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DTSTART;TZID=America/Los_Angeles:20150612T210000
DTEND;TZID=America/Los_Angeles:20150613T000000
DTSTAMP:20260423T122921
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T212737Z
UID:1444-1434142800-1434153600@www.h-r.la
SUMMARY:L'INFERNO
DESCRIPTION:L’INFERNO: A GROUP ART SHOW / LIVE FILM EVENT \nFRIDAY\, JUNE 12th \n$5 DONATION / DOORS AT 8:30PM; PERFORMANCES AT 9:00PM \nALL AGES \n+ALL PROFITS BENEFIT WEST LA ANIMAL SHELTER+\nA full multimedia art show in the vein of last year’s acclaimed ‘Try To Forget’ show\, the ‘L’Inferno’ event brings together some of the most controversial and avant-garde artists in Los Angeles to create an unforgettable and dynamic night of audio and visual experiences that one will never forget – culminating in a screening of the rarely seen 1911 film adaptation of the classic literary descent into hell\, Inferno with a live dark ambient / death industrial score by Jay Gambit. \nARTISTS BIOS \nUNICA (Maria Garcia\, Concrete Shiva)\nUnica is the noise/performance project of Los Angeles-based Maria Garcia. Previously known as Concrete Shiva\, she has releases on US noise labels Cave Life\, Christian Pop\, Prima Donna\, and Basement Tapes. Maria also co-runs MATA\, a gallery & noise venue in Mid-City. Using prepared tape loops & homemade contact mics on found objects\, Unica is used as a platform to take apart familiar sounds\, removing context from the sources to create shifting layers distantly recognizable\, but ultimately foreign. \nJ.S. AURELIUS (Destruction Unit\, Marshstepper\, Ascetic House\, AZ)\nJS is the co-founder of Ascetic House\, Marshstepper\, guitar player in Destruction Unit\, creator of Pleasure Corps\, denizen of Pigeon Religion and Avon Ladies and sometimes frontman\, sometimes faceless but always vital appendage of many ever-shifting entities. \nHUNTER SHAW (Dakota Hogback\, Abject Renaissance)\nHunter Shaw is a multi-media artist based out of Los Angeles by way of Austin\, TX. After creating several award-winning short films in his native Colorado\, Hunter attended New York University’s Tisch School of the Arts for film and television production. While majoring in Experimental Film\, Hunter created works of varying length which combined traditional cinematic craftsmanship with a highly experimental aesthetic. A number of these pieces were exhibited at NYU\, The Pratt Institute and The Grand Screen in New York. Since graduating\, Hunter has worked as a freelance set dresser and fabricator in the Art Department on diverse independent features and music videos in New York and Austin\, in addition to operating the production company and experimental record label Abject Renaissance. \nGENEVIEVE BELLEVEAU\nGenevieve Belleveau (b. Bemidji\, MN 1984) originally hails from Brooklyn\, NY and currently resides in Los Angeles. She studied theatre\, visual art and voice at Bennington College. She recently created work for Lilith Performance Studio in Malmo\, Sweden and will present new works at Future Tenant Art Space\, Pittsburgh\, PA and Soho Grand Hotel\, NYC. Her work has been universally praised for her cutting edge and immersive performances and installations involving about therapeutic role-play\, the inherent knowledge and eroticism of plant life\, creating a more compassionate world through the practice of BDSM\, and more. \nSHEREE ROSE\nRose is a legend of multiple Los Angeles underground scenes. Punk shows\, feminist reading groups\, poetry scenes\, fetish clubs\, underground performance art events — she’s been there and done that as an active participant and also as a documentarian. First known for her extensive visual art\, poetry\, and performance collaborations with late partner\, Bob Flanagan\, draws on her experience from her more than 30 years as a performance artist. While the work was appreciated for being controversial\, it is also notable for its intelligent and playful examination of voluntary and involuntary pain\, as well as its incredible humor and compassion. \nGX JUPITTER-LARSEN (The Haters\, Survival Research Laboratories\, Banned Productions)\nGX Jupitter-Larsen (sometimes erroneously spelled Juppiter-Larsen) is an artist\, based in Hollywood\, California\, who has been active in a number of underground art scenes since the late 1970s. Jupitter-Larsen has been involved in punk rock\, mail art\, cassette culture\, the noise music scene\, and zine culture. During the 1990s he was the sound designer for the performances of Mark Pauline’s Survival Research Laboratories. His best known work is as the founder of the noise act The Haters\, who have performed all over the world\, and appear on over 300 CD and record releases. \n*remotely performing a prepared piece commissioned specifically to accompany this performance \nJAY GAMBIT (Crowhurst\, Girl 27)\nJay Gambit is a visual and audio artist based out of Los Angeles by way of Philadelphia. He has been active in a number of musical and artistic scenes since 2010 contributing graphic design for labels such as Three One G records. In 2011\, Gambit started the open collaborative sound art project Crowhurst which saw releases on labels such as Chondritic Sound and collaborations with everyone from powerviolence titans Water Torture to members of Bastard Noise and performances with everyone from the likes of Sannhet and The Body to more avant-garde acts like John Wiese and Hive Mind. Recordings can be found on labels like Chondritic Sound and Sol Y Nieve and the most recent experimental output ‘Give In’ will soon see a release on the world famous Ascetic House label. Recently\, the Crowhurst project has split off and taken a more metallic edge while Gambit continues his experimental pursuits under the moniker Girl 27. For this performance Jay Gambit will focus more on his solo work\, adding a bleak industrial soundscape and visual distortion to the already bleak landscape created in the film L’Inferno – considered by fans and scholars alike to be the finest and most faithful adaptation of what is unanimously considered the ultimate literary descent into hell.
URL:https://www.h-r.la/event/linferno/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Inferno-June-12-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150610T210000
DTEND;TZID=America/Los_Angeles:20150610T230000
DTSTAMP:20260423T122921
CREATED:20160311T093555Z
LAST-MODIFIED:20160523T025656Z
UID:1443-1433970000-1433977200@www.h-r.la
SUMMARY:PEDESTRIAN DEPOSIT
DESCRIPTION:Doors 9PM / $7 \nOrganic tension noise composition; emphasis on being in the moment — minds\, bodies\, rooms. Our terms. Discomfort\, anxiety\, struggle\, obsession\, dynamic\, and intention through sound — and the necessity to create our own vocabulary within it. Discarding what doesn’t hold resonance while refining what does. Aesthetic integrity. Line in the sand. In support of ‘The Architector\,’ a full-length album five years in the making and the one hundredth release for Monorail Trespassing.
