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DTSTART;TZID=America/Los_Angeles:20150405T200000
DTEND;TZID=America/Los_Angeles:20150406T000000
DTSTAMP:20180727T224618Z
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224618Z
UID:1422-1428264000-1428278400@www.h-r.la
SUMMARY:father murphy + xiu xiu noise set
DESCRIPTION:Doors at 8PM\, $7 everyone welcome \nout of this world psych and noise blowout on Easter Sunday.. .come blessed in yr sunday dress \nFATHER MURPHY (IT) visiting darkness\nXIU XIU NOISE – hometeam supergroup featuring Elaine Carey & Juliette Amoroso (Telecaves)\, Tamaki Ueda (Banetoriko)\, Shayna Dunkelman\, Angela Seo & Jamie Stewart (Xiu Xiu).\nXIA – hometeam darkness\nplus a special opener and closer dj set from the folks who brought you the 1/8th FEST
URL:https://www.h-r.la/event/father-murphy-xiu-xiu-noise-set/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/934748_10153027829688446_1141129769213277987_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150404T200000
DTEND;TZID=America/Los_Angeles:20150405T000000
DTSTAMP:20160522T230841Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T230841Z
UID:1421-1428177600-1428192000@www.h-r.la
SUMMARY:ARRINGTON de DIONYSIO + PARK DETAIL'S BAND + telecaves + LEE NOBLE
DESCRIPTION:Doors at 8PM\, $7. Join us at HR for experimental\, noise sets with Lee Noble\, Park Detail’s Band\, Ezra Buchla\, Arrington de Dionysio\, and Telecaves.
URL:https://www.h-r.la/event/arrington-de-dionysio-park-details-band-telecaves-lee-noble/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-4-2015.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150402T000000
DTEND;TZID=America/Los_Angeles:20150402T000000
DTSTAMP:20160522T231051Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T231051Z
UID:1420-1427932800-1427932800@www.h-r.la
SUMMARY:KREaction: Kevin Robinson Ensemble with Kenyatta C Hinkle and Niela Orr
DESCRIPTION:A night of improvised sonic meditations led by the Kevin Robinson Ensemble (KREation) working in collaboration with live visual art by Kenyatta A C Hinkle and live writing by Niela Orr. KREation consists of: Sarah Belle Reid – Trumpet; Christin Hablewitz – Woodwinds; Kevin Robinson – Woodwinds; Rachel O’Connor – Horn; Evan Jiroudek – Drums; Tony Giuseppe Gennaro – Vibes; Lee Hodel – Bass. This performance will take place amidst Emily Joyce’s exhibition. \n8PM/Donation at the Door
URL:https://www.h-r.la/event/kreationimprov-jazzspoken-word/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/KREationensemble.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150331T000000
DTEND;TZID=America/Los_Angeles:20150331T000000
DTSTAMP:20160516T181922Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160516T181922Z
UID:1419-1427760000-1427760000@www.h-r.la
SUMMARY:Night of Music w/ Emily Joyce
DESCRIPTION:Emily Joyce and friends including Adam Goldman. Low Key night of music.
URL:https://www.h-r.la/event/night-of-music-w-emily-joyce/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150321T000000
DTEND;TZID=America/Los_Angeles:20150405T000000
DTSTAMP:20160523T033547Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033547Z
UID:1418-1426896000-1428192000@www.h-r.la
SUMMARY:Emily Joyce Famous Potatoes and Other Related Works
DESCRIPTION:Opening Reception: Saturday March 21 7–10 pm \nHuman Resources is pleased to announce Emily Joyce: Famous Potatoes and other related works.  Joyce’s first solo exhibition in Los Angeles\, Famous Potatoes and other related works features an on-and-off-the-wall installation of kinetic\, optical\, and symbolic abstract paintings. The exhibition is comprised of new works from three ongoing projects\, including: free-standing mixed media paintings from the Famous Potatoes series; 13 optically charged large-scale screen prints from the Sun Burn series\, and geometric acrylic on canvas paintings from the Captcha series.  \nThe Famous Potatoes paintings feature painting rags from the artist’s studio displayed within the squares of a rigid black grid. Upon closer examination\, the viewer sees that each rag is in fact impossibly identical. This haphazard and gestural element of the painting process has been transformed into a digital replica. At random intervals a fan starts and blows the rags up momentarily revealing a hieroglyphic-like ideogram beneath.  \nThe Sun Burn series is based on the optical phenomenon of after-image and chromatic vibration. These large-scale works on paper are hung from the ceiling as a sort of theatrical curtain that the viewer can traverse and experience from all sides. In this way the physical objectness of what initially was experienced as a visual phenomenon is exposed\, like getting to peek back-stage \nThe Captcha paintings (inspired by Magritte’s floating orbs) take their titles from the internet visual security feature“Completely Automated Public Turing test to tell Computers and Humans Apart (CAPTCHA)” These paintings are made up of three distinct layers of space: a foreground and background of floating orbs and a hand-painted mesh-like plane of parallel black lines which conceals the background orbs. For the installation\, the paintings are embedded in a wall relief of hundreds of bricks that have been wrapped in white paper and stacked into a huge triangle that covers the wall.  \nEmily Joyce (born 1976 in Arlington Heights\, Illinois) lives and works in Los Angeles\, California. Joyce studied at the Glasgow School of Art and received her BFA from the Rhode Island School of Design\, Providence\, in 1998. From 1999-2001 she was a Core Artist-in-residence at the Glassell School of Art\, Museum of Fine Arts Houston\, Texas. In 2002 she was an artist in residence at Le Pavillon at the Palais de Tokyo in Paris\, France. Joyce has exhibited her prints\, paintings\, and collages internationally for the last 15 years including recent solo exhibitions at Inman Gallery\, Houston\, Texas (2013); Elephant\, Los Angeles\, California (2013); Compact Gallery\, San Luis Obispo\, California (2012); and Sara Meltzer Gallery\, New York\, New York (2004). Her recent group exhibitions include Snack Time\, Campbell Hall Art Gallery\, North Hollywood\, California (2015); Machine Project Field Guide to the Gamble House\, The Gamble House\, Pasadena\, California (2014); Los Angeles Chez Vous\, Mains d’Oeuvres\, Paris\, France (2013); Garden Party\, FOCA\, Los Angeles\, California (2013); XYZ: The Geometric Impulse in Abstract Art\, The Torrance Art Museum\, California (2012)\, which she curated with Jessica Halonen; This & That\, Ricard Foundation\, Paris\, France (2012); and Wall Power\, Brand Library and Art Galleries\, Glendale\, California (2011). Joyce’s works are in the public collections of the Museum of Fine Arts\, Houston\, Texas; The Walker Art Center\, Minneapolis\, Minnesota; and the Hammer Museum\, Los Angeles\, California\, among others.  \nThe artist would like to make a special thanks to Inman Gallery in Houston\, Texas. Thanks also to Devin McNulty\, Gary Murphy\, Mark Allen\, Ian Byers-Gamber\, and Lucas Wrench. This project was brought to Human Resources by Devin McNulty and David Fenster.
