BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Human Resources - ECPv6.17.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Human Resources
X-ORIGINAL-URL:https://www.h-r.la
X-WR-CALDESC:Events for Human Resources
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20150308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20151101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20160313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20161106T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20170312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20171105T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20150101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160507T100000
DTEND;TZID=America/Los_Angeles:20160507T150000
DTSTAMP:20160617T005140Z
CREATED:20160522T204312Z
LAST-MODIFIED:20160617T005140Z
UID:1824-1462615200-1462633200@www.h-r.la
SUMMARY:DecolonizeLA: Un-casting colonization from our dreams\, casting spells\, igniting our decolonized collective dreams through dance and plants w/ Charmaine Bee + Joy
DESCRIPTION:Join us to co-create change collectively as well as release restrictive & oppressive structures that limit expansion. Together let’s un-cast the nightmares of colonization! \nThis workshop/performance will consist of movement that co-creates ritual space\, use of herbs to support collective spell casting/ un-casting and to invoke and activate individual and collective dreams. Together we will interrogate how we can use our dream world as a space to activate our intentions. \nWe come to this work acknowledging the history\, psychological\, economic\, physiological impact of colonization on people Indigenous to the Americas as well as people of African heritage and the impact on our sacred practices of spell casting and un-casting. This work addresses “decolonizing” as a recognition and grounding in community to connect to the ever – evolving work (of our ancestors). Some of this work includes practices that have been passed on such as working with intention to manifest our desires. We are engaging in this work in order to assess/ release the oppressive structures that impact our growth and expansion from the micro to the macro level in the everyday. \nWe will bring our experience in herbalism/ plant medicine\, dream interpretation\, and healing movement work into the space to support the work of spell/un-casting. Be ready to move\, walk through the city\, dream & dance. Bring a lunch\, water\, and your intentions to decolonize L.A \nThis event is part of the Decolonize LA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs.
URL:https://www.h-r.la/event/decolonize-la-un-casting-colonization-from-our-dreams-casting-spells-igniting-our-decolonized-collective-dreams-through-dance-plants-w-charmaine-bee-joy/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/lacespellcast7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160506T190000
DTEND;TZID=America/Los_Angeles:20160506T220000
DTSTAMP:20160617T005121Z
CREATED:20160523T000203Z
LAST-MODIFIED:20160617T005121Z
UID:1941-1462561200-1462572000@www.h-r.la
SUMMARY:DecolonizeLA : Suzanne Kite's "Sources" and "Some Numbers"
DESCRIPTION:Kite in collaboration with James Hurwitz and Devin Ronneberg present: \n“Sources or ( x ) x + [ ( x ) x { x } x x ] { x } +” is a performance that takes a body through an environmental simulation of the Oglala Lakota cosmologyscape\, shouldering the burden of 4 female Oglala characters who have shaped space/time. The piece includes 12 sculptures\, animation\, sound\, video\, carbon fiber\, clothing\, and movement\, developed from an obsessive hyper-structure derived from “bad” source books that attempt to qualify Oglala religion into simplified charts. This piece explores the relationship between the body and the entanglement between lies\, fiction\, oral history\, mythology\, ethnography\, and Oglala religion. \n“Some Numbers” is a lecture/performance that asks the question “WHY?” “Why are there so few Indigenous working artists? Why are there so few Indigenous art school graduates?” \nThis event is part of the Decolonize LA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs.
URL:https://www.h-r.la/event/decolonize-la-kites-sources-and-some-numbers/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/kite.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160505T190000
DTEND;TZID=America/Los_Angeles:20160505T220000
DTSTAMP:20160617T004931Z
CREATED:20160510T091531Z
LAST-MODIFIED:20160617T004931Z
UID:1638-1462474800-1462485600@www.h-r.la
SUMMARY:Decolonize LA - Cura Tierra Cura presents: DIS * Locate
DESCRIPTION:A participatory performance where rocks\, pollinators\, plants and animals weave participants through critical conversation on displacement in our city and share healing practices of toning\, movement and visualization for the future. \nWe seek to articulate together a critical and poetic view of the current dis*locate landscape; spheres of influence giving voice to some and not to others. What role does everybody play? How is the land and its flora and fauna affected? Can a dialogue exist between all parties? What kind of future are we building? This participatory installation and performance will share tools for healing; we seek balance.\nOpen to everyone. Displacement organizers (tennant right\, NELA\, ext) business owners\, home owners\, transplants\, gentrifiers\, policy makers\, locals\, and LA natives are especially encouraged to attend. \nArrive by 7:30 to begin the evening in an honoring of the land and its people. \nThis event is part of the Decolonize LA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs.
URL:https://www.h-r.la/event/decolonize-la-cura-tierra-cura-presents-dis-locate/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/13086714_1787825431447657_6864798533831427935_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160503T190000
DTEND;TZID=America/Los_Angeles:20160503T210000
DTSTAMP:20160617T004844Z
CREATED:20160510T091955Z
LAST-MODIFIED:20160617T004844Z
UID:1640-1462302000-1462309200@www.h-r.la
SUMMARY:Decolonize LA - Michelada Think Tank
DESCRIPTION:“No nipple is that dark.” \nHave you had a moment in art school when you realized you can’t even talk about the work because you have to explain/defend/validate your own body/experience/everything? \nMTT member Shefali Mistry\, as part of her graduate Public Practice thesis project\, has conducted a series of interviews on the experiences of artists of color in graduate school. From these discussions\, Michelada Think Tank (MTT) continues the “PoC Survival Guide” project with a public conversation about higher education and art school. Is formal education even necessary? What if you choose a formal education? For people of color who decide to go to art school\, how do you survive? How do you thrive as an artist when the curriculum and the community don’t reflect your lived experience and your practice? \nJoin us for a think tank style generative discussion on not only what issues we face\, but WHAT CAN BE DONE. How do we advocate for our own education within these institutions? Where do we try to implement change in curriculum and hiring practices? How do we create large scale structural change to move the condition of PoC artists beyond surviving and into thriving? We know this labor shouldn’t only be our burden\, but can we do it to ensure a better education for the generations behind us? \nThis event is part of the Decolonize LA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs. \nMore about the Survival Guide project:\nAre we so busy surviving that we forget to be radical? \nIn summer 2015\, Michelada Think Tank initiated the “PoC Survival Guide” project\, posing the question\, “If there was a PoC Survival Guide for Artists of Color\, What Topics Would You Want it to Cover?” The project was a tongue-in-cheek\, but critical exploration of survival under a framework of institutional racism in the arts. Through a summer residency at LACE (as part of Chats About Change) and a series of think tanks\, MTT brought people together to talk about survival strategies for artists of color working in a predominantly white art world. \nMichelada Think Tank is a group of socially conscious artists who are interested in hosting conversations\, creating safe places and opening up opportunities to connect and build relationships between people of color (PoC). Through think tank sessions\, MTT creates networks of socially-engaged /community artists interested in creative ways of making social change happen.
