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DTSTART;VALUE=DATE:20150920
DTEND;VALUE=DATE:20150930
DTSTAMP:20200827T142230Z
CREATED:20160311T093556Z
LAST-MODIFIED:20200827T142230Z
UID:1467-1442728800-1443506399@www.h-r.la
SUMMARY:It's Just the Beginning
DESCRIPTION:It’s Just the Beginning — Umbrella Movement anniversary exhibition. 「命運自主」 雨傘運動一週年展覽 – 洛杉磯 \nSUNDAY\, SEPTEMBER 20\n6 p.m. : Opening\n7:30 p.m. : Musical Performance featuring songs of the Umbrella Revolution \nSATURDAY & SUNDAY\, SEPTEMBER 26 & 27\n7:30 p.m. : Film Screening \nHOURS\nMonday through Sunday : Noon to 8 p.m. \nIn Fall 2014\, Hong Kong experienced an unprecedented civic uprising. A series of students-led walkouts and sit-ins — in protest of a legislative proposal by the National People’s Congress of China to assert control over Hong Kong’s electoral system — escalated into a leaderless movement of massive civil disobedience that came to be known as the Umbrella Movement. Police tear gas and pepper spray did nothing to stop everyday people from coming out into the streets in droves to demand true democracy. Using umbrellas as shields\, protesters shut down highways\, tunnels\, and bus routes\, occupying major arteries of the city for 79 days\, despite multiple crackdown efforts from the authorities. One year later\, people of Hong Kong continue to fight for their future. \nHong Kong Forum Los Angeles presents a multi-disciplinary exhibition of the Umbrella Movement in Chinatown. The exhibition serves both as a reflection and a projection of Hong Kong’s struggle for democracy. It highlights moving moments from the protests\, and the feverish creativity that blossomed throughout the strikes and occupations. It also offers an opportunity for the LA HK community to process and raise awareness about what is happening in our city collectively. \nThe key images of the exhibition are drawn from “The Umbrella Festival”\, researched\, curated and organized by Oscar Hing Kay Ho and the students at the Cultural Management Department of the Chinese University of Hong Kong\, first shown in Hong Kong in May 2015\, presenting images and artwork by occupiers\, artists and news photographers who participated in the movement. \nOther central contributors includes:\n// Hong Kong //\nPhotographer Martin Witness\nCartoonist Max Ip\nDesign Collective Hong Kong Social Design Narration\nSketching Umbrella Movement: Stella So\, Wai Wai\, Alvin Wong and members + more! \n// Los Angeles //\nHKFLA community: Musicians Shirley To + Alan Chan\, Artists M L Morimoto\, Monica Dong + Megan Dong + Sandra Fong + Lillian Chin + Wing Cheung + Perry Ng + more! \n9月份將會係每個香港人感覺複雜的一月：因爲87粒催淚彈，因爲被政府暴力對待的同路人，因爲目睹香港嘅社會撕裂。作爲身在海外嘅香港人，雖然我們能力有限，但唔想坐係電視機面前感到無能爲力。在這一年，各位在外嘅同路人一直用各種方法向當地社會展示香港人追求公平自由嘅決心，而洛杉磯嘅香港人都唔例外。 而一年過後，洛杉磯嘅各位壇友籌備於9月20日至28日在唐人街 Human Resources Downtown LA 舉行主題展覽向當地社群解釋雨傘運動。 \n大部份圖像在2015年五月與香港舉行的「雨傘節」展出，展覽組織者：中文大學文化管理部學生與何慶基教授。展覽來源於參與佔領運動嘅50多個佔領者，藝術家，攝影記者。 \n其他作品貢獻來源：\n// 香港 //\n— 馬丁–\n— 社會設計 —\n— 速寫遮打運動 : 慧惠\, Stella So\, Alvin Wong + members —\n— Mud Mud Mud \n+ 洛杉磯嘅香港人! \nwebsites and references:\nwww.umbrellafest.com\nwww.facebook.com/martinwitness\nwww.facebook.com/hksocialdesign\nwww.facebook.com/sketchoccupycentral\nwww.facebook.com/waiwai.sketches\nwww.facebook.com/stellasomanyee
URL:https://www.h-r.la/event/umbrella-revolution-project/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/11892203_1632332570358142_7341453226531323293_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150916
DTEND;VALUE=DATE:20150917
DTSTAMP:20160522T201105Z
CREATED:20160311T093556Z
LAST-MODIFIED:20160522T201105Z
UID:1466-1442383200-1442383200@www.h-r.la
SUMMARY:It's My Party!: Tribute Show to Girl Groups of the 1950s & 60s
DESCRIPTION:Doors 8PM | $12 purchase tickets in advance here \nHe loves me. He loves me not. He’s from the wrong side of town. Parents don’t understand. Boys are good. Boys are bad. These issues defined the sweet and sassy songs of girl groups from the 1950s & 60s. On Sept 17th at Human Resources\, some of our favorite local bands will perform their favorite tunes from the early days of rock\, pop\, and rebels on motorcycles!  \nwith L.A. Witch\, Katy Goodman (La Sera/Vivian Girls)\, Tashaki Miyaki\, Nedelle Torrisi\, Vicky & The Vengents\, Bloody Death Skull\, White Dove\, Irene Diaz\, Alex Lilly\, Veronica Bianqui\, and more \nplus DJs Lee Set\, Taylor Rowley\, & Mukta Mohan \nStick around for a dance party after the performance.  \nEnjoy this playlist of Girl Group tunes:\n \nEvent by Daiana Feuer aka FEVER FB event page
URL:https://www.h-r.la/event/girl-group-revue/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/ggroup.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150911
DTEND;VALUE=DATE:20150912
DTSTAMP:20160522T201843Z
CREATED:20160311T093556Z
LAST-MODIFIED:20160522T201843Z
UID:1465-1441951200-1441951200@www.h-r.la
SUMMARY:Gautam Tejas Ganeshan
DESCRIPTION:Gautam Tejas Ganeshan  \nhttps://vimeo.com/131843128 \nIn connection with the exhibition Keith Rocka Knittel: Let it Yellow\, Human Resources is pleased to present a performance of Carnatic vocal compositions by Gautam Tejas Ganeshan. \nFriday September 11\, 2015\n7pm – 10pm\n$10 suggested donation\, no-one turned away for lack of funds \nGautam Tejas Ganeshan’s authentic voice and intelligent approach breathe new life into an old tradition. His concerts reflect a traditional aesthetic\, embracing a classical style instantly recognizable to aficionados worldwide\, and transforming it through the creation of an ongoing body of original works based in love and understanding of Carnatic music – its elaborate structures\, extensive improvisations\, and the utmost sincerity that distinguishes its greatest practitioners. \nDelivered in chamber ensembles\, his performances are typically presented strictly acoustically\, with nothing plugged in\, honoring the strictures adopted by an earlier generation of musicians. But in rendering exclusively his own songs\, he inflects this highly cultured musical heritage through himself\, expressing authenticity more than ethnicity\, immediacy more than nostalgia\, and allowing listeners the unprecedented experience of having a natural linguistic purchase on the complex song forms of a rich oral tradition. \nWith musical accompaniment by Karthik Vasan (mridangam)\, Pallavi Mynampati (bamboo flute)\, and Jaeger Smith (tambura).
