BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Human Resources - ECPv6.16.2//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.h-r.la X-WR-CALDESC:Events for Human Resources REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20240310T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20241103T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20250309T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20251102T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20260308T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20261101T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20270314T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20271107T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20250501T000000 DTEND;TZID=America/Los_Angeles:20260430T235959 DTSTAMP:20260607T232257 CREATED:20250507T222158Z LAST-MODIFIED:20250914T044908Z UID:8763-1746057600-1777593599@www.h-r.la SUMMARY:HRLA | 15 Years | Everyone DESCRIPTION:$3.33\, _____ Daniel\, (de) Color-Es\, (Same)\, #HealHer\, #Not1More\, #SNATCHPOWER\, +Dog+\, 0ll668\, 75 dollar bill\, A.B.S.\, A.K. Burns\, A.L. Steiner\, A$AP Bari\, Aaron Drake\, Aaron M. Olson\, Aaron Meyers\, Aaron Turner\, Aaron Wrinkle\, Aarum Alatorre\, Abby Cunnane\, Abby Findley\, Abdul Hamid Royal\, Abe Holllow\, Abe Vigoda\, Abhora\, Abigail Bouchet\, Abigail Levine\, ABJECTFAILUREEXHRISTDCVR\, Abraham Ávila\, Abraham Gonzáles Pacheco\, Acacia Marable\, Ace Farren Ford\, Ace Ford Ferren and the Artificial Art Ensemble\, ACP (Artists Curated Projects)\, Actuary\, Ada Navarro\, Ada Tinnell\, Adam James\, Adam Keith\, Adam Khalil\, Adam Laiben\, Adam O\, Adam Valentin Villanueva\, Adam Willetts\, Adee Roberson\, Adie San Diego\, Adrian Abela\, Adrian Culverson\, Adrienne Walser\, Afia Fields\, Africa Avila\, AFTA\, After Hours\, AFTERBURNER\, Ago Visconti\, Ahram Park\, Aidan Reynolds\, Aidan Reynolds\, Aimee Bender\, Aimee Goguen\, AirChina\, Ajani Brannum\, Aki Onda\, Alan Chan\, Alan Danielson\, Alan Ishi\, Alan Najagawa\, Alan Poma\, Alan S. Tofighi\, Alan Tollefson\, Alana Reibstein\, Albert Samreth\, Albert Serna\, Alberto Lule\, Alee Peoples\, Alee Peoples\, Alejandra Herrera\, Alejandro Figueredo Diaz-Perera\, Alex Anderson\, Alex Avila\, Alex Black\, Alex Brown\, Alex Chaves\, Alex Delapena\, Alex Hawthorn\, Alex Kerr\, Alex Lilly\, Alex Michel\, Alex Pelly\, Alex Romania\, Alex Sanchez\, Alex Staiger\, Alex the Brown\, Alex Twomey\, Alexa Weir\, Alexander Borinsky\, Alexander Kluge\, Alexander Kroll\, Alexander Stewart\, Alexander Zevin\, Alexandra Noel\, Alexandre Dorriz\, Alexandria Douziech\, Alexei Shulgin\, Alexis Disselkoen\, Alez Zhang Hungtai\, Alfredo Gonzalez Reynoso\, Ali Eyal\, Ali Liebegott\, Alice Cunt\, Alice Sparkly Kat\, Alice Wang\, Alice Yuan Zhang\, Alicia Piller\, Alima Lee\, Alina Tenser\, Alisa Cacho-Sousa\, Alise Spinelle\, Alison D’Amato\, Alison O’Daniel\, Alison Zukovsky\, Alisson Schmitt\, Aliza Schvarts\, all your sisters\, Allangelsonline\, Allen Bleyle\, Allen Hung-Lun Chen\, Allie Miks\, Allison Miller\, Allison Parrish\, Allison Wyper\, Allyson Jeffredo\, Aloonaluna\, Alphabet Of Wrongdoing\, Alpine Decline\, Alsea Diana\, ALTO!\, Alvi Haapamäki\, Alyse Emdur\, Alyssa Rogers\, Amanda Ackerman\, Amanda Bonaiuto\, Amanda Faye Jimenez\, Amanda Horowitz\, Amanda Joy\, Amanda Marsalis\, Amanda Siegel\, Amanda Yates\, Amanda-Faye Jimenez\, Amara Gyulai\, Amara Higuera\, Amazondotcom\, Ambient DJ\, Amelia Bande\, Amelia Jones\, American Artist\, American Studies Association\, Amia Yokoyama\, Amir Says Nothing\, Amitis Motevalli\, Ampersan\, Amps for Christ\, AMRA\, Amy Chiao\, Amy Golden\, Amy Howden-Chapman\, Amy Mackay\, Amy Sampson\, Amy Sánchez-Arteaga\, Ana Andrade\, Ana Iwataki\, Ana Teo Ala-Ruona\, Anais Hinojosa\, Anastasia Denos\, Anatommy\, ANDORKAPPEN\, Andre Keichian\, Andrea Abi-Karam\, Andrea Lambert\, Andrea Longacre-White\, Andrea Medina\, Andrea Nhuch\, Andrea Ordaz\, Andrea Soto\, Andrea Steves\, Andrei Jay\, Andrés Grillo\, Andrew Becerra\, Andrew Benson\, Andrew Berardini\, Andrew Choate\, Andrew Cox\, Andrew Disorder\, Andrew Gura\, Andrew Kim\, Andrew Norman Wilson\, Andrew Pask\, Andrew Printer\, Andrew Roberts\, Andrew Scott Young\, Andrew Sexton\, Andrew Tholl\, Andrew Young\, Andy Campbell\, Andy Montiel-Phillips\, Andy Warhol\, Anenon\, Ang Frances Wilson\, Angel Alvarado\, Angel Ballesteros\, Angel Chirnside\, Angel Eyes\, Angel Meat\, Angel Olivencia.\, Angela Leyva\, Angela Peñaredondo\, Angela Pereira\, Angela Washko\, Angels in America\, Angie Jennings\, Angie Saiz\, Anh Do\, Anita Herrera\, Anja Weiser Flower\, ann haeyoung\, Ann Hirsch\, Anna Ayeroff\, Anna Betbeze\, Anna Cho-Son\, Anna Craycroft\, Anna Delgado\, Anna Hrund Másdóttir\, Anna Ialeggio\, Anna Joy Springer\, Anna Liza de Leon Evangelista\, Anna Luisa Petrisko\, Anna Luisa Petrisko\, Anna Oyxgen\, Anna Sew Hoy\, Anna Wittenberg\, Anna Zett\, Annabel Turrado\, Annapurna Kumar\, Anne Bray\, Anne Howland\, Anne Juren\, Anne McCaddon\, Anni Rossi\, Annie MacKinnon\, Annique Delphine\, Ante Bodlović\, Antena Los Ángeles\, Anthony Baldino\, Anthony Bodlovic\, Anthony Martinez Galvan\, Antoine Midant\, Antoni Hervás\, Antonio Bever\, Antti Tolvi\, Anuradha Vikram\, Anya Liftig\, Aram Han Sifuentes\, Aram Moshayedi\, Arbab Ahmad\, Arcadia Miss\, Archie Carey\, Arden Surdam\, Arely Villegas\, Ares Zolo\, Ari Brostoff\, Aria Dean\, Aria Safar\, Arisleyda Dilone\, Arjuna Neuman\, Ark\, Arlene Mejorado\, Arley Marks\, Arne Gjelten\, Arnold Kemp\, Arrington de Dionysio\, Arshia Haq\, Art ECF\, Artemisa Clark\, Arthur Cooke\, Artists\, Arttu Partinen\, Artur Da Silva\, Arushi Singh\, Aryana Polat\, Asha Schechter\, Asher Hartman\, Ashira Darwish\, Ashley Blakeney\, Ashley May\, Ashon Crawley\, Ashton Phillips\, Ashton Phillips\, Astor\, Astrovandalistas\, Audrey Chen\, Audrey Leshay\, Audrey Min\, Audrey Wollen\, Augustine\, Augusto Boal Workshop\, Aura García Junco\, Austyn Rich\, Authentic Children Art Association\, Autosex\, Autumn Knight\, Ava\, Avelardo Ibarra\, Avery McIntosh\, Avolcano\, awesometapesfromafrica\, Ayse Melis\, Azalea Lee\, Badlands\, Badly Licked Bear\, Bae Banxx\, Baexjing\, Bahaleen Collective\, Bahia Collective\, Baile Liberacion Resistencia\, Bailey Hikawa\, Bailouts\, Balkh\, Bandito Overlord\, Barbara Manning\, Bárbara Sánchez-Kane\, Barnett Cohen\, Barr\, Barry Markowitz\, Basim Magdy\, Basma Alsharif\, Bastard Noise\, BDH\, Beaux Mingus\, Beck + Col\, Bedroom Witch\, Belly Belt\, Bemoit Piouloard\, Ben Babbitt\, Ben Cuevas\, Ben Gould\, Ben Kudler\, Ben Levinson\, Ben Thorp Brown\, Ben White\, Benicia King\, Benjamin Alexander Huseby\, Benjamin Jarrett\, Benjamin Lord\, Benn Bennet\, Berardi/Liebig\, Bernardo Núñez Magdaleno\, Bessie Kunath\, Betsy Hunt\, Betsy Rettig\, Beyond Pain\, Bhanu Kapil\, Big Bugs\, Bikini Wax\, Bill Daniel\, Bill Nace\, Bill Orcutt\, Bingo Fang\, bipolar bear\, Biquini Wax\, bite marx\, Bitter Party\, BJ Nilsen\, Bjarki Bragason\, Black Leather Jesus\, Black Spirituals\, Black Sun Sutra\, Black Waterfall\, Blaque Tea\, Blas Falconer\, Bloody Death Skull\, Blue CHiLD\, Blues Control\, Bo Boddie Band\, Boaz Levin\, Bobb Bruno\, Bobby Bradford\, Bonemagic\, bones tan jones\, Booker Stardrum\, Borasisi\, Borey Shin\, Born of Ritual\, Box of Books\, boychild\, Brad Laner\, Bradford Nordeen\, Brainchild\, Brandon Bloom\, Brandon Jardine\, Brandon LaBelle\, Brandon Nickell\, Brenda Barrios\, Brenda Contreras\, Brenda Starks\, Brennan Hill\, Brent Watanabe\, Brett Story\, Brian Bowman\, Brian Bress\, Brian Crook\, Brian Getnick\, Brian Griffith\, Brian Kenny\, Brica Wilcox\, Brice Matisse James\, Bridget Batch\, Britt Salvesen\, Brittain Ashford\, Brittany Ko\, Brody Condon\, Bromb Treb\, Bruce La Bruce\, Bruce Yonemoto\, BRUJAJA\, Bryan Valdez\, Bryatt Bryant\, Bulbs\, Byron\, Byron José\, Byron Westbrook\, C. Spencer Yeh\, C1t1zen\, Caitlin Berrigan\, Caitlin Díaz\, Cake and Eat It\, Caldwell/Tester\, Cali Thornhill DeWitt\, California United for a Responsible Budget (CURB)\, Cam Cameron\, Camella Kim\, Camelliah Saleh\, Cameron Coffman\, Cameron Shafii\, Cameron Stallones\, Camila Marambio\, Camila Maria Concepción\, Camille Werner\, Camirin Farmer\, Camm Harrison\, Canción Paz\, Candace Reckinger\, Candice Lin\, Car Museum\, Cara Chan\, Cara Megan Lewis\, Carey Coleman\, Cari Ann Shim Sham*\, Carl Pomposelli\, CARLA\, Carla Bozulich\, Carlin Wing\, Carlos Agredano\, Carlos Diaz-Sullivan\, Carlos Giffoni\, Carlos Matsuo\, Carlos Medina-Diaz\, Carlos Rossi\, Carlos Vela-Prado\, Carly Short\, Carmen Amengual\, Carmen Argote\, Carmina Escobar\, Carmina Ocampo\, Carol McDowell\, Carol Ockman\, Carole Frances Lung\, Carolee Schneemann\, Carolie Parker\, Carolina Berrocal\, Carolina Caycedo\, Carolina Hicks\, Carolyn\, Carolyn Castaño\, Carolyn Chen\, Carolyn Pennypacker-Riggs\, Cary Cronenwett\, Casaa Bernice\, Casey Jane Ellison\, Casey Kauffmann\, Cassia Streb\, cassils\, Castellar Elementary\, Cat Lamb\, Cat Museum\, Cate Kennan\, Catherine Brookman\, Catherine Malabou\, Catherine Taft\, Cathode Cinema\, Cauleen Smith\, Cecilia Stelini\, Cecilia Vicuña\, Cedie Jenson\, Celeste\, Central Server Works\, Ceramiks\, Cesar Ruiz\, Cesia Dominguez Lopez\, Cessation\, Chandler McWilliams\, Chantal Ackerman\, Charles Atlas\, Charles Curtis\, Charles Mayton\, Charles Michael Lorre\, Charlie Hale\, Angelo Felder\, Shadow Kitchen\, Charlie Smith\, Charlotte Nguyen\, Charlyne Yi\, Charmaine Bee\, Chasms\, Chelly Jin\, Chelsea Rector\, Chen & Sadja\, Chen Guan-Hong\, Chequamegon Bollinger\, Cherisse Gray\, Cherlyn Hsing-hsin Liu\, Cheslsea Gelwarg\, Chiara Giovando\, Chichi Castillo\, Chiffon Thomas\, Child\, Childless\, Chinatown Community for Equitable Development\, Ching Ching Cheng\, Chiraag Bhakta\, Chloe Reyes\, CHOKRA\, Chris Avitable\, Chris Corsano\, Chris Duncan\, Chris E. Vargas\, Chris Forsyth\, Chris Hanke\, Chris Kallmyer\, Chris Kraus\, Chris Rountree\, Chris Warr\, Chris Warr\, Christal Pérez\, Christane Oyen\, Christian Camacho\, Christian Cummings\, Christina Catherine Martinez\, Christina Sanchez\, christina tsui\, Christine Breihan\, Christine Dianne Guiyangco\, Christine Hipolito\, Christine Meinders\, Christine Rebet\, Christine Tavolacci\, Christine Tien Wang\, Christine Wang\, Christine Wertheim\, Christine Y. Kim\, Christine Yerie Lee\, Christoffer Schunk\, Christopher Argodale\, Christopher Baliwas\, Christopher Hadley\, Christopher Reid Martin\, Christopher Soto\, Christopher Wawrinofsky\, Christopher Yang\, Christos Tejada\, Christpher Baliwas\, Christy Berkowitz\, Chrysanthe O\, Chuck Johnson\, Cielo Saucedo\, Cinder Cone\, Cindy Bernard\, Cindy Vallejo\, Circe Irasema\, Circuit Rider\, Cirilo Domine\, Claire Cronin\, Claire L. Evans\, Claire Marie Vogel\, Claire Rousay\, Claire Titelman\, Clara Lopez Menendez\, Clare Kelly\, Clare O’Connor\, Clarion\, Clay Chaplin\, Clay Gibson\, Clay Kerrigan\, Cliff Borress\, clipping\, Clitbait\, Closing\, Clouds\, Clue Quilala\, Coaxial\, Coco Dolle\, Coco Ono\, Cody Putman\, Cody Trepte\, CoH\, Cole M James\, Coleman Alexander Collins\, Colin Read\, Colorways\, Concrete Shiva\, Conrad Ventur\, Conscious Summary\, Constance Armellino\, Constance Strickland\, Cooperation\, Coppertone\, Corey Fogel\, Corona\, Corrie Siegel\, Cory Beers\, Cory McMahon\, Cosima Sch\, Cosmo Segurson\, Courtney Coles\, Courtney Fink\, Crass Lips Records\, Crasslos\, Creepypasta Puttanesca\, Cristiano Lenhardt\, Cristobal Cea\, Cristóbal Gracia\, Cristopher Cichocki\, Critical Resistance LA\, CROM\, croshit\, Crown Shape\, Crystal Claire\, Crystal Sepúlveda\, Crystales\, Cuahtémoc Peranda\, Cuauhtli\, Cura Tierra Cura\, CuratorLove\, CVI\, CXA\, D Og\, d/p/i\, Dadpranks\, Dafne Vicente-Sandoval\, Daiana Rodriguez\, daiKYo\,furo shIKI\, Dajin Yoon\, Dakota Higgins\, Dalel Bacre\, Dalton Chase Goulette\, Damion Romero\, Dan Bustillo\, Dan Cluca’ Lost Iguana Ensemble\, Dan Hockenson\, Dan Joseph\, Dana Dart-McLean\, Dana Johnson\, Dana Kopel\, Dana Murphy\, Dana Washington\, Dani O’Terry\, Danie Cansino\, Daniel Alejandro Trejo\, Daniel Andres Alcazar\, Daniel Arthur Mendoza\, Daniel Backman\, Daniel Brummel\, Daniel Diaz\, Daniel Higgs\, Daniel Kaufman\, Daniel Klass Beckwith\, Daniel Lucas Guimaraes\, Daniel Luchman\, Daniel Rosas\, Daniel Santiago\, Daniela Sea\, Danielle Adair\, Danielle Dean\, Danielle Levitt\, Danielle Parsons\, Danketsu 7\, Danketsu 9\, Danny Grody\, Dara Brinbaum\, darcie d’angelo\, Darin Klein\, Dark Meta Railroad\, Darren Bader\, Daughters of the Sun\, Dave Dominique\, Dave White\, David Aguirre\, David Bad\, David Bell\, David Bernstein\, David Daigle\, David Dominique\, David Earle\, David Fenster\, David Getsy\, David Gilbert\, David Harrow\, David Hollen\, David Horvitz\, David Jones\, David Kanaga\, David LeBarron\, David Nuss\, David OReilly\, David Paha\, David Park\, David Parke Epstein\, David Scott Stone\, David Weldzius\, Davida Nemeroff\, Davio Brynjar Franzson\, Davora Martine\, Dawn Kasper\, Day of the Dead\, Dead Thoroughbread\, Deadpanzies\, Dean Spunt\, Deana Uribe\, Deanna Erdmann\, Deathday\, Deborah Smaragdi Isous\, Dee Williams\, Def Sound\, Deirdre O’Dwyer\, Dem Cauldronz\, Dennis Wornick\, Dental Work\, Derde Verde\, Derek Holguin\, Derek Moneypenny\, Derek Rogers\, Derek Stein\, Desalve\, Desida\, Deslave\, Devin Kenny\, Devin Sarno\, Devin Wilson\, Devon McDonald-Hyman\, Devon Tsuno\, Diana Al-Hadid\, Diana Arterian\, Diana Cantarey\, Diana Daeun Choung\, Diana Relth\, Diana Vanderbilt\, Diana-Sofia Estrada\, Diane Williams\, Diani\, Dicky Bahto\, Die Anna\, Die Reihe\, Diego Barrientos\, Diego Ramírez\, Dineo Seshee Bopape\, Dinner\, Dino Dinco\, Dinosaur with Horns\, Dirty Looks\, Discostan\, Diva\, Divided Daughters\, DivineBrick\, Divinity Fudge\, Divorcio USA\, Divya Maus\, DJ Baba Electronica\, DJ Bae Bae\, DJ Bapari\, DJ Cole MGN\, DJ Cuntry Noise\, DJ Diner\, DJ Edie\, DJ Espinfiniti\, DJ Eyad Karkoutly\, DJ Fake Modern\, DJ Guapis\, DJ Joshua Oduga\, DJ Kosmik\, DJ Lenard Smith\, DJ Mounir\, DJ Power Altar\, DJ rawru\, DJ RyToast\, DJ Sarah Bernat\, DJ Savage Fantasy\, DJ Seldom Seen\, DJ Silent Servant\, DJ Telcel\, DJ Toni\, DJ Violet Vickie\, DJ White Car\, DJ yungTRANS\, DO DISTURB\, Doa Aly\, Dodie Bellamy\, DOG\, Doll claw\, Dominic Johnson\, Dominica\, Dominique Gilliot\, Don Bolles\, Donna J\, Donna Oblongata\, Donna Puttana\, Dont Rhine\, Doran George\, Doran Sadja\, Dorian Wood\, Dorit Cypis\, Dorothy Dubrule\, Dorothy Henderson\, Doses\, Douglas Green\, Dove\, Dovelie Lovelie\, Dracula Spacecraft\, Dream Panther\, Dream Pusher\, Duber\, Dulce Ibarra Soledad\, Dulce Soledad Ibarra\, Dunes\, Durga Chamber\, Dusk\, Dustin Smith\, Dustin Wong\, Dylan Corbett\, Dylan Doren\, Dylan Mira\, Dynasty Handbag\, e\, Earn\, Earth Arrow\, Earthlike Planets\, earthmasters\, East of Borneo\, Easter\, Echo Park FIlm Center\, Ecstatic Music Band\, Eddie Salinas\, Eddington Again\, Eden Batki\, Edgar Fabián Frías\, Edie Fake\, Edward Morris\, Efren Castro\, Egor Kraft\, Eileen Cowin\, Eileen Myles\, Eisenhower\, Either Or\, EJ Hill\, El Pelele\, El-Haru Karoi\, Elaine Kahn\, Elana Mann\, Elden M\, Eleanor Erdman\, Electric Sound Bath\, Electrice\, Elias\, Elias Parvulesco\, Elieen Myles\, Elijah Funk\, Elina Minn\, Elisa Harkins\, Elizabeth Hall\, Elizabeth Houston\, Elle Mehrmand\, Ellen Birrell\, Ellen Phan\, Ellen Schafer\, Ellie Gordon\, Elliot Reed\, Eloe Omoe\, Elonda Billera\, Elsa Trash\, Elsancha\, Elsoldelrac\, EMA DK\, Emett Casey\, Emi Fontana\, Emi Kuriyama\, Emi Maclean\, Emilija Škarnulytė\, Emily Babette Gross\, Emily Barasch\, Emily Call\, emily jane rosen\, Emily Joyce\, Emily Kuntz\, Emily Lacy\, Emily