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DTSTART;VALUE=DATE:20180404
DTEND;VALUE=DATE:20180406
DTSTAMP:20260608T002941
CREATED:20180311T185408Z
LAST-MODIFIED:20180726T004018Z
UID:3315-1522821600-1522907999@www.h-r.la
SUMMARY:Alan Nakagawa: Peace Resonance & Conical Sound
DESCRIPTION:WORLD PREMIER of PEACE RESONANCE; HIROSHIMA/ WENDOVER and CONICAL SOUND; ANTONI GAUDI/ SIMON RODIA \n3 showings on April 4th\, at 12:00 PM\, 6:00 PM and 8:00 PM \nfree event \nDescription; Two vibratory sound works and screening of two video documentary shorts \nTactile sound experience; the soundscapes are composed for amplification into an interior space utilizing a three-speaker configuration at mid-high to high volume. Audience members are given a pair of ear plugs and a balloon. The ear plugs help the audience focus on the tactile nature of sound waves. The balloon is held at finger tips while the soundscape plays. For this event\, audience members can walk around the room\, playing with the effects to the balloon and body proximity to each speaker. The intention is to illustrate the three-dimensionality of the recording and since the audio is a mash-up of two spaces\, it’s a way to experience an imaginary space; two different locations\, two different moments in time\, the work of two different artists combined into one space\, a neo-space of invisible architecture. \n1) PEACE RESONANCE; Hiroshima/ Wendover is a three-point audio presentation that links the Hiroshima Atomic Dome to the Wendover Hangar. It’s about history\, immigration\, resilience and time. Peace Resonance is my portrait of what it means to be Japanese-American as it relates to post-WWII America. \n“My family is from Hiroshima\, Japan. They immigrated to the US in 1957. I was the first US born family member and grew up with the ‘ghost’ of their WWII history. As my art career grew so did my commitment to develop an artwork about our historical and personal connection to Hiroshima and the Atomic Bomb but it took decades for me to find a path into the subject matter.” \n2) CONICAL SOUND; ANTONI GAUDI/ SIMON RODIA is a three-point field recording-based sound experience\, combining the interior acoustics of the Sagrada Familia (by Antoni Gaudi/ Barcelona\, Spain) and Watts Towers (by Simon Rodia/ Watts Towers\, Los Angeles CA). \n“When I was in the fourth grade at Wilton Place Elementary School in Los Angeles\, I was in the school library looking through books and discovered Antoni Gaudi’s work in Barcelona. The organic forms and use of broken tile made me wonder if Gaudi had plagiarized the work of our local icon\, Watts Towers created by Simon Rodia. \n“Four decades later\, I was given the opportunity to travel anywhere to do research and remembered this moment in the fourth grade. Through the guidance of a network of supporters\, I was able to arrange a residency at the University of Barcelona where a relationship with many of Gaudi’s buildings was already established. In 2013\, I and a crew of artists and professors from the University’s Sound Art Master’s Program entered the Sagrada Familia and conducted a three-point audio recording of the interior acoustics. Later that year\, I was also given permission to conduct a similar recording at Watts Towers.” \nAlan Nakagawa is an interdisciplinary artist primarily working with sound\, occasionally incorporating video\, sculpture\, drawing\, paint\, performance\, food and most recently perfumes. He recently completed an exhibition at Visitor Welcome Center in Los Angeles that\, in part\, presented a survey of work produced at artist residencies from the past five years including residencies with the Los Angeles Department of Transportation (2016-17)\, LA Great Streets (2017-18)\, the Getty Villa (2016)\, Smithsonian Museum of American History (2015)\, Cerritos College Printmaking Studio (2017)\, Echo Park Film Center (2017) and the University of Barcelona (2013). \nSPONSORSHIP: \nPeace Resonance; Hiroshima/ Wendover and Conical Sound; Antoni Gaudi/ Simon Rodia are made possible in part by the City of Los Angeles Department of Cultural Affairs\, Art Matters\, Center for Land Use Interpretation\, University of Barcelona\, Watts Towers Art Center\, City of Hiroshima\, Smithsonian Museum of American History\, Wendover Airport\, KCET\, MacDowell Art Colony\, Japanese American Cultural and Community Center and the Consulate General of Japan. \nHuman Resources was founded in 2010 by a team of creative individuals who seek to broaden engagement with contemporary and conceptual art\, with an emphasis on performative and underexposed modes of expression. Human Resources is not-for-profit and seeks to foster widespread public appreciation of the performative arts by encouraging maximum community access. Human Resources also serves as a point of convergence for diverse and disparate art communities to engage in conversation and idea-sharing promoting the sustainability of non-traditional art forms. \nFor more information contact: Human Resources info@humanresourcesla or\nAlan Nakagawa\, cafelala@yahoo.com
URL:https://www.h-r.la/event/alan-nakagawa-peace-resonance-conical-sound/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/HiroshimaTeam2016web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180401T180000
DTEND;TZID=America/Los_Angeles:20180401T200000
DTSTAMP:20260608T002941
CREATED:20180306T190149Z
LAST-MODIFIED:20180726T003940Z
UID:3295-1522605600-1522612800@www.h-r.la
SUMMARY:Deslave Presents: VIDEOHOUSE 3
DESCRIPTION:VIDEOHOUSE is a program of video projections organized by Deslave\, a space for the art exhibition located in Tijuana.\n\nWe're please to invite you to VIDEOHOUSE 3: "Because a great franchise always starts with a trilogy"\, a sample of works that will be carried out in three spaces; Biquini Wax EPS (Mexico City)\, Deslave (Tijuana) and Human Resources (Los Angeles).\n\nThe second screening\, to be held at Human Resources\, consists of the work of\n\nWeston Lyon\nMeike Redeker\nAlisson Schmitt\nBeck + Col\nEnrique López Llamas\nSantiago Andrés Gómez Chaparro\nShaun Johnson & Jensen Rule Land\nJohn Birtle & Paul Fisherman\nJuan Pablo Medina\nLissa Corona\nMariana Roman
URL:https://www.h-r.la/event/deslave-presents-videohouse-3/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/27993585_1841121886186837_8502374839798929904_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180323
DTEND;VALUE=DATE:20180402
DTSTAMP:20260608T002941
CREATED:20180315T025119Z
LAST-MODIFIED:20180319T174038Z
UID:3324-1521784800-1522562399@www.h-r.la
SUMMARY:Chris Duncan: 12 SYMBOLS
DESCRIPTION:12 SYMBOLS\, composed by Chris Duncan\, is an immersive sound performance and exhibition that metaphorically implicates the energy and patterns of the sun\, moon\, and the phenomenon of the eclipse to ponder our relationship to the passing of time. Cymbals become Symbols as 12 percussionists engage light\, movement\, and sound. The physical stage set by the initial performance of 12 SYMBOLS moves through phases throughout the course of the exhibition\, welcoming a host of artists from Northern and Southern California alike in a series of performances. The exhibition and performances are dedicated to the loving memory of Paul Clipson\, a light and love gone too soon.\n \nCo-presented by VOLUME \n\n\nEXHIBITION SCHEDULE\n\nFriday March 23rd\nOpening and 12 SYMBOLS performance\n6-9PM\nPerformance 8pm \nSaturday March 24th\nGallery hours 11AM-5PM\nJohn Davis\, Gabie Strong+Christopher Reid Martin\, Kevin Corcoran+Cherlyn Hsing-hsin Liu.\nPerformances 6pm doors \nSunday March 25th\nGallery hours 11AM-5PM\nSarah Davachi\, Gregg Kowalsky\, Odeya Nini\nPerformances 6pm doors \nFriday March 30th\nGallery hours 11AM-5PM\nJulius Smack Ensemble\, Tashi Wada + Dicky Bahto\nPerformances 8pm doors \nSaturday March 31st\nGallery hours 11AM-5PM\n12 SYMBOLS closing performance\nPerformances 8pm doors \nChris Duncan is an Oakland California-based artist who employs time\, repetition\, accumulation and transcendence  as a basis for experiments in visual and sound based media. An overriding theme in current works is the use of natural forces\, such as the sun\, the moon and the ocean as conceptual and compositional prompts for both visual and sonic efforts. He has exhibited and performed nationally and internationally. Outside of his studio practice\, Duncan\, along with his partner Maria Otero\, runs LAND AND SEA\, a small press and project space in Oakland. Chris Duncan received his BFA from the California College of Arts and Crafts\, his MFA from Stanford University\, and is represented by Halsey Mckay NY. \nVOLUME is a collective of creative individuals dedicated to presenting time-based work by emerging and established artists engaged in sound based practices\, including performance\, experimental music\, field recording\, voice\, radio\, movement\, and technology. Through performances\, concerts\, exhibitions\, screenings\, and workshops\, VOLUME aims at fostering a critical understanding of politics and aesthetics in relation to sound and sound based practices.  As a curating body\, VOLUME intends to cultivate social and public activities\, contributing to the contemporary sonic arts scene of Los Angeles.
URL:https://www.h-r.la/event/volume-human-resources-la-present-chris-duncan-12-symbols/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180322T200000
DTEND;TZID=America/Los_Angeles:20180322T200000
DTSTAMP:20260608T002941
CREATED:20180311T001308Z
LAST-MODIFIED:20180311T001628Z
UID:3309-1521748800-1521748800@www.h-r.la
SUMMARY:While I was also listening to ...
DESCRIPTION:image: David Horvitz\, Ocean Sounds (2017) \nWhile I was also listening to Krysten\, LeRoy\, Julien\, Jennie\, Félicia\, David\, Yann\, Luke\, Sarah… \nLa Criée\, in partnership with Human Resources LA\, invites seven artists to expand the notion of narrative and improvisation. Performing narrative\, deconstructing storytelling; this session of While I was also listening to … challenges the traditional approach to narration\, opening up the horizon of what narrative is or how a story can be told. \nA choreographed narration responding to a set of live instructions. A translation of a language and sounds we cannot really write about – but only experience. A series of “automated” books speaking in tongues. A dialogue unfolding with or without words An thread that is an allegory of narration\, linking bodies and stories together. An unexpected and silent presence\, reminding us that every story in order to exist\, need to be listened to. \nThe duration of each performance varies between 5 and 30 minutes. \nArtists and performers: \nKrysten Cunningham\nThe Human Luminescence\nAn interactive performance project for four performers. Inspired by left-brain\, right brain experiments\, it explores a bodily counterbalance to spoken language and orality. \nFélicia Atkinson and Julien Bismuth\nTalking with or without words\nThe artists will engage in an improvised conversation using sound\, objects and images… \nLeRoy Stevens\nPerforming books\nStevens will perform with books that emit pre-recorded sound compiled from television\, radio and other sources. \nJennie Liu\nThe Telling\nA remote-controlled performance with performer/potter Laura Stinger. In The Telling\, choreographer Liu relates her embodiment through a context off-site to Stinger\, who processes what she is receiving via several forms of orature: vocal\, gestural\, material. \nDavid Horvitz\nWhen the Ocean Sounds\nThe artist – together with the audience – performs a text translation of the sounds of the Ocean. (participatory performance\, variable duration) \nLucky Dragons\nLucky Dragons open the door \nYann Sérandour\nAudience dog\nAn unexpected and silent presence wearing a dog mask playfully reminds of the training techniques to give better public speeches by rehearsing in front of a dog. It also refers to the stillness of the performance and to the absence of verbal language. Performing silently for the whole duration of the evening\, Sérandour makes visible the act of listening to –which gives the title to the whole program– and reminds us to pay attention to the multiple narrations unfolded. \nWhile I was also listening to NY & LA is a performative extension of the yearlong series of exhibitions and events Alors que j’écoutais moi aussi […] developed at La Criée centre for contemporary art\, Rennes\, France\, in 2017. This program was conceived and organized by Sophie Kaplan\, director of the art centre\, in close collaboration with three associated artists: Félicia Atkinson\, Julien Bismuth\, and Yann Serandour. The American poet and performer David Antin is the figurehead of this ambitious and polyphonic program. \nWhile I was also listening to NY & LA takes place in Los Angeles at Human Resources on March 22nd and in New York at Artists Space on March 27th and at the Emily Harvey Foundation on March 30th and March 31st. \nThe different components of this project are linked by a common thematic and conceptual concern\, that of narrative. What is a narrative in art (i.e. as exemplified by the two extremes of a personal story and a general art history)? How is narrative used as a medium and form in the arts? How does narrative in turn generate different forms of interdisciplinarity and intermediality? \nOn March\, 22nd\, the first event takes place at Human Resources L.A.\, featuring Krysten Cunningham\, LeRoy Stevens\, David Horvitz\, Jennie Liu and her performers\, Félicia Atkinson and Julien Bismuth\, Yann Sérandour and Lucky Dragons. \nOn March 27th\, the second event takes place at Artists Space\, N.Y.\, featuring Julien Bismuth\, Charles Bernstein\, Jay Sanders\, Tan Lin\, and Ellen Zweig. \nOn March 30th\, the third event takes place at the Emily Harvey Foundation\, featuring Morgan Bassichis\, Constance DeJong\, Wayne Koestenbaum\, Sara Magenheimer\, Félicia Atkinson and Yann Sérandour and is followed on March 31st by workshops led by Svetlana Kitto\, Julien Bismuth and Lucy Ives. \nThe Paris based Italian curator Alessandra Prandin has been invited by La Criée to coordinate and curate this American chapter with local partners Luke Fischbeck from Human Resources in Los Angeles and Rachel Valinsky (Wendy’s Subway) in New York. The event at Artists Space is curated by artist Julien Bismuth\, poet Charles Bernstein and curator Jay Sanders. \nWhile I was also listening to NY & LA is made possible thanks to the generous support of Institut Français / Ville de Rennes / Rennes\nMétropole / Ambassade de France / Ministère de la culture – Drac Bretagne.