URL:https://www.h-r.la/event/pedestrian-deposit-coming-home-show/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Pedestrian-Deposit-2000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150522
DTEND;VALUE=DATE:20150604
DTSTAMP:20260423T122921
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T213628Z
UID:1442-1432274400-1433311199@www.h-r.la
SUMMARY:Chilean Miracle\, Milagro Chileno
DESCRIPTION:Chilean Miracle examines the transformations Chile witnessed since the 1970s\, following Augusto Pinochet’s brutal dictatorship and the arrival of neoliberalism’s no less ruthless global capitalism. \n\n\nUsing theorist\, curator\, and art historian Andrés Grillo’s and Angie Saiz’s curatorial texts as a jumping-off point\, artists Sergio Acevedo\, Mario Z\, Francisco Huichaqueo\, María José Rojas\, Hugo Leonello\, Angie Saiz and Alejandra Herrera respond to a phenomena still unfolding within the socio-political contexts in which they live\, while also interrogating the claims and conventions of the exhibition space. \n\n\nCurators Saiz and Grillo with Macarena Gomez Barris will address the scope and limitations of neoliberalism in relation to the works on view in an artists panel on June 1st. \nOpen Studios: FRI MAY 22- TUE MAY 26 \nReception: May 27th 7-10PM with a performance by Alejandra Herrera Silva \nConcert: Mario Z & The Museo Realmente Contemporáneo / Guest: Benjamin Wildenhaus: May 29th 7-10PM \nArtists Talk with Macarena Gomez Barris: Mon\, June 1st  7pm \nGallery Hours: Wed-Sun\, NOON-6PM or by appointment \nCURATORIAL TEXTS \nThe September 11th of 1973 marks a crucial date to Chile. That day a State’s coup headed by Augusto Pinochet gaves term to the three years of Salvador Allende’s marxist  and democratic government. Involved in the active discourse of the cold war\, the nationalism and the Chilean ultraright-wing saw in Pinochet the restoration of order and the country’s dignity contaminated before by the left. The followed history is already known: a brutal dictatorship\, world famous for the repression and atrocities imposed on the society. \nBehind of the repressive action\, however\, the creation of a new socio-economic model was brewing. A neo-liberal experiment that puts in action the thought of economist Milton Friedman and that would conduct a deep transformation\, creating a graft through the horror\, in an absolute detriment of the historical course of the country. \nWith that\, it would occur at the historic course\, an individual and collective split with all kinds of imbalances\, a mute and unable history to reconnect itself\, being then\, the neo-liberalism incapable of giving direction and coherence to a single speech. Islands of identity sense\, coated and reconnected by the apparatus grafted\, still in the diminishment of its original meaning. \nThe “Chilean miracle”\, the economic success of the country\, has shown an image of excellence that is legitimized in the idea of a society composed after the differences experienced since the 1970s\, which\, on the contrary\, have survived in the new model. \nIn this perspective\, it is of great value return to wonder which are the real scopes of this transformation?\, which the benefits and which disadvantages? And in the same way\, what is the possible visual story of that “miracle”? \nThe experience acquired is replicable anywhere in the world where extensive economic transformations are imposed to populations who are unable to react. The gained experience of split living in Chile as a natural\, determines a vision reflecting on the invited artists as critical exercise of a society that is increasingly alien to its history. \nANDRÉS GRILLO . December 2014 \nChilean Miracle: \nHistory is sometimes alien to its society; the broad transformations dilute the gap between the promise of a stable future and the anxiety of its actual outcome. \nThis is an exhibition project born from the innocent hope of a possibility / betting and putting effort towards the objective / when achievement is reached\, distrust and exaltation /thus… \nBy the rule of three\, percentage of success – possibility – impact\, where \nA is equal to the curatorial work (commendation) \n100 is equal to habitat (displacement) \nnº% is equal to the expected result \nX is equal to real visibility (Is\, To be) \nIn the equation: \nA      =      100 \nX                           nº% \nOnly if we define that: \nCuratorial \n1. Formulation and development of an exhibition project. 2. A theoretical creation\, fruit of lobby\, which brings personal rewards. 3. Also\, the sum of the efforts to achieve the grant to travel. \nAnnex Commendation: 1. Term of Roman origin; agreement by which an individual or customer of lower position is located under the protection of a superior. 2. Put under the protection of a higher authority as God or a saint. \nFactor: \n1. Element\, circumstance or influence that contributes to produce a result. 2. Amount multiplied by another to find the product. (Habitat\, referring to the influential socio-cultural agents in the context chosen) \nAnnex Displacement: 1. Shift or transfer of a person or thing from one place to another. 2. To remove a person from an office or staff position to put to another in his place. \nExpected Result: \n1. According to Fondart effect to achieve according to the objectives in a project\, determining the means of verifying them. 2. Arbitrary will conditioned to the multiplicity of unpredictable and random actions of the chosen context. \nAnnex Miracle: 1. Extraordinary and wonderful event that cannot be explained by the regular laws of nature and is attributed to the intervention of God or a supernatural being. 2. Extraordinary event that causes admiration or surprise. \nVisibility: \n1. According to Fondart\, a phenomenon to occur within the context chosen in relation to the reasons for the need of realizing the project. 2. What can be perceived by sight. 3. That which is clear and manifest. \nAnnex Is (To be): 1. Exist within reality. 2. To occur or take place. 3. To Serve or be destined for something specific. \nX Conclusion: \nThe impact % to occur is impossible to predict / the order of factors can affect the product / the results are not all quantifiable and provable\, because the past form cannot assure the future outcome and\, therefore\, the specific quantification of the present looses meaning beyond the distance between both contexts / sometimes\, miracles can happen. \nANGIE SAIZ\, April 2015. \n  \nABOUT THE ARTISTS \nFrancisco Huichaqueo (1977) holds a degree in painting from the University of Chile with highest distinction\, also has studies in Documentary Film Film School Chile. He serves as academic in Experimental Video\, Digital Animation and Drawing and Color at the University of Chile and the Arcos Institute. It has cured three samples of video art\, animation and experimental film\, Plastic Videos\, Video Instances of Art and Lenguamadre presented at the Museum of Visual Arts in 2007\, 2008 and 2009 respectively. Additionally he has participated as in the events: XI Festival del Bosque Video and Film Festival Concepción. His work has been subject to analysis in various bodies including the 5th International Festival of Animation and Time FLIP 2009 TVN 25 and Via X. Besides that receives frequent invitations to discuss the process of their work in cultural centers and exhibition spaces Europeans in the context of the exhibition tour Warriache funded by the Chilean Ministry of Foreign Affairs. \nHugo Leonello (1977) He did his studies at the Faculty of Arts of the University of Chile. His work has been exhibited in Chile\, Mexico\, Ecuador\, Argentina\, Spain\, France and USA\, both individually and collectively. It has been benefited from scholarships\, as FOECA and FONCA\, State Fund and National for Culture and the Arts of Mexico (2009\, 2012)\, special support performing work abroad of To National Council for Culture and the Arts in conjunction with the Directorate General of International Affairs of Mexico (2012) and the Development Fund for the Arts and Cultural de Chile (2004). Among the awards outstanding selection for XV Biennial of Painting Rufino Tamayo\, Mexico 2011 (Hons)\, Arteamericas ninth edition\, USA (2011)\, V National Biennial of Visual Arts Yucatan (2012)\, IX Biennial FEMSA Monterrey Mexico 2009 (collection FEMSA)\, Fotografest\, Festival of Dance and Electronic Media Photography Video of Mexico (2008)\, Peripheral\, Art Base\, Meeting New Trends and Languages of Contemporary Art in Argentina (2006)\, the honorable Mention in Young Art\, Chile (2004)\, and the selection for the Biennial of Video and New Media\, Juan Downey de Chile (2003). \nMaría José Rojas (1974) is an artist Visual Artist Medial and Theatrical designer. Develops his work in the conjunction of these three disciplines media installation\, video and object construction. The themes that the artist addresses are born from a concern for pointing invisible or subtle aspects of reality\, making the viewer complicit in a space of contemplation and awareness of their perception. Finding situations the edge of perception and our sense of reality speaks of a spiritual motivation in their art. His work has been exhibited in Chile\, England\, Poland\, Iceland\, Switzerland and the United States. \nSergio Acevedo (1982)\, is a visual artist with a degree in Fine Arts from the University Uniacc and Diploma in Cultural Management at the same institution. His artistic production has developed in building projects in-situ and\, recently\, in the work of unique pieces outcome of the investigation of materiality and conceptual translation operations. Currently\, projects exhibitions both inside and outside the country\, which are part of a series of works designed under this last line. It also makes editing and production work in visual arts. Lives and works in Santiago de Chile. \nMario Z (1970)\, visual and sound artist. He studied percussion at the National Conservatory of Music of the University of Chile and graduated in Fine Arts in Painting mention Arcis University. His work has developed from painting\, installation\, sound and experimental music\, exerting media manipulation\, forming a transfer of meaning thereof thereby constructing new discourses and paradoxes. He has exhibited in major museums and galleries and abroad. Her work is in private and institutional collections. He won the “International Competition for the creation and audiovisual authorship Juan Downey” (2013) of the 11th Biennial Medial Arts at the National Museum of Fine Arts in Santiago\, Chile and is nominated for “Altazor” award in the categories of installation and video art (2014). Lives and works in Santiago de Chile. \nAngie Saiz (1977) is visual artist producing work in painting\, photography\, public intervention and video installation. His work develops aesthetic problems from imaginary biographical and crossing and crises between new technologies and concepts of time\, limbo and ruin. He has exhibited at important venues in Chile\, including the Museum of Contemporary Art\, Museum of Visual Arts MAVI and Metropolitan Gallery. He has also participated in samples outside the country in areas such as YAKU in Quito Water Museum and Marta Traba Gallery in Sao Paulo. It also works as a producer in visual arts projects and performs editorial work in related publications. He currently lives and works in Santiago de Chile\, and performs exhibition projects inside and outside the country.\nAlejandra Herrera Silva (1978) received her BFA from Universidad de Chile and further studies in Valencia\, España and Belfast\, Ireland. She was co-founder of PERFOPUERTO (Independent Organization of Performance Art in Chile\, 2002-2007) and has received several grants from FONDART (National Fund for The Arts and Culture) and DIRAC (Department of Cultural Affairs Ministry of Foreign Affairs). Her work is installation and performance based. Her body becomes a site of exploration\, where issues of gender reference the inevitable biological implications that the body has as a social and political being. In recent years\, she has been working on the issue of maternity and domestic life. Her work has been presented in performance festivals such as: Trouble in Belgium\, Anti in Finland\, Staglinec in Croatia\, 7A11D in Canada; and other countries such as Germany\, Poland\, Japan\, Mexico\, Venezuela\, Argentina\, United States\, and Northern Ireland. Since 2007\, she lives in Los Angeles\, California. \nOrganized by: Alejandra Herrara Silva