URL:https://www.h-r.la/event/gautam-tejas-ganeshan/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20150909
DTEND;VALUE=DATE:20150916
DTSTAMP:20160522T203436Z
CREATED:20160311T093556Z
LAST-MODIFIED:20160522T203436Z
UID:1464-1441778400-1442296799@www.h-r.la
SUMMARY:"Let it Mellow" Keith Rocka Knittel
DESCRIPTION:Keith Rocka Knittel\nLet it Yellow\nSeptember 9 – ­14\, 2015 \nOpening reception: Thursday\, September 10\, 7 – ­10 PM \nPlease join us for performances taking place inside the exhibition:\nFriday 9/11/15 7-10pm: Gautam Tejas Ganeshan\nSaturday 9/12/15 9-11 pm: Carl Pomposelli\, Steve Kado\, TMO\, Leslie Dick\, John Hogan\, and Keith Rocka Knittel \nThe work in Let it Yellow is process driven – performances build objects creating a syntax as gestures break down their materiality\, starting the process over again. Art objects exist equally as both a means of representing the present and a remnant of the past\, both combined to reflect upon the future. \nThe show is entered through a corridor of paintings of spinning\, generic newspapers. Headlines declaring “World At War” and “Environmental Catastrophe” imbue the transitional space between the outside world and the gallery with the anxiety of a punchline that never lands. In the gallery\, a room divider made from larger than life paintings of the artist’s cats doubles as a sound deadening wall. A grid of sixteen inch by nineteen inch abstract paintings\, roughly eight feet wide by twelve feet tall in all\, forms a large\, fluid mosaic. Within the grid\, vacant spaces invite the components to be rearranged on a whim. A stack of “$40 Paintings” ­ a series of black line paintings including a bedraggled cat toy beside the words “Secondary Nature\,” and a phone jack with the phrase “Ride of Your Life” ­ sit atop a pedestal. The paintings may be viewed by digging through the stack\, shuffling them in a constant flux of loopy narratives. \nAssembled in part from previous works\, some shown by Knittel in the Human Resources space when it was Cottage Home Gallery\, a twelve foot high tower of cubes descending in size climbs toward the ceiling. The top of the tower can be viewed from the cut-­throughs in the wall of the former projection booth on the second floor of the gallery. From this room\, viewers may observe the show and watch a video while sitting on a foam cube carved with an inviting seat. \nKeith Rocka Knittel holds an MFA from CalArts and his work has been shown in contemporary art galleries and museums\, most recently at the Hammer Museum in Los Angeles as part of KCHUNG’s contribution to “Made in LA 2014\,” and at 356 Mission in Los Angeles as part of “Another Cats Show.” He hosts a radio show on KCHUNG (kchungradio.org) titled “Everything Must Go! FM\,” entering its third year of airing. He is currently a visiting lecturer at UC Riverside and lives and works in San Pedro\, California.
URL:https://www.h-r.la/event/keith-rocka-knittel/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/let_it_mellow_postcard.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150904
DTEND;VALUE=DATE:20150908
DTSTAMP:20160522T204102Z
CREATED:20160311T093556Z
LAST-MODIFIED:20160522T204102Z
UID:1463-1441346400-1441605599@www.h-r.la
SUMMARY:“What It Means to Learn”  Johanna Jackson & Dana Dart-McLean
DESCRIPTION:“What It Means to Learn” \nJohanna Jackson & Dana Dart-McLean\nSeptember 4th—September 6th\, 2015\nOpening Friday September 4th 7-9pm  \nAt the opening\, Peter Hernandez\, Busy Gangnes\, and Nickels Sunshine will dance in a collaboratively choreographed piece\, using sculpture by Dana and Johanna. \nIn addition to their individual work\, Johanna Jackson and Dana Dart-McLean have used this opportunity to create collaborative paintings\, sculpture\, and installation. Each of the works on view engages a similar humor about blurring between representational and functional objects: a sculpture that is a mirror\, a painting that is a hat. \nWhat does the skin say?  When is it done?  What does it mean to learn? \nLearning is the feeling of your brain changing. It doesn’t only flow in one direction\, a lot of learning is forgetting. Out in the world we are taught\, and some things we can let in and some things we can’t and a lot of things we shouldn’t—especially since everything is everything. There are forevers of different realities and ways of being\, seeing\, and making perform constant appearances and flips and dissolves. Making pictures together\, we balance across our separateness. We send it out and return with something definite there on the page\, some proof\, something coming out of the muddiness. A way of learning without mastering\, a way of taking the earning out of learning. What do you have left ? Just an L. \nHere’s another sentence inspired by democracy. \nCollaborative art is generally less economically valued than work made alone or with paid help. Why? What about friendship and equality makes things cheap? We relate to cheap. \nCombining various forms of knowing comes naturally. Through somatic\, structural\, contingent\, and tactile ways of being\, we register knowing and not knowing with various states of  discomfort and comfort. Preference\, style\, and habit arise in response. Look\, the neck muscles between the shoulders and head are tight. The teacher’s hands direct the student to slightly release. A slight adjustment reconfigures the entire form. Breathing and shifting\, the body is always recording and responding. A landscape seen with the eyes registers differently from the way hair apprehends\, though pedagogies rarely include hair’s understanding. We might spend so much time doing something stupid if we tried to incorporate that. But maybe we would come up with some very good hairstyles. \nLaura Riding Jackson wrote\, “I want the time-world removed and in its place to see—nothing.” Mediating the real and the unreal while being together\, we wonder what it means to learn. Is it skills we are after?  What skills? Gendered\, raced\, classed\, sexed beings\, we navigate webs of interaction accumulating memory and style as an expression of habit. Beyond this\, what is unnamed remains as another awareness. \nJohanna Jackson is an artist living and working in Los Angeles. She has a BA in English Literature and Art History from the University of Maryland and an MFA from San Francisco Art Institute. She is interested in making objects out of feelings.  \nDana Dart-McLean is an artist and art teacher who wants to know what paintings can tell us about mapping sight and memory. She teaches art at Sankofa Academy\, a public school in Oakland\, CA. She has taught at museums\, art centers\, community centers\, schools\, public libraries\, and an apothecary. She has an MA in Counseling with a focus on Expressive Art Therapy. 
