BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Human Resources - ECPv6.15.17//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.h-r.la
X-WR-CALDESC:Events for Human Resources
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20200308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20201101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20210314T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20211107T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20220313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20221106T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20230312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20231105T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210717
DTEND;VALUE=DATE:20210823
DTSTAMP:20260419T123624
CREATED:20210625T194419Z
LAST-MODIFIED:20250316T045621Z
UID:6176-1626501600-1629611999@www.h-r.la
SUMMARY:Nuestrxs Putxs
DESCRIPTION:Isabelle Albuquerque \nBárbara Sánchez-Kane \nFrieda Toranzo Jaeger \nThursday-Sunday\, noon-6pm \n \n\nTHIS HOLY DAY will be the first public viewing of these ritual grounds\, a realm both prelapsarian and post-apocalyptic that stands outside of time. All are invited to revel in the power of femininity\, to rejoice in the timelessness of cuir impurity\, and to collect talismans from its borderless pilgrimage route at the Sacred Rose Mercadito. Nuestrxs Putxs proffers icons for those who have so long been denied the graven image that is their due.\n\nNuestrxs Putxs is organized by LAR Arts and curated by Nika Chilewich and Sara Frier. The exhibition is generously hosted by Human Resources Gallery\, Los Angeles. The Nuestrxs Putxs Sacred Rose Mercadito is curated by Anita Herrera. Lorena Vega designed the exhibition’s graphic identity. Jason Tyler Burns is the exhibition designer and Gerardo Delgado is the exhibition coordinator.\n\nThis exhibition is made possible thanks to support from kurimanzutto\, Nicodim Gallery\, and Reena Spaulings Gallery. Generous support has been provided by Botanica Fine Art\, Tracy O’Brien and Thaddeus J. Stauber\, David and Deborah Chilewich\, Ruchika Garga\, and Galerie Barbara Weiss. Additional support has been provided by Barbara and Edward Goldberg\, Hannah Howe\, and Pamela Robinson.\n\nWe would like to extend a special thanks to Karla Aguíñiga\, Maria Guadalupe and Rudolph Aguíñiga\, Hussam Azzam\, Samantha Blake Goodman\, Jacqueline Bao\, Chris Blue\, Connie Butler\, Norma Alicia Castelazo\, Adalberto Charvel\, David and Deborah Chilewich\, Sandy Chilewich\, Chelsea Culprit\, Jim Fetterly\, Alfonso González Jr.\, Benjamin Lee Richie Handler\, Jesse Jaramillo\, Janet Lent and Ethan Lipton\, Joshua Lipton\, Samuel Luterbacher\, Machine\, Lukas Mitchell\, Sally Montes\, Xóchitl Morales\, Mills Morán\, Niki Nakazawa\, Mihai Nicodim\, Adam Peña\, Haley Penn\, Veridiana Pontes\, Dom Prout\, Jason Pugh\, Revolver Galería\, Sam Richardson\, Tan Uranga\, Peter Valenti\, Luna Vicini\, Chloé Wilcox\, and Bennett Tray Williams\, without whom this exhibition would not have been possible.\n\n 
URL:https://www.h-r.la/event/nuestrxs-putxs/
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2021/06/titulonegro.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210724
DTEND;VALUE=DATE:20210809
DTSTAMP:20260419T123624
CREATED:20210703T180250Z
LAST-MODIFIED:20210705T233030Z
UID:6181-1627106400-1628402399@www.h-r.la
SUMMARY:Marxism for Artists\, redux
DESCRIPTION:Join us for two online seminar meetings dedicated to thinking/learning about money\, currency and value. In our first session (Saturday 7/24\, 11am-12:30 PST) we will return to the sections of Capital centered on money. In our second (Saturday 8/7\, 11am-12:30 PST)\, we will work through a handful of readings centered on cryptocurrency\, blockchain and NFTs (like this).   \nTo participate in this reading group\, an extension of “Marxism for Artists\,” please fill out this registration form. We will send registrants a link to a folder containing readings\, links to video lectures as well as information regarding the seminar zoom sessions. This reading group is intended as a welcoming space for people often marginalized\, silenced\, excluded from conversations about Marxist thought and centers Marxist feminist and Black Marxist perspectives on our subjects. It is furthermore intended to nourish the practices of artists and art workers. These sessions are hosted by HRLA member & UCR professor Jennifer Doyle. 
URL:https://www.h-r.la/event/marxism-for-artists-redux/
LOCATION:Online
CATEGORIES:online event
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/07/1862-3greenback.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210821
DTEND;VALUE=DATE:20210913
DTSTAMP:20260419T123624
CREATED:20210722T151819Z
LAST-MODIFIED:20210810T234113Z
UID:6248-1629525600-1631426399@www.h-r.la
SUMMARY:Visual Sovereignty: Indigenous Studies for Artists
DESCRIPTION:Saturday August 21\, Sept 4\, Sept 11 noon-2pm (note\, schedule has shifted) \nJoin us for a series of virtual seminars on Indigenous Studies as a paradigm for decolonial/anti-colonial art practices. This seminar will survey different threads of Indigenous Studies as a political\, educational\, and aesthetic movement. By engaging Michelle Raheja’s  “Visual Sovereignty” as a praxis\, we will emphasize the need for trans-Indigenous worldmaking that deploys individual and community assertions of what representation means in art and literature. The works in this seminar also embody what Maile Arvin calls “regenerative refusal” in which Indigenous peoples voice dissent from colonial hierarchies of being and relating to the world and enable transformed and liberatory futures. “Refusal” emphasizes the need for Native understandings of tradition\, relationality\, and alternative worlds and hierarchies of being that are opposite vis-à-vis western epistemologies that stems from histories of colonialism to modern day neocolonialism\, the military-industrial complex\, neoliberalism\, and late-stage capitalism.  \nRegister here for the seminar: we will send people who sign up a syllabus\, information on the zoom seminar\, and access to the readings. \nThe readings are organized in an archipelagic way\, connecting Native American thought with Indigenous theory of Oceania in the Pacific\, with that in the Caribbean\, and networks of Indigenous coalitions of resistance across the globe. By connecting the broad field of Indigenous Studies through what Audra Simpson calls “nested sovereignties” our readings will consist of varied perspectives of Native peoples and critiques of inherent paradigms of colonial power asymmetries. Categorizing these readings through an archipelagic standpoint connects these divergent narratives\, positions\, times\, and spaces. As Manulani Meyer states: \nIndigenous epistemology [is] a wide-open field of knowledge production and exchange with priorities in practice\, relevance\, context\, consciousness\, and shared common sense. It is knowledge through experience\, individual or collective\, and a way of being via site-specific familiarity through years\, generations\, and life-times. In this way patterns emerge collapsing time into space and all unknowns into mystery and story. \nBy putting together in conversation these formative readings in the wide-ranging field of Indigenous studies\, our focus will be concerned with critical Indigenous pedagogies that center cultural reclamation against the violences of the settler state. \nThis seminar will be led by Nicole Ku’uleinapuananiolikoawapuhimelemeleolani Furtado. She is a Ph.D. student at the University of California\, Riverside. Nicole is of Kanaka Maoli heritage and is from Nanakuli\, Hawaii. She received her B.A. in English from the University of Hawaii at Manoa and her M.A. in English at UC Riverside. Her current research interests are in Speculative Fiction\, Indigenous Studies\, Digital Art\, Disability Studies\, Science and Technology Studies\, and Decolonial Futurities. \nThis seminar is partially supported by UC Riverside. Flyer image: Sofia Kaleomalie Furtado.
