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X-WR-CALNAME:Human Resources
X-ORIGINAL-URL:https://www.h-r.la
X-WR-CALDESC:Events for Human Resources
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120803T210000
DTEND;TZID=America/Los_Angeles:20120803T210000
DTSTAMP:20160522T210349Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T210349Z
UID:1174-1344027600-1344027600@www.h-r.la
SUMMARY:Abe Vigoda + Twin Steps + Raw Geronimo
DESCRIPTION:Abe Vigoda (Los Angeles)\nwww.facebook.com/pages/Abe-Vigoda/109560849070024\nwww.youtube.com/watch?v=PcYbGgUxTq0 \nTwin Steps (Oakland)\nwww.twinsteps.bandcamp.com\nwww.facebook.com/twinstepss\nwww.terrorbird.com/album/serial-parade \nRaw Geronimo (Los Angeles)\nwww.rawgeronimo.com\nwww.facebook.com/RawGeronimo \nMad Gregs (Los Angeles) \n9PM 5$ come have fun!! get here early! \nFYI event will be held upstairs in the lovely air-conditioned projection room… Space will be tight\, come early and enjoy…
URL:https://www.h-r.la/event/abe-vigoda-twin-steps-raw-geronimo/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120728
DTEND;VALUE=DATE:20120729
DTSTAMP:20160522T210032Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T210032Z
UID:1173-1343455200-1343455200@www.h-r.la
SUMMARY:Kevin Greenspon tour kick-off show
DESCRIPTION:
URL:https://www.h-r.la/event/kevin-greenspon-tour-kick-off-show/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120721T000000
DTEND;TZID=America/Los_Angeles:20120812T000000
DTSTAMP:20160310T104306Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160310T104306Z
UID:1172-1342828800-1344729600@www.h-r.la
SUMMARY:William Walker
DESCRIPTION:
URL:https://www.h-r.la/event/william-walker/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120714
DTEND;VALUE=DATE:20120715
DTSTAMP:20160522T205514Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T205514Z
UID:1171-1342245600-1342245600@www.h-r.la
SUMMARY:Outfest Afterparty
DESCRIPTION:
URL:https://www.h-r.la/event/outfest-afterparty/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120707T000000
DTEND;TZID=America/Los_Angeles:20120707T000000
DTSTAMP:20160310T104306Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160310T104306Z
UID:1170-1341619200-1341619200@www.h-r.la
SUMMARY:FEMALE ODDITIES
DESCRIPTION:
URL:https://www.h-r.la/event/female-oddities/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120705T000000
DTEND;TZID=America/Los_Angeles:20120705T000000
DTSTAMP:20160310T104306Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160310T104306Z
UID:1169-1341446400-1341446400@www.h-r.la
SUMMARY:+DOG+ and ENDO CxPx performance
DESCRIPTION:
URL:https://www.h-r.la/event/dog-and-endo-cxpx-performance/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120630T190000
DTEND;TZID=America/Los_Angeles:20120630T210000
DTSTAMP:20160522T201316Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T201316Z
UID:1168-1341082800-1341090000@www.h-r.la
SUMMARY:Divorcio USA\, A Night of Recent Work by Jacinto Astiazarán\, Hosted by AFTA
DESCRIPTION:June 30\, 2012\nArtist Reception 7-9pm\nAFTA Party with DJ Later Knight 9-11pm\nAt Human Resources\, 410 Cottage Home Street\, 90012 \nHuman Resources presents Divorcio USA\, a night of recent work by Jacinto Astiazarán hosted by the curatorial collaborative AFTA (“Art For The Americas”) on Saturday June 30\, 2012. The 7-9pm artist reception and screening will be followed by an AFTA party with libations\, dancing and a north/south border mix by DJ Later Knight (We Break Cameras). \nMexico City-based artist Jacinto Astiazarán will screen two new video projects\, which