URL:https://www.h-r.la/event/johanna-jackson-dana-dart-mclean/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/What_it_means_to_Learn.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150902
DTEND;VALUE=DATE:20150904
DTSTAMP:20160522T204605Z
CREATED:20160311T093556Z
LAST-MODIFIED:20160522T204605Z
UID:1462-1441173600-1441259999@www.h-r.la
SUMMARY:Adam Laiben - "Home Again"
DESCRIPTION:Adam Laiben screens his 2011 film HOME AGAIN\, an adaptation of Yann Arthus-Bertrand’s 2009 French documentary\, HOME. A six-minute short film by Laiben will accompany the feature film. Also\, come early and stay late for live music by Izapa. \n“This film is regarded as one of the most important documentaries of our time and it transformed the way I look at this planet. Drawing from the inspiration of other non-verbal greats like Baraka\, Chronos\, Koyaanisqatsi\, and Samsara\, I set out to create a companion to the original using only music. Gather what you will from my particular take on this incredible French film; I saw these songs fall into place so perfectly\, guiding me through a similar story of which the director was telling\, but acting as a guided tour into the depths of audio/visual meditation\, allowing the viewer to take in an immediate and more personal response from the images.” – Adam Laiben\n— \nMore info:\nCovering landscapes of 54 countries\, this beautiful documentary is filled with aerial images of some of the most breathtaking parts of planet Earth. The story\, originally accompanied by a minimal score and an ongoing narrator\, takes you through the formation of the planet\, the beginning of plant and animal life\, creation of Mankind\, and ultimately explains how mankind is now destroying the place which created him. \nThe visuals of Arthus-Bertrand’s film remain intact\, but Laiben has dropped the soundtrack and added his own mix of electro\, drone and orchestral works by a dozen well-known and obscure artists to create an engaging ambient soundtrack. \nDoors: 7:30pm\nFilms start promptly at 8pm. \n—\nIzapa – http://www.soundcloud.com/andrewfelix
URL:https://www.h-r.la/event/adam-laiben-home-movie-and-performance/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Home_again.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150830
DTEND;VALUE=DATE:20150831
DTSTAMP:20160522T205744Z
CREATED:20160311T093556Z
LAST-MODIFIED:20160522T205744Z
UID:1461-1440914400-1440914400@www.h-r.la
SUMMARY:HARVESTER SCREENING
DESCRIPTION:Free screening of this strangely meditative film\, a look at worldwide food production \nAlso come early for some fine sound environments created by Nick Malkin\, and stay after for a solid video and percussion performance by Corey Fogel \nHarvester features 162 of the vegetable\, grain\, nut\, sea vegetable\, and fruit harvesting machines. In one continuous viewing of all these machines it offers a glimpse into the world of industrial agriculture\, the work of the farmer\, human ingenuity\, and tightens the gap of knowing where and how food is produced. Harvester was created to visualize the origins of what we consume daily and to consider this from a macro perspective\, as a snippet into the evolution of Homo sapiens. Leaving wonder for the technologies preceding and ones to evolve. \nProduced by Abbe Findley\, sound score by Cameron Stallones & Nick Malkin\, all footage gleaned from YouTube. \n  \nhttps://www.youtube.com/watch?v=jsuh_IF9wro
URL:https://www.h-r.la/event/harvester-screening/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150828T000000
DTEND;TZID=America/Los_Angeles:20150828T000000
DTSTAMP:20160516T181702Z
CREATED:20160311T093556Z
LAST-MODIFIED:20160516T181702Z
UID:1460-1440720000-1440720000@www.h-r.la
SUMMARY:BASTARD NOISE + WoM + more
DESCRIPTION:
URL:https://www.h-r.la/event/bastard-noise-wom-more/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150823
DTEND;VALUE=DATE:20150825
DTSTAMP:20180727T223605Z
CREATED:20160522T210732Z
LAST-MODIFIED:20180727T223605Z
UID:1855-1440309600-1440395999@www.h-r.la
SUMMARY:Sissy Spacek
DESCRIPTION:photos by katz seki \nSunday\, Aug 23 \nSissy Spacek \nHuman Resources\n410 Cottage Home St\, Los Angeles CA\, 90012 \nArrive by 8:30\, performance at 9pm sharp\nFree Show \nhttp://gorejet.com/\nhttps://sissyspacek.bandcamp.com/\nhttp://john-wiese.com/zine/
URL:https://www.h-r.la/event/sissy-spacek/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/2015-08-23-sissy-spacek-human-resources-6-photoby-katz-seki-768x1024.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150802T000000
DTEND;TZID=America/Los_Angeles:20150823T000000
DTSTAMP:20160522T210321Z
CREATED:20160311T093556Z
LAST-MODIFIED:20160522T210321Z
UID:1459-1438473600-1440288000@www.h-r.la
SUMMARY:"A Man of Average Means" group show organized by Thomas Torres Cordova and Eric Kim
DESCRIPTION:A Man of Average Means \nOpening Reception: August 2nd 4-7pm with a performance by Dawn Kasper at 5:30PM \nClosing Party & Performance: Viola Yesiltac + Kathleen Kim 7:30PM \nIn 1978\, frustrated by his country’s inability to produce quality films\, North Korean Supreme Leader Kim Jong Il embarked on a plan to appropriate proven foreign resources. With this intent he carried out the well-documented abduction of South Korean filmmaker Shin Sang Ok and his ex-wife\, the actress Choi Eun Hee\, independently of each other during visits to Hong Kong. \nApproximately two years after the abductions\, Kim held a celebratory banquet in which the two captives were presented as guests of honor. Only then\, upon seeing each other\, did they become aware of their parallel circumstances. This reunion\, coupled with a rather heartfelt admission by Kim himself\, revealed the true significance of his fantastic and aggressive gesture – the desire to find a poetic moment from within the perfectly constructed ideology he embodied. \nShin and Choi produced thirteen films in the following six years of their strange circumstance (during which they were remarried)\, until they escaped while attending a Viennese film festival. They would eventually migrate to Los Angeles\, where Shin worked under the pseudonym\, Simon Sheen. \nA Man of Average Means is an exhibition featuring works by: \nPeggy Ahwesh\, Keren Benbenisty\, Jakob Brugge\, Fiona Connor\, Dawn Kasper\, Dawn Kinstel\, Lucas Knipscher\, Charles Mayton\, Viola Yesiltac\, Yoni Zonszein \nOrganized by Eric Kim and Thomas Torres Cordova \nGallery Hours: Wed-Sun\, noon-6PM
URL:https://www.h-r.la/event/a-man-of-average-means-group-show-organized-by-thomas-torres-cordova-and-eric-kim/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Pulgasarifourcopy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150726T190000
DTEND;TZID=America/Los_Angeles:20150726T190000
DTSTAMP:20160522T203732Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T203732Z
UID:1458-1437937200-1437937200@www.h-r.la
SUMMARY:claire cronin / ezrabuchla / emily lacy / kathleen kim
DESCRIPTION:claire cronin leaves for georgia soon. last chance for her songs in los angeles. they are good [ http://clairecronin.bandcamp.com/ ]\njoined by ezra buchla http://catfact.net/\nkathleen kim! of LA Fog and Shekhan. sounds and mysteries\nand the inimitable emily lacy\, gracing us again[ http://emilylacy.net/ ]\nand it is our great fortune to have maestro daniel brummel in the building\n[ http://www.danielbrummel.com/ ]
URL:https://www.h-r.la/event/claire-cronin-ezrabuchla-emily-lacy-kathleen-kim/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/Ezra-Buchla.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150721T200000
DTEND;TZID=America/Los_Angeles:20150721T200000
DTSTAMP:20210120T193838Z
CREATED:20160311T093555Z
LAST-MODIFIED:20210120T193838Z
UID:1457-1437508800-1437508800@www.h-r.la
SUMMARY:Ron Athey presents...
DESCRIPTION:An evening of solos\, experimentations\, works-in-progress organized by Ron Athey. Featuring Rosé Hernandez\, boychild\, Divinity Fudge and La Porscha\, plus a special group finale\, Walking Meditation with Sage Charles on percussion.
URL:https://www.h-r.la/event/ron-athey-presents/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Rose-Hernandez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150718T200000
DTEND;TZID=America/Los_Angeles:20150718T230000
DTSTAMP:20160522T202554Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T202554Z
UID:1456-1437249600-1437260400@www.h-r.la
SUMMARY:Bulbs / Peter Kolovos / Zeek Scheck - music & visuals night
DESCRIPTION:Night of music and video installation.\nZeek Sheck (SF Bay Area) Multimedia artists that recently performed with Black Spirituals (a recent group that played HR). ZS is led by Canner Mefe and has performed in a variety of art spaces: http://www.cannermefe.com/bio/ \nPeter Kolovos (Los Angeles) Local experimental guitar player Peter K has confirmed to want to perform. A talented and well respected musician in Los Angeles. Samples and reviews may be accessed here: http://www.thinwrist.com/#!twi/c1epf \nBulbs (Los Angeles) The following link exhibits a few visual performances including one at the Lab in San Francisco for a festival (Division of Labor) in which we performed with Lucky Dragons and Jeweled Snakes. http://vimeo.com/user16940920/videos
URL:https://www.h-r.la/event/bulbs-peter-kolovos-zeek-scheck-music-visuals-night/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Bulbs.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150712T000000
DTEND;TZID=America/Los_Angeles:20150712T000000
DTSTAMP:20160516T181702Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160516T181702Z
UID:1455-1436659200-1436659200@www.h-r.la
SUMMARY:Potluck for Epitaph (hosted by Kaucyila Brooks)
DESCRIPTION:Discussion and potluck around Epitaph thematics.
