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DTSTART;VALUE=DATE:20180428
DTEND;VALUE=DATE:20180507
DTSTAMP:20260415T080556
CREATED:20180403T203745Z
LAST-MODIFIED:20180728T003658Z
UID:3378-1524895200-1525586399@www.h-r.la
SUMMARY:The Institute of Ceramics and Alliance
DESCRIPTION:Anna Delgado and Brenda Starks are Southern California ceramic artists whose art examines identity and place. Though their works differ formally\, they have overlapping themes that explore heritage\, transitional spaces\, and the trajectory of clay as an art medium. Together\, the artists have dug clay from Los Angeles county to use for their new show\, “The Institute of Ceramics and Alliance.” Visitors will be invited to interact with the clay in different ways. On the day of the opening\, Anna will host a community event where clay will be available for attendees to help make pieces that will be become part of the show\, and Brenda will provide a contemplative space to allow a respite for people to sit with clay in its slip form. For the duration of the show\, HRLA will have on display traditional and experimental pieces\, projections\, and clay in its fired form\, raw form\, and slip form. On May 3rd the artists will host a concert. At the closing on May 5th\, the artists will host a poetry reading.  \nEvent Calendar: \nApril 28th at 6-8 pm: Opening \nApril 28th 5-6 pm: “Hands in Clay” Community Activity  \nMay 3rd at 8-10 pm: Music by Sherry Valence \nMay 5th 1-5 pm: “Nuestra América” Poetry Reading Event \nAnna Delgado is an interdisciplinary artist working with ceramics and projection to address ideas of belonging\, migration\, and displacement. Her work has been included in multiple publications and exhibited throughout the US and Europe. She has co-written grants and managed teams to create and install large ceramic tile public art murals. Anna was a Teaching Fellow at UNC Chapel Hill and graduated with an MFA in 2015. She currently teaches ceramic art at CSU San Bernardino and Chaffey College. Anna’s artwork examines multicultural identity through fragments of stereotypical and ritualized objects and actions. She rediscovers and reinterprets what it means to be an American and is interested in the recurring relevance of images\, such as images of hands\, like 40\,000-year-old cave paintings of hand stencils and how similar they look to today’s emoji hands. Clay is a material with its own connotations\, and as a geographic marker\, it represents a place and is as nomadic as we are. Clay is one of the few materials used today in the same way as in ancient civilizations. \nBrenda Starks was born and raised in Southern California and currently lives and works in Los Angeles. She received her BA from CSU San Bernardino and is an MFA candidate at CSU Los Angeles. Brenda creates large sculptural works\, and although she is very enthusiastic about ceramics\, her conceptual inclinations are such that no one medium will satisfy her work. Her sculptural works are created with undertones that probe slyly at African-American identity\, pop culture\, music\, technology\, politics and social activism. Brenda’s work has been displayed in galleries throughout California including at the Luckman Fine Arts Complex\, and her ceramic works can be seen in Sam Maloof’s Permanent Collection. Brenda is interested in creating a place where people can share their different values or traditions with one another and reflect these ideas in that space. She is interested in creating images with raw clay because it becomes the landscape that it physically came from\, and simultaneously it can be converted into a secondary and potentially completely different form. \nMay 3rd at 8pm: Music by Sherry Valence  \nHRLA and The Institute of Ceramics and Alliance will host music by Sherry Valence.  Sherry Valence is an Indie Pop band formed in 2016. The band consists of vocalist Danielle Zamora\, guitarist Ryan Massie\, guitarist Jess Kelly\, bassist Sean Kelly\, and drummer Joseph Gallegos. Sherry Valence is a Los Angeles band and they released their first EP\, Call Your Dogs\, on January 27\, 2018. \nMay 5th from 1-4pm: Nuestra América Poetry Reading \n“Nuestra América” celebrates the unique voices and styles of writers and poets who live in Southern California. The title of the poetry reading refers to José Martí’s seminal essay\, which was first published in 1891 in La Revista Ilustrada de Nueva York (New York) and then in El Partido Liberal (Mexico City). In his essay\, Martí highlights the independent spirit of the people of the Americas. Please join us and experience the distinct performances of Tristan Douglas Acker\, Alex Avila\, Juan Delgado\, Kelly Dortch\, Allyson Jeffredo\, Lilliana Gallegos\, George Hammons\, Timothy Hatch\, Angela Peñaredondo\, Daiana Rodriguez\, Isabel Quintero\, Micah Tasaka\, and others. A variety of themes will be touched on\, and since the reading is on Cinco De Mayo\, some of the performers will speak to what they cherish and what they reclaim about nuestra América.
URL:https://www.h-r.la/event/the-institute-of-ceramics-and-alliance/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180503T200000
DTEND;TZID=America/Los_Angeles:20180503T220000
DTSTAMP:20260415T080556
CREATED:20180420T043729Z
LAST-MODIFIED:20180726T003753Z
UID:3423-1525377600-1525384800@www.h-r.la
SUMMARY:Sherry Valence
DESCRIPTION:HRLA and The Institute of Ceramics and Alliance will host music by Sherry Valence.  Sherry Valence is an Indie Pop band formed in 2016. The band consists of vocalist Danielle Zamora\, guitarist Ryan Massie\, guitarist Jess Kelly\, bassist Sean Kelly\, and drummer Joseph Gallegos. Sherry Valence is a Los Angeles band and they released their first EP\, Call Your Dogs\, on January 27\, 2018.
