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CREATED:20250507T222158Z
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UID:8763-1746057600-1777593599@www.h-r.la
SUMMARY:HRLA | 15 Years | Everyone
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Journal\, Thalia Williamson\, Thank You Rosekind\, The Action Bureau\, The Adonis Project\, The Album Leaf\, The All Stars of Non-Violet Communication\, The Barbra Streisand Portrait Bender\, The Canary Project\, The Centimeters\, The Crop Project\, The Deep Silence\, The Department of Descriptive Services\, The Dog Star Orchestra\, The Eternal Chord & Zachary Paul\, The Experimental Music Yearbook\, The Gears\, The Gift Machine\, The Goddexx Cori\, The Hag\, The Hangar Quartet\, The Institute For New Feeling\, The Institute of Ceramics and Alliance\, The Karabal Nightlife\, The Koan Quarter\, The Los Angeles Wood Wind Skill Share\, The Mamas\, The New Brutalists\, The Oriental Picture Factory\, The Relatives\, The Royal US\, The Sand Ninja\, The Uhuruverse\, The Unwrinkled Ear\, The Urxe\, Thee Oh Sees\, Thee Snow Snake Orchestra\, Theo Adams\, Theo Cuthand\, Theo Triiantafyllidis\, Theresa Hak Kyung Cha\, Thiago Hersan\, Thibault Delferiere\, Thinh Nguyen\, Thirstie Alley\, Tiana Reid\, TiFemme\, Tiger Munson\, Tim Barnes\, Tim Dahl\, Tim Feeney\, Tim Hecker\, Tim Reid\, Timo Fahler\, Timonium\, Timothy Hatch\, Tiny Creatures\, Tiny Tech Zines\, tir journal\, Tita Salina & Irwan Ahmett\, TJO\, Tobaron Waxman\, Todd Lerew\, Todd McQuade\, Tolliver\, Tom and Christina Carter\, Tom Carter\, Tom Dunn\, Tom Greenwood\, Tom Hall\, Tom Tom Magazine\, Tom Tsai\, Tony Feher\, Tony Payne\, Tora Kim\, Torie Zalben\, Toshinori Tanaka\, Total Freedom\, Totally Serious\, Touch Praxis\, Touriszt\, Tra My Nguyen\, Tracy Jeanne Rosenthal\, Tracy Zuniga\, Tranze Danza Contemporánea\, Trap Girl\, Travelling Kolkata People’s Film Festival \, Travesdee\, Travis Diehl\, Travis Walker\, Travis Wood\, Tre’vell Anderson\, Trent Crawford\, Trenttruce\, Trevor Treglia\, Trevor Wayne\, Tricia Lawless Murray\, Tristan Douglas Acker\, Tristan Espinoza\, Troy Sanders\, Troyese Robinson\, Trulee Hall\, Tuni Chatterji\, Twin Schism\, Twin Steps\, Two Serious Ladies\, Twomey\, Tyler Holmes\, Tyler Matthew Oyer\, Tyler Yin\, Tzuan Wu\, UBIKETAL\, Ulrik Heltoft\, Ultra Red\, Ulysses Jenkins\, Ulysses Pascal\, Umbra Vita\, Un Ciego\, Unica\, Unitry Garish\, Univa\, untune\, Uriel Orlow\, V Haddad\, Vaginal Davis\, Val Koziak\, Valentine\, Valeria Tizol Vivas\, Vanessa Angélica Villarreal\, Vanessa Daish\, Vanessa Hernández Cruz\, Vanessa Roveto\, VAR\, Varese Group\, Vasculae\, Veggie Cloud\, Venus Wikifur\, Véra (V) Haddad\, Verbs\, Verma\, Veronica Bianqui\, Veronica De Jesus\, Veronique d’Entremont\, Vertical Blanking\, Very Be Careful\, Vicki Ray\, Vicki Vértiz\, Vicky & The Vengents\, Víctor Santana\, Victoria Keddie\, Victoria Sin\, Vincent Ramos\, Vincente Colomar\, vine a incendiar este lugar\, Viola Yesiltac\, Violet Hannesena\, VIP\, Virgie Tovar\, Virons\, Vishal Jugdeo\, Visperd Madad-Doust\, Viva Padilla\, Voice on Tape\, VOLUME\, Von Curtis\, Von Doog\, Vyper SynVille\, W00DY\, Waggy Baby\, Walt Gorecki\, Warm Climate\, Warren Neidich\, Watermelon Sisters\, Waverly Mandel\, Wayne Koestenbaum\, WDSM\, Weasel Walter\, weepingwillowtree\, Wells Lang\, Wendy C. Ortiz\, Wendy Cabrera Rubio\, Wendy Mason\, Wendy Red Star\, Weng San Sit\, Wesleigh Gates\, Weston Lyon\, Wet Power\, Whirlynn\, White Dove\, White Gold\, White Magic\, White Manna\, White Rainbow\, Whitman\, Whitney Gibson\, Whitney Hook\, Whits n Giggles\, WIFE\, Wild Up\, Will O’Loughlen\, Will Rawls\, Will Schwartz\, William Basinski\, William Burgess\, William Camargo\, William E. Jones\, William Fowler Collins\, William Hutson\, William Jones\, William Roper\, William Ruíz Morales\, Willian Basinski\, Wilson Shook\, Wing Cheung\, Winston Hacking\, Witches of Malibu\, Wizard Apprentice\, Wo Chan\, Wojciech Kosma\, Wolfboy\, WoM\, Wood Wind Skill Share\, Woodbury College\, Woohee Cho\, Wounded Lion\, Wren Gardiner\, Wynne Greenwood\, X-TRA\, XANA\, Xandra Ibarra\, Xandro Segade\, XI: A North American Football Quarterly\, Xin Xin Ahree Lee\, Xina Xurner\, Xiner Lan\, Xiu Xiu\, xTimido\, Yacuziz\, Yanina Orellana\, Yann Novak\, Yann Sérandour\, Yasi Alipour\, Yasmine Diaz\, Yek Koo\, Yelena Zhelezov\, Yishi Chen\, Yo-Yo Lin\, Yong Soon Min\, Yoni Zonszein\, Yoshi Sakai\, Yoshie Sakai\, You (流)\, You Guys Suck Like Real Hard Shut The Fuck Up Thanks! (YGSLRHSTFUT!)