URL:https://www.h-r.la/event/potluck-for-epitaph-hosted-by-kaucyila-brooks/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150707T190000
DTEND;TZID=America/Los_Angeles:20150707T190000
DTSTAMP:20160522T204444Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T204444Z
UID:1454-1436295600-1436295600@www.h-r.la
SUMMARY:tir event/ screening for Epitaph
DESCRIPTION:Set within the highly collaborative exhibition Epitaph for Family currently on view at Human Resources\, tir journal hosts a conversation between Johanna Breiding\, Cary Cronenwett\, Jennifer Moon and Tyler Matthew Oyer. \nFollowing the conversation will be a screening of the critically acclaimed film She Male Snails (Pojktanten\, 2012) directed by Ester Martin Bergsmark. 72 minutes\, Swedish with English subtitles. \nABOUT: \nEpitaph for Family is a multi-media project by Johanna Breiding exploring love\, intimacy\, loss\, and queer family-making through the image and connotations of the horizon line. The project includes commissioned texts by Maggie Nelson\, Malene Dam\, and Don Romesburg\, and an exhibition catalogue designed by Bullhorn Press. \nShe Male Snails weaves intimate bath time conversations between Ester Martin Bergsmark and the writer Eli Levén together with the story of Pojktanten– a fantasy world that centers on a person caught between two genders who creates a third in order to survive. Awards include Dragon Award for Best Nordic Film (Special Mention) Göteborg IFF\, Audience Award for Best Nordic Film Göteborg IFF\, Kodak Nordic Vision Award Göteborg IFF\, Award for Artistic Achievement Los Angeles Outfest. \ntir journal is an online platform for queer and feminist voices in the forms of theory\, interviews\, and reviews. tir journal was founded in 2015 by Tyler Matthew Oyer.
URL:https://www.h-r.la/event/tir-event-screening-for-epitaph/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/tir-screening.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150703T210000
DTEND;TZID=America/Los_Angeles:20150703T210000
DTSTAMP:20160522T202940Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T202940Z
UID:1453-1435957200-1435957200@www.h-r.la
SUMMARY:Peter Hernandez: Arthur Russell Tribute
DESCRIPTION:YOUR MOTION SAYS sets up its final night at human resources with dances to arthur russell’s music by christopher argodale\, shade theret\, peter hernandez\, eydie mcconnell & nika kolodziej\, tatiana lubovski-acosta\, and emily jane rosen. \nperformance starts promptly at 9pm \n$5 admission \nthis event is occurring within “epitaph for family” by johanna breiding\, a multi-media exhibition exploring love\, intimacy\, loss & queer family-making through the image & idea of the horizon line. \nwww.yourmotionsays.com \n–\n\nYOUR MOTION SAYS honors arthur russell’s 64th birthday and his lasting impact on contemporary music. \nborn in the cornfields of iowa\, russell moved to san francisco and then new york at the age of 19 and embarked on a short-lived musical career that redefined minimalist music in the 1980’s downtown music scene. he worked with david byrne\, peter gordon\, peter zummo\, elodie lauten\, and many more\, and was music director of the kitchen autumn ’74 – summer ’75. he died of AIDS-related illnesses on april 4\, 1992.
URL:https://www.h-r.la/event/peter-hernandez-arthur-russell-tribute/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Your-Motion-Says.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150629T190000
DTEND;TZID=America/Los_Angeles:20150629T220000
DTSTAMP:20160522T201344Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T201344Z
UID:1452-1435604400-1435615200@www.h-r.la
SUMMARY:Race\, Art\, and Survival
DESCRIPTION:Join Michelada Think Tank on Monday\, June 29 at 7pm for the launch of Race\, Art\, & Survival. This project is part of our summer residency at Los Angeles Contemporary Exhibitions and in conjunction with Chats About Change.  \nIn this kick-off session we pose the question\, “If there were a PoC Survival Guide for artists\, what topics would you want it to cover?” This think tank will serve to “crowdsource” content for the survival guide we all wish we had. Artists and activists of color are invited to a conversation where we share the relevant issues and survival skills encountered and employed by communities of color working in the arts.  \nCome have a michelada\, vent\, and let’s figure out how to help one another.  \nWhite allies who’d like to attend are welcome as respectful observers\, giving space for the concern of artists and activists of color. \nMore about the project: \nAre we so busy surviving that we forget to be radical? \nThis summer Michelada Think Tank (MTT) will inhabit the LACE Project Room with a humorous and critical exploration of survival under a framework of institutional racism in the arts. Through a series of weekly think tank sessions\, MTT will bring people together to talk about survival strategies for artists of color working in a predominantly white art world. The knowledge generated in these discussions will be compiled and published as a “PoC Survival Guide” in LACE’s Project Room\, and later as a book. This guide will be a tongue-in-cheek look at how artists are impacted by race. If artists of color can come together as a community to make survival easier\, we can then begin to foster more radical artistic practices. \nMTT will be holding think tanks at sites where communities of color are working; some of the sessions will be open forums at LACE while other sessions will take place elsewhere. \nRace\, Art\, and Survival – Michelada Think Tank & Chats About Change is a continuation of the Chats About Change series\, a project organized by artists Robby Herbst and Elana Mann\, which was initiated with a symposium in January of 2015. Chats About Change asks questions\, wages debates\, and supports artists and activists seeking experimental ways to affect Southern California and beyond.
URL:https://www.h-r.la/event/michelada-think-tank-event/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/MicheladaThinkTank.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150628
DTEND;VALUE=DATE:20150720
DTSTAMP:20160522T204814Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T204814Z
UID:1451-1435471200-1437285599@www.h-r.la
SUMMARY:Johanna Breiding "Epitaph for Family"
DESCRIPTION:Opening reception: Sunday\, June 28\, 2015 \nExhibition: June 28-July 19\, 2015 \nGallery hours: Thu-Sun 12-6pm \nEvents staged during this exhibition include: \nFRI JULY 3: Your Motion Says: Dance to Arthur Russell: Christopher Argodale\, Shade Theret\, Peter Hernandez\, Eydie Mcconnell & Nika Kolodziej\, Tatiana Lubovski-Acosta\, and Emily Jane Rosen 9PM FB \nTUE JULY 7: tir talk (1): conversation with Johanna Breiding\, Jennifer Moon and Tyler Matthew Oyer; screening of She Male Snails. 7PM FB \nFRI JULY 10: HRLA Volunteer drop-in session — come by and learn about getting involved with HRLA. 5-7PM \nSAT JULY 18: Music and Visuals: Bulbs\, Peter Kolovos\, Zeek Scheck 8PM \nSUN JULY 19: Interview with Johanna Breiding and Jennifer Moon at KCHUNG Radio 1630AM 6-8PM \nEpitaph for Family is a multi-media project exploring love\, intimacy\, loss\, and queer family-making through the image and connotations of the horizon line. \nDrawing distinction between that which is distant and within reach\, the horizon line serves as an orientational tool that locates one at home. It determines space by assuming a linear perspective and a single\, stable spectator\, defining notions of time\, place\, and the subject. \nExtending a line from the metaphor of the horizon to the idea (and ideal) of family\, Epitaph for Family explores the way in which family serves as a locator\, as the primary introduction to community\, and an orienting device that shapes one’s relationship to gender\, race\, class\, and intimacy. As a pre-determined structure\, family becomes practical\, prescribing a socioeconomic and political agenda towards heteronormativity and legibility. \nThe project turns toward the notion of queer family-making to examine various constructions of family\, as well as the desires\, needs\, and ideologies that influence family-making and relationships. It questions the difference between\, and sameness within\, queer and heteronormative family structures\, and how these constructs define the individual and community. If one’s position in the world is determined by their inhabitance in space\, can one find place on unstable ground? Through formal connections\, disruption and repetitive acts\, the project aims to destabilize the notion of family as a reachable end\, skewing the centrality of this ideal through rearticulation and refusal. \nEpitaph for Family consists of a major installation of 16mm film projections of the horizon line at the Pacific Coast\, suspending the viewer within the blue hour (l’heure bleu) before sunrise and after sunset; and a multichannel video depicting queer-identified individuals discussing their experiences of family and love (connecting the horizon line to the dinner table). Participants include: Dean Spade\, Calvin Burnap\, Rachel Carns\, Darius Morrison\, taisha paggett\, Julie Tolentino\, Samuel White\, Don Romesburg\, and Asha Romesburg. \nThe exhibition also includes a series of traditionally constructed still-life photographs that reconsider the dinner table’s role as a space of representation\, exchanging familiar objects with their deviant others (butter becomes Cristo\, an hour glass loses its sand); and an archival film essay of home footage reflecting on memory\, loss and belonging\, made in collaboration with Jennifer Moon (Jennifer Moon & The Revolution) and Cary Cronenwett (director of Maggots and Menand Piece of Mind); and a 35mm photographic slide projection of objects and people positioned between the photographer and the offing\, piercing through the horizon. \nThe project also includes commissioned texts by Maggie Nelson\, Malene Dam\, and Don Romesburg\, and an exhibition catalogue designed by Bullhorn Press. \nABOUT THE ARTIST \nJohanna Breiding’s practice stems from photography\, considering the medium’s history\, its representational role and limits. Expanding to video and installation\, Breiding locates her work within the intersection of analog and digital technologies\, the construction of gender and cultural identity\, and a critique of heteronormative ideologies within the personal and social space. Recent projects address a range of topics\, including the death of analog photography via small town Keeler in Owens Valley\, CA; the art historical canon of Land Art through portraiture and landscape photography; and the notion of hyperobjects and the (Post­) Anthropocene. Breiding currently teaches undergraduate and graduate courses in New Genres at San Francisco Art Institute\, and junior high art workshops through Urban Arts in South Central\, LA. She is based in Los Angeles and San Francisco\, and originally from Switzerland.