URL:https://www.h-r.la/event/sherry-valence/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/0012442285_10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180505T130000
DTEND;TZID=America/Los_Angeles:20180505T160000
DTSTAMP:20260415T080556
CREATED:20180420T043912Z
LAST-MODIFIED:20180427T093827Z
UID:3425-1525525200-1525536000@www.h-r.la
SUMMARY:Nuestra América Poetry Reading
DESCRIPTION:“Nuestra América” celebrates the unique voices and styles of writers and poets who live in Southern California. The title of the poetry reading refers to José Martí’s seminal essay\, which was first published in 1891 in La Revista Ilustrada de Nueva York (New York) and then in El Partido Liberal (Mexico City). In his essay\, Martí highlights the independent spirit of the people of the Americas. Please join us and experience the distinct performances of Tristan Douglas Acker\, Alex Avila\, Juan Delgado\, Kelly Dortch\, Allyson Jeffredo\, Lilliana Gallegos\, George Hammons\, Timothy Hatch\, Angela Peñaredondo\, Daiana Rodriguez\, Isabel Quintero\, Micah Tasaka\, as part of the exhibition\, The Institute of Ceramics and Alliance. A variety of themes will be touched on\, and since the reading is on Cinco De Mayo\, some of the performers will speak to what they cherish and what they reclaim about nuestra América.
URL:https://www.h-r.la/event/nuestra-america-poetry-reading/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/31190024_2229184320643730_1655849066942507174_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180506T190000
DTEND;TZID=America/Los_Angeles:20180506T200000
DTSTAMP:20260415T080556
CREATED:20180326T191336Z
LAST-MODIFIED:20180726T003753Z
UID:3370-1525633200-1525636800@www.h-r.la
SUMMARY:CARRIAGE: Matty Davis & Ben Gould
DESCRIPTION:CARRIAGE \nby Matty Davis and Ben Gould \n  \nSunday\, May 6\, 2018 \n7:00PM–9:00PM (performance begins promptly at 7:15PM) \nHuman Resources\, 410 Cottage Home St\, Los Angeles\, CA 90012 \nFREE \n  \nCarriage is a site-responsive performance created by Matty Davis and Ben Gould that radically explores control and empathy\, motored in part by the raw energy of Gould’s Tourette Syndrome.  \nThis performance is informed by evolving senses of the body—injury\, trauma\, healing\, and growth—and offers a unique opportunity to create a work that draws from the variance of Davis and Gould’s distinct physicalities. The result is an intense\, viscerally and sonically charged experience\, where empathy is a physical tool\, resistance offers stability\, and we are all cast out into a space that levels us\, brings us real fear\, awakening\, new vocabularies and physical structures. \n  \nThis year the work travels the U.S. with performances in a wide range of sites\, responding to the ground and the way surfaces offer the body resistance and support. From ice\, to grass\, to concrete\, and within a wide variety of architectures\, the work continuously evolves and re-composes itself according to the unique visual\, sonic\, and kinesthetic possibilities of each location. Upcoming\, Carriage will be presented in partnership with Lightbox in Detroit\, MI on June 9\, 2018\, and upon a boat on the Chicago River later that month. \n  \nCarriage has been workshopped in New York City at Judson Church\, the Watermill Center\, the Edward F. Albee Foundation\, the Philadelphia School\, and Queenslab. It was supported through a residency at the Kickstarter Headquarters in NYC.  \n  \nYou may view Held Over Shore\, a 16mm short film based on Carriage made with artist Eryka Dellenbach here: https://vimeo.com/246698783/981a46c5a2 \n  \nMatty Davis is an artist from Pittsburgh\, PA\, where his grandfather worked for decades in the steel mills. His interdisciplinary work seeks embodied transformation\, often through collaboration with other people\, materials\, and landscapes. Described by the New Yorker as “fearless\,” his work is noted for its combination of intense\, imaginative physicality and intimacy. Recently\, Davis has been invested in how particular conditions of the body\, the elements\, and the ground necessarily impact kinesthesia\, energy systems\, and psychological states\, partially in relation to having undergone intensive hand surgery last year due to a saw accident. In 2012\, he co-founded and continues to co-artistic direct BOOMERANG\, a performance project based in New York City. His work has been presented by the Art Institute of Chicago\, Steppenwolf Theater\, the Museum of Contemporary Art Chicago\, Judson Church\, the 92nd St. Y\, the Watermill Center\, Dixon Place\, Danspace Project\, and the Arts Arena in Paris\, among others. He was the recipient of a 2016 Visual Arts Fellowship from the Edward F. Albee Foundation\, and has recently been an artist-in-residence at the Watermill Center and Kickstarter’s HQ in Brooklyn. Davis teaches at colleges and schools throughout the US\, including New York University\, Columbia College\, Oberlin College\, Muhlenberg College\, Kenyon College\, The Professional Performing Arts High School in New York\, and The Philadelphia School. More information is available at www.mattydavis.net \n  \nBen Gould is an artist currently living and working in New York City. After being diagnosed with Tourette Syndrome\, Gould’s studio practice has transformed to harbor a new investment in the body\, exploring limits\, resistance\, and the loss of control. Grounded in performance\, his multidisciplinary practice is built upon collaboration\, intimacy\, and urgency – cultivated by a deep interest in how energy is directed\, rerouted\, transformed and transferred. His condition