introduce his investigation into mutual responsibilities in cultural relations between Mexico and the U.S. While assimilation continues its progressive adaptation in both directions\, these works highlight some of the mutations that can inevitably develop as part of this evolution. Though formally very different\, the two videos fill in gaps for each other and create a platform to contemplate underlying problematics of exchange. \nLago Onega N.8 documents the final stages in construction of an apartment building by Mexico City developer Ana Bertha Damián. Based on her leisure travels in the U.S. and the formative impression they left on her\, Ana condenses her image of Americanness into the phenomenological experience of an A-frame roof. Reflecting her dissatisfaction with the state of Mexico City’s architectural sequences\, she implements this design feature as a crowning statement\, to unique results. \nDIVORCIO USA 2005/2012 presents an episode from the now canceled television program Divorcio USA\, which aired in 2005 in the L.A. area on Canal 62\, a local-access Spanish language broadcaster. The artist plays the defendant on this staged divorce court show\, whose wife is requesting an annulment after she discovers he only married her for a green card. His background coincided with the character he portrayed in that they were both born in Tijuana and needed to resolve their immigration situation while living and working in Los Angeles. Their fate was not the same\, but the artist presents this video documentation of a time in his life as an example of personal\, participatory evidence into the issues that feed his work\, turning the gaze on himself in a notoriously exploitative setting. \nAbout the Artist \nJacinto Astiazarán\, born in Tijuana in 1982\, lived and worked in Los Angeles before moving to Mexico City in 2010. He has taken this experience as a starting point for considering questions of appropriation and transference in the relationship between the two countries. As with some of his previous collaborative projects\, interests in performance for video and documentary formats continue to shape his work. He holds a B.A. from the School of Cinema-Television of the University of Southern California (2004) and has exhibited in galleries\, museums and film festivals in Mexico\, the U.S. and abroad. \nAbout AFTA \nAFTA (“Art for the Americas”) is the event-based curatorial collaboration of Kelly Coats and Kathleen Kim. The aim ofAFTA is to facilitate cross-border relations between artists throughout the Americas by reducing barriers to migration and providing a welcoming environment for artists to engage in cross-cultural exchange. AFTA advances this objective by hosting non US-based artists to present or perform their work at the Los Angeles art gallery and performance space Human Resources. The artist presentation is followed by an AFTA Party intended to welcome and celebrate the artist’s visit and cultivate cross-cultural exchange with other artists and art appreciators throughout the evening. The AFTA Party showcases performers and DJs whose work embodies cultural hybrids influenced by cross border dynamics.
URL:https://www.h-r.la/event/jacinto-screening/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/4DIVORCIOUSA20052012.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120629T193000
DTEND;TZID=America/Los_Angeles:20120629T233000
DTSTAMP:20160522T200611Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T200611Z
UID:1167-1340998200-1341012600@www.h-r.la
SUMMARY:Stop Walmart in Chinatown!