\, Young Chung\, Young Joon Kwak\, Yrneh Gabon Brown\, Yu Chen-Ta\, Yunhee Min\, Yunuen Rhi\, Yuri Ríos\, Yuval Pudik\, Zachary Paul\, Zack Benson\, Zack Khalil\, Zackary Drucker\, Zah\, Zaina Bseiso\, Zander Porter\, Zara Kuredjian\, Zeek Scheck\, Zeina Baltagi\, Zen Sekizawa\, Zoë Beery\, Zoe Rappaport\, Zoé Samudzi\, Zora Duncan\, Zoria Swanegan\, Zyanya Arellano\, ZZ Krebs\, Zzyzxzyzz \n\n\n\nHRLA opened its doors on May 1\, 2010. The names listed above belong to the more than 3\,100 people & organizations who have shared their work with us over the past fifteen years. This list includes visual & performance artists\, musicians & noise/sound artists\, writers\, filmmakers\, video and digital media artists\, choreographers and dancers\, comedians\, small presses\, programming collectives\, sister arts organizations\, record labels\, teachers\, students\, & activists. (If we are missing anything/anyone\, let us know!) \n\n\n\nHRLA’s program is curated by an artist-centered\, volunteer collective. Most of our resources are directed to artists and to the people making their projects happen.  \n\n\n\nWe welcome donations to HRLA — $15\, $115\, $1515 — it all makes a difference! You can make a one-time donation or give regularly via our ticketing platform. As you can see from the above list\, donations go a long way\, long way!
URL:https://www.h-r.la/event/hrla-15-years-everyone/
LOCATION:CA
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/05/everyone.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250718T000000
DTEND;TZID=America/Los_Angeles:20250803T235959
DTSTAMP:20260608T002929
CREATED:20250613T224821Z
LAST-MODIFIED:20250826T213423Z
UID:8894-1752796800-1754265599@www.h-r.la
SUMMARY:Rachel Zaretsky: The Spirit of American Youth Rising from the Waves (replica of a replica)
DESCRIPTION:Rachel Zaretsky: The Spirit of American Youth Rising from the Waves (replica of a replica) \n\n\n\nExhibition Dates: July 18th to August 3rd\, Friday to Sunday\, 12 p.m. to 6 p.m. and by appointment (Please email: info@humanresourcesla.com) \n\n\n\nOpening Reception: Friday\, July 18\, 2025 from 6 p.m. to 9 p.m.  \n\n\n\nThe Spirit of American Youth Rising from the Waves (replica of a replica) is an exhibition that explores how public memory is shaped through objects\, rituals\, and acts of commemoration. Featuring new sculpture\, video\, and photography by Rachel Zaretsky\, the exhibition considers how gestures of grief shift when filtered through repetition\, spectacle\, and consumer culture. It traces ephemeral expressions such as balloons at vigils\, pennies tossed into fountains\, or offerings left at war memorials as they become standardized within the American commemorative imaginary. Removed from their original contexts\, these objects reappear as secular sacred symbols: proxies for headstones\, plazas\, and places of mourning. \n\n\n\nAt the center of the exhibition is The Spirit of American Youth Rising from the Waves (replica of a replica)\, a dysfunctional mall fountain anchored by a fragmented plastic figure modeled after the gilded statue at the Americana at Brand mall\, which itself replicates the original bronze monument at the American Cemetery in Normandy\, France. Surrounded by oxidized pennies and mirrored coins\, the sculpture compresses the iconography of monumentality and consumer display into a fractured\, ornamental shell—interrogating how public memory becomes stylized\, copied\, and ultimately hollowed out through cycles of replication and visual consumption. Between a Memory and Record\, a video essay\, traces the bureaucratic afterlife of offerings collected at the Vietnam Veterans Memorial Wall. A photographic installation focuses on spontaneous memorials at sites of gun violence\, isolating the recurring image of balloons\, symbols that oscillate between mourning and celebration as circulated through news media. \n\n\n\nThe exhibition investigates how the performativity of mourning\, when mediated through standardized forms and repeated display\, can displace affective experience and transform acts of remembrance into indexable forms of public feeling.  \n\n\n\nExhibition essay by Harris Bauer is available to read here. \n\n\n\nRachel Zaretsky (b. 1993\, Miami) is an artist based in Los Angeles. She received her MFA in Art from the University of Southern California’s Roski School of Art and Design and her BFA in Visual and Critical Studies from the School of Visual Arts in New York.