URL:https://www.h-r.la/event/visual-sovereignty-indigenous-studies-for-artists/
LOCATION:Online
CATEGORIES:online event,seminar/workshop
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/07/Nicoles-design.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210821T130000
DTEND;TZID=America/Los_Angeles:20210821T180000
DTSTAMP:20260419T123624
CREATED:20210816T155840Z
LAST-MODIFIED:20210816T220433Z
UID:6266-1629550800-1629568800@www.h-r.la
SUMMARY:G. Brenner - Brushfire: Album Release Listening Party & Closing Reception
DESCRIPTION:Photo: Amara Higuera \nHuman Resources-Los Angeles is proud to host G. Brenner’s listening party for their debut album Brushfire on August 21st.  \nPlease join us for an afternoon of drinks\, a DJ set by SOLTERA\, and more celebrating the release of G.Brenner’s debut album Brushfire. This will also be the last chance to view our current exhibition Nuestrxs Putxs\, a two-part exhibition curated by Nika Chilewich and Sara Lent Frier with Anita Herrera\, curator of the Sacred Rose Mercado. Nuestrxs Putxs features works by Isabella Albuquerque\, Bárbara Sánchez-Kane\, and Frieda Toranzo Jaeger. \nSpecial thanks to Amara Higuera and Hugo Cervantes for co-organizing this event. \nPlease note that masks will be required for this event. RSVP here. \nLAR Arts: \nNuestrxs Putxs is organized by LAR Arts and curated by Nika Chilewich and Sara Frier. The exhibition is generously hosted by Human Resources Gallery\, Los Angeles. The Nuestrxs Putxs Sacred Rose Mercadito is curated by Anita Herrera. Lorena Vega designed the exhibition’s graphic identity. Jason Tyler Burns is the exhibition designer and Gerardo Delgado is the exhibition coordinator. \nG. Brenner: \nG. Brenner is the project of LA-based visual artist and musician Gabriel Brenner. Drawing on artists such as Arca\, Grouper\, and Julianna Barwick\, he crafted an idiosyncratic style that has fallen gracefully between folk\, gospel\, and experimental electronic music. Formerly known as Pastel\, Brenner released his debut EP\, It Will Be Missed\, via Manimal Vinyl in 2014. In 2015\, he released his second EP\, Bone-Weary\, via rising Houston-based label Very Jazzed. In 2017\, he self-released an EP entitled absent\, just dust\, a 5-song collection exploring language\, loss\, and identity through ambient-noise soundscapes. On Valentine’s Day 2018\, he released a one-off single “Close” to celebrate the holiday. After releasing a string of covers and remixes to close the chapter on his Pastel moniker\, Brenner is releasing “Brushfire\,” his debut single as G. Brenner. His debut album of the same name will be released August 20\, 2021 via Very Jazzed. At its core\, this album is about being immobilized by worlds collapsing at a fast-forward pace and the struggle to find meaning in the remaining ruins. \nhttp://g-brenner.com \nhttp://gdotbrenner.bandcamp.com \nhttp://twitter.com/gdotbrenner \nhttp://instagram.com/gdotbrenner \nhttp://facebook.com/gdotbrenner \nSOLTERA: \nSOLTERA is a performance and music project formed by Colombian/American artist Tania Ordoñez. Raised in the San Fernando Valley\, now based in Los Angeles\, SOLTERA is a performer\, producer\, dj and filmmaker. They make experimental dance music\, paired with Spanish vocals and dreamy synths. \nhttp://soltera.bandcamp.com \nhttp://soundcloud.com/soltera818 \nhttp://www.instagram.com/soltera818 \nhttp://www.facebook.com/soltera818 \nVery Jazzed: \nhttp://veryjazzed.com \nhttp://veryjazzed.bandcamp.com \nhttp://instagram.com/veryjazzed \nhttp://twitter.com/veryjazzed \nhttp://facebook.com/veryjazzedveryjazzed \nLand Acknowledgment Resources: \nWe want to acknowledge that we will be connecting with you all from the unceded territories and waterways of the Chumash\, Tongva and Kizh\, who are the original peoples of the land we live\, work and learn on. We enact this statement not only as an acknowledgement\, but as solidarity with the land back movement\, and recognize that our role in the work of collective liberation begins with explicit knowing of where we are at and our roles as settlers in unceded land. Additionally\, since portions of this event will be shared digitally on the internet\, this acknowledgement extends to the physical imperial presence the internet embodies as a cable network binding this planet along colonial trade routes we have come to know as the Trans Atlantic Slave Trade. To borrow a phrase from artist Tabita Rezaire\, “the virtual is real” and “the architecture of violence” is embedded in the technology we may consider decentralized. We invite you to consider these histories with us as we enter in a space together and acknowledge that our materials\, our means of connection and the land we live on are not apolitical actors for our creative pursuits. We also want to thank the Indigenous labor that has guided organizing bodies to create land acknowledgements and have linked our resources for creating this land acknowledgement below. \nhttp://landback.org/manifesto \nhttp://native-land.ca \nDeep Down Tidal (2017) – Tabita Rezaire: https://www.youtube.com/watch?v=V9EIywuH-LM&t=0s \nhttps://www.nyu.edu/about/news-publications/news/2015/june/nicole-starosielski-undersea-cables.html \nhttps://howlround.com/intersection-digital-technology-and-live-performance \nhttps://www.active-cultures.org \n 
URL:https://www.h-r.la/event/g-brenners-brushfire-album-listening-party-closing-reception/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/08/release-party-flyer-4-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210910T080000
DTEND;TZID=America/Los_Angeles:20210912T170000
DTSTAMP:20260419T123624
CREATED:20210909T052621Z
LAST-MODIFIED:20210909T052621Z
UID:6302-1631260800-1631466000@www.h-r.la
SUMMARY:ANIMAL ENCYCLOPEDIA
DESCRIPTION:September 10 – 12\, 2021 \nHuman Resources in Chinatown\, Los Angeles\, CA  \n  \nANIMAL ENCYCLOPEDIA \nPresented by Authentic Children Art Association in collaboration with OneHouse Arts \n  \nCome one\, come all! The circus is in town! Marvel at the array of Animal Encyclopedia – grizzly bears\, toucans\, flying fish\, humpback camels\, Spectres of Shadow\, iguanas\, cockatoos\, and many species more! \n  \nAuthentic Children Art Association eagerly presents over 200 animal portraits by OneHouse Arts students from ages 4 to 10. Pencilless\, these artists immediately place paint brush to paper – creating bold and brave lines\, translating perceptions of their favorite creatures into being. Children’s art\, despite losing its original prestigious positioning on cave ceilings and relegated to transgressive expressions on drywall\, has resurged in the past century as the inspiration for modernism! The influence of these innovative young artists can be seen throughout the movements of contemporary art – featured prominently in the work of such adults as Matisse and Picasso. Truly your favorite artists’ favorite artists. \n  \nAnimal Encyclopedia promises entertainment for all ages of art appreciation. Bring the whole family! \n  \n~ \n  \nAuthentic Children Art Association is a non-profit project committed to nurturing genuine expression\, appreciation\, and compassion in children\, parents and educators by presenting authentic children’s art exhibitions in collaboration with schools and galleries across Southern California. \n  \nOneHouse Arts is an experimental art school and philosophy dedicated to helping children discover art on their own by asking questions about their ideas\, introducing them to various methods\, staying open to their artistic inclinations\, providing them with space to create\, and giving their art a place in the world at large. \n  \n(for parents) \nHuman Resources is a non-profit art gallery in Chinatown showcasing non-traditional forms of art and performances to engage communities across Los Angeles. \n  \n——————————————————— \n  \n美国自然本真儿童艺术协会与艺家艺术体验馆联合举办 \n  \n2021年9月8日（周三） 至 2021年9月12日（周日）中午12点 – 晚上 6pm  \n  \nRachel 老师将于9月12日周日，12-6pm， 全天在画廊与大家见面。请邀请亲朋好友前来参观！  \n  \n​​“动物世界” 儿童画展  \n  \n快來 快來！ 我們的“動物世界”來了！ \n这里有各式各樣的動物 – 灰熊、大嘴鸟、飞鱼、骆驼、熊貓、凤头鹦鹉和魔鬼魚……！ \n美国自然本真儿童艺术协会迫切的要为大家展示来自艺家艺术体验馆的200多幅动物特写儿童画，小画家的年龄在4-10岁。我们不打草稿，直接用丙烯在纸上作画，小画家们用生动大胆的线条，让脑中的动物跃然纸上。 \n  \n沉寂了一大段时间的儿艺术在过去的一个世纪里又重新兴起，其影响贯穿于整个当代艺术运动中！马蒂斯和毕加索等成年人的作品深受儿童艺术的影响！儿童艺术家是你们喜欢的知名艺术家们的偶像！ \n“动物世界”展一定会把欢乐带给全家！ \n  \n美国自然本真儿童艺术协会是一个非盈利项目，致力于通过与南加州的学校和画廊合作举办纯朴的儿童艺术展览，帮助孩子，家长和教育者彼此真诚表达，互相欣赏和理解。 \n  \n艺家艺术体验馆是一所艺术与哲学的实验学校，致力于通过提问帮助孩子开发他们的内在艺术性，教授他们不同的方法，发掘他们内在多姿的艺术方向，提供他们无限的空间并且帮助他们找到自己在这世界中的定位。 \n  \n（致家长） \nHuman Resources 是一个在中国城的公益画廊，展示非传统形式的艺术和表演，以吸引整个大洛杉矶地区的观众。 \n 
URL:https://www.h-r.la/event/animal-encyclopedia/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2021/09/animal-encyclopedia-flyer-general.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210930
DTEND;VALUE=DATE:20211004
DTSTAMP:20260419T123624
CREATED:20210928T194752Z
LAST-MODIFIED:20210928T194752Z
UID:6311-1632981600-1633240799@www.h-r.la
SUMMARY:Our Envisioned Future
DESCRIPTION:  \nOur Envisioned Future is the third annual community quilt facilitated by Rachel Silver and Laub.  \n  \nAn open call was put out to answer the following questions:  \n* What are our visions of the future? and how do we practice them in the present so they may grow into tomorrow? \n* How do we contend with inevitable changes while adapting and continuing our dreams of the future? \n* How do we use our imaginations to create the changes that we want to see happening around us? \n\n \nDavid L Bell \nJohn Berpel \nGK Bigler \nOhan Breiding \nQuinn Corey \nLaurie deakers \nLaura DeVeber \nnicole dimarco \nAimee Goguen \niris yirei hu \nMary Beth Johnson \nLaub \nMartha Laub \nFinn Paul \nEddie Sierra Pollock \nThe Revolution \nLara Salmon \nRachel Silver \nJennifer Steverson \nCedric Tai \nkayla tange \nFrankie Toan
URL:https://www.h-r.la/event/our-envisioned-future/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/09/HR-photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211009
DTEND;VALUE=DATE:20211026
DTSTAMP:20260419T123624
