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X-WR-CALDESC:Events for Human Resources
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140516T000000
DTEND;TZID=America/Los_Angeles:20140516T000000
DTSTAMP:20180921T054357Z
CREATED:20160311T093548Z
LAST-MODIFIED:20180921T054357Z
UID:1323-1400198400-1400198400@www.h-r.la
SUMMARY:Screening: VFE with ONE Archives
DESCRIPTION:Admission is free. Suggested $5 donation. \nFounded in 1982 in Washington D.C.\, Video Free Earth was the longtime sister organization of EZTV\, with whom they traded videotapes for screenings and collaborated on various projects. Responding to the political climate of Reagen-era D.C.\, VFE’s early tour-de-force was a trilogy of drag videos that imagined an alcoholic\, manic-depressive Joan Kennedy as the first lady. Other videos experimented with narrative\, often campy\, portraits. Some targets included modernist artist Louise Nevelson\, socialite Gloria Vanderbilt\, a depressive capital worker\, and 80s tabloid sensation Vicki Morgan. This screening\, the first presentation of VFE productions in over twenty years\, looks to rediscover the lost history of queer video exchange between L.A. and D.C. \nPresented in collaboration with Human Resources with support from the George Washington University Special Collections.
URL:https://www.h-r.la/event/screening-vfe-with-one-archives/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140515T020000
DTEND;TZID=America/Los_Angeles:20140529T000000
DTSTAMP:20180921T054814Z
CREATED:20160311T093548Z
LAST-MODIFIED:20180921T054814Z
UID:1322-1400119200-1401321600@www.h-r.la
SUMMARY:Kate Gilbert
DESCRIPTION:Photo courtesy of Kate Hoffman \n \nPhoto courtesy of Kate Hoffman \nEXPOSING THE ARTIST MYTH & TWO TACKY PAINTINGS: \nLA Lesbian Kate Gilbert Goes Back to “Art School” \nChinatown arts venue Human Resources presents “Art School”\, an exhibition by LA-based artist Kate Gilbert \nGilbert originally conceived the idea for “Art School” in a conversation with Human Resources programming committee member\, Oscar Santos\, over tea. \n“Oscar seemed determined that I hold classes during my exhibition. He really indulged me. We talked about esoteric geometry and he was down for that\, but I’m no expert. I dropped out of art school back in the 90s\, but it seemed feasible enough for me to try my hand at being an amateur teacher\, or a makeshift Dean\, or perhaps with prompting\, an art evangelist. Oscar prompted me. It seemed slightly less crazy than proposing I could time travel\, or predict the future\, both of which I’ve attempted. \nPart of what I am offering at HR is something of an artist exposition\, where people can come and observe artists making work in their “natural” habitat. I think it is useful to observe process\, and a number of the artists I have invited to participate\, namely Gregory Barnett and Kate Hoffman\, are working in the gallery for several days as a type of performance. Direct observation\, in my opinion\, is one of the most powerful ways to learn. \nOf course\, it is a tricky thing to render what we do in solitude (‘If a tree falls in a forest…’) and scientifically impossible once we have invited guests. For my own work in the show\, I am challenging my own sense of what it means to be radical and queer\, and furthermore how my identity reads and exists publicly.  I am pushing myself to collaborate more courageously and hopefully taking advantage of the potential of Human Resources as the community arts venue that it is.” \nGilbert will open the exhibition with the performance “Everything I Own Up to Now” in which she uses all of her worldly possessions as a medium. Her closing exhibition\, “Tacky Paintings”\, centers around her attempts at creating two massive glitter paintings on paper for which she received funding from the Center for Cultural Innovation earlier this year. \nSchedule of events as of Monday\, May 12\, 2014: \nMay 15: 6-9pm \nOpening Exhibition and performance: \nKate Gilbert “Everything I Own Up to Now” \nMay 15 – 29: \nHaircuts by appointment \nRafa Esparza \nContact the artist: toltekatl13ollin@yahoo.com \nMay 16: One Archives Screening \nMay 18: Castelar Elementary Fundraiser \nMay 19-22: 10am-6pm \nKate Hoffman “Make It Work” \nMay 19-24: 10am – 6pm \nGregory Barnett “If This Were Any More Camp You Would Need A Tent/ This Is What I Want/ Our Technicolor Dream Dance” \n(Closing performance May 24: 10pm – 3am) \nMay 24-26:\nVeronique d’Entremont “What Trickles Down\, What Accumulates” with Aloni Bonilla\, Cake and Eat It\, Kim McGill\, Amitis Motevalli and “City of Lost Angels” featuring youth from FREE LA High School\, the Youth Justice Coalition and LA County Juvenile Halls \nStencil-making workshop with Amitis Motevalli  May 24: 5pm\nOpening reception  May 24: 5 – 8pm \nMay 25: LA Composer’s Collective \nMay 26: 4-7pm \nMemorial Day Workshop \nKate Gilbert “Throwing Books: Baseball and the Cadavre Exquis (A Slap-dash Course in Animation)” \nContact the artist to register: kategilbert@yahoo.com \nMay 29: 6-9pm \nClosing Exhibition: \nKate Gilbert “Tacky Paintings” \nOther artists/events TBA \n  \nFor further details\, including current events and times\, please visit: \nwww.artschool2014.wordpress.com \nGeneral press enquiries: kategilbert@yahoo.com