Lucid\, Emily Mast\, Emily Robinson\, Emily Segal\, Emji Saint Spero\, Emma Alley\, Emma Kohlmann\, Emma Palm\, Emmy Bright\, Enablers\, ENDO\, Endometrium Cuntplow\, Enrique Castrejon\, Enrique López Llamas\, Ensemble Adapter\, Ensemble Economique\, Epic Striations\, Eras\, Eric Cho\, Eric Frye\, Eric Heep\, Eric Kiersnowski\, Eric Parren\, Erica Palmiter\, Ericka Lopez\, Erik Frydenborg\, Erika Bell\, Erika Kane\, erika niko barrios\, Erika Vogt\, Erin Barnes\, Erin Christovale\, Erin Schneider\, Essence Harden\, Ester Martin Bergsmark\, Ethan Marks\, eunhae yoo\, Eva Aguila\, Eva Medin\, Eva Mitala\, Eva Papamargariti\, Eva Słapa\, Evan Caminiti\, Evan Spacht\, Evans Vestal Ward\, Eve Fowler\, Eve LaFountain\, Everything is Terrible\, Excepter\, Experimental Half Hour\, Eydie McConnell\, Eyvind Kang\, Ezra Buchla\, Ezrabuchla\, F. Douglas Brown\, Fabián Guerrero\, Fagadelics\, Fairy Boy\, Faith Holland\, Fanfan Zhou\, Fantasies in Crystal\, Faraday Tripper\, Farah Abouzeid\, Faraway Places\, Farewell My Concubine\, Farrah Karapetian\, Father Murphy\, Fatih Rawson\, Fausto Mendez Luna\, Fawn Krieger\, Fay\, Fayçal Baghriche\, FCK82\, Feedback Loop\, Félicia Atkinson and Julien Bismuth\, Felidae\, Felix Bernstein\, Félix Solano Vargas\, Female Oddities\, Femi Adeyemi\, Feminist Center for Creative Work\, Fernando Bravo\, Fernando Solanas\, Fette Sans\, Fidelia Lam\, FIELDED\, Fielded\, Figgy\, Filthy Huns\, Filthy Nins\, Fine Art Union\, Finn West\, Fiona Connor\, Fionna Connor\, Flannery Silva\, Fleshtone Aura\, Fletcher Tucker\, Florent Colautti\, flow\, Folklords\, Fontbron Academy\, Foreign / Domestic\, Forest Lawn\, Forever Soo Hoo\, Forrest Olivo\, Fort King\, Fountainsun\, Foxie Adjuia\, Fragile Gang\, Frances Lee\, Francesca da Rimini\, Francesca Lalanne\, Francesca Sloane\, Francine Thirteen\, Francis Calimlim\, Francisco Gagliardi\, Francisco Huichaqueo\, Francisco Lara\, Francisco Palomares\, Frank Bretschneider\, Frank Willens\, Frau Fiber\, Freddy Villalobos\, Free Clinic #2\, Free The Land\, Fried Drugs\, Frieda Toranzo Jaeger\, Frisco Dykes\, Fritz Haeg\, FUCK U PAY US (FUPU)\, FUJIIIIIIIIIIITA\, Fulla Abdul-Jabaar\, Fumie Ishii)\, Fundación Wanna Winni\, Future Ladies of Wrestling\, G. Brenner\, G13\, Gabby Miller\, Gabi Schubiner\, Gabie Strong\, Gabriel Brenner\, Gabriel Cohen\, Gabriel Mascaro\, Gabriel Velazquez\, Gabriel Wonk\, Gabriela Escovar\, Gabriela Gamez\, Gabriela Ruiz\, Gaea Woods\, Gala Porras-Kim\, Galia Linn\, Gangi\, Gap Girls\, Garbaj Kaetz\, Garek Druss\, Gareth Ernst\, Gary Dauphin\, Gary Mairs\, Gary Tyler Plus\, GASP\, Gate\, Gato Negro Press\, Gautam Tejas Ganeshan\, Gavy K\, Gaylord Fiend\, Gazelle Record\, GE Stinson\, Geddes Gengras\, Gelare Khoshgozaran\, Gem Evans\, Gemma Castro\, Gemma Godfrey\, Gemma Jimenez\, Genesis Breyer P-Orridge\, Geneva Jaccuzi\, Geneva Skeen\, Genevieve Belleveau\, Gennyvera Pacheco\, Geo Wyex\, Geoff Geiss\, Geoffrey Mak\, George Egerton-Warburton\, George Hammons\, George Jensen\, Georgia \, Georgia Lassner\, Gerald Martindill\, Gerard Holthuis\, Gerardo Contreras\, Ghost Magnet Roach Motel\, Ghost Noise\, Ghost Trees\, Gianna Gianna\, Gift of Burning\, Gilda Davidian\, Giles Miller\, Gina Dell’Amico\, Gina DVina\, Gina Napolitan\, Ginger Quintanilla\, Ginny Cook\, Giselle Zatonyl\, GLAMCHOP\, Glochids\, Gloria Galvez\, Gnagoriaehte\, godchild\, Golden Drugs\, Golrokh Nafisi\, Gong Gaada\, Gordon Flores\, Gozie Ojini\, Gracie Devito\, Graciela Ovejero Postigo\, Grant Capes\, Grant Frederick Speich\, Greg Bianchini\, Greg Kelley/Jessika Kenney\, Greg Youman\, Gregg Kowalsky\, Gregory Barnett\, Gregory Rogove\, Greh Holger\, Gretchen Hogue\, Grex\, Grotessk\, Guan Rong\, Guillermo Brown\, Guillermo Gómez-Peña\, Guiyoung Hwang\, Gul Bara\, Gun/Her\, Guru Rugu\, Gustavo Herrera\, Guthrie & Streb\, Guy Blakeslee\, Gwaai Edenshaw\, Gwen Oxenham\, GX Jupitter-Larsen\, Gxnt\, Habibah\, Hailey Loman\, Hakim Muhammad\, Haley Hopkins\, Hallasan\, Hallie McNeill\, Hana Van Der Kolk\, Hande Sever\, Handski\, Haneen Sabbah\, Hanieh Khatibi\, Hank Henderson\, Hanna Campbell\, Hanna Wildow\, Hannah Black\, Hannah Huntley\, Hannah Mjølsnes\, Happy Birthday\, Happy Valley Band\, Harrison Apple & Dani Lamorte\, Harry Dodge\, Hase Pfeffer Nase\, Hassan Khan\, Hassan Sawli\, Hausa\, Haydee Jimenez\, Hayden Dunham\, Hazel Haendel\, Hazel Katz\, HDTS\, Hea-Mi Kim\, Headband\, Heare\, Heart Pressure\, Heather Cantrell\, Heather Locke\, Héctor Álvarez\, Hecuba\, Heiko Kalmbach\, Helene Renault\, Helga Fassonaki\, Helia Mejia\, Helmuth Costard\, Henoch Moore\, Henrik Soederstroem\, Hernán Del Riego\, Hesse Press\, Hex Horizontal\, Hidhawk y Panica\, Hiejin Yoo\, High Places\, Hilja Keading\, Hings Lim\, Hiwa K\, Hogg\, Holli McEntegart\, Hollie Brown\, Holly Harrell\, Holly Willis\, Holy Balm\, Holy Pink\, Hong Kong Forum Los Angeles\, Hope Stutzman\, Horrible Present\, Horse Thieves\, Howard Herman-Wurmfeld\, Hugo Cervantes\, Hugo García Manríquez\, HUGO GYRL\, Hugo Leonello\, Human Behavior\, Hunger City\, Hunter Reynolds\, Hunter Shaw\, Hyesung ii\, I I’m Eye My\, I Speak Machine\, Ian E. Wellman\, Ian MacKinnon\, Ian Randolph\, Ian Stanton\, Ian Wellman\, Ice Sculptor\, Icy Demons\, Idaho Joe Windslow\, IdealBlackFemale\, Ieva Raudsepa\, Ignacio Genzon\, Ignacio Perez Meruane\, Igor Amokian\, Ilana Kozlov\, ilia anxelin eleuia xochipilli\, Ilo Mar\, In-House Pharmacy\, Inès Kivimäki\, Infinite Body\, ing\, INGA (Sam Gendel with Adam Ratner and Kevin Yokota)\, Ingrid Hernández\, Insect Ark\, Interval / Habitat\, Invisible Path\, Ira Sachs\, Irak Morales\, Irene Diaz\, Iris Porter\, iris yirei hu\, Irma Brown\, Isaac Ledesma\, Isaac Michael Ibarra\, Isabel Beavers\, Isabel Quintero\, Isabelle Albuquerque\, Isaura String Quartet\, Isauro Huizar\, Ishi Glinsky\, Isidro Pérez Garxia\, Isis Avalos\, Ismail Bahri\, Ismail Shammout\, Israel Urmeer\, Issaac Takeuchi\, Iván Ramos\, Ivana Dama\, Izapa\, Izdihar\, j makary\, J. Jennifer Espinoza\, J.S. Aurelius\, Jacinto Astiazarán\, Jack Coventry\, Jack Halberstam\, Jack Heard\, Jack Jons\, Jack Shamblin\, Jack Sjorhen\, Jack Smith\, Jackie Amezquita\, Jackie Johnson\, Jackie O Motherfucker\, Jackie Rines\, Jacklin Romine\, Jackson Polys\, Jacob Small\, Jacob Wick\, Jacolby Satterwhite\, Jacqueline Gordon\, Jacqueline Kiyomi Gork\, Jacques Vidal\, Jade Gordon\, Jade Phoenix Martinez\, Jaden Adams\, Jake Muir\, Jake Rosenzweig\, Jakob Brugge\, Jal\, Jamal Lewis\, James Benning\, James Fella\, James Gamboa\, James Hoff\, James McAnally\, James Powell\, James Raymond\, James Rushford\, Jamie Kim\, Jamie McMurray\, Jamie Ross\, Jamil Baldwin\, Jana Brevick\, Jane Brucker\, Jane Chang Mi\, Jane Moseley\, Janel Pineda\, Janice Lee\, Janie Geiser\, Janna Avner\, Janna Ireland\, Jaqueline London\, Jared Haug\, Jared Stanley\, Jarrett Silberman\, Jasmin Blasco\, Jasmina Metwaly\, Jasmine Jawato\, Jasmine Nyende\, Jasmine Orpilla\, Jasmine Sarp\, Jasmine Shokrian\, Jason Al-Taan\, Jason Golday\, Jason Jenn\, Jason North\, Jason Savvy\, Jason Triefenbach\, Jason Underhill\, Jason Wallace Triefenbach\, Jaws\, Jay Carlon\, Jay Gambit\, Jay Lizo\, Jay Lizo & Chelsea\, Jaye Fishel\, jayy dodd\, Jazael Olguín Zapata\, Jean Cordova\, Jean Robison\, Jean Smith\, Jean-Luc Guionnet\, Jeanette Bonds\, Jeanne Cordova\, Jedediah Caesar\, Jeepneys\, Jeepneys (Anna Luisa Petrisko)\, Jeff Huckleberry\, Jeff Parker\, Jeffrey Alexander\, Jeffzilla\, Jekara Govan\, Jemima Wyman\, Jen Hofner\, Jen Hutton\, Jen Smith\, Jenevieve Ting\, Jenica Anderson\, Jenna Lo-Slavio\, Jennider Doyle\, Jennie Liu\, Jennie MaryTai Liu\, Jennie Pasquarella\, Jennifer Bolande\, Jennifer DeClue\, Jennifer Doyle\, Jennifer Jihye Chun\, Jennifer Locke\, Jennifer Moon\, Jennifer Saparzadeh\, Jennifer Teresa Villanueva\, Jennifer Tseng\, Jenny Gagalka\, Jenny Sayaka Nono\, Jensen Rule Land\, Jeonghyeon Joo\, Jeph Jerman\, Jeremy Couillard\, Jeremy Drake\, Jeremy Guyton\, Jeremy Kennedy\, Jeremy Toussaint-Baptise\, Jeremy Yong\, Jerome Bel\, Jesse Adams\, Jesse Chun\, Jesse Elias\, Jesse Marie DiCarlo Wagner\, Jesse Quebbeman Turley\, Jesse Sugarmann\, Jessica Barrett\, Jessica Catron\, Jessica Emmanuel\, Jessica Fichot\, Jessica Hanson\, Jessica Hemingway\, jessica hyatt\, Jessica Lee\, Jessica Mckinley\, Jessica Rae Bergamino\, Jessika Kenney\, Jessiva Pavone\, Jheanelle Brown\, Jianyuan Ding\, Jiayun Chen\, Jibz Cameron\, Jiji\, Jill Spector\, Jim Denley\, Jim Reynolds\, Jimena Sarno\, Jinseok Choi\, Jisoo Chung\, Jiyoon Kim\, Jizzy\, JJ Stratford\, JJJJJerome Ellis\, Jmy James Kidd\, Joanna Swan\, Joanne McNeil\, Jobel Medina\, Joe Keely\, Joe Merrell\, Joe Newlin\, Joe Potts\, Joel Holmberg\, Joel Kyack\, Joey Navarrete-Medina\, Johanna Breiding\, Johanna Fateman\, Johanna Hedva\, Johanna Jackson\, Johanna Kozma\, Johanna Went\, John Alexander\, John Bartle\, John Batki\, John Bertel\, John Brumit\, John Carrol Kirby\, John Davis\, John de Leon Martin (Johnnie Jungleguts)\, John Dieterich\, John Eagle\, John Hulsey\, John Knuth\, John Krausbauer\, John Peña\, John Pluecker\, John Porras\, John Purtle\, John Smith\, John Tain\, John Tottenham\, John Weise\, John Wood\, Johnnie Cochran Middle School Artists\, Johnny Forever Narwacaj\, Jon Leaver\, Jon-Kyle Mohr\, Jonathan Almaraz\, Jonathan Chacon\, Jonathan Godoy\, Jonathan Silberman\, Jonathan Snipes\, Jonathas de Andrade\, Jonni Peppers\, Jonny Garciamons\, Jonny Mystery\, Jonny Stallings\, Joost Rekveld\, Jordan Kolesnik\, Jorge Comensal\, Jorge Satorre\, Joris Strijbos & Nicky Assmann\, José Guadalupe Sanchez III\, Joseph Deutsch\, Joseph Hammer\, Joseph Hankins\, joseph liatela\, Joseph Mosconi\, Joseph Rios\, Joseph Tepperman\, Josh Cloud\, Josh Johnson\, Josh Joshua Carro\, Josh Kline\, Josh Schaedel\, Joshua Javier Guzmán\, Joshua Kit Clayton\, Joshua Lubin-Levy\, Joshua Ross\, Joshua Thomen\, Josiah Ihem\, Josie J (divinebrick)\, Josué Mejía\, jovan\, Joy\, Joyce S. Ha\, Jozef von Wissam\, Ju Hui Judy Han\, Juan Caloca\, Juan Delgado\, Juan Manuel Gudino\, Juan Pablo Echeverri\, Juan Pablo Medina\, Judith Berkson\, Judith Rau\, Juhee Han\, Jules Garder\, Jules Gimbrone\, Jules Kris\, Jules Rochielle\, Julia Cornell\, Julia Garder\, Julia Holter\, Julia Jarcho\, Julia Kwan\, Julia Santoli\, Julia Yerger\, Juliana Delgado Lopera\, Juliana Huxtable\, Juliana Lujan\, Juliana Paciulli\, Juliana Snapper\, Julie Becker\, Julie Burleigh\, Julie Tolentino\, Julie Weitz\, Julienne Mackey\, Julieta Gil\, Julio Cavani\, Julio Orta\, Julius Smack\, Jullen Borno\, Jumana Manna\, Jupiter Black\, Juri Onuki\, Justin Miller\, Justin Morris\, Justin Vivian Bond\, K. Rocka Knittel\, K. Wayne Yang\, Ka Bird\, Kabir Carter\, Kahil Sadiq x Jasik\, Kaihaun Thomas\, Kaitlyn Fong\, Kake Meginsky\, Kali Maline\, Kamaria Shepherd\, Kanal NUla\, Kandis Williams\, Kaori Suzuki\, Karen Adelman\, Karen Anzoategui\, Karen Centerfold\, Karen Lofgren\, Karen Tepaz\, Karen Tongson\, Karen Yasinsky\, Kari Svendsboe\, Karissa Hahn\, Karl Haendel\, Karl Petion\, Karla Ekatherine Canseco\, Karley Sullivan\, Karrmen Crey\, Kasey Trapp\, Kata De la Rosa\, Kate Berlant\, Kate Brown\, Kate Dollenmayer\, Kate Gilbert\, Kate Hall\, Kate Hoffman\, Kate Hollenbach\, Kate Kershenstein\, Kate Ladenheim\, Kate Lain\, Kate Mosher Hall\, Kate Parsons\, Kate Rouhandeh\, Kate Shoults\, Kate Wolf\, Katelan Braymer\, Katharina Rosenberger\, Katherine Helen Fisher\, Kathleen Johnson\, Kathleen Keogh\, Kathleen Kim\, Kathryn Garcia\, Kathryn Shuman\, Kathy Trisolini\, Katie Grinnan\, Katie Herzog\, Katie Porter\, Katy Goodman\, Katy Grannan\, Kaucyila Brooke\, Kayla Ephros\, Kayla Tange\, KCHUNG\, Kearian\, Kearra Amaya Gopee\, Keioui Keijaun Thomas\, Keith Fullerton Whitman\, Keith Hunter\, Keith J. Varadi\, Keith Sirchio\, Keko Jackson\, Kelby Vera\, Kelly Coats\, Kelly Dortch\, Kelly Wall\, Kelsey Boncato\, Kembra Pfahler and The Voluptious Horror of Karen Black\, Ken Ehrlich\, Ken Jacobs\, Kendra Adler\, Kenny\, Kenric McDowell\, Kenyatta A.C. Hinkle\, Keren Benbenisty\, Kern Haug\, Kestrel Burley\, Kevin Corcoran\, Kevin Greenspon\, Kevin James Spear\, Kevin Le\, Kevin Robinson\, Kevin Williamson\, Kevin Wong\, KID606\, Kid606\, Killsonic\, Kilt\, Kim Calder\, Kim Colmer\, Kim Free\, KIM FREE\, Kim Garcia\, Kim Laughton\, Kim McKillip\, Kim Myhr\, Kim Nguyen\, Kim Schoen\, Kim Ye\, Kim Zumpfe\, Kimbo\, Kinetic Attack\, Kingdom\, Kinkey Dolores Cosi S\, Kira Doutt\, Kirsten Michelle Schnittker\, Kissme Lo Maximo!\, KITE\, Kiyo Gutiérrez\, Klara Liden\, Klaus Janek\, Ko Kawashima\, Kohinoorgasm\, Kranky\, Krista Feld\, Kristel Brinshot\, Kristen Galven\, Kristian van der Heyden\, Kristin Calabrese\, Kristin Smallwood\, Kristina Wong\, Kristy Lovich\, Krysten Cunningham\, Kumi James\, Kwiaahwah Jones\, Kyle Bellucci Johanson\, Kyle Johanson and Tim Tsang\, Kyle Patrick Roberts\, Kyle Welker\, Kyoko Takenaka\, Kyttenjanae\, Kyunghee Sabina Eo\, L.A. Drones\, L.A. TEX\, L.A. Witch\, LA Composers Collective\, La Criée\, LA Cryptoparty\, LA Filmforum\, LA Fog\, LA Lakers\, LA MOCA Union\, La Pocha Nostra\, La Porscha\, LA Vampires\, LA Women’s Collage Collective\, LACHSA\, Lady Noise\, Ladyboys of Sweaty Sundays\, Laida Lertxundi\, Lainy Racah\, Lala Nomada\, Lamps\, Land’s Edge\, LANI\, lapita (Michelle Dizon)\, Larissa Brantner James\, Larissa James\, Lars Laumann\, laub\, Laura Bartczak\, Laura Darlington\, Laura Li\, Laura Owens\, Laura Parnes\, Laura Schumate\, Laura Sofia\, Laura Steenberge\, Laura Stinger\, Laurel Frank\, Lauren Bon\, Lauren Bousfield\, Lauren D’Amato\, Lauren Davis Fisher\, Lauren Goldenberg\, Lauren White\, Lawrence Elbert\, Lawrence English\, Láwû Makuriye’nte\, Lawws Mesh 2070\, Le Chat Lunatique\, Learning Music\, Leche de Virgen\, Lee Lynch\, Lee Maida\, Lee Noble\, Lee Ranaldo\, Lee Set\, Leech\, Leidy Churchman\, Leila Adu\, Leila Bordreuil\, Leisure Van Fock\, Leititia Sonami\, Lena Chen\, Leon Hilton\, Leopold Nunan\, Leopoldo Peña\, LeRoy Stevens\, Les Figues Press\, leslie rogers\, Lessnesses\, Lev Abramov\, Lewis Keller\, Lewis Pesacov\, LFZ\, Libbi Ponce\, Liberated Lifers\, Ligia Manuela Lewis\, Lili Abdel-Ghany\, Lili Bernard\, Lillian Chin\, Lilliana Gallegos\, Lily Clifford\, Lily Hoang\, Lily Yu\, Lina Hermsdorf\, lina tullgren\, Linda Dement\, Linda Franke\, Linda Montano\, Lindsay Brant\, Lionmilk\, Liquid Asset\, Lisa Lapinski\, Lisa Marr\, Lisa McNeely\, Lisa Sitko\, Liscense 2 Draw\, Lissa Corona\, Little Band of Sailors\, Little Debby\, Livya Howard-Yashar\, Liz Eldridge\, Liz Glynn and Corey Fogel\, Liz Miller-Kovacs\, Liz Nurenberg\, Liz Stringer\, Liza Feurtado\, Lleslie Garcia\, Logreybeam\, LogreybeamMusic\, Lone Wolf\, Looksorn and Naama Attias\, Loop Goat\, Lord Khalil\, Lorelei Lee\, Loren Chasse\, Los Angeles Composers Collective\, Lotus Edde Khouri\, Louis Heilbronn\, Louis Hock\, Love & Tolliver\, Lovett/Codagnone\, Lucas Bihler\, Lucas Gorham\, Lucas Knipscher\, Lucas Michael\, Lucas Murgida\, Lúcia Prancha\, Lucía Vidales\, Lucid Interval\, Lucinda Jacquelin Trask\, Lucky Dragons\, Lucy Bull\, Lucy Campana\, Luis Lara\, Luis Motta\, Luisa Fernanda Martinez\, Lukas Marxt\, Luke Fischbeck\, Luke Harnden\, LUMENS\, Luminous All Kudler\, Luna Fisher\, Lunch Lady\, Lupita Limón Corrales\, Lydia Kuzak\, Lynn Hershman Leeson\, Lyric Shen\, M Geddes Gengras\, M L Morimoto\, M Lamar\, M. A. Guevera\, M. Geddes Gengras\, M.A. Guevara\, M.A. Harms\, Macarena Gomez Barris\, Mackenzie Wark\, Macula Dog\, Macular\, Macy Rodman\, Mad Gregs\, Madeline Hollander\, Madeline Jimenez\, Madison Brookshire\, Madison East\, Mads Falcone\, Maggi Paune\, Maggie Nelson\, Maisy + Marta + Meanstreetz\, Maja Manojlovic\, Majazz\, Malavika Rao\, Malene