has become an engine for movement-based performance work that is in search of stabilization\, and driven by an evolving practice of energetic restraint and release. Within a growing mythos\, a space for fantasy and freedom is created for the corresponding videos\, images\, and objects that emerge from this process. Gould has performed site-specific works across the country\, from varied geographies to institutional spaces – leading to solo exhibitions at Plug Projects in Kansas City and Ballroom Projects in Chicago\, and collaborations with musicians\, rock climbers\, singers\, and designers. Gould has apprenticed with master craftsmen in California\, was a 2015 Ox-Bow Fellow\, and a Kickstarter Artist in Residence in 2017. He was born in Grass Valley\, California in 1993 and was raised there\, in the foothills of the Sierra Mountains\, next to a decommissioned gold mine and a river. Most recently he has performed and shown new works in Kansas City\, San Antonio\, Miami\, and at the Watermill Center and Judson Church in New York. More information is available at www.bengould.net \n  \nClothing by Gabriella Lacza \nProduced by Jade Thacker \nPhotograph by Devin Yalkin \n 
URL:https://www.h-r.la/event/carriage-matty-davis-ben-gould/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/Carriage_DevinYalkinPhoto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180507T200000
DTEND;TZID=America/Los_Angeles:20180507T230000
DTSTAMP:20260415T080556
CREATED:20180430T223706Z
LAST-MODIFIED:20180501T171113Z
UID:3435-1525723200-1525734000@www.h-r.la
SUMMARY:Keijaun Thomas: I Knew That Was You
DESCRIPTION:In a special iteration\, Keijaun Thomas will present two sections from her current project\, My Last American Dollar: Round 1. Tricking and Flipping Coins: Making Dollars Hit and Round 2. Black Angels in the Infield: Dripping Faggot Sweat. I am thinking about resistance. How do we resist temptation\, how do we slow down\, how do we play\, how do we survive? How do we hold space for each other\, how do you carry the multiplicities of being young\, gifted and black. \n“It is complicated. it is blurry. it is rooted and unrooted in my peoples history. my people being black people. it is difficult and hard\, it is attached to my spine\, it is connected to the middle passage of the Atlantic slave trade\, it is in my blood\, it is in the color of my shit in the toilet bowel\, it is in the smell of my ancestors shit for weeks on end decaying\, decaying on their chained bodies. it is crystal clear. it is as blue as water\, it is as heavy as 1\,000 black bodies being dumped into the ocean. it is dark. it is so peculiar. it is only felt as phantom pains\, missing links\, pedestals of display. it is the value of the auction block\, it is the price of your coffee beans\, your sugar and your tea leaves.your coffee beans\, your sugar and your tea leaves. it is unforgiven and not speakable. it is unbelievable and thinkable. it is high yellow\, red bone\, caramel\, chocolate. it is so black\, it is blue. it is so black\, it is blue. it is so fucking queer\, it is so fucking clear\, it is so fucking queer\, it is detached and left for the faggots that can never be black men. it is detached and left for the faggots that can never be black men. it is fragile\, it is as soft as cotton and hair weaves. as cotton and hair weaves. it is an open as the wounds on a slaves back. my ancestors backs. it is everything that i have ever known and resisted. it is everything that I have ever known and resisted. it is every piece of fabric and different colored paper with numerical value. it is the palms of my hands\, my fathers hands\, my brothers hands\, my mothers hands\, my sisters hands\, my aunties hands\, my cousins hands\, my children’s hands. it is… complicated.” \n— “it is complicated” (2018) \nKeijaun Thomas creates live performance and multimedia installations that oscillate between movement and materials that function as tools\, objects and structures\, as well as a visual language that can be read\, observed\, and repeated within spatial\, temporal\, and sensorial environments. Her work investigates the histories\, symbols\, and images that construct notions of Black identity within Black personhood.  Thomas earned their Masters degree from the School of the Art Institute of Chicago and is a current  Franklin Furnace Fund Recipient. Thomas has shown work nationally and internationally in Los Angeles\, CA; Portland\, OR; Portland\, ME; Chicago\, IL; Saugatuck\, MI; Boston\, MA; New York\, NY; Miami\, FL; and Taipei\, Taiwan; Paris\, France; Mexico City\, Mexico; Santiago\, Chile; Istanbul\, Turkey; Beirut\, Lebanon; Saskatchewan and Vancouver\, Canada; and the United Kingdom. \nNicolas Bermeo is an artist currently living in Los Angeles\, California. He is the founder of both Like • Magazine and Like • Movie Night and has shown at 315 Gallery\, The Echo Park Film Center\, The Squeaky Wheel\, The New Latin Wave Festival\, The Queer Arts Festival and  The Hyde Park Art Center. \n 
URL:https://www.h-r.la/event/keijaun-thomas-i-knew-that-was-you/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/keikei.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180511T180000
DTEND;TZID=America/Los_Angeles:20180527T190000
DTSTAMP:20260415T080556
CREATED:20180416T213644Z
LAST-MODIFIED:20180726T003822Z
UID:3415-1526061600-1527447600@www.h-r.la
SUMMARY:Biquini Wax: A Dangerous Obsession