URL:https://www.h-r.la/event/decolonize-la-michelada-think-tank/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/13087811_994313957321328_4108389567690216827_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160503
DTEND;VALUE=DATE:20160513
DTSTAMP:20180404T063802Z
CREATED:20160522T231522Z
LAST-MODIFIED:20180404T063802Z
UID:1926-1462255200-1463032799@www.h-r.la
SUMMARY:DecolonizeLA
DESCRIPTION:Between May 3 and May 11th\, HRLA will host an exhibition of work from artists who applied to the DecolonizeLA call for proposals. The work will be shown in the lobby\, and second floor space. This project is made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs. \nOpen daily 12pm – 6pm till May 11th \nIn addition to events listed here on HRLA’s websites and happening at HRLA\, DecolonizeLA’s calendar includes off-site events: the annual Retomemos La Noche on April 22\, and the Critical Resistance’s Mother’s Day (May 8) intervention against Lynwood women’s jail\, and a QT*POC Run on May 20. \n*There will also be a series of performances\, discussions and events (between April 22 and May 20)\, please check this site and the DecolonizeLA facebook page for more info. \n**download / view the Decolonozie_the_White_Box zine as pdf \nArtists in the exhibition: \nIsabel Avila\nCyrstal Liu – The Crop Project\nAvelardo Ibarra\nLiberated Arts Collective\nRaze the White Box: A think tank of change \nAbout Artists: \nIsabel Avila\nAs society increasingly moves towards the commodification of all aspects of life\, I find it personally enriching to look at contrasting values such as “the sacred” through the art process. In my recent installation\, Shifts in Perspective\, I present images that address cultural preservation and confront the sacred through beliefs and practices of traditional Native ways of gathering medicine (sacred plants). The viewer is informed and confronted with the idea that a supernatural happening may have interrupted the photographic process and resulted in the light leaks on the film. \nCrystal Liu – The Crop Project\nThe Crop Project’s exhibition includes an installation of the cornfield’s digging process and found objects from underground. Join members of The Crop Project on May 11\, 7:30-9:30 p.m for some corn snacks and drinks! \nThe Crop Project is a public art piece that invites people to grow corn in USC Roski School of Art and Design from April- July 2016. The project includes a 15-square-foot corn field\, educational corn growing workshop\, corn cooking lessons and a group harvest event in June when corn fully matures. Through a group effort of cultivating a staple food\, corn\, and sharing the unprocessed product in a city that consumes but rarely grows corn\, we can be closer to nature\, and closer to each other. \nLiberated Arts Collective\nThe Liberated Arts Collective is a collaboration between recently\nliberated term-to-life prisoners a teaching artist\, invested in art as\na tool for personal liberation\, cultural expression and social change.\nFormerly incarcerated members come to the collective with a range of\nart experience and interests; some of us began our art practice years\nbefore being incarcerated\, some began making art in prison\, while\nothers haven’t made art previously. While on the inside\, we used art\nas a tool to make money\, remain sane in solitary or steer away from\nprison politics. Now on the outside\, we use art to recognize our\npower & potential\, engage in leadership\, build notoriety and lift each\nother up. Through art we gain a platform for our collective voices\,\nspeak to younger generations\, address the “crisis on the streets” and\neducate the public about our experiences in California State Prisons\nand the probation system. \nRaze the White Box: A think tank of change\nI wear this fools hat connected to the others. Others following as such family can only do. Blessed are the fools that know no ill. Bless the suffering that they don’t know the root of… \nThe Act of decolonization is a complex action. This is problematic since we are all now part colonized and colonizers despite our heritage. The act of colonizing has stayed alive in the co-opted ideas of free spirit and sewing your wild oats. This philosophy is now inherent in the culture of the west\, the culture of north America and of course the culture of the golden coast. What is this culture? It is a culture of searching for new land to conquer and experience ignoring its consequences. Swung at the opposite end of a club\, the reaction to a colonized state is a mirrored response. Knee jerk flawed and beautiful such is human thought. \nAvelardo Ibarra
URL:https://www.h-r.la/event/decolonize-la/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/decolonizeLA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160502T200000
DTEND;TZID=America/Los_Angeles:20160502T213000
DTSTAMP:20160617T013148Z
CREATED:20160510T073050Z
LAST-MODIFIED:20160617T013148Z
UID:1630-1462219200-1462224600@www.h-r.la
SUMMARY:DecolonizeLA - The Hag
DESCRIPTION:The Hag\, “worship\, brainstorm sesh + pizza party” \nThe Hag is suspicious of the myth of progress. We are inviting like-minded individuals\, also wary of the propagation of expensive\, exclusive “arts & culture initiatives\,” to discuss their own qualms with top-down hierarchies at the institutional level\, as well as to worship at the altar of fuck all. We will provide pizza & snacks in exchange for your ideas: how to publish\, how to intervene\, how to propose & push forward alternatives\, how to realize our fantasies for decolonizing museums & galleries in Los Angeles\, and beyond. This event is part of DecolonizeLA\, and is made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs. \nThe Hag (est. 2016) is a guerrilla arts publishing coven founded to crush the enemies of women’s liberation in the arts. You can reach us at thehagpublishes@gmail.com
URL:https://www.h-r.la/event/decolonize-la-the-hag/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/TCP-installation_new.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160502T163000
DTEND;TZID=America/Los_Angeles:20160502T193000
DTSTAMP:20160617T013212Z
CREATED:20160522T202506Z
LAST-MODIFIED:20160617T013212Z
UID:1794-1462206600-1462217400@www.h-r.la
SUMMARY:DecolonizeLA - Song of Eurydice
DESCRIPTION:Song of Eurydice re-envisions the Greek myth of Orpheus and Eurydice as a call to marginalized artists\, emphasizing a discourse between Eurydice (mecca vazie andrews) and the deity of the underworld\, Persephone (Carolyn Pennypacker-Riggs). Picking up where the ancient tale left off\, as Eurydice descends into the underworld and grapples with re-arranging established ways of thought and processing information. On Monday May 2nd and Monday May 9th between 4:30-7:30 we invite you to drop-in to our informal rehearsal as we begin the process of staging Song Of Eurydice. This event is part of DecolonizeLA\, a project made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs. \nphoto credit: Greg Velasquez
URL:https://www.h-r.la/event/decolonize-la-song-of-eurydice/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/Song-of-Eurydice-HRLA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160429
DTEND;VALUE=DATE:20160503
DTSTAMP:20160523T030304Z
CREATED:20160523T030238Z
LAST-MODIFIED:20160523T030304Z
UID:1962-1461909600-1462168799@www.h-r.la
SUMMARY:ETERNAL TELETHON: 55+
DESCRIPTION:“Eternal Telethon: 55+” will broadcast non-stop from 1:00pm on April 28th through the evening of May 1st. The broadcast can be watched live online at EternalTelethon.com and will feature a wide range of creative contributions from over 150 artists. \nAn ongoing series of collectively-organized live web-casts\, the Eternal Telethon raises money to create a convalescent home for retired and ailing artists in need of a break. The telethon functions both as a showcase for artists to present new\, experimental work in a low-pressure environment\, as well as a demonstration of how a community can effectively define its needs and empower itself. \nBelow is the schedule\, subject to change.  \nFriday Afternoon \n1:00- Introduction to the great Eternal Telethon\n2:00- Clare Kelly\n3:00- Laub and Jennifer Moon\n3:20- Guthrie & Streb\n3:40- Michele Jacquis\n4:00- Derde Verde\n4:40- Bake Sale\n5:00- Elizabeth Hall \nFriday Evening  \n5:40- Lainey Racah\n6:20- Maypole construction\n6:40- David Gilbert\n7:00- Slam Dunx\n7:20- Jasmine Nyende\n7:40- cocktail hour\n8:00- Finishing School\n8:20- Stephanie Hutin\n8:40- Elonda Billera\n9:00- Christy Berkowitz\n9:20- Joseph Mosconi\n9:40- Tracy Jeanne Rosenthal\n10:00- Childless\n10:10- Retirement home amenities brainstorm\n10:20- Margie Schnibbe\n10:40- Kim Calder\n11:00- Duber\n11:40- Visions (Gabie Strong & David Nuss) \nFriday Midnight \n12:10 – Balloon Pop\n12:20- Elisa Larkins & Neven Lochead\n12:40- Andrew Cox\n1:00- Molly Shea\n2:30- Matias Viegener\n3:00- Nick Malkin\n3:20- Eternal Telethongs\n4:00- Alexis Disselkoen and Friends\n4:20- James Raymond\n5:10- Kelby Vera\n5:40- People screaming at the top of their lungs \nSaturday Morning \n8:00- Nehemias De Leon\n8:20- Plan for a Retirement Home in a Video Game\n8:30- Diana-Sofia Estrada\n9:20- MC Radio Hour\n10:00- Geneva Skeen & Alise Spinelle\n10:20- Sergi Gee and Camellia Saleh\n10:40- Filling Up the Thermometer\n11:00- Pauline Lay\n12:00- Julius Mack \nSaturday Afternoon \n12:40- Elyse Reardon-Jung\n1:00- Ted Byrnes\n1:40- Pettiness workshop\n2:30- Alex Sanchez\n3:00- Jay Lizo & Chelsea\n3:20- People talking about things they shouldn’t talk about\n3:40- Paul Pescador\n4:50- “The Promise of a New Day” by Paula Abdul recital\n5:00- Simone Gad\n5:20- Dustin Smith\n5:30- people describing illnesses that they have had \nSaturday Evening \n6:00- Slow Rose\n6:20- Steve Kado\n6:40- Handski\n7:10- Chrysanthe O\n7:30- People On Drugs\n7:40- Clitbait\n8:00 Marshall Astor\n8:00 Keith Rocka Knittttel\n9:00- Miles K and Jesse Elias\n9:20- Everyone reading all of their Facebook posts in order all at once\n9:40- Leisure Van Fock\n10:00- Katie Herzog\n10:25- Eternal E-mail-athon\n10:40- Steve Kado\n11:00- people explaining what has happened up until this point\n11:20- Niko Solorio \nSaturday Midnight \n12:00- Megan Daalder and Anna Ialeggio\n12:50- People admitting they’ve had crushes on republicans\n1:00- Andrew Choate\n1:40- Aaron Wrinkle\n2:00- David Bell & Guan Rong\n2:30- emotional nudity\n3:00- Emi Kuriyama\n3:30- Manuel Lima & Vanessa Baish\n4:00- Yoshie Sakai\n4:20- Albert Samreth\n5:40- people trying to stay awake \nSunday Morning \n6:40- Pancake Breakfast\n7:00- Dave White\n8:00- Jessica Mckinley\n9:00- Juan Manuel Gudino and Oscar Santos\n9:20- Krista Feld\n9:40- Von Curtis\n10:00- Michal Kamran\n10:20- People Talking on phones about phones\n10:40- Ante Bodlović\n11:00- Malisa Humphrey\n11:40- Badlands \nSunday Afternoon \n12:00- Brian Getnick\n12:40- Enrique Castrejon\n1:00- Liz Nuremberg\n1:40- Desida\n2:00- Frau Fiber\n2:30- Pedal Strike\n3:00- Telethon\n3:20- Nate Page\n3:40- Kyle Roberts\n4:00- Spokenest\n4:20- Kim Ye\n4:40- Mariel Carranza\n5:00- Emily Lacy\n5:30- Lili Bernard\n6:00- Star Partners\n6:30- Megan Cotts & Ali Prosch\n7:00- Marshall Astor\n7:30- Carl Pomposelli\n8:00- Purity  \nFounded in early 2009\, the Eternal Telethon is very pleased to have featured a multitude of artists sharing their creativity to show support for the creation of an artist retirement home. Past Eternal Telethon broadcasts have taken place near and far\, including in Los Angeles at Machine Project\, Public Fiction\, the MAK Center\, Redcat\, Barfspace\,Bellyflop Gallery\, and under a blanket\, in New York at X initiative\, and in Mexico City at Bikini Wax. \nFor more information or get involved with the Eternal Telethon contact eternaltelethon@gmail.com \nSelect performances from the Eternal Telethon’s archive can be found here https://www.youtube.com/user/eternaltelethon \nFB event page
URL:https://www.h-r.la/event/eternal-telethon-55/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/eternaltelethon.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160425T190000
DTEND;TZID=America/Los_Angeles:20160425T210000
DTSTAMP:20160430T082126Z
CREATED:20160430T032018Z
LAST-MODIFIED:20160430T082126Z
UID:1623-1461610800-1461618000@www.h-r.la
SUMMARY:Friends Series #3: A Conversation Between James Benning and Sharon Lockhart
DESCRIPTION:Sharon Lockhart received her MFA from the Art Center College of Design in Pasadena in 1993. She has been a Radcliffe fellow\, a Guggenheim fellow\, and a Rockefeller fellow. Her films and photographic work have been widely exhibited at international film festivals and in museums\, cultural institutions\, and galleries around the world. She is currently an associate professor at the University of Southern California’s Roski School of Fine Arts. \nJames Benning: “I was born in Milwaukee\, Wisconsin\, during World War II in a German working class community that sent its sons to fight their cousins. My father worked on the assembly line for a heavy industry corporation that was then building landing gear for the U.S. military. Later he became a self-taught building designer. I played baseball for the first 20 years of my life receiving a degree in mathematics while playing on a baseball scholarship. I dropped out of graduate school to deny my military deferment (my friends were dying in Viet Nam) and worked with migrant workers in Colorado teaching their children how to read and write. Later I helped start a commodities food program that fed the poor in the Missouri Ozarks. At the age of 33 I received an MFA from the University of Wisconsin where I studied with David Bordwell. For the next four years I taught filmmaking at Northwestern University\, University of Wisconsin\, University of Oklahoma and the University of California San Diego. In 1980 I moved to lower Manhattan making films with the aid of grant and German Television money. After eight years in New York I moved to Val Verde\, California\, where I currently reside teaching film/video at California Institute of the Arts. In the past twenty-five years I have completed fourteen feature length films that have shown in many different venues across the world.” \nOrganized by LACA and Human Resources
URL:https://www.h-r.la/event/friends-series-3-james-benning-and-sharon-lockhart/
LOCATION:LACA\, 2245 E Washington Blvd \, Los Angeles\, CA\, 90021\, United States
CATEGORIES:off-site event
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/04/benning-lockhart.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160424T193000
DTEND;TZID=America/Los_Angeles:20160424T193000
DTSTAMP:20160412T091616Z
CREATED:20160412T091026Z
LAST-MODIFIED:20160412T091616Z
UID:1608-1461526200-1461526200@www.h-r.la
SUMMARY:Alex Romania: Jerk
DESCRIPTION:“Jerk” created and performed by Alex Romania 7:30pm\, $10 suggested \nThis physically vulnerable choreography frames the male body between violence and pleasure — a microphone is bound to the body and swung from the pelvis evoking forms in the realm of BDSM\, pornography\, athletics\, games\, and flagellation. Through genital hypnosis and rigorous discomfort\, this is a dance of (narcissistic) pleasure and (quiet) longing\, (self) mutilation and (self) care. A dance to flatten and complexify the male body\, to tenderize the flesh\, to move beyond and to newly inhabit — a phallic solo to recompose the phallus. \nWith an opening performance by Edward Sharp\n  \nABOUT THE ARTISTS: \nAlex Romania is a multidisciplinary performance-maker\, organizer\, andteacher based in NYC who has taught and shown work nationally and internationally. Besides creating performance work\, Alex organizes events with dance and performance artists in NYC (such as the ‘Get Your A$ in CLA$’ class series at Abrons Arts Center)\, holds irregular discussions and events through his collective journalism platform INVISIBLE ARTISTS (a resource to approach sustainability in the arts)\, teaches teens how to devise original performance\, video-documents live performance\, and practices Thai Yoga. Alex has performed in works by Kathy Westwater\, Catherine Galasso\, Andy de Grout\, Eddie Peake\, Jacob Slominski\, Ishmael Houston-Jones\, Simone Forti\, Steve Paxton and has collaborated with a handful of performance art collectives\, amongst other artists. \n\nEdward Sharp: \nMy fashions withstand mutiny\, as in applicants to thermodynamics\, humors bodied\, andromache mined– mutation thatches bridges aborting charon in physiology foretold bottomless immovably (representing phylum exemplification\, being outlaws of barbarian\, resolutions to theological pageant\, and so on) andromeda therein longfellow terminates (stalls\, choppy\, memorized\, textually\, etch). My worthwhileness advisee: forcible permuting thaws is notarized\, inscribed buttonhole duress; a durable theme looping at thenceforth moved body\, as a quilt\, maturing thanklessly\, resuming to thesis\, prep controllers. Pervasively might be hapsburg ally theatricals timex? \nI export medley of movings\, indemnify noisiness\, lighter\, texaco\, andes vidal production. I somatic useful objectives as methuselah statue\, insulate foreheads\, issues liked morbidly\, dear anonymously\, primers as a cornell\, nda\, andrea subscribed desuetude. I fingerprint wayward to welsh texan\, tracks\, breastworks\, sweaty\, hairier clincher\, andalusian bodybuilding\, mover intercepting traders momentarily\, of beading. \nHosted by Sophia Cleary
URL:https://www.h-r.la/event/alex-romania-jerk/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/04/unnamed.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160422
DTEND;VALUE=DATE:20160425
DTSTAMP:20160412T090734Z
CREATED:20160412T090734Z
LAST-MODIFIED:20160412T090734Z
UID:1606-1461304800-1461477599@www.h-r.la
SUMMARY:WHO IS BABY?
