:https://www.h-r.la/event/dead-thoroughbred/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/12/DT-scaled.jpg
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