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X-WR-CALDESC:Events for Human Resources
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DTSTART;TZID=America/Los_Angeles:20261104T190000
DTEND;TZID=America/Los_Angeles:20261104T213000
DTSTAMP:20260924T002304Z
CREATED:20260922T200823Z
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UID:10678-1793818800-1793827800@www.h-r.la
SUMMARY:Normal Dreams - Liana Zhen-Ai + Astrid Sonne
DESCRIPTION:tickets \n\n\n\nPretty but Wicked presents Normal Dreams\, a new performance by dancer Liana Zhen-Ai and musician Astrid Sonne. First presented as a part of the Pairings series at La Mama Experimental Theatre Club in New York\, curated and produced by Cameron Sczempka\, now brought to London via Club Cheek and Qu Junktions. Expect never heard before songs\, movement\, noise\, props and a video call from the big apple. \n\n\n\ndoors at 7 and performance at 8 \n\n\n\nAbout Liana Zhen-Ai  \n\n\n\nLiana Zhen-ai is a Brooklyn/London-based dancer and interdisciplinary artist from Los Angeles. She has performed as a soloist with choreographers Holly Blakey\, Andrea Miller\, and Akira Uchida. Her dancing has been featured in Vogue US\, NOWNESS\, and Face Magazine\, and in venues including MoMA\, Lincoln Center\, Southbank Centre\, and Théâtre Chaillot de Nationale. Liana’s work uses the lenses of new materialism and object-oriented ontology to interrogate shame\, nature\, and narrative. Her choreographic practice sits at the intersection of dance\, dramaturgy\, and scholarship\, and her work has been presented at Prototype Festival\, Amant\, Center for Performance Research\, and Green-Wood Cemetery in collaboration with the New York Philharmonic.  \n\n\n\nAbout Astrid Sonne \n\n\n\nAstrid Sonne is a Danish\, London based composer and viola player. Throughout her acclaimed discography\, Astrid Sonne has been carefully crafting different moods through electronic and acoustic instrumental endeavours. On her most recent album Great Doubt (January 2024) this skill is refined\, now with the distinct addition of the composer’s own vocal in the fore. The tone of each track is unmistakably Sonne’s\, structured around contrasts through an impeccable sense of timing. Lyrics on the album are sparse\, merely highlighting different scenes or emotional states of being\, leaving the music to fill in the blanks. Yet they also form a pattern of ambiguity\, consolidated through the album title\, searching for answers through looking at how and what you are asking\, questions for the world\, questions of love.
URL:https://www.h-r.la/event/normal-dreams/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261105T203000
DTEND;TZID=America/Los_Angeles:20261105T213000
DTSTAMP:20261024T223857Z
CREATED:20261022T021750Z
LAST-MODIFIED:20261024T223857Z
UID:10784-1793910600-1793914200@www.h-r.la
SUMMARY:SONANCE NO.1
DESCRIPTION:tickets \n\n\n\nSONANCE NO.1 is a 30-minute musical performance featuring a group of collaborating musicians\, composed for an audience of humans and plants. \n\n\n\nCould a musical performance be composed not only to be heard\, but to physically participate in the life of another organism? Shall we play the sound of a caterpillar mucnching ? or a Bee buzzing?   \n\n\n\nSONANCE NO.1  invites plants to occupy seats alongside human audience members. Together\, they will attend a musical performance in which human reception is no longer the sole measure of the experience\, and performers are invited to play for plants whose ways of receiving and responding to sound are uniquely their own. \n\n\n\nSONANCE NO.1  asks us to reflect on who or what we make things for\, and what it means to attend to the living beings with whom we share space. \n\n\n\nGuests are invited to bring a plant\, share the audience with a gathering of living plants\, and to consider what it might mean to listen alongside another species. \n\n\n\n-Jazmin Jazzy Romero
URL:https://www.h-r.la/event/sonance-no-1/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261106T200000
DTEND;TZID=America/Los_Angeles:20261106T230000
DTSTAMP:20261027T232303Z
CREATED:20261026T071220Z
LAST-MODIFIED:20261027T232303Z
UID:10790-1793995200-1794006000@www.h-r.la
SUMMARY:Leila Bordreuil / Twig Harper / Elif Dinçer