URL:https://www.h-r.la/event/emily-joyce-famous-potatoes-and-other-related-works/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Emily-Joyce-2015.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150316T193000
DTEND;TZID=America/Los_Angeles:20150316T193000
DTSTAMP:20160523T033802Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033802Z
UID:1417-1426534200-1426534200@www.h-r.la
SUMMARY:Charles Atlas: Turning
DESCRIPTION:7:30PM \n“Turning”\, 2012 (76 min) \n“You Are My Sister”\, 2006 (3 min) \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-2/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlas-Turning.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150315T200000
DTEND;TZID=America/Los_Angeles:20150315T220000
DTSTAMP:20160523T034214Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034214Z
UID:1416-1426449600-1426456800@www.h-r.la
SUMMARY:MAX EILBACHER AND LUMINOUS ALL KUDLER AND GUESTS
DESCRIPTION:HRLA presents Max Eilbacher’s The VanderBleakin Tour Comes To The West Coast with:\nMax Eilbacher \nWe have Eilbacher ripping sets of electro-acoustic shard flappery with drone-rockers Teeth Mountain\, rocking a guitar and violent acts of peace with aktionist noise-rock unit Needle Gun (of which he helped found)\, bobbing his own head along a top a swarm of electronics with technocrats Matmos\, keeping just intoned enough with comp-rockers Horse Lords (of which he is also a founding member) as well as improvising at events like High Zero\, making video art\, and eating a nasty mountain of hot peppers just to impress two brothers with different last names; the psychedelic noise-triXXXster Twig Harper and the reel-to-reel builder and stoic impresario of deadened ambush\, Caleb Johnston. At this point\, the context returns to its’ steady placement as useless. If one places a musician within every-damn-musical-area one can fall into\, then can’t one as easily put them into no-damn-musical-area? After all who ever heard of a technocrat drone-rocker noise aktionist eating hot peppers with two psychedelic brothers all while playing junked out electronics mixed with developing and progressive\, but still rather nostalgia tinged\, digital sounds\, except there are no beats\, drones\, or noise-blasts but rather interlocking layers of clang-y misshapen patterns that are replaced by rising and descending tones smattered together to be torn apart to create a carousel affect of the cogent and the confused? There seems to be just nothing to say about Max Eilbacher other than that he is a Baltimore based musician working with a wide variety of electronics\, both sampled and synthetic. Eilbacher has a solo record out on the Spectrum Spools label\, a sub-label of Editions Mego \nLuminous All Kudler \nLuminous All Kudler is one of many interchangeable performing aliases of currently Baltimore based electronic musician and sound artist Ben Kudler. In response to the recent move to integrate computers into every facet of daily life\, including the body\, Kudler’s sounds create physiological snaps and bumps in addition to psychoacoustic errors and confusions on the part of the listener. The immediately identifiable synthetic sounds used are strapped into shaky\, if not plain stupid\, structures stacked on top of one another rendering a centrifugally hung spinning force of a composition that can only have sense derived from by each individual listener\, the end user. Luminous All Kudler’s debut full length record will be released on Spectrum Spools\, a sub-label of Editions Mego this year. \nSalamander Wool\nhttp://www.ehserecords.com/salamanderwool/ \nMatthew Sullivan\nhttp://matthewsullivanearn.bandcamp.com/ \nVRS\nwww.vrs-music.tumblr.com \nDoors at 8PM\, $5 FB event page
URL:https://www.h-r.la/event/ben-kudler-max-eiibacher/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/March-15-15.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150314T193000
DTEND;TZID=America/Los_Angeles:20150314T193000
DTSTAMP:20160523T033958Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033958Z
UID:1415-1426361400-1426361400@www.h-r.la
SUMMARY:Charles Atlas: Dance! Dance! Dance!
DESCRIPTION:7:30PM \n“Ex-Romance”\, 1987 (48 min) \n“Hail the New Puritan”\, 1985 (84 min) \nAs part of the ATLAS IN LA festival\, a nine-day festival of film screenings\, which will occur March 10th-19th at eight venues around Los Angeles\, Human Resources presents a night of Charles Atlas’ two most well known dance-narratives. In Ex-Romance\, Atlas’ fascination with “narrative\, psychology\, dance\, and flights of fantasy\,” is manifested in this dynamic videodance musical. Here the postmodern choreography of Karole Armitage is performed by Armitage\, Michael Clark and others to American pop and Latin music. Framed and interrupted by the ironic observations of two parodic “public television” commentators\, the dancers play fictionalized versions of themselves in a wry tale of contemporary romance\, in which the dance literally and metaphorically advances the narrative. Hail the New Puritan is a simulated day-in-the-life of British dance celebrity/choreographer Michael Clark. Atlas’ fictive portrait of the charismatic choreographer serves as a vivid invocation of the studied decadence of the 1980s post-punk London subculture. Contriving a faux cinema-verite format in which to stage his stylized fiction\, Atlas seamlessly integrates Clark’s extraordinary dance performances into the docu-narrative flow. Focusing on Clark’s flamboyantly postured eroticism and the artifice of his provocative balletic performances\, Atlas posits the dance as a physical manifestation of Clark’s psychology. \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-hr/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlast-Dance.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150313T180000
DTEND;TZID=America/Los_Angeles:20150313T180000
DTSTAMP:20180727T224859Z
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224859Z
UID:1414-1426269600-1426269600@www.h-r.la
SUMMARY:A STONE IN THE MIDDLE | CONTEMPORARY TECHNO-TEMPORAL INNOVATION
DESCRIPTION:a stone in the middle | contemporary techno-temporal innovation \nI understand techno- from the Greek τέχνη. It could mean arts or craft or both.  I also understand -temporality as relative to time\, in many ways. It is also a form of electronic dance music\, I heard\, but this is also relative to time. So what is techno-temporality? I think of the term as related to the digitization of our times and to the way our apperception of time is (re)built. In that case\, isn’t a contemporary techno-temporality a pleonasm? When else in history did we experience an age of digitization prior to now? Could digitalization ever precede the invention of the digital? The artists of the show share the same space in the same time. And this seems already enough to know. Together their works engage into a never ending techno-dance that\, ultimately\, leaves us questioning the floor we thought we were dancing on. But was it ever a floor in the first place? \nFilm\, performance — 8PM \nPerformances by Joanna Swan and Noon Tran \nParticipating artists: Martha Dimitratrou\, Jane Moseley\, Audrey Wollen\, Jullen Borno\, Ilana Kozlov\, Kinkey Dolores Cosi S\, Dylan Corbett\, Timo Fahler\, Jesse Adams\, Judith Rau\, Joanna Swan\, Noon Tran
URL:https://www.h-r.la/event/video-screening-final-plankton-w-tran/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/1889054_10152810774543918_3110541365098055932_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150312T200000
DTEND;TZID=America/Los_Angeles:20150313T000000
DTSTAMP:20160523T034611Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034611Z
UID:1413-1426190400-1426204800@www.h-r.la
SUMMARY:THEE OH SEES and CALDWELL/TESTER
DESCRIPTION:MUSICAL EXPOSITION featuring Thee Oh Sees and Caldwell/Tester \nThis will be a test run of sorts for the newly formed double drums lineup of Thee Oh Sees… John Dwyer has still got it.. he just has more thump and whack behind it.\n\nCALDWELL/TESTER are synths and electronics emotified… bring your slow dancing shoes.\n\nDoors at 8PM\, $5
URL:https://www.h-r.la/event/oh-sees-caldwelltester/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Oh-Sees.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150311T200000
DTEND;TZID=America/Los_Angeles:20150312T000000
DTSTAMP:20160523T034803Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034803Z
UID:1412-1426104000-1426118400@www.h-r.la
SUMMARY:Being for the Benefit of Mr. Ford
DESCRIPTION:HR and LAFMS present Being for the Benefit of Mr. Ford: A benefit and celebration for Ace Farren Ford 8PM \nAce Farren Ford has been on the outskirts of the improvisational / noise scene for more than 40 years\, an original founding member of the Los Angeles Free Music Society and has been with a variety of ensembles such as Smegma\, AIRWAY\, the Mystery Band\, the Hangar Quartet\, Crowbar Salvation\, EXP\, Heltir and many others. As many have in today’s economy\, he has been struggling to stay afloat in recent years. \nHuman Resources and LAFMS has come to his aid with this evening of sound and art\, including performances by Joe Potts\, Sleepwalkers Local\, s&ndc&stl&\, Balkh\, Small Drone Orchestra\, Ted Byrnes\, the Hangar Quartet\, and special guests.  \nOriginal art by Ace Farren Ford and records will be available for sale. \n$10 suggested donation FB event page
URL:https://www.h-r.la/event/benefit-for-lafms-ace-farren-ford/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Benefit-Mr-Ford.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150308T180000
DTEND;TZID=America/Los_Angeles:20150308T210000
DTSTAMP:20160523T035035Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035035Z
UID:1411-1425837600-1425848400@www.h-r.la
SUMMARY:The Border Again: Dis-automation and the Border (?)\, an open forum
DESCRIPTION:An Open Forum — closing event for The Border Again. \nArtists attending: Simon Pecco\, Alfredo Gonzalez Reynoso\, Luisa Fernanda Martinez and Reuben Torres.* \nCLOSING EVENT FOR THE BORDER AGAIN \n3/8 Sunday\, 6:00 pm to 9:00 pm \nWe would like to invite you to an open forum\, an un-moderated talk at Human resources for the closing of The Border Again. \nOpen Forums are un-moderated talks that use prompts as starting points to engage in conversation through the discourse of aesthetics and politics. \nOpen Forums were started in Tijuana to open up the gallery space\, in order to engage the community of Tijuana more intimately. Some of the prompts for past forums were drugs\, apathy\, and politics\, and small instances in dissidence. Being that this iteration will be in Los Angeles\, in addition to speaking of the border as a place where artistic practice can be socially engaged and also what it means to work in contested spaces\, it might be useful to imagine what future borders will come\, symbolically and in the real(?)\, what will the border look like (the aesthetics of the military?)\, what types of imaginary technologies will be used and how will we counteract surveillance (just some thoughts). For this iteration of Open Forums\, there are two small texts that might be helpful. \nAudre Lorde\, “The Transformation of Silence Into Language and Action” from I Am Your Sister\, 39-44 \nand \n“Bifo” Berardi’s “The Mind’s We:Morphogenesis and the Chaosmic Spasm\,” p. 7-33. \nDownload links for PDF’s \n*Open Forums were started by a curatorial collective with artists from Tijuana and Mexico City and included Jaqueline Andrade from Praxis Gallery\, Anna Bon\, Vidal Castillo\, Carlos Matsuo\, Marcel Miranda\, Joey Muñoz\, Christian Vargas\, and Michael Ray-Von.