URL:https://www.h-r.la/event/while-i-was-also-listening-to/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/01_Horvitz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180315T170000
DTEND;TZID=America/Los_Angeles:20180316T230000
DTSTAMP:20260608T002941
CREATED:20180312T205055Z
LAST-MODIFIED:20180726T004018Z
UID:3318-1521133200-1521241200@www.h-r.la
SUMMARY:Alice cunt presents\, ¿¡Not another shit show?!
DESCRIPTION:Alice cunt presents\,\n¿¡Not another shit show?! \nA two day event featuring performative/ visual arts and an open market place for artist who want to show or sell shit. \nDay one will start whenever we wake up\, probably later after noon or something and end whenever were tired\, sometime later in the evening or whatever. Performances will be a mix of improv and open mic style format with the possibility of scheduled acts tba. \nArtists are invited to bring a table or blanket to display their work in the market place as silent video screenings and spontaneous performances occur throughout the duration of the event. \nDay one Thursday\, March 15th: participating artists  \nalice cunt \nDoll claw \nilia anxelin eleuia xochipilli \ncroshit \njeffzilla \nDay two will pretty much be a continuation of the same thing maybe open a little earlier with a beer brunch and a more scheduled format but an overall loose vibe throughout. \n***Floor\, wall and/ or virtual space is a first come deal… BUT stay conscious of making space for indigenous and poc folks. \nDay two Friday\, March 16th: participating artists  \nalice cunt \njeffzilla \nheart pressure \nceleste \nGAYLORD FIEND \nP.S. if you already have a solid hustle of online or popular weekend flee market sales\, you might want to consider saving the space for the folks who have less opportunities\, visibility and followers than you but still come to chill and support. \nP.S.S. it IS my DREAM to have this be a $5 or less “art sale”. That means 1: the MAJORITY if not ALL of your “merch” cost NO MORE THAN $5 dollars per item or concept and 2: you CAN present anything you damn well please as “art” (but better if you made it or its like second hand stuff) I understand you might have more expensive dreams but I ask this to help keep this event more accessible and help you sell shit. Please and thank you! \nOh! also\, please try to bring food and drink to share\, someone could should show up hungry/thirsty and pennyless! \nFeel free to contact alice cunt @ projectragequeen@yahoo.com for any questions. T.W. she might be slow to answer
URL:https://www.h-r.la/event/alice-cunt-presents-not-another-shit-show/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/unnamed-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180313T200000
DTEND;TZID=America/Los_Angeles:20180313T230000
DTSTAMP:20260608T002941
CREATED:20180307T175655Z
LAST-MODIFIED:20180726T003940Z
UID:3300-1520971200-1520982000@www.h-r.la
SUMMARY:Tongue: Anenon\, Sam Gendal\, Andrew Gura
DESCRIPTION:
URL:https://www.h-r.la/event/annenon-sam-gendal-andrew-gura/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/tongue-hr-flyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180312T200000
DTEND;TZID=America/Los_Angeles:20180312T230000
DTSTAMP:20260608T002941
CREATED:20180217T021314Z
LAST-MODIFIED:20180726T003941Z
UID:3270-1520884800-1520895600@www.h-r.la
SUMMARY:Sweet
DESCRIPTION:An evening of music videos premieres from Eddington Again and Tolliver with live performances by \nEddington Again \nTolliver \nHunger City \nDJ Bae Bae \nSpecial guest TBA \n  \nEddington Again \nEddington Again describes themselves as “African American Indigo excellence here to transcend the mundane”. Their lyrics speaks on adventures in the East Hollywood/Downtown LA community\, navigating as a queer black being in society and the metaphysical aspects of existing. As versatile as they are forward their sonic style ranges from classic soul and r&b bops to experimental pop ballads. They invite you to experience the ‘middle rhythm’ with their latest project Sweet\, a four track EP out now on NEWBODY RECORDS. \nTolliver \nTolliver is the son of a Baptist pastor and gospel singing mother\, raised in the ‘wild 100s’ on the south side of Chicago. \nHe’s a soul singer turned erotic electro r&b artist who writes songs about late night parties and anonymous sex. A Mormon porn editor by day\, his music is about release and recovery\, breakdowns and getting high. \nTolliver’s upcoming EP\, ‘Rites’\, is obsessed with the the sacred and profane – the guilt-filled place where a religious childhood meets the realities of an ungodly present. \nHunger City \n_HUNGER CITY]\, Enrique’s most current endeavor of performance art\, is a concept EP designed to bring awareness and promote solution based discussions regarding domestic abuse and violence. Although _HUNGER CITY] is a story of difficult circumstance\, emotional bruising and harmful lockdown; it is also a true example of freedom\, self discovery and soul empowerment. \nDJ Bae Bae \nLA based DJ Trap Hippie Disco Queen\, DJ Bae Bae is an eclectic DJ who specializes in elevating the vibrations of a space. BAE BAE has created a platform called NEGRESS\, an online magazine and event series that centers the artistic production of radical black femmes and black women. \nsuggested donation $5 \n  \n 
URL:https://www.h-r.la/event/sweet/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/02/unnamed-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180310T190000
DTEND;TZID=America/Los_Angeles:20180310T190000
DTSTAMP:20260608T002941
CREATED:20180301T191737Z
LAST-MODIFIED:20180726T003941Z
UID:3286-1520708400-1520708400@www.h-r.la
SUMMARY:$3.33 / Dan Joseph / Hakim Muhammad
DESCRIPTION:$3.33\nDan Joseph\nHakim Muhammad \nSaturday March 10\, 7 PM\nFree / All Ages \nOrganized in conjunction with the Charlemagne Palestine exhibition at 356 Mission \nMade possible with the help of a grant from Mike Kelley Foundation for the Arts \nDan Joseph is a composer\, curator and writer based in New York City. He began his career as a drummer in the vibrant punk scene of his native Washington\, DC. During the late 1980s\, he was active in the experimental tape music underground\, producing ambient-industrial works for independent labels in the U.S. and abroad. He spent the ‘90s in California where he studied at CalArts and Mills College. His principal teachers include Pauline Oliveros\, Alvin Curran and Mel Powell. Equally influential were his studies with Terry Riley during several workshops in California and Colorado. For this program\, Dan will perform a solo work for electroacoustic hammer dulcimer.