URL:https://www.h-r.la/event/chilean-artist-open-studio-alejandra-herra-silva-project/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/Chilean-Miracle.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150514T200000
DTEND;TZID=America/Los_Angeles:20150514T220000
DTSTAMP:20260423T122921
CREATED:20160311T093555Z
LAST-MODIFIED:20160523T025614Z
UID:1441-1431633600-1431640800@www.h-r.la
SUMMARY:Jamie McMurry: Double Wide
DESCRIPTION:8PM
URL:https://www.h-r.la/event/jamie-mcmurry-performance/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150513
DTEND;VALUE=DATE:20150523
DTSTAMP:20260423T122921
CREATED:20160311T093555Z
LAST-MODIFIED:20160523T025607Z
UID:1440-1431496800-1432274399@www.h-r.la
SUMMARY:Jamie McMurray: Above Snakes
DESCRIPTION:Opening Reception: Thursday\, May 14 7PM-10PM \nExhibition Dates: May 13 – May 21\, 2015 \nPerformance: Thursday\, May 14 8PM sharp \nGallery Hours: Wed-Sun\, NOON-6PM (or by appointment) \nIn an extensive showing of installations and materials from his most recent conceptual art projects and performances\, JAMIE McMURRY (Los Angeles) brings his solo exhibit\, ABOVE SNAKES\, to Human Resources with a reception on Thursday\, May 14th from 7pm-10pm. There will also be a live performance entitled\, DOUBLE WIDE beginning promptly at 8:00pm. \nDocumentation and objects will be on display from the INTELLIGENT DESIGN series\, photos from several street actions called COLOR THEORY\, and the personal effects of deceased accident or homicide victims that McMurry has been collecting for a project entitled OBJECT WITNESS. \nJAMIE McMURRY has been an active organizer\, educator and artist in the fields of performance\, installation\, video and conceptual art for more than 20 years. Originally from Yakima\, Washington\, he currently resides in Los Angeles\, California. McMurry’s work has most recently been exhibited at the Buzzcut Festival\, Glasgow – 2015; MV Studio\, London – 2015; Defibrillator Gallery\, Chicago – 2014; University of Hildesheim\, Germany – 2013; Boston Center for the Arts – 2013 and 2014; Miami International Performance Art Festival – 2013; National Gallery of Art\, Sopot\, Poland – 2013; Existence Festival\, Brisbane – 2012. \nHe taught performance\, video and sound as a visiting artist faculty member at the School of the Museum of Fine Arts\, Boston (2003-2005) and at Art Center College of Design\, Pasadena (2007-2009). Most recently he has conducted workshops and artist talks at the School of the Art Institute of Chicago; National Review of Live Art\, Scotland; University of Hildesheim\, Germany; University of Vina del Mar\, Chile. He has recently presented and published writing at the College Art Association 2014\, in the Total Art Journal and for French art magazine DOCKS. In 2014 he was a Franklin Furnace Fund recipient. \nIntelligent Design was made possible in part by support from the Franklin Furnace Fund.
URL:https://www.h-r.la/event/jamie-mcmurray-installation/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Jamie-McMurry-Above-Snakes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150509T140000
DTEND;TZID=America/Los_Angeles:20150510T020000
DTSTAMP:20260423T122921
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T202057Z
UID:1439-1431180000-1431223200@www.h-r.la
SUMMARY:benefit show for HRLA!!!
DESCRIPTION:2PM-2AM \nhelp us help you \ncome listen to new and exciting music\, eat some hot dogs\, drink some drinks in the evening part of the show… \nlife is good \ntwo shows in one… bring what you can and we’ll take care of the rest…. but remember this is a benefit and we need dough to pay rent and power and buy toilet paper and whatnot so be generous \nAFTERNOON BBQ BLOWOUT \n2-2:30 – SUNKEN LANDSCAPES moog synth bath\n2:30-3 – MATTHEW DOTSON and guests mystery sound\n3-3:30 – BELLY BELT who doesnt like pizza\n3:30-4 – DEADPANZIES a rose by any other name\n4-4:30 – PANTHAR rawk\n4:30-5 – Ghost Noise the young royals\n5–5:30 – EISENHOWER deep cuts from the past\n5:30 – 6 – CLARE KELLY + MARIA GARCIA motion concrete \n6- 6:30 – Gun/Her a most colourful darkness \nEVENING EXTRAVAGANZA\n8-8:30 – BLACK SUN SUTRA sight and sound\n8:30 – 9 – VIRONS re-circuiting your brain\n9–9:30 – COREY FOGEL drums and vids\n9:30- 10 – MOOMAW surf candle drone karaoke\n10-10:30 – SHE KHAN the voodoo they do\n10:30-11 – WITCHES OF MALIBU battery born acid rain\n11-11:30 – SADISTIC CANDLE groove from pluto\n11:30-12 – ACTUARY full frontal horror\n12-12:30 – CAT MUSEUM a gentle tapestry covering us\n12:30-1 – Period BOMB pervasive confrontation\n1-1:30 – ABJECTFAILUREXHRISTDCVR detroit trash
URL:https://www.h-r.la/event/benefit-show-for-hrla/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/granty.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150507T210000
DTEND;TZID=America/Los_Angeles:20150507T230000
DTSTAMP:20260423T122921
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T220343Z
UID:1437-1431032400-1431039600@www.h-r.la
SUMMARY:SMEGMA + MSHR + HOWARDamb + GX JUPITTER LARSEN + DAMION ROMERO
DESCRIPTION:Doors at 9PM; $7 all ages \nlife is good \nThis article is about a secretion of mammalian genitals. For the substance that covers the skin of a baby at birth\, see Vernix caseosa. For the experimental noise band\, see Smegma (band). MSHR is beyond anything we have ever seen and heard… craftsmanship of alien proportions… intensity of biblical scope
URL:https://www.h-r.la/event/smegma-mshr-howardamb-gx-jupitter-larsen-damion-romero/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Smegma-May-7-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150503T000000
DTEND;TZID=America/Los_Angeles:20150503T000000
DTSTAMP:20260423T122921
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T214804Z
UID:1436-1430611200-1430611200@www.h-r.la
SUMMARY:Dirty Looks (screening)
DESCRIPTION:Doors open at 6PM\, Screening at 6:30PM; $8 suggested donation \nVanessa Roveto\, Excitability\, 32 min.\, 2013 \nMichael Robinson\, Light Is Waiting\, 11 min.\, 2007 \nMichael Robinson\, All Through The Night\, 4.20 min.\, 2008 \nMichael Robinson\, These Hammers Don’t Hurt Us\, 13min.\, 2010 \nMichael Robinson\, The Dark\, Krystle\, 9min.\, 2013 \nQueer pop cultures collide in the exciting video work of Vanessa Roveto and Michael Robinson. Collaging delusional gossip from freak encounters with lesbian icons\, or queering popular iconography through mechanical manipulation\, mashups or supercuts\, this evening of recent video works leave nothing sacred\, no text unturned. \nVanessa Roveto’s Excitability assembles the artist’s alleged encounters with paramours Kristen (“call me Kstew”) Stewart\, Lindsay Lohan\, Lilly Tomlin through homespun monologues. The hilarious recollections are thrown into question by the dystopic interstitial sequences or the artist struggling to adapt to a brutal consumerist culture. \nMichael Robinson’s Light is Waiting reinvisions as a very special episode of television’s Full House that devours itself from the inside out\, excavating a hypnotic nightmare of a culture lost at sea. Tropes of video art and family entertainment face off in a luminous orgy neither can survive. All Through the Night offers a charred visitation with an icy language of control: “there is no room for love”. Splinters of Nordic fairy tales and ecological disaster films are ground down into a prism of contradictions in this hopeful container for hopelessness. Tired of underworld and overworld alike\, Isis (Elizabeth Taylor) escorts her favorite son (Michael Jackson) on their final curtain call down the Nile\, leaving a neon wake of shattered tombs and sparkling sarcophagi\, in These Hammers Don’t Hurt Us. The Dark\, Krystle is supercut\, comprised of footage from the 1980s soap\, Dynasty. The cabin is on fire! Krystle can’t stop crying\, Alexis won’t stop drinking\, and the fabric of existence hangs in the balance\, again and again and again. \nVANESSA ROVETO is a writer and filmmaker. Her work has been screened at the Anthology Film Archives\, Redcat and Lincoln Center\, and her first book of poetry is forthcoming from the University of Iowa Press. She holds an MFA from from the Iowa Writers’ Workshop\, where she was a poetry fellow. \nMICHAEL ROBINSON (b.1981) is a film\, video and collage artist whose work explores the joys and dangers of mediated experience\, riding the fine lines between humor and terror\, nostalgia and contempt\, ecstasy and hysteria. His work has screened in both solo and group shows at a variety of festivals\, museums\, and galleries including The 2012 Whitney Biennial\, The International Film Festival Rotterdam\, The New York Film Festival\, The Walker Art Center\, MoMA P.S.1\, The London Film Festival\, REDCAT Los Angeles\, among others. He was the recipient of a 2012 Creative Capital grant\, a 2011-2012 Film/Video Residency Award from The Wexner Center for the Arts\, a 2012 Kazuko Trust Award\, a 2009 residency from The Headlands Center for the Arts\, and his films have received awards from numerous festivals. Michael was featured as one of the “Best 50 Filmmakers Under 50” by Cinema Scope magazine in 2012\, and listed as one of the top ten avant-garde filmmakers of the 2000’s by Film Comment magazine\, and his work has been discussed in publications such as Frieze\, Artforum\, Art Papers\, The Village Voice\, Time Out New York\, Dazed and Confused\, The Nation\, BOMBlog\, and The Brooklyn Rail. He has curated programs for San Francisco Cinematheque\, Whitechapel Gallery\, The Museum of Contemporary Photography\, Cornell Cinema\, and The State Contemporary Art Center in Moscow\, and served on the awards juries of The Ann Arbor Film Festival\, The Aurora Festival\, The Big Muddy Film Festival\, and Migrating Forms. Michael holds a BFA from Ithaca College\, an MFA from the University of Illinois at Chicago (UIC)\, and has taught at Binghamton University and UIC.