URL:https://www.h-r.la/event/open-forum-otras-obras/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/Border-Again.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150307T000000
DTEND;TZID=America/Los_Angeles:20150307T000000
DTSTAMP:20160523T035159Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035159Z
UID:1410-1425686400-1425686400@www.h-r.la
SUMMARY:Decolonizing the White Box III
DESCRIPTION:This fall two large public forums gathered under the premise of “Decolonizing The White Box\,” in response to artworld racism and\, in specific\, to the critique leveled at the Made in LA show at The Hammer Museum by writer Sesshu Foster. Both events drew large crowds. The first\, led by Raquel Gutierrez\, involved exercises and strategies to interrogate the dividing lines between aesthetics and politics. The second coincided with news of the non-indictment of the murderous cop in Ferguson. During a rather heated Q & A\, panelist Ricardo A. Bracho called for a people of color artist meeting. This third event in the series is the response\, developed by artists and organizers of color of LA. \nThis is an intentional people of color only event. \nWe welcome you to continue our conversations.We hope to create a dialogue which challenges and explores the mechanisms of power in the art world. We invite artists\, organizers and all Angelenos of color to join us in an intimate exchange on race and representation\, communities and the art market\, and the (im)possibilities of artworld decolonization. \nSaturday March 7th\n7 to 10pm\nBring food to share- its a potluck! \nThis event was organized by Oscar Miguel Santos and a group of artists involved in both previous meetings.
URL:https://www.h-r.la/event/decolonize-poc-event/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/decolonizing-III.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150306T000000
DTEND;TZID=America/Los_Angeles:20150306T000000
DTSTAMP:20160523T035359Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035359Z
UID:1409-1425600000-1425600000@www.h-r.la
SUMMARY:COOLWORLD presents Phedre\, Jal\, Paper Slang\, Sistermantos\, Jeffzilla
DESCRIPTION:COOLWORLD presents: \nP H E D R E\n(http://www.soundcloud.com/phedre) \nJ A L\n(http://xxxjalxxx.tumblr.com/)\n \nP A P E R  S L A N G\n(https://soundcloud.com/paper-slang) \nS I S T E R  M A N T O S\n(http://www.sistermantos.com/)\n \nJ E F F  Z I L L A\n(https://soundcloud.com/gaytendencies) \nDJs\nC R A S S L O S\n+\nJ U L I U S  S M A C K \nDoors at 9pm\n$5 suggested donation \nFacebook invite\nhttps://www.facebook.com/events/1551206751800928
URL:https://www.h-r.la/event/coolworld-presents-phedra-and-more/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/cool_world_37.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150221T090000
DTEND;TZID=America/Los_Angeles:20150222T010000
DTSTAMP:20160523T035709Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T035709Z
UID:1408-1424509200-1424566800@www.h-r.la
SUMMARY:Decompassion: A Background Music Screening Experience
DESCRIPTION:Decompassion is an event presented by Filmmakers Ian Randolph and Solomon Gross in collaboration with  HRLA. One half film screening\, one half live concert. There will be a exclusive Los Angeles premiere screening of Ian and Solomon’s film festival selected short film “Background Music”. This is documentary-based film chronicles one man’s struggles and successes within the music industry as Rap hype man. Unique and riveting\, the story\, much like this event\, represents the underdog and the unsung individuals who strive to make an impact in the most unconventional way. \nIn addition\, before and after the screening  there will be musical performances by Los Angles’s emerging musical talents such as Verbs\, Ryder Bach\, Durga Chamber\, Trenttruce\, Potion\, and TARK along side Dj RyToast providing a crowd pleasing mix in between sets. Each musical guest shares their own eclectic style and talent that goes beyond what’s expected from their “genres”.\nDoors open at 9pm and ends at 1am.\n$5
URL:https://www.h-r.la/event/ian-randolph-screening-and-night-of-music/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/decompassion.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150216
DTEND;VALUE=DATE:20150312
DTSTAMP:20160523T035843Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T035843Z
UID:1407-1424066400-1426053599@www.h-r.la
SUMMARY:The Border\, Again
DESCRIPTION:Curated by Kelman Duran\, The Border Again showcases artists who work in Tijuana and artists from Los Angeles who have made work in Tijuana and/or consider it as a context. The show is comprised of an exhibition\, a film/video screening\, and an Open Forum. The exhibition will also feature a text by Luisa Fernanda Martínez and Reuben Torres. \nOpening: Friday Feb 20 7-10PM \nGallery Hours: Thu-Sun\, noon-6pm and by appointment (email info [at] humanresourcesla [dot] com). \nAritsts include Stella Ahn\, Ana Andrade\, Nelson Carlo De Los Santos\, Marco Ramirez ERRE\, Jack Heard\, Mariah Garnett and Guillermo Gómez-Peña\, Clay Gibson\, Louis Hock\, Carlos Matsuo\, Temra Pavlovic\, Simon Pecco\, Michael Ray-Von\, Daniel Rosas\, Francesca Sloane\, Newspaper Reading Club: Fionna Connor and Michala Paludan. \nEvents: \nFriday\, Feb 10 – Opening\, 7-10PM \nFriday\, Feb 27 Film/Video Screenings 6:30-9PM \nVivir Como Perro (excerpts) by Daniel Rosas\, 10:00\, SD\, Tijuana\, B.C.\, 2015-ongoing \nVivir Como Perro is a film about dogs in Tijuana. It shows how dogs are used and how they are made tofunction in society. (trailer) Daniel Rosas lives and works in Tijuana. \nEl Gato by Ana Andrade\, 17:00 runtime\, HD\, 2013 \n“El Gato – Julio Romero Salas” is a character that lives in the Tijuana River channel. Haven given up drugs and alcohol\, he decides to direct a documentary film / musical which juxtaposes religion\, poetry\, addiction\, and the politics of deportation. Ana Andrade lives and works in Tijuana. \nSanta Teresa and Other Stories by Nelson Carlo\, 1:05:00 runtime\, HD\, U.S.\, Mexico\, Dominican Republic\, 2014 \nSanta Teresa and Other Stories was inspired by Roberto Bolaño’s 2666\, the latest novel by the Chilean writer which references a fictionalized Ciudad Juarez in relation to the femicides. Shot throughout Mexico this essay/documentary film steals from different forms to allow for imaginaries based on fictional but very intimate forms of politics. Nelson Carlo lives and works in Dominican Republic. \nSaturday\, Mar 7 — Decolonizing the White Box III (for POC) 7PM \nWe invite artists\, organizers and all Angelenos of color to join us in an intimate exchange on race and representation\, communities and the art market\, and the (im)possibilities of artworld decolonization. This is an intentional people of color only event. 7pm to 10pm  Bring food to share- its a potluck! \nSunday\, Mar 8 – Closing Discussion Forum 6PM-9PM \n“Disautomation and the Border (?)”: An open forum featuring artists participating in The Border Again\, includingSimon Pecco\, Alfredo Gonzalez Reynoso\, Luisa Fernanda Martinez and Reuben Torres. \nPARTICIPANT BIOs \nArtist Bios \nStella Ahn was born in Los Angeles in1986 and is a writer and filmmaker based in Los Angeles and more recently\, Tijuana. She works through free-associative narrative and documentary which makes visible the things she finds meaningful. This work comprises of film\, essays\, and installations. She has exhibited her work in Los Angeles\, New York\, Berlin\, Madrid\, and Paris. \nAna Andrade has had solo shows at Centro cultural Quimera. Guadalajara\, Jalisco. La galería de la esquina. Tijuana\, Baja California\, and La Selva Café. Guadalajara\, Jalisco. Andrade uses photography and video to “register the interventions of man over nature\, like the city itself: the urban. I highlight details that happen thanks through consumerism\, damage to the environment\, structures\, changes and destructions that man develops in his habitat.” Ana Andrade lives and works in Tijuana. \nNelson Carlo De Los Santos was born in Santo Domingo in 1985. His film\, She Said He Walks was awarded a BAFTA for best experimental short film in 2009. Presently\, he has received his MFA in Film/Video at California Institute of the Arts. During this period\, he made his first feature\, an experimental documentary shot in NYC which has shown in festivals in the U.S.