Dam\, Malin Arnell\, Malinche\, Malisa Humphrey\, Malte Cornelius Jantzen\, Man Chyna\, Mandla Reuter\, Mandy Kahn\, Manlicher Carcano\, Manon\, Manuel Lima\, Manuel Solano\, Manuel Vason\, MAPS (Movement Arts Performance Space)\, Maral\, Maral and Brenna Murphy\, Marc Horowitz\, Marc Merza\, Marcel Alcala\, MARCH: a journal of art & strategy\, Marcia Bassett\, Marco Braunschweiler\, Marco Kane Branschweiler\, Marco Ramirez ERRE\, Marcos Siref\, Marcus Civin\, Marcus Fisher\, Marcus Rubio\, Marcus Rubio\, Marek Wolfryd\, Margaret Haines\, Margie Schnibbe\, Margo Victor\, Margot Pauline\, Mari Naomi\, Maria Chavez\, Maria Fragoso\, Maria Garcia\, María José Rojas\, Maria Lynch\, Maria Maea\, Maria Mathioudakis\, María Montenegro\, Maria Petschnig\, Maria Taniguchi\, Maria Villote\, Mariah Garnett\, Mariam Graff\, Mariana Roman\, Maricón Collective\, Mariel Carranza\, Mariel Miranda\, Mariia Bakalo\, Marija Gaies\, Marilyn Arsem\, Mario V Romero\, Mario Z\, Marisa J. Futernick\, Marisa Raygoza\, Marisa Williamson\, Marisol Ceja Godinez\, Marissa Montes\, Mark Golamco\, Mark Leckey\, Mark McKnight\, Mark Roeder\, Mark So\, Mark Van Hoen\, Mark Wheaton\, Marnie Weber\, Marshall Astor\, Marshstepper\, Marta Tiesenga\, Martabel Wasserman\, Mårten Spångberg\, Martha Colburn\, Martha Dimitratrou\, Martha Wilson\, Martin Escalante\, Martin Matamoros\, Martine Neddam\, Martine Syms\, Marty Windahl\, Marvina-7\, Mary Beth Bolin\, Maryam Hosseinzadeh\, Maryam Tafakory\, Maryrose C. Mendoza\, Maryrose Crook\, Mas Guerrero\, Mata Flores\, MATA Noise\, Mateo Segade\, Material Press\, Math Bass\, Mathias Ringgenberg\, Matias Viegener\, Matt Barbier\, Matt Damhave\, Matt Fielder\, Matt Green\, Matt Greene\, Matt Lifson\, Matt Manalo\, Matt Nixon\, Matt Savitsky\, Matt Sullivan\, Matt Weston\, Matteo Tannat\, Matthew Anderson\, Matthew Donovan\, Matthew Dotson\, Matthew Lax\, Matthew Mallinger\, Matthew Stone\, Matthew Sullivan\, Matthew Tyler Oyer\, Matthias Müller\, Mattie Barber\, Matty Davis\, Maura Brewer\, Mauricio Múñoz\, Max Baumgarten\, Max Cleary\, Max Eilbacher\, Max Markowitz\, Max Wanderman\, Max Wandermann\, Max Wortman\, May May Peltier\, Maya Gurantz\, mayfield brooks\, MC Hymnal\, McCann\, Mecca Normal\, mecca vazie andrews\, Medium Judith\, Meejin Hong\, Megan Auster-Rosen\, Megan Cotts & Ali Prosch\, Megan Daalder\, Megan Daalder\, Megan Dong\, Megan Hoetger\, Megan Plunkett\, Megan Whitmarsh\, Meghan Lamb\, Meike Redeker\, meital yaniv\, Mel Shimkovitz\, Melanie Griffin\, Melba Martinez\, Melody Owen\, Merideth Hillbrand\, Meriem Bennani\, Meryem Kamil\, Metal Rouge\, Mey Rude\, MGM Grand: NUT\, Mia Simonović\, Micaela Tobin (White Boy Scream)\, Micah James\, Micah Tasaka\, Micha Cardenas\, Michael Bailey\, Michael Decker\, Michael DeMaio\, Michael Dessen\, Michael Gibbons\, Michael Grimm\, Michael Gross\, Michael Günzburger\, Michael J. Masucci\, Michael James Gross\, Michael Jon Leonard\, Michael Kennedy\, Michael Kennedy Costa\, Michael Minnelli\, Michael Morley\, Michael Nhat\, Michael Parker\, Michael Ray-Von\, Michael Robinson\, Michael Rudnick\, Michael Sharkey\, michael thurin\, Michael Turinsky\, Michael Vidal\, Michal Kamran\, Michala Paludan\, Michale Piña\, Micheal James Gross\, Michel Auder\, Michelada Think Tank\, Michele Jacquis\, Michelle Antonisse\, Michelle Carr\, Michelle Grabner\, Michelle Lai\, Michelle Lee\, Mickey Negrón\, Micol Hebron\, Midday Veil\, Midnight Climax\, Miguel Pedro\, Miiranda Javid\, Mikaela Elson\, Mike Bray\, Mike Dobler\, Mike Kelley\, Mike Stoltz\, Mike Tamburo\, Mike Watt and the Secondmen\, Mikki Olsen\, Miko Revereza\, Miles Coolidge\, Miles Huston\, Miles K\, Miles Peyton\, Miljohn Ruperto\, Million Brazillians\, Mimes of Wine\, Mimi Tempestt\, Ming Wong\, Minjung Kim\, Minsu Kang\, Mira Billotte\, Miranda Javid\, Miranda Rosales\, Miriam Klein Stahl\, Mirror to Mirror\, Misael José Oquendo\, Miseal Díaz\, Misha Davydov\, Misra Iltus\, Miss Rayon\, Missincinatti\, Missinglewood\, Mitchell Brown\, Mitra Saboury\, MK Guth\, Mohammad Tayyeb\, Molly Allis\, Molly Jo Shea\, Molly Larkey\, Molly Pease\, Molly Shea\, Moment Trigger\, Mona Hatoum\, Monica Dong\, Monilola Ilupeju\, Mood Killer\, MOOEY MOOBAU\, Mooey Moobau\, Moogil\, Moomaw\, Morehshin Allahyari\, Morgan Gerstmar\, Morgan Mandalay\, Morrisa Maltz\, Mortbaladam\, Mounira Al Solh\, MPA\, Mr California and the State Police\, MSHR\, Mujeres en Resistencia\, Mukta Mohan\, Muri\, Muriel Leung\, music for electric guitar\, Mutant Salon\, MV + EE\, My Barbarian\, My Hawaii\, Myriad Slits\, Myriam Gurba\, Myrrhia Rodriguez\, Nadia Ahmed\, Nadja Verena Marcin\, Nahui Garcia\, Namourah\, Nancy García\, Nancy Popp\, Nano Arenado\, Nao Bustamante\, Naoki Sutter-Shudo\, Naomi Mitchell\, NARC\, Narcissister\, Nasim Hantehzadeh\, Nasrin Himada\, Nat Decker\, Natalia De la Rosa\, Natalie Robehmed\, Natalie Rodgers\, Natalie Sun\, Nate Page\, Nathan Azhderian\, Nathan Bockelman\, Nathan Lam Vuong\, Native Fauna\, Naturalized\, Nazanin Daneshvar\, Nebras Hoveizavi\, Nedelle Torrisi\, Negashi Armada\, Neha Choksi\, Nehemias De Leon\, Neil Malick\, Nelson Carlo De Los Santos\, Nephila\, Nerve Macaspac\, Nervous Gender\, Nery Madrid\, Nesanet Abegaze\, Nestor Guerrero\, NettNett\, Nevada Hardman\, Neven Lochead\, New Red Order\, Newby\, Neyva\, NGUZUNGUZU\, Nhu Nguyen\, Nial Morgan\, Nicholas Deyoe\, Nicholas Grider\, Nicholas Zhu\, Nick Angelo\, Nick Duran\, Nick Hoffman\, nick kochornswasdi\, Nick Malkin\, Nick Podgurski\, Nicky Rojo\, Nico Garcini\, Nicole Eisenman\, Nicole Furtado\, Nicole Ucedo\, Niela Orr\, Night Auditor\, nightcrwlr\, Nihar\, Nika Kolodziej\, Nikhil Chopra\, Nikima Jagudajev\, Nikki Darling\, Niko Solorio\, Nikolay Karabinovych\, Niloufar Emamifar\, Nina Arsenian\, Nina Sarnelle\, Nine Herbs Charm\, Nisa Karnsomport\, Nitai Cook\, Nite Jewel\, Niusha Barahimi\, Niv Acosta\, NO\, No Vacancy Inn\, Noelle & Ben\, Noise Nomads\, Noon Tran\, Nora Berman\, Nora de la Cruz\, Nora Keyes\, Nora N. Khan\, Norma Hernandez Peña\, Norman Yonemoto\, Nour Moborak\, NOW\, Nu Sire\, Nuttaphol Ma\, nuyman\, NVSBL GVNG\, O.C.D.\, Obscurer\, Odeya Nini\, Odwalla 88\, Odwalla1221\, Oedipa Maas\, Ofelia Marquez\, Offing\, oh my mumu\, Ohan Breiding\, Old Man Gloom\, Old Toy Trains\, Olga Koumoundouros\, OLINGLINGO\, Olive Kimoto\, Olivia Booth\, Olivia Buntane\, Olivia Erlanger\, Olivia Leiter\, Olivia Mia Orozco\, Olivia Mole\, Olivia Taussig\, Olufemi O. Taiwo\, One Archives\, One Child Policy\, OneHouse Arts\, Onya Hogan Finley\, Ora Cogin\, Ora77k\, ORLAN\, Oscar Alvarez\, Oscar Gutiérrez\, Oscar Hing Kay Ho\, Oscar Santos\, Ossian\, Outfest\, OW\, Owen Land\, Owen Stewart-Robertson\, P Kolovose\, p staff\, Pacoima Techno\, Page Person\, Paige Emery\, Paloma Contreras Lomas\, Paloma Parfrey\, Panteha Abareshi\, Panther\, Paolo Davanzo\, Paper Slang\, Park Details Band\, Parker Davis\, Pastel\, Pat O’Neill\, pateldanceworks\, Pathways\, Patricia Fernandez\, Patrick Durkin\, Patrick Meagher\, Patrick Murch\, Patrick Rock\, Patrick Staff\, Patti Podesta\, Patty Gone\, Patty Schemel\, Pau Pescador\, Paul Donald\, Paul Fisherman\, Paul Mpagi Sepuya\, Paul Outlaw\, Paul Salveson\, Paul Waddell\, Paula Matthusen\, Pauline Gloss\, Pauline Lay\, Pauline Oliveros\, Paulo Pastel\, Pavel Acevedo\, PAWS\, Pay O’Neill\, Pearl Hsiung\, Pearl Merril\, Pedal Strike\, Pedestrian Deposit\, Pedro Alejandro Verin\, Pedro Lasch\, Pegasus Warning\, Peggy Ahwesh\, Pehrspace\, Pehrspace\, Pendleton Ward\, Penelope Uribe-Abee\, Penny Arcade\, Penny-Ante\, Period BOMB\, Periodbomb\, Perry Ng\, Perry Paints\, Persekutor\, Perwana Nazif\, Pete Fosco\, Peter Clough\, Peter Evans\, Peter Harkawik\, peter hernandez\, Peter Kolovos\, Peter Kosovose\, Peter Stamer\, Peter Tomka\, Peter Watkins\, Petna Ndaliko Katondolo\, Petra Cortright\, Petra Kuppers\, Pharmakon\, Pharoahs\, Phedre\, Phil Collins\, Phil Niblock\, Philip Haut\, Philip Rizk\, Philipp Farra\, Philth Haus\, Phork\, Physical Jerks\, Pigpen\, Pillars and Tongues\, Pinar Yoldas\, Pink Ferrari\, Pinkcourtesyphone\, Pinko Scum Joke\, Pistola\, Plaster Cast\, Plastic Hand\, Pluto Bell\, Poetic Research Bureau\, Polo Silk\, Pony Lee Musgrave\, Poodle Moran\, Popcorn\, Postcommodity\, Potion\, Power Mallet\, Practice Band\, Prank Line\, Prickle\, Prima Jalichandra-Sakuntabhai\, Primera Generación Dance Collective\, Princess Dimebag\, Priscilla Ocen\, Pristina\, Priyanka Ram\, Project Q\, Prosperity\, Protect ME\, Psychic Reality\, Public Fiction\, Pulsating Cyst\, Pure Shit\, Purity\, Purple Pilgrims\, PVSSYHEAVEN\, Qlint Steinhauser\, QUALIA\, Quynh Dong\, R Lyon\, r.r. barbadas\, Rachel Allen\, Rachel Borenstein\, Rachel Cooke\, Rachel Haden\, Rachel Ho\, Rachel Kessler\, Rachel Mason\, Rachel Silver\, Rachel Simanjuntak\, Rachel Yezbick\, Rachel Zaretsky\, rafa esparza\, Rafael Sanchez\, Rale\, Raquel Gutiérrez\, Rashaida Hill\, Rashayla Marie Brown\, Rasmus Røhling\, RATS\, Raver Baba\, Raw Geronimo\, Reardon-Jung\, Rebeca Hernández\, Rebecca Allen\, Reece Noi\, Regina José Galindo\, Reighnbeau\, Reinable\, Rendorizors\, Rene Hell\, Renee Gladman\, Residual Echoes\, Restlust\, Reuben Torres\, Rhys Langston\, Ricardo Dominguez\, Rich Yap\, Richard Chartier\, Richard Mendtorr\, Rick Castro\, Ricky Luna\, Riley Bray\, Rima Yamazaki\, Rin Johnson\, River Lin\, Rob Maggill\, Rob Magill’s Human Resources Dance Ensemle\, Rob Noyes\, Rob Walmart\, Robben Muñoz\, Robbie Herbst\, RobbinsChild\, Robby Herbst\, Robedoor\, Robert Beatty\, Robert Herbst\, Robert Novak\, Robert Patrick\, Robin D.G. Kelley\, Robust World\, Rochelle Fabb\, Rocio Boliver\, Rocky Point Press\, Roco Córdova\, Rococo Jet\, Rodolfo Sousa\, Rodrigo Frenk\, Roger Muñoz\, roger peet\, Rogier Small\, Rogue Squares\, Roksana Pirouzmand\, Rollin Hunt\, Roman Lujan\, Romeo Diablos\, Romi Morrison\, Ron Athey\, Rona Yefman\, Ronak Kapadia\, Rosalee Bernabe\, Rosalia Lerner\, Rosalie Knox\, Rose Droll\, Rosé Hernandez\, Rose McCormick\, Rosha Yaghmai\, Roshanak Kheshti\, Rossen Ventzislavov\, Rosten Woo\, rowan renee\, Rowena Kou\, Roxy Farhat & Zhala\, Rubber O Cement\, Rúben Martinez\, Ruoyi Shi\, Russian LGBT Network\, Rust Worship\, Ruth Angel Edwards\, Ruti Talmor\, Ryan Flores\, Ryan Heffington\, Ryan Jeffery\, Ryan Majestic\, ryan pierce\, Ryat Yezbick\, Ryder Bach\, Ryo Kuramoto\, s&ndc&stl&\, Saara Hannus\, Sabrina Chou\, Sade Murphy\, Sadia Quddus\, Sadie Benning\, Sadistic Candle\, Sadistic Church\, Saewon Oh\, Sagan Yee\, Sage Caswell\, Sage Charles\, Sahar M. Abadi\, Sahba Sizdahkhani\, Saint Cecilia\, Saj Issa\, Sally Timms\, Salted Circle\, Sam Anderson\, Sam Contis\, Sam Davis\, Sam Gendal\, Sam Gurry\, Sam Hinsvark\, Sam Richardson\, Sam Rowell\, Sam Vernon\, Sam Weinberg\, Sam Wentz\, Samantha Blake Goodman\, Samantha Buckingham\, Samantha Culp\, Samantha Roth\, Samar Dagger\, Samara Lubelski\, Samira Yamin\, Sammie Veeler\, Samuel Vasquez\, Samuel White\, Samuel Yagase Bayombe\, San Cha\, Sana Shenai\, Sandra de la Loza\, Sandra Fong\, Sandy Ewen\, Sandy Medina\, Sandy Yang\, SANGREE\, Sanjiv Shah\, Santiago Andrés Gómez Chaparro\, Sara Mameni\, Sara Raca\, Sara Sinclair Gomez\, Sarah Abusheikh\, Sarah Brady\, Sarah Cromarty\, Sarah Davachi\, Sarah Day\, Sarah Faith Gottesdiener\, Sarah Gail\, Sarah Harron\, Sarah Johnson\, Sarah Kessler\, Sarah Manuwal\, Sarah Naim\, Sarah Rara\, Sarah Wang\, Sarah Williams\, Sarah Zucker\, Sarita Dougherty\, Sarrita Hunn\, Sasha Bergstrom-Katz\, SASSAS (The Society for the Activation of Social Space Through Art and Sound)\, Satu Kankkonen\, Saturn\, Sauber Zauber\, Save Music In Chintown\, Sayler/Morris\, Scallion Chloe\, Scott Benzel\, Scott Cazan\, Scott Kiernan\, Scottee\, Sean Carnage\, Sean Dockray\, Sean Grattan\, Sean McCann\, Sean Sprague\, Seasons\, Seb Doubinsky\, Sebastián Gonzales de Gortari\, Sebastian Hernandez\, Sebastian Loo\, Secret Circuit\, Seema Hari\, Selwa Sweidan\, Semiotext(e)\, Senay\, Seo Yun Son\, Sepand Shahab\, seren sensei\, Serena Aurora Day Himmelfarb\, Serena Caffrey\, Serene Bloin\, Sergi Gee and Camellia Saleh\, Sergio Acevedo\, Serubiri Moses\, Set Hernandez Rongkilyo\, Seth Kasselman\, Seth Olinsky\, Seung-Min Lee\, Sewn Leather\, Sex Tape Records\, Seymour Glass\, shade theret\, Shahab Fotouhi\, Shamon Cassette\, SHAMS THE FIRE GODDESS\, Shana Hoehn\, Shana Lutker\, Shane Clay\, Shannon Ebner\, Shaoyu Su\, Sharmaine Starks\, Sharon Chohi Kim\, Sharon Lockhart\, Sharsten Plenge\, Shasha Dothan\, Shaun Johnson\, Shawn Greenlee\, Shay Semple\, SheKhan\, Shelley Holcomb\, Shelly Burgon\, Sheree Rose\, Sherry Valence\, Sherwin Rio\, Shima Taj Bakhsh\, Shirley To\, Shitgiver\, Sho Halajian\, Shook/Byrnes\, Shu Lea Cheang\, Shuwen Zhao \, Si Istwa\, SIDLE\, Siete Catorce\, Signor Benedick the Moor\, Siheun Kim\, Silent Land Time Machine\, Sille Storihle\, Silvi Naçi\, Simon Pecco\, Simone Aughterlony\, Simone Gad\, Sin Quince\, Siphiwe Mbonambi\, Siri\, Sissy Spacek\, Sister Spit\, Sistermantos\, Skip Arnold\, Skylar Haskard\, Skyline Electric\, Slam Dunx\, Slava Mogutin\, Sleep Clinic\, Sleepwalkers Local\, Slipper\, Slow Rose\, Slowsi\, Small Drone Orchestra\, Smegma\, Smokey Emery\, Smokey Emery\, Sneaky Snaze\, Sobbing Honey\, Sofia Arreguin\, Sofia Moreno\, Soft Drin\, Soft Sailors\, Sohrab Mohebbi\, Solomon Bothwell\, Solomon Gross\, Some Ware DJ\, somesurprises\, Something Wild\, Sonoda\, SOO_N FOOD\, Sophia Berman\, Sophia Cleary\, Sophia Le Fraga\, Sophie Lee\, Sophie Stark\, Soulm4te\, Southland Ensemble\, Soyoung Shin\, Spencer Pepke\, Sphinx\, Spiderwrap\, Spilios Gianakopoulos\, Spokenest\, Spring Bleeding\, Spyros Rennt\, Squash & Biscuit\, Squirrel Spam\, Stacey Allan\, Stacy Dawson Stearns\, Stalgia Grigg\, Stamatis Hamouzas\, Stanton Cornish-Ward\, Stanya Kahn\, Star Partners\, Stealth Angel\, Stella Ahn\, Stephanie Cheng Smith\, Stephanie Cheng Smith\, Stephanie Hutin\, Stephanie Smith\, Stephanie Zaletel\, Stephen van Dyck\, Stephen Winter\, Steve Gurysh\, Steve Kado\, Steve Koto\, Steve Play\, Steve Roden\, Steve Soto\, Steven Arnold\, Steven Molaro\, Steven Perilloux\, Steven Reigns\, Steven Rosa\, Stevie Richards\, Stewart Home\, Sticker\, STLS\, Stom Sogo\, Stop Walmart in Chinatown!