URL:https://www.h-r.la/event/3-33-dan-joseph-hakim-muhammad/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/Human-Resources-Flyer_2_28_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180309T190000
DTEND;TZID=America/Los_Angeles:20180309T230000
DTSTAMP:20260608T002941
CREATED:20180205T230627Z
LAST-MODIFIED:20180726T003941Z
UID:3235-1520622000-1520636400@www.h-r.la
SUMMARY:ROOTED LOVE: AN EVENING OF MUSIC\, MEDITATION\, VISUAL MEDIA AND PERFORMANCE ART
DESCRIPTION:Shoes off\, please.\nLimited Seating. \nPARTICIPATING ARTISTS: \nKyoko – Jinjabrew (https://www.kyokotakenaka.com/) \nJoyce S. Ha (http://joyceha.com/) \nDiana Daeun Choung (http://dianachoung.com/) \nRobben Muñoz(http://www.robbenmunoz.com/) \nRosalee Bernabe (http://rosaleebernabe.com/) \nCharlotte Nguyen (https://www.charlotte-nguyen.com/) \nJenevieve Ting(https://www.tingroll.space/) \nOlufemi O. Taiwo \nTravis Walker (https://soundcloud.com/iamtraviswalker/) \nXANA (http://www.xa-na.com/) \n​$8 Earlybird \n$10 DOOR \nDOORS / EXHIBITION 7PM \nPERFORMANCE BEGINS AT 7:30 PM \nTickets: ​https://www.eventbrite.com/e/rooted-love-an-evening-of-music-visual-performance-art-tickets-42516050652 \nInfo: https://www.kyokotakenaka.com/shows\n​
URL:https://www.h-r.la/event/rooted-love-an-evening-of-music-meditation-visual-media-and-performance-art/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/02/27503648_1586580454753211_2687414615525242603_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180304T190000
DTEND;TZID=America/Los_Angeles:20180304T210000
DTSTAMP:20260608T002941
CREATED:20180224T223750Z
LAST-MODIFIED:20180224T223750Z
UID:3281-1520190000-1520197200@www.h-r.la
SUMMARY:SISTER SPIT TOUR 2018: QTPOC Cruising the West
DESCRIPTION:SISTER SPIT TOUR 2018: QTPOC Cruising the West\n????An evening of provocation\, feelings\, analysis\, astrology & shade????\nSunday\, March 4th\n7pm\nSLIDING SCALE $15-$20 NOTAFLOF\n@ Human Resources Gallery\n410 Cottage Home St\, Los Angeles\, CA 90012\n*************************************************\nFeaturing… very special guest Michelle Tea\n*************************************************\nIn 2018 Sister Spit celebrates its 21st year on the road with stops in California\, Arizona and New Mexico from March 2 – March 15\, featuring 7 EXCEPTIONAL artists shaping the culture as we know it rn:\n????Mari Naomi\n????Jamal Lewis\n????Juliana Delgado Lopera\n????Wo Chan\n????jayy dodd\n????Virgie Tovar &\n????Andrea Abi-Karam\n*************************************************\nSome history:\nThe tour began in San Francisco in the 1990s as a weekly\, girls-only open mic that was an alternative to the misogyny-soaked poetry open mics popular around the city at that time. Sister Spit became the first all-girl poetry roadshow at the end of the 90s\, and toured regularly with such folks as Eileen Myles\, Beth Lisick and Nomy Lamm. \nThe tour was revived as Sister Spit: The Next Generation in 2007. In this next incarnation\, out of respect to the changing gender landscape of our queer communities\, the tour welcomed artists of all genders\, including Chinaka Hodge\, Dorothy Allison and Justin Vivian Bond. Sister Spit 2018 marks a new chapter in the tour’s history. \nAs Radar Productions\, the non-profit that houses Sister Spit\, has shifted its vision toward Queer & Trans People of Color (QTPOC) specifically\, so too has the tour shifted lineup and style.\n*************************************************\nConsider supporting Sister Spit’s GoFundMe campaign. Proceeds go directly to off-setting costs for artists\, the van\, gas\, hotels and insurance: https://www.gofundme.com/qtpoc-cruising-the-west-tour
URL:https://www.h-r.la/event/sister-spit-tour-2018-qtpoc-cruising-the-west/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/02/SISTER-SPIT-POSTER.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180224T193000
DTEND;TZID=America/Los_Angeles:20180224T193000
DTSTAMP:20260608T002941
CREATED:20180124T161444Z
LAST-MODIFIED:20180212T015804Z
UID:3209-1519500600-1519500600@www.h-r.la
SUMMARY:PRICE — Where Do You Wanna Go Today (Variations)
DESCRIPTION:Performance: 8 pm sharp\n$10 suggested donation \nPRICE is a hybrid fictional character born from the sea of information\, who explores the emotional disorientation of a generation having grown up with mass culture\, neoliberalism and the omnipresence of the internet. By probing the mechanisms of pop\, PRICE’s musical stories evoke instability\, fear\, and romantic disillusion. Where Do You Wanna Go Today reinvents itself from clubs to art galleries\, using these diverse contexts to affirm the frustration and solitude of a generation he considers to bedown-and-out. At a time when storytelling has taken over the collective psyche\, the artist’s sincere and ambiguous presence has testimonial value. \nThe performance Where Do You Wanna Go Today (Variations) works with a Pop Musical Audiobook (2017). The album is comprised of different acts\, songs and stories but is treated as a single work rather than a collection of individual pop hits of perfect length\, structure or quality\, and adopts a playful approach to comment on the ways music is perceived today. The title hints to the music’s composition in relation to the acts’ structure\, length\, melodies\, words and themes of geography\, texture and\, most importantly\, the contemporary disorientation of identities. \nBy restructuring pop songs and zapping through different architectural worlds\, this album evokes feelings of dislocation\, instability\, fear and the struggles involved in love and relationships. It advances a queer anonymity freed from any fixed cultural identity in an age of accelerating media exposure fixated on fame. \nWhere Do You Wanna Go Today (Variations) is performed by the voice and body of PRICE\, who in this work welcomes the audience to experience something ‘in between’ rather than accepting pre-labeled differences. It’s a piece that purposefully lacks direction\, triggering nostalgic moods that remind us how to start all over again. \nPerforming Artist Mathias Ringgenberg (aka PRICE\, * 1986 in Rio de Janeiro\, lives and works in Zürich) In his current performative works called\, Where Do You Wanna Go Today (Variations)\, Can’t say much about anything that’s new and the associated debut album Greatest Hits or his video performances A: I am impressed B: Well – I am in love\, Home is a place we all have to find or You don’t touch it\, it touches you\, Mathias Ringgenberg\, developed the fictional character PRICE. \n \nConcept & Performed  PRICE (Mathias Ringgenberg) \nDramaturgy & Character Coach Mira Kandathil \nMovement Research Ivan Blagajcevic \nVoice Coach Katarzyna Sitarz \nMusic PRICE \nMusic Producer Alban Schelbert\, Modulaw \nCostume Design BARRAGÁN \nGraphic Design Bart de Baets \nPhotography Senta Simond \nCo-Production Arsenic – Contemporary Performing Arts Center\, Lausanne\, STUK – House for Dance\, Image & Sound\, Leuven \nSpecial thanks to Tanzhaus Zürich\, Workspace Brussels\, Montevideo Marseille\, Vitlycke – Centre for Performing Arts and Mario Winkler Company GmbH \nThis project is supported by Pro Helvetia\, Swiss Cultural Foundation\, the City of Zurich\, Canton of Zurich\, Ernst Göhner Foundation \nhttp://theworkofprice.tumblr.com/\nhttps://soundcloud.com/price-music/sets/price-where-do-you-wanna-go-today
URL:https://www.h-r.la/event/price-where-do-you-wanna-go-today/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180223T193000
DTEND;TZID=America/Los_Angeles:20180223T230000
DTSTAMP:20260608T002941
CREATED:20180119T011123Z
LAST-MODIFIED:20180124T020543Z
UID:3197-1519414200-1519426800@www.h-r.la
SUMMARY:Touch Presents...
DESCRIPTION:The release of Yann Novak’s new album The Future is a Forward Escape into the Past\, Touch presents an evening of performances curated by Mike Harding and Novak. The night will consist of short pieces by a wide range of artists with connections to either Touch or Novak. \nFebruary 23\, 2018 \nDoors 7:30pm / Show 8:00pm \nArtists: \nJasmin Blasco \nRobert Crouch \nGarek Druss \nJake Muir \nYann Novak \nZachary Paul \nGeneva Skeen \nByron Westbrook \nBios: \nJasmin Blasco (b.1981) is a multi-disciplinary artist who approaches time-based media as the site where sound\, image\, and language conspire to generate fictions. Through a process of research and abstraction\, his practice stages the individual in problematic narratives. He lives and works in Los Angeles. \nBlasco holds a BFA in Music Technology from the California Institute of the Arts. He is a graduate of the Media Design Practices program at Art Center College of Design(MFA). His current research project examines the project of space exploration in its symbolic and cultural dimensions. The resulting works are composed of fictional journal entries authored by a theoretical entity: The First Human Born In Space. \n  \nWith Andrew Friend and Sitraka Rakotoniaina\, he is currently developing Very Very Far Away. Based on a workshop series of the same name\, VVFA is a Podcast documenting fictional encounters with the new denizens of space colonization. With the collaborative research platform The NOISE INDEX\, Blasco explores the topicality of informational hunger within a framework that runs counter to expected display strategies.The works Convergence and Horizon have been exhibited in Paris and New York at Cutlog\, through Fragmental Museum. He also hosts Speak My Language a monthly show of curated music on the internet radio collective Dublab. Blasco is a mentee in the 2017 Touch Mentorship Programme. \nhttp://jasminblasco.com \nRobert Crouch is an artist and curator whose work encompasses sound\, performance\, and technology. As an artist\, he locates his work with the intersection of post-phenomenological listening practices\, conceptual sound art\, and contemporary electronic music. At its core\, his work can be understood as a conversation between tonality\, context\, history and subjectivities. Similarly\, Crouch’s curatorial work focuses on the overlapping disciplines of sound\, technology\, movement\, and performance. \nIn 2014 he organized the North American premiere of Sphæræ\, a large-scale inflatable performance space and public artwork by Dutch artist Cocky Eek. In 2017 he co-curated Juan Downey: Radiant Nature\, a survey of early interactive and performance work of the late Chilean artist as part of the Getty initiative\, Pacific Standard Time: LA/LA. \nCrouch is the former Associate Director/Curator at LACE\, where he curated solo exhibitions with artists Karen Lofgren\, Gina Osterloh\, Steve Roden\, Sean Sullivan\, and Margo Victor\, and performances with artists including William Basinski\, Celer\, Lawrence English\, Dominick Fernow\, and Yann Marussich. He is also the founding partner of VOLUME\, a curatorial project that functions as a catalyst for interdisciplinary new media work through exhibitions\, performances\, events\, lectures\, and publications\, and has worked with a wide range of artists including William Basinski\, Nate Boyce\, Frank Bretschneider\, Richard Chartier\, Heather Cassils\, Celer\, Loren Chasse\, William Fowler Collins\, Tim Hecker\, Isis\, France Jobin\, Kadet Kuhne\, Lucky Dragons\, Mamiffer\, Carsten Nicolai\, Yann Novak\, taisha paggett\, Steve Roden\, Terre Thaemlitz\, Julie Tolentino\, and Christopher Willits. \nCrouch is currently the Executive and Artistic Director for Fulcrum Arts and the Artistic Director for the AxS Festival. \nhttp://www.robertcrouch.com \nGarek Druss is a Los Angeles based sound and visual artist who creates work that explores the balance between the physical being and the incorporeal or non-being.  His aural works create active and engaged listening environments that allow for heightened states of self-reflection and phenomenological awareness. His work utilizes watercolor drawings\, video\, and vibrant soundscapes to create temporary ambient interactions that examine the human condition. Druss’ interest in creating work that develops the public’s sonic palette has lead him to several international residencies\, multiple museum performances in the U.S. and Europe\, album and sound art releases in conjunction with art exhibitions\, installations\, and live performances. He has collaborated in musical\, dance\, and performance-based projects\, including the atmospheric electronic group\, A Story of Rats. He also worked with the internationally recognized performance theater ensemble\, Saint Genet.  Exhibition and performance locations include the Seattle Art Museum\, the University of Washington’s Henry Art Gallery\, the Museum of Contemporary Canadian Art\, Toronto\, Ontario\, Canada\, and Kunsthalle\, Krems Austria. He has received support from the New Foundation Seattle and 4Culture. His visual art is a part of several Seattle public collections. \nhttp://garekdruss.com \nJake Muir is a sound designer and artist currently residing in Seattle\, Washington. Armed with a keen ear for textural environments and haunting aural landscapes\, Muir creates ghostly soundscapes from field recordings\, reinterpreted vinyl loops\, and radio segments. This source material is processed digitally to further place these found sounds into a new context. \nMuir released his debut album\, Muara\, under the moniker\, Monadh\, on Further Records in 2016. Muara drew from experiences and trips around the Pacific Northwest\, evoking the deep ties to location and mood in Muir’s approach to microscopic manipulation in the sound composition process. \nhttps://www.jakemuir.org \nYann Novak is an artist\, composer\, and curator based in Los Angeles. His work is guided by his interests in perception\, context\, movement\, and the felt presence of direct experience. Through the use of sound and light\, Novak explores how these intangible materials can act as catalysts to focus our awareness on our present location in space and time. Novak’s diverse body of works – audiovisual installations\, performances\, architectural interventions\, sound diffusions\, recording\, and prints – ask participants to reclaim the present moment as a political act. \nNovak’s work has been experienced through exhibitions and performance at the Armory Center for the Arts\, Pasadena; The Broad\, Los Angeles; California Museum of Photography\, Riverside; Commonwealth & Council\, Los Angeles; de Young Museum\, San Francisco; Getty Villa\, Pacific Palisades; Hammer Museum\, Los Angeles; The Henry Art Gallery\, Seattle; Human Resources\, Los Angeles; Los Angeles County Museum of Art\, Los Angeles; Mutek Festival\, Montreal; Norton Simon Museum\, Pasadena; San Francisco Museum of Modern Art\, San Francisco; Soundfjord\, London; Susanne Vielmetter LA Projects\, Los Angeles; Tanya Bonakdar Gallery\, New York; and The Stone\, New York\, among others. His recorded sound works have been published by Crónica\, Porto; Dronarivm\, Moscow; Farmacia901\, Berlin; Hibernate\, Leeds; Home Normal\, London; LINE Imprint\, Los Angeles; Tigerbeat6\, Los Angeles; and Touch\, London\, among others. \nhttp://www.yannnovak.com/ \nZachary Paul (b. 1995) is a classically trained violinist and composer based in Los Angeles. Interested