DESCRIPTION:http://pitchfork.com/news/46915-no-age-to-headline-anti-walmart-benefit-in-la/
URL:https://www.h-r.la/event/anti-walmart-benefit-show-with-chinatown-partners-ooga-booga-and-kchung/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/walmartflier001.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120626T210000
DTEND;TZID=America/Los_Angeles:20120627T000000
DTSTAMP:20160522T205112Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T205112Z
UID:1166-1340744400-1340755200@www.h-r.la
SUMMARY:Skyline Electric + Epic Striations + Obscurer + Avolcano
DESCRIPTION:SKYLINE ELECTRIC are purveyors of primal technologies.. they are chain lightning fueling pedals and horns and voice and drums. \n5 TRACK’s EPIC STRIATION BAND features the finest in instrument slingers and mind wringers \nOBSCURER is a soundtrack to a horror movie written as a math equation. Two theremins and a howler. \njust added – AVOLCANO – formerly GHIANT – acoustic songs and loops taking an unexpected turn \ndonations welcome\ngood times
URL:https://www.h-r.la/event/skyline-electric-epic-striations-obscurer/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120623T200000
DTEND;TZID=America/Los_Angeles:20120623T200000
DTSTAMP:20160522T204728Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T204728Z
UID:1165-1340481600-1340481600@www.h-r.la
SUMMARY:Dylan Doren + Geoff Geiss + Michael Nhat
DESCRIPTION:we are talking your classic 5 bucks\, all the music you can stand\, upstairs\, downstairs\, rumblethon of sound… whether you find comfort in the delightful twist of words or the sonic twist of instrument cables and sine waves\, you are going to feel at home here. \nOrder at this point\nPAPER SLANG kicking it off at 8:30p in the big room\nCWILL upstairs at 9p\nORBLESS downstairs at 9:45p\nGEOFF GEIS upstairs at 10:30p\nDYLAN DOREN downstairs at 11:15p\nMICHAEL NHAT upstairs at midnight\nK to the I performs last wherever the heck he wants \nall ages\n5 bucks\nconsumables available
URL:https://www.h-r.la/event/dylan-doren-geoff-geiss-upstairs-downstairs-event/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120617T200000
DTEND;TZID=America/Los_Angeles:20120617T200000
DTSTAMP:20160522T204157Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T204157Z
UID:1163-1339963200-1339963200@www.h-r.la
SUMMARY:Aloonaluna\, Pillars and Tongues\, Oedipa Maas
DESCRIPTION:Join us for an evening of southern cosmic gothic west coast psychedelia in Chinatown. \nPILLARS AND TONGUES (Chicago) – http://pillarsandtongues.bandcamp.com/\n(extreme reverence of the reverberating air. strings and voice and drums in unison of hope and spirit) \nKEEPBULLFIGHTING – http://www.keepbullfighting.com/\n(midi channel surfing) \nOEDIPA MAAS – http://oedipamaas.bandcamp.com/\n(dirge action from the proprietors of Complicated Dance Steps) \nALOONALUNA (FL/SF) – http://aloonaluna.bandcamp.com/\n(watercolor\, insects\, fruit\, stop-animation\, field recordings\, words\, guitar\, etc\, transplanted from florida) \nROAMER X (FL) – http://soundcloud.com/roamerx\n(the one and only serving up nutritiously fed guitar mangulations) \nLEE NOBLE – http://leenoble.bandcamp.com/\n(prolific No Kings boss to kick off evening in inimitable style) \n410 Cottage Home Street.\nDoors @ 8pm. $5.
URL:https://www.h-r.la/event/aloonaluna-pillars-and-tongues-oedipa-maas/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120615T210000
DTEND;TZID=America/Los_Angeles:20120615T210000
DTSTAMP:20160522T204257Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T204257Z
UID:1162-1339794000-1339794000@www.h-r.la
SUMMARY:Dynasty Handbag's Los Angeles Premiere of Eternal Quadrangle w/ Performances by DH and Anna Oyxgen
DESCRIPTION:Dynasty Handbag new video work! AND live performance following screening.\n\nEternal Quadrangle\nThis latest green screen adventure finds Dynasty Handbag on a dating game show where she must choose between 4 contestants vying for a spot in her vast cosmic emptiness. The bachelors are: an aggressively ambitious professional golfer\, a hard-luck stray dog\, a disembodied brain\, and\, of course\, the grim reaper himself. All have attractive qualities and perhaps sustainable methodologies for dealing with life\, but must she choose just one? And why are these her only choices?Jibz Cameron is a performance/video artist and actor who lives and works in New York. Her work as her alter ego Dynasty Handbag has been seen at international dives both great and small. She has been heralded by the New York Times as “the funniest and most pitch perfect performance seen in years” and “crackpot genius” by the Village Voice. She has received awards from Dance Theater Workshop (2008)\, Franklin Furnace (2008)\, Mondo Cane! (2010)\, and Kindle Project (2011\, 2012). She is an adjunct professor of Performance and Theater studies at TISCH NYU. She is currently an associate performer with the Wooster Group. \nPLUS PERFORMANCES BY:\nAnna Oxygen with Cloud Eye Control\n\n$6 donation\n9 pm