DESCRIPTION:BABY: WHO IS BABY \nFriday\, April 22 – 7:30PM  \nSaturday\, April 23 – 7:30PM \nBIO \nBaby … is “ummmmmm” & “ahhhhhhhh” & “please be quiet” & “sighhhhh” & “why you gotta be like that” & “noooooo” & “okay\, okay” & “lets do it” &  “reeeeeeealllllllllly” & “shhhhh don’t tell” & “you are so weird” & “i know it” & “can’t you just grow up” & “no\, i can’t” & “well then its over.”
URL:https://www.h-r.la/event/who-is-baby/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/04/REDOHRShowflyerApril22and23.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160414
DTEND;VALUE=DATE:20160418
DTSTAMP:20160412T090337Z
CREATED:20160412T090248Z
LAST-MODIFIED:20160412T090337Z
UID:1604-1460613600-1460872799@www.h-r.la
SUMMARY:Telémachos Alexiou: The Culture of Refusal
DESCRIPTION:EXHIBITION HOURS\nThursday\, April 14\,  6-9pm\nFriday\, April 15\,  12-6pm and 8-11pm\nSaturday\, April 16\, 12-6pm \nSCREENING: Queen Antigone followed by conversation between Alexiou and Zackary Drucker\nFriday\, April 15\, 8-11pm \nTelémachos Alexiou is an artist whose medium is pictures. They can move as videos\, they might flicker as movies or just attempt to freeze a moment for a posterity they will never know – but they all share a power whose intentions aim straight for the heart and mind.\nIn his films – most notably “Queen Antigone” (Germany\, 2014)\, a road movie about contemporary Greece that is as political as it is personal in the way that only tragedies can be – a world of symbols and allusions clash with reality. Hostile to the lyricism of truth\, preferring to remain addicted to its own legends\, life becoming a teetering diva whose self-inflicted demise becomes a final act as necessary as it is unavoidable.\nThis need to reach catharsis\, to find closure\, to achieve conclusion is a constant theme in the work of Alexiou – no statements are left half-said\, everything and everyone has a defiant stance in the play of life and death: sex\, relationships\, emotions\, thought\, wants\, needs\, frustrations and happiness are all equal on a stage that dares you to ignore the spectacle.\nFull of bodies bearing witness\, his work is fiercely confrontational\, in both format and content – brutally direct video installations document the exuberant uniqueness of icons such as Vaginal Crème Davis or the artist and curator Dimitris Antonitsis; experimental in subject but crystal-clear in form photographs associate random visions that lurk between fetish and lyricism; texts violate the reader with ancient rage and contemporary seduction; everything about his visuals is meticulously meant to explode in the retina like a burst of a strong yet sophisticated mind-altering substance\, subtle in effect yet effective in distortion of consciousness.\nTelémachos Alexiou is a next generation artist\, discussing his temptation to exist beyond the sarcasm and idolatry that has been dominating the main discourses in the contemporary art world – he arrives with a declaration of belief whose self-definition is as defiant as the ancient culture his work is a part of.\nThe culture of refusal to compromise one’s freedom.  \nPanagiotis aka Otis Chatzistefanou (Mr.)\nEditorial Director for www.nakedbutsafe.com \n———————————————————– \nQueen Antigone\nTelémachos Alexiou’s second feature length film “Queen Antigone” is a sumptuously visualized allegory of the current\, dismal\, geopolitical situation of his fatherland. Framed in exquisitely aestheticized vignettes and fusing allusions that refract references from Sophocles to Gregory J. Markopoulos and from Michelangelo Antonioni to Jack Smith\, the scenario of this intense and stylish movie follows a disenfranchised young woman and her teenage brother as they desperately attempt to escape the double burden of historical inheritance and contemporary bankruptcy. An elegy about the spiritual breakdown of a nation\, the narrative resonates with barely contained rage\, unfolds at a meditative pace and ultimately ignites the screen with a volatile combination of existential emergency\, languid lyricism and spectacularly modern photography. \nABOUT THE ARTIST\nTelémachos Alexiou is a twenty-something filmmaker and artist who\, during his childhood and teens\, received formal ballroom dance training and won several national titles. At the age of 17\, he moved to London to study Communications and Visual Culture at the London Metropolitan University and three years later to Berlin\, where he studied Film Theory at the Freie Universität and started working as a filmmaker and artist. His diverse body of work includes narrative feature films\, media installations\, performance art and photography. Among other places\, his work has been hosted by the Berlin IFF\, the Thessaloniki IFF\, the Arsenal Institute for Film and Video Art in a mini-retrospective of his films\, the Temporäre Kunsthalle Berlin\, the HAU Berlin\, the Los Angeles Outfest\, Queer Lisboa 16\, etc. \nApart from his own films\, Alexiou has worked with other filmmakers and artists\, including Bruce LaBruce\, Zackary Drucker and Vaginal Davis. \nQueen Antigone (2014)\nDirected by Telémachos Alexiou\nProduced by Jürgen Brüning & Telémachos Alexiou\n93 min. \nWith:\nAthena Mathiou\nKristof Lamp\nAlexandros Vardaxoglou\nGiorgos Makris\nAristotelis Varytimidis\nPanayotis Evangelidis\nKostas Alexiou\nPepi Tinoglou \nMusic: Sergei Rachmaninoff\nFILM TRAILER
URL:https://www.h-r.la/event/1604/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/04/12916714_864814892005_4176989269207780546_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160412T200000
DTEND;TZID=America/Los_Angeles:20160412T200000
DTSTAMP:20160412T120813Z
CREATED:20160412T085809Z
LAST-MODIFIED:20160412T120813Z
UID:1602-1460491200-1460491200@www.h-r.la
SUMMARY:Chantal Akerman: Contre L'Oubli/Against Oblivion
DESCRIPTION:An evening of rare filmic treats\, a bar\, an accordionist\, a Yididish interlude\, and a reception to follow. Presented as part of Chantal Akerman: Contre L’Oubli/Against Oblivion\n– with a lecturette by film maker and programmer Courtney Stephens \nLE 15/08 (1973)\nSet in the wet heat and suspended time of a 15th of August (France’s main religious holiday in the summer\, literally everything stops)\, Chris\, a young woman from Finland has just arrived in Paris. Staying with a friend of Chantal Akerman\, she utters a long\, intimate monologue. She is filmed in static shots which monitor her unspoken anguish and idleness\, moving from one room to the next. The young woman\, through the repetition of empty and haunting daily gestures\, becomes a pure “existential” figure. \n42 mins \nBRUSSELS TRANSIT (1982\, Dir: Samy Szlingerbaum)\n“Brussels-Transit\,” which was produced by Chantal Akerman\, was the first Yiddish-language film made in Europe in 30 years. Written and directed by Samy Szlingerbaum (who co-directed 15/08)\, it is about his parents’ search for a home in the wake of World War II. It is an austere\, death-haunted work\, \, made all the more so by the knowledge that it would be Szlingerbaum’s only feature; he died of AIDS in 1986. (adapted from The Jewish Week)\nShort clip \nAGAINST OBLIVION (1991\, Dir: Chantal Akerman)\nA short piece commissioned by Amnesty International\, Against Oblivion (Contre l’oubli) is about the murder of Salvadorean union activist Febe Elisabeth Velásquez.\n3 mins \nPresented as part of: Chantal Akerman: Contre L’Oubli/Against Oblivion\, the retrospective organized throughout Los Angeles in collaboration with Los Angeles Filmforum\, Cinefamily\, Veggie Cloud\, Fahrenheit and Human Resources. Program organized in collaboration with Paradise Films and Cinémathèque royale de Belgique and presented with the support of the Cultural Services of the French Embassy and Institut Français\, and with the support of the Consulate General of the Kingdom of Belgium. \nAccordion accompaniment provided by Andy Favre!\nSpecial thanks to Kalyane aka La Collectionneuse!