\, Europe\, and Latin America\, including Tropical Uncanny at the Guggenheim\, New York. In 2013\, his first fictional feature\, COCOTE was awarded the prestigious Fundación Carolina script writing residency in Madrid. This project also won the Ibermedia Development Fund\, the Dominican Cinema Institute Production Fund\, The Ibermedia Production Fund and the World Cinema Fund of Berlinale. He’s just finished an experimental fiction essay inspired in Roberto Bolaño’s novel 2666. \nClay Gibson. Drawing on continuities between social and solitary spheres\, Gibson’s work combines both fabricated and found objects cited from domestic or public spaces. Each object distinguishing subtle material estrangements from that of the everyday\, postponing the object’s regular function. Through their intervention\, the objects suggest that some activity has been delayed or some action already occurred; an actor has been displaced and responsibility vicariously redirected. Clay Gibson received his BFA in Art from the California Institute of the Arts and currently lives and works in Mexico City. \nMarco Ramirez ERRE was born in Tijuana\, Baja California. ERRE received his Law Degree at Universidad Autónoma de Baja California. He than immigrated to the United States where he worked for 17 years in the construction industry as a carpenter. \nIn 1989\, he became active in the field of visual arts\, since then he has participated in residencies\, lectures and different individual and collective exhibitions in countries like Mexico\, USA\, Russia\, China\, Puerto Rico\, Germany\, France\, Spain\, Cuba\, Chile\, Argentina\, Brazil\, and in mayor exhibitions like InSite ’94\, InSite ’97\, the VI and VII Havana Biennials\, the Whitney Biennial 2000\, The San Juan Poly/Graphic Triennial\, Made in California\, México Illuminated\, From Baja to Vancouver\, Política de la Diferencia\, Arte Iberoamericano de fin de siglo\, Human/Nature\, The 2007 Sao Paulo/Valencia Biennial\, the California Biennial 08\, and the second Moscow Biennial\, among others. In 2007\, he received a USA artist fellowship\, and is currently developing a program for Estación Tijuana an independent\, non-profit alternative space at the San Diego-Tijuana border with a focus in art\, architecture\, urbanism and popular culture. \nJack Heard (New York\, 1987) is currently attending the Maumaus Independent Study Program in Lisbon\, Portugal.  In June Heard will join Michael Krebber’s class at Staedelschule in Frankfurt Am Main. Heard has exhibited internationally in Norway\, Mexico\, Iceland\, Britain\, and Brazil.  Heard was also a prominent member of Kchung Radio in Los Angeles for the first year and a half of its existence. \nLouis Hock’s artwork – films\, video tapes\, and media installations – have been exhibited in solo shows at numerous national and international art institutions including the Museum of Modern Art in New York\, the Whitney Museum of American Art\, the Museum of Contemporary Art\, Los Angeles\, and the San Francisco Museum of Modern Art. In 1986 Hock completed a four part\, four-hour video about the life and times of a community of undocumented Mexican workers in southern California\, THE MEXICAN TAPES: A Chronicle of Life Outside the Law. The series was broadcast internationally on the PBS in the U.S.\, BBC in the U.K.\, and Televisa in Latin America. THE AMERICAN TAPES:Tales of Immigration\, a follow up to that series\, was released in 2013\, premiered at the Morelia Film Festival\, and was screened in 2014 at Ambulante\, El Ojo Cojo\, Cinefest\, and other festivals. In 1997 Hock also completed a feature-length film\, LA MERA FRONTERA. The documentary work\, twisted with fiction\, offers a contemporary portrait of Nogales\, Arizona and Sonora through the lens of the 1918 border battle between the U.S. and Mexico. \nNEWSPAPER READING CLUB’S Fiona Connor was born in 1981 in Auckland\, New Zealand and lives and works in Los Angeles. Solo exhibitions include Wallworks at the Monash University Museum of Art (MUMA)\, Melbourne (2014); Can Do Academy at Hopkinson Mossman\, Auckland (2014); Bare Use at 1301PE\, Los Angeles (2013); Untitled (Mural Design) at the Dunedin Public Art Gallery\, Dunedin (2012); Mount Gabriel\, Ruby and Ash at Hopkinson Mossman\, Auckland (2012); and Murals and Print\, Various Small Fires\, Los Angeles (2012). Her work has been shown in numerous group exhibitions including: The 13th Istanbul Biennial (2013); Made in L.A. at the Hammer Museum\, Los Angeles (2012); Prospect: New Zealand Art Now at City Gallery\, Wellington (2011); De-Building at Christchurch Art Gallery\, Christchurch (2011);On Forgery: is one thing better than another? at LAXART\, Los Angeles (2011); and NEW10 at the Australian Centre for Contemporary Art (ACCA)\, Melbourne (2010). Connor completed her MFA at California Institute of the Arts. Connor is a 2011 recipient of the Chartwell Trust Award for Patronage and a 2010 finalist for the Walters Prize. \nNEWSPAPER READING CLUB’S Michala Paludan was born in 1983 in Copenhagen\, Denmark. Recent exhibitions include: The Moderna Exhibition 2014: Society Acts at Moderna Museet\, Malmö (2014); 13th Istanbul Biennial (2013); Lanx Satura at Henningsen Gallery\, Copenhagen (2013); Arbeidstid at Henie Onstad Kunstsenter\, Oslo (2013); Murmurial at Curtat Tunnel\, Lausanne (2013); The Hollow Center at Smack Mellon\, New York (2013); Cloud Hosting at Rachel Uffner Gallery\, New York (2013); and The Distance Plan at Favorite Goods\, Los Angeles (2012). Paludan is a fellow of the Whitney Independent Study Program and received an MFA from California Institute of the Arts. Paludan studied at the Royal Danish Academy of Fine Arts from 2005 to 2009. Paludan lives and works in Copenhagen. \nMariah Garnett mixes documentary\, narrative and experimental filmmaking practices to make work that accesses existing people and communities beyond her immediate experience. Using source material that ranges from found text to iconic gay porn stars\, Garnett often inserts herself into the films\, creating cinematic allegories that codify and locate identity. Garnett holds an MFA from CalArts in Film/Video and a BA from Brown University in American Civilization. Garnett’s work has been screened internationally including the following venues: REDCAT\, White Columns\, SF MoMA\, Venice Biennial (Swiss Offsite Pavillion)\, Rencontres Internationales (Paris\, Madrid\, Berlin\, Beirut)\, Midway Contemporary Art (Minneapolis)\, Ann Arbor Film Festival (Hamburg). In 2014 she was in residence at The Headlands Center for the Arts in Marin\, and Made in LA\, the Hammer Museum’s biennial exhibition. The LA Times called her piece “Best in Show.” 2012 she took part in a 2 person show Common Era at ltd Los Angeles. In 2011 Garnett had a solo show at Human Resources Gallery in Los Angeles titled Encounters I May or May Not Have Had With Peter Berlin. \nGuillermo Gómez-Peña: resides in San Francisco where he is