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X-WR-CALNAME:Human Resources
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X-WR-CALDESC:Events for Human Resources
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DTSTART;VALUE=DATE:20190829
DTEND;VALUE=DATE:20190911
DTSTAMP:20260415T021436
CREATED:20190819T183217Z
LAST-MODIFIED:20190819T190913Z
UID:4639-1567058400-1568095199@www.h-r.la
SUMMARY:Josefina — An Installation by Fabián Guerrero
DESCRIPTION:Opening August 29\, 6-10pm\nScreening at 8pm followed by music and drinks\nOrganized by Fabián Guerrero and Clara López Menéndez \nJosefina is for and about my grandma\, Josefina. I wanted to document\, in short clips\, not only my grandma but also my family: the sounds\, movements and the house that I was raised in as a kid in Valle Hermoso\, Tamaulipas\, Mexico. This video is an introduction into filming and photographing my family’s history in my grandma’s house\, La Casa de Limón\, following a desire to keep track of their everyday living\, the survival\, the hopes and dreams and the stories of immigration that comes with it\, with us. It is also an attempt to reflect on the memories that will continue to inspire and build me\, the roots of me and my grandma Josefina––the beginning of my history. \nI am Fabián Guerrero\, a queer\, first generation Mexican American based in Los Ángeles\, born in Valle Hermoso\, Tamaulipas\, MX\, and raised in Dallas\, TX. I work with film and photography to document\, creating images that reflect on pasts\, presents and possible futures of our generation. My work both reflects and is inspired by my upbringing as first generation migrant and a queer brown individual; taking from fashion\, film\, poems and music\, the lifestyle and everyday survival\, to shed light into my family’s history and the meanders of the brown and queer communities. \nimage: Fabian Guerrero\, Sin Título (under my grandma’s portrait)\, 2019
URL:https://www.h-r.la/event/josefina/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/08/IMG_5156.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190918T120000
DTEND;TZID=America/Los_Angeles:20190920T200000
DTSTAMP:20260415T021436
CREATED:20190826T212818Z
LAST-MODIFIED:20190827T205031Z
UID:4660-1568808000-1569009600@www.h-r.la
SUMMARY:Angel Alvarado: Geovani's Room
DESCRIPTION:Exhibition dates: Wed Sept 18 – Fri Sept 20\,  12PM-8PM\nOpening reception: Wed Sept 18\,  6-9PM\nClosing reception: Friday Sept 20\, 6-9PM\, performance at 8PM.\nOrganized in collaboration with curator and researcher Javier Arellano Vences from the Vincent Price Art Museum\, Human Resources Los Angeles is pleased to present ​Angel Alvarado: Geovani’s Room​\, the artist’s first solo exhibition. The exhibition features photographs\, a single-channel video\, and an immersive installation as well as a closing reception performance by Alyss Glass. \nAlvarado’s work investigates the commodification of queer visibility and the dissemination of a canon that situates white cisgender men at the pinnacle of queer sensuality and sexuality\, while concurrently commenting on issues specific to ​brown​ queerness.​ ​Through image appropriation\, manipulation\, performance\, and the insertion of ​brown​ bodies\, Alvarado sabotages constructed realities that are fixated on a homogenized queer experience\, ultimately renouncing conditioned aspirations that often lead to a negative body image and body dysmorphia. \n\n\n\n\nAlyss Glass’s newly commissioned performance\, ​Geovani’s Room​\, provides a reflection onbrown​ queer melancholy. A melancholy that stems from navigating internal violence within personal relationships as in James Baldwin’s novel\, ​Giovanni’s Room​\, and the enduring of external efforts by an array of people and groups to shape gender performativity and gender identity. The fragility of these rigid structures can be seen and heard through the slowed down phonetic reading of the artist’s name\, Alyss Glass\, “all is glass\,” a gesture towards the imminent shattering of these fallacious mechanisms. \n  \n\n\n\n\nAngel Alvarado is a Los Angeles-based artist whose practice revolves around the conception of the ​brown​ body within queer politics. Through a multivalent artistic practice\, he looks to question notions of gender\, sexuality\, and agency through bodies that are perceived as marginalized. He received his BFA in Fine Art at the University of California\, Los Angeles in 2015. \nJavier Arellano Vences has served as the Vincent Price Art Museum’s (VPAM) Curatorial and Research Assistant since 2017. He has contributed and assisted in developing over 15 exhibitions at VPAM\, among them\, ​A Decolonial Atlas: Strategies in Contemporary Art of The Americas​ (2017)\, ​Laura Aguilar: Show and Tell​ (2017) as part of the Getty Foundation’s Pacific Standard Time initiative: Los Angeles/Latin America\, and ​Regeneración: Three Generations of Revolutionary Ideology​ (2018). He also serves as VPAM’s primary English to Spanish translator for exhibitions and publications and provides translation services to other art institutions. Vences holds a BA in Art History from the University of California\, Los Angeles\, and his research centers around the hybridization of U.S. Latinx avant-garde art\, vernacular art\, and anarchism. \nExhibition Credits \nAngel Alvarado: Geovani’s Room​ is a collaborative exhibition organized by Javier Arellano Vences and Angel Alvarado. Poster design by Giancarlos Campos. This exhibition is made possible thanks to Human Resources Los Angeles\, and Vardui Sharapkhanyan. \n**********\nImage Credit: ​Angel Alvarado\, ​a touch of the neck\,​ 2019. Inkjet Print. Courtesy of the artist.