URL:https://www.h-r.la/event/dirtylooks-screening/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Dirty-Looks.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150501T200000
DTEND;TZID=America/Los_Angeles:20150501T235500
DTSTAMP:20260423T122921
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T220947Z
UID:1435-1430510400-1430524500@www.h-r.la
SUMMARY:ODEYA NINI: A SOLO VOICE & SOUTHLAND ENDSEMBLE: INSTRUCTABLES
DESCRIPTION:May 1st\, 2015 – Doors at 8pm – $10 \nAn evening of contemporary and experimental music and performance. \nA Solo Voice by Odeya Nini is an investigation of extended vocal techniques\, resonance and pure expression\, exploring the relationship between mind and body and the various landscapes it can yield. The work is a series of malleable compositions and improvisations that include field recordings and theatrical elements\, aiming to dissociate the voice from its traditional attributes and create a new logic of song that is not only heard but seen through movement. Through multi-dimensionality that serves to both provoke and soothe in abstract communication\, the voice is presented in its spectrum of natures as it travels through cultures\, ages\, emotions and colors\, like photographs\, with tender intimacy and bold aberrance. \nMembers of Southland Ensemble present a set entitled INSTRUCTABLES\, a long form composition by Cassia Streb incorporating new work by Eric KM Clark alongside compositions by Taku Sugimoto and Manfred Werder.\nPerformers: Casey Anderson\, Eric KM Clark\, Orin Sie Hildestad\, Cassia Streb & Christine Tavolacci \nOdeya Nini is a Los Angeles based experimental vocalist and contemporary composer. At the locus of her interests are textural harmony\, gesture\, tonal animation\, and the illumination of minute sounds\, in works spanning chamber music to vocal pieces and collages of musique concrète. Her solo vocal work extends the dimension and expression of the voice and body\, creating a sonic and physical panorama of silence to noise and tenderness to grandeur. Odeya’s work has been presented at venues and festivals around the US and internationally from Los Angeles to Tel Aviv\, Odessa\, Mongolia and Vietnam. Odeya holds a BFA from the New School for Jazz and Contemporary Music where she studied with Theo Bleckmann and Gerry Hemingway\, and an MFA in composition from California Institute of the Arts. Her debut album Vougheauxyice\, for solo voice\, was released in April of 2014. \nFormed in 2013\, the Southland Ensemble is a recent addition to the experimental music community.  The ensemble is flexible in size\, consisting of eight core members who possess a vast amount of experience within the experimental tradition\, particularly in the interpretation of graphic notation and text scores. Since its formation\, the Southland Ensemble has presented concerts featuring work by Christian Wolff\, Alvin Lucier\, Pauline Oliveros\, James Tenney\, with their most recent concert featuring the early works of Robert Ashley in April 2015.
URL:https://www.h-r.la/event/odeya-nini-dancemusic-performance/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Odeya-Nini.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150429T200000
DTEND;TZID=America/Los_Angeles:20150429T200000
DTSTAMP:20260423T122921
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T221613Z
UID:1434-1430337600-1430337600@www.h-r.la
SUMMARY:JEPH JERMAN & TIM BARNES + TED BYRNES & SCOTT CAZAN + TASHI WADA & JAMES RUSHFORD + FLORENT COLAUTTI
DESCRIPTION:Doors at 8PM\, $10 all ages. \nJeph Jerman and Tim Barnes duo\, touring in support of ‘Matterings’\, their new record on Erstwhile Records \nTed Byrnes and Scott Cazan duo \nJames Rushford and Tashi Wada duo \nFlorent Colautti\n\nABOUT JEPH JERMAN\nI grew up in a military family\, so we moved around a lot\, a different place every two years until my father retired in Colorado. I started playing music in a number of bar bands\, whilst also experimenting with other forms- playing around with tape recorders and trying to find people to improvise with. Formed a few long lasting bands (Big Joey\,City Of Worms\, Blowhole) and began recording and playing solo as hands to. Ran a cassette label during the ’80’s cassette culture explosion.Eventually ended up in Seattle\, where I fell in with the localmusical community. Two years of near-constant playing with people like Paul Hoskin\, Doug Theriault\, Dave Knott\, Angelina Baldoz\, Lori Goldston\, Mike Shannon and Wally Shoup. One memorable concert with John Butcher. Continued to develop my solo work\, and began improvising with naturalsound makers (stones\,shells\, pine cones) around 1996. Formed the first animist orchestra in 1999\, to perform works for same.Moved to Arizona and have since done tours with Tim Barnes\, Sean Meehan and David Daniell\, Paul Hoskin\, and toured Australia and New Zealand with Greg Davis. In 2001 I made recordings of the desert and it’s interaction with man made structures and released a new cassette every month for a year. I continue to investigate the desert\,build crude sound making devices and play and record whenever the opportunity arises. In 2014 I received an Artist Grant from the Foundation for Contemporary Art. \nABOUT TIM BARNES\nSince 2001\, Tim Barnes has been a widely recognized percussionist\, composer\,sound designer\, and audio archivist. He has performed at the Guggenheim\, Whitney\, andPompidou museums\, as well as in galleries and performance halls in Tokyo\, Berlin\, Rome\, Belgium\, Stockholm\, Mexico City\, and Melbourne. He has been recruited to perform with some of experimental music’s most accomplished players – John Zorn\, Kim Gordon\, Ikue Mori\, Jim O’Rourke\, Lee Ranaldo\, and Jeph Jerman. American corporations such as Starbucks\, Nike\, Cadillac\, and Merrill Lynch have hired Tim to create sound collages for their television advertisements. He has also worked closely with Fluxus artists La Monte Young and Henry Flynt with archival restoration of recorded works\, and in 2005\, Tim performed and recorded Alison Knowles’ composition “Onion Skin Song”. Currently\, he is working with Vito Acconci and the publisher Primary Information on presenting Mr. Acconci’s complete recorded works.Tim lives in Louisville\, Kentucky\, where he is the Artistic Director of the performing and visual art space Dreamland. \nABOUT TED BYRNES\nTed Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston\, MA\, he comes from a jazz background and has since made his home in the worlds of free improvisation\, new music\, electro-acoustic music\, and noise. Ted primarily works in ad hoc improvisational settings\, but has standing improvisational groups including: a group with Ulrich Krieger\, a duo with Jeff Parker\, a duo with Chris Cooper (AQH)\, a duo with Nicholas Deyoe\, a duo with John Wiese\, a duo with Scott Cazan\, a trio with Jacob Wick and Owen Stewart-Robertson\, among others. Additionally\, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj\, David Watson\, Ingebrigt Haker Flaten\, Charlemagne Palestine\, Alfred 23 Harth\, Tim Perkis\, Jaap Blonk\, Torsten Muller\, Kim Myhr\, Jim Denley\, Lloyd Honeybrook\, Chris Schlarb\, Mike Watt\, Paul Masvidal\, the LAFMS (including Smegma\, Airway\, Ace Farren Ford’s Artificial Art Ensemble\, Rick and Joe Potts\, Fredrik Nilsen\, Tom Recchion\, Vetza\, etc)\, Sissy Spacek (the band)\, Maher Shalal Hash Baz\, and more. www.tedbyrnesdrums.com \nABOUT SCOTT CAZAN\nScott Cazan is a Los Angeles based composer\, performer\, creative coder\, and sound artist working in fields such as experimental electronic music\, sound