URL:https://www.h-r.la/event/chantal-akerman-contre-loubliagainst-oblivion/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/04/12932756_10154093441746624_7246051250827866529_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160409T220000
DTEND;TZID=America/Los_Angeles:20160410T040000
DTSTAMP:20160403T230947Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160403T230947Z
UID:1513-1460239200-1460260800@www.h-r.la
SUMMARY:Embarrassment Envy Euphoria Excitement
DESCRIPTION:Come join us for a night of —- \nEmbarrassment Envy Euphoria Excitement \nPretend you are someone else for a night\nDress up as your favorite whatever (preferably from the 1920s\, Victorian\, Rococo or Elizabethan era)\nYou will be filmed\nThere will be lots of fog\n3 lovely hosts (who only speak in riddles) will help guide you to places you dont really need to go\nAnd then you dance for hours. You can’t see anyone and they can’t see you. You keep dancing. Then you step outside because the fog is hurting your eyes and you can’t breathe.\nAnd then you’re like\, ” What the hell am I doing here? This is great.” You stay for another 4 hours and pass out in the bathroom. The End \nHostesses will be serving poppy seed muffins around the clock as well as advil for your dancing headaches \nDJs\nMystery DJ 3am-4am\nCole MGN 1am-3am\nSilent Servant 11:30pm-1am\nSavage Fantasy 10-11:30pm\n+more TBA \n$5 Entry\nIf you arrive in costume $2 \nCertain amount of proceeds will go to Human Resources\nCertain amount of proceeds will go to Bernie
URL:https://www.h-r.la/event/embarrassmentenvyeuphoriaexcitement/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12821521_10209122633246415_7169126719993920914_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160409T130000
DTEND;TZID=America/Los_Angeles:20160409T160000
DTSTAMP:20160523T002519Z
CREATED:20160523T002519Z
LAST-MODIFIED:20160523T002519Z
UID:1948-1460206800-1460217600@www.h-r.la
SUMMARY:Everything Will Be: Film Screening and Discussion
DESCRIPTION:Join Chinatown community members\, community stakeholders\, and Chinatown Community for Equitable Development (CCED) members for a movie screening of a film called “Everything Will Be”\, a film that presents stories of different community members in Vancouver Chinatown. After we watch the movie together\, we will have a discussion about similarities and differences between the stories shared in the movie to what we are seeing in Los Angeles Chinatown. We will continue a conversation about changes in Chinatowns across the country and specific changes we are seeing in Los Angeles Chinatown. Attendees will also have the opportunity to become more involved with CCED and get to know Chinatown better. We look forward to an engaging and fruitful conversation with people who care about Chinatowns across the U.S. and Canada. \n**Film will have Chinese and English subtitles when needed and the discussion will have Cantonese\, Mandarin\, Spanish interpretation**  \nAccessibility info: Human Resources’ front entrance has one step\, we have a folding wheelchair ramp. The side entrance is wheelchair accessible. There is not a wheelchair accessible restroom. Bathroom is gender neutral and has 2 stalls adjacent to each other. Non-scented soaps will be available.  \n**In order to help keep other attendees healthy\, and to avoid reactions to chemicals\, please refrain from wearing scented oils\, perfumes\, colognes\, scented soaps\, and scented clothes.***  \nThis feature documentary by Sundance award-winning director Julia Kwan captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once-thriving Chinatown—in the midst of a transformation that plays out across many ethnic enclaves in North America. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change\, memory and legacy. Night and day\, a neon sign that reads “EVERYTHING IS GOING TO BE ALRIGHT” looms over Chinatown. Everything is going to be alright. The big question is—for whom?