in perception\, the transportive nature of long durations\, and trance states\, his work explores the contrast between stasis and movement and questions the possibility of depicting both synchronously. In live performance\, he builds lush soundscapes via improvisation\, representing his immediate experience & the space being performed in. His work draws from a long lineage of artists exploring sustained tones within organic performance\, including Tony Conrad\, Pauline Oliveros\, and La Monte Young. Under the moniker Poppy Nogood\, Zachary has released two albums through European record label Preserved Sound. \nhttps://soundcloud.com/poppynogood \n  \nGeneva Skeen is an interdisciplinary artist working in Los Angeles. Influenced heavily by écriture féminine\, alchemical metaphors\, and a mix of musical traditions ranging from holy mysticism to industrial\, Skeen composes with field recordings\, digital presets\, mixed voice and instrumentation\, and both found and filmed video. Her recordings and performances focus on the contrast between facing finite resources of our physical landscapes and their infinite digital representations. Her solo and collaborative works have been presented at REDCAT\, the Los Angeles County Museum of Art\, on the rooftop of The Standard Hotel in downtown Los Angeles\, and on the façade of the Armory building in Long Beach\, California\, amongst others. Her debut\, Dark Speech\, was released with Dragon’s Eye Recordings in 2016. She is a member of VOLUME\, a curatorial collective focused on sound-based practices. \nhttps://soundcloud.com/geneeeeves \nByron Westbrook is an artist and musician based in Brooklyn\, NY. He has been performing and showing experimental sound work internationally since 2008. His work focuses on dynamics of perception using sound\, lighting and video to interact with architecture and landscape\, often pursuing routes that involve social engagement. He holds an MFA from the Milton Avery Graduate School of the Arts at Bard College\, where he studied with Marina Rosenfeld\, Marcus Schmickler and David Behrman. His work has been presented at Walker Art Center (Minneapolis)\, ICA London\, Cafe OTO (London)\, MoMA PS1\, Fridman Gallery\, Abrons Arts Center\, Pioneer Works\, Experimental Intermedia Foundation (NY)\, Human Resources (Los Angeles)\, Disjecta (Portland\, OR)\, Instants Chavires Art Space (Paris)\, Fylkingen (Stockholm)\, the LAB (San Francisco)\, O’ (Milan)\, among many others. He has recordings with Root Strata\, Los Discos Enfantasmes\, Sedimental Records and Hands in the Dark. Westbrook has been in residence at Civitella Ranieri Foundation\, Clocktower Gallery\, Diapason Gallery\, EMS Stockholm and is currently an Artist-in-Residence with ISSUE Project Room for 2017. \nhttp://www.byronwestbrook.com
URL:https://www.h-r.la/event/the-future-is-a-forward-escape-into-the-past/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180222T190000
DTEND;TZID=America/Los_Angeles:20180222T190000
DTSTAMP:20260608T002941
CREATED:20180207T072620Z
LAST-MODIFIED:20180207T072620Z
UID:3244-1519326000-1519326000@www.h-r.la
SUMMARY:Meet the Candidate: Kristina Wong for Something or Other
DESCRIPTION:Kristina Wong is a performance artist\, comedian\, and hopefully with your vote\, a future disgraced Politician. After touring the world with original stage and guerrilla performance\, Kristina realized her artful spectacles could no longer compete with the shock of real life. Therefore\, Kristina has decided to move her performances onto the public stage and run for political office before 2030 or when the country implodes (whichever comes first). But first she needs a public think tank\, a slogan\, and people to bribe her. This night will be an experiment in crafting political narrative. It’s a combination of learning about Kristina’s 18 year history of performance work\, and also a group honing a vision of her campaign that will leave voters swooning. **This is her first public event\, so expect bumps. \nPresented by at land’s edge
URL:https://www.h-r.la/event/meet-the-candidate-kristina-wong-for-something-or-other/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180218T200000
DTEND;TZID=America/Los_Angeles:20180218T220000
DTSTAMP:20260608T002941
CREATED:20180205T230205Z
LAST-MODIFIED:20180212T183255Z
UID:3232-1518984000-1518991200@www.h-r.la
SUMMARY:Isaura Presents:
DESCRIPTION:Isaura String Quartet presents an evening of new music (plus a couple premieres!) at Human Resources. Joined by guest violist Rachel Iba\, ISQ will perform works by: \nAmy Golden\nUlrich Krieger (new work)\nNicole Lizée\nCaroline Shaw\nScott Worthington (new work) \nIsaura String Quartet \nThe Isaura String Quartet is a LA-based ensemble dedicated to the promotion of contemporary chamber music through live performance\, workshops\, and collaborative projects with composers and interdisciplinary artists. ISQ has worked with composers including David T. Little\, Anne LeBaron\, Gloria Coates\, Ulrich Krieger\, Julia Wolfe\, Sean Griffin\, and Charles Gaines. Recent performances include Artaud in the Black Lodge with Beth Morrison Productions at REDCAT’s NOW Festival\, the world premiere of Gloria Coates’ chamber opera Stolen Identity\, a concert of microtonal string quartets for MicroFest LA\, and Love\, Honor\, Obey with Timur and Margaret Cho. ISQ is featured on Refractions\, Daniel Corral’s concert-length work for string quartet\, processed music box\, and guitar\, released in 2017 on Populist Records. \nIn addition to ISQ’s work in new music\, they are the house band for Emo Nite LA under the alias String String Quartet\, and have performed with artists including the All-American Rejects and Demi Lovato. They have also performed and recorded for artists such as Baths\, Emily Wells\, and Jherek Bischoff. \nCOMPOSERS \nAmy Golden \nAmy Golden is a composer\, vocalist\, sound artist\, and occasional sculptor from Springdale\, Arkansas living and working in Los Angeles\, California. She creates works for voices\, instruments\, and objects that investigate record keeping\, the relationship between sound and object\, ideas surrounding the female experience\, and definitions of texture. \nCaroline Shaw \nCaroline Adelaide Shaw is a New York-based musician—vocalist\, violinist\, composer\, and producer—who performs in solo and collaborative projects. She is the youngest recipient of the Pulitzer Prize for Music\, for Partita for 8 Voices\, written for the Grammy-winning Roomful of Teeth\, of which she is a member. Recent commissions include new works for the Dover Quartet\, the Calidore Quartet\, the Aizuri Quartet\, FLUX Quartet\, Brooklyn Rider\, Anne Sofie von Otter\, The Crossing\, Roomful of Teeth\, yMusic\, ACME\, ICE\, A Far Cry\, Philharmonia Baroque\, the Baltimore Symphony\, and Carnegie Hall’s Ensemble Connect. In the 2017–18 season\, Caroline’s new works will be premiered by Renée Fleming with Inon Barnatan\, Dawn Upshaw with Sō Percussion and Gil Kalish\, the Orchestra of St. Luke’s with John Lithgow\, the Britten Sinfonietta\, TENET with the Metropolis Ensemble\, the Mendelssohn Club of Philadelphia\, the Netherlands Chamber Choir\, and Luciana Souza with A Far Cry. Future seasons will include a new piano concerto for Jonathan Biss with the St. Paul Chamber Orchestra and a new work for the LA Phil. Caroline’s scoring of visual work includes the soundtrack for the feature film To Keep the Light as well as collaborations with Kanye West. She studied at Yale\, Rice\, and Princeton\, and she has held residencies at Dumbarton Oaks\, the Banff Centre\, Music on Main\, and the Vail Dance Festival. Caroline loves the color yellow\, otters\, Beethoven opus 74\, Mozart opera\, Kinhaven\, the smell of rosemary\, and the sound of a janky mandolin. \nNicole Lizée \nCalled a “brilliant musical scientist” and lauded for “creating a stir with listeners for her breathless imagination and ability to capture Gen-X and beyond generation”\, JUNO-nominated composer Nicole Lizée creates new music from an eclectic mix of influences including the earliest MTV videos\, turntablism\, rave culture\, Hitchcock\, Kubrick\, 1960s psychedelia and 1960s modernism. She is fascinated by the glitches made by outmoded and well-worn technology and captures these glitches\, notates them and integrates them into live performance. \nNicole’s compositions range from works for orchestra and solo turntablist featuring DJ techniques fully notated and integrated into a concert music setting\, to other unorthodox instrument combinations that include the Atari 2600 video game console\, omnichords\, stylophones\, Simon™\, and karaoke tapes. In the broad scope of her evolving oeuvre she explores such themes as malfunction\, reviving the obsolete\, and the harnessing of imperfection and glitch to create a new kind of precision. \nIn 2001 Nicole received a Master of Music degree from McGill University. After a decade and a half of composition\, her commission list of over 50 works is varied and distinguished and includes the Kronos Quartet\, Carnegie Hall\, BBC Proms\, the San Francisco Symphony\, the National Arts Centre Orchestra\, the Toronto Symphony Orchestra\, l’Orchestre symphonique de Montréal\, Eve Egoyan\, the Australian Art Orchestra\, l’Orchestre Métropolitain du Grand Montréal\, CBC\, Radio-Canada\, NYC’s Kaufman Center\, Powerplant\, Darcy James Argue’s Secret Society\, So Percussion\, Ben Reimer\, Vicky Chow\, Tapestry Opera\, Standing Wave\, Gryphon Trio\, MATA Festival\, TorQ Percussion\, Fondation Arte Musica/Musée des beaux-arts de Montréal\, E-Gré National Music Competition\, Innovations en Concert\, ECM+\, Continuum\, Soundstreams\, SMCQ\, Arraymusic\, Megumi Masaki\, and Kitchener-Waterloo Symphony. Her music has been performed worldwide in renowned venues including Carnegie Hall (NYC)\, Royal Albert Hall (London)\, Muziekgebouw (Amsterdam) and Cité de la Musique (Paris) – and in festivals including the BBC Proms (UK)\, Huddersfield (UK)\, Roskilde (Denmark)\, Bang On a Can (USA)\, Classical:NEXT (Rotterdam)\, All Tomorrow’s Parties (UK)\, Barbican’s Sound Unbound (UK)\, Metropolis (Australia)\, Sydney Festival (Australia)\, X Avant (Canada)\, Luminato (Canada)\, Other Minds (San Francisco)\, C3 (Berlin)\, Ecstatic (NYC)\, Switchboard (San Francisco)\, Melos-Ethos (Slovakia)\, Casalmaggiore (Italy)\, and Dark Music Days (Iceland). \nNicole was recently awarded the 2017 SOCAN Jan. V. Matejcek Award. In 2013 she received the prestigious Canada Council for the Arts Jules Léger Prize for New Chamber Music. She is a Civitella Ranieri Foundation Fellow (New York City/Italy) and recently received a 2016 Lucas Artists Fellowship Award (California). In 2015 she was selected by acclaimed composer and conductor Howard Shore to be his protégée as part of the Governor General’s Performing Arts Awards. This Will Not Be Televised\, her seminal piece for chamber ensemble and turntables\, placed in the 2008 UNESCO International Rostrum of Composers’ Top 10 Works. Her work for piano and notated glitch\, Hitchcock Études\, was chosen by the International Society for Contemporary Music and featured at the 2014 World Music Days in Wroclaw\, Poland. Additional awards and nominations include an Images Festival Award (2016)\, JUNO nomination (2016)\, Dora Mavor Moore nomination in Opera (2015)\, Prix Opus nomination (2013)\, two Prix collégien de musique contemporaine\, (2012\, 2013) and the 2002 Canada Council for the Arts Robert Fleming Prize for achievements in composition. \nNicole is the Composer in Residence at Vancouver’s Music on Main. \nShe is a Korg Canada and Arturia artist. \nScott Worthington \nScott Worthington is a double bassist and composer based in Los Angeles. As a performer\, he plays in chamber ensembles\, orchestras\, recording studios\, and as a soloist. His music has been commissioned by the Library Foundation of Los Angeles\, Loadbang\, the Ekmeles Vocal Ensemble\, and numerous soloists. As a performer-composer\, Worthington has released two albums to critical acclaim on Populist Records. The most recent\, Prism\, features his own music for solo bass with electronics and bass ensemble and was named one of The New Yorker’s top ten classical albums of 2015 by Alex Ross. In 2017\, Worthington became the principal bass of the Redlands Symphony and the Artist Teacher of Bass at the University of Redlands. www.scottworthington.com \nUlrich Krieger \nUlrich Krieger is an internationally recognized German composer and saxophonist living in Southern California. He is known for his originality and innovation in composed and free improvised contemporary music. As a celebrated composer of chamber and electronic music\, Krieger’s compositions are widely performed by ensembles in Europe and the USA. He works in variety of contexts; from new and experimental music to free improvisation\, electronic music\, reductionsim\, noise\, ambient\, rock and metal. \nHe has been active in pushing the boundaries of saxophone playing in general and the function of the saxophone in rock and noise in particular\, collaborating with Lou Reed (Metal Machine Trio\, Lou Reed Band)\, Lee Ranaldo (Text of Light)\, Faust\, and Merzbow\, in addition to leading his own death-doom-noise-metal band Blood Oath. \nIn his distinct style of amplified saxophone playing\, Krieger processes refined acoustic and quasi-electronic sounds by amplifying his instrument in various ways. He gets down to the grains of the sounds\, changing their identities and structures from within. No saxophone player has ever dared to explore these uncharted outer realms of woodwind expression. \nOutside Krieger’s solo practice\, he has performed extensively with his groups Metal Machine Trio and Text of Light. He has collaborated and performed with Lou Reed\, Faust\, Merzbow\, Thomas Köner\, Carl Stone\, John Zorn\, Lee Ranaldo\, Christian Marclay\, Laurie Anderson\, LaMonte Young\, Phill Niblock\, Radu Malfatti\, Michael Pisaro\, Berlin Philharmonics\, Ensemble Modern\, PARTCH Ensemble\, and many more. As a saxophonist he has performed in Europe\, the Americas\, Asia and Australia. Krieger studied classical/contemporary saxophone\, composition\, electronic music\, and musicology in Berlin and New York. He is professor for composition\, Experimental Sound Practices\, and rock music at CalArts\, where his special field of interest is the cross-pollination of new art music and avant-garde rock. \nKrieger’s recent focus lies on the fringes of contemporary rock culture\, in the areas of limbo where noise\, metal\, silence\, and experimental chamber music meet. Not accepting stylistic categories\, Krieger’s practice operates in the margins of 21st century genres while resisting the problematic trappings of appropriation. His compositional approaches include micro-sounds\, microtones\, reductionism\, ‘instrumental electronics’ (instrumental music evoking the soundworld of electronics)\, drone\, and noise; forms that often demand elaborate and nuanced amplification. www.ulrich-krieger.com \n\nJoin us  for drinks & music! Tickets are $10 cash or pay what you can – no one will be turned away for lack of funds.