installation\, chamber music\, and software art where he explores cybernetics\, aesthetic computing\, and emergent forms resulting from human interactions with technology. His work often involves the use of feedback networks where misunderstanding and chaotic elements act as a catalyst for emergent forms in art and music.Scott has performed and received numerous commissions with international organizations such as The LA County Museum of Art\, MOCA (Los Angeles)\, Issue Project Room (NY)\, Feldstarke International (with CENTQUATRE\, PACT Zollverein\, and Calarts)\, Ausland (Berlin)\, Art Cologne\, Ensemble Zwischentöne\, The University of Art in Berlin\, Toomai String Quintet\, Southern Exposure (San Francisco)\, Guapamacátaro (MX)\, the BEAM Festival (UK)\, REDCAT (Los Angeles)\, Machine Project and many others. He has collaborated and performed alongside a variety of artists such as Jason Kahn\, Ulrich Krieger\, Mark Trayle\, Michael Pisaro\, Carmina Escobar\, Carole Kim\, Jana Papenbroock\, and many others.www.scottcazan.com \nABOUT FLORENT COLAUTTI\nProtean artist\, he creates in a universe where dance\, theater\, instrumental sets\, and live electronic and sound arts cross. He has collaborated with art centers\, companies\, composers\, and musicians. He has completed residencies with La muse en circuit\, SCRIME\, Fées d’hiver\, GRIM\, and Landesmusikakademie Hessen. He has received a Sacem prize\, a 1st prize in the “Vacances percutantes” (percussion quartet) contest\, and a grant from Hessen/Aquitaine.His work has been presented in France and abroad (Spain\, Canada\, Belgium\, California\, Germany\, Italie).His studies started at a very young age: escorted by his mother a professor of music theory and choral singing\, he learned classical music. Later\, after a diploma in architecture and restoration of heritage sites\, he obtained a DEM in electro-acoustic and instrumental composition at the Bordeaux Conservatory (Eloy\, Havel\, Bosseur). He then moved to the Île de France and continued his work with P. Leroux\, T. Blondeau\, and R.R. Larivière. He has completed training at various stages (in France and abroad) with renowned composers and artists (Manifeste 2013 & 2014/Ircam\, centre d’art Orford/CA\, Imal/BE\, and Musique et recherche/BE).He is published on labels: Les Potagers Natures\, corps électriques. Edited on Alfonse production andBabelScores.www.florentcolautti.net
URL:https://www.h-r.la/event/tim-barnes-florent-coulatti/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Jeph-Jerman-and-Tim-Barnes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150428T193000
DTEND;TZID=America/Los_Angeles:20150428T220000
DTSTAMP:20260423T122921
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T221818Z
UID:1433-1430249400-1430258400@www.h-r.la
SUMMARY:Manuel Vason/Double Exposures book launch
DESCRIPTION:COMMUNITY FORUM & Book Launch for Manuel Vason’s Double Exposures. \nTuesday April 28\, 7:30PM \nJoin us a community forum exploring the relationship of performance art to photography\, and photography’s relationship to performance art. This forum celebrates the publication of Manuel Vason‘s Double Exposures\, a series of collaborations between the London-based photographer and some of today’s most important and provocative performance artists. Artists featured in Double Exposures include Mat Fraser (pictured above)\, Ron Athey\, Franko B\, Helena Goldwater\, Joshua Sofaer\, Oreet Ashery\, Jamie Lewis Hadley\, and Martin O’Brien. Join Manuel in a conversation with H. Cassils\, Zackary Drucker\, Jamie McMurry\, Jennifer Doyle and more! All are invited to contribute to this artist-centered conversation about the cultivation of productive collaboration between photographers and performance artists. We’ll show images fromDouble Exposures\, and there will be copies of the book for sale.
URL:https://www.h-r.la/event/manuel-vasondouble-exposures-book-launch/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/FraserandVason.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150427T200000
DTEND;TZID=America/Los_Angeles:20150427T230000
DTSTAMP:20260423T122921
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T222045Z
UID:1432-1430164800-1430175600@www.h-r.la
SUMMARY:MAX/MSP SHOWCASE
DESCRIPTION:8PM \nOne week across five different cities we will introduce you to Max 7 and its creative possibilities. \nWhether you’re a seasoned user or have only thought about downloading our 30-day demo\, we want to hangout with you and talk about Max. \nNot since the introduction of Max 5 has a new release included so many updates and changes. Max 7 introduces a new video engine\, quicker patching via new objects and an entirely new time stretching algorithm built from the ground up. In addition\, it’s now easier to drag and drop audio\, video\, VSTs and Max For Live devices directly into your patcher and be up and running. \nCome for some swag\, linger for refreshments\, and stay for the people.\n\nDemos and Performances by:\nAndrew Pask\nAndrew Benson\nJonathan Snipes\nTom Hall\nAnenon (w/ Jon-Kyle Mohr)
URL:https://www.h-r.la/event/maxmsp-showcase/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/MAX-7-showcase.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150426T000000
DTEND;TZID=America/Los_Angeles:20150426T000000
DTSTAMP:20260423T122921
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T222357Z
UID:1431-1430006400-1430006400@www.h-r.la
SUMMARY:"Liminally Yours" After Party: Los Angeles Asian Pacific Film Festival closing party
DESCRIPTION:8:30pm-midnight
URL:https://www.h-r.la/event/los-angeles-asian-pacific-film-festival-closing-party/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/HRLA-Liminally-Yours-Afterparty.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150425T220000
DTEND;TZID=America/Los_Angeles:20150425T230000
DTSTAMP:20260423T122921
CREATED:20160522T222901Z
LAST-MODIFIED:20161106T212154Z
UID:1902-1429999200-1430002800@www.h-r.la
SUMMARY:SARAH HARRON\, JENNY SAYAKA NONO\, DIVIDED DAUGHTERS
DESCRIPTION:Saturday April 25th 2015 \nSarah Harron / Jenny Sayaka NONO / Divided Daughters \na night of performance\, sound and video curated by Oscar Miguel Santos. \nDOORS at 10pm \nSTARTS at 1030pm \n***** \nSarah Harron’s work is narrative based and system seeking. Composed of controlled structures that once setup beget their own chance and destiny.  Her video work lightly steps around sturdy constructions in order to favor the missteps of evolution and the elusive innocence of naivety. \nSarah will present  ‘Inanna Rescued by Black Moon’ an immersive performance of Inanna’s trip to the Underworld. It combines gum\, sound\, text and video. \n***** \nJulie & Swan Moon are DIVIDED DAUGHTERS\, two sisters from Los Angeles. \nDIVIDED DAUGHTERS perform live ‘Womb Drone’ on a Hammond XB2 & a Yamaha YC-25\, demonstrating an acausal parallelism through sound. Their drone in combination with curated light\, and floral sculptures\, form a kind of astral vehicle useful for reaching heightened vibratory planes. \n***** \nJenny Sayaka NONO is a filmaker and DJ (Dublab). \nJenny Sayaka NONO’s films have been described as\,\n“Visual surgery used to remove a rare psychological tumor growing daily on the imagination”
URL:https://www.h-r.la/event/sarah-harron-jenny-sayaka-nono-divided-daughters/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/jennysarahdivided.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150424T200000
DTEND;TZID=America/Los_Angeles:20150425T000000
DTSTAMP:20260423T122921
CREATED:20160522T222639Z
LAST-MODIFIED:20161106T212146Z
UID:1899-1429905600-1429920000@www.h-r.la