URL:https://www.h-r.la/event/kate-gilbert/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140421T193000
DTEND;TZID=America/Los_Angeles:20140421T220000
DTSTAMP:20160701T030837Z
CREATED:20160311T093548Z
LAST-MODIFIED:20160701T030837Z
UID:1321-1398108600-1398117600@www.h-r.la
SUMMARY:On not-knowing: inquiries of temporality and place in the context of Lebanon
DESCRIPTION:On not-knowing: inquiries of temporality and place in the context of Lebanon \nDiscussion with Joanne Nucho\, Suzy Halajian\, and Sasha Ussef \nThe session will explore the idea of not-knowing found within the highly contested Lebanese context. Taking Lebanon as a site to unpack ideas of not-knowing at the intersection of various temporalities — ever shifting and explosive\, both virtual and “real” — the session will explore imagined states\, the production of memories\, as well as the gaps in historical narratives through an emphasis on contemporary artistic and cultural practices as well as other interdisciplinary ethnographic modes of inquiry. Artistic works under discussion include those by Rabih Mroué\, Mounira Al Solh\, Ilaria Lupo\, and Marwa Arsanios. This event will be an open discussion format. \n  \nJoanne Randa Nucho is a filmmaker and anthropologist who lived and worked in Beirut from 2010-11. \nSuzy Halajian is a curator based in Los Angeles. She lived and worked in Beirut in 2013 and summer of 2011. \nSasha Ussef is a curatorial and urban planning graduate student at USC. She spent time in Beirut in the summer of 2013. \nImage: Ilaria Lupo\, Readily Reversible\, 2012. Courtesy of the artist.
URL:https://www.h-r.la/event/on-not-knowing/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/005-e1467342176433.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140421T000000
DTEND;TZID=America/Los_Angeles:20140508T000000
DTSTAMP:20160311T093548Z
CREATED:20160311T093548Z
LAST-MODIFIED:20160311T093548Z
UID:1320-1398038400-1399507200@www.h-r.la
SUMMARY:Katie Grinnan's The Astrology Orchestra
DESCRIPTION:Exhibition\nThe Astrology Orchestra is a multi-platform performance project that uses the system of astrology to map out her birth chart from the perspective of the planets in the solar system. These charts served as a template for Grinnan to create unique stringed instruments\, each representing a different planetary perspective of the same moment in time\, though each chart is radically different due to the planets’ position in space. Furthermore\, the note of the string at the diameter of each sculpture correlates to the frequency of the planetary spin. Various members of Grinnan’s artist community were cast according to their astrological sign to play the instruments simultaneously as a symphony. A metronome serves as the conductor for the performance while the performers circumnavigate through the zodiac cycle playing the planetary transits. These instruments have been previously activated through orchestral presentations at the Mount Wilson Observatory\, the Venice Beach Biennial in conjunction with the Hammer Museum’s Made in L.A. 2012\, and lastly at the Integratron in Joshua Tree\, CA presented by LAND.\nIn the concluding exhibition at Human Resources\, we propose to display Grinnan’s sculptural instruments and astrological charts/diagrams which emphasize Grinnan’s vision and process\, along with two installations of high definition video projections. These video projections will be comprised of footage from the past performances of the Astrology Orchestra from the Integratron\, and the 60″ telescope at the Mount Wilson Observatory as part of KNOWLEDGES. Both of these projections will be dome-shaped to form a complete circle\, echoing the architecture of the spaces in which the original performances took place and the shape of the instruments and the planets. An additional video piece will detail the performance of the Astrology Orchestra at Venice Beach. Finally\, a publication including images of the performances\, the instruments\, and portraits of the performers along with detailed texts on the research\, influences\, and documentation of all three performances will be available for the public to read.\nGrinnan and book designer Brian Roettinger of Hand Held Heart have completed the publication which is currently being printed\, and thus will be ready for inclusion in the exhibition.\nGrinnan writes\, “This culminating show would serve as a vehicle for the meaning of the entire project\, where the contexts could be read as material used to color the perception of the performance in different ways\, emphasizing my interest in form as a mutable thing that changes according to translation.” \nUpstairs\, Downstairs \nA performance of the Astrology Orchestra could take place but the installation of the work (which is fragile) would not allow for other performances to occur during the duration of the exhibition without the artist’s express permission and LAND oversight\, but likely only directly related artist performances.