URL:https://www.h-r.la/event/jibz-needs-one-night-this-weekend/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/DH_IntroImage189bdc-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120610
DTEND;VALUE=DATE:20120612
DTSTAMP:20160522T203150Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T203150Z
UID:1161-1339308000-1339394399@www.h-r.la
SUMMARY:LUMENS + Silent Land Time Machine + Smokey Emery (Austin) + Derek Rogers + KIM FREE + Sneaky Snake
DESCRIPTION:9p doors and music $5 suggested donation for the traveling bands
URL:https://www.h-r.la/event/lumens-derek-rogers-kim-free-sneaky-snake-show/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120608T000000
DTEND;TZID=America/Los_Angeles:20120608T000000
DTSTAMP:20160522T202814Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T202814Z
UID:1160-1339113600-1339113600@www.h-r.la
SUMMARY:Carolie Parker poetry reading
DESCRIPTION:
URL:https://www.h-r.la/event/carolie-parker-poetry-reading/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120607T000000
DTEND;TZID=America/Los_Angeles:20120607T000000
DTSTAMP:20160522T202644Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T202644Z
UID:1159-1339027200-1339027200@www.h-r.la
SUMMARY:Ilo Mar + Sleepwalkers Local + Isaac Takeuchi
DESCRIPTION:
URL:https://www.h-r.la/event/upstairs-event-ilo-mar-sleepwalkers-local-isaac-takeuchi-grant/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120604T200000
DTEND;TZID=America/Los_Angeles:20120604T200000
DTSTAMP:20160522T202353Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160522T202353Z
UID:1158-1338840000-1338840000@www.h-r.la
SUMMARY:Suishou No Fune
DESCRIPTION:Suishou No Fune (Japan)\nM. Geddes Gengras\nJohn Krausbauer & Ezra Buchla\nMetal Rouge\nS&ndC&stl&
URL:https://www.h-r.la/event/music-show-w-suishou-no-fune/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120531T000000
DTEND;TZID=America/Los_Angeles:20120531T000000
DTSTAMP:20160310T104306Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160310T104306Z
UID:1156-1338422400-1338422400@www.h-r.la
SUMMARY:Gangi + Excepter + Seb Doubinsky
DESCRIPTION:
URL:https://www.h-r.la/event/gangi-excepter-seb-doubinsky/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120522
DTEND;VALUE=DATE:20120529
DTSTAMP:20160523T095430Z
CREATED:20160522T205850Z
LAST-MODIFIED:20160523T095430Z
UID:1844-1337666400-1338184799@www.h-r.la
SUMMARY:Performances of Breaking and Entering
DESCRIPTION:  \n \nInstallation 22-27 May\nPerformances 25\, 26 May at 8pm\, 27 May at 7pm\nClosing reception 27 May\ntickets: https://www.brownpapertickets.com/event/244080 \n“If first we can think about war as a machine of progress – it absolutely moves us forward in terms of technology\, resource accumulation and territorial expansion – we see that war is an abuse of nature\, first through its fundamental belief in technology (not necessarily opposing nature\, but certainly questioning nature as bankrupt\, or inadequate)\, and secondly through the covert agenda of resource accumulation (also a further fueling of technology). \nThe question of gender roles in relation to war in these terms is tricky. If we acknowledge that war is a primary trope of masculinity\, and that during wartime\, normative gender roles are re-inscribed\, then perhaps the technological dimension of war preserves nature in a romantic and pastoral vision – as a site to conquer. If progress is a function of conflict\, then nature would have to be fixed in an ideological position of inferiority and incompetence\, something to conflict against and over-rule. War fuels progress in terms of technological development and capital accumulation – at the expense of the natural. Proponents of technology say that there is no such thing as the natural\, which is akin to saying the slave is merely property…….”