SUMMARY:CARLA Issue 1 Launch Party
DESCRIPTION:The publication includes feature essays and reviews by:\nJonathan Griffin\nTravis Diehl\nAnthony Pearson\nAnna Breininger\nEric Morse/ Alexandra Grant\nBarnett Cohen\nMateo Tannatt\nKate Wolf\nTracy Jeanne Rosenthal\nKeith Vaughn\nEvan Moffitt\nCatherine Wagley\nAaron Horst\nand\nCal Siegel \nAnd new editioned series by :\nNora Slade (Waggy Tee)\nBen Medansky\nLauren Cherry & Max Springer \nThe launch party will include a new performance by:\nLex Brown\nAnd music by:\nJewelz Le Baron
URL:https://www.h-r.la/event/carla-issue-1-launch-party/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/05/Carla.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150421T210000
DTEND;TZID=America/Los_Angeles:20150421T230000
DTSTAMP:20260423T122921
CREATED:20160522T223258Z
LAST-MODIFIED:20160522T223309Z
UID:1904-1429650000-1429657200@www.h-r.la
SUMMARY:ARTTU PARTINEN + JEFFREY ALEXANDER + ANTTI TOLVI + HASE PFEFFER NASE
DESCRIPTION:Doors at 9PM; $5\, all ages.\n \n\n\n\nAn expansive experimental tour of psychedelic trance to jump cut tape music. A RARE chance to see two of Finland’s most acclaimed sonic adventurers – neither have ever performed in California before! \nARTTU PARTINEN\nmember of Avarus\, Amon Dude\, Heteroskeleton.\n“If heaven exists\, Andy Kaufman and Hunter S. are cheering on Arttu Partinen.” — Cleveland Scene \nJEFFREY ALEXANDER\nMember of Jackie O Motherfucker\, Dire Wolves\, Black Forest/Black Sea.\n“A gorgeous snapshot of the free psych underground\, one of the purest spaces of otherworldly terrain in the current musical landscape.” – Pitchfork\nhttp://tinyurl.com/pjloypj \nANTTI TOLVI\nmember of Lau Nau\, Lauhkeat Lampaat\, Kemialliset Ystävät\n“It’s as if Tolvi set out to mimic a flock of birds and ended up with a sped up\, home-cooked version of pipe music from the Solomon Islands cut with a personalized\, disorienting minimalism…Sound emerge from all angles and criss-cross in a kind of low-boil ecstasy.” (The Wire)\nhttps://soundcloud.com/anttitolvi/urkupilvi-b \nAngst Hase Pfeffer Nase – > Chris Cooper’s( Caroliner/ Bill Nace Chris Cooper Duo) idiosyncratic guitar and writhing tape manifestations of untamed pitch and speed exchange.https://www.youtube.com/watch?v=LhcfAes_qp0
URL:https://www.h-r.la/event/arttu-partinen-jeffrey-alexander-antti-tolvi-hase-pfeffer-nase/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/April-21-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150420T210000
DTEND;TZID=America/Los_Angeles:20150420T210000
DTSTAMP:20260423T122921
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T223503Z
UID:1430-1429563600-1429563600@www.h-r.la
SUMMARY:FLESHTONE AURA screening and performance
DESCRIPTION:Doors at 9PM; $5 \nFLESHTONE AURA with live projections by WINSTON HACKING\n“Fleshtone Aura serves his spicy dinner with a tangle of source cassettes and electronics that deploy the deeply arousing aromas of both a series of poignant and extraordinairily well timed belches and farts (or the equivalent thereof) AND the grandest gestures of the sternest-most-serious-never-leaving-the-lab shut in tape music connoiseurs of days of yore…but\, ah\, those toots never act merely as a humorous apology\, never slapping a stick just for slapstick\, nor are those high brows ever talking down to us\, they’re just gifts\, we’re supposed to use them as catapults into the ??!!??!!…..a series of dynamics and moments (karate chop\, massage\, flower sniffing\, paper airplane glides\, broken table leg\, spoiled milk\, et c) that sometimes explode atop or beside each other in matter of seconds\, or sometimes linger on a sweet spot for us to suckle sugary nectars……. these juxtapositions described cease being juxtapositions when heard\, all moments contribute to a fabulous\, pink-pulsing-writhing whole\, the superflousness is left in the waste basket\, even the meanderers meander with great purpose\, leaving nothing but a strobing (perhaps beaked) body builder (who never bathes or waxes: why lie?) flexing themselves into a vast meadow of previously unseen flowers in some public park somewhere.”- Id M Theft Able \n+ a screening of their 35mm painted/collaged film PUBLIC SLAW (16 minutes) \nperformance preview: http://vimeo.com/116794143\ntrailer for the movie: http://vimeo.com/105030158 \nCLEAV’D CLEAVER\nCleav’d Cleaver is Chicago-based Jason Soliday (J.Soliday/Coeurl/Gunshop/Enemy) on modular synth and Jake Rodriguez (bran(…)pos) of SF/Bay Area weirdness fame on mouth/vox. Savory electronics collide with face-twisting vocal exhortations in an acutely well controlled yet freely improvised (noisy) forms. This will be Cleav’d Cleaver’s first tour after premiering the duo on Glossolalia on KXLU 88.9FM Los Angeles in 2013
URL:https://www.h-r.la/event/fleshtone-aura-screening-and-performance/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-20-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150419T180000
DTEND;TZID=America/Los_Angeles:20150419T200000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T223851Z
UID:1429-1429466400-1429473600@www.h-r.la
SUMMARY:Keijaun Thomas: Partitions of Separation and Passing
DESCRIPTION:Join HRLA as we welcome Chicago-based artist Keijaun Thomas. This is Thomas’s first performance in Los Angeles. Sunday evening\, April 19. 6PM-8PM. 10-15$ suggested donation. \nPartitions of Separation and Trespassing \nSection 1. Selective Seeing \nPart 2. Looking While Seeing Through \nSection 2. Painted Images\, Colored Symbols \nPart 3. Sweet like Honey\, Black like Syrup \n  \nIn 4 zones\, where one is sometimes 3rd\, 3rd is four and sometimes two is 1st. \nThomas is constantly thinking about placement\, our placement\, lack of place\, here. \nThe structure cannot be pure(ly) viewed as linear\, horizontal nor vertical. \nMoving through space\, spreading materials— poring sugar and coffee like a stream of piss. \nYou can taste it\, bitter and sweet. If I am looking at you from a pile of green A3 land \nstacked high like a hill; I see you from a distance. Distance is Not Separation. \nIn four zones\, through a panel of glass covered in textual lube\, thick\, not separate. \nI see your yellow boots\, your black hair\, synthetic texture sticking like a cracker on honeyed flesh. \nCan you feel it? \nI am in Florida riding through a thick haze of red and black smoke. A controlled\, wild forest fire. \nIf you see the smoke rising on an idle Sunday in Los Angeles\, know that I see it\, too. \nIf only from a distance. The Poetics of Trespassing. Stomach pressed to the floor\, sneaky. Whatchu looking at? Us. \nPainted like syrup on a black box chest\, filtered with vaseline\, sticky. \nAthletes on plantation grounds\, clean it up. Denim trousers\, hands and knees\, watch your step. Go! \nBroom-heads leaving flour tracks. You can hear it. Competition\, who can collect the most. \nI’m not picking for them\, I’m picking for us. Us is expansive\, expensive. Yaki premium. Now. \nDistance speaks towards motion\, motion moves towards proximity\, proximity asks why\, here? \nSeparation ask for proximity\, proximity moves towards motion\, motion is a gesture of movement that speaks a language presented over a distance. You’re not suppose to be here. Queering images that we see or choose to see and how they function from place to place\, over distances\, through barriers. \nI’m not picking for them\, I’m picking for us. Clothes line\, hanging. Watch them dry\, watch them die. \nBlack tissue paper covering building blocks. Cardboard on the front line. When you hear the fireworks cracking beneath your feet on an bustling Sunday in LA\, Get ready.