URL:https://www.h-r.la/event/angel-alvarado-geovanis-room/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/08/angel-alvarado-a-touch-of-the-neck.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190922T203000
DTEND;TZID=America/Los_Angeles:20190922T203000
DTSTAMP:20260415T021436
CREATED:20190911T205632Z
LAST-MODIFIED:20190911T205632Z
UID:4669-1569184200-1569184200@www.h-r.la
SUMMARY:Love 4 One Another
DESCRIPTION:
URL:https://www.h-r.la/event/love-4-one-another/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/09/unnamed-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190927T203000
DTEND;TZID=America/Los_Angeles:20190928T230000
DTSTAMP:20260415T021436
CREATED:20190917T194932Z
LAST-MODIFIED:20191009T191325Z
UID:4681-1569616200-1569711600@www.h-r.la
SUMMARY:Secret Joy
DESCRIPTION:September 27th & 28th\, 8:30 pm \nWritten and directed by Brian Getnick\, performed by Dani O’Terry and Gregory Barnett \n  \nSecret Joy is a play about beheading the past to make it speak. Sculptural costumes and weaponry are taken up by the performers to transform an ancient power struggle between the crowd and leader into a psychic battle between the body and mind. \nFollowing the presentation of Punishment’s Place in the fall of 2018\, Secret Joy is the second in a quartet of performances engaging the desire for retribution played out in the transformations of monumental sculptural figures. \n5-10$ suggested donation at the door \nResearch for this project was facilitated by the Wallis Annenberg Helix Fellowship \n  \nbriangetnick.com \n  \n*photo by Julie Weitz
URL:https://www.h-r.la/event/secret-joy/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/09/secret-joy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190929T203000
DTEND;TZID=America/Los_Angeles:20190929T203000
DTSTAMP:20260415T021436
CREATED:20190812T200647Z
LAST-MODIFIED:20191009T191325Z
UID:4632-1569789000-1569789000@www.h-r.la
SUMMARY:Shhh
DESCRIPTION:Sadly\, in a show about quietness\, it’s my first instinct to write about getting noisy.  \nIf I latch onto a metaphor for political action\, a reader could imagine the swarming power of the colony because\, yes\, each hive is made up of little bees and so\, the modest can become intrusive\, and sure\, maybe the meek will actually inherit the earth—but after all that reversal\, how do we know the oppressed won’t transform despotic? Why was noisy my first instinct and why is it so hard to believe in an equanimous future? Is it because in lives of simple binaries\, a participant can only react to the ‘either’ and never just be? I am…so sick of thinking in opposition\, the quiet that only exists in relation to what is noisy. \nWhat about the value of just one quiet thing at a time? Here’s a show where we’re trying: one night of shuffling sound\, sitting quietly\, and praising the modest rumble. A night of addressing our loud world by checking statement pieces at the door. No promises to save the planet\, just an opportunity to be present for it. \nHope to see you there.
URL:https://www.h-r.la/event/shhh/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/08/Poster_still0.jpg
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