CREATED:20210929T235815Z
LAST-MODIFIED:20211014T215328Z
UID:6314-1633759200-1635141599@www.h-r.la
SUMMARY:Sam Richardson
DESCRIPTION:(What I’ve Realized About Coping and Coalescing) \nSam Richardson \nThe gallery is open Wednesday-Sunday\, 12-6pm \nLife persists\, life keeps moving\, but it doesn’t look\, smell\, feel and sound the same now. The future\, as we understand it\, is unknown; the future feels like a void for many of us\, and for some it has undoubtedly already felt like this. The outstretch of possibilities has faded to a different landscape\, and so has the ability and the nature of making and creating as we knew it. Or so it feels. \nThe work I was making before March 2020 seems to be part of the past\, part of a time “before\,” an attempt at a record. A time before we could not gather\, could not touch each other\, and could not move freely — albeit in a violent society. This too will shift\, it already has to an extent\, and most foundational realities have not changed. “Normal” was never good\, we should not go back to “before\,” back to “normal.” \n  \nThe work displayed does not commit itself to one particular form of the “photograph” or the image\, both in format or style. Moving between different types of cameras and different moments of capture\, I am intending to show the friction that occurs between intent and circumstance. Some images were planned ahead of time\, others are found in a moment guided by shared thought and found circumstance. \n  \nAn exploration of collaboration is at the core of this work\, and in response to that investigation so is self-portraiture. Exposing the body that makes the image I see as an attempt at negotiating the stakes of capturing another’s likeness. The presence of my  body in these images is conceived as a through line\, an attempt to be an aid for context\, functioning as both the figure seen as well as the body making the photographs/videos. The body can’t exist in the world without being politicized\, both in its form and experience\, and in its bodily history. What interests me is the friction between how the lived structures and rules that surround said bodies rub up against those that run parallel to them—family lives\, sex lives\, production\, desire\, violence\, pain\, joy\, etc. \n  \nA foundation that spawned much of the work here was historical research of a dethroned female bearded saint\, St. Wilgefortis. She came to be the patron saint of all those who wished to be liberated from tribulations of abuse\, in particular abusive husbands\, and survivors of assault\, rape and incest\, as well as those imprisoned. Her removal from the church calendar\, and her contentious relationship with the church due to her likeness to Jesus\, represents an erasure of recorded and historical violence against particular bodies—most notably women\, queer\, non-binary and transgender people. \n  \nThe photographs\, like the video\, begin and end with images made since Covid-19 entered the global experience. The bookends serve to intertwine the past with present\, and further along\, the future. The people in my images are friends\, lovers\, family. There is often reference to images being made with love\, using an apparatus riddled with a history and use of the opposite. To image a person with love\, to me\, means to consider and hold space for an individual experience\, while also paying tribute to their surroundings as much as possible. \n  \n  \nNote: The majority of these images were made from June 2019 – March 2021. The uprisings of June 2020 are noted within the work\, but also do not attempt to document or propose that this moment in history has been different from any other. \n  \nLand Acknowledgement: I would like to respectfully acknowledge that the land HR stands on is ancestral and unceded Indigenous lands\, specifically the territory of the Chumash\, Tongva and Kizh people. Beneath the contemporary surface of any site in the United States\, there are histories of belonging that have been erased\, overlooked\, contested\, and forgotten\, as well as contemporary communities that continue to endure\, create and thrive. \nAs an occupier of these territories\, I recognize the continual displacement of Native people by the US and are aware that land acknowledgements are often used as an empty stand-in for actual decolonization work. This is something to bear in mind while continuing to build frameworks to dismantle the ongoing effects of colonial legacy\, both in the art spaces and elsewhere. \n  \nOrganized by Clara López Menéndez with the help of Jane Orr\, Jordie Oetken\, Erin Bagley and Kate Hall \nTHANK YOU: \nClara López Menéndez \nJordie Oetken \nJane Orr \nErin Bagley \nKate Hall \nJacqueline Amezquita \nCatherine Opie \nHeather Rasmussen \nVirgil Taylor \nCarolyn Lazard \nGabby Miller \nV Haddad and Emily \nHea-Mi Kim \nLuis miguel Bobadilla \nArisleyda Dilone \nEd Beller \nAlison Veit \nValeria Tizol Vivas \nAlison Veit \nElias Pack \nKatherine Finkelstein \nRose Mori \nSydney Acosta \nChester Toye \nAmelia Bande \nVishal Jugdeo \nCandice Lin \nMom and Dad \nSofia Robledo Rower \nKennady Schneider \nJane Margarette \nBlake Jacobsen \nJohn Birtle \nHuman Resources
URL:https://www.h-r.la/event/sam-richardson/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/09/hand-glove.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211028
DTEND;VALUE=DATE:20211102
DTSTAMP:20260419T123624
CREATED:20210928T194133Z
LAST-MODIFIED:20211002T031054Z
UID:6308-1635400800-1635746399@www.h-r.la
SUMMARY:Halloween curated by Jeff Zilla
DESCRIPTION:
URL:https://www.h-r.la/event/halloween-curated-by-jeff-zilla/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/09/InShot_20210927_043335366.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211106
DTEND;VALUE=DATE:20211130
DTSTAMP:20260419T123624
CREATED:20211003T212411Z
LAST-MODIFIED:20211102T014827Z
UID:6321-1636178400-1638165599@www.h-r.la
SUMMARY:Harmonic Oscillation
DESCRIPTION:Harmonic Oscillation\nM.A. Guevara\nNovember 6 – 28\, 2021 \n\n 
URL:https://www.h-r.la/event/harmonic-osculation/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2021/10/Screen-Shot-2021-10-03-at-2.23.03-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211120T190000
DTEND;TZID=America/Los_Angeles:20211120T213000
DTSTAMP:20260419T123624
CREATED:20211110T161950Z
LAST-MODIFIED:20211111T170055Z
UID:6386-1637434800-1637443800@www.h-r.la
SUMMARY:M. A. Guevara: Harmonic Oscillation Video Screening
DESCRIPTION:Join us for a screening M. A. Guevera’s collection of expirimental videos in support of his debut solo exhibition Harmonic Oscillation. The video screening will be followed by a conversation between M. A. Guevara and curator Hugo Cervantes of Human Resouces-Los Angeles. \nDoors: 6:30pm \nScreening and Q&A: 7:00pm \nMasks are required to enter the gallery. \nThis is a ticketed and free event. For tickets click here. \n 
URL:https://www.h-r.la/event/m-a-guevara-harmonic-oscillation-video-screening/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/11/FilmScreening.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211130T200000
DTEND;TZID=America/Los_Angeles:20211130T223000
DTSTAMP:20260419T123624
CREATED:20211129T204921Z
LAST-MODIFIED:20211129T213114Z
UID:6420-1638302400-1638311400@www.h-r.la
SUMMARY:Martín Escalante + Weasel Walter\, Tim Dahl
DESCRIPTION:UPEND presents\n\n\nMARTÍN ESCALANTE + WEASEL WALTER\nTIM DAHL\n\n\n\nTuesday November 30 at 8pm\n\n\n\nThe L.A. debut of the lacerating sax and drums free jazz duo of MARTÍN ESCALANTE + WEASEL WALTER plus a solo set from NYC bass wrangler TIM DAHL. \nA gadfly in multiple realms of the underground and extreme musics for three decades\, Weasel Walter (NYC) has upset the course of discourse of free jazz\, no waves\, and metals alike with the Flying Lutenbachers\, and – for the past decade plus –  has continued to destroy all music from behind a drum kit with a revolving coterie of collaborators poking holes through orthodox notions of improv. T’was kismet then that he’d have an affinity for the agitations of wild sax ripper Martín Escalante\, (Lakewood\, CA / Guanajuato\, MX) who himself destroys on so many levels\, blowing bursts of pure fire through a tenor mouthpiece into a neckless alto. A 2018 sesh begat their absolutely unrelenting debut release ‘Lacerate’ on Weasel’s ugEXPLODE imprint. This will only be the duo’s second live action and their first on the West Coast. \nBrooklyn-based bass wrangler Tim Dahl has brought fuzz and slither to several core noise-rock projects – including Lydia Lunch’s Retrovirus alongside an axe-wielding Weasel. After many years\, gigs\, and seshes of improv and collab with players running the gamut (John Zorn\, Mary Halvorson\, and the Ruins’ Tatsuya Yoshida\, to name a few) Dahl has let loose a trio project called GRID\, and – just earlier this Fall – released a solo disc called SOLO\, which also describes the shape of his set here at HR – electric bass and vocals. \nDoors at 8pm\nDonate $10 at the door \nPlease note:\n• Proof of vaccination required for entry to this event\n• Masks required at all times while inside the space\n• This event has a limited capacity; plan to arrive in a timely manner to ensure entry
URL:https://www.h-r.la/event/martin-escalante-weasel-walter-tim-dahl/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/11/martimweasel_insta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211209T200000
DTEND;TZID=America/Los_Angeles:20211211T220000
DTSTAMP:20260419T123624
CREATED:20211116T224748Z
LAST-MODIFIED:20211116T225723Z
UID:6393-1639080000-1639260000@www.h-r.la
SUMMARY:"Dorian Wood: Songs From a Palace Fire"
DESCRIPTION:After two years\, acclaimed artist Dorian Wood returns to Human Resources LA with three unforgettable performances. \n  \n  \nTickets can be purchased here\, to attend  \n  \n  \nNote: Proof of COVID-19 vaccination must be presented at the door the night of the event\, and masks must be worn at all times during the performance.