URL:https://www.h-r.la/event/rachel-zaretsky-kreiner-the-spirit-of-american-youth-rising-from-the-waves-replica-of-a-replica/
LOCATION:CA
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/06/Uvalde-4A-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250809T000000
DTEND;TZID=America/Los_Angeles:20250824T235959
DTSTAMP:20260608T002929
CREATED:20250710T223751Z
LAST-MODIFIED:20250724T180714Z
UID:8967-1754697600-1756079999@www.h-r.la
SUMMARY:Arthur Cooke: Saudade Into Light
DESCRIPTION:Saudade Into Light is an exhibition of Arthur Cooke’s (b.1996-2020) prolific image-making and multidisciplinary photography practice. The presentation of works at Human Resources includes a selection of his artist prints\, self-published books\, video works\, hand sewn clothing and fabric prints. Alongside this impressive archive\, a selection of photographs have been posthumously printed by his family to be shown in the exhibition.  \n\n\n\nBorrowing its name from one of his books on view\, the show’s title Saudade Into Light\, incorporates the Portuguese word “saudade” – a word that is untranslatable in English for its complexity of feeling but references what Cooke writes as “…the love that remains when someone is gone.” In the description of his book with the same name\, which explores family archives\, Cooke continues “…this project consists of images and words based around the realization of ‘a missing\,’ in this case a person\, and the stages of recognizing\, coping and discovering through this sense of a void.” As the family of the artist organizes this exhibition\, the title assumes new meaning – through honoring and curating Cooke’s brilliant body of work\, they are tasked with finding the light within grief. \n\n\n\nAs the title suggests\, Cooke’s practice is steeped in an intuitive poeticism. His photographs read like visual poems\, mixing analogue and digital photography\, then further manipulating the photographs in post-processing\, either through effects or application of text. Through this process of editing and re-editing\, Cooke would confuse the image at every layer\, abstractly interrogating photography as a form. His photographs were often reused in his video and clothing works\, continuously changing the format of the medium he was working in.  \n\n\n\nIn an enduring search for meaning and connection in the digital age\, his work remains steadfast in its intention of capturing and exploring specific feelings through image. This ethereal sensibility characterized his digital practice – applying a combination of layering\, blurring and convoluting qualities to images he had previously taken. Oftentimes\, the original subject is natural\, like a rose\, with the photographic image then transplanted into the digital space\, removed from its logical environment and obscured into a symbol. The work becomes something that transcends its natural place and lives on\, forever changing.  \n\n\n\nBorn in Venice\, California\, Cooke formed his artistic vision at an early age. Cooke began working with images as abstractions at seventeen in class at Venice Arts\, a photography mentorship program for low-income youth. He was then awarded the prestigious National YoungArts Silver Award in photography in 2014. He went on to be accepted to NYU Tisch School of the Arts with the largest scholarship ever given in the Photography & Imaging program. He would graduate from the university in 2018 and moved back to Los Angeles shortly after. At the time of his passing\, he was working on several video and hand sewn clothing works that he was excited to debut once the pandemic ended.  \n\n\n\nHe is remembered by all who have encountered his work for its strikingly singular and evocative vision. Cooke’s images continue to evolve while staying distinctly his; marked by their foregrounding in a deep and complex emotional landscape and his applied alchemical process of transforming feeling into being through imagery.  \n\n\n\nSaudade Into Light is organized by Nicole Cooke\, Elna Cooke and Michael Cooke. \n\n\n\n \n\n\n\nGallery Hours: Thursday to Sunday\, 12 p.m. to 6 p.m. and by appointment \n\n\n\nOpening Reception: Saturday\, August 9th from 6 p.m. to 9 p.m. \n\n\n\nThe Cooke Family would like to thank: Lee Baxter\, Benny & Irina Chan\, Claire Dorfman\, Roni Feinstein\, Kate Kelley\, Rachael Knotz\, Scott Oshima\, Roxanne Reicheg and Issa Sharp. \n\n\n\nAdditionally\, the Cooke Family would like to thank: Arthur’s friends and those close to the family who have supported this exhibition. \n\n\n\nAbout the Cooke’s: \n\n\n\nNicole Cooke is an LA-based artist\, working in performance\, clothing design and soft sculpture. Sewing live with a Singer sewing machine that she’s converted into a musical instrument\, Cooke has previously performed at Murmurs Gallery and Los Angeles Contemporary Archive. She earned her bachelor’s degree in Design | Media Arts at UCLA. \n\n\n\nElna Cooke is an artist\, seamstress and clothing designer from Cleveland\, Ohio. At eighteen she attended the renowned AndersonRanch Arts Center and went on to earn degrees in art studio and fashion design. For almost two decades she taught fashion design at SMC and FIDM and has currently resumed a practice in oil painting. \n\n\n\nMichael Cooke is an accomplished actor\, writer and musician. Born and raised in New York City\, he studied under the greats; jazz piano with the legendary Walter Bishop Jr. and acting with the acclaimed Peggy Feury. Cooke has worked extensively in theater\, television and film – most notably playing Herb in David Lynch’s Mulholland Drive. 