\, Street Buddy\, Students at the Cultural Management Department of the Chinese University of Hong Kong\, Sublevel Magazine\, Sudan Archives\, Suffering Luna\, Suishou No Fune\, Suki Dewey\, Sullivan\, Summer Breeze Hoskins\, Summer Shiffman\, Sun Foot\, Sundown Schoolhouse\, Sunken Landscape\, Susan Silton\, Susannah Sayler\, Susanne Song-Yi Griem\, Susu Attar\, Suya King\, Suzanna Zak\, Suzanne Kite\, Suzanne Kraft\, Suzanne Wright\, Suzy Halajian\, Suzy Newbury\, Suzy Poling\, Swing State\, Swinging Chandeliers\, Syd Yocom\, Sydney Acosta\, Sylvia Hardy\, Sylvie Spencer\, Syrinx\, Taehee Kim\, Taft Green\, Taína Cruz\, Takako Minekawa\, Take a Stand Marching Band\, Tal Katz\, Tala Mateo\, Taleen Kalo\, Tamaki aka Banetoriko\, Tamaki Ueda\, Tamala Poljak\, Tameka Norris\, Tammy Nguyen\, Tano Ferrer\, Tara Jane ONeil\, TARK\, Tashaki Miyaki\, Tashi Condelee\, Tashi Wada\, Tati au Miel\, Tatiana Luboviski-Acosta\, Tatyana Zambrano\, Taylor Doran\, Taylor Griffith\, Taylor Rowley\, TBDE\, TBHQ\, Team Zatara\, Ted Byrnes\, Ted Reichman\, Teddy Pozo\, Teenage Wasteland for the Arts\, Telcosystems\, Telecaves\, Telefon Tel Aviv\, Telémachos Alexiou\, Telethon\, Temim Fruchter\, Temra Pavlovic\, Tender Forever\, Terre Thaemlitz\, Tes Elations\, Teta Tsybulnyk\, Text – A Living Literary Journal\, Thalia Williamson\, Thank You Rosekind\, The Action Bureau\, The Adonis Project\, The Album Leaf\, The All Stars of Non-Violet Communication\, The Barbra Streisand Portrait Bender\, The Canary Project\, The Centimeters\, The Crop Project\, The Deep Silence\, The Department of Descriptive Services\, The Dog Star Orchestra\, The Eternal Chord & Zachary Paul\, The Experimental Music Yearbook\, The Gears\, The Gift Machine\, The Goddexx Cori\, The Hag\, The Hangar Quartet\, The Institute For New Feeling\, The Institute of Ceramics and Alliance\, The Karabal Nightlife\, The Koan Quarter\, The Los Angeles Wood Wind Skill Share\, The Mamas\, The New Brutalists\, The Oriental Picture Factory\, The Relatives\, The Royal US\, The Sand Ninja\, The Uhuruverse\, The Unwrinkled Ear\, The Urxe\, Thee Oh Sees\, Thee Snow Snake Orchestra\, Theo Adams\, Theo Cuthand\, Theo Triiantafyllidis\, Theresa Hak Kyung Cha\, Thiago Hersan\, Thibault Delferiere\, Thinh Nguyen\, Thirstie Alley\, Tiana Reid\, TiFemme\, Tiger Munson\, Tim Barnes\, Tim Dahl\, Tim Feeney\, Tim Hecker\, Tim Reid\, Timo Fahler\, Timonium\, Timothy Hatch\, Tiny Creatures\, Tiny Tech Zines\, tir journal\, Tita Salina & Irwan Ahmett\, TJO\, Tobaron Waxman\, Todd Lerew\, Todd McQuade\, Tolliver\, Tom and Christina Carter\, Tom Carter\, Tom Dunn\, Tom Greenwood\, Tom Hall\, Tom Tom Magazine\, Tom Tsai\, Tony Feher\, Tony Payne\, Tora Kim\, Torie Zalben\, Toshinori Tanaka\, Total Freedom\, Totally Serious\, Touch Praxis\, Touriszt\, Tra My Nguyen\, Tracy Jeanne Rosenthal\, Tracy Zuniga\, Tranze Danza Contemporánea\, Trap Girl\, Travelling Kolkata People’s Film Festival \, Travesdee\, Travis Diehl\, Travis Walker\, Travis Wood\, Tre’vell Anderson\, Trent Crawford\, Trenttruce\, Trevor Treglia\, Trevor Wayne\, Tricia Lawless Murray\, Tristan Douglas Acker\, Tristan Espinoza\, Troy Sanders\, Troyese Robinson\, Trulee Hall\, Tuni Chatterji\, Twin Schism\, Twin Steps\, Two Serious Ladies\, Twomey\, Tyler Holmes\, Tyler Matthew Oyer\, Tyler Yin\, Tzuan Wu\, UBIKETAL\, Ulrik Heltoft\, Ultra Red\, Ulysses Jenkins\, Ulysses Pascal\, Umbra Vita\, Un Ciego\, Unica\, Unitry Garish\, Univa\, untune\, Uriel Orlow\, V Haddad\, Vaginal Davis\, Val Koziak\, Valentine\, Valeria Tizol Vivas\, Vanessa Angélica Villarreal\, Vanessa Daish\, Vanessa Hernández Cruz\, Vanessa Roveto\, VAR\, Varese Group\, Vasculae\, Veggie Cloud\, Venus Wikifur\, Véra (V) Haddad\, Verbs\, Verma\, Veronica Bianqui\, Veronica De Jesus\, Veronique d’Entremont\, Vertical Blanking\, Very Be Careful\, Vicki Ray\, Vicki Vértiz\, Vicky & The Vengents\, Víctor Santana\, Victoria Keddie\, Victoria Sin\, Vincent Ramos\, Vincente Colomar\, vine a incendiar este lugar\, Viola Yesiltac\, Violet Hannesena\, VIP\, Virgie Tovar\, Virons\, Vishal Jugdeo\, Visperd Madad-Doust\, Viva Padilla\, Voice on Tape\, VOLUME\, Von Curtis\, Von Doog\, Vyper SynVille\, W00DY\, Waggy Baby\, Walt Gorecki\, Warm Climate\, Warren Neidich\, Watermelon Sisters\, Waverly Mandel\, Wayne Koestenbaum\, WDSM\, Weasel Walter\, weepingwillowtree\, Wells Lang\, Wendy C. Ortiz\, Wendy Cabrera Rubio\, Wendy Mason\, Wendy Red Star\, Weng San Sit\, Wesleigh Gates\, Weston Lyon\, Wet Power\, Whirlynn\, White Dove\, White Gold\, White Magic\, White Manna\, White Rainbow\, Whitman\, Whitney Gibson\, Whitney Hook\, Whits n Giggles\, WIFE\, Wild Up\, Will O’Loughlen\, Will Rawls\, Will Schwartz\, William Basinski\, William Burgess\, William Camargo\, William E. Jones\, William Fowler Collins\, William Hutson\, William Jones\, William Roper\, William Ruíz Morales\, Willian Basinski\, Wilson Shook\, Wing Cheung\, Winston Hacking\, Witches of Malibu\, Wizard Apprentice\, Wo Chan\, Wojciech Kosma\, Wolfboy\, WoM\, Wood Wind Skill Share\, Woodbury College\, Woohee Cho\, Wounded Lion\, Wren Gardiner\, Wynne Greenwood\, X-TRA\, XANA\, Xandra Ibarra\, Xandro Segade\, XI: A North American Football Quarterly\, Xin Xin Ahree Lee\, Xina Xurner\, Xiner Lan\, Xiu Xiu\, xTimido\, Yacuziz\, Yanina Orellana\, Yann Novak\, Yann Sérandour\, Yasi Alipour\, Yasmine Diaz\, Yek Koo\, Yelena Zhelezov\, Yishi Chen\, Yo-Yo Lin\, Yong Soon Min\, Yoni Zonszein\, Yoshi Sakai\, Yoshie Sakai\, You (流)\, You Guys Suck Like Real Hard Shut The Fuck Up Thanks! (YGSLRHSTFUT!)\, Young Chung\, Young Joon Kwak\, Yrneh Gabon Brown\, Yu Chen-Ta\, Yunhee Min\, Yunuen Rhi\, Yuri Ríos\, Yuval Pudik\, Zachary Paul\, Zack Benson\, Zack Khalil\, Zackary Drucker\, Zah\, Zaina Bseiso\, Zander Porter\, Zara Kuredjian\, Zeek Scheck\, Zeina Baltagi\, Zen Sekizawa\, Zoë Beery\, Zoe Rappaport\, Zoé Samudzi\, Zora Duncan\, Zoria Swanegan\, Zyanya Arellano\, ZZ Krebs\, Zzyzxzyzz \n\n\n\nHRLA opened its doors on May 1\, 2010. The names listed above belong to the more than 3\,100 people & organizations who have shared their work with us over the past fifteen years. This list includes visual & performance artists\, musicians & noise/sound artists\, writers\, filmmakers\, video and digital media artists\, choreographers and dancers\, comedians\, small presses\, programming collectives\, sister arts organizations\, record labels\, teachers\, students\, & activists. (If we are missing anything/anyone\, let us know!) \n\n\n\nHRLA’s program is curated by an artist-centered\, volunteer collective. Most of our resources are directed to artists and to the people making their projects happen. \n\n\n\nWe welcome donations to HRLA — $15\, $115\, $1515 — it all makes a difference! You can make a one-time donation or give regularly via our ticketing platform. As you can see from the above list\, donations go a long way\, long way! URL:https://www.h-r.la/event/hrla-15-years-everyone/ LOCATION:CA ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/05/everyone.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20251101T000000 DTEND;TZID=America/Los_Angeles:20251116T235959 DTSTAMP:20260607T232257 CREATED:20250909T161219Z LAST-MODIFIED:20251113T204652Z UID:9071-1761955200-1763337599@www.h-r.la SUMMARY:CAREROTICS: on giving and taking DESCRIPTION:Panteha Abareshi at Human Resources Los Angeles (HRLA) \n\n\n\nPress Preview: Friday\, October 31\, 2025\, 7–9pmExhibition Opening: November 1\, 2025\, 12–6pm (gallery hours)\, 7–9pm (opening reception) \n\n\n\nGallery Hours: Wednesday–Sunday\, 12–6pm or by appointment \n\n\n\nLOS ANGELES —  Human Resources Los Angeles (HRLA) presents CAREROTICS: on giving and taking\, a solo exhibition by Panteha Abareshi that examines how the disabled body is relegated to the fringes of visibility and yet made into a spectacle\, bringing a complex duality to the nature of disability as performance. For Abareshi\, the absence of autonomy makes room for fetishism to blossom\, as the disabled individual is made into a tool for the able-bodied viewer to use as linguistic metaphor and/or as sexualized fetish object. In their work\, the disabled body becomes a vessel for the taboo corporeal fears and desires of the able-bodied audience.  \n\n\n\nPanteha Abareshi’s artistic practice is rooted in their existence as a chronically ill/disabled body contending with multiple medical illnesses\, at the foundation of which is sickle cell zero beta thalassemia— a genetic blood disorder that causes debilitating pain and bodily deterioration\, both of which increase with age. Their work explores the complexities of living within a body that is highly monitored\, constantly examined\, and made to feel like a specimen\, critically interrogating the sick/disabled body’s place within medical institutions.  \n\n\n\nCAREROTICS: on giving and taking is curated by Jennifer Doyle\, Caroline Ellen Liou\, and Jeanne Vaccaro. Major support for the exhibition is provided by the Mike Kelley Foundation for the Arts and the English Department at the University of California\, Riverside. We are also grateful to Miguel Barragan and his students at ASU Herberger Institute for Design & the Arts\, and to Alpha Medical Resources. \n\n\n\nExhibition Programs \n\n\n\nExhibition Walkthrough with Panteha Abareshi and Jeanne VaccaroSunday\, November 2\, 2025 | 2–4pm | Human Resources\, Los Angeles (HRLA) \n\n\n\nReading by Panteha Abareshi\, moderated by Johanna HedvaSaturday\, November 8\, 2025 | 7–8:30pm | Human Resources\, Los Angeles (HRLA)Panteha Abareshi shares the intimate\, the hyper-personal\, and the crip-theoretical in this reading of unreleased writing. Beginning with fictive pieces of an autobiographical nature\, the reading will also include the recitation of the poetics featured in the exhibition\, as well as new written work around the pieces presented in CAREROTICS: on giving and taking. Followed by a Q&A with writer\, artist\, and musician Johanna Hedva. \n\n\n\nFetish Material and Pornographic Screening and LectureFriday\, November 14\, 2025 | 7:30–9pm | Whammy! Analog Media\, 2514 Sunset Blvd. Los Angeles\, 90026Join us for a screening/sharing of pornographic and fetishistic materials collected and examined by Panteha Abareshi over the course of their research. The artist will lead a lecture-based discussion around the sick/Crip body’s representation in these explicit materials. This program will be an exploration of how the disabled body is made into and used as [sex] object\, and an interrogation of consent\, control\, pleasure and power through a close examination of a slew of porno vids\, fetish pics and kinky JPEGs.  Please note: 𝗧𝗛𝗜𝗦 𝗣𝗥𝗢𝗚𝗥𝗔𝗠 𝗜𝗦 𝗡𝗦𝗙𝗪 & 𝟭𝟴+\, bear in mind that we will be watching and discussing explicit pornographic material\, and some of these may be difficult and challenging to view. This program is first and foremost a safe space of non-judgement\, but also one dedicated to pushing into what is most taboo\, unknown and uncomfortable as a means of expanding how we know\, see and image the sick/Crip subject. \n\n\n\nExhibition Walkthrough with Panteha Abareshi and Ron AtheySunday\, November 16\, 2025 | 2–3pm | Human Resources\, Los Angeles (HRLA) URL:https://www.h-r.la/event/carerotics-on-giving-and-taking/ LOCATION:CA CATEGORIES:exhibition ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/09/CAREOTICS-BANNER-BODY.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20251121T193000 DTEND;TZID=America/Los_Angeles:20251121T230000 DTSTAMP:20260607T232257 CREATED:20251111T060019Z LAST-MODIFIED:20251113T223019Z UID:9182-1763753400-1763766000@www.h-r.la SUMMARY:Pedestrian Deposit | Jordan Blankenship | The Zero Collective | Hidhawk & Panica | Dohoon Kim | The Benders Circuit DESCRIPTION:ticket link \n\n\n\nPedestrian Deposit  \n\n\n\n@pedestriandeposit \n\n\n\nJordan Blankenship  \n\n\n\n@jordanblankenship \n\n\n\nThe Zero Collective  \n\n\n\n@thezerocollective + @viola.wav \n\n\n\nHidhawk & Panica  \n\n\n\n@ayddhid + @leah_van_bach \n\n\n\nDohoon Kim  \n\n\n\n@dohimkoo \n\n\n\n3D Projections by The Benders Circuit \n\n\n\n@thebenderscircuit \n\n\n\nDoors 7:30 \n\n\n\nShow 8-11 \n\n\n\n$15 NOTAFLOF URL:https://www.h-r.la/event/pedestrian-deposit-jordan-blankenship-the-zero-collective-hidhawk-panica-dohoon-kim-the-benders-circuit/ LOCATION:CA CATEGORIES:music/sound ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/11/Screenshot-2025-11-10-at-9.59.53-PM.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20251122T203000 DTEND;TZID=America/Los_Angeles:20251122T220000 DTSTAMP:20260607T232257 CREATED:20251014T171010Z LAST-MODIFIED:20251113T223011Z UID:9151-1763843400-1763848800@www.h-r.la SUMMARY:Anh Vo - Untitled (Break Fast) DESCRIPTION:Tickets \n\n\n\nUntitled (Break Fast) centers around the durational act of squatting above a boiling pot of pho broth. Vo takes as a poetic point of departure the memory of going on a hunger strike as a teenager in order to fight with their mother for the chance to study abroad. Untitled (Break Fast) explores the fetish of individual freedom—how it is pursued through extreme acts of refusal\, denial\, and harm—and of the paradoxical clarity that emerges from confronting one’s own limitations. In each iteration\, Anh Vo stages this ambivalence between freedom and limitation\, hovering between endurance\, self-mutilation\, and collective witnessing. \n\n\n\nBased in Brooklym and Hanoi\, Anh Vo is a Vietnamese choreographer and writer working in the expanded field of performance. Their practice mobilizes the naked body in its variations to make explicit the entanglement of power and apparitional forces that cut across flesh. Their work is situated in the unlikely lineage convergences between Downtown New York experimental performance\, Hanoi performance art\, and Vietnamese folk ritual practices. Vo is indebted to Miguel Gutierrez’s unapologetic queerness and amorphous excess\, Moriah Evan’s speculative commitment to the depth of interiority\, Tehching Hsieh’s existential sense of time\, and Ngoc Dai’s guttural sonic landscape of postwar Vietnam. Their formal training is in Performance Studies\, studying with esteemed theorists and practitioners at Brown University (BA) and New York University (MA) \n\n\n\nPhoto by Albert Yee. Courtesy of Asian Arts Initiative.  URL:https://www.h-r.la/event/anh-vo-untitled-break-fast/ LOCATION:CA CATEGORIES:performance ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/10/AY2_6165-20250912-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20251123T000000 DTEND;TZID=America/Los_Angeles:20251130T210000 DTSTAMP:20260607T232257 CREATED:20251113T222940Z LAST-MODIFIED:20251125T190705Z UID:9199-1763856000-1764536400@www.h-r.la SUMMARY:Tech Nightmares\, Illusions of Control DESCRIPTION:Hosted by clara lópez menéndez\, Tech Nightmares\, Illusions of Control is a 2-day study on contemporary and historical critical perspectives on the effects and implications that our reliance on technological devices\, screens\, data management systems\, and the internet have for our forms of socializing\, governmentality and participation\, and therefore our sense of politics and the self. \n\n\n\nTwo sessions: Sunday November 23\, Sunday November 30\, 6:30 – 9PM \n\n\n\nSECOND DATE CHANGED! NOW SUNDAY NOV 30! \n\n\n\nSuggested Readings: \n\n\n\nhumdog: pandora’s box \n\n\n\nRichard Barbrook & Andy Cameron: The Californian Ideology  \n\n\n\nDeleuze: Postscript on the society of control \n\n\n\nKimberle Crenshaw & Gary Peller: Reel Time / Real Justice  \n\n\n\nVilém Flusser: Into the Universe of Technical Images (whole book pdf\, recommended: “To Touch\,” “To Signify\,” & “To Scatter”) \n\n\n\nAlso this video by Safiya Umoja Noble on Algorithms of Oppression \n\n\n\nHRLA Studies –– Free of cost –– No RSVP –– Come share and take some home URL:https://www.h-r.la/event/tech-nightmares-illusions-of-control/ LOCATION:CA CATEGORIES:seminar/workshop ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/11/Flyer_techNightmares.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20251129T193000 DTEND;TZID=America/Los_Angeles:20251129T230000 DTSTAMP:20260607T232257 CREATED:20251111T235821Z LAST-MODIFIED:20251112T174934Z UID:9187-1764444600-1764457200@www.h-r.la SUMMARY:Enter Ear DESCRIPTION:A night of music to celebrate the release of Enter Ear’s first album \n\n\n\ntickets \n\n\n\nEnter Ear \n\n\n\nhttps://debaclerecords.bandcamp.com/album/visitors \n\n\n\nSynsor (Steve McQuarry) \n\n\n\nhttps://piqued.fm/artist/synsor \n\n\n\nDavid Ralicke  \n\n\n\nhttps://www.ralicke.com \n\n\n\nSean Smith \n\n\n\nhttps://elefzed.com/about URL:https://www.h-r.la/event/enter-ear/ LOCATION:CA CATEGORIES:music/sound ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/11/a4066197329_16.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20251205T000000 DTEND;TZID=America/Los_Angeles:20251214T235959 DTSTAMP:20260607T232257 CREATED:20251104T214437Z LAST-MODIFIED:20251128T211854Z UID:9166-1764892800-1765756799@www.h-r.la SUMMARY:Acacia Marable: trash flag DESCRIPTION:Found matter elicited a certain detachment from the object itself. It could be sold for asong\, traded\, or given away but also could be returned to the streets\, to the land\, or to thejunk pile. Sometimes it was left to ripen\, and sometimes it was just left.