DESCRIPTION:A Dangerous Obsession\n(A thriller of plastic moments)\nMay 11th-28th\nOrganized by Biquini Wax EPS \n \nA Dangerous Obsession (A thriller of plastic moments)\n  \n\nExhibition Dates: May 11th-28th\nOpening Reception: Friday\, May 11th\, 7-10pm \nExhibition is open on Saturdays and Sundays\, 12-8pm\, and by appointment. \nOrganized by Biquini Wax EPS \n\n  \nDuring three weekends in May\, writers and artists based here (USA) or based there (MX) will explore the marshy lands of NAFTAlgia in search of the mythical trade deficit. \nA Dangerous Obsession alludes to the temptation of US presidents (from George W. Bush to Donald Trump) to justify trade wars in the name of a “trade deficit.” \nWe believe that Trump uses the trade deficit\, and specifically that of the automobile industry\, as a rhetorical and ideological strategy of nostalgia\, because it uses one of the pillars of the modern American nation: the automobile industry\, and the myths of companies such as Ford\, General Motors\, etc. The slogan of his campaign\, “Make America Great Again”\, responds to the popular demand and the desire to believe that there was a better form of capitalism. This populist rhetoric assumes that the way to sublimate the United State’s current economic impotence\, brought about by the failure or end of this ‘pure’ capitalism –an earthly paradise– is by pointing out the culprits of its disappearance: Mexico\, China\, Russia\, the Middle East\, etc. \nFor A Dangerous Obsession we have compiled a series of economic-political histories of commodities —a series of critiques on commodity fetishism— that use as their starting point the trade deficit and the renegotiation of NAFTA\, written by storytellers from the US and Mexico. \nWe will summon a certain “structure of feeling”\, which we have called Naftalgia (a combination of nostalgia and NAFTA). Naftalgia is a type of specific sensibility under neoliberalism\, conditioned and motivated by the illusion of a better Mexico / USA\, which has been and continues to be culturally consumed as comprised of a general lacking; an ideological deficit of the promise of capitalist plenitude now absent\, on hold\, or disappeared forever. \nThis transnational impulse has a hole\, a house and a temple. From the hole it comes out exports-imports from CDMX-LA and LA-CDMX\, the house it is BWEPS house but shrinked by a shrink ray that we built after a succesful Kickstarter campaign and the temple it is a broadcasting live stream confessionary on YouTube about Naftalgia experiences and other contemporaries structures of feelings. \nA project with arts\, images\, moves\, ideas\, feelings\, thoughts\, words by Román Luján\, Gerardo Contreras\, Zyanya Arellano\, Nancy García\, Carlos Val\, Aron Chilewich\, Namourah\, Havi\, Perrealismo\, Baile\, liberación y resistencia\, Edna Dávalos\, Mario V Romero\, Verónica González\, Diana Cantarey\, Yacusis\, Arte y Trabajo\, Noél René Cisneros\, Nora de la Cruz\, Jorge Comensal\, Aura García Junco\, Yolanda Segura\, Víctor Santana\, Isauro Huizar\, Manuel Solano\, John Bartle\, Israel Urmeer\, Nika Chillewich\, Natalia de la Rosa\, Valentina de la Rosa\, Paloma Contreras Lomas\, Andrea Medina\, Daniel (little bitch) Aguilar Ruvalcaba\, Sebastian Hernandez\, Wendy Cabrera Rubio\, David Gilbert\, Clara Bolivar\, Bernardo Núñez Magdaleno\, Alejandro Gómez Arias\, Hugo Cervantes\, Samantha Blake Goodman\, Jennifer Tyburczy\,  Jorge Satorre\, Abraham González Pacheco\, Gustavo Cruz\, SM Yaniz\, Roselin Rodríguez\, Torie Zalben\, Neil Mauricio Andrade\, Andrea Ancira\, Cristóbal Gracia\, irak morales\, Iñaki Bonillas\, Andrew Roberts\, Mauricio Múñoz\, Pierre Vals and José María Rubio\, Madeline Jimenez\, Arnold J Kemp\, kids from the house behind\, protestors\,  Caroline Laura Gabrielle\, cannibis artis\, SANGREE\, Bob Square Pans fans\, and sandwich artist from Guanajuato. and many other whatever beings… \n  \nThroughout the exhibition Isauro Huizar will do an object based choreography with artworks\, fragments and material feelings imported from the house of Biquini Wax\, made by Pierre Vals and José María Rubio\, Madeline Jimenez\, John Bartle\, Cristóbal Gracia\, Arnold J Kemp\, Daniel Aguilar Ruvalcaba\, kids from the house behind\, protestors\, Manuel Solano\, Mauricio Múñoz\, Arte y Trabajo\, Israel Urmeer\, Caroline Laura Gabrielle\, Wendy Cabrera Rubio\, Paloma Contreras Lomas\, SANGREE\, Bob Square Pans fans\, and sandwich artist from Guanajuato. \n♥ Friday May 11th ♥ \n→ 8:00pm ← PST \nMembers of Biquini Wax EPS will read two poems. The first\, Sánafabich by Roman Lujan\, will be broadcasted from the HRLA hole\, followed by Anti-Humboldt: A Reading of the North American Free Trade Agreement by Hugo García Manríquez\, broadcasted from the BWEPS hole in Mexico City. \nIntervention in the little Biquini Wax EPS house by Jorge Satorre \n♥ Saturday May 12th ♥ \n→ 4:00pm ← PST \nEmancipar el mapa. MolcajeteMundi / Jorge Comensal (with transductions by Nancy García\, Zyanya Arellano\, Andrea Medina\, Gerardo Contreras) – broadcasting from BWEPS hole\, Mexico City \n→ 5:00pm ← PST \nEste jale / Bernardo Núñez Magdaleno (with transductions of Isauro Huizar and Israel Urmeer) – broadcasting from HRLA hole\, Los Angeles. \nIntervention in the little Biquini Wax EPS house by Torie Zalben \n♥ Sunday May 13th ♥ \n→ 2:00pm ← PST \nLa persona que cambió tu vida / Víctor Santana (with transductions by Andrea Medina\, Gerardo Contreras and Biquini Wats) – broadcasting from BWEPS hole\, Mexico City. \n→ 3:00pm ← PST \nMainly oranges and watermelons / Hugo Cervantes (with transcriptions by Israel Urmeer and Isauro Huizar) – broadcasting from HRLA hole\, Los Angeles. \nIntervention in the little house by David Gilbert and John Burtole \n  \n\n♥ Sunday May 20th ♥\n\n\n \n\n\nWe will present more interventions by artists at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. So far\, we are showing artworks by Jorge Satorre\, Torie Zalben\, John Bartle and David Gilbert. \n\n\n \n\n\n→ 02:00 pm ← PST\n\n\nNetflix\, Narcos\, and Neoliberal Magical Realism a translation by Aaron Chilewich\, a text by Arte y Trabajo BWEPS (with transductions by Israel Urmeer) – broadcasting from HRLA hole\, Los Angeles.