URL:https://www.h-r.la/event/katie-grinnans-the-astrology-orchestra/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140418T000000
DTEND;TZID=America/Los_Angeles:20140421T000000
DTSTAMP:20160311T093548Z
CREATED:20160311T093548Z
LAST-MODIFIED:20160311T093548Z
UID:1319-1397779200-1398038400@www.h-r.la
SUMMARY:RECAPS installation and public events
DESCRIPTION:Short installation and series of events that generate material for RECAPS Issue 11 .See Issue 10 (launched today!) for examples of their work. http://recapsmagazine.com/2014/02/ \nOpen to having it another weekend of course.
URL:https://www.h-r.la/event/recaps-installation-and-public-events/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140417T000000
DTEND;TZID=America/Los_Angeles:20140417T000000
DTSTAMP:20180921T055244Z
CREATED:20160311T093548Z
LAST-MODIFIED:20180921T055244Z
UID:1318-1397692800-1397692800@www.h-r.la
SUMMARY:Ted Byrnes + Corey Fogel\, w/ Joseph Mosconi\, Janice Lee\, and Jacob Wick
DESCRIPTION:Words:\nJoseph Mosconi\nJanice Lee \nSounds:\nTed Byrnes\nCorey Fogel\n(spatial drum duo performance) \nSounds:\nJacob Wick\n(solo\, unamplified trumpet) \n$5
URL:https://www.h-r.la/event/corey-and-ted-drum-event/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140414T000000
DTEND;TZID=America/Los_Angeles:20140416T000000
DTSTAMP:20180921T060025Z
CREATED:20160311T093548Z
LAST-MODIFIED:20180921T060025Z
UID:1317-1397433600-1397606400@www.h-r.la
SUMMARY:Seven Planets Seven Days - La Porscha & Ossian
DESCRIPTION:   \nPhotos courtesy of Jeff Jefferson \nPerformance Series with Accompanying Installation\nSeven Planets Seven Days is a Series of Planetary Invocations presented as seven distinct Performance Pieces. In classical Astronomy\, Seven Planets were recognized: The Moon\, Mars\, Mercury\, Jupiter\, Venus\, Saturn and The Sun. (although confusing to a modern audience The Sun and The Moon were considered Planets in antiquity as their position in the heavens was not fixed) Each of our days of the week is named for one of these Planets from Monday to Sunday in the order that they are listed. As the series progresses we will be creating an installation in the main room\, specifically seven large pieces of fabric in the corresponding colors of each planet will be mounted on the main back wall and the objects used in each performance will be left behind as a growing installation.\nThe bulk of the performances would occur in the main room with the installation focussed on the back wall\, but some performances would also crossover into upstairs and outside space. For example in The Moon vessels of water would be carried outside to capture the reflection of the nearly full moon then brought back inside to fill a larger vessel and in Saturn lines would be extended from the upstairs projector window toward the floor at the back wall to allow small lead weights to slowly descend on these lines. \nDownstairs \nOther performances could occur in the space during this week either before or after the planetary performances\, however to keep the visual cohesion of the series no other work should be displayed
URL:https://www.h-r.la/event/seven-planets-seven-days-la-porscha-ossian/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140413T000000
DTEND;TZID=America/Los_Angeles:20140413T000000
DTSTAMP:20180921T060333Z
CREATED:20160311T093547Z
LAST-MODIFIED:20180921T060333Z
UID:1316-1397347200-1397347200@www.h-r.la
SUMMARY:URN IS THE IMAGE - CHOREOGRAPHED BY SOPHIA CLEARY W/ KATE BERLANT
DESCRIPTION:Sunday April 13th\n7pm doors and refreshments\n7:30pm performance\nw/Kitten Meditation by Johnnie JungleGuts \nurn is the image is a performance about a woman who will have to share her urn when she dies. In this performance\, the urn is explored as an object of interiority; its presence on stage symbolizes feelings related to security\, death\, shared resources\, safety\, glory and patriarchal femininity. \nChoreographed by Sophia Cleary\nPerformed by Sophia Cleary and Kate Berlant \nSophia Cleary is a performance artist based in Brooklyn\, NY. She is the founder and coordinator of the works-in-progress series REHEARSAL and is co-editor for Ugly Duckling Presse’s performance annual Emergency INDEX. She has worked with the Kate Bush Dance Troupe\, Ann Liv Young\, Dynasty Handbag (Jibz Cameron)\, Neal Medlyn\, and Alexandra Bachzetsis. She has presented her work at the Center for Performance Research\, Danspace Project\, and Dixon Place. Her most recent project is playing drums in Penis\, a feminist punk band co-founded with Samara Davis. \nBased in Brooklyn\, Kate Berlant performs across the country in festivals such as the New York Comedy Festival\, Bridgetown Comedy Festival\, San Francisco Sketchfest\, Outside Lands\, High Plains Comedy Festival and LA’s Riot Festival.  