URL:https://www.h-r.la/event/dorian-wood-songs-from-a-palace-fire/
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/11/PALACEFIRE_1-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211215T183000
DTEND;TZID=America/Los_Angeles:20211215T230000
DTSTAMP:20260419T123624
CREATED:20211213T132404Z
LAST-MODIFIED:20211213T212613Z
UID:6428-1639593000-1639609200@www.h-r.la
SUMMARY:Doubles & Double Duty: corey's winter soiree
DESCRIPTION:https://www.eventbrite.com/e/doubles-double-duty-coreys-winter-soiree-tickets-226753244057\n\n\n𝙖 𝙨𝙥𝙚𝙘𝙞𝙖𝙡 𝙡𝙞𝙩𝙩𝙡𝙚 𝙬𝙞𝙣𝙩𝙚𝙧 𝙨𝙤𝙞𝙧𝙚𝙚 𝙣𝙚𝙭𝙩 𝙒𝙚𝙙𝙣𝙚𝙨𝙙𝙖𝙮\, 𝘿𝙚𝙘 15. 𝙙𝙤𝙪𝙗𝙡𝙚𝙨 𝙖𝙣𝙙 𝙙𝙤𝙪𝙗𝙡𝙚 𝙙𝙪𝙩𝙮:\n\n1.𝙛𝙞𝙡𝙢 𝙗𝙮 𝙈𝙖𝙧𝙩𝙝𝙖 𝘾𝙤𝙡𝙗𝙪𝙧𝙣 & 𝙋𝙖𝙩 𝙊’𝙉𝙚𝙞𝙡𝙡. \n2.𝙩𝙧𝙪𝙢𝙥𝙚𝙩 & 𝙙𝙧𝙪𝙢𝙨 𝙗𝙮 𝘾𝙤𝙧𝙚𝙮 𝙖𝙣𝙙 𝙩𝙧𝙖𝙫𝙚𝙡𝙞𝙣𝙜 𝙨𝙘𝙝𝙤𝙡𝙖𝙧 𝙈𝙧. 𝙂𝙖𝙗𝙧𝙞𝙚𝙡 𝙒𝙤𝙣𝙘𝙠 𝙛𝙧𝙤𝙢 𝙩𝙝𝙚 𝙐𝙆. \n3.𝙩𝙧𝙪𝙢𝙥𝙚𝙩 & 𝙩𝙪𝙗𝙖 𝙗𝙮 𝙡𝙚𝙜𝙚𝙣𝙙𝙨 𝘾𝙪𝙕𝙣𝙨 : 𝘽𝙤𝙗𝙗𝙮 𝘽𝙧𝙖𝙙𝙛𝙤𝙧𝙙 𝙖𝙣𝙙 𝙒𝙞𝙡𝙡𝙞𝙖𝙢 𝙍𝙤𝙥𝙚𝙧. \n4.𝙨𝙪𝙧𝙧𝙚𝙖𝙡𝙞𝙨𝙩 𝙘𝙤𝙡𝙡𝙖𝙜𝙚 𝙬𝙖𝙡𝙡𝙥𝙖𝙥𝙚𝙧 𝙗𝙮 𝙩𝙝𝙚 𝙣𝙚𝙬 𝙈𝙀𝙎𝙃 𝙂𝙧𝙤𝙪𝙥 : 𝙎𝙩𝙚𝙥𝙝𝙖𝙣𝙞𝙚 𝙎𝙢𝙞𝙩𝙝\, 𝘾𝙡𝙖𝙮 𝘾𝙝𝙖𝙥𝙡𝙞𝙣\, 𝙃𝙚𝙖𝙩𝙝𝙚𝙧 𝙇𝙤𝙘𝙠𝙞𝙚\, 𝘼𝙧𝙘𝙝𝙞𝙚 𝘾𝙖𝙧𝙚𝙮\, 𝙖𝙣𝙙\, 𝙢𝙚 𝙖𝙜𝙖𝙞𝙣. \n5.Corey 𝙬𝙞𝙡𝙡 𝙗𝙖𝙠𝙚 𝙥𝙞𝙡𝙚𝙨 𝙤𝙛 𝙥𝙚𝙧𝙨𝙞𝙢𝙢𝙤𝙣 𝙩𝙧𝙚𝙖𝙩𝙨 \n𝙃𝙪𝙢𝙖𝙣 𝙍𝙚𝙨𝙤𝙪𝙧𝙘𝙚𝙨. 𝙖𝙧𝙧𝙞𝙫𝙚 𝙖𝙩 6:30𝙥𝙢 \n$10 𝙨𝙪𝙜𝙜𝙚𝙨𝙩𝙚𝙙 𝙙𝙤𝙣𝙖𝙩𝙞𝙤𝙣 \nVax cards
URL:https://www.h-r.la/event/doubles-double-duty-coreys-winter-soiree/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/12/dec15th-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211217T200000
DTEND;TZID=America/Los_Angeles:20211217T223000
DTSTAMP:20260419T123624
CREATED:20211214T210509Z
LAST-MODIFIED:20211214T210820Z
UID:6432-1639771200-1639780200@www.h-r.la
SUMMARY:Leila Bordreuil • Nephila
DESCRIPTION:UPEND presents \nLEILA BORDREUIL \nNEPHILA \n \n“Leila Bordreuil is a Brooklyn-based cellist\, composer and sound-artist from France. She accesses concepts as diverse as Noise\, contemporary classical\, free jazz\, and experimental traditions but adheres to none of them. Her music mixes deep melancholia with harsh noise-walls at ear-bleeding levels\, and was described by the New York Times as ‘steadily scathing music\, favoring long and corrosive atonalities.’ Driven by a fierce interest in pure sound and inherent texture\, Leila challenges conventional cello practice through extreme extended techniques and unorthodox amplification methods\, to the extent she sometimes seems to be playing the P.A system rather than the cello. Her compositions frequently incorporate sound-spatialization by way of site-specific pieces and multichannel installations\, and focus on neurological perception and our physiological relationship to sound and space.” \nFrom delicate play on the thresholds between tonality and atonality to aggressive scrape and scrunch\, Bordreuil’s solo sets on amplified cello – with no effect pedals – are full frequency affairs\, loud and noisy. These excursions not only plum the possibilities of the instrument\, but also the resonances of the architecture in which they are aired. (Her recent “Not An Elegy” release on Boomkat’s Documenting Sound series brilliantly documents a solo sesh on NYC subway station platform\, for example.) This week\, Bordreuil visits L.A. to fill a new room\, the cavernous and famously “live” space of Human Resources. \nAn active force in New York’s most forward improvising and composing scenes\, Bordreuil has also collaborated with a wide gamut of key players including Tamio Shirashi\, Zach Rowden\, Kali Malone\, Bill Nace\, and Kim Gordon. Bordreuil and bassist Luke Stewart recently staged a live version of their ambitious Works for Feedback Ensemble with Chris Corsano\, C. Spencer Yeh\, Nate Wooley\, and Julia Santoli at Roulette Intermedium. \nhttps://www.leilabordreuil.com/ \n \nNephila — the solo project of Los Angeles-based artist and musician Shannon Kennedy — pulls audiences into a surreal zone of precarity\, where resolution itself hangs in the balance. Cooking a stew with electric cello and electronics\, Kennedy oft sets her own scene with  foraged bits of nature and other novel interventions. Past plays have seen scavenged branches strung up to bow and spaces roped up for the tensioning of existential drama. A perennial performer in town – and also notably a vet of the road – she is well known in the underground across the country for her enduring collaboration with Jonathan Borges in Pedestrian Deposit. She has staged Nephila actions at Mata\, Coaxial\, and the Ende Tymes. \nDoors at 8 \nSound at 9 \nDonate $10 \nvax/mask required \nlimited capacity – arrive in timely fashion to ensure entry
URL:https://www.h-r.la/event/leila-bordreuil-nephila/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/12/leila_insta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211218T180000
DTEND;TZID=America/Los_Angeles:20211218T230000
DTSTAMP:20260419T123624
CREATED:20211215T000516Z
LAST-MODIFIED:20211215T005219Z
UID:6441-1639850400-1639868400@www.h-r.la
SUMMARY:Jasmine Nyende: To keep me warm. While I grieve.