URL:https://www.h-r.la/event/keijaun-thomas/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/KeijaunThomas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150418T210000
DTEND;TZID=America/Los_Angeles:20150419T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T224432Z
UID:1428-1429390800-1429401600@www.h-r.la
SUMMARY:I SPEAK MACHINE + CARLOS ROSSI  + AFTERHOURS
DESCRIPTION:Doors at 9PM; $7\, all ages welcome. \nI SPEAK MACHINE – music/ film duo from Los Angeles that create sci-fi/ horror short films that are screened with the score performed live. Tara Busch will be playing the live scores to THE SILENCE and GAGGLEBOX plus a few extras! The soundtrack to their first film\, THE SILENCE is out now on LEX RECORDS. \nLISTEN: https://open.spotify.com/album/5CATmzWxltkRQibgmS77gC\nBUY VINYL: http://lexprojects.com/the-silence/ \nDJ CARLOS ROSSI – Death Waltz Records/ Rendezvous LA \nAFTERHOURS
URL:https://www.h-r.la/event/i-speak-machine-carlos-rossi-afterhours/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/I-Speak-Machine-April-18.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150417T210000
DTEND;TZID=America/Los_Angeles:20150418T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224302Z
UID:1427-1429304400-1429315200@www.h-r.la
SUMMARY:MIKE TAMBURO + DJ ESPINFINITI + KEVIN GREENSPON
DESCRIPTION:Doors at 9PM; $5. \nMike Tamburo (Pittsburgh\, PA) – https://miketamburo.bandcamp.com/\nEast coast hammered dulcimer\, gong and meditation master comes to float your boat \nBrown bread (Beacon\, NY) – https://brownbread.bandcamp.com/\nDrifting nebula of a cappella vocal harmonies and keyboard swirl \nDj E-Spinfiniti – https://soundcloud.com/djesp-infiniti-1\nInterdimensional DJ and meditative sounds for the upliftment of all creation \nKevin Greenspon – http://www.kevingreenspon.info/\nAmbient techno meets immersive visual projection overload
URL:https://www.h-r.la/event/mike-tamburo-dj-espinfiniti-kevin-greenspon/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/11018594_10153788125502788_913954489947187516_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150414T190000
DTEND;TZID=America/Los_Angeles:20150415T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T224949Z
UID:1426-1429038000-1429056000@www.h-r.la
SUMMARY:ESPTV
DESCRIPTION:Directed by Scott Kiernan and Victoria Keddie\, this expansive project utilizes a mobile television studio to explore the artist dialogue with broadcast transmission\, analog and digital media\, and televisual liveness. \nE.S.P. TV’s live TV studio hybridizes technologies old and new to realize synthetic environments for performance that also expose the process of production. Each live taping event is the realization of an artists’ collaboration with us.  These events are taped live with a crew of cameramen\, sound engineer\, and video mixing team in front of an audience. The recorded events air on Manhattan Neighborhood Network public television weekly\, as well as online\, and have been exhibited internationally. \nE.S.P. TV Live Taping:\n\nDVA DAMAS\nJennifer Juniper Stratford\nZumi Rosow and Cole Alexander\nElena Bajo\nSuzy Poling\nExperimental Half-Hour\nJack Name’s Furniture Girls\n\nVideo Program by UNDERVOLT AND CO. with works by :\nAndrew Benson\nCristopher Cichocki\nExtreme Animals\nAdam Ferris\nYoshi Sodeoka\nSpectral Net\nJohnny Woods\nGiselle Zatonyl\nEve Parmagariti\nE.S.P. TV has held over 50 live taping events internationally and has aired over 70 episodes to date. E.S.P. TV has worked with various venues including: The Whitney Museum of American Art\, New Museum\, Museum of Arts and Design\, Printed Matter\, Millennium Film Workshop\, New School\, Rawson Projects\, Recess (NYC); Interstate Projects\, Spectacle Theater\, Issue Project Room\, Roulette (Brooklyn); Franklin Street Works (Stamford\, CT)\, Liminal Space (Oakland\, CA)\, Yerba Buena Center for the Arts (San Francisco\, CA)\, Ballroom Marfa (Marfa\, TX)\, General Public (Berlin)\,  STORE (Dresden)\, Studio XX (Montreal)\, Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin). \nE.S.P. TV broadcasts every Tuesday night at 10PM on Manhattan Neighborhood Network (MNN). Channel 67 in Manhattan\, as well as online at www.mnn.org.  All episodes are then posted online on our website and Vimeo platforms.  E.S.P. TV now also airs on Wednesdays with Comcast Cable 66/966 or Verizon Fios 29/30 in Philadelphia at 11:30PM.
URL:https://www.h-r.la/event/esptv/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/ESPTV2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150412T000000
DTEND;TZID=America/Los_Angeles:20150412T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T225202Z
UID:1425-1428796800-1428796800@www.h-r.la
SUMMARY:ALTO! / Cinder Cone / NARC
DESCRIPTION:Doors at 8:30PM\, music starts at 9:30\, $5. \nooooffff… heavy doses in triplicate\nthree drummers and four guitars players\nthats it… \n3 + 3 + 4 = 10 = 1 + 0 = 1 \nunity \nABOUT THE ARTISTS \nALTO! \nCinder Cone\, a two-piece minimalist rock outfit from Los Angeles\, emit a thunderous sound. Anyone can attest to this if they have attended a Cinder Cone show\, listened to the band’s releases\, or even heard a rumbling somewhere near a downtown practice space on the banks of the great LA River. Only two members comprise the band: David plays a drum set and Anthony plays a guitar while vocalizing into a microphone. They do not use keyboards\, laptops\, or any other technical wizardry to create their sound. If you hear it on the record\, they can do it live.  Their full sound of octopus drumming and innovative fretwork weave together to place the listener on a propulsive freeway one minute only to drop them off in a placid field the next\, capping off the journey with an earthquake of drum rolls and precisely controlled feedback. \nNARC \nFB event page
URL:https://www.h-r.la/event/alto-cinder-cone-narc/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-12-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150410
DTEND;VALUE=DATE:20150413
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T025509Z
UID:1424-1428645600-1428818399@www.h-r.la
SUMMARY:BULK TROUBLE
DESCRIPTION:The text tho OMG IS EVERYONE WORKING RIGHT NOW?\nMaybe one of you guys can work on the images w/descriptions\nwe could make  it a PDF?? is this allowed? a pdf? I can mess with it rn\nThey don’t want a PDF they want individual jpg files but anyways I work on it \nbut it might be good to start with something a little more “poetic” – an introductory paragraph that provides the “hook”. like NJ’s falsetto in the new American classic “Jealous”. “If you can provide a reality with virtual tools\, and if you can share this reality with another person\, you no longer need to describe the world\, because you can simply create this contingence\, this coincidence; you don’t need to describe an action\, you can create it.”1 \nWorking as a group is allowing us to make work on an intuitive level—where we collectively integrate our perceptions\, etc. We (free-associate) react\, interweave each other’s. a final iteration of the installation that is released of any singular subjectivity. Moreover\, the work will challenge the polarized definitions of success and failure\, instead placing them as parallel entities on separate scales that can be used to jusge one gesture simultaneously\, etc. \nHoneslty though last night megan got me pretty psyched on…..ambiguity? I could say ambiguity yeah \nI mean if wedo it we can jsut\, we’ll do it \nBulk Trouble \nFriday April 10\, 2015 7—10 pm\nSaturday April 11\, 2015 12—8 pm \nAlan Danielson\nGeorge Egerton-Warburton\nAndrea Longacre-White\nMegan Plunkett\nCharlie Smith\nOdwalla 88 \n1Franco Berardi “After the Future”
URL:https://www.h-r.la/event/bulk-trouble/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/BulkTrouble_2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150408T200000
DTEND;TZID=America/Los_Angeles:20150409T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T230549Z
UID:1423-1428523200-1428537600@www.h-r.la
SUMMARY:jessica pavone\, owen stewart-robertson\, ted byrnes
DESCRIPTION:Doors at 8PM\, $10 all ages. \nAn evening of 3 solo performances from Jessica Pavone (viola)\, Owen Stewart-Robertson (guitar)\, Ted Byrnes (percussion). Possibly\, a trio at the very end. \nABOUT THE ARTISTS\nJessica Pavone (composer\, viola\, violin\, el.bass) has performed in countless improvisation\, avant jazz\, experimental\, folk\, soul\, and chamber ensembles since moving to NYC in 2000. She currently plays with Normal Love\, in a duo with guitarist Mary Halvorson\, with Anthony Braxton’s ensembles and as a solo violist. As a composer\, The Wire magazine praised her “ability to transform a naked tonal gesture into something special\,” and The New York Times described her music as “distinct and beguiling…its core is steely\, and its execution clear.” \nPavone’s recent works for solo viola and voice stem from years of concentrated long tone practice and an interest in repetition\, song form\, and sympathetic vibration. She combines her long tone rituals with delay\, understated melodies and sparse lyrical content while continuously experimenting with new forms. She is interested in the physicality of performing her somewhat larger-than-comfortable instrument and believes that cultivating physical bodies as a strong container for her thoughts is part of the creative process. \nPavone has toured extensively throughout the U.S.\, Canada and Europe\, performing in venues ranging from international music festivals\, universities\, and art galleries\, to community centers and basements. Her music has premiered in venues in New York City such as\, Roulette\, Issue Project Room\, and The Kitchen\, and at the Klangbad Festival in Sheer\, Germany. In 2011 she was featured in NPR’s “The Mix: 100 Composers Under 40.” She has received grants and commissions from the Aaron Copland Recording Fund\, the American Music Center\, The Kitchen\, MATA\, The Jerome Foundation\, Experiments in Opera\, and the chamber music collective\, Till By Turning. \nPavone’s music is available from Taiga Records\, Tzadik\, Thirsty Ear\, Porter\, Skirl\, and Peacock Recordings. \nOwen Stewart-Robertson is\, among other things\, a native of Saint John\, New Brunswick\, Canada\, a guitarist\, composer\, educator\, performer\, a formerly active member of music scenes in\, chronologically\, the Maritimes\, Montreal\, Cincinnati\, and New York City\, a mild claustrophobic\, a participant in ensembles including VaVatican\, Old Salt\, This Sporting Life\, Evelyn\, Teenage Burnout\, Make A Circus\, Jason Ajemian’s HighLife and Folklords\, Katherine Young’s Pretty Monsters\, a founder and director of experimental music label Prom Night Records\, a brother of 3\, a former student of a wonderful guy named Mick Goodrick\, and an enthusiast of enthusiasm. \nTed Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston\, MA\, he comes from a jazz background and has since made his home in the worlds of free improvisation\, new music\, electro-acoustic music\, and noise. \nTed primarily works in ad hoc improvisational settings\, but has standing improvisational groups including: a group with Ulrich Krieger\, a duo with Jeff Parker\, a duo with Chris Cooper (AQH)\, a duo with Nicholas Deyoe\, a duo with John Wiese\, a duo with Scott Cazan\, a trio with Jacob Wick and Owen Stewart-Robertson\, among others. Additionally\, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj\, David Watson\, Ingebrigt Haker Flaten\, Charlemagne Palestine\, Alfred 23 Harth\, Tim Perkis\, Jaap Blonk\, Torsten Muller\, Kim Myhr\, Jim Denley\, Lloyd Honeybrook\, Chris Schlarb\, Mike Watt\, Paul Masvidal\, the LAFMS (including Smegma\, Airway\, Ace Farren Ford’s Artificial Art Ensemble\, Rick and Joe Potts\, Fredrik Nilsen\, Tom Recchion\, Vetza\, etc)\, Sissy Spacek (the band)\, Maher Shalal Hash Baz\, and more. \nTed has also collaborated with / worked for a variety of visual artists: he has accompanied a Doug Aitken “happening”\, collaborated with Olivia Booth to play her glass artworks\, collaborated with Dani Tull on a sound performance\, performed with John Knuth and Bret Nicely at an installation in an empty pool\, and has performed for FLUXUS artist Jeff Perkins on multiple occasions for his projector/light installations. \nCurrently\, Ted is delving further into the possibilities and realities of solo drumset performance in addition to continuing to work with his existing projects.