Kate was recently profiled by The New York Times as a “magnetic improvisational comic” at the forefront of experimental comedy.  In 2012 she was named by Time Out New York as one of New York City’s “Top Three Comics to Watch” and as one of Comedy Central’s “Comics to Watch.”  Reggie Watts named her as one of his “Top Ten Stand-Up Comedians” in Time Out London\, and Splitsider listed her as one of the “Top Ten Up and Coming Comedians on the East Coast.”  Kate has been commissioned by The Museum of Contemporary Art\, Los Angeles to work on their online channel and was one of the faces of IFC’s web series “Comedy Drop.”  She recently finished touring the country with musician Father John Misty. When she’s not on the road\, Kate runs a weekly show at the Cake Shop in New York Cityon Tuesday nights.
URL:https://www.h-r.la/event/sophia-cleary-and-kate-berland-one-night-if-possible/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140410T000000
DTEND;TZID=America/Los_Angeles:20140414T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1315-1397088000-1397433600@www.h-r.la
SUMMARY:LACHSA senior art show
DESCRIPTION:
URL:https://www.h-r.la/event/lachsa-senior-art-show/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140406T000000
DTEND;TZID=America/Los_Angeles:20140406T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1314-1396742400-1396742400@www.h-r.la
SUMMARY:Los Angeles Composers Collective
DESCRIPTION:
URL:https://www.h-r.la/event/los-angeles-composers-collective/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140403T000000
DTEND;TZID=America/Los_Angeles:20140403T000000
DTSTAMP:20180921T061040Z
CREATED:20160311T093547Z
LAST-MODIFIED:20180921T061040Z
UID:1313-1396483200-1396483200@www.h-r.la
SUMMARY:Between A Rock & Hard Plastic: Aesethetics of the Anthropocene
DESCRIPTION:BETWEEN A ROCK & HARD PLASTIC: AESTHETICS OF THE ANTHROPOCENE with Sylvère Lotringer\, Heather Davis\, and Etienne Turpin \nThursday 3 April\, 2014\, 7:30PM \n  \nIn 2008\, the Los Angeles Department of Water and Power dumped 400\,000 black plastic balls into the the Ivanhoe Resevoir to block out the sunlight\, which was said to be causing the formation of carcinogenic bromate in the water. Although bromide is naturally present in groundwater and chlorine is used to kill bacteria\, sunlight created the conditions for potentially lethal consequences for the 600\,000 customers in downtown and South Los Angeles served by the resevoir. With the addition of 3 million more black balls in the following months\, the LADWP battled against the sunlight as it undertook a new\, massive earthwork-a 55 million gallon underground reinforced concrete tank\, stretching over 7 acres\, and hidden by a landscaped park-as a buried replacement resevoir to eliminate bothe Silver Lake and the Ivanhoe Resevoir\, which\, as “open air” water storage sites\, were said to be obsolete. Covering the resevoir with millions of polyethylene balls as a stopgap measure to prevent the production of carcinogenic compounds while hastening to reduce whole ecosystems to mechanical\, subterranean tanks suggests a few of the unintentional aesthetic maneuvers revealed in the Anthropocene. How does our understanding of human “intention” change as we enter the era of Anthropocene? What does the shift demand from contemporary artistic and curatorial practices? What conceits does the this transformation demand from our aesthetic regimes? Art in the Anthropocene editors Heather Davis and Etienne Turpin will discuss the aesthetic implications of the Anthropocene with Sylvère Lotringer by considering the relative mineralogy and plasticity of recent installation\, video\, and literary works.