URL:https://www.h-r.la/event/johanna-breiding-epitaph-for-family/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Epitath-for-Family.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150619T000000
DTEND;TZID=America/Los_Angeles:20150619T000000
DTSTAMP:20160523T021114Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160523T021114Z
UID:1450-1434672000-1434672000@www.h-r.la
SUMMARY:Baby: Who is Baby? Performance
DESCRIPTION:poetry/reading/interaction Series of 3 events
URL:https://www.h-r.la/event/baby-who-is-baby-performance/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150618T210000
DTEND;TZID=America/Los_Angeles:20150619T020000
DTSTAMP:20160522T205350Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T205350Z
UID:1449-1434661200-1434679200@www.h-r.la
SUMMARY:VERMA (CHI) + CHILD + SCHOLTZ/CAPES + ENDOMETRIUM CUNTPLOW
DESCRIPTION:Heaviness from the midwest\, expansiveness from the west. 9pm/$5
URL:https://www.h-r.la/event/verma-chicago-music/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Verma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150617T190000
DTEND;TZID=America/Los_Angeles:20150617T233000
DTSTAMP:20160522T205948Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T205948Z
UID:1448-1434567600-1434583800@www.h-r.la
SUMMARY:CEDIE JENSON (AUSTRALIA) + ANENON +TOM HALL + DRACULA SPACECRAFT
DESCRIPTION:Doors at 8PM \nSONOPTIK & HRLA presents an evening of smeared electronics and ambient force fields. \nCEDIE JENSON – An electronic producer from Brisbane\, Australia\, that has spent the last few years fusing soundscapes with pop. Visting LA for the first time. \nhttp://www.factmag.com/2015/05/08/cedie-janson-in-the-light-official-video/\nhttp://thump.vice.com/en_au/article/musical-reflections-and-refractions-listen-to-light-works-from-brisbane-producer-cedie-janson\nhttp://www.theransomnote.co.uk/music/interviews/cedie-janson-talks/ \nANENON (Non-projects/Ghostly) – \nhttp://soundcloud.com/anenon\nhttp://www.facebook.com/anenon \nTOM HALL (Sonoptik) –\nhttp://tomhall.com.au/\nhttp://soundcloud.com/thall\nhttp://soundcloud.com/axxonn \nDRACULA SPACECRAFT –\nhttp://soundcloud.com/dracula-spacecraft
URL:https://www.h-r.la/event/cedie-janson-anenon/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/June-17-2015.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150616T200000
DTEND;TZID=America/Los_Angeles:20150616T235500
DTSTAMP:20160522T210732Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T210732Z
UID:1447-1434484800-1434498900@www.h-r.la
SUMMARY:David Dominique. MOOEY MOOBAU\, Physical Jerks
DESCRIPTION:Doors at 8PM\, $5 \nmore jazzy weirdness than you can shake a stick at
URL:https://www.h-r.la/event/david-dominique-mooey-moobau-physical-jerks/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Furniture-Daniel-David-Dominique.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150614T190000
DTEND;TZID=America/Los_Angeles:20150614T235500
DTSTAMP:20160522T211236Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T211236Z
UID:1446-1434308400-1434326100@www.h-r.la
SUMMARY:PETER EVANS\, COREY FOGEL\, BLACK SUN SUTRA
DESCRIPTION:$7\nsolo trumpet from far out\, funneled thru NYC \n8:30 PATRICK SHIROISHI’S BLACK SUN SUTRA – soaring saxes and clashing drafts of drums and bass… swirling images adrift in the haze of memory \n9:15 COREY FOGEL – drums and guns… well no guns actually \n10 PETER EVANS – “New York City – based trumpeter\, composer\, improvisor. Leads his electro-acoustic Quintet\, the Zebulon trio with John Hébert and Kassa Overall and has been performing solo concerts since 2002. Evans plays in collaborative groups with a range of modern masters: Weasel Walter\, Evan Parker\, Craig Taborn\, Tim Dahl\, Mike Pride\, Sam Pluta\, Jim Black\, Joe Mcphee. Releases music on More is More Records\, most recently the sci-fi epic “Destination: Void” \nhttps://www.facebook.com/events/432444253605087/
URL:https://www.h-r.la/event/peter-evans/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Peter-Evans-plus-June-14-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150613T203000
DTEND;TZID=America/Los_Angeles:20150614T000000
DTSTAMP:20160522T211957Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T211957Z
UID:1445-1434227400-1434240000@www.h-r.la
SUMMARY:GREX + HELENE RENAULT + MY HAWAII + BERARDI/LIEBIG
DESCRIPTION:$7 gives you entry to a lovely night of sights and sounds\, sips and slips…. \n8:30 – BERARDI/LIEBIG duo\nImprovised textures\, rhythms and atmospheres for bass\, drums and a steaming pile of electronics from these two local magicians.\nhistory is littered with the corpses of unrequited genius™ \n9:30 – HELENE RENAUT – Video Release – w/ Adam Stafford (guitar) and Gregory Desgouttes (percussion) \n‘Imagine Syd Barrett and Françoise Hardy having a musical baby’ – West Coast Folk’s best kept secret\, Hélène Renaut’s French psych-folk explores that improbable territory where Leonard Cohen\, Nick Drake\, and 60s girl groups would be having a party while Brahms is conducting a quartet in the other room. “Renaut’s voice is more unique and bewitching than her contemporaries or influences.” (Eric Shea) \n10:30 – GREX – Karl A.D. Evangelsta-guitar\, vox\, M. Rei Scampvia Evangelista-keys\, vox\, Robert Lopez-drums \nGrex has been called “essential current-and-future listening” (Tiny Mix Tapes) and “true genre-warping music” (KFJC). Grex is not just “eclectic”–it synthesizes all of its influences into a brand of “art rock” that is truly unique. The band’s fun\, endlessly surprising sound draws from psychedelic pop/rock (Jimi Hendrix\, Cream)\, alternative rock (Sonic Youth\, The Pixies)\, and modern jazz (Ornette Coleman\, John Coltrane).