\nArtist Arjuna Neuman \nArtist Arjuna Neuman will present a gallery installation in response to an original text conceived by Kestrel Burley that explores the relationship between war\, sexuality and pornography. A series of vignettes devised from the same text using post-dramatic performance techniques will take place during the exhibit\, whereby performers will work to incorporate the environmental elements as “characters” in their performance. Audio and visual textures will transform the installation from a purgatorial space with the threat of action – into a theatrical space – a place of action. \nIt was of interest to both parties to operate outside of the theatrical norm\, where a set designer generally operates in service to the vision of the director. Instead\, Neuman would independently create an installation in response to the themes of the text\, and would operate with an almost absolute degree of autonomy. In this way\, he would participate in the project as almost a “co-writer” through his intuitive\, visual interpretations of the text. The performances would take place in the final days of the exhibition\, when the ensemble had spent time rehearsing in the installationand absorbing Neuman’s environmental elements. \nNeuman naturally works with specificity and thoughtful attention to detail\, going to great lengths to obtain materials that have relevant meaning\, each object containing a story within itself. Theatre\, by contrast\, naturally uses bold visual strokes that depend on the suspension of reality to create illusion. Installation work is also experiential and environmental\, whereas performance is most often experienced at a distance through a presentational format. The challenge of negotiating these approaches – of Neuman forced to consider the theatrical potential of his work while theatre is forced to acknowledge the present\, the real\, through object – has fostered a unique and multi-layered dialogue on the show’s themes. \nWebsite: www.breakingandenteringla.com
URL:https://www.h-r.la/event/performances-of-breaking-and-entering/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/05/Screen-Shot-2016-05-22-at-1.56.37-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120518
DTEND;VALUE=DATE:20120521
DTSTAMP:20160522T205146Z
CREATED:20160522T205146Z
LAST-MODIFIED:20160522T205146Z
UID:1829-1337320800-1337493599@www.h-r.la
SUMMARY:Teenage Wasteland for the Arts
DESCRIPTION:Participating Artists:\nMax Wortman\, Anais Hinojosa\, Nina Arsenian\, Andrew Becerra\, Sam Hinsvark\, Jacob Small\, Val Koziak\, Alisa Cacho-Sousa\, and Finn West \nTeenage Wasteland of the Arts is an artist collective for teens aged 14-19. The collective was founded by both teens and adults in September of 2011. Since January this year \, members of the collective have met once a week for 2 hours at a time\, at Human Resources\, preparing work for this show.  All the work in the show is made by teen members of the collective. \nWe are currently in the middle of a fundraiser for the program –please check out our KICKSTARTER PAGE: \nhttp://www.kickstarter.com/projects/1373562771/twa-dogma-2012 \nOur goal as an art collective is to create an inspiring\, philosophical environment for teen artists to express their fears\, dreams and nightmares\, their hopes\, angst and oppression\, in a positive and safe way.  This February\, members of Teenage Wasteland of the Arts wrote their own artist dogma\, aptly named TWA DOGMA 2012\, which has served as inspirational guidelines to frame the work made by the collective this spring. \nFor more information on the collective please visit our website: \nwww.wastelandofthearts.com \nTWA DOGMA 2012 \nEvery piece must have an element of collage \nWork made under the dogma must be a time-based piece \nWork must be explicit \nEveryone must accept everyone else’s opinon/pages \nEveryone is a real fascist \nArt is not a means but an end \nArt is not one or the other \nDIT (do it together) \nBinary thinking is prohibited \nThere is no sexuality \nAll rules must be broken \nArt goes to museums to die – Art cannot breathe under glass \nThe process of meandering is necessary \nWe are post-post-modern
URL:https://www.h-r.la/event/teenage-wasteland-for-the-arts/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/twa_poster_finn.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120516T000000