URL:https://www.h-r.la/event/isaura-presents/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180217T200000
DTEND;TZID=America/Los_Angeles:20180217T200000
DTSTAMP:20260608T002941
CREATED:20180125T030112Z
LAST-MODIFIED:20180125T030337Z
UID:3212-1518897600-1518897600@www.h-r.la
SUMMARY:Music by Tashi Wada
DESCRIPTION:Music by Tashi Wada\, performed by Charles Curtis\, Dafne Vicente-Sandoval\, Tashi Wada and Julia Holter \nThis program collects three long-form works by composer Tashi Wada that explore diverging aspects of tuning and tonality. Valence (2016)\, written for cellist Charles Curtis\, isolates and reharmonizes the natural overtones of a single string\, destabilizing and fusing tone and timbre through a delicate alchemy. Witness (2017)\, written for bassoonist Dafne Vicente-Sandoval\, draws out the relationship between an array of scales and tetrachords (four-note segments of scales) found traditionally in Greek\, Persian\, and Arabic musics\, in combination with hybrid and invented scales\, through repetition\, variation\, and improvisation. Mutable Signs\, Wada’s performance for keyboard\, voice\, and sirens with guest musician Julia Holter\, focuses on the outer edges of historical\, non-equal temperaments\, eliciting a more distant\, uneven sense of tonality. \n \nTashi Wada is a Los Angeles-based composer and performer whose works explore harmonic overtones\, resonance\, and dissonance through precise tuning and a gradual change in pitch. Grounded in a belief that “music should be as direct as possible\,” his compositions use apparently simple structures to generate rich and unanticipated perceptual effects. Working in relation to American experimental music\, microtonal music\, and so-called drone music\, Wada’s practice is also informed by interdisciplinary performance and Fluxus-affiliated artists. He studied composition at CalArts with James Tenney and for many years has performed alongside his father\, composer Yoshi Wada. \n \nAcknowledged internationally as a performer of new and experimental music\, cellist Charles Curtis has been associated with minimalist pioneer La Monte Young since 1987\, their intimate working relationship having yielded retroactive recalibrations of pieces like Young’s 1958 Trio for Strings. Curtis has created a new body of work for solo cello through additional close collaborations with composers Alvin Lucier\, Éliane Radigue\, Christian Wolff\, Alison Knowles and Tashi Wada. Rarely-heard works of Terry Jennings\, Morton Feldman and Richard Maxfield have also been signposts in a performing life that extends to membership in experimental rock band King Missile\, collaborations with Bongwater and Borbetomagus\, and studio appearances with the likes of Herbie Hancock and Wayne Shorter. Straddling the boundaries between art rock\, sound art\, and minimalist composition with his own Charles Curtis Trio\, for Curtis the heterogeneity of his practice returns to the same simple values\, the same concerns for precision and specificity of expression and craftsmanship\, all in the service of a very fundamental human expression. Trained at Juilliard\, Curtis was First Solo Cellist of the NDR Symphony Orchestra in Hamburg before becoming Professor of Music at the University of California\, San Diego in 2000. \n \nJulia Holter is a composer\, performer\, and recording artist based in Los Angeles. Her interest in the mysteries of the sonic atmosphere has compelled her to record in various settings–in her home\, outside with a field recorder\, and in professional studios—as well as to perform live\, often with a focus on the voice. She has studied music composition at Cal Arts and University of Michigan and has performed at various venues and festivals around the world. She frequently collaborates in group projects as well\, with artist and musician friends Rick Bahto\, Ramona Gonzalez\, Tashi Wada\, Yelena Zhelezov\, Laurel Halo\, Mark So\, Cat Lamb\, Laura Steenberge\, and more. \n \nDafne Vicente-Sandoval is a bassoon player\, who explores sound through improvisation\, contemporary music performance and sound installations. Her instrumental approach is centered on the fragility of sound and its emergence within a given space\, testing the threshold between instability and control. Dafne currently lives in Paris. She favours long term collaborations within which her work keeps an integrity while holding a dialogue with that of others (current collaborations with Jakob Ullmann\, Éliane Radigue\, Klaus Lang\, Peter Ablinger). Her work has been shown in contemporary music festivals (Huddersfield Contemporary Music Festival\, England; Musikprotokoll\, Graz; Blurred Edges\, Hamburg; El Nicho\, Mexico; Tectonics\, Glasgow)\, as well as in improvised music (Konfrontationen\, Austria; No Idea\, Texas) and sound art (Tsonami\, Chile) festivals.
URL:https://www.h-r.la/event/music-by-tashi-wada/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180212T200000
DTEND;TZID=America/Los_Angeles:20180212T220000
DTSTAMP:20260608T002941
CREATED:20180210T021159Z
LAST-MODIFIED:20180212T053107Z
UID:3252-1518465600-1518472800@www.h-r.la
SUMMARY:New Performances
DESCRIPTION:an evening of short performances by \nvon curtis \nNikki Darling \nBryatt Bryant \nGuan Rong \n8pm \nfree event with donations for the artists welcome
URL:https://www.h-r.la/event/new-performances-2/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2018/02/Untitled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180211
DTEND;VALUE=DATE:20180306
DTSTAMP:20260608T002941
CREATED:20180205T212911Z
LAST-MODIFIED:20180228T023126Z
UID:3227-1518328800-1520229599@www.h-r.la
SUMMARY:we tbd
DESCRIPTION:To begin\, a structure made of scaffolding and wood that reorganizes and reshapes the internal space of Human Resources. In the course of this reshaping\, we hold an exhibition that serves to model dynamic notions of connection\, difference\, and community\, and to reflect the conscious self-creating of a group process. \nInspired by notions of empathy and intersubjectivity in the Netflix original series (now cancelled) Sense8\, a cluster was created by Olga Koumoundouros: John Booortle\, von curtis\, Alexander Kroll\, Francesca Lalanne\, Kristy Lovich\, Ofelia Marquez\, and Jennifer Moon. Brought together to be part of this material and psychic experiment\, this group of artists use a diverse set of strategies to understand people\, to build and express empathy. Because of this\, the structure\, and the events we organize throughout the exhibition\, tend towards care and support systems: setting up the conditions to be making work together\, to add onto\, and to grow into.  \nSchedule of Events\, in process: \n  \nSUN 2/11 \n10am — 2pm\nCO/WORK/PLAY with HEY BABY/a feminist parenting group\nHEY BABY / a feminist parenting group invites you to explore the assertion that culture work is a form of care and care is a form of culture work. This collective project will unfold over the course of the month of February into early March through a series of co/work/play meet ups and projects among children\, babies\, and their caretakers within the HEY BABY community and beyond.  (Every Sunday 10am — 2pm and Friday 12 — 4pm). \n10am — 2pm\nIntros & Space-Making | Playing Dough with Ching Ching Cheng \n3 — 6pm\nOpening Event! \n  \nMON 2/12 \n8 — 10pm\nNew Performances\nAn evening of short performances by von curtis\, Nikki Darling\, Bryatt Bryant\, Guan Rong \n  \nTUES 2/13 \n6 — 10pm\nCommunity Potluck\nJoin us for weekly community dinners when we’ll use the practice of “potluck” as a way to pose questions that of interest to our collective survival\, building knowledges and community through a shared meal. Kindly bring a dish or drink to share if you are able (Every Tuesday 6 — 10pm). \n  \nFRI 2/16 \n12 — 4pm\nMy Life in the Post Structure: A Discussion and Visualization with Kathryn Robinson \n12 — 4pm\nCO/WORK/PLAY with HEY BABY/a feminist parenting group \n  \nSAT 2/17 \n1 — 4pm\nAware-LA/Alliance of White Anti Racists Everywhere/Saturday Dialogue\nSaturday Dialogue (SD) is a gathering for white anti-racists who want to discuss issues of identity\, community\, privilege and racism in our lives with the intention to strengthen our practice as anti-racists in alliances\, relationships\, and interactions with people of color. Regular\, recurring dialogues throughout the year focus on the intersections of multiple identities\, including Race and Class\, Sexuality and Race\, and Gender and Race. Other workshops focus on relationships\, Radical White Identity and Community\, and issues such as police and the prison industrial complex\, immigration\, and gentrification. Together we’ll consider the work of building a white anti-racist practice a critical part of our radical care for the collective\, the self\, and relationship – within ancestral lineage\, family\, friendship\, and community and invite you to share in a process of making this work visible as a cultural form and an indispensable part of the abolition of white supremacy.  \n8 — 10pm\nTashi Wada (performance) \n  \nSUN 2/18 \n10am — 2pm\nWorkshop: Marks\, Materials\, Sense (toddler centered workshop) with Sarah Eggers \n10am — 2pm\nIntros & Space-Making | Playing Dough with Ching Ching Cheng \n10am — 2pm\nCO/WORK/PLAY with HEY BABY/a feminist parenting group \n6 — 7pm\n“Adventures with You” Live Broadast (via KCHUNG Radio) \n8 — 10pm\nIsaura String Quartet (performance) \n  \nTUES 2/20 \n6 — 10pm\nCommunity Potluck \n  \nTHURS 2/22 \n7 — 9pm\nKristina Wong (presented by At land’s Edge) \n  \nFRI 2/23 \n12 — 4pm\nResource Pool: Playgroup/infoshare for kids with disabilities and their caregivers with Kaitlynn Redell \n12 — 4pm\nCO/WORK/PLAY with HEY BABY/a feminist parenting group \n8 — 11pm \n Touch Presents… (performance) \n  \nSAT 2/24 \n7:30-10pm\nPRICE (performance) \n  \nSUN 2/25 \n10am — 2pm\nWorkshop + Dialogue: Art\, Mental Health\, Community Healing with Sarah Eggers \n10am — 2pm\nIntros & Space-Making | Playing Dough with Ching Ching Cheng \n10am — 2pm\nCommunity Acupuncture/with Andrea Penagos\nEngage in self-care with a group acupuncture session + guided meditation facilitated by licensed acupuncturist Andrea Penagos\, L.Ac. Acupuncture activates the body’s innate healing potential\, nourishes your vitality\, increases blood circulation\, and has profoundly calming effects on the nervous system. Bring a yoga mat\, wear loose + comfortable clothing\, and come prepared to rest in a supportive\, community environment. *Naps are highly encouraged.* Walk-ins welcomed. Cost: sliding-scale donation $25-$55. Andrea Penagos\, L.Ac. is a licensed acupuncturist\, herbalist\, and holistic health practitioner based in Mid City\, Los Angeles. She treats a variety of ailments including stress\, pain\, fatigue\, and mood\, digestive and menstrual imbalances via her private healing practice and monthly community acupuncture circles around LA. Find her at www.andreapenagos.com\, and on Instagram @andrea.natalie.penagos. \n10am — 2pm\nCO/WORK/PLAY with HEY BABY/a feminist parenting group \n  \nTUES 2/27 \n5 — 10pm\nWorkshop: Self Care/Embodied with Andrea Penagos and Kristy Lovich\nA movement oriented exploration into self care as it informs community healing and inter community solidarity. \n6 — 10pm\nCommunity Potluck \n  \nTHURS 3/1 \n7—8:30pm\nQueer Poets\nReading and discussion by senior lesbian writers\, featuring: Phyllis Rose-Child\, Audrey Lockwood\, Audry Antley\, Bonnilee Kaufman\, and Cassandra Christenson (hosted by Francesca Lalanne) \n  \nFRI 3/2 \n12 — 4pm\nHome is Other People – Potluck + Dialogue with Anna Barie\nPotluck snacks (nut/meat free) and art materials are always appreciated for these child/family centered programs. Chest/Breast feeding\, diapering\, and nap/rest spaces will be available. Additional child care support will be provided on our Sunday meet-ups. If you have questions\, concerns contact Kristy Lovich: kristy.lovich@gmail.com. \n12 — 4pm\nCO/WORK/PLAY with HEY BABY/a feminist parenting group \n  \nSAT 3/3 \n7 — 10pm\nClosing Event \n8:30 — 9pm\nYesterday’s Tomorrow (performance) \nA performance tied to a film screening\, focusing on the black experience in America\, while striving to connect current social themes to past actions of open resistance primarily within the entertainment industry of the early 1900’s. \n[Additional events TBA]
URL:https://www.h-r.la/event/we/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/02/andandand.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180131T190000
DTEND;TZID=America/Los_Angeles:20180131T230000
DTSTAMP:20260608T002941
CREATED:20180127T070229Z
LAST-MODIFIED:20180129T073036Z
UID:3220-1517425200-1517439600@www.h-r.la
SUMMARY:Moontone
DESCRIPTION:An evening of performance\, video\, and a send off to Mickey Negrón who has been with us from Puerto Rico\, participating in several PSTLALA events. \nVideo and performance by Sarah Johnson\, Liz Miller-Kovacs\, Mickey Negrón\, Yunuen Rhi and Austyn Rich. \nDoors at 7:00 performances at 8:00. \nBIOS: \nAustyn Rich \nAustyn began his dance training at Pebblebrook High School’s Cobb County Center of Excellence for the Performing Arts in Mabelton\, Ga. Austyn studied dance and acting at Pebblebrook High School and was one of National High School Dance Festival and Regional High School Dance Festival student choreographers. He has also been seen in works of William Forsythe\, Bill T. Jones\, Sylvia Palacios Whitman\, Aszure Barton\, Micaela Taylor\, Christopher Bordenave and Brendan Fernandes. Austyn currently attends the University of Southern California studying dance. \nLiz Miller-Kovacs \nLiz Miller-Kovacs was born and raised in Los Ángeles.  Her work explores the paradoxes of modern life\, mass media’s influence on contemporary culture\, the impact of globalization upon the human condition\, the abundance of surveillance & social media and the increasing toxicity of our surroundings progressively distances us from nature. Miller-Kovacs explores the contrast between manufactured goods\, artificial environments natural elements and the female body. Liz works in video\, sculpture\, photography & performance. She has an MFA from The San Francisco Art Institute & a Visual Arts PHD from Sydney College of the Arts in Sydney\, Australia. \nSarah Johnson \nSarah Johnson is an LA-based performer and writer. Johnson has exhibited in galleries\, theaters\, public spaces\, backyards\, and otherwise in LA\, NYC\, PDX\, and internationally. \nMickey Negrón \nMickey Negrón is an interdisciplinary artist\, educator\, producer and curator based in San Juan \, Puerto Rico. Mickey trained at the University of Puerto Rico and has performed across the Americas\, including collaborations with Rosa Luisa Márquez\, Nao Bustamante\, Guillermo Gomez Peña/La Pocha Nostra\, Jóvenes del 98\, Malayerba\, and Yuyachkani. He swallows up the gay scene and brings it to the surface of his body to reinvent it. He is the Artistic Director of Asuntos Efímeros and curator of Quiebre: International Performance Festival in San Juan Puerto Rico. \nYunuen Rhi \nYunuen\, founder of Isuini\, is a martial and performance artist\, independent researcher and healer. Her roots are in Mexico\, the United States\, and Korea. \nShe started training in Baguazhang and healing arts in Beijing\, China in 2008 and in 2010 was initiated into the 6th generation of the lineage by her Master\, Liu Xuyang with whom she trained until 2014. Yunuen is continuously elevating her skills and since 2015\, she has been under intensive training with Li Baohua (holder of the 4th generation Magui Bagua lineage) in Japan. \nIn addition to Bagua\, she is trained in multiple healing methods. The convergence of diverse healing techniques for mind\, body\, and spirit round out Yunuen’s understanding of the body’s holistic functioning in our societies. She has cultivated herself in the art of native medicine ways of North America. She learned Tuina massage as part of her Bagua practice training and has a master level in Usui Reiki. She was certified in Taoist stomach massage and Fire Therapy in Beijing. Her experience as a Registered Dental Assistant\, as well as her advanced training in Logotherapy and Family Constellations give her a strong base in Western medicine and psychology from which to translate Eastern and native healing systems to the West. \nYunuen’s performance art practice\, and her anthropology graduate research in native epistemologies and borders\, inform the pedagogy of her teachings and the quality of her therapies. \nShe shares her practice with artists\, activists\, and the community at large since 2011 through workshops in Mexico\, the United States\, Germany\, the United Kingdom\, Spain\, and Cyprus. \n  \nOrganized by Vardui Sharapkhanyan and Marcus Kuiland-Nazario.
URL:https://www.h-r.la/event/moontone/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/01/unnamed-7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180116
DTEND;VALUE=DATE:20180130
DTSTAMP:20260608T002941
CREATED:20171222T063909Z
LAST-MODIFIED:20180123T050922Z
UID:3157-1516082400-1517205599@www.h-r.la
SUMMARY:Not All There
DESCRIPTION:An unconventional group show that revolves around works of art by local and international artists who use humor to explore serious social and political issues. That said\, none of the artworks will be present. Participating artists include: Anna Ayeroff\, Amitis Motevalli\, Arden Surdam\, Claire Titelman\, Emmy Bright\, Eva Medin\, Hazel Haendel\, Kristina Wong\, Marisa Williamson\, mothertongues (Meital Yaniv & Kim Ye)\, Olivia Mole\, Roxy Farhat & Zhala\, Samantha Roth and Sarah Johnson. \nThe exhibition exists in the form of a guided tour given by actress and comedian Davie-Blue. The content of the tour was written by the participating artists\, in collaboration with critic Cassie da Costa\, curator and organizer Emily Mast\, and playwright Rachel Kauder Nalebuff. It will be prefaced with a performance by the Paris-based artist Bettina Atala and will conclude with a round-table conversation that will include the artists\, assistants and audience alike. \nAn upstairs reading room and lending library will be brought to you by The Feminist Library on Wheels. Proceeds from the shows will go to Write Girl\, a non-profit creative writing and mentoring organization that promotes creativity\, critical thinking and leadership skills to empower teen girls in LA. \nPREFACE\nHow To Write Standing Up.\nA live performance by Bettina Atala\nTuesday\, January 16 at 8 PM\nWednesday\, January 17 at 8 PM\n$10 suggested donation* \nGUIDED TOURS\nWith Davie-Blue\nFriday\, January 26 at 8 PM\nSaturday\, January 27 at 4 PM\nSunday\, January 28 at 2 PM\n$10 suggested donation* \nCONVERSATION\nAll are welcome\nSunday\, January 28 at 3 PM\nFREE \n* Proceeds from these donations will go to Write Girl\, a non-profit creative writing and mentoring organization that promotes creativity\, critical thinking and leadership skills to empower teen girls in LA. \nSpecial thanks to: Alejandro Medina\, Chloë Flores\, Christina Simmerer\, Dawn Finley\, Dorothy Hoover\, Luke Fischbeck\, Mark Borman\, FLAX Foundation\, and Guesthaus Residency.