URL:https://www.h-r.la/event/grex-helene-renault-my-hawaii-berardiliebig/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/June-13-2015-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150612T210000
DTEND;TZID=America/Los_Angeles:20150613T000000
DTSTAMP:20160522T212737Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T212737Z
UID:1444-1434142800-1434153600@www.h-r.la
SUMMARY:L'INFERNO
DESCRIPTION:L’INFERNO: A GROUP ART SHOW / LIVE FILM EVENT \nFRIDAY\, JUNE 12th \n$5 DONATION / DOORS AT 8:30PM; PERFORMANCES AT 9:00PM \nALL AGES \n+ALL PROFITS BENEFIT WEST LA ANIMAL SHELTER+\nA full multimedia art show in the vein of last year’s acclaimed ‘Try To Forget’ show\, the ‘L’Inferno’ event brings together some of the most controversial and avant-garde artists in Los Angeles to create an unforgettable and dynamic night of audio and visual experiences that one will never forget – culminating in a screening of the rarely seen 1911 film adaptation of the classic literary descent into hell\, Inferno with a live dark ambient / death industrial score by Jay Gambit. \nARTISTS BIOS \nUNICA (Maria Garcia\, Concrete Shiva)\nUnica is the noise/performance project of Los Angeles-based Maria Garcia. Previously known as Concrete Shiva\, she has releases on US noise labels Cave Life\, Christian Pop\, Prima Donna\, and Basement Tapes. Maria also co-runs MATA\, a gallery & noise venue in Mid-City. Using prepared tape loops & homemade contact mics on found objects\, Unica is used as a platform to take apart familiar sounds\, removing context from the sources to create shifting layers distantly recognizable\, but ultimately foreign. \nJ.S. AURELIUS (Destruction Unit\, Marshstepper\, Ascetic House\, AZ)\nJS is the co-founder of Ascetic House\, Marshstepper\, guitar player in Destruction Unit\, creator of Pleasure Corps\, denizen of Pigeon Religion and Avon Ladies and sometimes frontman\, sometimes faceless but always vital appendage of many ever-shifting entities. \nHUNTER SHAW (Dakota Hogback\, Abject Renaissance)\nHunter Shaw is a multi-media artist based out of Los Angeles by way of Austin\, TX. After creating several award-winning short films in his native Colorado\, Hunter attended New York University’s Tisch School of the Arts for film and television production. While majoring in Experimental Film\, Hunter created works of varying length which combined traditional cinematic craftsmanship with a highly experimental aesthetic. A number of these pieces were exhibited at NYU\, The Pratt Institute and The Grand Screen in New York. Since graduating\, Hunter has worked as a freelance set dresser and fabricator in the Art Department on diverse independent features and music videos in New York and Austin\, in addition to operating the production company and experimental record label Abject Renaissance. \nGENEVIEVE BELLEVEAU\nGenevieve Belleveau (b. Bemidji\, MN 1984) originally hails from Brooklyn\, NY and currently resides in Los Angeles. She studied theatre\, visual art and voice at Bennington College. She recently created work for Lilith Performance Studio in Malmo\, Sweden and will present new works at Future Tenant Art Space\, Pittsburgh\, PA and Soho Grand Hotel\, NYC. Her work has been universally praised for her cutting edge and immersive performances and installations involving about therapeutic role-play\, the inherent knowledge and eroticism of plant life\, creating a more compassionate world through the practice of BDSM\, and more. \nSHEREE ROSE\nRose is a legend of multiple Los Angeles underground scenes. Punk shows\, feminist reading groups\, poetry scenes\, fetish clubs\, underground performance art events — she’s been there and done that as an active participant and also as a documentarian. First known for her extensive visual art\, poetry\, and performance collaborations with late partner\, Bob Flanagan\, draws on her experience from her more than 30 years as a performance artist. While the work was appreciated for being controversial\, it is also notable for its intelligent and playful examination of voluntary and involuntary pain\, as well as its incredible humor and compassion. \nGX JUPITTER-LARSEN (The Haters\, Survival Research Laboratories\, Banned Productions)\nGX Jupitter-Larsen (sometimes erroneously spelled Juppiter-Larsen) is an artist\, based in Hollywood\, California\, who has been active in a number of underground art scenes since the late 1970s. Jupitter-Larsen has been involved in punk rock\, mail art\, cassette culture\, the noise music scene\, and zine culture. During the 1990s he was the sound designer for the performances of Mark Pauline’s Survival Research Laboratories. His best known work is as the founder of the noise act The Haters\, who have performed all over the world\, and appear on over 300 CD and record releases. \n*remotely performing a prepared piece commissioned specifically to accompany this performance \nJAY GAMBIT (Crowhurst\, Girl 27)\nJay Gambit is a visual and audio artist based out of Los Angeles by way of Philadelphia. He has been active in a number of musical and artistic scenes since 2010 contributing graphic design for labels such as Three One G records. In 2011\, Gambit started the open collaborative sound art project Crowhurst which saw releases on labels such as Chondritic Sound and collaborations with everyone from powerviolence titans Water Torture to members of Bastard Noise and performances with everyone from the likes of Sannhet and The Body to more avant-garde acts like John Wiese and Hive Mind. Recordings can be found on labels like Chondritic Sound and Sol Y Nieve and the most recent experimental output ‘Give In’ will soon see a release on the world famous Ascetic House label. Recently\, the Crowhurst project has split off and taken a more metallic edge while Gambit continues his experimental pursuits under the moniker Girl 27. For this performance Jay Gambit will focus more on his solo work\, adding a bleak industrial soundscape and visual distortion to the already bleak landscape created in the film L’Inferno – considered by fans and scholars alike to be the finest and most faithful adaptation of what is unanimously considered the ultimate literary descent into hell.
URL:https://www.h-r.la/event/linferno/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Inferno-June-12-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150610T210000
DTEND;TZID=America/Los_Angeles:20150610T230000
DTSTAMP:20160523T025656Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160523T025656Z
UID:1443-1433970000-1433977200@www.h-r.la
SUMMARY:PEDESTRIAN DEPOSIT
DESCRIPTION:Doors 9PM / $7 \nOrganic tension noise composition; emphasis on being in the moment — minds\, bodies\, rooms. Our terms. Discomfort\, anxiety\, struggle\, obsession\, dynamic\, and intention through sound — and the necessity to create our own vocabulary within it. Discarding what doesn’t hold resonance while refining what does. Aesthetic integrity. Line in the sand. In support of ‘The Architector\,’ a full-length album five years in the making and the one hundredth release for Monorail Trespassing.