DTEND;TZID=America/Los_Angeles:20120516T000000
DTSTAMP:20160310T104306Z
CREATED:20160310T104306Z
LAST-MODIFIED:20160310T104306Z
UID:1153-1337126400-1337126400@www.h-r.la
SUMMARY:M GEDDES GENGRAS + RENE HELL + SEAN MCCANN + EARN + MIRROR TO MIRROR
DESCRIPTION:music event – ambient drone from all LA based artists
URL:https://www.h-r.la/event/m-geddes-gengras-rene-hell-sean-mccann-earn-mirror-to-mirror/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120504
DTEND;VALUE=DATE:20120514
DTSTAMP:20200410T062837Z
CREATED:20160522T203050Z
LAST-MODIFIED:20200410T062837Z
UID:1802-1336111200-1336888799@www.h-r.la
SUMMARY:FROZEN MUSIC/PINK NOISE
DESCRIPTION:Frozen Music/Pink Noise combines hypnosis\, performance art\, authentic movement and butoh\, with the goal of interrogating interior states of being through movement and vocalizations\, which reveal to the audience a \”negative space of an invisible architecture.\” The title Frozen Music refers to the quote: \”Ich nenne Architektur gefrorene Musik\” by Goethe that suggests architecture is frozen music. Ubik et al ask: What are the acoustics of that invisible building\, where in the performers listen and move while in various states of hypnotic trance. \nFrozen Music/Pink Noise a performance in 12 parts: foundation/ excavation/ ascension/ undergirding/ cantilever/ sheer/ reflection/ absorption/ sustain/ attack/ release/ decay; It is a new original work derived from workshops in a special process of improvisation while in trance. The ensemble of performers and designers developed this special process over a month long period of collaboration and it will be realized for the first time in the gallery before the audience. The principle creative artists of UBIKETAL (meaning: ubiquitous et al or: everywhere and everyone) include: Alan Tollefson\, Michelle Lai\, and Sarah Day\, Max Baumgarten\, Amara Gyulai\, Jeff Worden\, Dana Murphy\, and Pearl Merril. Sound Design and accompaniment by Andy Sykora and Lighting design by Cameron Mock. Audience/performer separation will be minimal in this show as in environmental theatre with even some audience performer interaction. The setting will be the open space of the white cube/black box double with some scenic elements designed by Alan Tollefson. \nThe common denominator of the team UBIKETAL is intersubjective performance. Exploring ideas such as\, witnessing\, responsibility\, language and embodiment. Performing in a trance achieved through a pre-performance ritual and guided visualization\, in which each performer is prompted to find a specific personal interior location\, or to begin a spontaneous dialogue with the unconscious through movement. \nPinkNoise/Frozen Music is an intervention against habitual ways thinking and being. UBIKETAL hope to reintroduce the audience to a state of continual questioning while the unfamiliar unfolds. \nAfter moving to Southern California Alan Tollefson was hired by the University of La Verne to teach Performance Art\, Stage Craft and to be the Technical Director in the theatre arts department. Tollefson’s interest in theatre and construction has led to co-developing an experimental research group UBIKETAL that conceives projects in the rapidly growing field of Performative Architecture. Performative architecture explores the freedoms and limitations imposed on the individual by the built environment by testing performance through space design to gain a better understanding of how the body moves in space and how subjectivities are actualized. Performative architecture draws from the phenomenology of theatre and the physics of construction to develop a better understanding of embodied architecture and architectural metaphors that we live every day. Performative architecture uses the language of these metaphors to explore this system with both inside and outside\, to redistribute power in system where subjectivities are situated within the built environment. \nUBIKETAL is theorizing and realizing self-studying spaces as digitally reactive environments that use feedback systems to identify emergent behaviors. We are launching this endeavor with this project that galvanizes performance theorists and practitioners around the study of the unconscious as the archive of our embodied architecture. Our program Frozen Music/Pink Noise is a demonstration of our imagination let loose in the unconscious architectonic field.