URL:https://www.h-r.la/event/jessica-pavone-owen-stewart-robertson-ted-byrnes-1-night-music/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-8-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150405T200000
DTEND;TZID=America/Los_Angeles:20150406T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224618Z
UID:1422-1428264000-1428278400@www.h-r.la
SUMMARY:father murphy + xiu xiu noise set
DESCRIPTION:Doors at 8PM\, $7 everyone welcome \nout of this world psych and noise blowout on Easter Sunday.. .come blessed in yr sunday dress \nFATHER MURPHY (IT) visiting darkness\nXIU XIU NOISE – hometeam supergroup featuring Elaine Carey & Juliette Amoroso (Telecaves)\, Tamaki Ueda (Banetoriko)\, Shayna Dunkelman\, Angela Seo & Jamie Stewart (Xiu Xiu).\nXIA – hometeam darkness\nplus a special opener and closer dj set from the folks who brought you the 1/8th FEST
URL:https://www.h-r.la/event/father-murphy-xiu-xiu-noise-set/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/934748_10153027829688446_1141129769213277987_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150404T200000
DTEND;TZID=America/Los_Angeles:20150405T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T230841Z
UID:1421-1428177600-1428192000@www.h-r.la
SUMMARY:ARRINGTON de DIONYSIO + PARK DETAIL'S BAND + telecaves + LEE NOBLE
DESCRIPTION:Doors at 8PM\, $7. Join us at HR for experimental\, noise sets with Lee Noble\, Park Detail’s Band\, Ezra Buchla\, Arrington de Dionysio\, and Telecaves.
URL:https://www.h-r.la/event/arrington-de-dionysio-park-details-band-telecaves-lee-noble/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-4-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150402T000000
DTEND;TZID=America/Los_Angeles:20150402T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T231051Z
UID:1420-1427932800-1427932800@www.h-r.la
SUMMARY:KREaction: Kevin Robinson Ensemble with Kenyatta C Hinkle and Niela Orr
DESCRIPTION:A night of improvised sonic meditations led by the Kevin Robinson Ensemble (KREation) working in collaboration with live visual art by Kenyatta A C Hinkle and live writing by Niela Orr. KREation consists of: Sarah Belle Reid – Trumpet; Christin Hablewitz – Woodwinds; Kevin Robinson – Woodwinds; Rachel O’Connor – Horn; Evan Jiroudek – Drums; Tony Giuseppe Gennaro – Vibes; Lee Hodel – Bass. This performance will take place amidst Emily Joyce’s exhibition. \n8PM/Donation at the Door
URL:https://www.h-r.la/event/kreationimprov-jazzspoken-word/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/KREationensemble.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150331T000000
DTEND;TZID=America/Los_Angeles:20150331T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160516T181922Z
UID:1419-1427760000-1427760000@www.h-r.la
SUMMARY:Night of Music w/ Emily Joyce
DESCRIPTION:Emily Joyce and friends including Adam Goldman. Low Key night of music.
URL:https://www.h-r.la/event/night-of-music-w-emily-joyce/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150321T000000
DTEND;TZID=America/Los_Angeles:20150405T000000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033547Z
UID:1418-1426896000-1428192000@www.h-r.la
SUMMARY:Emily Joyce Famous Potatoes and Other Related Works
DESCRIPTION:Opening Reception: Saturday March 21 7–10 pm \nHuman Resources is pleased to announce Emily Joyce: Famous Potatoes and other related works.  Joyce’s first solo exhibition in Los Angeles\, Famous Potatoes and other related works features an on-and-off-the-wall installation of kinetic\, optical\, and symbolic abstract paintings. The exhibition is comprised of new works from three ongoing projects\, including: free-standing mixed media paintings from the Famous Potatoes series; 13 optically charged large-scale screen prints from the Sun Burn series\, and geometric acrylic on canvas paintings from the Captcha series.  \nThe Famous Potatoes paintings feature painting rags from the artist’s studio displayed within the squares of a rigid black grid. Upon closer examination\, the viewer sees that each rag is in fact impossibly identical. This haphazard and gestural element of the painting process has been transformed into a digital replica. At random intervals a fan starts and blows the rags up momentarily revealing a hieroglyphic-like ideogram beneath.  \nThe Sun Burn series is based on the optical phenomenon of after-image and chromatic vibration. These large-scale works on paper are hung from the ceiling as a sort of theatrical curtain that the viewer can traverse and experience from all sides. In this way the physical objectness of what initially was experienced as a visual phenomenon is exposed\, like getting to peek back-stage \nThe Captcha paintings (inspired by Magritte’s floating orbs) take their titles from the internet visual security feature“Completely Automated Public Turing test to tell Computers and Humans Apart (CAPTCHA)” These paintings are made up of three distinct layers of space: a foreground and background of floating orbs and a hand-painted mesh-like plane of parallel black lines which conceals the background orbs. For the installation\, the paintings are embedded in a wall relief of hundreds of bricks that have been wrapped in white paper and stacked into a huge triangle that covers the wall.  \nEmily Joyce (born 1976 in Arlington Heights\, Illinois) lives and works in Los Angeles\, California. Joyce studied at the Glasgow School of Art and received her BFA from the Rhode Island School of Design\, Providence\, in 1998. From 1999-2001 she was a Core Artist-in-residence at the Glassell School of Art\, Museum of Fine Arts Houston\, Texas. In 2002 she was an artist in residence at Le Pavillon at the Palais de Tokyo in Paris\, France. Joyce has exhibited her prints\, paintings\, and collages internationally for the last 15 years including recent solo exhibitions at Inman Gallery\, Houston\, Texas (2013); Elephant\, Los Angeles\, California (2013); Compact Gallery\, San Luis Obispo\, California (2012); and Sara Meltzer Gallery\, New York\, New York (2004). Her recent group exhibitions include Snack Time\, Campbell Hall Art Gallery\, North Hollywood\, California (2015); Machine Project Field Guide to the Gamble House\, The Gamble House\, Pasadena\, California (2014); Los Angeles Chez Vous\, Mains d’Oeuvres\, Paris\, France (2013); Garden Party\, FOCA\, Los Angeles\, California (2013); XYZ: The Geometric Impulse in Abstract Art\, The Torrance Art Museum\, California (2012)\, which she curated with Jessica Halonen; This & That\, Ricard Foundation\, Paris\, France (2012); and Wall Power\, Brand Library and Art Galleries\, Glendale\, California (2011). Joyce’s works are in the public collections of the Museum of Fine Arts\, Houston\, Texas; The Walker Art Center\, Minneapolis\, Minnesota; and the Hammer Museum\, Los Angeles\, California\, among others.  \nThe artist would like to make a special thanks to Inman Gallery in Houston\, Texas. Thanks also to Devin McNulty\, Gary Murphy\, Mark Allen\, Ian Byers-Gamber\, and Lucas Wrench. This project was brought to Human Resources by Devin McNulty and David Fenster.
URL:https://www.h-r.la/event/emily-joyce-famous-potatoes-and-other-related-works/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Emily-Joyce-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150316T193000
DTEND;TZID=America/Los_Angeles:20150316T193000
DTSTAMP:20260423T122921
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033802Z
UID:1417-1426534200-1426534200@www.h-r.la
SUMMARY:Charles Atlas: Turning
DESCRIPTION:7:30PM \n“Turning”\, 2012 (76 min) \n“You Are My Sister”\, 2006 (3 min) \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-2/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlas-Turning.jpg
END:VEVENT
END:VCALENDAR