—Kellie Jones\, South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017) \n\n\n\nOver the course of several months\, Acacia Marable gathered discarded objects and slowlytransformed them through assemblage\, reconfiguration\, and sculptural improvisation. Thisprocess was at once devotional and absurdist: he cleaned\, sealed\, and\, in oil\, painted each itemred\, white\, and blue—the palette of nationalism\, shared identity\, and soft power. Ranging frombanana peels to a grand piano\, the trash-objects were primarily gleaned from the streets betweenMarable’s house and studio or generated by the artist himself. Across these sculptural paintings\,the American flag repeats: at times it is reproduced in full\, at others it is fragmented\, skewed\, orreduced to its basic compositional elements\, rendered abstract. \n\n\n\ntrash flag builds on the Afro-Atlantic legacy of Yard Shows\, intricate installations of scavengeditems created by Black Southerners primarily in the wake of the Civil Rights movement.Through these exhibitions\, objects deemed valueless or otherwise obsolescent were transfiguredinto expansive assemblages with spiritual\, subversive\, and testimonial significance. Through therepetitive\, ritualistic acts of remaking and undoing the flag across the refuse of daily life\,Marable creates space for objects to belong in ways they were not intended to. Rupture isvisible—or possible—only in relation to pattern\, to a recursive act. Here\, broken\, cast-off\,jettisoned\, discarded matter is reclaimed in the form of a vast\, all-over painting\, its multifacetedsurface at turns coalescing and dissolving its primary loaded symbol. \n\n\n\nOpening Reception\, December 5  \n\n\n\n· 6–9 PM \n\n\n\nArtist Walkthrough & Cookout\, December 14• Walkthrough begins at 1 PM• Cookout from 2 PM until closing \n\n\n\nGallery HoursWednesday–Sunday · 12–6 PM URL:https://www.h-r.la/event/acacia-marable-trash-flag/ LOCATION:CA CATEGORIES:exhibition ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/11/trash-flag-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20251217T170000 DTEND;TZID=America/Los_Angeles:20251219T203000 DTSTAMP:20260607T232257 CREATED:20251204T173404Z LAST-MODIFIED:20251229T204735Z UID:9220-1765990800-1766176200@www.h-r.la SUMMARY:eloise deluca –– pursuit of play DESCRIPTION:a movement workshop led by Eloise DeLuca \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n pursuit of play \n\n\n\nThis movement based workshop will offer participants an embodied approach to play\, game theory\, practice and performativity. By analyzing how we approach\, strategize\, and consider choice making through playing games we can learn about our own negotiations and relationships to one another in space. What games can we play that advance us as a collective?  \n\n\n\nThe class begins with a warm-up of conditioning\, stretching\, and alignment practices. We will explore solo and partnered movement research using somatic and experimental improvisational scores. Guided prompts will shape our focus on both the internal and external experience of contemporary dance technique\, with special attention to spatial awareness. We will play movement games\, observe one another in groups\, and reflect through discussion on what we discover. The concepts of strategic interaction will be introduced to analyze conflict between individual and group interests\, strategic uncertainty\, and attempt physical applications of these efficient and inefficient coordinations. In the last part of class we will build phrase work together using movement vocabulary and material gathered from previous exercises.  \n\n\n\nSign up for 3 days or drop in available. RSVP to eloisedeluca@gmail.com \n\n\n\n \n\n\n\nEloise DeLuca has worked as a performance artist in New York and Los Angeles for the last twelve years. She movement directed for Solange Knowles at the Solomon R. Guggenheim and toured with Devonté Hynes of Blood Orange. She performed and acted as dance captain for the First National Tour of Fiddler on the Roof and restaged concert works at James Madison University\, Sacred Heart University\, Barnard College\, and New York University. She received her BA in Dance from California State University of Long Beach and an MFA in Choreography from California Institute of the Arts. \n\n\n\nProgram organized by clara lópez menéndez URL:https://www.h-r.la/event/pursuit-of-play/ LOCATION:CA CATEGORIES:dance/movement,seminar/workshop END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20251221T180000 DTEND;TZID=America/Los_Angeles:20251221T223000 DTSTAMP:20260607T232257 CREATED:20251212T025943Z LAST-MODIFIED:20251213T015850Z UID:9240-1766340000-1766356200@www.h-r.la SUMMARY:Circles and Moons DESCRIPTION:Celebrate the winter solstice with a moon gazing durational performance by Rachel Beetz and Jennifer Bewerse. \n\n\n\nWe will observe Jennifer’s real-time films of the year’s 12 full moons while listening to an expanded version of Rachel Beetz’s auditory hallucination drone\, Pareidolia\, through the 12 musical keys. Each season will be infused with a different scent. \n\n\n\nBeginning just after sunset on the longest night of the year\, enter this ritual to reflect on past cycles and enter into the dark winter. \n\n\n\nCircles and Moons lasts 4 hours. You are invited to stay for the full duration or come and go as you need. Each moon will last approximately twenty minutes\, and each season is 50-70 minutes. Seating is modular\, and will include chairs and floor cushions. You are welcome to bring your own chair\, blanket\, or favorite meditation object for comfort.  \n\n\n\nAdvance tickets are available here. URL:https://www.h-r.la/event/circles-and-moons/ LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012 CATEGORIES:music/sound ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/Moon-Circle.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260104T180000 DTEND;TZID=America/Los_Angeles:20260104T200000 DTSTAMP:20260607T232257 CREATED:20251229T204201Z LAST-MODIFIED:20251229T204614Z UID:9261-1767549600-1767556800@www.h-r.la SUMMARY:Every Workplace Needs A Union DESCRIPTION:In the last few years workers have led unionization efforts across the country at a wide range of companies such as Starbucks and Amazon. Workers at Natural History Museum\, LACMA\, CalArts and other cultural institutions in Los Angeles have recently organized\, linking their struggles to the broader labor movement.  \n\n\n\nJoin AFSCME Local 126\, which represents workers at the Museum of Contemporary Art Los Angeles (MOCA)\, Academy Foundation\, Academy Museum and Kidspace Children’s Museum\, to chat about labor organizing in the museum field and beyond. There will be information about unions\, button-making\, embroidery\, a selection of material about the history and horizon of labor organizing\, eBooks\, and a book drive for the Claremont Forum Prison Library Project. URL:https://www.h-r.la/event/every-workplace-needs-a-union/ LOCATION:CA CATEGORIES:forum ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/12/for-banner-honk-to-support.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260106T200000 DTEND;TZID=America/Los_Angeles:20260106T220000 DTSTAMP:20260607T232257 CREATED:20251231T181826Z LAST-MODIFIED:20251231T181828Z UID:9275-1767729600-1767736800@www.h-r.la SUMMARY:Steve Kado & Joe Stewart DESCRIPTION:Steve Kado & Joe Stewart will play electronic music at Human Resources \n\n\n\nThis is a free event URL:https://www.h-r.la/event/steve-kado-joe-stewart/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/SteveNJoe.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260110T190000 DTEND;TZID=America/Los_Angeles:20260110T230000 DTSTAMP:20260607T232257 CREATED:20251213T203528Z LAST-MODIFIED:20260109T204400Z UID:9244-1768071600-1768086000@www.h-r.la SUMMARY:Memory Saw x Silt | Iris Ipsum | C_Robo | Cyka | Munki DESCRIPTION:This Saturday Jan 10thLive sets & performance – experimental // electronic // noise-y \n\n\n\nMEMORY SAW & SILT (NY)Collab set from electronic music duo MEMORY SAW and performance artist SILT@memorysaw x @si.l.t \n\n\n\nC_ROBOLived coded / deconstructed dance music@c_robo_ \n\n\n\nIRIS IPSUMSpectral ambient idm@irisipsum \n\n\n\nCYKA @_zvzdaIndustrial post soviet product \n\n\n\nMÜNKI @pious_global“hypergrunge” \n\n\n\nVisuals @postfemale \n\n\n\nLights @whiterabbitelectric \n\n\n\nAdvance tickets are available here. \n\n\n\n$15 NOTAFLOF URL:https://www.h-r.la/event/memory-saw-x-silt-iris-ipsum-c_robo-cyka-munki/ LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012 CATEGORIES:music/sound ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/final9.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260113T200000 DTEND;TZID=America/Los_Angeles:20260113T223000 DTSTAMP:20260607T232257 CREATED:20260107T221513Z LAST-MODIFIED:20260107T221517Z UID:9294-1768334400-1768343400@www.h-r.la SUMMARY:Tzotzona | Anna Luisa Petrisko | 01168 DESCRIPTION:$10 tickets URL:https://www.h-r.la/event/tzotzona-anna-luisa-petrisko-01168/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/01/11326.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260117T190000 DTEND;TZID=America/Los_Angeles:20260117T203000 DTSTAMP:20260607T232257 CREATED:20251216T190826Z LAST-MODIFIED:20251229T204643Z UID:9250-1768676400-1768681800@www.h-r.la SUMMARY:Raquel Gutiérrez - Southwest Reconstruction book launch DESCRIPTION:A night of readings and sounds to celebrate the release of Raquel Gutiérrez first collection of poetry\, Southwest Reconstruction published by Noemi Press Books. \n\n\n\nRaquel will be joined by Heidi Andrea Restrepo Rhodes\, Joshua Escobar\, Farrah Rosefang\, Gabie Strong and Hidhawk. \n\n\n\nRSVP URL:https://www.h-r.la/event/raquel-gutierrez-southwest-reconstruction-book-launch/ LOCATION:CA CATEGORIES:reading ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/featured-image.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260118T200000 DTEND;TZID=America/Los_Angeles:20260118T220000 DTSTAMP:20260607T232257 CREATED:20260113T221246Z LAST-MODIFIED:20260114T001609Z UID:9313-1768766400-1768773600@www.h-r.la SUMMARY:LAWWSS (Los Angeles Wood Wind Skill Share) & LAFRC (Los Angeles Field Recording Club). DESCRIPTION:LAWWSS (Los Angeles Wood Wind Skill Share) LP release & LAFRC (Los Angeles Field Recording Club). \n\n\n\nTickets \n\n\n\nOn Jan 18th the Los Angeles Wood Wind Skill Share (LAWWSS) is celebrating the release of their first Studio recorded LP (titled STUDIO on Radical Documents) with a concert at Human Resources.  \n\n\n\nJoining LAWWSS in celebration will be the Los Angeles Field Recording Club who will be presenting their recordings of LAWWSS in person.  \n\n\n\nPreceding the concert there will be screening of Neil Cloaca Young’s (dir. Milford Graves Full Mantis) new film Wind Journal (prominently featuring LAWWSS) at 3pm at 2220 Arts and Archives.  \n\n\n\nAbout the participants: \n\n\n\nThe Los Angeles Wood Wind Skill Share is a horizontally-organized wood wind learning effort that operates entirely through free improvisation. Started in 2020 as a wood wind practice/accountability group of three friends it has since grown to an informal group of more than 30 people\, all struggling to play wood winds together.  \n\n\n\nThe Los Angeles Field Recording Club is a collective focused on recording and presenting the sounds of Los Angeles. Members document environments across the city — natural\, industrial\, and everyday — and share these recordings through listening sessions\, concerts\, and exhibitions. In a gallery context\, the work treats field recordings as primary artistic material\, offering an immersive portrait of place through sound. URL:https://www.h-r.la/event/lawwss-los-angeles-wood-wind-skill-share-lafrc-los-angeles-field-recording-club/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/01/Texture@2x-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260120T190000 DTEND;TZID=America/Los_Angeles:20260120T220000 DTSTAMP:20260607T232257 CREATED:20251231T184636Z LAST-MODIFIED:20251231T184638Z UID:9285-1768935600-1768946400@www.h-r.la SUMMARY:bed crumb show - audioginary cinema DESCRIPTION:audioginary cinema\, a night where we bring musicians together to reimagine catagory within film though sound improvisations. Each mysterious short will be live scored by 3 different ensembles/musicians:  \n\n\n\nBlack NASA  \n\n\n\nMountain Monastery Choir \n\n\n\nEduardo Soto + Ce Tochtli + grump  \n\n\n\nwith sounds by bed crumb show* resident DJs \n\n\n\nEvent is hosted by LA based radio station bed crumb show\, a freeform radio and mixed media platform dedicated to curiosity\, music\, film and events in the world of experimental  \n\n\n\nTickets $10 (half of the proceedings will be donated to Esperanzas Immigrant Rights) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlack NASA photo credit to Sean Deyoe \n\n\n\n2nd photo Eduardo Soto \n\n\n\n3rd photo grump URL:https://www.h-r.la/event/bed-crumb-show-audioginary-cinema/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/audioginary-flyer-scaled.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260121T190000 DTEND;TZID=America/Los_Angeles:20260121T203000 DTSTAMP:20260607T232257 CREATED:20251223T190646Z LAST-MODIFIED:20251223T190902Z UID:9255-1769022000-1769027400@www.h-r.la SUMMARY:A World Without The World Cup DESCRIPTION:Lafayette Park\, Michael Wells\, featured in Municipal de Fútbol (2011)\n\n\n\nA lecture and forum for our community as we stare down the impending World Cup. \n\n\n\nFIFA (the international body that governs soccer) is often described as the world’s largest criminal organization. What does it mean for arts and culture workers to engage with this event\, which operates explicitly as a bread & circus diversion from the global crisis of the collapse of democracy? How do we address the colonization of our attention by what is at once a dynamic\, engrossing spectacle\, a container for ecstatic communion\, and a festival of the worst our world has to offer? \n\n\n\nJennifer Doyle will share thoughts on the World Cup and discuss ideas for tactics that arts and culture workers might use to resist the epic levels of gaslighting that characterize the marketing of this event. URL:https://www.h-r.la/event/a-world-without-the-world-cup/ LOCATION:CA CATEGORIES:forum ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/Lafayette-Park-Michael-Wells.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260123T000000 DTEND;TZID=America/Los_Angeles:20260125T235959 DTSTAMP:20260607T232257 CREATED:20260112T230155Z LAST-MODIFIED:20260113T213016Z UID:9302-1769126400-1769385599@www.h-r.la SUMMARY:RECITAL (EPILOGUE) - AMMA DESCRIPTION:Tickets \n\n\n\nFriday – 8pm \n\n\n\nSaturday – 8pm \n\n\n\nSunday Matinee – 3pm \n\n\n\n\nThis iteration of RECITAL was created during a development residency at MOCA Geffen Warehouse in the summer of 2025. Over the course of 6 weeks\, AMMA expanded the piece first presented at WIP LA in July of 2024. Now\, from AMMA’s sweat and tears comes RECITAL (EPILOGUE). \n\n\n\nAMMA has entered its chapter of lore building. Mysticism and fun have entered the chat. \n\n\n\nRECITAL (EPILOGUE) brings its audience into the pit of the pop-star arena\, where tickets cost $$$$ before taxes and fees. Dance has never felt this good to watch; every cent of your rent money is well spent here. \n\n\n\nPop stars are not regular people. They’re sexy angels fallen to the stage\, synchronized and syncopated. They slice through the music with their bodies\, hot knives through grass-fed butter. You’re crying\, dizzy\, screaming for more. \n\n\n\nThen\, the floor of the pit opens and you fall through. Bodies crash into each other\, the pop stars have come unglued. You came for a RECITAL\, but this is the (EPILOGUE)\, and it’s dirtier down here. More dangerous\, too. You won’t always like what you see. \n\n\n\nThe work will be presented at Human Resources Los Angeles\, January 23rd\, 24th & 25th\, 2026. \n\n\n\n\n\n\n\nAMMA (Alexsa Miles Miles Alexsa) is a run-on sentence in the form of a choreographic practice by artists Alexsa Durrans and Miles Brenninkmeijer. Established in 2018\, their dances are inspired by the spectacle of movement performed in the context of arena concerts\, halftime shows\, synchronized swimming\, etc. Previous performance presentations include Recital (Arena Tour) at WIP LA (2024)\, EQ at Eden (2023)\, The Halftime Show at Pieter Performance Space (2019)\, and Bye Bye Bye at Weekend At Berenice (2018).  \n\n\n\nAlexsa Durrans (b. Vancouver\, Canada\, 1994) is a Los Angeles based artist working in the fields of performance\, visual art and experimental dance.  \n\n\n\nMiles Brenninkmeijer (b. São Paulo\, Brazil\, 1993) is a dancer and choreographer based in Los Angeles working across live performance and on-screen movement.  \n\n\n\n\n\n\n\nAll photographs by Kobe Wagstaff and wardrobe by Hardeman \n\n\n\nWriting by Dante Matero URL:https://www.h-r.la/event/recitalepilogue-amma/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/01/amma.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260127T190000 DTEND;TZID=America/Los_Angeles:20260127T210000 DTSTAMP:20260607T232257 CREATED:20260119T202638Z LAST-MODIFIED:20260119T212623Z UID:9322-1769540400-1769547600@www.h-r.la SUMMARY:WINTER SALON DESCRIPTION:Tickets – Suggested donation $7-$15 \n\n\n\nCOREY’S WINTER SALON is a pop-up blast-up event\, collecting multivalent\, multimodal local artists into one eclectic night. An unusual\, adventurous cocktail. A cross-polynation of interests and friend-groups.  \n\n\n\nFeaturing performances of text\, noise\, sound installations\, tarot\, and food & object offerings. \n\n\n\nEMJI SAINT SPERO is a writer\, performer\, and pervert living in Los Angeles. They are curious about the potential of creative intimacies. Their practice a series of approaches: documentation\, personal ephemera\, and somatic ritual. Through movement and collaborative performance they seek to queer the familiar\, mapping the boundaries of collective engagement. \n\n\n\nELDER SISTER is the materialisation of incantations voiced from the marrow of broken bones\, human DNA\, ancestral imprints\, whispers of hope from other dimensions and future triumphs\, channeled through unpredictable songs of delayed guitars\, vocal loops\, and collected transmissions of everyday sounds. Elder Sister is Jane Paik who persists as an artist\, musician and healer for creatives\, mystics and misfits.  A wanderer by nature and forever situated in duality\, she now resides between her hometown of Los Angeles and longtime home in the City of Magic – Torino\, Italy.  A dig into the past will unearth the Janet Pants Dans Theeatre\, a pioneering experimental dance troupe that booked and toured like a band in the independent music scenes of the 90s/2000s.  An easy stroll across the way will reveal the flip side of Elder Sister as the vocalist in the art-damaged\, no wave\, folk band Muscle Beach. \n\n\n\nSHELLY BADAL works within a sensory practice to cultivate sites for relatedness and presence via performance\, sound\, light\, video\, language\, and community organizing. Her work examines will\, connection\, and their plasticity under various conditions. Ongoing research in prosocial behavior and nonlinear expressions of time serves as the basis for her experiential response to theory. Her audiovisual works blend color abstraction with vérité footage and field recordings using analog and digital processes\, often incorporating reflective materials and projection. Drawing on inherited tradition from the Caucasus Mountains\, she engages with presence as a material. Her writing and workshops offer metaphor as a tool for navigating the self.  Badal’s work has been exhibited at Human Resources\, Navel\, Coaxial\, MOCA\, OPaf\, the Wolford House\, and Flowerhead Gallery. Her films have been shown in Los Angeles\, Moscow\, San Francisco\, and Seattle. \n\n\n\ntarot readings by ANGI BRZYCKI – – \n\n\n\nCOREY FOGEL \n\n\n\nCorey Fogel (b 1977) is: a composer\, drummer\, and artist; occasionally teacher; researcher; curator\, based in Los Angeles. Fogel works across genres and mediums to explore many facets of improvisation. He approaches sound\, textile\, collaborators\, gestures\, and objects as viable materials for spontaneous\, time-based experimental performance\, often fusing sculpture\, video\, musical traditions\, theatricality\, and ritual. URL:https://www.h-r.la/event/winter-salon/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/01/jan27-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260129T200000 DTEND;TZID=America/Los_Angeles:20260130T000000 DTSTAMP:20260607T232257 CREATED:20251229T205413Z LAST-MODIFIED:20260129T202319Z UID:9271-1769716800-1769731200@www.h-r.la SUMMARY:The End of the World DESCRIPTION:8pm-midnightdj Eva Myra Mayplaying vintage analogue electronic music by women \n\n\n\nperformances byHuntrezzMehregan PezeshkiBARRGraeae \n\n\n\nhosted byPage Person \n\n\n\nWhat does it mean to live in an analog world? One parallel to the world we find ourselves in; relating to signals or information represented by continuously variable physical quantities such as spatial position or changes in voltage. A world that is infinitely variable rather than tied to discrete\, fixed values. We are looking back at the era of pure research\, when women working in the sciences were able to experiment with the emerging field of electronics to establish themselves as composers of experimental music. Our soundtrack pays homage to the pioneers of electronic music such as Daphne Oram\, Delia Derbyshire\, Wendy Carlos and Suzanne Ciani not out of nostalgia\, but as a history lesson in dreaming up creative solutions to building a new world in the face of the collapsing political institutions of late-stage capitalism. \n\n\n\nThe End of the World is a monthly performance party started in the studio of Page Person; conceived as a hybrid between underground queer dance parties and variety shows that invite performers of all genres to share their work to an energized audience built around community organizing. Born out of desperation with a crackdown on free speech\, End of the World defiantly insists on the values of DIY grassroots world building. We reject the surveillance state and offer a vision for a culture based on in-person connections\, love and a celebration of our diverse viewpoints. \n\n\n\nAnything is possible. \n\n\n\nABOUT THE ARTISTS: \n\n\n\nEva Myra May is an intersex musician\, producer and vinyl DJ\, channeling emotional statements about identity\, vices and virtue through an ever-expanding list of genres. She also runs EVAMM\, a queer music collective and radio\, highlighting the intimate\, everyday practice and experimenting that DJs do when they’re not performing. \n\n\n\nHuntrezz Janos is a Black Afro-Hungarian Angeleno transmedia artist working across XR\, sculpture\, architecture\, performance\, spoken word and animation. Her work was recently featured at LACMA\, and she holds a BFA in Experimental Animation from CalArts (2018) and an MS from USC (2025). \n\n\n\nBARR is the longrunning music project of artist Beatrix Fowler. \n\n\n\nGraeae is an experimental audiovisual voyager\, creating immersive musical experiences from field recording\, sampling\, live analogue electronics\, sound-based installations and performance.  \n\n\n\nPage Person is a visual and performing artist. Her work has been displayed and performed at the Hammer Museum\, the New Museum\, DESTE Foundation\, Peres Projects\, Stuart Shave/Modern Art\, Deitch Projects\, Noon Projects as well as gay bars and underground rave spaces in Los Angeles and Mexico City. URL:https://www.h-r.la/event/the-end-of-the-world/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/EotW-AW.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260130T203000 DTEND;TZID=America/Los_Angeles:20260201T223000 DTSTAMP:20260607T232257 CREATED:20251231T183241Z LAST-MODIFIED:20260129T202111Z UID:9280-1769805000-1769985000@www.h-r.la SUMMARY:Dicky Bahto DESCRIPTION:Note: January 30’s program is cancelled in honor of the national strike. We encourage people to participate in this strike and to support organizations like CHIRLA\, who are doing front-line work in our communities. See below for revision of this weekend’s program. \n\n\n\nA three two-night survey of moving image and performance works by Dicky made in the last 5 years. \n\n\n\n $15 for both nights – No one turned away for lack of funds \n\n\n\n“His varied and complex engagement with moving image and photographic media is steeped in a deeply felt humanity and empathy\, manifesting through his inspired photographic eye and frequently direct interaction with and appreciation of the material vitality of film and cinema. His films achieve heightened emotional states of great intimacy and poetry\, often channeling the uniquely aleatory qualities of film to carry a sensuality and spirituality hovering in the space between loving depiction and vaporous abstraction.” (Mark Toscano) \n\n\n\nFriday\, January 30th Saturday\, January 31 at 8:30 pm – short films of Dicky Bahto \n\n\n\nThis programs features recent short films by Dicky Bahto\, none of which have previously screened in Los Angeles\, including his most recently completed film\, a portrait of the Argentine-French artist Cesar Cofone\, two recent music videos for Grouper and Tashi Wada\, and an excerpt from his three-hour long collaborative work Music for a Bellowing Room with composer Sarah Davachi. Plus maybe a special surprise or two! \n\n\n\nprogram: \n\n\n\n\nA portrait of Cesar Cofone (2025) 20.5 minutes\, Super 8 to HD\, color & b/w\, music by Marco Baldini\n\n\n\nClose Cloak (2025) 9 minutes\, Super 8 to HD\, b/w\, music by Grouper\n\n\n\nGrand Trine (2024) 6.5 minutes\, Super 8 to HD\, b/w & color\, music by Tashi Wada\n\n\n\nMusic for a Bellowing Room (2023) (excerpt) 28 minutes\, Super 8 to HD\, b/w & color\, music by Sarah Davachi\n\n\n\n\nPortrait of Cesar Cofone (2025)\n\n\n\nSaturday\, January 31 Sunday\, Feb 1 at 2:30 pm – Dicky Bahto’s Hivernale \n\n\n\nThe Los Angeles premiere of Dicky Bahto’s new hour-long film Hivernale\, accompanied by composer Sarah Davachi’s work Double Reeds.  \n\n\n\nprogram:Hivernale (2025) 60 minutes\, Super 8 and 35mm to HD\, color & b/w\, music by Sarah Davachi \n\n\n\nHivernale (2025)\n\n\n\nRescheduled date TBA Sunday\, February 1 at 2:30 pm – Dicky Bahto\, Corey Fogel\, Tashi Wada \n\n\n\nAn afternoon of performance work for still and moving images and sounds by Dicky Bahto\, Corey Fogel\, and Tashi Wada. The performance will be approximately one hour and change\, and may or may not include several different works that overlap or transition from one to another and back again with or without warning. \n\n\n\nDicky Bahto\, Corey Fogel\, Tashi Wada\n\n\n\nDicky Bahto has exhibited work utilizing still and motion picture photography\, sound\, and performance at a variety of museums\, galleries\, microcinemas\, film festivals\, conferences\, alternative spaces\, and scenic locations spanning the Northern Hemisphere\, from the Museum of Modern Art in New York to a series of nooks\, crannies\, and underbrush along and under Sunset Boulevard. He has works in the permanent collections of The Getty Museum and the Huntington Library\, Museum\, and Gardens. He frequently collaborates with musicians\, both as a performer and as a visual artist\, including Sarah Davachi\, Liz Harris\, Julia Holter\, and Tashi Wada\, as well as with his lover\, Patrick Londen\, and their cats Simone and Katoosh. \n\n\n\n \n\n\n\nBottom image: Hivernale\, URL:https://www.h-r.la/event/dicky-bahto/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/Portrait-of-Cesar-Cofone.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260206T120000 DTEND;TZID=America/Los_Angeles:20260208T180000 DTSTAMP:20260607T232257 CREATED:20260122T183800Z LAST-MODIFIED:20260207T012141Z UID:9336-1770379200-1770573600@www.h-r.la SUMMARY:Espera DESCRIPTION:Espera (2017) is a short documentary of an intimate conversation between Quevedo and an ex-lover on the eve of their separation. As the end grows nearer the two men struggle to reconcile their desires with the reality of their lives. For this one-weekend presentation at Human Resources Los Angeles\, Espera will be screened as a video installation playing on loop during regular hours (12pm-6pm).  \n\n\n\nEspera (the audio version) premiered at First Look Festival at The Museum of the Moving Image (London\, UK) in 2018 as a part of Radio Atlas. The audio work screened at Open City Documentary Festival (London\, UK) \, Locust Project (Miami\, FL)\, and the Banjuoja Audio Festival (Vilnius\, Lithuania). Espera is the winner of the 2018 Third Coast / Richard H. Driehaus Directors’ Choice Award and was shortlisted for the Hearsay International Audio Arts Festival ‘Celebrate’ and GanBéarla awards in 2019. \n\n\n\nEspera at Human Resources Los Angeles is organized by Azul Silverio. \n\n\n\nAbout the Artist \n\n\n\nSayre Quevedo is a documentary artist. He works across mediums to tell stories about intimacy\, identity\, and human relationships. His work has been featured on NPR\, Marketplace\, BBC Short Cuts\, Love Me on the CBC\, McSweeney’s and Radio Atlas. In 2018 his audio documentary short Espera received the Third Coast/RHDF Directors’ Choice Award and his audio documentary feature “The Quevedos” was nominated for a Best Audio Documentary award by the International Documentary Association (IDA). The following year he won the 2019 Third Coast/RHDF Gold Award for Best Documentary for “The Return.” That feature was also nominated for a Best Audio Documentary award by the IDA\, his second nomination two years in a row. In 2022 Quevedo was nominated twice by the IDA for Best Stand-Alone Audio Documentary\, winning the award for “Documenting a Death by Euthanasia.” Quevedo was the Fall 2019 Podcaster-In-Residence for the San Francisco Museum of Modern Art. He was an Associate Producer for The Daily at The New York Times and NPR’s Latino USA\, and a Producer for VICE News. He is currently an adjunct professor at Columbia University’s Oral History Master of Arts program and New York University’s Journalism Masters program. He is also a founding editor at Sound Fields\, a journal dedicated to the art and craft of audio documentary. \n\n\n\nAbout the Curator \n\n\n\nAzul Silverio is a researcher\, curator and cultural worker based in Tovangaar (Los Angeles). They are invested in championing and building community with artists\, curators\, creatives and cultural workers from LGBTQ+ and communities of color across the city and beyond. Formerly the Assistant Director of Programming at LACE (Los Angeles Contemporary Exhibitions)\, Juan joined LACE in 2019 as an apprentice and later ran all exhibitions\, programs\, and operations. With LACE\, they co-curated ABUNDANCE (2024)\, an interdisciplinary and performance art festival held at the L.A. Dance Project. With LA River Arts\, Juan co-curated “Ki’king with the River” (2025)\, a public programming series of performances and workshops highlighting LA-based queer artists in conversation with the LA river. They joined the arts and culture field by way of the Getty Marrow Undergraduate Internship program\, holding curatorial internships throughout Southern California at the Getty Research Institute\, Self-Help Graphics & Art\, and the 18th Street Arts Center. Juan was awarded a Leadership Institute fellowship in Visual Arts with the National Association of Latino Arts & Culture (NALAC) (2023) and was an AllPaper Seminar inaugural fellow at the Benton Museum of Art\, Pomona College\, Claremont\, CA (2022). A member of the National Performance Network (NPN) Board of Directors\, Juan contributed writing to the 60th Venice Biennale exhibition and catalogue\, Stranieri Ovunque/Foreigners Everywhere (2024)\, curated by Adriano Pedrosa\, and co-edited the LACE publication for CAVERNOUS: Young Joon Kwak and Mutant Salon (2018).  