DESCRIPTION:UPEND Presents \n\n\n\nLeila BordreuilTwig HarperElif Dinçer \n\n\n\nLeila Bordreuil – the astounding Brooklyn-based cellist and composer from France – corrals feedback with shredder moves\, stretching it out\, far out. From delicate play on the thresholds between tonality and atonality to aggressive scrape and scrunch\, her solo sets on amplified cello are full frequency affairs. These excursions not only plumb the possibilities of the instrument\, but also the resonances of the architecture in which they are aired. \n\n\n\nAn active force in New York’s most forward improvising and composing scenes\, Bordreuil tours extensively\, and has collaborated with a wide gamut of key players including Kali Malone\, Laurel Halo\, Tamio Shiraishi\, Michael Foster\, Chris Corsano\, Bill Nace\, Luke Stewart\, and Lee Ranaldo. \n\n\n\n“Bordreuil’s music accesses concepts from noise\, free jazz\, contemporary classical and other experimental traditions but adheres to no single genre. Mixing melancholic cello melodies with harsh noise walls\, she creates “steadily scathing music\, favoring long and corrosive atonalities.” (New York Times). Driven by a fierce interest in pure sound and inherent texture\, Leila challenges conventional cello practice through extreme extended techniques and amplification methods\, to the extent she sometimes seems to be playing the P.A rather than her cello.” \n\n\n\nThis dream gig also features solo sets from a couple L.A. heads. System trickster TWIG HARPER brings fresh cybernetic moves into his post-concrète carnival of sound\, and harpist ELIF DINÇER opens the show with her clever (and microtonally-forward) improvisations and inventions. \n\n\n\n[[ Advance tickets available via Pools ]]
URL:https://www.h-r.la/event/leila-bordreuil-twig-harper-elif-dincer/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261107T200000
DTEND;TZID=America/Los_Angeles:20261108T180000
DTSTAMP:20261102T212337Z
CREATED:20261021T220921Z
LAST-MODIFIED:20261102T212337Z
UID:10770-1794081600-1794160800@www.h-r.la
SUMMARY:GRAVES\, HOLES\, AND MYTHOGRAPHIES 
DESCRIPTION:Film and performance by Vitreous Chamber \n\n\n\n-Malic Amalya and Nathan Hill- \n\n\n\nTwo nights of film and live sound performance  \n\n\n\nGRAVES & HOLES ◆ SATURDAY\, NOVEMBER 7 — 8PM  \n\n\n\nA night to worship at Vaseline graves\, descend into holes\, and rest toward the death of cinema \n\n\n\nMYTHOGRAPHIES ◆ SUNDAY\, NOVEMBER 8 — 6PM  \n\n\n\nA political and sober excavation of myth\, living lessons and your first breath on Mars \n\n\n\n◆ \n\n\n\nVitreous Chamber is the audio/visual collaboration between Malic Amalya and Nathan Hill.  \n\n\n\nTogether they make experimental films and videos with electronic musical scores. Visceral and cacophonous\, their work traverses gritty landscapes of abandoned buildings\, blast zones\, and back rooms. They burn 16mm film\, smear Vaseline on camera filters\, and circuit bend electronics.  \n\n\n\nThe duo has been collaborating since 2014. They co-direct as well as provide integral visual and technical assistance on individually directed projects. Malic specializes in 16mm filmmaking\, while Nathan’s expertise lies in analogue video and synthesizer music production.  \n\n\n\nMalic and Nathan’s works have screened throughout the US and Europe. Their 16mm film Vaseline is distributed by Collectif Jeune Cinéma in Paris and has screened in Light Field (San Francisco)\, Anthology Film Achieves (NYC)\, Onion City (Chicago)\, the Berlin Porn Film Festival (Germany)\, and Le Cirque Électrique (Paris). They have performed Towards the Death of Cinema in the San Francisco Cinematheque’s Perpetual Motion series\, in the MIX NYC Experimental Queer Film Festival\, at Microlights in Milwaukee\, and at Nightingale Cinema in Chicago.  \n\n\n\nIn 2018\, Malic and Nathan were resident artists at Signal Culture. Their video Magnetic Resonance won an Audience Choice Award at the 2016 San Francisco Cinematheque’s Crossroads Artist-Made Film and Video Festival. 
URL:https://www.h-r.la/event/graves-holes-and-mythographies/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261110T200000
DTEND;TZID=America/Los_Angeles:20261110T235500
DTSTAMP:20261103T191350Z
CREATED:20261103T190522Z
LAST-MODIFIED:20261103T191350Z
UID:10800-1794340800-1794354900@www.h-r.la
SUMMARY:Unnatural Beauty (Experimental\, Durational\, Non-Cover Covers)
DESCRIPTION:tickets\, notaflof \n\n\n\nLong form durational explorations of contemporary music  \n\n\n\nNon-cover covers \n\n\n\nMeditations on themes and dynamics in beloved works \n\n\n\nExperiments with our own crafts and modes through the lens of others creations  \n\n\n\nWith: \n\n\n\nJulius Smack \n\n\n\nHowls Road \n\n\n\nSehseiyah \n\n\n\nCaedmon \n\n\n\nIssac Sherman \n\n\n\nPeekaboo \n\n\n\nParticle Girl \n\n\n\nJosephine Sugnavati \n\n\n\nAlex Lichtenauer \n\n\n\nTyler Holmes \n\n\n\nRussia \n\n\n\nDeJoiré \n\n\n\nTravis D \n\n\n\n& more \n\n\n\nExploring works by Kelela\, Alice Coltrane\, and Russia
URL:https://www.h-r.la/event/unnatural-beauty/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20270215T080000
DTEND;TZID=America/Los_Angeles:20270215T170000
DTSTAMP:20260929T064318Z
CREATED:20260915T152720Z
LAST-MODIFIED:20260929T064318Z
UID:10609-1802678400-1802710800@www.h-r.la
SUMMARY:Jennifer Bewerse’s A Gently Tilting Planet
DESCRIPTION:SAVE THE DATE \n\n\n\nDetails coming soon. \n\n\n\nStay tuned!
URL:https://www.h-r.la/event/a-gently-tilting-planet/
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