URL:https://www.h-r.la/event/frozen-musicpink-noise/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120503T000000
DTEND;TZID=America/Los_Angeles:20120503T000000
DTSTAMP:20200410T063830Z
CREATED:20160310T104305Z
LAST-MODIFIED:20200410T063830Z
UID:1151-1336003200-1336003200@www.h-r.la
SUMMARY:East of Borneo presents: UIQ: A SPACE ODDITY
DESCRIPTION:Join us for the first US presentation of:\nUIQ: A SPACE ODDITY \nA lecture / performance by Paris-based artists\nSILVIA MAGLIONI & GRAEME THOMSON\n(originally produced by Bétonsalon\, Paris as part of the Otolith Group exhibition “A Lure a Part Allure Apart”) \nFollowing the publication in 1980 of Mille Plateaux\, a work that for many marked the culmination of FElLIX GUATTARI’s intellectual adventure with Gilles Deleuze\, Guattari began work on a film script for a science fiction movie\, UN AMOUR d’UIQ. Initially developed in collaboration with filmmaker Robert Kramer\, the script of UIQ (Universe Infra-Quark) was to occupy Guattari on and off for the next seven years. Influenced both by his work at the La Borde clinic and his engagement with radical politics\, UIQ offers a blueprint for a subversive ’popular’ cinema. In desiring to make the film in the commercial arena as a sci-fi blockbuster\, Guattari was effectively raising the stakes of his own political engagement\, attempting to break into the dream factory to reconfigure patterns of collective unconscious desire. \nFor UIQ: A Space Oddity\, artists and filmmakers Silvia Maglioni & Graeme Thomson consider how the development of the UIQ script appears amid a general resurgence of interest in science fiction in the late 1970s and early 1980s. It is around this time that sci-fi becomes a screen of projection and mourning for the scattered phantoms of disappointed revolutionary desire\, in which the radical alterity of a political ’outside’ is increasingly projected no longer through the imaginary of collective struggle but in terms of encounters with alien intelligences or life forces. By placing echoes of the unfilmed script in relation to a montage of scenes from sci-fi films of the period – from Tarkovsky’s Solaris and Stalker\, to Spielberg’s Close Encounters and ET through Demon Seed\, The State of Things\, Blade Runner\, Videodrome\, Starman and others – Maglioni & Thomson aim to isolate the singularity of UIQ in the virtual dimension of what it might have been and what it may yet become. \nhttp://cargocollective.com/terminal-beach/UIQ-A-SPACE-ODDITY
URL:https://www.h-r.la/event/east-of-borneo-event/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/1335807370_UIQ_2_640-600x450-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120428
DTEND;VALUE=DATE:20120430
DTSTAMP:20160522T201959Z
CREATED:20160522T201959Z
LAST-MODIFIED:20160522T201959Z
UID:1785-1335592800-1335679199@www.h-r.la
SUMMARY:Pharoahs\, LA Vampires\, High Places\, Suzanne Kraft\, White Car (dj)
DESCRIPTION:
URL:https://www.h-r.la/event/pharoahs-la-vampires-high-places-suzanne-kraft-white-car-dj/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/HumanresourcesAprilblue.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120420T000000
DTEND;TZID=America/Los_Angeles:20120422T010000
DTSTAMP:20160310T104305Z
CREATED:20160310T104305Z
LAST-MODIFIED:20160310T104305Z
UID:1150-1334880000-1335056400@www.h-r.la
SUMMARY:helga's mini-music festival
DESCRIPTION:
URL:https://www.h-r.la/event/helgas-mini-music-festival/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120419T000000
DTEND;TZID=America/Los_Angeles:20120419T000000
DTSTAMP:20160310T104305Z
CREATED:20160310T104305Z
LAST-MODIFIED:20160310T104305Z
UID:1149-1334793600-1334793600@www.h-r.la
SUMMARY:Grant Capes
DESCRIPTION:
URL:https://www.h-r.la/event/grant-capes-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120414
DTEND;VALUE=DATE:20120430
DTSTAMP:20180727T204448Z
CREATED:20160522T200534Z
LAST-MODIFIED:20180727T204448Z
UID:1754-1334383200-1335679199@www.h-r.la
SUMMARY:Karl Haendel: Oral Sadism and the Vegetarian Personality