URL:https://www.h-r.la/event/arthur-cooke-saudade-into-light/
LOCATION:CA
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/07/HR-ArthurCooke.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250827T000000
DTEND;TZID=America/Los_Angeles:20250828T235959
DTSTAMP:20260608T002929
CREATED:20250723T000411Z
LAST-MODIFIED:20251113T223039Z
UID:8990-1756252800-1756425599@www.h-r.la
SUMMARY:Dorian Wood: La nada que te ama
DESCRIPTION:TICKETS: August 27 & August 28 ($15 suggested\, sliding scale) \n\n\n\nDoors: 7PM \n\n\n\nPerformance: 7:30PM – 8:30PM \n\n\n\nLa nada que te ama (Spanish for “The nothing that loves you”) is a channeling of ancestral/transcestral energy via the artist’s voice and body\, interwoven with sounds and imagery that ponder a broken future of/against our making. This ritual-based performance forges a path between sensuality and grief\, inviting those present to consider a radicalism of the self; a divine embracing of lust and solitude. The project premiered at LA Dance Project in April 2024\, as part of the performance series ABUNDANCE\, presented by Los Angeles Contemporary Exhibitions (LACE). Wood will present an expanded version of La nada que te ama at Human Resources. \n\n\n\nDue to projection-based elements\, attendees are kindly asked to arrive early to avoid interruptions.
URL:https://www.h-r.la/event/dorian-wood-la-nada-que-te-ama/
LOCATION:CA
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/07/DorianWood_byKeithScott_1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250906T190000
DTEND;TZID=America/Los_Angeles:20250906T210000
DTSTAMP:20260608T002929
CREATED:20250812T091216Z
LAST-MODIFIED:20250830T011701Z
UID:9023-1757185200-1757192400@www.h-r.la
SUMMARY:bed crumb show* presents MILFORD GRAVES FULL MANTIS
DESCRIPTION:Milford Graves Full Mantis is the first feature-length portrait of renowned percussionist Milford Graves\, exploring his kaleidoscopic creativity and relentless curiosity. \n\n\n\nTickets (sliding scale/by donation): $5-$15 \n\n\n\nGraves has performed internationally since 1964\, both as a soloist and in ensembles with such legends as Albert Ayler\, Giuseppi Logan and Sonny Sharrock. He is a founding pioneer of avant-garde jazz\, and he remains one of the most influential living figures in the evolution of the form. Graves tells stories of discovery\, struggle and survival\, ruminates on the essence of ‘swing\,’ activates electronic stethoscopes in his basement lab to process the sound of his heart\, and travels to Japan where he performs at a school for children with autism\, igniting the student body into an ecstatic display of spontaneous collective energy. \n\n\n\nOscillating from present to past and weaving intimate glimpses of the artist’s complex cosmology with blistering performances from around the globe\, MILFORD GRAVES FULL MANTIS is cinema full of fluidity\, polyrhythm and intensity\, embodying the essence of Graves’ music itself. \n\n\n\nJoin us September 6th for the full screening + Q&A with Co-Director Neil “Cl0aca” Young \n\n\n\nw/ sounds by Angel-A & Poppagrump  \n\n\n\nNeil Young @cl0aca \n\n\n\nbed crumb show*  @bedcrumbshow \n\n\n\nAngel-A @time2dieurnext \n\n\n\nPoppagrump @boygrump
URL:https://www.h-r.la/event/milford-graves-full-mantis/
LOCATION:CA
CATEGORIES:screening
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/08/C2145649-1406-4B31-8110-D3385C28B393.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250913T180000
DTEND;TZID=America/Los_Angeles:20250913T200000
DTSTAMP:20260608T002929
CREATED:20250911T213122Z
LAST-MODIFIED:20251003T225727Z
UID:9085-1757786400-1757793600@www.h-r.la
SUMMARY:OPEN STUDIOS: DANCES ON PAPER by Jay Carlon
DESCRIPTION:Performance at 7PM \n\n\n\nLos Angeles choreographer and visual artist Jay Carlon presents Dances on Paper\, a one-night performance and exhibition at Human Resources on Saturday\, September 13\, 2025\, from 6-8PM. \n\n\n\nIn this new body of work\, Carlon turns from the stage to the page\, exploring charcoal\, graphite\, and sweat on expansive 30-foot paper landscapes. With the body as both vessel and instrument\, Carlon transfers movement onto the surface\, capturing the raw traces of dance as gesture\, mark\, and memory. \n\n\n\nRooted in vulnerability\, grief\, and joy\, Dances on Paper flirts with failure\, absorbs the mess of being human\, and wrings it out as visual language. Carlon reflects: “I am foremost a dancer. I approach all my work—on stage\, on screen\, on paper\, in community\, and spiritually—from that lens. This practice is a way to preserve my body\, to create sustainable futures for my creative work\, and to continue searching for what it means to hold\, to reflect\, and to release.” \n\n\n\nThe evening includes a live performance at 7PM\, where Carlon embodies this dialogue between movement and mark-making\, channeling ancestral memory and contemporary presence into work that is both intimate and expansive. \n\n\n\nDances on Paper is presented at Human Resources Los Angeles\, an artist-run space committed to experimentation and dialogue located in Chinatown at 410 Cottage Home St\, Los Angeles\, CA 90012.