\n\n\n \n\n\n→ 02:30 pm ← PST\n\n\nYo de verdad entiendo la belleza (I do truly understand beauty) by Noel René Cisneros (with transductions by Diana Cantarey\, Gerardo Contreras and Biquini Waxs) – broadcasting from BWEPS hole\, Mexico City.\n\n\n \n\n\n→ 03:00 pm ← PST\n\n\nPerformance by Sebastian Hernandez.\n\n\n \n\n\n \n\n\n→ 3:30 pm ← PST\n\n\nbajo el árbol de navidad el déficit tiene forma de un tyco rc (under a xmas tree deficit looks like a tyco rc) by Yolanda Segura (with transductions by Diana Cantarey\, Gerardo Contreras and Biquini Wats) – broadcasting from BWEPS hole\, Mexico City.\n\n\n \n\n\n \n\n\n→ 4:00 pm ← PST\n\n\nGroup discussion about what was presented and moderated by BWEPS people.\n\n\n\n\n♥♥♥ Sunday the 24th ♥♥♥\n\nReggaeton\, Performance Art\, Magic\, Dr. Simi\, Cheap Drinks\, and more… gratis ???? \nMusic selections by:\nDJ Guapis (CDMX)\nBaile\, Liberacion\, Resistencia (Mexicali)\nDJ Telcel (Michocan) \nPerformances by:\nGabriela Ruiz (LA)\nAndrew Roberts (TJ) \nFood by: \nNehemias de Leon (LA) &  Biquini Wax (CDMX) \n\n\n  \n  \n♥♥♥ Sunday the 27th ♥♥♥ \nActivities occur simultaneously in both spaces BWEPS and HRLA; and will be broadcast by livestream \nWe would present more interventions by artists at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. So far\, we already are showing artworks by Jorge Satorre\, Torie Zalben\, Steven Perilloux\, John Bartle and David Gilbert and this sunday you will find works by Yelena Zhelezov\, Pedro Lasch\, Andrew Roberts\, Mariel Miranda and Mario V Romero. \n  \n→ 02:30 pm ← PST \n  \nNada nos falta by Aura García Junco (with transductions by Diana Cantarey\, Gerardo Contreras and whatever beings) broadcasting from BWEPS hole\, Mexico City. \n→ 3:00 pm ← PST \n  \nDestapa Mexicoke by Nora de la Cruz (with transductions by Diana Cantarey\, Gerardo Contreras and whatever beings) – broadcasting from BWEPS hole\, Mexico City. \n  \n→ 03:30 pm ← PST \n  \nSub-critical promiscuity\, and hot-tub curation by Yacuziz broadcasting from HRLA hole\, Los Angeles. \n→ 04:00 pm ← PST \nA text to read/perform by Namourah – broadcasting from HRLA hole\, Los Angeles. \n→ 4:30 pm ← PST \n  \nAvocado Toast a text by Jenn Tyburczy performed by Mauricio Múñoz\, Havi (with transductions by Israel Urmeer) broadcasting from HRLA hole\, Los Angeles. \n  \n→ 5:00 pm ← PST \n  \nBody In River\, Head Across Sky + Omi Toki Samantha Blake Goodman\, founder of MAPS\, will be presenting her work “Body in River\, Head Across Sky”. The work will be performed by Christopher Bordenave of No)One. Art house and will be accompanied by a screening of “Omi Toki – Water is Worthy of Praise” a film by Nery Madrid.  The film is a collaborative work that honors life and female ancestry. \nBlake Goodman’s collaboration offers an exploration of the body as a vehicle through which corporal heritage is preserved\, particularly that of the Afrolatino diaspora. The artist’s collaboration brings the body in movement to the table as one of the many platforms for the narratives of deficiency that constitute the lines of obsessive economic nostalgia\, or Naftalgia\, this exhibit traces. \n  \nMAPS ( Movement Arts Performance Space) is a project founded by Samantha Blake Goodman dedicated to cultivating the contemporary and traditional arts of the Afro-Latinx and Caribbean diaspora in Los Angeles. \n  \n→ 5:30 pm ← PST \n  \nGroup discussion about what was presented and moderated by BWEPS people. \n\n——————- \nBiquini Wax E.P.S is a self-managed temple of pagan studies devoted to plastic integration\, the analectic image\, aesthetology\, the PDF\, and other occurrences in Mexico City. Artists\, writers\, editors\, historians\, philosophers\, curators and whatever beings are part of the sect. It is profane\, pubic and all their rituals are free such as readings groups\, exhibitions\, seminars and other kinds of exorcisms. With a focus on the study and critical production of contemporary art\, Biquini Wax E.P.S. is also distinguished by a frenetic program of activities always linked to the sect’s interests: humor\, economy\, Modern Mexican Art\, painting\, philosophy\, literature\, Marxism\, Visual Studies\, digital culture\, criticism\, and more. Biquini Wax E.P.S. was founded on Leon\, Guanajuato in 2011 and since 2013 has been located in Mexico City. Indeed\, we love John Burtle. \nGraphic by Isauro Huizar \nThis project is supported by Gueshaus Residencies
URL:https://www.h-r.la/event/biquini-wax-a-dangerous-obsession/
LOCATION:CA
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/IMG_20180416_162421.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180511T200000
DTEND;TZID=America/Los_Angeles:20180513T200000
DTSTAMP:20260415T080556
CREATED:20180509T230301Z
LAST-MODIFIED:20180726T003811Z
UID:3453-1526068800-1526241600@www.h-r.la
SUMMARY:A Dangerous Obsessions: Week 1 programing