DESCRIPTION:Oral Sadism and the Vegetarian Personality\na Solo Show by Karl Haendel \nI have been assembling an archive of 35mm slides since 2000. All of the slides are photographs I took myself (usually on a copy stand) of images\, texts\, and objects\, each of which becomes a “potential” drawing (the practice for which I am best known). There are nearly 10\,000 slides now. About 6 years ago my assistant and I began to categorize them (there are maybe 200 categories and subcategories) and file them. But I only recently realized that the slides kind of tell my story; as an artist\, collector\, editor\, and even a lot about my personality. I’ve attached the master list of categories (it also includes the “print archive” category names\, which technically is a little different) and you’ll see what I mean. Reading the list sort of tells you what my concerns are\, in a distanced and objective (yet funny) manner. I think they also tell you something about navigating a messy world with too much information\, and how one comes to make sense\, and ultimately meaning\, from it. They transcend interest and likes\, become about choices and values. How we as a culture make meaning is at the center of my work\, and this slide archive shows how over the past decade I have tried to do so myself.\n-Karl Haendel
URL:https://www.h-r.la/event/karl-haendel-solo-show/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/HaendelPR.082956.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120409T000000
DTEND;TZID=America/Los_Angeles:20120409T000000
DTSTAMP:20160310T104305Z
CREATED:20160310T104305Z
LAST-MODIFIED:20160310T104305Z
UID:1148-1333929600-1333929600@www.h-r.la
SUMMARY:lee ranaldo secret show tentative
DESCRIPTION:
URL:https://www.h-r.la/event/lee-ranaldo-secret-show-tentative/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120408T000000
DTEND;TZID=America/Los_Angeles:20120408T000000
DTSTAMP:20160310T104305Z
CREATED:20160310T104305Z
LAST-MODIFIED:20160310T104305Z
UID:1147-1333843200-1333843200@www.h-r.la
SUMMARY:Grant capes show w/ theremin group
DESCRIPTION:
URL:https://www.h-r.la/event/grant-capes-show-w-theremin-group/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120406T200000
DTEND;TZID=America/Los_Angeles:20120406T200000
DTSTAMP:20160522T195243Z
CREATED:20160310T104305Z
LAST-MODIFIED:20160522T195243Z
UID:1146-1333742400-1333742400@www.h-r.la
SUMMARY:Eileen Myles and Chris Kraus reading
DESCRIPTION:Please join Eileen Myles and Chris Kraus as they read from their new books. \nthis is the most important thing in the world \nI say aloud to everything \n– Eileen Myles\, author most recently of Snowflake/different streets\, published by Wave Books\, 2012. \nIn her first book of poetry since 2007\, legendary poet\, critic\, and novelist Eileen Myles creates poet and poem anew as she pushed the boundaries of her craft ever closer to the enigmatic core.  Snowflake finds the poet awash in an extended and distressed landscape mediated by technology and its distortion of time and space.  In different streets\, the poet returns home\, to the familiar world of human connection.  Two books meet as one: more Eileen Myles\, more indelible connection\, more fleeting ecstasy. \nChris Kraus is the author of four novels and two books of art and cultural criticism.  Her next book\, SUMMER OF HATE\, will be published by Semiotexte in October.  She writes about Los Angeles art for Art in America and co-edits Semiotexte with Hedi El Kholti and Sylvere Lotringer.
URL:https://www.h-r.la/event/eileen-myles-and-chris-kraus-reading/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/EileenMylesHR1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120328T000000
DTEND;TZID=America/Los_Angeles:20120328T000000
DTSTAMP:20160310T104305Z
CREATED:20160310T104305Z
LAST-MODIFIED:20160310T104305Z
UID:1145-1332892800-1332892800@www.h-r.la
SUMMARY:Grant Capes
DESCRIPTION:
URL:https://www.h-r.la/event/grant-capes/
END:VEVENT
END:VCALENDAR