URL:https://www.h-r.la/event/open-studios-dances-on-paper-by-jay-carlon/
LOCATION:CA
CATEGORIES:dance/movement,residency or rehearsal (closed to public)
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250914T000000
DTEND;TZID=America/Los_Angeles:20250921T235959
DTSTAMP:20260608T002929
CREATED:20250903T044751Z
LAST-MODIFIED:20250913T152420Z
UID:9059-1757808000-1758499199@www.h-r.la
SUMMARY:Howl
DESCRIPTION:a collective unsilencing\, a divine portent\, a wail\, an omen\, a refusal to cower in the face of attempted erasure\, a call to our ungovernable animality\, a convening of artists using their voices and creative agency to resist intimidation and summon alternative worlds where transness is holy and bodily autonomy is sacrosanct\, a portal built of rage and grief and glimpses of euphoria\, an experiment in collaborative methods\, kinship\, and open process where shared labor becomes a form of care and the gallery becomes a staging ground for the battles we did not ask to fight \n\n\n\nFULL PRESS RELEASE \n\n\n\nfeaturing: Nicki Green\, Ashton Phillips\, Edgar Fabian Frias\, Badly Licked Bear\, Umi Hsu\, Sadie Greyduck\, Leslie Foster\, Salvador De La Torre\, Nina Sarnelle\, Alystair Rogers\, Wesleigh Gates\, Beatrice Gosse\, Tanner Pfeiffer and 8TPS\, Jynx Prado\, Elizabeth Frances Folk\, Johanna Hedva\, Pau Pescador\, and Luce de Lire  \n\n\n\nGallery hours noon-6pm\, Thursday September 18-Sunday September 21  \n\n\n\nSchedule of Events \n\n\n\nSeptember 14th \n\n\n\n2-3pm Procession of Divine Portent joule bricks from AutomataArts (504 Chung King Rd\, Los Angeles\, CA 90012) to Human Resources \n\n\n\nSeptember 18th \n\n\n\n7-9pm Opening of Howl with live performance by Umi Hsu at8pm and flash tattoos from Salvador de la Torre 7-9pm \n\n\n\nSeptember 19th  \n\n\n\nMobile Sewing Station activation by Badly Licked Bear during gallery hours  \n\n\n\n8pm Los Angeles premiere of Breath Work by Nina Sarnelle \n\n\n\nSeptember 20 \n\n\n\n2-4pm Mobile Sewing Station activation and participatory patchmaking session with Elizabeth Frances Folk \n\n\n\n5-6pm Open.Rehearsal with Tanner Pfeiffer and 8TPS choir \n\n\n\n7- 9pm Live performances and readings\, including choral performance by Tanner Pfeiffer and 8TPS choir; an original movement piece by Beatrice Gosse; a site-specific grappling hook performance by Sadie Greyduck; non-linear lecture performance on trans horror by Wesleigh Gates; Xina Xurner. \n\n\n\nSeptember 21 \n\n\n\n2 – 3pm artist panel on strategies for resisting silencing anderasure and cultivating resiliency in an age of fascism with Salvador de la Torre andEdgar Fabian Frias \n\n\n\n3 – 4pm: tactical magic workshop by Edgar Fabian Frias \n\n\n\ncurated by Ashton S. Phillips
URL:https://www.h-r.la/event/howl/
LOCATION:CA
CATEGORIES:exhibition,performance,reading,seminar/workshop
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/09/IMG_3131-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250919T200000
DTEND;TZID=America/Los_Angeles:20250919T213000
DTSTAMP:20260608T002929
CREATED:20250911T184134Z
LAST-MODIFIED:20250913T152237Z
UID:9086-1758312000-1758317400@www.h-r.la
SUMMARY:Nina Sarnelle: Breath Work
DESCRIPTION:Tickets ($5-15\, no one turned away for lack of funds) \n\n\n\nNina Sarnelle’s Breath Work is an experimental opera exploring breath as a medium for resistance. Part documentary\, part ritual\, it was made collaboratively by community members in Long Beach\, California\, next to one of the largest ports in the world. Shipping infrastructure\, railyards\, freeways and oil refineries provide a backdrop for scenes of solidarity and grief staged by this cast and crew of 13 community members aged 11-65. This project was created in collaboration with Long Beach Forward\, and funded by the California Arts Council.  \n\n\n\nThis screening\, the Los Angeles premier for Breath Work is part of HOWL\, curated by Ashton S. Phillips. HOWL brings together more than a dozen artists and collectives working collaboratively to resist the forces of anti-trans silencing\, intimidation\, and erasure for a 7-day exhibition\, a series of workshops\, discussions\, a howling experimental film premiere\, and a night of defiant performances to help us remember – and amplify – our power. See HOWL’s press release for more information. \n\n\n\nNina Sarnelle (they/them) makes research projects\, participatory performances\, music composition\, video\, and many experiments in pedagogy and collectivity. They facilitate somatic\, improvisational & vocal workshops\, including many with Selwa Sweidan under the collaborative project Touch Praxis. Their work explores conditions of neocolonialism\, environmental injustice and labor exploitation in strange and intimate ways\, often rooted in specific sites like the Port of LA\, a former Nike Missile silo turned into a basketball court\, or the shifting sands of “Silicon Beach.” \n\n\n\nSarnelle was recently awarded a fellowship from the California Arts Council\, a fellowship at Metabolic Studio\, and a NYFA Environmental Arts Grant. In 2020\, they had a solo video exhibition at the New Museum. They hold a BA from Oberlin College and an MFA from Carnegie Mellon University. Their work has been shown at Whitechapel Gallery (London)\, Hammer Museum (LA)\, Getty Center (LA)\, Ballroom Marfa (TX)\, MoMA (NY)\, Istanbul Modern (Turkey)\, Neuer Berliner Kunstverein (Berlin)\,  Museum of Art\, Architecture & Technology (Lisbon)\, Fundacion PROA (Buenos Aires)\, Black Cube (Denver)\, Southern Exposure (San Francisco)\, Recess (NY)\, UNSW Galleries (Sydney)\, Project 88 (Mumbai)\, Kevin Space (Vienna)\, Villa Croce Contemporary Art Museum (Genova)\, Mwoods (Beijing)\, Human Resources (LA) and others; and featured in Art Forum\, Frieze\, Art in America\, Huffington Post\, SFMoMA\, Creators Project\, FlashArt and others.
URL:https://www.h-r.la/event/nina-sarnelle-breath-work/
LOCATION:CA
CATEGORIES:screening
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/09/Rehearsal8_backs-together-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250920T190000
DTEND;TZID=America/Los_Angeles:20250920T220000
DTSTAMP:20260608T002929
CREATED:20250911T185310Z
LAST-MODIFIED:20250913T152154Z
UID:9091-1758394800-1758405600@www.h-r.la
SUMMARY:HOWL: a night of performance
DESCRIPTION:Tickets \n\n\n\nLive performances and readings\, including choral performance by Tanner Pfeiffer and 8TPS choir; an original movement piece by Beatrice Gosse; a site-specific grappling hook performance by Sadie Greyduck; a non-linear lecture performance on trans horror by Wesleigh Gates; Xina Xurner. This program is a part of HOWL\, curated by Ashton S. Phillips.  \n\n\n\nHOWL brings together more than a dozen artists and collectives working collaboratively to resist the forces of anti-trans silencing\, intimidation\, and erasure for a 7-day exhibition\, a series of workshops\, discussions\, a howling experimental film premiere\, and a night of defiant performances to help us remember – and amplify – our power. For more information\, see the HOWL press release.
URL:https://www.h-r.la/event/howl-a-night-of-performance/
LOCATION:CA
CATEGORIES:dance/movement,performance,reading
ATTACH;FMTTYPE=image/webp:https://www.h-r.la/wp-content/uploads/2025/09/Promo-image-for-performance-night-xinaxurnerlive.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250926T180000
DTEND;TZID=America/Los_Angeles:20250926T220000
DTSTAMP:20260608T002929
CREATED:20250826T212058Z
LAST-MODIFIED:20250926T173146Z
UID:9041-1758909600-1758924000@www.h-r.la
SUMMARY:La Jumelle de Jésus\, On Air: Purity\, Corruption & Pollution\, Pluto Is Raging
DESCRIPTION:An evening of two short film screenings by artist Margaret Haines\, paired with readings from cast & friends.  \n\n\n\nTickets available online and at the door: $10-$15 suggested donation \n\n\n\nno one turned away for lack of funds \n\n\n\nAt 6pm\, La Jumelle / On Air: Purity\, Corruption & Pollution (20 min\, 2024)\, a retelling/prophecy of the life of Jesus’ twin sister reincarnated in Paris in 2047\, collaged through the life & death of Joan of Arc\, and anecdotal scenes from poet\, occultist and artist Marjorie Cameron’s experiences & hallucinations in Paris & Lugano in 1947 and 1949. Coupled with readings by Tanja Laden\, Emily Anderson\, Fiona Duncan and Aimee Goguen. \n\n\n\nAt 8pm\, Pluto Is Raging (27 min\, 2025)\, a narrative documentary of the Carroll Righter Astrology Foundation Trust\, with readings by Dakota Rosie (Cynthia MacAdams)\, stand up by Tashi Condelee\, and a Q & A moderated by Steph Kretowicz\, with cinematographer Ava Benjamins\, actors Ilana Kozlov\, Monty Porter\, Cynthia MacAdams\, and members of West Hollywood’s Carroll Righter Astrology Foundation Trust.