DESCRIPTION:I’m making a quilt. At Human Resources. To keep me warm. While I grieve. If you want. Bring me warm fabrics. Anytime between 6-10pm. While I sew. You can’t actually come inside but bring fabrics/ old clean clothes or other textiles and you can watch while I sew from inside while you are outside. It’s like a drive by funeral for the threads. Come for as long or as short as you like. Because grief is naturally voyeuristic and I’m an performance artist that luckily has the space to do something to feel apart of you during the pandemic. As a metaphor for how it feels to grief. But please bring any clean\, soft\, loving fabrics to sew into a grief map to feel comfort in. I will sleep in it on Christmas Eve and remember your care. \nQuilting as a social practice and all that jazz. \nTo be clear\, I am doing a durational performance art piece about how people are healing post-Covid with the love of our communities. This is an exploratory action into being together. So then making a quilt dependent completely by YOU (and my own fabrics from past donations) to make something to keep me warm. 12/18 at Human Resources\, please leave the fabric outside the door for me to collect and stay outside unless invited in ❤️❤️
URL:https://www.h-r.la/event/jasmine-nyende-to-keep-me-warm-while-i-grieve/
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2021/12/Screen-Shot-2021-12-14-at-3.46.11-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220114
DTEND;VALUE=DATE:20220116
DTSTAMP:20260419T123624
CREATED:20211230T021450Z
LAST-MODIFIED:20220114T233425Z
UID:6464-1642140000-1642226399@www.h-r.la
SUMMARY:Sebastian Hernandez [Postponed]
DESCRIPTION:POSTPONED \nMulti disciplinary trans femme artist Sebastian Hernandez presents a new work with a group of femmes to bring forth a happening in the dark.
URL:https://www.h-r.la/event/sebastian-hernandez/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2021/12/DSC00074-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220120
DTEND;VALUE=DATE:20220201
DTSTAMP:20260419T123624
CREATED:20220112T211818Z
LAST-MODIFIED:20220118T213144Z
UID:6494-1642658400-1643608799@www.h-r.la
SUMMARY:Apparitions: a group show
DESCRIPTION:The group stems from a virtual art salon that was facilitated by Miljohn Ruperto at the end of 2020. With their diverse backgrounds and satellite presence\, artists were invited to question the opacity in the contemporary art world while sharing their past and current works. The space of conversation is suspended through virtual meetings\, discussing peer feedback\, group readings\, along with conceptual and practical ideas in art. The salon has expanded to more guest participants –curators\, gallerists and other artists who add to the conversation and overall curiosity of a practicing artist. \n  \nClick here for the exhibition page.
URL:https://www.h-r.la/event/apparitions-a-group-show/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/01/Apparitions.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220205T190000
DTEND;TZID=America/Los_Angeles:20220205T210000
DTSTAMP:20260419T123624
CREATED:20220125T004214Z
LAST-MODIFIED:20220204T010538Z
UID:6517-1644087600-1644094800@www.h-r.la
SUMMARY:Sylvia Wynter's The Big Pride\, (1961.) Film screening by LAND x HRLA
DESCRIPTION:Mrs.Dowling (Nadia Cattouse) and Mallboy Dowling (Johnny Sekka) in The Big Pride\, (1961.) \nHuman Resources Los Angeles in partnership with LAND (Los Angeles Nomadic Division) presents a screening of The Big Pride (1961) the film adaptation of Sylvia Wynter’s play of the concurrent name. \n“Scripted by Guyanese writers Jan Carew and Sylvia Wynter\, The Big Pride is a powerful drama about the quest for freedom. Classically-trained American actor William Marshall and Senegalese-born Johnny Sekka play convicts\, desperate to escape not just the physical bars of the prison cell but also an iniquitous social order that relegates them from birth to the bottom of the heap. However the critique by Dolly Green\, in a virtuoso performance by Trinidadian actor Barbara Assoon\, exposes a third confinement\, ultimately the most devastating of all\, the imprisonment of the mind by bitterness and hatred. In the end for Sutlej and Smallboy Dowling there is no fantasy future. There is only death and surrender.” — British Film Institute \nThe film screening is a part of LAND and LACA’s (Los Angeles Contemporary Archive) course on the work of Sylvia Wynter facilitated by manuel arturo abreu. \nSpecial thanks to Blue for making the film screening possible. \nFor free tickets please RSVP to our Eventbrite here.  \nDoors open at 7:00pm with the film starting promptly at 7:30pm.  \nThe screening will be followed by Q&A between manuel arturo abreu and LAND’s Associate Curator Hugo Cervantes. \nVaccination card is required for entry and attendants are required to wear a mask at all times inside the gallery. \nPlease note this film screening has limited capacity. Be sure to arrive early to ensure entry. \n 
URL:https://www.h-r.la/event/the-big-pride-land-x-hrla/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2022/01/Untitled-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220210T200000
DTEND;TZID=America/Los_Angeles:20220210T230000
DTSTAMP:20260419T123624
CREATED:20220126T044940Z
LAST-MODIFIED:20220126T200658Z
UID:6553-1644523200-1644534000@www.h-r.la
SUMMARY:Pristina / Sauber Zauber / TBHQ
DESCRIPTION:Pristina / Sauber Zauber / TBHQ\n\n• Proof of full vaccination and contact info required for entry to this event\n• Masks required at all times while inside the space\n• This event has a limited capacity\, plan to arrive in timely manner to ensure entry!\n• Getting (free) tickets in advance is strongly encouraged\n\nRESERVE YOUR TICKET HERE
URL:https://www.h-r.la/event/pristina-sauber-zauber-tbqh/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/01/220210show.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220211T183000
DTEND;TZID=America/Los_Angeles:20220211T230000
DTSTAMP:20260419T123624
CREATED:20220131T215648Z
LAST-MODIFIED:20220131T233106Z
UID:6557-1644604200-1644620400@www.h-r.la
SUMMARY:Noche de Amor
DESCRIPTION:Noche de Amor  \nMusic by Neyva\, Romeo Diablos\, Fairy Boy\, Bae Banxx\, Ora77k\, & Soulm4te  \nFebruary 11\, 2021 6:30—11PM  \n\nProof of full vaccination and contact info required for entry to this event\nMasks required at all times while inside the space\nThis event has a limited capacity\, plan to arrive in timely manner to ensure entry
URL:https://www.h-r.la/event/noche-de-amor/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/01/IMG_9453.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220212
DTEND;VALUE=DATE:20220314
DTSTAMP:20260419T123624
CREATED:20220112T163314Z
LAST-MODIFIED:20220113T222804Z
UID:6481-1644645600-1647151199@www.h-r.la
SUMMARY:Reading with José Muñoz
DESCRIPTION:This (online) seminar takes up the work of José Esteban Muñoz\, a defining figure in queer theory\, queer of color critique\, and performance studies. We will read excerpts from his three books (Disidentifications\, Cruising Utopia\, and The Sense of Brown) to explore his key terms and the impact of his thinking on the work of artists and scholars. The intention is to host a conversation for artists\, art critics\, curators and other art workers who want to better understand the story of his work\, and the importance of his interventions. Students/academics who are not artists and who appreciate an artist-centered context are welcome to join. This seminar will be hosted by HRLA member & UC Riverside professor Jennifer Doyle. We will hold three meetings\, 11am Saturday Feb 12\, 26 and March 12th. To register for this seminar and gain access to our readings\, please fill out this form.   \nThis class grows out a project which began as Marxism for Artists. It is intended as a welcoming environment in which people can spend time with the ideas that shape criticism & theory.