URL:https://www.h-r.la/event/not-all-there/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/12/Not-All-There.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180114T160000
DTEND;TZID=America/Los_Angeles:20180114T190000
DTSTAMP:20260608T002941
CREATED:20171222T040405Z
LAST-MODIFIED:20180726T082538Z
UID:3152-1515945600-1515956400@www.h-r.la
SUMMARY:Encounter #43 | Pacific Standard Time Festival: Live Art LA/LA
DESCRIPTION:photo by Tyler Matthew Oyer \n \n \nphotos by Erika Katrina Barbosa \n \nHuman Resources and Pacific Standard Time Festival: Live Art LA/LA present ENCOUNTER #43 \n410 Cottage Home St\, Los Angeles\, CA 90012\nSunday\, January 14\n4-7pm (followed by a communal meal) \nInterdisciplinary artists from Los Angeles are joined by international guests to engage in a practice called Encounter\, organized by Peruvian American artist Mariel Carranza. Encounters are durational\, improvised\, action/time/space-based performances inhabiting private studios\, art venues\, and public spaces across the city. For this festival\, Los Angeles artists will be joined by international guests from Latin America and Europe for two durational performances: one indoors\, and one outdoors. Audiences are invited to come and go as they wish\, and a meal will be shared at the end of the performance. \nPERFORMERS:\nJohn Burtle\, Mariel Carranza\, Rochelle Fabb\, Douglas Green\, Rebeca Hernandez\, Benjamin Jarrett (USA/Hungary)\, Carol McDowell\, Fausto Mendez Luna (Mexico)\, Lala Nomada (Mexico/Austria)\, Paul Outlaw\, Graciela Ovejero Postigo (Argentina)\, Crystal Sepúlveda (Puerto Rico/USA)\, Cecilia Stelini (Brazil)\, Rossen Ventislavov\, Allison Wyper \nCOST OF ADMISSION is a small contribution to the meal: a vegan soup that will be prepared on-site during the performance. \nSUGGESTED CONTRIBUTIONS:\nfresh herbs\, canned diced tomatoes\, carrots\, onions\, leeks\, celery\, sweet potatoes\, potatoes\, miso paste\, garlic\, cubed winter squash\, mushrooms\, ginger root\, kale\, vegetarian broth or stock\, lemon or lime\, bread\, crackers. \n(Encounter #44 will take place Saturday\, January 20\, 3-6pm at a public location TBA. For location\, RSVP at http://www.rhizomaticarts.com/rsvp-encounter44.) \nProduction Management by Rhizomatic Arts. \nPresented as part of the Pacific Standard Time Festival: Live Art LA/LA\, organized by REDCAT and supported by a major grant from the Getty Foundation. Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America. \nLearn more about the Festival at https://www.redcat.org/festival.\n#PSTLALA \nThis performance is supported in part by a Foundation for Contemporary Arts Emergency Grant.\n#FCAGrants
URL:https://www.h-r.la/event/encounter-43-pacific-standard-time-festival-live-art-la-la/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/12/IMG_3068copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180113T201500
DTEND;TZID=America/Los_Angeles:20180113T230000
DTSTAMP:20260608T002941
CREATED:20180109T025949Z
LAST-MODIFIED:20181026T193947Z
UID:3191-1515874500-1515884400@www.h-r.la
SUMMARY:Future Ladies of Wrestling "Match of the Multiverse"
DESCRIPTION:Back by popular demand\, Los Angeles’ Human Resources welcomes the most talked about wrestling show in the multiverse: Telefantasy Enterprise’s FUTURE LADIES OF WRESTLING! \nFuture Ladies of Wrestling AKA F.L.O.W. is a no holds barred multimedia wrestling extravaganza in which the wildest interspecies wrestlers battle for the title of Ultimate Multiversal Warrior! \nGet your juices F.L.O.W.ing as you step into the ring with an all-star live wrestling show featuring F.L.O.W fan favorites: CANDY PAIN! CHEMTRAILS! LISA 5000! DIVA COLADA! VALIBU TINA! HARDCORE TINA! CYCLONA! MACHINE! ERUPTIA! & FLESH EATING CORPULOUS!!! \nHosted by the Bad Girls’ sick and twisted manager: DIANA DZHAKETOV! \nTickets at the door: $10\nDoors at 8:15pm\nShow at 9:30pm\nBring extra cash for Official Future Ladies of Wrestling merchandise including T-shirts and glossy 8x10s to have\nautographed following the show. \nBe there or be crushed!!!!!\nWe’re the FUTURE LADIES OF WRESTLING!!! \n*Telefantasy Enterprises accepts no responsibility for injuries\, paralysis or mind melt caused by our wrestlers.
URL:https://www.h-r.la/event/future-ladies-of-wrestling-match-of-the-multiverse/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/01/26173145_1997283233862691_956672747275787578_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180112T190000
DTEND;TZID=America/Los_Angeles:20180112T190000
DTSTAMP:20260608T002941
CREATED:20180107T220349Z
LAST-MODIFIED:20180107T220525Z
UID:3185-1515783600-1515783600@www.h-r.la
SUMMARY:New Performances
DESCRIPTION:An evening of short performance by: \nErica Magrey \nAmanda-Faye Jimenez \nAbigail Levine & Corey Fogel \nPasadena House Wives \n Erica Magrey is a Brooklyn-based interdisciplinary artist working with video\, performance\, music\, costume\, sculpture\, photography\, and set design. Her work playfully examines the embodiment of personas in order to inhabit familiar and foreign\, human and non-human characters\, performing an investigative relationship with them. Once conjured\, the persona’s fit may be surprising: like a deja vu glove\, a seamless transition; or\, bulkily\, somewhere on the spectrum toward needs alteration. In videos and live performances\, the audience bears witness to acts of transformation and embodiment; in interactive works\, the user is granted agency to participate in transformative manipulations. \nAmanda-Faye Jimenez is a Blaxican queer fat femme dyke writer and performer. She has performed at SORORITY at The Hammer Museum\, the Radar Productions Queer Readings Series\, and the McDonald’s in Silverlake next to her favorite gay bar. When she isn’t spilling her guts onstage\, she can be found creating semi-relatable social media content @failureprincess and letting her dogs kiss her on the mouth\, even though everyone says that’s some white people shit. \nAbigail Levine is a New York-based choreographer and performer. Her works are rooted in dance and draw from visual and performance art. Corey Fogel is a drummer and artist whose practice is based in momentary encounters often involving the intersection of sounds\, objects\, textiles\, foods. The two artists perform together for the first time on January 12 \nPasadena House Wives met at a cocktail and craft party held every third Sunday of the month at their country club. They bonded over mutual frustrations with absent husbands and annoying children\, their abilities to drink more cocktails then beads on a necklace\, and hot secretive affairs with their children’s college friends. They started playing music together because both their therapists suggested alternative modes of mental and physical release as a way to maintain a healthy outlook on life.
URL:https://www.h-r.la/event/new-performances/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/01/unnamed-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180103T200000
DTEND;TZID=America/Los_Angeles:20180103T220000
DTSTAMP:20260608T002941
CREATED:20171219T232103Z
LAST-MODIFIED:20180726T002528Z
UID:3090-1515009600-1515016800@www.h-r.la
SUMMARY:Heal Her
DESCRIPTION:#HealHer is a global action by women who are coming together to break the silence on violence. Meeting in circles around the world\, we create rituals dedicated to storytelling\, consciousness-raising\, empathetic listening\, and collective healing. \n2017 shifted the narrative on sexual violence. As we enter 2018\, join artists\, healers\, performers\, and activists in holding a space where survivors can speak for themselves and commit to the mutual journey of healing. \n* Bring a flower or offering for the ceremony. Each attendee will be given a healing charm to take home with them. * \nWomen who speak about harassment and assault are often shamed\, disbelieved\, or dismissed. As awareness about violence against women increases through campaigns such as #MeToo\, it is time for those who have been silenced to be heard. Heal Her uses the ancient concept of the women’s circle as a platform for participants to share survival stories\, coping strategies\, and experiences related to gender-based violence and trauma. Known as talking circles\, healing circles\, or moon circles\, the ritual of meeting in circles is rooted in indigenous practices that many communities still engage in today. By coming together through storytelling\, music\, dance\, and ritual\, circles promote group cohesion\, facilitate interpersonal communication\, and provide spiritual guidance. \nHeal Her launches in 2018 with events in Los Angeles\, New York\, Berlin\, Boston\, San Francisco\, London\, Paris\, Baltimore\, and Utrecht. To bring Heal Her to your community\, email healherproject@gmail.com. Collected stories and contributions will be turned into an interactive installation and website. #HealHer is a collaboration between Lena Chen and Annique Delphine\, organizers\, community groups\, activists\, and survivors worldwide. \nThe project has been made possible with funding from DAZA Filmes\, a women-led production company founded in 2010 by Leandra Leal\, Carol Benjamin\, and Rita Toledo in Brazil. Their feature-length documentary As Mil Mulheres / A Thousand Women will show the behind-the-scenes development of Heal Her. \n(Cover image by Annique Delphine) \n\n			\n				\n			\n			\n				\n			\n			\n				\n			\n		\n\ninstallation images courtesy of the artist
URL:https://www.h-r.la/event/heal-her/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/12/174.DSC00625-galaxy-small.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171224T190000
DTEND;TZID=America/Los_Angeles:20171224T230000
DTSTAMP:20260608T002941
CREATED:20171212T205010Z
LAST-MODIFIED:20181026T194045Z
UID:3067-1514142000-1514156400@www.h-r.la
SUMMARY:NO Earthlings Allowed
DESCRIPTION:THIS IS AN ART EXTRAVAGANZA!!\nSNATCHPOWER is celebrating the release of two projects: \n“The Brightest Oddest Strangest Star U Ever Did Saw Up Close And Afar From Planet Earth To Mars And Beyond!” is the debut album by The Uhuruverse\, produced by NVSBL GVNG\, which features “TWILIGHT ZONE” featuring Jupiter Black\, “BAFWB”\, “OBEY”\, AND MANY MANY MORE! \n“Unthinkable Acts” is the latest short story collection by SondriaWRITES\, it features “FIGHT IN HEELS”\, the story behind the motion picture FIGHT in HEELS\, and four brand new\, unreleased stories! \nART INSTALLATIONS BY:\nMissinglewood\nGLAMCHOP \nPERFORMANCES BY:\nTolliver\nNVSBL GVNG\nSHAMS THE FIRE GODDESS \nPHOTOBOOTH BY:\nOmniklix \n-CASH BAR\n-42O BAR BY BLACK CHERRY \nWe will be performing!\nWe will be reading!\nWe will be screening our film!\nWe will be celebrating a helluva an art year!\nWe’re very proud of our work and looking forward to closing out 2017 strong and getting started on the NEW-NEW.\nSNAAAAAAAAATCH!!!! Let’s get it!
URL:https://www.h-r.la/event/no-earthlings-allowed/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/12/24837638_1982717195316079_5665910444779097749_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171220T200000
DTEND;TZID=America/Los_Angeles:20171220T230000
DTSTAMP:20260608T002941
CREATED:20171217T212210Z
LAST-MODIFIED:20181026T193725Z
UID:3079-1513800000-1513810800@www.h-r.la
SUMMARY:Alex Black\, TMO\, Samuel White
DESCRIPTION:An evening of music and performance celebrating the release of Alex Black’s Baby EP and TMO’s RELEASE DELUXE LP. The night will feature sets by both artists and a special appearance by Samuel White as Manuela. \nAlex Black makes pop music in his bedroom and performs once a year. \nTyler Matthew Oyer\, called an “interdisciplinary gospel immortalist” by Kembra Pfahler of the Voluptuous Horror of Karen Black\, is an artist\, writer\, organizer\, and educator based in Los Angeles. \n Samuel White plays with failure and wishes everyone a safe holiday.