artistic director of La Pocha Nostra. Born and raised in Mexico City\, he came to the US in 1978 to study Post-Studio art at Cal Arts. His pioneering work in performance\, video\, installation\, poetry\, journalism\, photography\, cultural theory and radical pedagogy\, explores cross-cultural issues\, immigration\, the politics of language\, the politics of the body\, “extreme culture” and new technologies. A MacArthur Fellow and American Book Award winner\, he is a regular contributor to National Public Ratio\, a writer for newspapers and magazines in the US\, Mexico\, and Europe and a contributing editor to The Drama Review (NYU-MIT). He is an active member of the Hemispheric Institute of Performance and Politics. For twenty-five years\, Gómez-Peña has contributed to the cultural debates of our times staging legendary performance part pieces such as\, “Border Brujo” (1998)\, “The Couple in the Cage” (1992)\, “The Crucifiction Project” (1994)\, “Temple of Confessions” (1995)\, “The Mexterminator Project” (1994)\, The Living Museum of Fetishized Identities (1999-2002) and the Mapa/Corpo series (2004-2007). \nCarlos Matsuo was born in Tijuana\, Baja California in 1988. Matsuo studied communication in the University of Baja California. He directed the feature Basura\, included in the Guadalajara International Film Festival (2014) and created the web series La Utopia de la antigua California as well as Onda Temporal. Recently he won the FONCA scholarship to direct the documentary The Technology of Tears. \nTemra Pavlovic (b. Utrecht\, the Netherlands) is an artist working with video. Her work has been shown in different contexts\, a selection of which includes the RedCat theater in Los Angeles\, Otras Obras in Tijuana and Les Rencontres Internationales in Paris\, gallery Lodos in Mexico City\, and PeregineProgram in Chicago. She is also a member of Oa4s\, a 3-headed poetry group from Mexico City. Temra holds a BFA from CalArts and is currently based in Amsterdam. \nMichael Ray-Von (b. 1988) is a Mexico City-based artist whose work uses materials drawn from primary education to depict scenarios of autonomy\, mechanisms of power\, and consider the epistemology of the sociopolitical body.  In 2012 Ray-Von co-founded Otras Obras\, an art space in Tijuana\, MX.  He was co-director and curator there until moving to Mexico City in 2013 to work with poetry group Oa4s (On all fours).  He holds a BFA from the California Institute of the Arts. \nDaniel Rosas is a native of Mexicali\, a city in the border state of Baja California. Committed to filmmaking from an early age\, Rosas studied photography and film direction in Madrid\, Spain\, and film and television production in San Diego\, CA. Rosas has done commercial photography in Mexico\, as well as experimental audio-visual installations and music videos for myriad bands of the underground scene of the U.S. – Mexico border. In Rosa’s newer project\, “Living like a dog.” \nFrancesca Sloane was born in New York City in 1987 and was raised in Philadelphia. Sloane received her BFA in Film/Video at California Institute of the Arts. Her work has shown in Los Angeles\, New York\, Philadelphia\, Tijuana and Tel Aviv. Francesca has written one book of poetry and makes videos for theindependent house label LA Club Resource. Sloane is currently finishing up a film she shot in El Salvador: It’s about water. She shoots mostly on tape. \nLuisa Martínez es organizadora social nativa de Tijuana y residente de Los Ángeles. Estudió Sociología y Estudios Latinoamericanos en la Universidad de California\, Berkeley. Actualmente cursa una maestría de Arquitectura en SCI-Arc. Es uno de los organizadores originales de las fiestas Ruidosón en Tijuana. Ha trabajado con grupos en la Ciudad de México\, Tijuana y Los Ángeles. \nReuben Torres es organizador social\, músico\, y escritor\, nativo de San Diego y residente fronterizo. Estudió Teoría del Cine en la Universidad de California\, Berkeley. Actualmente forma parte de la banda Tijuanense\, Los Macuanos\, pioneros del movimiento local conocido como Ruidosón. Su obra escrita se ha difundido en varios medios especializados\, entre ellos Vice\, Remezcla\, y MTV Iggy.
URL:https://www.h-r.la/event/the-border-again/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/Border-Again.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150215T190000
DTEND;TZID=America/Los_Angeles:20150215T220000
DTSTAMP:20160523T040029Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T040029Z
UID:1406-1424026800-1424037600@www.h-r.la
SUMMARY:M Lamar: Surveillance Punishment and the Black Psyche
DESCRIPTION:HRLA and Volume present Surveillance Punishment and the Black Psyche\, M. Lamar’s music theater piece for countertenor and piano emerges from the constant violent and sexualized surveillance of the black male body—plantation overseer\, the NBA\, police executions of unarmed black men\, the United States penal system. Utilizing multiple live and prerecorded camera feeds\, this plantation fantasy explores surveillance from the point of view of a black man condemned to death for the murder of his male overseer with whom he has fallen in love. The work plunges to extreme depths of interracial desire within our interracial culture and history. The text for Surveillance Punishment and the Black Psyche is written by M. Lamar\, with additional text by Tucker Culbertson. Music is written by M. Lamar\, with art design and video by Sabin Calvert. Live video is by Gigantic.\n\nAbout the artist: M. Lamar works across opera\, metal\, performance\, video\, and sculpture to craft sprawling narratives of racial and sexual transformation. Lamar holds a BFA from SFAI and attended the Yale School of Art\, sculpture program\, before dropping out to pursue music. Lamar’s work has been presented internationally\, most recently at Participant Inc.\, New York; New Museum\, New York; Södra Teatern\, Stockholm; Warehouse9\, Copenhagen; WWDIS Fest\, Gothenburg and Stockholm; The International Theater Festival\, Donzdorf\, Germany; Cathedral of Saint John the Divine\, New York; Performance Space 122\, New York; and African American Art & Culture Complex\, San Francisco; among others. Lamar has had many years of classical vocal study with Ira Siff\, among others; and is a recipient of the Franklin Furnace Fund Grant 2013–14 and a Harpo Foundation grant 2014-15. 7PM/$10 advance\, $15 at the door
URL:https://www.h-r.la/event/m-lamar/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/MLamarSurveillance.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150214T210000
DTEND;TZID=America/Los_Angeles:20150215T025900
DTSTAMP:20160523T041034Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T041034Z
UID:1404-1423947600-1423969140@www.h-r.la
SUMMARY:Maricón Collective presents Scam 'n Jam\, a dance party and HRLA fundraiser
DESCRIPTION:9pm – 2am \n$5-20 suggested donation to support HRLA \nMaricón Collective brings it’s Eastside backyard party vibes to Human Resources. DJ sets by Maricón Collective\, go go boys\, photo backdrops\, scamming room\, y mas. This party will be reminiscent of a high school valentines dance with decorations\, art\, photo ops and of course sexy slow jams throughout the night. \nMaricón Collective has been popping up all over the Eastside of town throwing parties that where dj’s spin high energy\, freestyle\, funk\, oldies\, spanish new wave\, cumbias\, Banda and much more. Parties have taken place at Akbar\, the Lash\, Ooga Twooga\, Elysian Park\, people’s homes etc. They have worked with artist like Shizu Saldamando\, Joey Terrill\, Alice Bag\, Martin Sorrondeguy and have released a zine packed with original art.