URL:https://www.h-r.la/event/reading-with-jose-munoz/
LOCATION:Online
CATEGORIES:online event,seminar/workshop
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2022/01/Screen-Shot-2022-01-06-at-10.22.02-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220212T200000
DTEND;TZID=America/Los_Angeles:20220212T220000
DTSTAMP:20260419T123624
CREATED:20220202T202427Z
LAST-MODIFIED:20220203T223949Z
UID:6566-1644696000-1644703200@www.h-r.la
SUMMARY:Purple Glitter Slime
DESCRIPTION:An evening of queer performances and works by \nAmanda-Faye Jimenez \nAimee Goguen & Dakota Higgins \nJohn Burdole \nLaub \nNathan Lam Vuong \nZori Swanegan \n\n\n7$ \nDoors open at 8 \nPerformances begin promptly at 830 \n\nTickets can be purchased here: https://withfriends.co/event/13568875/purple_glitter_slime_21222 \n\nAmanda-Faye Jimenez is a writer and comedic performer born and raised in Los Angeles. She is mostly known for being a huge lesbian irl and online @failureprincess and for having long conversations with dogs. \nAimee Goguen (she/they) is a moving-image artist working in analog video\, hand-drawn animation\, and creative writing. She explores the grotesque and abject\, crafting scenarios that reimagine bullying as staged\, repetitive actions. Goguen’s work is anchored in imagination\, fantasy\, and escape. Goguen lives and works in Los Angeles. \nDakota Higgins is an artist\, writer\, and musician based in Los Angeles. He runs the experimental venue\, The DMV\, LA (aka The Departure from music Venue[s]). \nJohn Burdole is a queer artist. They like making work with their friends\, and making out. \n\n\nNathan Lam Vuong’s work deals with Asian-American culture\, the nuances of loneliness and confusion in dating\, and ideas of non-relationships. Born in Pascagoula\, Mississippi and raised in Florida\, Vuong received his BFA from the University of Miami and an MFA from CalArts.  Vuong produced the weekly comic strip\, Post-Ironic\, for The Heat Lightning (Miami). In 2011\, he attended the Banff Art Centre in Canada for the thematic residency “What’s Love Got To Do With It?”  Vuong has exhibited/performed at Soy Capitán in Berlin\, The Center – NYC’s LGBT Community Center\, Krause Gallery NYC\, Machine Projects LA\, LACMA (band performance with J-Lep)\, Aljira Center for Contemporary Art Newark NJ\, and Boston Center for the Arts. \n\nBuddy\, gentle like an angel sent from the heavens\, is Laub with some clown makeup on. Every once and a while he comes out of hiding to sing some songs.  He grew up Mennonite\, in Virginia\, and misses singing every Sunday\, in a congregation of people who sang in four-part harmony. He plays the guitar\, banjo\, piano or octave mandolin and sings from his iPhone\, very seriously\, like a boy in church. Laub\, also known as Taliesin is currently enrolled in massage school and needs practice. If you’d like to make an appointment or inquiries please call 562-583-5773 or DM @laublife. He has great hands and his own portable massage table. Also\, in recent developments\, Laub needs a place to live. \n\n\n\nZori Swanegan is a visual artist based in Los Angeles\, CA. She primarily makes works on paper.\n  \n  \n\nProof of full vaccination and contact info required for entry to this event\nMasks required at all times while inside the space\nThis event has a limited capacity\, pre-sale tickets are highly encouraged
URL:https://www.h-r.la/event/purple-glitter-slime/
CATEGORIES:exhibition,one-time event at HR,performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/02/Purple-Glit-Slime-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220217T200000
DTEND;TZID=America/Los_Angeles:20220218T200000
DTSTAMP:20260419T123624
CREATED:20220208T001018Z
LAST-MODIFIED:20220215T003206Z
UID:6592-1645128000-1645214400@www.h-r.la
SUMMARY:Bruce & Norman Yonemoto - GARAGE SALES
DESCRIPTION:Two nights of screenings focusing on a trio of films by the Yonemoto brothers: \nThursday\, February 17th\, 8:00pm:  \nTickets for Thursdays screening of Garage Sale can be reserved here \nBruce and Norman Yonemoto\, Garage Sale\, 1976\, 16mm transferred to digital\, 85 min \nGarage Sale is a campy feature centered on a story of marital upheaval between drag queen Goldie Glitters and her fair-haired husband Hero. Goldie plays an aspiring starlet of the same name\, whose fantasies and expectations have been shaped by Hollywood romance films. The film follows the couple as Hero tries to regain Goldie’s love by seeking the advice of an eccentric cast of characters. \nFollowing the film there will be a brief discussion with Bruce and HR’s managing director\, John Bartle. \n  \n \nFriday\, February 18th\, 8:00pm: Homecoming\, Performances\, & Garage Sale II \nAn evening of 2 historic short videos\, and work by contemporary artists. \nTickets for Fridays event can be reserved here \nBruce Yonemoto\, Homecoming\, 1975\, video\, 29 minutes \nHomecoming documents the 1975 Homecoming Queen election at Santa Monica City College\, where Yonemoto was teaching at the time. The documentary focuses on the campaign of Goldie Glitters\, and its reception by the school. Goldie was a queer artist\, and former member of the San Francisco gender-bending theater group the Cockettes. When asked why they were running\, Goldie said they were “trying to raise the consciousness of everybody.” \nBruce and Norman Yonemoto\, Garage Sale II\, 1980\, video\, 31 min \nFeaturing Fred Halsted\, Branda Miller\, Robbie Morel\, Jerry Dreva\, Mike Kelley\, Tony Oursler\, Joe Potts\, and Camille O’Grady\, Garage Sale II moves between a couple’s sexually dysfunctional relationship and a series of vignettes in which characters attempt to fulfill their desires through prosthetics\, masturbation\, manipulation and S&M. \nThe work of several younger queer artists will accompany this evening including short performances by Kim Ye\, & Page Person\, a bathroom installation by Badly Licked Bear\, and photographs by Mark McKnight. \n \n  \n• Proof of full vaccination required for entry\n• Masks required at all times while inside the space\n• This event has a limited capacity\, plan to arrive in timely manner to ensure entry\n•  Ticket reservations are strongly encouraged
URL:https://www.h-r.la/event/bruce-norman-yonemoto-garage-sales/
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2022/02/Screen-Shot-2022-02-07-at-2.38.06-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220219T190000
DTEND;TZID=America/Los_Angeles:20220219T210000
DTSTAMP:20260419T123624
CREATED:20220125T235157Z
LAST-MODIFIED:20220210T231123Z
UID:6545-1645297200-1645304400@www.h-r.la
SUMMARY:Mascota a film by Nico Garcini & Misael José Oquendo
DESCRIPTION:Human Resources-Los Angeles presents Mascota an experimental film by Nico Garcini and Misael José Oquendo. \nSaturday\, February 19th  \nDoors: 7pm  \nFilm to begin promptly at 7:30pm  \nVaccination card is required for entry and attendants are required to wear a mask at all times inside the gallery. \nPlease note this film screening has limited capacity. Be sure to arrive early to ensure entry. Please RSVP here.  \nThe story of MASCOTA follows a lost pilgrim (PEREGRINA) who finds themselves furloughed in a town full of live action role players. In need of a square meal\, the Pilgrim meets and follows a vagrant LARPer\, RATBOY\, who is fervently obsessed with an entity called the Floon. The townsfolk are not only all participating in a town wide LARP campaign\, but they all appear to be compulsively partaking in a town lottery. The pilgrim comes to find that each individual’s lottery ticket is what allows them to participate in the town’s activities. Without a ticket\, one is ostracized from all establishments and events\, and like Ratboy\, becomes a Mascota\, and townsfolk then consider them to be a subaltern citizen. Mascotas present as half human/half animal figures\, as they have chosen a path whereby they no longer see the difference between their in-game role-play and their out-of-game persona. These mascotas all live together in a ‘monster camp\,’ a harmonious socialist community just outside of town. Here they worship the ways of the Floon\, a deity whose name has its origin in a LARP term that signifies the feeling of exaltation one gets from participating in a campaign. Our protagonist\, after becoming familiar with this shunned community\, begins to notice certain inherent disparities between these two societies. Noticing a sense of superiority among the townsfolk\, the Pilgrim becomes increasingly worried that the ticket holders and the ticketless will inevitably be brought to conflict. \nMASCOTA is an animated experimental fantasy film created through the use of keyframing\, image plating and motion capture A.I. software. MASCOTA’s story and aesthetic draws from a myriad of sources: Live Action Role Playing\, an interactive role-playing game wherein the participants portray characters through physical action and fashion. This heavily inspired the premise of the film wherein every character in the film aside from the protagonist is a ‘LARPer’ engaged in a fantasy campaign. Through the use of animation\, the film is free to explore and engage anachronistically with any setting\, mythology\, fashion and style. The dialogue of the feature merges LARPing terminology and antiquated speech as a diachronic experiment in\nform. Concerning the etymology of MASCOTA\, look to the 19th century French\, mascotte\, meaning a pet or lucky charm\, a concept by which the feature’s auteurs gather certain thematic symbols. The film’s satirical and abstracted reenactment of the christ myth is told through the haze of unrequited love and its heavily tragic consequences. \nNico Garcini  is a Cuban writer\, filmmaker\, musician and visual artist currently based in Tucson\, AZ. He graduated with a BFA in film from Bard College in Annandale-on-Hudson\, NY\, where he studied under Peter Hutton. \nMisael José Oquendo is a Puerto Rican video artist\, curator and writer based in Los Angeles. He recently graduated from the Aesthetics & Politics (2020\, MA) program at the California Institute of the Arts. He also studied film and visual critical studies at the School of the Art Institute of Chicago where he graduated with a BFA in 2016. His videos have been exhibited at the Gene Siskel Film Center in Chicago and most recently at the LA Contemporary Archive in Los Angeles.