URL:https://www.h-r.la/event/espera/ LOCATION:CA CATEGORIES:screening ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2026/01/HRLA-Espera2026-web.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260213T200000 DTEND;TZID=America/Los_Angeles:20260213T233000 DTSTAMP:20260607T232257 CREATED:20260122T184634Z LAST-MODIFIED:20260211T184216Z UID:9340-1771012800-1771025400@www.h-r.la SUMMARY:the body draws the room DESCRIPTION:the body draws the room is a performance by Carmen Argote that transforms the gallery space into an immersive drawing environment through the body. Using a combination of shaving cream and black oil paint\, Argote creates large-scale marks on walls and floors as she moves through the space by crawling on her back and tracing the perimeter. Argote performs the physical act of pushing up against the walls of the gallery with her feet\, turning movement\, endurance\, and presence into a material record of the room itself.  \n\n\n\nThis performance marks Argote’s return to HRLA where she exhibited My Father’s Side of Home in 2014. the body the draws the room reflects the artist’s ongoing exploration of architecture\, psychology\, and embodiment\, offering audiences an opportunity to witness the physical and conceptual scope of her work.  \n\n\n\nTickets are $15 and available on Withfriends. No one will be turned away for lack of funds. \n\n\n\nThis project was supported\, in part\, by a Foundation for Contemporary Arts Emergency Grant. URL:https://www.h-r.la/event/the-body-draws-the-room/ LOCATION:CA CATEGORIES:performance ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/01/Performance-documentation-Headlands-DSC_1117.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260221T140000 DTEND;TZID=America/Los_Angeles:20260221T160000 DTSTAMP:20260607T232257 CREATED:20260216T201543Z LAST-MODIFIED:20260216T201740Z UID:9409-1771682400-1771689600@www.h-r.la SUMMARY:Tom Marioni – ACTION AND TALK DESCRIPTION:Free rsvp \n\n\n\nA progenitor of West Coast conceptual art\, Tom Marioni will present a critical re-engagement with the ontological foundations of California’s avant-garde. Marioni\, the founder of the Museum of Conceptual Art (MOCA) in San Francisco (1970–1984)\, will perform two definitive “actions” that collapse the boundaries between temporal duration and physical residue: Out of Body Free Hand Circle (on prepared wall)\, a wall-based manifestation of Zen-influenced persistence\, and One Second Sculpture (1969). The latter\, described as a “drawing in space\,” involves the release of a coiled metal tape measure to produce an instantaneous fusion of sound\, line\, and gravity. \n\n\n\nMarioni’s performative lecture is presented by Society of Art and Living Archives (SALA) and Human Resources Los Angeles (HRLA) and in partnership with the Performance Art Museum (PAM). The project is organized by SALA founder Alberto Cuadros.Marioni’s deep-rooted connection to the Southern California conceptual art scene includes a significant solo exhibition at the Newport Harbor Art Museum (now OCMA)\, a survey at the Hammer Museum\, and his inclusion in the landmark exhibition Out of Actions at MOCA Los Angeles. Marioni has collaborated with and curated many artists\, including Marina Abramović\, Chris Burden\, John Cage\, Terry Fox\, Paul Kos\, Linda Montano\, Bruce Nauman\, and Barbara T. Smith. This upcoming performance in Los Angeles is a live archival activation of a transformative period of experimental art in California. \n\n\n\nAbout the ArtistTom Marioni (b. 1937\, Cincinnati\, Ohio) is an influential figure in the history of American conceptual art and a primary architect of the West Coast’s “social sculpture” movement. After moving to San Francisco in 1959\, Marioni fundamentally challenged the traditional boundaries of the art object\, shifting the focus from the production of static things to the creation of “idea-oriented situations.”In 1970\, Marioni founded the Museum of Conceptual Art (MOCA) in San Francisco. Through his work at MOCA and his earlier tenure as curator at the Richmond Art Center (1968–1971)\, Marioni provided a radical platform for ephemeral\, sound-based\, and body-oriented “actions” by artists such as Chris Burden\, Bruce Nauman\, and Terry Fox. Marioni is perhaps most widely recognized for his ongoing social artwork\, The Act of Drinking Beer with Friends Is the Highest Form of Art (first staged at the Oakland Museum in 1970). This piece\, which involves a weekly salon where the social exchange is the medium and the resulting debris is the “artifact\,” has been acquired into the permanent collection of the San Francisco Museum of Modern Art (SFMOMA) and performed globally. Marioni’s work is held in the permanent collections of the Museum of Modern Art (New York)\, the Centre Pompidou (Paris)\, and the Stadtische Kunsthalle (Mannheim). He remains a central figure in the San Francisco art community\, where he continues to lead the Society of Independent Artists and collaborate with Crown Point Press. \n\n\n\nAbout the CuratorAlberto Cuadros is an artist\, curator\, and independent art historian based in California\, and the founder of SALA (Society of Art and Living Archives). Originally established in 2020 as Society of Art Los Angeles\, the organization expanded into San Francisco in 2025. Cuadros’s work through SALA is characterized by a “socially engaging” approach\, often using his extensive network of artists and cultural leaders to create immersive experiences that address the current realities of the urban environment. \n\n\n\nSALA is a 501(c)(3) nonprofit dedicated to telling the stories of overlooked California art in site-specific exhibitions\, talks\, salons\, and programs.The organization focuses on California’s cultural history\, dating back to the 1840s\, to connect traditional practices with contemporary creativity. Based in San Francisco\, SALA is inspired by the inclusive nature of “salon culture” and aims to bring together art and daily life closer through exhibitions\, workshops\, city-wide tours\, and experimental programming. SALA’s 2026 programming (titled Living Archives: San Francisco) interprets intersectional Bay Area art histories and the specific sites where they unfolded. URL:https://www.h-r.la/event/tom-marioni-action-and-talk/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/02/Marioni-invitation-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260222T170000 DTEND;TZID=America/Los_Angeles:20260222T203000 DTSTAMP:20260607T232257 CREATED:20260208T211746Z LAST-MODIFIED:20260219T210401Z UID:9356-1771779600-1771792200@www.h-r.la SUMMARY:A World Without FIFA's World Cup (Part 2) DESCRIPTION:Hansen Dam Park\, Los Angeles. Photo by Michael Wells\, 2006.\n\n\n\n“Nobody earns a thing from the crazy feeling that for a moment turns a man into a child playing with a balloon\, a cat toying with a ball of yarn\, a ballet dancer flying through the air with a ball as light as a balloon or a ball of yarn\, playing without even knowing he’s playing\, with no purpose or clock or referee.” — Eduardo Galeano\, Soccer in Sun and Shadow \n\n\n\nFollowing up on last month’s World Without a World Cup event — join us for a mixer & forum designed to spotlight fútbol communities & countercultures\, FIFA and Olympic refuseniks\, league historians\, players\, poets and artists. The aim is to make connections between scenes\, spaces of play\, dial into the challenges of this moment and share how we show up for each other. \n\n\n\nWe’ll have libations and snacks\, and will encourage people to mingle\, chat\, cruise for game. \n\n\n\nAttending/presenting: members of Dyke Soccer\, NOlympics\, People’s FC\, South El Monte Arts Posse\, artist-poet Nico Avina\, historian of Latinx women’s leagues in LA Kathy Pululpa (check out her article\, “Nos Vemos en la Cancha”)\, and public historian\, UCR Prof. and moderator Jorge Leal. Hosted by HRLA members Advik Beni & Jennifer Doyle. \n\n\n\n5pm: Doors open for mixer + slide show\, short sport-video art (available on-line\, curated by Jennifer Doyle). \n\n\n\n6pm: Presentations & discussion \n\n\n\nPhoto: Hansen Dam Park\, Los Angeles. Michael Wells\, 2006. \n\n\n\nFree\, RSVP or just show up! URL:https://www.h-r.la/event/world-without-a-world-cup-part-2/ LOCATION:CA CATEGORIES:forum,panel/conversation ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/02/Banner-Image-World-without-World-Cup-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260223T190000 DTEND;TZID=America/Los_Angeles:20260223T220000 DTSTAMP:20260607T232257 CREATED:20260211T234719Z LAST-MODIFIED:20260218T235225Z UID:9380-1771873200-1771884000@www.h-r.la SUMMARY:David Dove • mattie barbier • Rowell/Bell/Shook DESCRIPTION:On Monday\, February 23rd\, David Dove – the Houston-based improviser\, composer\, and trombonist – makes his Los Angeles solo debut at HRLA at a show pulled by UPEND. \n\n\n\nVia drones\, heavy and deep\, Dove will tap into the architectural resonances of Human Resources with Subwoofer Trombone\, his improvisational project that explores sub-bass frequencies using trombone\, pitch shifters\, effect pedals\, and… subwoofer. \n\n\n\nStarting with his refined palette of ‘bone timbres\, Dove moves between jazz inflections and minimalist abstractions\, feeding into a system that slackens time and stretches sound into a slow-moving expanse. This low-frequency undercurrent opens a space where Dove can explore further resonant interplay and even weave in passages of others’ repertoire\, sparking subtle dialogues across time and tone. \n\n\n\nThis Monday evening sound salon will also feature a set from LA-based musician and composer mattie barbier\, and a trio set from double-bassists Sam Rowell and Georgia Bell\, with saxophonist Wilson Shook. \n\n\n\nAdvance tickets are available via [withfriends] \n\n\n\n\n\n\n\nBased in Houston\, Texas\, David Dove is a trombone player\, composer\, improviser\, facilitator\, and curator. Dove has focused on acoustic playing for most of his career\, developing a style that draws influence from jazz\, 20th-century composition\, electronic music\, and free improv among other sources. A devoted improviser\, Dove has collaborated with scores of artists over the decades\, including his mentor Pauline Oliveros\, Joe McPhee\, Carmina Escobar\, Tom Carter\, Thomas Lehn\, Jawwaad Taylor\, and Lucas Gorham. Venues where Dove has performed include The Arches in Glasgow\, Scotland; DOM Cultural Center in Moscow\, Russia; Chinati Foundation in Marfa\, Texas; and the Menil Collection in Houston\, Texas. \n\n\n\nDove is also the founder of Nameless Sound – a crucial Houston arts organization that – for 25 years – has presented adventurous musicians from around the world\, fostered the local experimental music community\, and remained focused on a mission to educate through creative music practice. The organization and its artists work directly with young people in public schools\, community centers\, and homeless shelters to promote creativity\, diversity\, and improvisation. URL:https://www.h-r.la/event/david-dove-mattie-barbier-rowell-bell-shook/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/02/daviddove_trombone-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260227T180000 DTEND;TZID=America/Los_Angeles:20260301T170000 DTSTAMP:20260607T232257 CREATED:20260217T233956Z LAST-MODIFIED:20260219T231552Z UID:9418-1772215200-1772384400@www.h-r.la SUMMARY:Lynne Marsh: after-lived DESCRIPTION:Friday\, February 27 –Opening Performances 6–9 pm \n\n\n\nSaturday\, February 28 –Performances 1–5 pm \n\n\n\nSunday\, March 1 –Performances 1–3 pm\, Conversation 3–5 pm \n\n\n\nThese poor nymphs of the present\, distorted by the endless screens they must pass through before finding themselves in something resembling “the real world.” Unaccustomed to the weight of what we might call reality\, they fall out of an infinite space-time into the brutal pull\, or rather push\, of gravity. \n\n\n\n–Hannah Sage Kay\, Poor Nymphs Poorer Selves* \n\n\n\nafter-lived unfolds over three days at Human Resources Los Angeles as an exhibition-based performance. Performers work through gestures learned from a motion-capture animation archive: they embody\, repeat\, reorient\, and endure them. Each performer trains with an avatar generated from a digital scan of their own body\, set in motion as if possessed. What begins as data becomes flesh\, altered by the screens it has passed through. \n\n\n\nThe archive carries its own residue: combat loops\, evasions\, falls\, and impacts. Gestures circulate in a dense image economy\, detached from their original conditions and optimized for reuse. Here\, however\, they meet the weight of gravity. Slowed down and enfleshed\, a fall is no longer seamless. Impact registers. Repetition produces strain. \n\n\n\nThe title after-lived names a condition in which systems persist beyond their declared obsolescence\, continuing to operate even after their logic has been exhausted. In this state\, gestures survive their contexts. They loop\, mutate\, and return. The body becomes the site where these loops are absorbed\, tested\, redirected\, and possibly exited. \n\n\n\n*excerpt from exhibition text for Standing Death Backward at council_st\, June 2025 \n\n\n\nLynne Marsh is a Canadian artist based in Los Angeles and Associate Professor at UC Riverside. Her practice questions the status of the image through mediation\, technology\, and production. Ideas central to Marsh’s research include offstage space\, production-in-production\, affective and cultural labor\, music as a framing device\, and the Brechtian revealing of the mechanics of cultural and theatrical production. \n\n\n\nPerformers \n\n\n\nAbriel Gardner (aka bob) is an artist. She has a background in dance and works in many media. She currently lives in New York. \n\n\n\nJobel Medina is a Filipino-American dancer and choreographer based in Los Angeles. His work spans the United States and France\, and he has collaborated with artists including Tino Sehgal\, Benjamin Millepied\, Dimitri Chamblas\, Alex Prager\, Kim Gordon\, Simon McBurney\, Shahar Binyamini\, Danielle Agami\, and Tom Weinberger. His choreography has been presented at institutions such as the Philharmonie de Paris (with LA Dance Project)\, The Broad\, the Museum of Contemporary Art\, the Musée d’Orsay\, and the Institute of Contemporary Art. \n\n\n\nRyan OByrne is an artist and MFA candidate in Studio Art at The University of California\, Riverside. His work antagonizes the compulsive circulation of conventional terms of logic\, investing in the poetic potential of neologisms that might interrupt repetitions of violence\, extraction\, and exploitation. He is a graduate of The Juilliard School’s Drama Division. \n\n\n\nCecilia Slongo is an interdisciplinary artist from Argentina\, based in Los Angeles. She investigates the body as an archive and its relationality with the material and non-material realms. Cecilia is currently exploring the intersection of media\, corporeality and memory. \n\n\n\nIn conversation with \n\n\n\nAmy Skjerseth is Assistant Professor of Popular Music at University of California\, Riverside. She researches media\, music\, material culture\, and technology. Her books Preprogrammed: How Electronic Presets Changed Music and Media (UC Press) and the coedited volume The Routledge Companion to Voice and Identity will be out later this year. \n\n\n\nJudith Rodenbeck is an art and cultural historian whose research focuses on intermedial art practices since 1945. She trained at Yale\, Columbia\, and the Massachusetts College of Art & Design\, and is currently a Professor of Media & Cultural Studies at the University of California\, Riverside. \n\n\n\nLynne Marsh would like to acknowledge the support of the UC Riverside Center for Ideas and Society and the UC Humanities Research Institute. URL:https://www.h-r.la/event/after-lived/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/02/after-lived_HRwebhomepage_3000x2000-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260307T160000 DTEND;TZID=America/Los_Angeles:20260322T180000 DTSTAMP:20260607T232257 CREATED:20260215T200413Z LAST-MODIFIED:20260318T170041Z UID:9388-1772899200-1774202400@www.h-r.la SUMMARY:*autonomous together DESCRIPTION:a proposition about autonomies and their meanders by gloria galvez\, fran ilich and clara lópez menéndez – with contributions from the larger Los Angeles organizing community \n\n\n\nOpening March 7th\, 4 – 8pm \n\n\n\nFor all related public programs please see bottom of this page \n\n\n\nautonomous together* \n\n\n\nautonomy is an act in motion\, a practice\, an attitude and approach to experience\, but one that is not pursued alone. autonomy is a perpetual joyous negotiation of the conditions of our shared freedom from the mandates of colonization\, commodification\, exchange\, dehumanization\, and the destruction of nature. \n\n\n\nlike ants move by sensing other ants\, tracing their routes through walls\, around trees\, and into the earth\, we move towards our desired autonomy following the trails that others have left behind in its quest.  \n\n\n\nworks throughout this exhibition study various social and political practices that move away from dominant systems that deprive the many and\, instead\, build towards collective\, non-hierarchical people and earth-centered infrastructures. together we seek to invite the audience to co-imagine a new commons\, because\, as some friends said over ten years ago\, we owe each other everything.** And liberation is not a solitary practice\, but an interdependent one. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nProgramming \n\n\n\nMarch 7 at 6pm Tumbleweed Soup Kitchen & Recipe Share session with Community Chef Chris Rodriguez \n\n\n\nOur knowledge of our surrounding edible environment has been intentionally severed by the dominant systems that seek to keep us dependent on their low wages and commodities. Tumbleweed soup is a generations-old recipe that has been passed on by indigenous communities and shared amongst people as a survival food during the Great Depression and Dust Bowl period. Chris Rodriguez\, a mutual aid chef of Mexican-Indigenous and Iberian ancestry\, will continue the culinary lineage of this soup and share with attendees a bowl of soup and his recipe for how to make it. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 15 – Urban Foraging session with Community Chef Chris Rodriguez\, Atlakatl Ce Totchli and clara lópez menéndez \n\n\n\nIn this session attendees will learn how to i.d. and harvest tumbleweed from Chef Chris Rodriguez. Through the hike to forage the plants Chris\, Atlakatl Ce Totchli and clara lópez menéndez will share stories about how traditional knowledge of foraging medicinal and edible plants around the world has actively suppressed as a means of status quo control. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 20\, 7m to 9pm Autonomous Convening with Skira Martinez – Cielo\,  Kruti Parekh – Youth Justice Coalition\, and Marta Escudero – Alcove Learning Center. Food served by M.A.A.L.A. \n\n\n\nThis convening invites the community to share a meal and strategies for building resilient autonomous communities. The convening will be facilitated by community organizers who work in housing\, community safety\, and arts projects that practice community autonomy. They will  share strategies from their work and facilitate a conversation that explores how we can together build the world we desire. Food will be provided by Mutual Aid Action Los Angeles. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 21\, Reclaiming Presence – Saturday March 21st\, 5pm onward \n\n\n\nClosing gathering for autonomous together* –– join us for an evening that explores autonomy through storytelling\, film\, text\, and shared body movement  \n\n\n\n5:30pm – Amelia Bande\, will present a performance that is also a conjuring for us to orally weave counter narratives together. \n\n\n\n7:30pm – Screening Fences to Freedom (45min\, 2025) –– In 2021\, Gustavo Otzoy and his neighbors found themselves surrounded by hundreds of LAPD officers in the midst of the controversial raid on the Covid-era Echo Park homeless encampment. Fences to Freedom is the untold story of what led to the encampment forming\, its eventual eviction\, and the consequential effects on Gustavo’s life thereafter. Stick around after the screening for a Q&A with director Ian Midgley and community organizer Joann Swann. \n\n\n\n9 – 9:30pm – Bite & Write –– Grab a slice of pizza\, browse a book on autonomy\, and write down\, on the table\, a meaningful book quote for others to encounter \n\n\n\n10pm – closing – Music to celebrate\, reclaim collective presence and dancing with rhythms by DJ Adam O and DJ Swann \n\n\n\n∞∞∞∞∞∞ \n\n\n\n* in 2017 virgil b/g taylor made a series of screen printed t-shirts that said “autonomous together”\, as a commemoration of virgil’s friends’s traumatic experience as part of the counter-rally that gathered in Charlottesville\, Virginia\, in August 2017. As an expression\, “autonomous together” articulates a form of reciprocity that resonated deeply with ourselves and the ethos of this project. So we asked if we could summon it for the title of this show. \n\n\n\n** Fred Moten and Stephano Harney in the Undercommons\, 2013. \n\n\n\n∞∞∞∞∞∞ \n\n\n\ngloria galvez is an artist\, educator\, organizer\, and nature steward whose artistic practice zig-zags across drawing\, video\, sculpture\, and communal experiences — while every so often interweaving into these forms and their making\, community organizing and citizen science insights and frameworks. within this practice\, her current focus invokes alternate and simultaneous realities that prompt rebellious and revealing questions to the current social-political conditions of things – both living and nonliving things – both human and non-human things. and her work offers people physical and abstract spaces of learning\, recollection\, possibility\, self-determination\, and imagination. \n\n\n\nFran Ilich is an artist and writer based in NYC. His practice deals with narrative media\, economy\, games and hacktivism. For instance\, the creation of collective wealth and alternative financial flows\, inventing unorthodox ways to fund and maintain social infrastructures. He draws on ancient modes of exchange\, and uses narrative and creative devices to forge organizational models that transform capitalist systems into solidarity platforms. Rather than reject existing financial tools and capitalist mechanisms\, such as banks\, bonds\, hedge funds\, and capital accumulation\, he shuffles them around in such a way that they instead can foster community building enterprises and non-vertical economies. He is the author of 3 novels and the book-long essay Another Narrative is Possible. His works range from interactive web telenovelas to alternate reality games and utopian experiments in social organization\, like the Diego de la Vega Coffee Co-op and Spacebank\, a virtual community investment bank. \n\n\n\nclara lópez menéndez is an art worker practicing in the fields of curating\, pedagogy\, writing and performance. Among her recent projects are The Awakening\, Antoni Hervas’ solo exhibition at Human Resources LA\, and HRLA Studies\, a series of free classes. She is regular faculty in the Art Program at CalArt’s School of Art. URL:https://www.h-r.la/event/autonomous-together/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/02/SHOW-IMAGE4-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260328T200000 DTEND;TZID=America/Los_Angeles:20260328T235900 DTSTAMP:20260607T232257 CREATED:20260227T194647Z LAST-MODIFIED:20260326T225740Z UID:9433-1774728000-1774742340@www.h-r.la SUMMARY:SHAME DESCRIPTION:$15 tickets \n\n\n\nSHAME is a deliberately subversive nightlife concept created by curator Peter Kalisch after stepping away from booking Queerspace LA. Framed as a reaction against the excess\, vanity\, and image-driven culture of Los Angeles nightlife\, the party rejects hedonism and performative self-indulgence in favor of introspection\, discomfort\, and raw authenticity. Rather than offering escapism\, “Shame” confronts attendees with the emotional undercurrents often masked by club culture—inviting a space where vulnerability replaces spectacle. \n\n\n\nGirl Pusher “With a streamlined set up of just vocals from Gabby Giuliano and drums (both electronic & acoustic) from Jarrod Hine\, Girl Pusher is punk just the way we like it – futuristic and uncompromising” – Deathbomb Arc \n\n\n\nSRSQ (pronounced seer-skew) is the solo project of Kennedy Ashlyn. SRSQ explores nuance\, nostalgia\, reflection\, and reconciliation\, manifesting in the aural landscape of her 2018 debut album Unreality. \n\n\n\nDiesel Dudes is an Oakland-based “musclewave” or electro-punk band specializing in high-energy\, sweat-soaked music paired with body-building themes. Known for intense live performances involving muscle-bound dancers\, the group blends EBM (Electronic Body Music) with punk energy\, focusing on themes of strength\, lifting\, and humor. \n\n\n\nDagger Wound – a noise masochist bringing abrasive sounds with a strong political message and a cathartic performance style that slices through reality. \n\n\n\nDVVSK – (pronounced Dusk) is a non-binary drag queen based in Los Angeles\, known for their performances and artistry. with shoutouts from notable figures like Alaska Thunderfuck. URL:https://www.h-r.la/event/shame/ LOCATION:CA ATTACH;FMTTYPE=image/heic:https://www.h-r.la/wp-content/uploads/2026/02/PetersShow-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260411T160000 DTEND;TZID=America/Los_Angeles:20260426T180000 DTSTAMP:20260607T232257 CREATED:20260331T015123Z LAST-MODIFIED:20260416T174146Z UID:9450-1775923200-1777226400@www.h-r.la SUMMARY:Cumbia de mi Tierra DESCRIPTION:Gallery Hours: Friday- Sunday\, April 12th – April 26th\, 12pm – 6pm \n\n\n\nOpening event on Saturday\, April 11 from 4pm – 9pm. \n\n\n\n \n\n\n\nOpening event on Saturday\, April 11 from 4pm – 9pm \n\n\n\nRSVP \n\n\n\nDance performance by Club Inspiración Mexico. \n\n\n\nSonidero performances by Sonido La Rumba and El Tropical San Pancho. \n\n\n\nLive music by cumbia group Dolores y su Conjunto. DJ sets by Ganas\, El Kevin and Sonido Dolores. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\nCeviche by Correas Mariscos. \n\n\n\n \n\n\n\n \n\n\n\nFilm screening on Saturday\, April 18 at 6pm \n\n\n\nTickets \n\n\n\nScreening of Sonidero Metropólis and Kumbia Net\, both directed by Alvaro Parra \n\n\n\nGrupo Kual? Musica de Barrio\, directed by Discos Rolas. \n\n\n\nDJ sets by Noche Romantica\, Que Madre\, Dave Salvaje\, Sonido Sapo\, Kumbia Net\, Space Primo\, Discos Rolas\, Xandao and Ganas. \n\n\n\nQ&A with director Alvaro Parra. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\n \n\n\n\n \n\n\n\nClosing Celebration on Saturday\, April 25 from 4pm – 9pm. \n\n\n\nTickets \n\n\n\nDance performance by Cali All-Stars. \n\n\n\nSonidero performances by Rafael Pamatz and Tropical San Pancho. \n\n\n\nDJ sets by Ritmo Santanero\, Discos Rolas\, Mas Exitos. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\nMore related programs to be announced. \n\n\n\nCumbia de mi Tierra is an art exhibit and installation that celebrates cumbia music from Mexico through ephemera\, material culture\, and art. From humble beginnings at family gatherings in Tepito and Peñon de los Baños\, Mexican cumbia transformed the folkloric\, regional dance music style from Colombia as it took roots in Mexico City and Puebla and in the diaspora in New York\, New Jersey and LA. Independent labels including Discos Dancing\, Discos Room\, and Discos Lambda released records of Mexican cumbia groups alongside bootleg compilations of South American cumbia. Sonideros such as La Changa\, La Conga\, Sonido Samurai and thousands of others not only set up mobile soundsystems throughout Mexico but also DJ their vast collections and perform saludos (shout-outs). Groups such as Super Grupo Colombia and Los Angeles Azules emerged in Mexico City innovating the cumbia by imitating the bass-heavy and mediated sound of cumbia sonidera.  \n\n\n\nCurated by artist Gary Garay\, the exhibit brings together collector\, Jose Hernández\, photographer Stefan Ruiz\, and artist Yair Sarmiento. Drawing on the extensive collection of Jose Hernández\, Gary Garay tells a story of cumbia sonidera in Mexico through curation and the creation of new work based on this archive. Consisting of flyers\, posters\, stickers\, sonidero business cards\, and cassette mixtapes and cassette recordings of specific bailes from the 1980s and 1990s Mexico City constitute a counter-history of print and graphic design. With its wild appropriation of Looney Toons\, Hannah Barbera\, Betty Boop\, this visual vernacular helped transform cumbia from rural folkloric popular dance music from Colombia into a modern\, urban\, soundsystem-based culture. From the printing press to the record press\, typewritten and Xeroxed cassette covers\, screen printing\, this fast-paced\, inexpensive independent media culture of the marginalized masses.  \n\n\n\nDancer and record collector\, Hernández is an organic archivist of the cumbia sonidero scene who grew up in Mexico City and in the 1980s and 1990s and built his massive collection around the various ephemera of the scene. Garay documented\, archived\, and curated Hernández’s vast collection—which had been spread between California and his mother’s house in Mexico City.  Inspired by the collection\, Garay’s new work amplifies details that matter to diggers—record label logos\, album cover photographs of dancers and sonideros—by screen printing on materials such as silver\, tarps\, and brick. The metallic color recalls platinum records\, Mexican silver mines\, Pop Art\, and roll-up galvanized metal shop doors for places like Sonoramico Records and Discos Cali. Long part of Garay’s art practice\, the tarp acknowledges improvisation\, making do\, hiding\, and taking care—a temporary roof or wall at swap meets\, alleys\, bailes\, and Hélo Oiticica’s Tropicália. \n\n\n\nFinally\, Stefan Ruiz will have five large-format photographs from his 2011 photo essay documenting the “Cholombiano” street style of young cumbia and vallenato fans in Monterrey\, Mexico.  URL:https://www.h-r.la/event/cumbia-de-mi-tierra/ LOCATION:CA ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/03/CdmT-banner-scaled.jpg END:VEVENT END:VCALENDAR