URL:https://www.h-r.la/event/anthropocene-lecture/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140331T000000
DTEND;TZID=America/Los_Angeles:20140409T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1312-1396224000-1397001600@www.h-r.la
SUMMARY:Kitchen Poetics: LA Women's Collage Collective Show & Book Release
DESCRIPTION:
URL:https://www.h-r.la/event/kitchen-poetics-la-womens-collage-collective-show-book-release/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140328T000000
DTEND;TZID=America/Los_Angeles:20140329T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1311-1395964800-1396051200@www.h-r.la
SUMMARY:Anthony Bodlovic 21hr performance
DESCRIPTION:
URL:https://www.h-r.la/event/anthony-bodlovic-21hr-performance/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140327
DTEND;VALUE=DATE:20140329
DTSTAMP:20160628T224234Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160628T224234Z
UID:1310-1395900000-1395986399@www.h-r.la
SUMMARY:Paradigm of the Precipice: Dead Hippie
DESCRIPTION:Esoterica by Sylvie Spencer (Upstairs)\, with performances presented by Experimental Half-Hour (downstairs): Diva\, Geneva Jacuzzi\, GX Jupitter-Larsen and After Hours. \nThe Fool is both the beginning and the end\, neither and otherwise\, betwixt and between\, liminal. The number 0 is a perfect significator for the Fool\, as it can become anything when he reaches his destination as in the sense of ‘joker’s wild’. Zero plus anything equals the same thing. Zero times anything equals zero. Zero is nothing\, a lack of hard substance\, and as such it may reflect a non-issue or lack of cohesiveness for the subject at hand. \nAs Card 0\, the Fool lies at the beginning of the major arcana\, but also somewhat apart from the other cards. In medieval courts\, the court jester was someone who was not expected to follow the same rules as others. He could observe and then poke fun. This makes the Fool unpredictable and full of surprises. He reminds us of the unlimited potential and spontaneity inherent in every moment. There is a sense with this card that anything goes – nothing is certain or regular. What may posit itself as art may simply be craft\, what may posit itself as handmade may be structured by machine\, the old collaged to form new\, but most curiously\, that which posits itself as something may simply be nothing at all. \nThe Fool also represents the complete faith that life is good and worthy of trust. Some might call the Fool too innocent\, but his innocence sustains him and brings him joy.
URL:https://www.h-r.la/event/experimental-half-hour-benefit/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/paradigmposterweb-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140326T000000
DTEND;TZID=America/Los_Angeles:20140326T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1309-1395792000-1395792000@www.h-r.la
SUMMARY:The Goodness Regime
DESCRIPTION:Film ScreeningThe Goodness Regime by Jumana Manna and Sille Storihle
URL:https://www.h-r.la/event/the-goodness-regime/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140321T000000
DTEND;TZID=America/Los_Angeles:20140323T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1308-1395360000-1395532800@www.h-r.la
SUMMARY:Dorian Wood & Chamber Orchestra
DESCRIPTION:
URL:https://www.h-r.la/event/dorian-wood-chamber-orchestra/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140315T000000
DTEND;TZID=America/Los_Angeles:20140315T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1307-1394841600-1394841600@www.h-r.la
SUMMARY:Pearl Closing Event
DESCRIPTION:
URL:https://www.h-r.la/event/pearl-closing-event/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140314T000000
DTEND;TZID=America/Los_Angeles:20140314T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1306-1394755200-1394755200@www.h-r.la
SUMMARY:calarts reading
DESCRIPTION:
URL:https://www.h-r.la/event/calarts-reading/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140312T000000