URL:https://www.h-r.la/event/everything-will-be-film-screening-and-discussion/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/everythingwillbe.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160408T203000
DTEND;TZID=America/Los_Angeles:20160408T203000
DTSTAMP:20160403T230420Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160403T230420Z
UID:1512-1460147400-1460147400@www.h-r.la
SUMMARY:MACULAR Showcase
DESCRIPTION:Human Resources presents an evening of live audiovisual performances and experimental abstract films by the Dutch media arts collective Macular and a selection of Dutch filmmakers. \nMacular is a group of artists who share an interest in art\, science\, technology\, and perception. Part nomadic lab\, part research group\, part braintrust\, the collective is an ever evolving construct that manifests its creative output through installations\, films\, and live performances. Their work explores the behaviours that emerge from generative systems and processes\, both natural and artificial\, and is firmly focussed on establishing immersive sensory experiences. \nWork by Macular members has been shown worldwide at festivals and institutions such as: Ars Electronica (Linz\, AT)\, WRO International Media Art Biennale (Wroclaw\, PL)\, Saatchi Gallery (London\, GB)\, Taiwan Museum of Fine Arts (Taichung\, TW)\, Boijmans van Beuningen (Rotterdam\, NL) Woodstreet Galleries (Pittsburgh\, US)\, AxS Festival (Pasadena\, US)\, Lucida Space NCCA (Moskow\, RU)\, Microwave International New Media Arts Festival (Hong Kong\, CN)\, TodaysArt Festival (Tokyo\, JP & The Hague\, NL)\, DEAF Biennale (Rotterdam\, NL)\, Sonic Acts Festival (Amsterdam\, NL)\, Stedelijk Museum (Amsterdam\, NL)\, Exit Festival (Paris\, FR)\, Van Gogh Museum (Amsterdam\, NL)\, V2_Institute (Rotterdam\, NL)\, Kontraste Festival (Krems\, AT)\, Sight&Sound Festival (Montréal\, CA) \nhttp://www.macular.nl/ \n– – – – \nPROGRAM \nLive AV:\nCollide by Joris Strijbos & Nicky Assmann\nGut Feeling by Eric Parren \nFilms by Macular:\nLiquid Solid by Nicky Assmann & Joris Strijbos\nDrifting by Eric Parren \nFilms by invited Dutch filmmakers:\n#11\, Marey  Moiré by Joost Rekveld\nLoudthings by Telcosystems\nMarsa Abu Galawa by Gerard Holthuis \n– – – – \nSound powered by Perpetual Dawn \nThis event is made possible by the generous support of the Creative Industries Fund NL \n– – – –
URL:https://www.h-r.la/event/macular-showcase/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12472342_10201517803024318_933108860246376044_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160407T200000
DTEND;TZID=America/Los_Angeles:20160407T200000
DTSTAMP:20180726T223839Z
CREATED:20160412T082353Z
LAST-MODIFIED:20180726T223839Z
UID:1595-1460059200-1460059200@www.h-r.la
SUMMARY:KCHUNG Presents: BRUJAJA
DESCRIPTION:KCHUNG presents BRUJAJA\, A Gathering of Witches \n“First\, there has been the desire to rethink the development of capitalism from a feminist viewpoim\, while\, at the same time\, avoiding the limits of a “women’s history” separated from that of the male part of the working class. The title\, Caliban and the Witch\, inspired by Shakespeare’s The Tempest\, reflects this effort. In my interpretation\, however\, Caliban represents not only the anti-colonial rebel whose struggle still resonates in contemporary Caribbean literature\, but is a symbol for the world proletariat and\, more specifically\, for the proletarian body as a terrain and instrument of resistance to the logic of capitalism. Most important\, the figure of the witch\, who in The Tempest is confined to a remote background\, in this volume is placed at the center-stage\, as the embodiment of a world of female subjects that capitalism had to destroy: the heretic\, the healer\, the disobedient wife\, the woman who dared to live alone\, the obeha woman who poisoned the master’s food and inspired the slaves to revolt.” – Silvia Federici\, Caliban and the Witch\, 2004  \nBRUJAJA celebrates the witch as a site for resistance and magick\, rebellion and healing.  \nWith performances by: Sarah Gail Armstrong\, Electric Sound Bath\, Rafa Esparza\, Glitzer\, MRK\, The Oracle of Los Angeles\, and vōx\, with KCHUNG DJS  \n*BRUJAJA is a part of KCHUNG Lounge artist in residence\, Christy Roberts Berkowitz’s: The Center for Strategic Magick and Healing Sh*t. March 18th – April 30th. Email ChristyRoberts.Art@gmail.com for a complete schedule of events. \nCapitalism Exorcism ritual performance. Photo by Nikki Darling.
URL:https://www.h-r.la/event/kchung-presents-brujaja/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/04/BRUJAJA-600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160406T200000
DTEND;TZID=America/Los_Angeles:20160406T200000
DTSTAMP:20160412T082627Z
CREATED:20160412T082627Z
LAST-MODIFIED:20160412T082627Z
UID:1597-1459972800-1459972800@www.h-r.la
SUMMARY:SOME WARE
DESCRIPTION:SOME WARE\nat Human Resources\n(SW004) \nSamo Sound Boy\nSISSA\nDJ Cuntry Noise\nSome Ware DJ
URL:https://www.h-r.la/event/some-ware/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/04/12898371_10154004045552429_1618757402197020398_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160405T200000
DTEND;TZID=America/Los_Angeles:20160405T200000
DTSTAMP:20160522T194329Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160522T194329Z
UID:1511-1459886400-1459886400@www.h-r.la
SUMMARY:Anya Liftig\, Gracie Devito\, Samuel White
DESCRIPTION:Performances by \nAnya Liftig\nGracie Devito\nSamuel White \nAnya Liftig is a New York based performance artist. Liftig’s work has been featured at TATE Modern\, Performmer Stammtisch Berlin\, Grace Exhibition Space\, Atlanta Contemporary Art Center\, Socrates Sculpture Park\, Yale University\, Center for Performance Research\, University of Wisconsin\, University of Chicago\, Mess Hall and many other venues. Her work has been published and written about in The New York Times Magazine\, Bomb\, The Wall Street Journal\, Vogue Italia\, Marie Claire Italia\, Art Papers\, X-tra\, Mix Magazine\, Katalog\, Jezebel\, Hyperallergic\, Burnaway and many others. \nGracie DeVito (b 1985) is a performance artist living in LA. She received an MFA from calarts in 2012 and shows with Tif Sigfrids gallery. \nTo learn about Samuel White please text him at 323.206.2617 \nSamuel White\nAnya Liftig\nGracie Devitio
URL:https://www.h-r.la/event/anya-lifting-performance/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12322680_1218418474852410_3376861663071629423_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160402T180000
DTEND;TZID=America/Los_Angeles:20160402T180000
DTSTAMP:20160523T001144Z
CREATED:20160523T001144Z
LAST-MODIFIED:20160523T001144Z
UID:1945-1459620000-1459620000@www.h-r.la
SUMMARY:YES FEMMES (AWP '16 off-site reading + party)
DESCRIPTION:This series of readings and performances includes work that explores the limits of the body\, aims toward transformation\, seeks plants and animals as models or collaborators\, expresses saturated or hysterical emotion\, embraces femme aesthetics\, and moves toward the horizon of queerness (after José Muñoz).  \nBirds of Lace & Institute for Flying present: \nAmanda Ackerman\nJessica Rae Bergamino\nLily Clifford\nKyunghee Sabina Eo\nMyriam Gurba\nJohanna Hedva\nLily Hoang\nTemim Fruchter\nAmanda-Faye Jimenez\nClay Kerrigan\nMeghan Lamb\nJade Phoenix Martinez\nSade Murphy\nAnna Joy Springer \nwith text-based artworks by Julie Tolentino \n+ a few presses will be selling their books\, including Birds of Lace (final copies of chapbooks from Lucas de Lima & Joohyun Kim!)\, Solar Luxuriance\, Bloof Books (limited copies of their newer titles) and Econotextual Objects. \nAfter party with music by: \nDJ Brown Bruja &\nDJ Por Vida\n♥♥ ♥ ♥ ♥ ♥ ♥
URL:https://www.h-r.la/event/yes-femmes-awp-16-off-site-reading-party/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/yesfemmes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160401T190000
DTEND;TZID=America/Los_Angeles:20160401T220000
DTSTAMP:20160327T203516Z
CREATED:20160327T203516Z
LAST-MODIFIED:20160327T203516Z
UID:1564-1459537200-1459548000@www.h-r.la
SUMMARY:Andrew Berardini "Shades of Gray"
DESCRIPTION:Performances at 7:30 and 9pm \nShades of Gray is an excerpt from Andrew Berardini’s work-in-progress the Standard Book of Color to be read in Alice Wang’s exhibition\, with music by ?Luke Fischbeck? / Lucky Dragons?. ?E?ach shade will be ?read in immersive atmosphere by a different voice.??  \nThe Standard Book of Color is a compendium of essays\, stories\, and poems of nearly a hundred individual shades of color. \nPresented in connection with the exhibition “Alice Wang” (March 25 – April 1\, 2016)
URL:https://www.h-r.la/event/andrew-berardini-shades-of-gray/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/AliceWang-ShadesOfGray.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160401T170000
DTEND;TZID=America/Los_Angeles:20160401T190000
DTSTAMP:20160412T094144Z
CREATED:20160412T083622Z
LAST-MODIFIED:20160412T094144Z
UID:1599-1459530000-1459537200@www.h-r.la
SUMMARY:Friends Series #2\, Erin Christovale and Henoch Moore
DESCRIPTION:They will be speaking on black soundtracks and the parallels between rap and house music. \nErin Christovale is a curator and film programmer based in Los Angeles. She has lectured at Princeton University\, California Institute of the Arts\, University of California\, Los Angeles\, and University of Syracuse\, New York. Her curatorial projects have been mentioned in ARTFORUM\, Hyperallergic\, Artsy and Artnet. Her ongoing film program\, Black Radical Imagination\, is currently in its third iteration and has been featured in over 25 institutions including the Museum of Contemporary Art\, Chicago\, Yerba Buena Center of the Arts\, The Trinidad and Tobago Film Festival\, ART BASEL\, and MOCA. \nHenoch Moore is an LA based creative and entrepreneur inspired by music\, culture and the black experience. He runs his own creative agency\, Gene’s Liquor\, based in Los Angeles\, CA. \nshop.genesliquor.biz \nThis iteration of Friends Series is organized by Wendy’s Subway\, LACA\, and Human Resources.