URL:https://www.h-r.la/event/la-jumelle-de-jesus-on-air-purity-corruption-pollution-pluto-is-raging/
LOCATION:CA
CATEGORIES:reading,screening
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/08/final_animation_-october9.00_04_18_18.still022.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250930T200000
DTEND;TZID=America/Los_Angeles:20250930T220000
DTSTAMP:20260608T002929
CREATED:20250916T012448Z
LAST-MODIFIED:20250924T225500Z
UID:9111-1759262400-1759269600@www.h-r.la
SUMMARY:Valencia
DESCRIPTION:Tickets: available online and at the door (5-15 suggested donation\, no one turned away for lack of funds). A portion of the night’s proceeds will be donated to Bay Area Workers Support. \n\n\n\nValencia is an experimental feature collaboration of 20 directors each adapting a chapter of Michelle Tea’s award-winning\, underground classic memoir of the same name. The result is a kaleidoscopic vision of San Francisco’s vibrant Mission District in the early 1990s\, before the dot-com apocalypse\, when the neighborhood functioned as a low-rent playground for a generation of punk lesbians who came of age during the birth of the Queer Nation. Valencia documents the rise of a punk lesbian diaspora through the experience of Michelle\, a single rootless twenty-something searching for sex and love\, drugs and adventure.  \n\n\n\nIn person: Clement Greenberg & Michelle Tea\, filmmakers Chris Vargas and Cary Cronenwett\, and the “Michelle” leading actor Lil Miss Hot Mess.  \n\n\n\nCredits and Poster Illustrator Amanda Verwey \n\n\n\nFilmmakers in chapter order: Aubree Bernier-Clarke\, Lares Feliciano\, Clement Goldberg\, Sara St Martin Lynne and Michelle Lawler\, Dia Felix\, Silas Howard\, Alexa Inkeles\, Jerry Lee\, Peter Anthony\, Sharon Barnes\, Cary Cronenwett\, Courtney Trouble\, Cheryl Dunye\, Bug Davidson\, Samuael Topiary\, Olivia Parriott\, Chris Vargas and Greg Youmans\, Joey Soloway \n\n\n\nProduced by Clement Goldberg and Michelle Tea \n\n\n\nAwards:Jury Award For Best Experimental Feature at Polari Film Festival 2013 andJury Award For Best Narrative Feature at Chicago Reeling Film Festival 2013
URL:https://www.h-r.la/event/valencia/
LOCATION:CA
CATEGORIES:screening
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/09/ValenciaC3-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251012T000000
DTEND;TZID=America/Los_Angeles:20251021T235959
DTSTAMP:20260608T002929
CREATED:20251003T173353Z
LAST-MODIFIED:20251021T195323Z
UID:9131-1760227200-1761091199@www.h-r.la
SUMMARY:Sirens: Oceanic Sonic Hauntologies
DESCRIPTION:HRLA Studies Fall 2025 October Session by Star Feliz \n\n\n\n \n\n\n\n\n\nHRLA Studies Fall 2025 October Session presents \n\n\n\nSIRENS  \n\n\n\nOCEANIC SONIC HAUNTOLOGIES \n\n\n\nfacilitated by Star Feliz \n\n\n\nWhat is submerged always endures\, often returning with a piercing sound. Sirens is a series on marine\, sound\, mythology\, theory\, and ritual across the primarily Black Atlantic. Through readings\, presentations\, conversations\, and guided meditations\, we’ll experiment with ideas of time and its relationship to suppressed lineages\, endangered ecologies\, and feminine performativity.  \n\n\n\nOCT 12: WATER AS TIME \n\n\n\nOCT 14: SEX AS WEAPON \n\n\n\nOCT 21: MAGIC AS ECHO \n\n\n\n6:30 – 9 pm \n\n\n\nSuggested readings: \n\n\n\nWeek 1:The Sibyls: the First Prophetess’ of Mami (Wata):The Theft of African Prophecy by the Catholic Church by Mama Zogbe \n\n\n\nWeek 2: \n\n\n\nLaugh of the Medusa by Hélèn Cixous \n\n\n\nUses of the Erotic by Audre Lorde \n\n\n\nWeek 3: \n\n\n\nundrowned: Black Feminist Lessons from Marine Mammals by Alexis Pauline Gumbs (focus on chapter 3 + 7) \n\n\n\nHRLA Studies –– Free of cost –– No RSVP –– Come share and take some home \n\n\n\nStar Feliz is an artist originally from NYC currently based in LA. Their practice activates the intersections of spirit\, ecology\, and technology. Feliz works within sculpture\, performance\, installation\, sound\, and plant medicine to expand upon themes of hybridity\, knowledge\, and healing. They have exhibited\, performed\, and presented commissions nationally and internationally.  \n\n\n\nHRLA Studies\, a series of free study sessions intended for skill sharing\, thought provocation\, collective learning and expansion of the commons. The sessions are free and open to everyone. This series is instigated by clara lópez menéndez