DESCRIPTION:Activities occur simultaneously in both spaces BWEPS and HRLA; and will be broadcast by livestream. \nHuman Resources\, BWEPS Originals and The Transnational Temple of Subcritical Studies present their 3rd season: \n▬ A Dangerous Obsession ▬\nA THRILLER OF PLASTIC MOMENTS \nA transnational collective impulse of arts and literatures that takes place in Mexico City (Biquini Wax EPS) and Los Angeles (Human Resources). \nDuring three weekends in May\, writers and artists based here (USA) or based there (MX) will explore the marshy lands of NAFTAlgia in search of the mythical trade deficit. \nIsauro Huizar will do an object based choreography with artworks\, fragments and material feelings by John Burtle\, Pierre Vals and José María Rubio\, Madeline Jimenez\, Cristóbal Gracia\, Arnold J Kemp\, Daniel Aguilar Ruvalcaba\, kids from the house behind\, protestors\, Mauricio Múñoz\, Arte y Trabajo\, BWEPS\, Israel Urmeer\, Caroline Laura Gabrielle\, cannibis artist\, Wendy Cabrera Rubio\, Paloma Contreras Lomas\, SANGREE\, Bob Square Pans fans\, and sandwich artist from Guanajuato. \n♥ Friday May 11th ♥ \nExhibition opening reception \nFirst intervention by artist Jorge Satorre at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. \n→ 8:00pm ← PST \nBiquini Wax EPS will read two poems first one by Roman Lujan at HRLA and then would do ultra close reading of Anti-Humboldt A Reading of the North American Free Trade Agreement at BWEPS by Hugo García Manríquez. \n  \n♥ Saturday May 12th ♥ \n→ 4:00pm ← PST \nEmancipar el mapa. MolcajeteMundi / Jorge Comensal (with transductions by Nancy García\, Zyanya Arellano\, Andrea Medina\, Gerardo Contreras) – broadcasting from BWEPS hole\, Mexico City \n→ 5:00pm ← PST \nEste jale / Bernardo Núñez Magdaleno (with transductions of Isauro Huizar and Israel Urmeer) – broadcasting from HRLA hole\, Los Angeles. \nIntervention in the little Biquini Wax EPS house by Torie Zalben \n  \n♥ Sunday May 13th ♥ \n→ 2:00pm ← PST \nLa persona que cambió tu vida / Víctor Santana (with transductions by Andrea Medina\, Gerardo Contreras and Biquini Wats) – broadcasting from BWEPS hole\, Mexico City. \n→ 3:00pm ← PST \nMainly oranges and watermelons / Hugo Cervantes (with transcriptions by Israel Urmeer and Isauro Huizar) – broadcasting from HRLA hole\, Los Angeles. \nIntervention in the little house by David Gilbert and John Butole
URL:https://www.h-r.la/event/a-dangerous-obsessions-week-1-programing/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/32161736_1878796312419394_590046167652368384_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180517T210000
DTEND;TZID=America/Los_Angeles:20180517T210000
DTSTAMP:20260415T080556
CREATED:20180515T190410Z
LAST-MODIFIED:20180515T190410Z
UID:3461-1526590800-1526590800@www.h-r.la
SUMMARY:Angels in America • Odwalla1221 • Pinko Scum Joke • Negashi Armada
DESCRIPTION:ANGELS IN AMERICA (NYC)\nODWALLA 1221\nPINKO SCUM JOKE\nNEGASHI ARMADA \ndoors at nine / sound at ten / donate ten \nfrom New York City… \nANGELS IN AMERICA (aka Miami Angels\, Angels USA\, etc.) \n“Underground” is a know-it-when-you-hear-it place. And to take us there\, the instrumental and vocal duo Angels in America adhere to no one form or norm. Attention gripping and hypnotically haunting\, their soft singings and noisy sonics plum a number of depths with whatever delivers the dreamstate: fuzzed guitar and laconic melody\, crunchy sequences and electronic abstractions\, spoken words and pulled pranks. Catch the drift. \nTheir subterranea has been charted on labels such as Digitalis\, Night People\, and Hundebiss. The members are also known to inhabit the solo guises of Chicklette and Farewell My Concubine. \nhttps://angelsusa.bandcamp.com \n…and from Los Angeles \nODWALLA1221 \nspeak songs and trigger samples\nof whatever they wanna\nplus new tricks via drumstick hits\npoetry and punk\, rock and rose \nPINKO SCUM JOKE \nnewly pressed\nsome wave duo attack\nlife’s nothing if not a scream \nNEGASHI ARMADA \nblunt fang faded\nand now this gaze haze hop\nlyrically laid over synths and shuffle
URL:https://www.h-r.la/event/angels-in-america-%e2%80%a2-odwalla1221-%e2%80%a2-pinko-scum-joke-%e2%80%a2-negashi-armada/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/angels_fullsize-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180518T200000
DTEND;TZID=America/Los_Angeles:20180518T230000
DTSTAMP:20260415T080556
CREATED:20180430T204657Z
LAST-MODIFIED:20180726T003753Z
UID:3432-1526673600-1526684400@www.h-r.la
SUMMARY:Terry Riley's In C performed by David Harrow
DESCRIPTION:1964: The year that Terry Riley first performed In C\, the piece that laid the foundations for the entire minimalist movement\, is also the year of my birth. \nTurning full cycle to the present\, a time when contemporary synthesis has brought the principle of variation through repetition to our fingertips\, reaching for the sublime through sonic immersion is needed more now than ever. The compositional quality of In C shines through the use of the new media\, in fact the way the 53 phrases of the piece work with modern electronic is captivating. By programming them into contemporary sequencing methods new avenues for improvisation are revealed\, manipulating the very substance of the sounds themselves. \n“One of the joys of In C is the interaction of the instruments  in polyrhythmic combinations that spontaneously arise between patterns. Some quite fantastic shapes will arise and disintegrate as these groups move through the piece ” – Terry Riley \nAfter a rediscovering Terry Riley’s importance in repetitive patterned sound whilst researching the entire genre of Minimalism for a class I was teaching in Los Angeles\, it became clear to me this piece should be reinvented\, shifted from it’s temporal birthplace to reveal it still firmly at home\, flourishing  in todays Californian experimental music scene. \nPlease