URL:https://www.h-r.la/event/friends-series-2-erin-christovale-and-henoch-moore/
LOCATION:LACA\, 2245 E Washington Blvd \, Los Angeles\, CA\, 90021\, United States
CATEGORIES:off-site event
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/04/12885836_800846510048687_8130955705895206986_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160325
DTEND;VALUE=DATE:20160403
DTSTAMP:20160412T085409Z
CREATED:20160113T194133Z
LAST-MODIFIED:20160412T085409Z
UID:964-1458885600-1459576799@www.h-r.la
SUMMARY:alice wang
DESCRIPTION:Opening Reception: Friday March 25\, 2016 7-10pm \nHours: Weds – Sun 12-6pm or by appointment
URL:https://www.h-r.la/event/alice-wang/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/01/alice-megawatt-microwave-mit1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160317
DTEND;VALUE=DATE:20160323
DTSTAMP:20160522T210856Z
CREATED:20160113T194133Z
LAST-MODIFIED:20160522T210856Z
UID:962-1458194400-1458626399@www.h-r.la
SUMMARY:Ruth Angel Edwards "Derivatives and Futures"
DESCRIPTION:New AV works and a live performance in collaboration with Jos McKain \nOPENING RECEPTION + PERFORMANCE: March 17\, 8-10PM performance begins at 8:30PM \nGALLERY HOURS: March 17-21\, noon-6PM \n“I’d just like to point out that if anybody cares to look at the video evidence\, at no point was my bare backside revealed. So therefore the fact he says he’s seen it totally negates the credence of what he said in the previous part of the answer….I’m glad I’ve got that off my chest – it’s been bothering me\, that.” \nThe work simultaneously inhabits multiple time frames in dance music’s cultural past and present\, re-contextualising them as a way of exposing their failures and flaws as well as any latent positive potential\, exploring hedonism and spectacle in popular culture\, and the role it plays within capitalism. \nABOUT THE ARTIST\nRuth Angel Edwards is a multimedia artist currently living and working in the UK. She originates from Nottingham\, England\, and studied Fine Art at Central Saint Martins in London. Her work draws from pop culture – looking at mainstream and subcultural youth movements both past and present\, and within these\, the ways audio and visual content are used to manipulate an audience and to disseminate information.  \nMost recently her work has concentrated on dance subcultures from the late 1980s into the 90s and early 2000s\, and mainstream genres popular today such as EDM\, Dubstep and House. She examines lyrical and sonic qualities\, alongside the visual content\, including graphic design\, fashion and music videos\, reflecting on the trajectory of dance and rave music as an illustration of the changing politics of music subcultures\, both overt and concealed. Working between music\, sound\, moving image\, sculpture\, printed collage and online work\, subcultural and mainstream youth cultures are referenced\, appropriated and subverted\, creating sensual and disorientating environments. ‘Female’ physicality (body and voice) appear as a motif within the practice. Used to imply pleasure\, sensuality\, freedom\, spirituality\, love\, excess\, the mass produced sexualised female body has become a visual code for hedonism. Alongside this\, the work draws on and openly references ‘Techno Shamanism’\, a theory pioneered by new age philosophers such as Terrence McKenna in the late 80s\, most popular in the UK and Californian rave scenes. Techno Shamanism incorporated aspects of New Age and Environmentalist thinking\, and predicted that electronic music\, psychedelic drugs and new technologies such as the internet would be instrumental in bringing about radical changes in society\, entering a new era around the dawn of the millennium in 2000. ​
URL:https://www.h-r.la/event/ruth-angel-edwards-installation-performance/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/01/unnamed.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160312T200000
DTEND;TZID=America/Los_Angeles:20160312T200000
DTSTAMP:20160316T063254Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160316T063254Z
UID:1508-1457812800-1457812800@www.h-r.la
SUMMARY:CoH / Pinkcourtesyphone / Brandon Nickell / Cameron Shafii
DESCRIPTION:CoH (Sweden) (Ge-stell)\nhttp://www.post-pop.org/ \nCoH (Cyrillic) is a Russian sound artist\, based in Sweden\, who has been active since 1998. He has released numerous works on esteemed experimental labels like raster-noton\, Editions Mego\, Coil’s Eskaton\, and more. He is well-known for his collaborations with Cosey Fanni Tutti\, Coil\, among others. His works explore texture\, atmosphere\, and tone\, and his body of work is one of the strongest in the realm of experimental electronic music. On this tour\, he will be presenting works from his forthcoming EP ‘Return to Mechanics’ on Ge-stell. \n• Pinkcourtesyphone (Los Angeles) (LINE)\nhttp://www.pinkcourtesyphone.com/ \nRichard Chartier is considered one of the key figures in the current of reductionist sound art which has been termed both “microsound” and Neo-Modernist. Chartier’s minimalist digital work explores the inter-relationships between the spatial nature of sound\, silence\, focus\, perception and the act of listening itself. \nBut his Pinkcourtesyphone project is a more emotional\, dare one say musical side of his work. Pinkcourtesyphone is dark but not arch\, with a slight hint of humor. Pinkcourtesyphone is amorphous\, changing\, and slipping in and out of consciousness. Pinkcourtesyphone operates like a syrup-y dream and strives to be both elegant and detached. Pinkcourtesyphone has collaborated with Cosey Fanni Tutti\, Kid Congo Powers\, AGF\, Evelina Domnitch\, and Gwyneth Wentink. CoH even remixed his cover of ‘I am a photograph’ (by Amanda Lear) with Kid Congo Powers on vocals. Pinkcourtesyphone has released work on labels including LINE\, Important Records\, Room40\, and Dragon’s Eye Recordings. \n• Brandon Nickell (San Francisco) (Ge-stell)\nhttp://ge-stell.net/ \nBrandon Nickell hardly makes room for spaces between the threads\, for lines trickling towards gaps and fissures\, for non-hierarchical entry and exit. His Ge-stell debut ‘Skyline’ is marked by generative and hyper-concatenated rhythms\, placing angular\, yet ambient-tipped synthetic textures against deft beat programming. His productions oscillate between propulsive and percussive arrangements\, through events that do not link conclusively. He runs the Isounderscore label. \n• Cameron Shafii (San Francisco) (Ge-stell)\nhttp://ge-stell.net/ \nCameron Shafii is a San Francisco-based composer and computational linguist\, practicing generative and systems music. His compositions are inflected by software processing based on recombination\, autonomous file handling\, and approximate string matching algorithms. He runs the Ge-stell label.