URL:https://www.h-r.la/event/maricon-collective-hrla-fundraiser/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Scam-and-JAm.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150214T200000
DTEND;TZID=America/Los_Angeles:20150214T220000
DTSTAMP:20160523T040322Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T040322Z
UID:1405-1423944000-1423951200@www.h-r.la
SUMMARY:Rocío Boliver (La Congelada de Uva): The Sea Anemone and the Hermit Crab
DESCRIPTION:HRLA welcomes Rocío Boliver—an iconic figure in underground performance in Mexico and an internationally renowned performance artist. This will be Rocío Boliver’s first performance in Los Angeles. Rocío Boliver’s work stages a direct confrontation with the ideological grid that would determine the shape and trajectory of women’s lives\, especially in Mexico. Her performance concludes “Overstimulated: The Limits of Performance\,” a day dedicated to queer feminist performance studies and action. \nErich Fromm claims that the deepest\, most pressing need of mankind is to overcome a sense of loneliness and separation. Individual separatism is\, for Fromm\, an essential feature in understanding the human experience\, and one which is the source of much loneliness and existential angst. The prison of aloneness can only be transcended through a sense of union\, in the connection with the Other. \nWe are also pleased to welcome Thibault Delferière\, a painter and performance artist from Belgium\, who will be presenting his first performance in the US! This is Boliver and Delferière’s third international collaboration. \n8PM/$10 tickets sold at the door \nVideo of entire performance: https://vimeo.com/121222646
URL:https://www.h-r.la/event/rocio-boliver-dominic-johnson-program-on-limits/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/RocioBoliver.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150214T160000
DTEND;TZID=America/Los_Angeles:20150214T190000
DTSTAMP:20160523T040513Z
CREATED:20160523T040422Z
LAST-MODIFIED:20160523T040513Z
UID:1995-1423929600-1423940400@www.h-r.la
SUMMARY:Overstimulated: the Limits of Performance
DESCRIPTION:OVERSTIMULATED is an afternoon and evening of presentations by artists\, concerning the theme of limits in performance — limits of the body\, performance\, aesthetics\, material conditions\, institutional practices\, pleasure\, or desire. \nWhat limits are imposed on performance? How are these imposed\, both actively and tacitly\, by institutions\, or by form\, by tradition or by history? How are limits imposed by artists themselves\, towards productive ends\, as constructive boundaries with which to wrestle? Or by collaboration? How do artists comply with\, reject\, or overcome limits in the course of their work\, or in its presentation\, documentation\, or dissemination? \nSCHEDULE \n4:00 Introduction by Dominic Johnson (5-10 minutes)\, and first “microlecture” by Amelia Jones (10 minutes) \n4:30 Panel of artists: Heather Cassils\, Sheree Rose\, Zackary Drucker\, Nao Bustamante; followed by Q&A (chaired by Dominic Johnson \n6:30 Microlecture by Jennifer Doyle (10 minutes\, excerpt from Campus Sex\, Campus Security); wrap-up. \n7:00 Break (and chance for dinner – PHO 87 is right next door!) \n8:00 Performance by Rocio Boliver and Thibault Delferière: “The Sea Anemone and the Hermit Crab” (from the series Between Menopause and Old Age) \n9:00 End of event \nOrganised by Dominic Johnson as Scholar in Residence at University of California\, Riverside\, in association with UCR QueerLab. With thanks to Jennifer Doyle and Human Resources LA. With financial support from Arts and Humanities Research Council (UK).
URL:https://www.h-r.la/event/overstimulated-the-limits-of-performance/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/OverstimulatedBustamante.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150210T210000
DTEND;TZID=America/Los_Angeles:20150210T230000
DTSTAMP:20160523T041218Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T041218Z
UID:1403-1423602000-1423609200@www.h-r.la
SUMMARY:CHRIS CORSANO + PETER KOLOVOS + CARLOS GIFFONI solo and trio plus UN CIEGO
DESCRIPTION:HRLA presents CORSANO + KOLOVOS + GIFFONI solo and trio plus UN CIEGO \n9PM/$7
URL:https://www.h-r.la/event/chris-corsano-peter-kolovos-carlos-giffoni-solo-and-trio-plus-un-ciego/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Feb-10-2015-music-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150202T000000
DTEND;TZID=America/Los_Angeles:20150212T000000
DTSTAMP:20160523T041946Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T041946Z
UID:1402-1422835200-1423699200@www.h-r.la
SUMMARY:Michael Parker\, Juicework
DESCRIPTION:Opening: February 6th\, 7pm-10pm\nExhibition hours: Feb 7th-10th\, 12pm-8pm\nPerformance by Chris Corsano: February 10th\, 8pm \nMichael Parker’s Juicework is a five-day installation\, inviting visitors to juice. Visitors entering the gallery are welcomed to wash their hands using a stoneware sink (pictured here\, in the background). The basin is supported by three redwood legs joined with a steel structure. The water (activated by a foot pedal) pours out from the melon-light. The lights are porcelain hand pressed from a mold of the ugliest watermelon the artist could find in the summer of 2014. Visitors are offered a hand-towel and invited into the main gallery to juice\, using objects made by the artist. These objects are then rinsed in basins (also made by Michael Parker); used towels are strung across a gallery wall. Click through for a video of the improvised concert (produced by small medium large) using some of the exhibition’s objects as musical instruments. \nThis project would not have been possible without the collaborative support of Wesley Hicks. A special thanks to Katherine Cox and Troy Rounseville for extensive logistics. The artist also thanks: Shane\, Jeanette\, Jim\, Katie\, Maccabee\, Kelsey\, Ihab\, Christine\, Sam\, Garrett\, Brian\, Nick\, Ariel\, Erin\, Julian\, James\, Lauren\, Olga\, Alyse\, Steve\, Betty\, Robin at Mudd Creek and the CSU Long Beach Sculpture\, Wood and Ceramics departments. This project was brought to Human Resources by HRLA programming committee member Luke Fischbeck.