URL:https://www.h-r.la/event/alex-black-tmo-samuel-white/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/12/unnamed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171218T200000
DTEND;TZID=America/Los_Angeles:20171218T230000
DTSTAMP:20260608T002941
CREATED:20171216T002613Z
LAST-MODIFIED:20181026T193754Z
UID:3070-1513627200-1513638000@www.h-r.la
SUMMARY:Flawless Sabrina Tribute
DESCRIPTION:Facebook RSVP\nFree\nFrank Simon\, The Queen\, 35mm\, 68min.\, 1968\nCourtesy of www.thequeen1968firstlegaldvd.com\nOn November 18th\, we lost one of the greats – Jack Doroshow / Flawless Sabrina was a fierce role model and pioneer of performance and queer cultures with a legacy that spans 7 decades of advocacy\, activism and drag. In 1967 she staged a drag pageant that was documented by director Frank Simon. We will screen the resulting feature\, The Queen – which is the first feature-length documentary dedicated to the art of drag – in honor of Sabrina\, our reigning queen. \nThe Queen offers one of the earliest cinematic documentations of a drag ball. Depicting the 1967 Miss All-America Camp Beauty Contest for female impersonators held at Town Hall in New York and organized by “mistress of ceremonies” Flawless Sabrina\, the film also features Crystal LaBeija\, who would gain greater fame years later for her appearance in Paris Is Burning. The contestants get settled in their hotel rooms\, gossip\, share beauty secrets\, and discuss their backgrounds. Topics of discussion include gay life\, sex change operations\, problems with the draft\, and “husbands” in the service. Andy Warhol judges the competition and Mario Montez makes a guest appearance\, singing “Diamonds Are a Girl’s Best Friend.” \nPresented by Dirty Looks. \nImage: Curtis Carman\, Drag Icon #5\, 8×10”\, 2014
URL:https://www.h-r.la/event/flawless-sabrina-tribute/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/12/unnamed-4.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171128T080000
DTEND;TZID=America/Los_Angeles:20171217T170000
DTSTAMP:20260608T002941
CREATED:20171109T003631Z
LAST-MODIFIED:20181026T193836Z
UID:3047-1511856000-1513530000@www.h-r.la
SUMMARY:A.K. Burns: A Smeary Spot
DESCRIPTION:Opening Reception November 28\, 6-10pm\nOn view November 28 – December 17\nGallery Hours Wednesday – Sunday\, 12-6pm\n  \nVideo installation curated by Clara López Menéndez \n…it was ambiguous\, two-faced. What was inside it and what was outside it depended upon which side of it you were on. \n—Ursula K. Le Guin\, The Dispossessed \nFrom November 28 through December 17\, Human Resources LA is excited to present\, for the first time in California\, A.K. Burns’ video installation A Smeary Spot (2015). This 53-minute 4-channel video installation is the opening episode of a five-part cycle of multi-media works entitled Negative Space (2012-ongoing) that draws on science fiction\, theater\, philosophy\, and quantum theory. Setting up a parallel cosmology\, A Smeary Spot invites a dialogue between ecological fragility\, marginalized bodies\, and their relationship to resources. \nA Smeary Spot explores the metaphorical ‘sun’ as a manifestation of power\, a source of both life and death and around which the other episodes (in Negative Space) circulate. The title\, is borrowed from feminist sci-fi writer Johanna Russ’s book We Who Are About To…. The sun–– “that smeary spot” –– is a dense concentration of heat and light\, an organizing principle of time\, place and ego. What potential emerges when we glance away from the source and settle into the blurry residue of its afterimage? With political urgency\, the work reorients viewers in a ‘speculative present\,’ by which we are invited to imagine an alternative future. \nThis work was shot in two locations: in the deserts of southern Utah and inside a black box theater\, where performers deliver recitations of appropriated and altered texts that compose a loose manifesto on being. Inside this cinematic experience is a surreal narrative of bodies in transition — bodies that change\, move\, slip between\, act and act out. Among these bodies\, the land\, the water\, the waste pile and the theater are not simply stages upon which actions occur. They are sprawling protagonists\, who\, like the sun are permeating and persistent. \nIn a moment when the logic of political power seems unyielding\, this work presents an aesthetic vision—a speculative space that unbinds us from delusional inherited behaviors\, where the present categories of body\, mind\, land\, “one” and “other” are dispersed in favor of a new relationality. Through moving image and an elaborate (6-channel) sound track\, A Smeary Spot allows us to inhabit this metaphysical offering\, decisively rethinking our conception of language and boundaries (political\, social\, bodily) and their ensuing impact in contemporary understandings of politics. \nThis exhibition of A Smeary Spot was made possible with the generous support of The Foundation of Contemporary Arts Emergency Grants\, The Box\, the Hammer Museum\, and Human Resources LA. The video\, A Smeary Spot (2015)\, was produced with support from Creative Capital\, The Kitchen\, Outpost Cuts and Burns Residency\, Callicoon Fine Arts\, and PARTICIPANT INC\, and in conjunction with performers niv Acosta\, Nayland Blake\, Grace Dunham\, Jack Doroshow (aka Flawless Sabrina)\, Macauley Devun\, Marcelo Gutierrez\, Katherine Hubbard\, Lee Maida\, Matana Roberts\, Jen Rosenblit\, Mariana Valencia and soundtrack scored by artist Geo Wyeth. \n  \nSpecial thanks to Chiara Giovando\, Max Krivinsky\, Kandis Williams\, Becky Stafford\, Lydon Macgregor\, Karla Canseco\, Isidro Pérez García\, Adam Otto Lutz and Jaya Inder Kang \nImage: Still from A Smeary Spot (2015).
URL:https://www.h-r.la/event/a-k-burns-a-smeary-spot/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/11/radical_disco2.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171118T200000
DTEND;TZID=America/Los_Angeles:20171118T200000
DTSTAMP:20260608T002941
CREATED:20171116T015949Z
LAST-MODIFIED:20181026T193947Z
UID:3061-1511035200-1511035200@www.h-r.la
SUMMARY:Gap Girls  / Miss Rayon / Lunch Lady / Crystales
DESCRIPTION:Performances by: \nGap Girls (Member of Surf Curse)\nMiss Rayon (PDX- Former The Gossip\, Summer Cannibals)\nLunch Lady\nCrystales
URL:https://www.h-r.la/event/gap-girls-miss-rayon-lunch-lady-crystales/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/11/23517943_10156185138348912_1867046957288240793_n.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171117T190000
DTEND;TZID=America/Los_Angeles:20171117T220000
DTSTAMP:20260608T002941
CREATED:20171108T213721Z
LAST-MODIFIED:20181026T193947Z
UID:3035-1510945200-1510956000@www.h-r.la
SUMMARY:It was quite a fiction
DESCRIPTION:Friday\, November 10th 7-10pm and\nFriday\, November 17th 7-10pm (2-day event) \nParticipants: Carmen Argote\, Harry Dodge\, Mariah Garnett\, Jennifer Moon\, Elliot Reed\, and Kandis Williams \nwith a screening of works by Ismail Bahri and Mounira Al Solh \nOrganized by Suzy Halajian and Clara López Menéndez \nIt was quite a fiction brings together artists and practitioners to participate in a two-day proposition that involves conversations and material practices. \nWe find ourselves constantly thinking about the disconnect between our daily experience and the political and institutional structures we are immersed in. How are these two realms of the personal and the political intra-acting? How does history lay the ground of our everyday experience and possibilities\, and in what ways does it impregnate the materiality of our work? Can what we do aesthetically\, materially\, socially\, emotionally\, intervene with larger agendas that seem unreachable\, oftentimes abstract\, and weighing over us? These questions\, among others\, will thread the program. \nWe are interested in thinking about these open-ended questions with the public at Human Resources. \nDuring our first meeting on November 10th\, we plan to discuss the disconnect between political and daily life in relation to our work and processes: how we do it\, where it exists\, and what we hope it enacts. The format of the second meeting on November 17th will take shape in the aftermath of our conversations\, where participants will perform\, or share a piece\, a work-in-progress\, a text or lecture. \nWe hope you join us. \nImage: Kandis Williams\, “We are too much in the habit of looking at falsehood in its darkest associations…That indignation which we profess to feel at deceit absolute\, is indeed only at deceit malicious. We resent calumny\, hypocrisy\, and treachery because they harm us\, not because they are untrue.” Ruskin\, 2017
URL:https://www.h-r.la/event/it-was-quite-a-fiction-2/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/11/Williams.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171112T170000
DTEND;TZID=America/Los_Angeles:20171112T200000
DTSTAMP:20260608T002941
CREATED:20171108T211027Z
LAST-MODIFIED:20181026T193947Z
UID:3022-1510506000-1510516800@www.h-r.la
SUMMARY:A Benefit Party for Human Resources Los Angeles
DESCRIPTION:Hosted by Zackary Drucker\, Kibum Kim\, Eve Fowler\, Mara McCarthy\, Jackie Tarquino\, and Francois Ghebaly\, with Committee Co-Chairs Holly Stanton and Andrew Greene \nCocktails and Hor D’Ouvres – Full Moon Pickles\, Fort Point Beer\, Kikori Whiskey\nPerformances by Anenon and LA Fog \nHuman Resources is raising money for it’s 2018-2020 schedule of programming\, and would like to invite you to attend our Art Auction Viewing Party! Please come to eat\, drink\, be entertained\, learn about the history of Human Resources\, and meet the artists\, curators\, and organizers of Human Resources’ community. Also\, come to see the work of many of the artists we have come to know and work with over the last 8 years. \nWe believe that Human Resources serves a vital role in an art economy that often fails to recognize and support the work of both emerging and established artists who are exploring performative and experimental modes of expression. Our strategy has been to actualize our mission by putting the intentions and practices of artists\, curators\, and community activists first\, and by maintaining a decentralized decision-making process that allows for maximum community access — and maximum artistic freedom\, invention and brilliance. \nOver the past seven years\, our unique organizational model has produced an incredible outpouring of creative enterprises\, with a positive impact that far exceeds our walls. In recent history\, we have hosted the exhibitions and performances of Ligia Lewis\, Rafa Esparza\, E.J. Hill\, Artemisa Clark\, Dorian Wood\, Keijaun Thomas\, Yann Novak\, Michael Parker\, Martine Syms\, Gelare Khoshgozaran\, Dirty Looks\, and living legends like Kembra Pfahler\, Terre Thaemlitz\, Rocio Boliver\, Ron Athey\, as well as a rare production of Tino Seghal’s (Untitled) 2000. We strive to make the art community a better environment for all\, even for those who may not visit or work with HR directly. \nFrom the Human Resources team\, our most heartfelt thanks\, \nVardui Sharapkhanyan\, Managing Director\nLuke Fischbeck\nJennifer Doyle\nGiles Miller\nEric Kim\nShoghig Halajian\n​Devin Mcnulty \nlink to paddle8 auction live now! \nPARTICIPATING ARTISTS:\nScoli Acosta\, Mathis Altmann\, Edgar Arceneaux\, Carmen Argote\, Ron Athey\, Nora Berman\, Johanna Breiding\, Kristin Calabrese\, Carolyn Castaño\, Sam Durant\, Olivia Erlanger\, Patricia Fernandez\, Cristóbal Gracia\, Pippa Garner\, Mariah Garnett\, Laeh Glenn\, Piero Golia\, Sayre Gomez\, Justin John Greene\, Andrew J. Greene\, Karl Haendel\, Zach Harris\, Maxfield Hegedus\, Patrick Jackson\, Barry Johnston\, Jacob Kassay\, Ann Greene Kelly\, Young Joon Kwak\, Anne Libby\, Candice Lin\, Nancy Lupo\, Lila de Magalhaes\, Nevine Mahmoud\, Charles Mayton\, Aislinn McNamara\, MPA\, Paul Mpagi Sepuya\, My Barbarian\, Alexandra Noel & Naoki Sutter-Shudo\, D’Ette Nogle\, Laura Owens\, Tyler Matthew Oyer\, Gala Porras-Kim\, Ry Rocklen\, Mark Roeder\, Miljohn Ruperto\, Anna Sew Hoy\, Naoki Sutter-Shudo\, Andrew Norman Wilson\, AND MORE… \nPlease note: This event is held at the Ghebaly Gallery 2245 E. Washington Blvd. Los Angeles\, CA 90021
URL:https://www.h-r.la/event/a-benefit-party-for-human-resources-los-angeles/
LOCATION:Ghebaly Gallery\, 2245 E Washington Blvd.\, Los Angeles\, CA\, 90021\, United States
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/11/23415363_1824967637530821_8142290819927671057_o.jpg
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END:VCALENDAR