URL:https://www.h-r.la/event/pedestrian-deposit-coming-home-show/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Pedestrian-Deposit-2000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150522
DTEND;VALUE=DATE:20150604
DTSTAMP:20160522T213628Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T213628Z
UID:1442-1432274400-1433311199@www.h-r.la
SUMMARY:Chilean Miracle\, Milagro Chileno
DESCRIPTION:Chilean Miracle examines the transformations Chile witnessed since the 1970s\, following Augusto Pinochet’s brutal dictatorship and the arrival of neoliberalism’s no less ruthless global capitalism. \n\n\nUsing theorist\, curator\, and art historian Andrés Grillo’s and Angie Saiz’s curatorial texts as a jumping-off point\, artists Sergio Acevedo\, Mario Z\, Francisco Huichaqueo\, María José Rojas\, Hugo Leonello\, Angie Saiz and Alejandra Herrera respond to a phenomena still unfolding within the socio-political contexts in which they live\, while also interrogating the claims and conventions of the exhibition space. \n\n\nCurators Saiz and Grillo with Macarena Gomez Barris will address the scope and limitations of neoliberalism in relation to the works on view in an artists panel on June 1st. \nOpen Studios: FRI MAY 22- TUE MAY 26 \nReception: May 27th 7-10PM with a performance by Alejandra Herrera Silva \nConcert: Mario Z & The Museo Realmente Contemporáneo / Guest: Benjamin Wildenhaus: May 29th 7-10PM \nArtists Talk with Macarena Gomez Barris: Mon\, June 1st  7pm \nGallery Hours: Wed-Sun\, NOON-6PM or by appointment \nCURATORIAL TEXTS \nThe September 11th of 1973 marks a crucial date to Chile. That day a State’s coup headed by Augusto Pinochet gaves term to the three years of Salvador Allende’s marxist  and democratic government. Involved in the active discourse of the cold war\, the nationalism and the Chilean ultraright-wing saw in Pinochet the restoration of order and the country’s dignity contaminated before by the left. The followed history is already known: a brutal dictatorship\, world famous for the repression and atrocities imposed on the society. \nBehind of the repressive action\, however\, the creation of a new socio-economic model was brewing. A neo-liberal experiment that puts in action the thought of economist Milton Friedman and that would conduct a deep transformation\, creating a graft through the horror\, in an absolute detriment of the historical course of the country. \nWith that\, it would occur at the historic course\, an individual and collective split with all kinds of imbalances\, a mute and unable history to reconnect itself\, being then\, the neo-liberalism incapable of giving direction and coherence to a single speech. Islands of identity sense\, coated and reconnected by the apparatus grafted\, still in the diminishment of its original meaning. \nThe “Chilean miracle”\, the economic success of the country\, has shown an image of excellence that is legitimized in the idea of a society composed after the differences experienced since the 1970s\, which\, on the contrary\, have survived in the new model. \nIn this perspective\, it is of great value return to wonder which are the real scopes of this transformation?\, which the benefits and which disadvantages? And in the same way\, what is the possible visual story of that “miracle”? \nThe experience acquired is replicable anywhere in the world where extensive economic transformations are imposed to populations who are unable to react. The gained experience of split living in Chile as a natural\, determines a vision reflecting on the invited artists as critical exercise of a society that is increasingly alien to its history. \nANDRÉS GRILLO . December 2014 \nChilean Miracle: \nHistory is sometimes alien to its society; the broad transformations dilute the gap between the promise of a stable future and the anxiety of its actual outcome. \nThis is an exhibition project born from the innocent hope of a possibility / betting and putting effort towards the objective / when achievement is reached\, distrust and exaltation /thus… \nBy the rule of three\, percentage of success – possibility – impact\, where \nA is equal to the curatorial work (commendation) \n100 is equal to habitat (displacement) \nnº% is equal to the expected result \nX is equal to real visibility (Is\, To be) \nIn the equation: \nA      =      100 \nX                           nº% \nOnly if we define that: \nCuratorial \n1. Formulation and development of an exhibition project. 2. A theoretical creation\, fruit of lobby\, which brings personal rewards. 3. Also\, the sum of the efforts to achieve the grant to travel. \nAnnex Commendation: 1. Term of Roman origin; agreement by which an individual or customer of lower position is located under the protection of a superior. 2. Put under the protection of a higher authority as God or a saint. \nFactor: \n1. Element\, circumstance or influence that contributes to produce a result. 2. Amount multiplied by another to find the product. (Habitat\, referring to the influential socio-cultural agents in the context chosen) \nAnnex Displacement: 1. Shift or transfer of a person or thing from one place to another. 2. To remove a person from an office or staff position to put to another in his place. \nExpected Result: \n1. According to Fondart effect to achieve according to the objectives in a project\, determining the means of verifying them. 2. Arbitrary will conditioned to the multiplicity of unpredictable and random actions of the chosen context. \nAnnex Miracle: 1. Extraordinary and wonderful event that cannot be explained by the regular laws of nature and is attributed to the intervention of God or a supernatural being. 2. Extraordinary event that causes admiration or surprise. \nVisibility: \n1. According to Fondart\, a phenomenon to occur within the context chosen in relation to the reasons for the need of realizing the project. 2. What can be perceived by sight. 3. That which is clear and manifest. \nAnnex Is (To be): 1. Exist within reality. 2. To occur or take place. 3. To Serve or be destined for something specific. \nX Conclusion: \nThe impact % to occur is impossible to predict / the order of factors can affect the product / the results are not all quantifiable and provable\, because the past form cannot assure the future outcome and\, therefore\, the specific quantification of the present looses meaning beyond the distance between both contexts / sometimes\, miracles can happen. \nANGIE SAIZ\, April 2015. \n  \nABOUT THE ARTISTS \nFrancisco Huichaqueo (1977) holds a degree in painting from the University of Chile with highest distinction\, also has studies in Documentary Film Film School Chile. He serves as academic in Experimental Video\, Digital Animation and Drawing and Color at the University of Chile and the Arcos Institute. It has cured three samples of video art\, animation and experimental film\, Plastic Videos\, Video Instances of Art and Lenguamadre presented at the Museum of Visual Arts in 2007\, 2008 and 2009 respectively. Additionally he has participated as in the events: XI Festival del Bosque Video and Film Festival Concepción. His work has been subject to analysis in various bodies including the 5th International Festival of Animation and Time FLIP 2009 TVN 25 and Via X. Besides that receives frequent invitations to discuss the process of their work in cultural centers and exhibition spaces Europeans in the context of the exhibition tour Warriache funded by the Chilean Ministry of Foreign Affairs. \nHugo Leonello (1977) He did his studies at the Faculty of Arts of the University of Chile. His work has been exhibited in Chile\, Mexico\, Ecuador\, Argentina\, Spain\, France and USA\, both individually and collectively. It has been benefited from scholarships\, as FOECA and FONCA\, State Fund and National for Culture and the Arts of Mexico (2009\, 2012)\, special support performing work abroad of To National Council for Culture and the Arts in conjunction with the Directorate General of International Affairs of Mexico (2012) and the Development Fund for the Arts and Cultural de Chile (2004). Among the awards outstanding selection for XV Biennial of Painting Rufino Tamayo\, Mexico 2011 (Hons)\, Arteamericas ninth edition\, USA (2011)\, V National Biennial of Visual Arts Yucatan (2012)\, IX Biennial FEMSA Monterrey Mexico 2009 (collection FEMSA)\, Fotografest\, Festival of Dance and Electronic Media Photography Video of Mexico (2008)\, Peripheral\, Art Base\, Meeting New Trends and Languages of Contemporary Art in Argentina (2006)\, the honorable Mention in Young Art\, Chile (2004)\, and the selection for the Biennial of Video and New Media\, Juan Downey de Chile (2003). \nMaría José Rojas (1974) is