URL:https://www.h-r.la/event/ge-stell-label-tour-coh-ivan-pavlov-brandon-nickell/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/12719088_1076281305777478_488368376694930729_o.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160228T180000
DTEND;TZID=America/Los_Angeles:20160228T180000
DTSTAMP:20160523T003043Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160523T003043Z
UID:1506-1456682400-1456682400@www.h-r.la
SUMMARY:This Unwieldy Object: A Modern Research Drama by Anna Zett
DESCRIPTION:The screening of the 47 minute film will be followed by a Q&A with the director and the curator. \n5:30pm doors open\n6pm film starts  \nOrganized by Clara López Menéndez with HRLA \nTHIS UNWIELDY OBJECT\nA MODERN RESEARCH DRAMA BY ANNA ZETT 2014\, 47 min \nIn the trans-genre film “This Unwieldy Object” the animated dinosaurs of Hollywood cinema meet the petrified ghosts of colonial science. You follow the protagonist on a road trip into the dusty heart of the USA\, where fossil traders\, sculptors and scientists are trying to reconstruct the plot of natural history\, the plot of progress. But the more experts she encounters\, the more unwieldy their objects of research appear. Dig sites become crime scenes\, and fossils turn into characters\, determined to play a main part in the violent history of the American Frontier. The story ends in the middle. \nAbout the filmmaker:\nAnna Zett is an artist with a background in theory\, now working across the disciplines of video\, radio\, drama and dance. Playfully engaged with the tragedy of science & technology\, her practice tries to rely on physical vulnerability as much as it relies on historical inquiry and an experimental setup. Recent screenings and exhibtions at Serpentine Cinema London\, National Gallery Prague\, Transmission Gallery Glasgow\, Sorbus Gallery Helsinki\, Banner Repeater London\, TENT Rotterdam. Beyond the visual arts Anna Zett has written and co-directed a radio play for the public radio in Germany last year\, published essays online and offline\, and is co-hosting a dance show called Copy&Dance\, based at HAU2 Berlin.
URL:https://www.h-r.la/event/clara-lopez-screening/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12698535_10208240888477496_7765715390056513311_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160226T200000
DTEND;TZID=America/Los_Angeles:20160226T200000
DTSTAMP:20160522T191424Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160522T191424Z
UID:1505-1456516800-1456516800@www.h-r.la
SUMMARY:David Kanaga / Ben Babbitt
DESCRIPTION:8PM \nDAVID KANAGA\nOakland based experimental music composer\, new media artist and active writer\, exploring interactive possibilities of music in games and other dynamic environments. Works include DYAD / OGST\, the music for the interactive game Proteus. Listen Up: https://davidkanaga.bandcamp.com/ \nBEN BABBITT\nLA based composer\, working with creating soundtracks for interactive games\, including the soundtrack for Kentucky Route Zero. Listen Up: https://benbabbitt.bandcamp.com/
URL:https://www.h-r.la/event/david-kanaga-performanceinstallation/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12711096_1195683177125940_8893969307179057042_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160225T190000
DTEND;TZID=America/Los_Angeles:20160225T190000
DTSTAMP:20160522T191704Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160522T191704Z
UID:1504-1456426800-1456426800@www.h-r.la
SUMMARY:Anenon in Performance and Conversation / Petrol Release Show
DESCRIPTION:Presented by FoF Music and Red Bull Music Academy \nAnenon (Duo set with Jon-Kyle Mohr)\nNick Malkin\nINGA (Sam Gendel with Adam Ratner and Kevin Yokota)\nAmbient DJ \n7PM\nPlease join Anenon in conversation with Todd Burns about life at the Red Bull Music Academy\, which is happening this September in Montreal. Applications are available now at apply.redbullmusicacademy.com. \n9PM\nPerformances \nPetrol LP’s for sale \nFREE
URL:https://www.h-r.la/event/petrol-record-release/
LOCATION:LACA\, 2245 E Washington Blvd \, Los Angeles\, CA\, 90021\, United States
CATEGORIES:off-site event
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12748109_1062149890473381_5775278948367728506_o1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160224T200000
DTEND;TZID=America/Los_Angeles:20160224T200000
DTSTAMP:20160523T032952Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160523T032952Z
UID:1503-1456344000-1456344000@www.h-r.la
SUMMARY:Postcommodity / White Boy Scream / Carmina Escobar
DESCRIPTION:Postcommodity\nhttp://postcommodity.com/\nhttps://postcommodity.bandcamp.com/ \nPostcommodity is an interdisciplinary arts collective comprised of Raven Chacon\, Cristóbal Martínez\, and Kade L. Twist. Postcommodity’s art functions as a shared Indigenous lens and voice to engage the assaultive manifestations of the global market and its supporting institutions\, public perceptions\, beliefs\, and individual actions that comprise the ever-expanding\, multinational\, multiracial and multiethnic colonizing force that is defining the 21st Century through ever increasing velocities and complex forms of violence. Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social\, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self-determination with the broader public sphere. \nWhite Boy Scream\nhttp://www.micaelatobin.com/wbs \nWhite Boy Scream is a solo experimental-music project that dissects the operatic qualities of the voice through a series of electronic effects pedals and looping stations. Micaela Tobin aims to dismantle and ultimately\, reconcile\, the construct of the classically-trained soprano within the genres of noise and drone. \nCarmina Escobar\nhttp://carminaescobar.com/ \n“I am an experimental vocalist\, performer\, improviser\, sound and intermedia artist from Mexico City. My work focuses primarily on the voice\, the body and their interrelations to physical\, social and memory spaces. At the moment I live and breath in Los Angeles\, CA.”
URL:https://www.h-r.la/event/postcommodity/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Postcommodity_live2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160222T180000
DTEND;TZID=America/Los_Angeles:20160222T180000
DTSTAMP:20160522T194814Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160522T194814Z
UID:1502-1456164000-1456164000@www.h-r.la
SUMMARY:Gaymer Cave
DESCRIPTION:A video game get together and video installation by Johnnie JungleGuts \nBring your 3DS and max out that StreetPass! Play casual games of Smash Brothers\, Pokemon and Mario Kart\, or whatever the kids are into these days! Just hang out! outlets for charging will be available! This event is entirely free! Friendly to all\, LGBT or straight! \nCome in cosplay! Anyone in cosplay will be entered into two chances to win a gift certificate to Comics Vs. Toys for $100! https://www.facebook.com/Comics-vs-Toys-172284276187827/?fref=ts Decision will occur at 8 pm! No weapons! \nDon’t StreetPass? Come anyway and experience a really big 3 channel floor to ceiling video installation. Chopped and screwed My Little Ponies\, gaymers\, monkey grooming and more! View these videos by Johnnie JungleGuts in their ideal environment- around gamers! Also\, there will be custom perlers for sale by the Pikashop. \nAlso\, this cave utilizes an installation from Martine Syms show\, “Black Box” and you should all go check it out whle it’s up! https://www.facebook.com/events/958351080917279/ \nJohnnie JungleGuts is a professional fan. He is best known for drawing every Pokemon. He was in Art in America for drawing Pokemon AND he was on an episode of Storage Wars where he appraised a collection of My Little Ponies. He does a video series called L3T’S GAY! where he interviews people while playing Final Fantasy 6 and you can find it on YouTube. He has a comics and more talk show on Kchung Radio called Outbreak. He does the social media for Comics Vs. Toys\, a comic book store in Eagle Rock. He is currently organizing a Pokemon tournament to raise money for the Sante D’Or cat shelter. His favorite X-Man is Kitty Pryde. \nStreetPass is a feature present in every Nintendo 3DS system that allows users to exchange data from games and applications that the two own. It is on regardless of whether the 3DS is in sleep mode or not (though the system itself must be on)\, and automatically acts when another 3DS user walks within the console’s range. If you’re into StreetPassing\, check out StreetPass LA for more StreetPass events! https://www.facebook.com/StreetPassLA/?fref=ts
URL:https://www.h-r.la/event/johnnie-jungleguts-streetpass-gathering/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12733476_1208546415841699_8927726924749647612_n.jpg
END:VEVENT
END:VCALENDAR