URL:https://www.h-r.la/event/mascota-a-film-by-nico-garcini-misael-jose-oquendo/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2022/01/Screen-Shot-2022-01-25-at-3.48.16-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220224T200000
DTEND;TZID=America/Los_Angeles:20220224T210000
DTSTAMP:20260419T123624
CREATED:20220203T222958Z
LAST-MODIFIED:20220207T212628Z
UID:6582-1645732800-1645736400@www.h-r.la
SUMMARY:Pau S. Pescador - Hot Girl Summer (and other trans myths)
DESCRIPTION:Hot Girl Summer (and other trans myths) \nA Performance by Pau S. Pescador \nFebruary 24\, 8 pm \nHot Girl Summer (and other trans myths) is a three-act performance art event\, which takes place in the optimistic summer days of 2021. Vaccines\, socializing and the act of being seen! Through this solo performance Pescador utilizes costumes\, puppets and props to explore their own successes and failings attempting to reorient the world as a recently transitioned body.  The world is open\, everything is possible…including the bittersweet pain of heartbreak! \nPau S. Pescador is a contemporary trans fem nonbinary artist who works in film\, photography\, and performance that lives and works in Los Angeles\, California. She graduated with an MFA from University of California\, Irvine and a BA from University of Southern California. Select performances include: ForYourArt\, Los Angeles; Hammer Museum\, with KCHUNG TV\, Los Angeles; Lenzer Gallery at Pitzer College\, Claremont\, CA; Los Angeles Contemporary Archives; Guggenheim Gallery at Chapman University\, Orange\, CA; Machine Projects\, Los Angeles; PAM\, Los Angeles; Performa 2015\, Colony\, New York; REDCAT\, Los Angeles and UC Berkeley: Durham Studio Theater. Her first collection of writing\, CRUSHES: A NOVELLA\, was published by Econo Textual Objects in Spring 2017. \nVaccination card is required for entry and attendants are required to wear a mask at all times inside the gallery. \nLimited seating for this is available and reservations are highly encouraged
URL:https://www.h-r.la/event/pau-s-pescador-hot-girl-summer-and-other-trans-myths/
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/02/unnamed-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220226T210000
DTEND;TZID=America/Los_Angeles:20220226T210000
DTSTAMP:20260419T123624
CREATED:20220222T194730Z
LAST-MODIFIED:20220224T040534Z
UID:6651-1645909200-1645909200@www.h-r.la
SUMMARY:Cube - Pure Shit - Prosperity
DESCRIPTION:Cube is the electronic music project of NY-based artist Adam Keith.  Live\, Cube conjures a whirlwind of strobing light and video to hypnotic effect.  Searing textures and violent rhythms give way to moments of hushed\, eerie beauty.  Musically\, the project touches on industrial\, dub\, drum & bass\, noise\, and more\, but does so with a distinctly personal\, infectious touch – the spirit of a songwriter lurks somewhere underneath. \nKeith also publishes the art & culture magazine Baited Area. \n“Keith’s vocals rattle around the majority of the tracks\, grounding them in some kind of snarling NYC 1982 attitude that’s hard to ignore. But the productions themselves dance around genres with complete freedom\, occasionally sounding like Suicide\, occasionally like Foodman\, occasionally like The Prodigy and occasionally like HTRK… This is jagged\, jolting DIY music that succeeds because it takes bold risks.” – Boomkat \nSeismic drum machine parts partition an album that layers industrial-tipped takes on \ndigi-dub with roaming guitar lines\, piano vignettes\, and breakbeat theatrics.” – Alter \n  \nPure Shit is a punk band based in and around Los Angeles\, but biographies are not important. Revelations and regeneration is what Pure Shit is all about. \n  \nProsperity \nWhich word\, would you use\, \nto describe her defiant grin? \nA look that says: \nthat demon\, \nthat man\, \nwill never steal our joy. \nAnd for us.. \na smile back.. \na long ride home.. \neveryone; a different war. \nUntil a star aligns \nacross our line in the sand\, \ndisappearing in the wind; \nto be drawn again and again. \nAn impression\, \nforever forward\, \nholding our same place. \nProsperity is a project by Michael DeMaio beginning July 2020 in Los Angeles\, California. \n 
URL:https://www.h-r.la/event/cube-pure-shit-prosperity/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR,performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/02/cubepureshitprosperity-02-23_131410-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220228T200000
DTEND;TZID=America/Los_Angeles:20220228T220000
DTSTAMP:20260419T123624
CREATED:20220215T225939Z
LAST-MODIFIED:20220227T223719Z
UID:6636-1646078400-1646085600@www.h-r.la
SUMMARY:mark so\,  a future in hand
DESCRIPTION:mark so \n  \na \nfuture \nin \nhand \n  \n  \n– \n  \nspilled \nclose to the earth \nOutside and in\, \nliving sideways\, \nand down \n  \nopposite \nthe center \nand \nat the \nbottom\, \nindeterminate \nsounds. \nthumbed through \nand \nread \nunmistakably nearer–a great roar all \naround \nthat covered every other sound. \nin \nnight \nand \nthe table \noutside the window\, \nsubsiding \nand an early \ndinner to look forward to. Each \npart of the \nroom \non \neither side. \ndisordered \nterrain \nwith its \n  \nstumps\, \nthe \nsliced \nline across \nto \nsomewhere \nbeneath \n  \n– \n  \nAnd \ntime \nno longer \nthere \ninstead here\, \na founda- \ntion. \ntrembling \nin \nthat \nmix \nworn \noff  \nso naturally \nto \ntake on the forms and \nsymbols of \ntalking \nintimate\, \nand \ngradually \nunderstood \n  \n[13 ii 2022/marfa\, 21 ii 22/pasadena] \n  \n  \n 
URL:https://www.h-r.la/event/mark-so-a-future-in-hand/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/02/IMG_20220224_155607-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220304
DTEND;VALUE=DATE:20220322
DTSTAMP:20260419T123624
CREATED:20220105T030032Z
LAST-MODIFIED:20220307T173529Z
UID:6474-1646373600-1647842399@www.h-r.la
SUMMARY:Xandra Ibarra\, Nothing lower than I
DESCRIPTION:Image credit: Xandra Ibarra\, Chest Rest\, 2020. \n  \nHuman Resources Los Angeles presents Nothing lower than I\, a solo exhibition by interdisciplinary artist Xandra Ibarra. The exhibition is anchored in an archival exploration and artistic study of Bob Flanagan and Sheree Rose’s canonical performances experimenting with sadism\, masochism\, pleasure\, illness and disability in 1980s and 90s Los Angeles. Playing with sub mythologies and objects\, Ibarra considers the relationship between care and pain\, art and labor\, sculpture and flesh. Her sculptures—steel pasties\, bruised leather hammers\, and wheelchairs—contend with the interplay of consent\, race\, and disability. Engaging historical and ongoing attachments\, she invokes archival ghosts to think through ideas of bottomhood and dehumanization. \nThe exhibition is curated by Jeanne Vaccaro in a collaboration between HRLA and the ONE Archives at the USC Libraries. \nXandra Ibarra\, who sometimes works under the alias of La Chica Boom\, is an Oakland-based performance artist and community organizer from the U.S./Mexico border region of El Paso/Juárez. Ibarra works across performance\, video\, and sculpture to address abjection and joy and the borders between proper and improper racial\, gender\, and queer subjectivities. Her art has been featured at El Museo de Arte Contemporáneo (Bogotá)\, The Broad (Los Angeles)\, ExTeresa Arte Actual (Mexico City)\, the Leslie-Lohman Museum (New York City)\, and the Anderson Collection (Stanford). Ibarra’s work is located within feminist\, immigrant\, anti-rape\, and prison abolitionist movements. \n\nGallery hours \nWed-Sun\, 12-6pm\nfrom March 5-March 20\n  \nExhibition Programs \nExhibition Opening: Friday\, March 4\, 7-9pm \nWalk-through & Conversation: Saturday\, March 5\, 11am (thinking Nothing Lower Than I with José Muñoz’s work) \nWalk-through & Conversation: Wednesday\, March 9\, 12-1pm \nJennifer Doyle\, author of Sex Objects: Art & the Dialectics of Desire and Hold It Against Me invites you to join her in a conversation with Xandra Ibarra’s sex objects & the feelings they generate in & for us. \nArtist talk on zoom: Wednesday\, March 9\, 4pm (click on this link) \nXandra Ibarra in conversation with curator Jeanne Vaccaro; Introduction by Ana Briz. Presented by the USC Center for Latinx Studies\, American and Ethnic Studies\, and Gender and Sexuality Studies \nBottom Poetry presented by Deluge Books: Saturday\, March 12\, 7pm with Brontez Purnell\, Trisha Low\, Aimee Goguen\, K Allado-McDowell\, Yatta Zoker\, Janetta Rich\, and Phoebe Kaufman. \nRon Athey walk through: Sunday\, March 13\, 2pm \nSheree Rose walk through: Sunday\, March 20\, 2pm \n  \nVaccination card is required for entry and attendants are required to wear a mask at all times inside the gallery. \n  \n \nImage credit: Xandra Ibarra\, Free To Those Who Deserve It\, 2020. \n 