join me in a celebration of this icon in our part of the pacific rim. \nABOUT DAVID HARROW  \n\n\n\nDavid Harrow could easily play on musical heritage if he wanted\, but that’s not his style. The man has played with enough true legends of overground and underground music for several lifetimes\, and could dine out for years on the hair- raising stories of far out and extreme musical scenes he’s been involved with. But what links all his musical adventures so far is a constant quest for new and stimulating sounds\, and that applies as strongly now as when he first launched into the post-punk climate in the 80ʼs So through synth-soaked new wave and Neue Deutsche Welle\, through playing with disco legends like Razormaid on the San Francisco scene\, through going deep into dub and experimental electronics as part of the On-U Sound production and live team\, through the dirty rave haunts of London with Andrew Weatherall\, through huge international tours as Technova\, through a huge pop smash with Billie Ray Martin\, through his live drumʼnʼbass extravaganzas as James Hardway\, through the trance world\, on through the Californian bass and weird-beat scenes as OICHO\, to the esoteric ambient soundscapes and percussion soundtracks he releases today\, Harrow is always\, as a wise man once said “on to the next one”. And that hunger for the next sound\, the next new idea\, is what keeps his music as dazzlingly exciting as it has ever been. \n$5 suggested donation
URL:https://www.h-r.la/event/terry-rileys-in-c-performed-by-david-harrow/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/fwaystill.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180520T140000
DTEND;TZID=America/Los_Angeles:20180520T170000
DTSTAMP:20260415T080556
CREATED:20180516T180603Z
LAST-MODIFIED:20180726T003811Z
UID:3465-1526824800-1526835600@www.h-r.la
SUMMARY:A Dangerous Obsession: Week 2 Programming
DESCRIPTION:Activities occur simultaneously in both spaces BWEPS and HRLA; and will be broadcast by livestream (we will share the link on social media). \n  \nHuman Resources\, BWEPS Originals and The Transnational Temple of Subcritical Studies are glad to present their 3rd season:\n\n▬ A Dangerous Obsession ▬ \nA THRILLER OF PLASTIC MOMENTS\n\nA transnational collective impulse of arts and literatures that takes place in Mexico City (Biquini Wax EPS) and Los Angeles (Human Resources).\n\nDuring three weekends in May\, writers and artists based here (USA) or based there (MX) will explore the marshy lands of NAFTAlgia in search of the mythical trade deficit. \n  \nIsauro Huizar continues his object based choreography with artworks\, fragments and material feelings of BWEPS but this time he is going to switch the exhibition space with HR storage.  \n  \n  \n♥♥♥ Sunday May 20th ♥♥♥ \nWe would present more interventions by artists at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. So far\, we are showing artworks by Jorge Satorre\, Torie Zalben\, John Bartle and David Gilbert.  \n  \n  \n→ 02:00 pm ← PST \nNetflix\, Narcos\, and Neoliberal Magical Realism a translation by Aaron Chilewich\, a text by Arte y Trabajo BWEPS (with transductions by Israel Urmeer) – broadcasting from HRLA hole\, Los Angeles. \n  \n\n→ 02:30 pm ← PST\n\nYo de verdad entiendo la belleza (I do truly understand beauty) by Noel René Cisneros (with transductions by Diana Cantarey\, Gerardo Contreras and Biquini Waxs) – broadcasting from BWEPS hole\, Mexico City.\n \n  \n\n→ 03:00 pm ← PST \nPerformance by Sebastian Hernandez. \n  \n\n→ 3:30 pm ← PST\n\nbajo el árbol de navidad el déficit tiene forma de un tyco rc (under a xmas tree deficit looks like a tyco rc) by Yolanda Segura (with transductions by Diana Cantarey\, Gerardo Contreras and Biquini Wats) – broadcasting from BWEPS hole\, Mexico City.\n \n  \n\n \n 
URL:https://www.h-r.la/event/a-dangerous-obsession-week-2-programming/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/32839175_1881898728775819_8941597735283326976_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180525T210000
DTEND;TZID=America/Los_Angeles:20180526T010000
DTSTAMP:20260415T080556
CREATED:20180521T200524Z
LAST-MODIFIED:20180726T003713Z
UID:3481-1527282000-1527296400@www.h-r.la
SUMMARY:Fiesta NAFTAlgia
DESCRIPTION:Reggaeton\, Performance Art\, Magic\, Dr. Simi\, Cheap Drinks\, and more… gratis 🙂 \nMusic selections by:\nDJ Guapis (CDMX)\nBaile\, Liberacion\, Resistencia (Mexicali)\nDJ Telcel (Michocan) \nPerformances by:\nGabriela Ruiz (LA)\nAndrew Roberts (TJ) \nFood by: \nNehemias de Leon (LA) &  Biquini Wax (CDMX) \n  \npart of “A Dangerous Obsession” organized by Biquini Wax
URL:https://www.h-r.la/event/fiesta-naftalgia/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/big-fiesta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180526T143000
DTEND;TZID=America/Los_Angeles:20180526T183000
DTSTAMP:20260415T080556
CREATED:20180523T232254Z
LAST-MODIFIED:20180726T003811Z
UID:3492-1527345000-1527359400@www.h-r.la
SUMMARY:A Dangerous Obsession: Week 3