an artist Visual Artist Medial and Theatrical designer. Develops his work in the conjunction of these three disciplines media installation\, video and object construction. The themes that the artist addresses are born from a concern for pointing invisible or subtle aspects of reality\, making the viewer complicit in a space of contemplation and awareness of their perception. Finding situations the edge of perception and our sense of reality speaks of a spiritual motivation in their art. His work has been exhibited in Chile\, England\, Poland\, Iceland\, Switzerland and the United States. \nSergio Acevedo (1982)\, is a visual artist with a degree in Fine Arts from the University Uniacc and Diploma in Cultural Management at the same institution. His artistic production has developed in building projects in-situ and\, recently\, in the work of unique pieces outcome of the investigation of materiality and conceptual translation operations. Currently\, projects exhibitions both inside and outside the country\, which are part of a series of works designed under this last line. It also makes editing and production work in visual arts. Lives and works in Santiago de Chile. \nMario Z (1970)\, visual and sound artist. He studied percussion at the National Conservatory of Music of the University of Chile and graduated in Fine Arts in Painting mention Arcis University. His work has developed from painting\, installation\, sound and experimental music\, exerting media manipulation\, forming a transfer of meaning thereof thereby constructing new discourses and paradoxes. He has exhibited in major museums and galleries and abroad. Her work is in private and institutional collections. He won the “International Competition for the creation and audiovisual authorship Juan Downey” (2013) of the 11th Biennial Medial Arts at the National Museum of Fine Arts in Santiago\, Chile and is nominated for “Altazor” award in the categories of installation and video art (2014). Lives and works in Santiago de Chile. \nAngie Saiz (1977) is visual artist producing work in painting\, photography\, public intervention and video installation. His work develops aesthetic problems from imaginary biographical and crossing and crises between new technologies and concepts of time\, limbo and ruin. He has exhibited at important venues in Chile\, including the Museum of Contemporary Art\, Museum of Visual Arts MAVI and Metropolitan Gallery. He has also participated in samples outside the country in areas such as YAKU in Quito Water Museum and Marta Traba Gallery in Sao Paulo. It also works as a producer in visual arts projects and performs editorial work in related publications. He currently lives and works in Santiago de Chile\, and performs exhibition projects inside and outside the country.\nAlejandra Herrera Silva (1978) received her BFA from Universidad de Chile and further studies in Valencia\, España and Belfast\, Ireland. She was co-founder of PERFOPUERTO (Independent Organization of Performance Art in Chile\, 2002-2007) and has received several grants from FONDART (National Fund for The Arts and Culture) and DIRAC (Department of Cultural Affairs Ministry of Foreign Affairs). Her work is installation and performance based. Her body becomes a site of exploration\, where issues of gender reference the inevitable biological implications that the body has as a social and political being. In recent years\, she has been working on the issue of maternity and domestic life. Her work has been presented in performance festivals such as: Trouble in Belgium\, Anti in Finland\, Staglinec in Croatia\, 7A11D in Canada; and other countries such as Germany\, Poland\, Japan\, Mexico\, Venezuela\, Argentina\, United States\, and Northern Ireland. Since 2007\, she lives in Los Angeles\, California. \nOrganized by: Alejandra Herrara Silva
URL:https://www.h-r.la/event/chilean-artist-open-studio-alejandra-herra-silva-project/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/Chilean-Miracle.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150514T200000
DTEND;TZID=America/Los_Angeles:20150514T220000
DTSTAMP:20160523T025614Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160523T025614Z
UID:1441-1431633600-1431640800@www.h-r.la
SUMMARY:Jamie McMurry: Double Wide
DESCRIPTION:8PM
URL:https://www.h-r.la/event/jamie-mcmurry-performance/
CATEGORIES:one-time event at HR
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DTSTART;VALUE=DATE:20150513
DTEND;VALUE=DATE:20150523
DTSTAMP:20160523T025607Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160523T025607Z
UID:1440-1431496800-1432274399@www.h-r.la
SUMMARY:Jamie McMurray: Above Snakes
DESCRIPTION:Opening Reception: Thursday\, May 14 7PM-10PM \nExhibition Dates: May 13 – May 21\, 2015 \nPerformance: Thursday\, May 14 8PM sharp \nGallery Hours: Wed-Sun\, NOON-6PM (or by appointment) \nIn an extensive showing of installations and materials from his most recent conceptual art projects and performances\, JAMIE McMURRY (Los Angeles) brings his solo exhibit\, ABOVE SNAKES\, to Human Resources with a reception on Thursday\, May 14th from 7pm-10pm. There will also be a live performance entitled\, DOUBLE WIDE beginning promptly at 8:00pm. \nDocumentation and objects will be on display from the INTELLIGENT DESIGN series\, photos from several street actions called COLOR THEORY\, and the personal effects of deceased accident or homicide victims that McMurry has been collecting for a project entitled OBJECT WITNESS. \nJAMIE McMURRY has been an active organizer\, educator and artist in the fields of performance\, installation\, video and conceptual art for more than 20 years. Originally from Yakima\, Washington\, he currently resides in Los Angeles\, California. McMurry’s work has most recently been exhibited at the Buzzcut Festival\, Glasgow – 2015; MV Studio\, London – 2015; Defibrillator Gallery\, Chicago – 2014; University of Hildesheim\, Germany – 2013; Boston Center for the Arts – 2013 and 2014; Miami International Performance Art Festival – 2013; National Gallery of Art\, Sopot\, Poland – 2013; Existence Festival\, Brisbane – 2012. \nHe taught performance\, video and sound as a visiting artist faculty member at the School of the Museum of Fine Arts\, Boston (2003-2005) and at Art Center College of Design\, Pasadena (2007-2009). Most recently he has conducted workshops and artist talks at the School of the Art Institute of Chicago; National Review of Live Art\, Scotland; University of Hildesheim\, Germany; University of Vina del Mar\, Chile. He has recently presented and published writing at the College Art Association 2014\, in the Total Art Journal and for French art magazine DOCKS. In 2014 he was a Franklin Furnace Fund recipient. \nIntelligent Design was made possible in part by support from the Franklin Furnace Fund.
URL:https://www.h-r.la/event/jamie-mcmurray-installation/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Jamie-McMurry-Above-Snakes.jpg
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DTSTART;TZID=America/Los_Angeles:20150509T140000
DTEND;TZID=America/Los_Angeles:20150510T020000
DTSTAMP:20160522T202057Z
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T202057Z
UID:1439-1431180000-1431223200@www.h-r.la
SUMMARY:benefit show for HRLA!!!
DESCRIPTION:2PM-2AM \nhelp us help you \ncome listen to new and exciting music\, eat some hot dogs\, drink some drinks in the evening part of the show… \nlife is good \ntwo shows in one… bring what you can and we’ll take care of the rest…. but remember this is a benefit and we need dough to pay rent and power and buy toilet paper and whatnot so be generous \nAFTERNOON BBQ BLOWOUT \n2-2:30 – SUNKEN LANDSCAPES moog synth bath\n2:30-3 – MATTHEW DOTSON and guests mystery sound\n3-3:30 – BELLY BELT who doesnt like pizza\n3:30-4 – DEADPANZIES a rose by any other name\n4-4:30 – PANTHAR rawk\n4:30-5 – Ghost Noise the young royals\n5–5:30 – EISENHOWER deep cuts from the past\n5:30 – 6 – CLARE KELLY + MARIA GARCIA motion concrete \n6- 6:30 – Gun/Her a most colourful darkness \nEVENING EXTRAVAGANZA\n8-8:30 – BLACK SUN SUTRA sight and sound\n8:30 – 9 – VIRONS re-circuiting your brain\n9–9:30 – COREY FOGEL drums and vids\n9:30- 10 – MOOMAW surf candle drone karaoke\n10-10:30 – SHE KHAN the voodoo they do\n10:30-11 – WITCHES OF MALIBU battery born acid rain\n11-11:30 – SADISTIC CANDLE groove from pluto\n11:30-12 – ACTUARY full frontal horror\n12-12:30 – CAT MUSEUM a gentle tapestry covering us\n12:30-1 – Period BOMB pervasive confrontation\n1-1:30 – ABJECTFAILUREXHRISTDCVR detroit trash
URL:https://www.h-r.la/event/benefit-show-for-hrla/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/granty.jpg
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