URL:https://www.h-r.la/event/michael-parker-juiceworks/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/michaelparkerjuiceworkhumanresourcesla1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150129
DTEND;VALUE=DATE:20150202
DTSTAMP:20160523T174410Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T174410Z
UID:1401-1422511200-1422770399@www.h-r.la
SUMMARY:LACHSA student show
DESCRIPTION:Primary \nSelected works by LACHSA Visual Arts students \nOpening reception \nFriday\, January 30th\, 2015\, 5-8pm \nCurated by Sarah Russin\, director of LACE gallery \nHRLA gallery will also be open Saturday\, January 31st\, 12-5pm
URL:https://www.h-r.la/event/lachsa-student-show/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/LACHSA-Jan-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150124T140000
DTEND;TZID=America/Los_Angeles:20150124T160000
DTSTAMP:20160523T174600Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T174600Z
UID:1400-1422108000-1422115200@www.h-r.la
SUMMARY:Numinous Rupture: Symposium
DESCRIPTION:Featuring: Ali Tobia The Puissance of the Human Energy Field: A Yogic Look at Energy Possibilities for When the Polar Ice Caps Melt and Fossil Fuel Supplies Deplete; Joseph Hankins\, author of Working Skin: Making Leather\, Making a Multicultural Japan\, on the Buraku\, the “untouchable” social class\, the workers at Fukushima
URL:https://www.h-r.la/event/tiger-symposium/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Munson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150122T210000
DTEND;TZID=America/Los_Angeles:20150123T000000
DTSTAMP:20180824T220650Z
CREATED:20160311T093552Z
LAST-MODIFIED:20180824T220650Z
UID:1399-1421960400-1421971200@www.h-r.la
SUMMARY:CVI\, Telecaves\, Obscurer
DESCRIPTION:FREE though donations for non birthday having musicians would be appreciated. There will be free beverages and snacks  \ncome on down and enjoy the Tiger Munson exhibit whilst checking out mine and several other fun acts\nall are welcome \ncatered til it isn’t \n11:30p CVI – six beings\, name very close to CVS and with probably as many drugs inside em \n10:30p telecaves – sound made substance\, a heavy fog \n9:30p OBSCURER – two theremins and a mouth (mine) \nWith inbetwixt sounds from Igor Amokian w/ DJ E-Spinfiniti \nupstairs and downstairs
URL:https://www.h-r.la/event/music-night-cvi-telecaves-obscurer/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/CVITelecavesOscurer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150121T200000
DTEND;TZID=America/Los_Angeles:20150121T230000
DTSTAMP:20160525T023541Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160525T023541Z
UID:1398-1421870400-1421881200@www.h-r.la
SUMMARY:Touch/Volume: BJ Nilsen\, Mark Van Hoen & Pinkcourtesyphone
DESCRIPTION:VOLUME is pleased to present an evening of performances by Touch related artists curated by Mike Harding. \nABOUT THE ARTISTS \nBJ Nilsen is a Swedish composer and sound artist based in Berlin and London. His work is primarily focused on the sound of nature and its effects on humans. His two latest solo albums released by Touch Eye Of The Microphone (2013) – a personal audio rendition based on the sound of London – and The Invisible City (2010)\, have explored the urban acoustic realm. He has collaborated with Chris Watson on Storm and Wind\, released by Touch (2006\, 2001). His original scores and soundtracks have featured in theatre\, dance\, and film\, including Microtopia and Test Site (2013\, 2010\, dir. Jesper Wachtmeister)\, Enter the Void (2010\, dir. Gaspar Noé)\, and\, in collaboration with Jóhann Jóhannsson\, I am here (2014\, dir. Anders Morgenthaler). Co-editor of the publication The Acoustic City together with Matthew Gandy. \nMark Van Hoen is a recording artist who has been recording electronic music since 1981 and releasing records since 1992 on labels such as R&S/Apollo\, Touch\, CCO & eMego. Mark Van Hoen is from London\, England and currently lives in Los Angeles USA. Mark featured on Scala’s Touch releases as well as his own solo albums Last Flowers from the Darkness and Wrong. \nPinkcourtesyphone is a continuing project by Los Angeles-based sound artist Richard Chartier (b.1971). He is considered one of the key figures in the current of reductionist sound art which has been termed both “microsound” and Neo-Modernist. Chartier’s minimalist digital work explores the inter-relationships between the spatial nature of sound\, silence\, focus\, perception and the act of listening itself.
URL:https://www.h-r.la/event/touchvolume/
LOCATION:Los Angeles Contemporary Exhibitions\, 6522 Hollywood Blvd.\, Los Angeles\, CA\, 90028\, United States
CATEGORIES:off-site event
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/BJN-600x400.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150119T200000
DTEND;TZID=America/Los_Angeles:20150119T230000
DTSTAMP:20160523T172314Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T172314Z
UID:1397-1421697600-1421708400@www.h-r.la
SUMMARY:TERRE THAEMLITZ: SOULNESSLESS: CANTOS I-IV & FÉLIX SOLANO VARGAS: CRUNCHY EGGS
DESCRIPTION:VOLUME presents a very rare performance by acclaimed artist and electronic musician Terre Thaemlitz. Terre will present selections from Soulnessless\, her 32 hour opus described as the “world’s longest album in history.” Described by Thaemlitz as “a deconstruction of notions of spirituality\, meditation\, superstition\, and religiosity perpetuated through audio marketplaces that insist upon judging audio in relation to “authenticity” and “soul\,”Soulnessless is comprised of several “cantos\,” each of which explore themes such as gender transitioning\, immigration\, Catholicism\, and labor.\n\nThe performance starts with a 5-10 minute slide show\, where Thaemlitz explains the scale and format of the Soulnesslessproject\, followed by an 80 minute performance of Cantos I-IV.  The evening will conclude with a 30-45 minute Q&A with the audience. \nThe event will commence with a reading by LA based writer Félix Solano Vargas from his recent publication\, Crunchy Eggs\,  a series of micro-fiction and prose about growing up in a Chicano Jehovah’s Witness household\, family\, queer trauma and survival. This work is also place based\, about Riverside\,CA and brown trans labor. \n\nThere will be a limited number of tickets available for only $7 now through the end of December\, then they go up to $10 before the event\, then $15 at the door. \n\nABOUT THE ARTISTS \nTerre Thaemlitz is an award winning multi-media producer\, writer\, public speaker\, educator\, audio remixer\, DJ and owner of the Comatonse Recordings record label. Her work combines a critical look at identity politics – including gender\, sexuality\, class\, linguistics\, ethnicity and race – with an ongoing analysis of the socio-economics of commercial media production. He has released over 15 solo albums\, as well as numerous 12-inch singles and video works. Her writings on music and culture have been published internationally in a number of books\, academic journals and magazines. As a speaker and educator on issues of non-essentialist Transgenderism and Queerness\, Thaemlitz has lectured and participated in panel discussions throughout Europe and Japan. As of January\, 2001\, he resides in Kawasaki\, Japan. \nFélix Solano Vargas is a writer and visual artist. He was born and raised in Riverside\, CA. Vargas is a queer working-class transman of color. As a young brown butch dyke\, he got his start as a grassroots activist in the Inland Empire. He has a deep background in community organizing and convening. Vargas received his B.A. in English from the University of California Riverside.  His work is often place-based and satirical. His chapbook Crunchy Eggs (2014) was published through Econo Textual Objects. Vargas’ community work is centered on affordable and comprehensive healthcare access for transgender and gender non-conforming communities\, specifically of color\, in and around Los Angeles.