DESCRIPTION:♥♥♥ Sunday the 27th ♥♥♥ \nActivities occur simultaneously in both spaces BWEPS and HRLA; and will be broadcast by livestream (we will share the link on social media). \n  \nWe would present more interventions by artists at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. So far\, we already are showing artworks by Jorge Satorre\, Torie Zalben\, Steven Perilloux\, John Bartle and David Gilbert and this sunday you will find works by Yelena Zhelezov\, Pedro Lasch\, Andrew Roberts\, Mariel Miranda and Mario V Romero. \n  \n→ 02:30 pm ← PST \n  \nNada nos falta by Aura García Junco (with transductions by Diana Cantarey\, Gerardo Contreras and whatever beings) broadcasting from BWEPS hole\, Mexico City. \n\n→ 3:00 pm ← PST \n  \nDestapa Mexicoke by Nora de la Cruz (with transductions by Diana Cantarey\, Gerardo Contreras and whatever beings) – broadcasting from BWEPS hole\, Mexico City. \n  \n→ 03:30 pm ← PST \n  \nSub-critical promiscuity\, and hot-tub curation by Yacuziz broadcasting from HRLA hole\, Los Angeles. \n\n→ 04:00 pm ← PST\n\nA text to read/perform by Namourah – broadcasting from HRLA hole\, Los Angeles. \n\n→ 4:30 pm ← PST \n  \nAvocado Toast a text by Jenn Tyburczy performed by Mauricio Múñoz\, Havi (with transductions by Israel Urmeer) broadcasting from HRLA hole\, Los Angeles. \n  \n→ 5:00 pm ← PST \n  \nBody In River\, Head Across Sky + Omi Toki Samantha Blake Goodman\, founder of MAPS\, will be presenting her work “Body in River\, Head Across Sky”. The work will be performed by Christopher Bordenave of No)One. Art house and will be accompanied by a screening of “Omi Toki – Water is Worthy of Praise” a film by Nery Madrid.  The film is a collaborative work that honors life and female ancestry. \nBlake Goodman’s collaboration offers an exploration of the body as a vehicle through which corporal heritage is preserved\, particularly that of the Afrolatino diaspora. The artist’s collaboration brings the body in movement to the table as one of the many platforms for the narratives of deficiency that constitute the lines of obsessive economic nostalgia\, or Naftalgia\, this exhibit traces. \n   \nMAPS ( Movement Arts Performance Space) is a project founded by Samantha Blake Goodman dedicated to cultivating the contemporary and traditional arts of the Afro-Latinx and Caribbean diaspora in Los Angeles. \n  \n→ 5:30 pm ← PST \n  \nGroup discussion about what was presented and moderated by BWEPS people. \n 
URL:https://www.h-r.la/event/a-dangerous-obsession-week-3/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/imagen_molcajet-ak47.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180529T200000
DTEND;TZID=America/Los_Angeles:20180529T223000
DTSTAMP:20260415T080556
CREATED:20180524T183941Z
LAST-MODIFIED:20180726T003728Z
UID:3497-1527624000-1527633000@www.h-r.la
SUMMARY:James Hoff ❖ Free The Land ❖ Lukas Marxt ❖ Phan & Karnsomport
DESCRIPTION:Audio-Visual Program // Live Performances + Cinema \n  \nJames Hoff  \nFree The Land  \nLukas Marxt \nEllen Phan & Nisa Karnsomport \n  \ncurated by Tim Leanse \n  \ndoors at eight – donate eight \nprogram begins promptly at 8:30 \n\n\n\n\n\n  \n  \nJAMES HOFF (PAN – NYC) \nJames Hoff is a Brooklyn-based artist who tweaks systems across disciplines – from fine art object-making to multimedia actions. His discordant sound work issued on the PAN label has collaged riots and attacked the vernacular – famously introducing computer viruses to drum machine programs and leveraging the resultant degradations as compositional fodder. At this audio-visual summit\, Hoff will perform HOBO UFO – a live\, video-projected\, rapid-fire click and spin through Google Street View driven by his real-time audio – hyper-rhythmic and fractured. HOBO UFO’s debut at Unsound 2017 in Kraków\, Poland\, utilized streetview imagery of Pripyat – a city in Chernobyl’s Zone of Exclusion. For this realization at Human Resources\, however\, Hoff’s peripatetic virtual dérive will course through the host city of Los Angeles. HOBO UFO is slated for multimedia release on PAN. \nhttp://www.james-hoff.com \nFREE THE LAND (Ascetic House – LA) \nFree The Land is an evolving project of change agent Jesse Sanes. A media intervention of environmental impressions natural and domestic\, it manifests as electronic sound\, installation art\, and archive. Live actions fold field recordings\, found sound\, and computer speech into a compost of synthesis and free manipulation. For this Spring outing\, Sanes sonics with contributing member Nial Morgan to express cold and distant extremes as a video-projected ‘live browse’ through an FTL file-set riffs on the project’s recent collaborative communiqué\, ‘Arctic Compilation.’ \nhttp://freethe.land \nLUKAS MARXT (Köln\, Germany) \n‘Imperial Valley (Cultivated Run-off)’  Color\, 2018 \nAustrian filmmaker Lukas Marxt explores places isolated and remote\, considering how landscapes are altered by – and the degree to which they remain impervious to – human influence.  Here he will screen a recent short shot above Southern California’s Imperial Valley. Flying by drone\, we reconnoiter the region’s agricultural infrastructure\, finding a language in the colors\, shapes\, and structures of it’s incursion into the vast and extreme Sonoran Desert. Shifts of perspective and perception are eerily matched by the psychoacoustics of the film’s hypnotic soundtrack. ‘Imperial Valley (Cultivated Run-off)’ premiered at Berlinale 2018. Filmmaker in attendance. \nhttp://lukasmarxt.com \nELLEN PHAN & NISA KARNSOMPORT (Elixir Sounds – LA) \nDithered out over the country are those that know what flows when Ellen Phan’s face is lit by her laptop screen: cascades of concrète and jagged valleys of squelch\, with an intention set to nothing less than brainwave state change. On choice occasions Nisa Karnsomport plies her wares to filter Phan’s noise and signal into a high-velocity sound-reactive video: flashing monochromatic animations\, abstract and geometric. \nhttp://ellenphan.tumblr.com
URL:https://www.h-r.la/event/james-hoff-%e2%9d%96-free-the-land-%e2%9d%96-lukas-marxt-%e2%9d%96-phan-karnsomport/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/180529_hoff2.jpg
END:VEVENT
END:VCALENDAR