DTEND;TZID=America/Los_Angeles:20140312T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1305-1394582400-1394582400@www.h-r.la
SUMMARY:Community Forum on Performance Art/Celebrity Culture
DESCRIPTION:
URL:https://www.h-r.la/event/community-forum-on-performance-artcelebrity-culture/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140311T000000
DTEND;TZID=America/Los_Angeles:20140311T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1304-1394496000-1394496000@www.h-r.la
SUMMARY:JOE NEWLIN + MARCUS RUBIO + TBD
DESCRIPTION:
URL:https://www.h-r.la/event/joe-newlin-marcus-rubio-tbd/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140308T000000
DTEND;TZID=America/Los_Angeles:20140308T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1303-1394236800-1394236800@www.h-r.la
SUMMARY:The—Family (by Wojciech Kosma)
DESCRIPTION:Performance
URL:https://www.h-r.la/event/the-family-by-wojciech-kosma/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140302T000000
DTEND;TZID=America/Los_Angeles:20140315T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1301-1393718400-1394841600@www.h-r.la
SUMMARY:Pearl Hsiung - Exhibition
DESCRIPTION:
URL:https://www.h-r.la/event/pearl-hsiung-exhibition/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140225T000000
DTEND;TZID=America/Los_Angeles:20140225T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1300-1393286400-1393286400@www.h-r.la
SUMMARY:Paul Pescador
DESCRIPTION:
URL:https://www.h-r.la/event/paul-pescador-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140224T000000
DTEND;TZID=America/Los_Angeles:20140224T000000
DTSTAMP:20160311T093547Z
CREATED:20160311T093547Z
LAST-MODIFIED:20160311T093547Z
UID:1299-1393200000-1393200000@www.h-r.la
SUMMARY:Chris Kraus Class
DESCRIPTION:
URL:https://www.h-r.la/event/chris-kraus-class-6/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140223T000000
DTEND;TZID=America/Los_Angeles:20140223T000000
DTSTAMP:20160311T093546Z
CREATED:20160311T093546Z
LAST-MODIFIED:20160311T093546Z
UID:1297-1393113600-1393113600@www.h-r.la
SUMMARY:Purple & Gold - Russian LGBT Network Benefit
DESCRIPTION:
URL:https://www.h-r.la/event/purple-gold-russian-lgbt-network-benefit/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140222T000000
DTEND;TZID=America/Los_Angeles:20140222T000000
DTSTAMP:20160311T093546Z
CREATED:20160311T093546Z
LAST-MODIFIED:20160311T093546Z
UID:1296-1393027200-1393027200@www.h-r.la
SUMMARY:Stom Sogo:film series in tribute to the filmmaker
DESCRIPTION:3-evening film series in tribute to the filmmaker Stom SogoNYC Anthology Film Archives\nDK\nASH\nAL
URL:https://www.h-r.la/event/stom-sogofilm-series-in-tribute-to-the-filmmaker/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140221T000000
DTEND;TZID=America/Los_Angeles:20140221T000000
DTSTAMP:20160311T093546Z
CREATED:20160311T093546Z
LAST-MODIFIED:20160311T093546Z
UID:1295-1392940800-1392940800@www.h-r.la
SUMMARY:Performance - R Lyon
DESCRIPTION:
URL:https://www.h-r.la/event/performance-r-lyon/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140217T000000
DTEND;TZID=America/Los_Angeles:20140217T000000
DTSTAMP:20160311T093546Z
CREATED:20160311T093546Z
LAST-MODIFIED:20160311T093546Z
UID:1294-1392595200-1392595200@www.h-r.la
SUMMARY:Chris Kraus Class
DESCRIPTION:
URL:https://www.h-r.la/event/chris-kraus-class-5/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140211T000000
DTEND;TZID=America/Los_Angeles:20140211T000000
DTSTAMP:20160311T093546Z
CREATED:20160311T093546Z
LAST-MODIFIED:20160311T093546Z
UID:1293-1392076800-1392076800@www.h-r.la
SUMMARY:Dara Birnbaum screening & lecture
DESCRIPTION:
URL:https://www.h-r.la/event/dara-birnbaum-screening-lecture/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140210T000000
DTEND;TZID=America/Los_Angeles:20140210T000000
DTSTAMP:20160311T093546Z
CREATED:20160311T093546Z
LAST-MODIFIED:20160311T093546Z
UID:1292-1391990400-1391990400@www.h-r.la
SUMMARY:Chris Kraus Class
DESCRIPTION:
URL:https://www.h-r.la/event/chris-kraus-class-4/
END:VEVENT
END:VCALENDAR