URL:https://www.h-r.la/event/terre-thaemlitz/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Terre-Thaemlitz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150117
DTEND;VALUE=DATE:20150127
DTSTAMP:20160523T172820Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T172820Z
UID:1396-1421474400-1422251999@www.h-r.la
SUMMARY:Tiger Munson
DESCRIPTION:Human Resources Los Angeles presents artist Tiger Munson’s Numinous Rupture: An exploration of the individual and collective relationship we have with atomics\, our nuclear world\, and cataclysm. The exhibition consists of artist Munson’s photographic fabric light installation\, performances by his portrait subjects\, and an afternoon symposium.\n\nJanuary 17th to 25th\nOpening reception and performances: January 17th 7-10pm \nGallery Hours: January 18-January 25 THU-SUN\, noon-5pm\n\nOgechi Chieke \n“Why the Schlong Face?” performed by Camille Bachand\, Clark Walter and Shaq Jizz \n“OFFLINE WORLD”\na story of the moment of the end of the world.\nPerformed by CLOCK with Helen van der Neer including the 42 string double bow harp\, voice and orchestral backgrounds \n“Memento Mori”\nperformed by 3-19 Dance Art \n“Life is short\, and shortly it will end;\nDeath comes quickly and respects no one\,\nDeath destroys everything and takes pity on no one.\nTo death we are hastening\, let us refrain from sinning.” \nCreated and Choreographed by Beatriz E Vasquez\nMusic for Variation #2 and #8 composed by George Ramirez\nBody Paint by Alfredo Iraheta \nDancers:\nErnesto Mañacop\nOmar Rodriguez Diaz\nBeatriz Eugenia Vasquez \nThe premiere of “Multiple Personality”\, torrential experience Leopold Nunan Soares and full band \nSymposium: Saturday January 24th 2 pm \nAli Tobia The Puissance of the Human Energy Field: A Yogic Look at Energy Possibilities for When the Polar Ice Caps Melt and Fossil Fuel Supplies Deplete. \nJoseph Hankins\, author of Working Skin: Making Leather\, Making a Multicultural Japan\, on the Buraku\, the “untouchable” social class\, the workers at Fukushima \nAnd other presenters to be announced\n \n…\n \n  \n“Now I am become Death\, the destroyer of worlds” \n— text from the Bhagavad Gita\, quoted and mused by Robert Oppenheimer\, the physicist behind the creation of the atom bomb\, upon seeing the first nuclear explosion. \nUsing backdrops of atomic bomb blasts painted in the 1950’s by a scenic background artist who painted the clouds in the “Wizard of Oz” “Ben Hur “and “Showboat”\, among other Hollywood movies\, Munson sought to investigate social\, historical\, and alternate constructs via the portrait studio. The backdrops were jumping off points for intersections of contemporary representation and catastrophe. As artifacts and stand alone works of art\, they maintain an aura of both an historical Cold War period of American and world history\, and a fictionalized\, Hollywood representation of that awareness. The backdrop was simultaneously the object and signifier of “the portrait studio” and functioned as such\, and also initiated the creative individual engagements with the subjects. How does the scope of this human historical milestone\, both as a direct and mediated cultural consciousness\, impact the individual persona? What are our mythologies\, hopes\, recourses? Despondency\, aggression\, monstrosity\, optimism\, survivalism\, escapism\, transcendence: all are branches to this nuclear tree that fan out in a usual trifecta of contemporary discourse: race\, gender\, sexuality. These sensibilities extend through the photographic images in this project. In development and under wraps for three years\, the images in Numinous Rupture are seeing their debut both as an art project\, a photo fabric light installation at Human Resources Los Angeles in Chinatown\, and in their photographic form online and in prints.
URL:https://www.h-r.la/event/tiger-munson/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Munson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150111
DTEND;VALUE=DATE:20150112
DTSTAMP:20160523T172716Z
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T172716Z
UID:1395-1420956000-1420956000@www.h-r.la
SUMMARY:SAVE MUSIC IN CHINATOWN benefit with MIKE WATT!!!!
DESCRIPTION:SAVE MUSIC IN CHINATOWN 5 benefit with MIKE WATT and the SECONDMEN + THE GEARS + STEVE SOTOTickets: https://www.eventbrite.com/e/save-music-in-chinatown-5-steve-soto-solo-acoustic-the-gears-mike-watt-the-secondmen-tickets-14636916411 \nAdvance ticket sales end at noon on Sunday\, January 11. If we do not sell out\, there will be tickets at the door. \nTHE SHOW \nThis is the fifth in a series of fundraising concerts organized to pay for the defunded music education program at Castelar Elementary School. Established in 1882 and sitting right in the middle of Chinatown\, the inner-city campus serves mostly immigrant kids who don’t get much exposure to performing arts or creative outlets. \nChinatown has an unbeatable musical past (mostly punk) and rad art scene in the present (post punk). Neither crowd has had very much to do with the residents in Chinatown but we’re trying to create a bridge for both to help out the local kids. \nThe bill channels Chinatown’s past and present\, punk and art\, raw and refined: \n• Steve Soto of The Adolescents\, Agent Orange\, Manic Hispanic\, 22 Jacks\, Joyride\, and so many other great bands is a musical dynamo\, punk legend\, and famously good guy who is making time to play a special solo acoustic set for our cause.\n• The Gears were a fixture in the pre-hardcore L.A. punk scene\, incorporating surf guitar\, blues\, and rockabilly into their roots-rocking sound\, and we’re stoked that they’re returning to Chinatown to play our show. They still crank out new music\, and are the subject of a soon-to-be-released documentary.\n• Mike Watt & The Secondmen are led by the San Pedro-based bass player from the Minutemen\, fiREHOSe\, DOS\, and countless other projects. Watt is as creatively active as he is beloved by the SoCal punk scene as he is influential to modern music in general\, and this trio is unbelievably tight.\n• DJ services will be KCHUNG’s Kings of Punk. \nThat’s a lot of entertainment value for 12 lousy bucks (and maybe some raffle tickets). \nTHE RAFFLE \nIn addition to donating for admission\, guests will be able to donate money toward raffle tickets for a chance to score prizes. $1 = 1 ticket. So far\, contributions from supporters include: \n• DVD of History Lesson Part 1 (w/ Minutemen\, Meat Puppets\, Redd Kross\, and more)\n• A pair of tickets to the Cafe NELA show of your choice.\n• A pair of shoes from Keep Company.\n• The Fifth Beatle signed by artist Andrew Robinson (courtesy of The Beatle Years)\n• CDs from Sean & Zander\n• Our Vinyl Weighs a Ton DVD signed by Peanut Butter Wolf (courtesy of Poketo)\n• Zines and stickers from Allister Lee\n• Packet of backyard honey-based lip balm courtesy from Sticky Acres \nCheck this site regularly for additions as the show draws nearer. \nSET TIMES \nTentatively…\n3:00 Doors\, DJ set by KCHUNG’s Kings of Punk\n3:30 Mike Watt & The Secondmen\n4:15 The Gears\n5:00 Steve Soto (solo\, acoustic) \nMusic between bands provided by Kings of Punk \nPARKING \nThere is free parking on the streets (try going north on Broadway) and cheap parking at Mandarin Plaza (across Broadway\, slightly south). \nMISC. \nAll ticket proceeds minus surcharges will be donated directly to FACES (Friends and Alumni of Castelar Elementary School\, a registered nonprofit organization) to be applied specifically to the music education program.
URL:https://www.h-r.la/event/save-music-in-chinatown-benefit-with-mike-watt/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/SavetheMusicJan2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150110T193000
DTEND;TZID=America/Los_Angeles:20150110T230000
DTSTAMP:20180727T222759Z
CREATED:20160311T093552Z
LAST-MODIFIED:20180727T222759Z
UID:1394-1420918200-1420930800@www.h-r.la
SUMMARY:Bastard Noise + Amps for Christ
DESCRIPTION:BASTARD NOISE (FARGHER/WOOD)\nAMPS FOR CHRIST\nWITCHES OF MALIBU\nCONSCIOUS SUMMARY\nDSE\nJASON WADE (screening original 16mm/ super 8 films featuring live accompaniment by RELAY FOR DEATH/ SENAToR BUTTHOLe JOHNSoN) \n$5.00 doors at 7:30. Door prizes for he first 25!!
URL:https://www.h-r.la/event/bastard-noise-amps-for-christ/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Bastard-Noise-Jan-10-2015.jpg
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END:VCALENDAR