URL:https://www.h-r.la/event/xandra-ibarra-nothing-lower-than-i/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/01/01_Chest-Rest.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220323T210000
DTEND;TZID=America/Los_Angeles:20220323T223000
DTSTAMP:20260419T123624
CREATED:20220315T074319Z
LAST-MODIFIED:20220316T053624Z
UID:6682-1648069200-1648074600@www.h-r.la
SUMMARY:Dicky Bahto & Prima Jalichandra-Sakuntabhai
DESCRIPTION:image credit: Prima Jalichandra-Sakuntabha\, 1973 (2019)\nA program of moving images and performance\, by Dicky Bahto & Prima Jalichandra-Sakuntabhai\, the night of March 23rd. \nPresale tickets can be reserved here \nMasks are required to be worn inside\, at this event. \n– \n“I’ll be showing two recent pieces… six pages from a diary\, a Super 8 film that compiles about a year’s worth of material that I edited in 2021\, including a dolma-making lesson on Christmas eve in Paris just before the pandemic\, to things I did every day that helped keep me sane during the rest of the year that followed: dancing with my cat\, afternoon coffee on my balcony\, watching my lover sleep\, and lots of fresh fruit. I’ve taught several classes about diary films\, and have programmed a number of screenings focusing on the form\, but had never made something so directly about my own life until now. I’ll also show Mirror Piece\, a video made in November and December 2021 with Tatiana Luboviski-Acosta\, Taylor Doran\, Yvonne Tam\, and myself performing Mieko Shiomi’s work of the same name\, which was commissioned by The Getty Museum for an afternoon of performances of Fluxus scores drawn from An Anthology of Chance Operations and related works. For the silly reason that these two pieces both involve looking at oneself\, I thought they would be nice to show together. I’ll also have a little thing to celebrate kha b nissan–Assyrian new year–and welcome spring.” \nDicky Bahto was born in 1981. He lives and works in Los Angeles. \nHe has exhibited work utilizing still and motion picture photography\, sound\, and performance at a variety of museums\, galleries\, microcinemas\, film festivals\, conferences\, alternative spaces\, and scenic locations spanning the Northern Hemisphere\, including commissions from Monday Evening Concerts\, The Huntington\, and The Getty. His interest in music has led him to work frequently with musicians\, including Casey Anderson\, Erika Bell\, Ashley Bellouin\, Luciano Chessa\, Sarah Davachi\, Lolita Emmanuel\, Carmina Escobar\, Corey Fogel\, Liz Harris/Grouper\, Morgan Gerstmar\, Ramona Gonzalez/Nite Jewel\, Julia Holter\, Chuck Johnson\, Sepand Shahab\, Stephanie Cheng Smith\, Mark So\, Laura Steenberge\, and Tashi Wada. He received his undergraduate degree from the San Francisco Art Institute in 2004\, and a masters degree from the University of California\, Riverside in 2017. \n– \nHis current projects include a suite of multimedia works for piano and video with Lolita Emmanuel\, a feature-length film to accompany the album Mother by Raum (Liz Harris & Jefre Cantu-Ledesma)\, a 16mm film made in collaboration with Tashi Wada\, and the retirement of his decade-long performance project for 35mm slides\, Accretions\, which is in the process of being turned into a set of prints. \n  \n  \n“1973 (2019) is a performance with three video projectors. It is the first of a series of works on Thai political history and my relationship to it as a remote observer and self-appointed custodian. My shadow intercedes between the two projections\, partly obscuring\, partly revealing. I move a third projector\, which shows subtitles that I sometimes read out loud.  \nHaving moved to Los Angeles one year prior\, I wanted to anchor myself in the city by finding familiar points that connect me to Bangkok\, the city of my birth. The freeway system under which I navigate\, becomes portals for multiple spaces and temporalities to overlap: odd jobs from making English subtitles for a Thai documentary to art handling at a craft museum in Los Angeles led me to reminisce about the Thai student revolt in 1973. The failure to commemorate the successful civilian uprising results in the parliamentary elections of the current Thai military dictator in 2019. The arbitrary spatial connections made by freeways allow me to bring together disparate facts in an alternative reading of history.” \nPrima Jalichandra-Sakuntabhai is a transdisciplinary artist\, working across performance\, video and installation\, based in Los Angeles. Born in Thailand in 1989\, they grew up in Europe before moving to the US in 2011.  \nThey received their Visual Arts Degree from the Ecole des Beaux Arts de Nantes Metropole and a License in Film Studies at the Sorbonne Nouvelle-Paris 3. They hold a BFA at the School of the Arts Institute of Chicago and a MFA at the California College of the Arts\, in San Francisco. They are a recipient of the SOMA Summer Award\, Mexico City in 2016 and the emi kuriyama spirit award in 2020.  \nRecent projects include: Stranger Intimacy\, residency at the ONE Archives and USC Pacific Asia Museum (LA)\, Chloropsis Aurifrons Pridii\, The Fulcrum Press (LA)\, Excerpts of Memories From the Screen\, a Zoom performative lecture for BOOKSHOP LIBRARY\, BANGKOK CITY CITY GALLERY (Bangkok)\, Irrational Exhibits 11: Place-Making and Social Memory\, Track 16 (LA). They curated the MAHA Pavilion for the Bangkok Biennial 2020. \n– \n \nDicky & Katoosh in six pages from a diary
URL:https://www.h-r.la/event/dicky-bahto-prima-jalichandra-sakuntabhai/
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/03/Performances-November-10-2019-2-of-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220326T190000
DTEND;TZID=America/Los_Angeles:20220326T233000
DTSTAMP:20260419T123624
CREATED:20220314T210039Z
LAST-MODIFIED:20220317T224527Z
UID:6676-1648321200-1648337400@www.h-r.la
SUMMARY:Music-In-Person: nuyman\, Holy Pink\, and Special Guests
DESCRIPTION:HRLA presents nuyman\, Holy Pink\, and Special Guests! \nJoin us for a night of music on Saturday\, March 26th. \nnumyn will present a singular version of its nu-modal/ crustpop music. the project\, usually based in nyc\, makes itself out of genre and an insistence toward the rhythms of nondualistic heresy. it’s catchy. \n\nHoly Pink are an electronic duo based out of Los Angeles. They explore the balance between ethereal and kosmiche electronic composition using moogs\, operatic vocals\, vocoders and samples.\n\nDoors Open at 7pm \nSliding Scale Donation: 5-$10
URL:https://www.h-r.la/event/music-in-person-nuyman-holy-pink-and-special-guests/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2022/03/HR-flyer-done.jpg
END:VEVENT
END:VCALENDAR