URL:https://www.h-r.la/event/sirens-oceanic-sonic-hauntologies/
LOCATION:CA
CATEGORIES:seminar/workshop
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/10/Star_Sirens_flyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251025T000000
DTEND;TZID=America/Los_Angeles:20251026T235959
DTSTAMP:20260608T002929
CREATED:20251008T001513Z
LAST-MODIFIED:20251113T223029Z
UID:9142-1761350400-1761523199@www.h-r.la
SUMMARY:Chester Vincent Toye: THE EDGE
DESCRIPTION:THE EDGE is a two-day installation\, screening\, and healing experience that explores race\, masculinity\, mental health\, and spirituality by artist\, filmmaker\, producer\, and creative coach Chester Vincent Toye. The program includes a feature-length non-fiction film\, THE EDGE (74 mins\, produced by Chester Vincent Toye & Marion Tanis)\, and an accompanying video installation\, THE EDGE: METHOD 001 (Chester Vincent Toye & Co-Designed/ Edited by Dorian Tocker). \n\n\n\nThe works in this show were distilled from over 14 hours of footage filmed across three days during a spiritual retreat in Northern California. The film and accompanying video installation invite viewers into an intimate\, immersive weekend of healing\, meditation\, and connection shared between two best friends and their therapist. \n\n\n\nSaturday & Sunday: 11:00am-2:00pm (Video installation)  \n\n\n\nSaturday & Sunday: 2:00pm-3:30pm (Feature film screening) \n\n\n\nSaturday & Sunday: 3:30pm-4:30pm (Discussion w/ filmmakers) \n\n\n\nChester Toye is a filmmaker\, creative coach\, artist\, and producer from South Orange\, NJ. Most recently\, he produced The Monophobic Response (2024)\, a multi-channel short film by American Artist that premiered at LACMA. As a director\, his films—including Hangtime (2023)\, Ruby (2022)\, and I’m So Sorry (2021)—have screened at festivals such as the Atlanta Film Festival\, Maryland Film Festival\, and Indie Memphis\, and been featured by Short of the Week and Vimeo’s “Black Artistry in Film” collection. Chester holds an MFA in Photography from UCLA and splits his time between Los Angeles and Oregon. \n\n\n\nMarion Tanis turns ideas into experiences. He blends strategy and storytelling to make magical concepts clear and memorable. \n\n\n\nDorian Tocker (b. Brooklyn\, NY; lives in Los Angeles\, CA) is a filmmaker and image-maker whose work captures the transcendent emerging through the cracks of contemporary life\, a sensibility shaped by formative personal loss. His work moves between cultural forms and has been shown by The Criterion Channel\, MTV\, SXSW\, and at Art Basel Miami Beach presented by Playboy. His short film THE DAY THAT (2018)\, a meditative reflection on the sublimity in grief\, was broadcast on PBS\, following Palm Springs International ShortFest\, Mill Valley Film Festival\, and Short of the Week. He holds an MFA in Directing from the American Film Institute.
URL:https://www.h-r.la/event/chester-vincent-toye-the-edge/
LOCATION:CA
CATEGORIES:screening
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/10/Chester-Vincent-Toi.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251101T000000
DTEND;TZID=America/Los_Angeles:20251116T235959
DTSTAMP:20260608T002929
CREATED:20250909T161219Z
LAST-MODIFIED:20251113T204652Z
UID:9071-1761955200-1763337599@www.h-r.la
SUMMARY:CAREROTICS: on giving and taking
DESCRIPTION:Panteha Abareshi at Human Resources Los Angeles (HRLA) \n\n\n\nPress Preview: Friday\, October 31\, 2025\, 7–9pmExhibition Opening: November 1\, 2025\, 12–6pm (gallery hours)\, 7–9pm (opening reception) \n\n\n\nGallery Hours: Wednesday–Sunday\, 12–6pm or by appointment \n\n\n\nLOS ANGELES —  Human Resources Los Angeles (HRLA) presents CAREROTICS: on giving and taking\, a solo exhibition by Panteha Abareshi that examines how the disabled body is relegated to the fringes of visibility and yet made into a spectacle\, bringing a complex duality to the nature of disability as performance. For Abareshi\, the absence of autonomy makes room for fetishism to blossom\, as the disabled individual is made into a tool for the able-bodied viewer to use as linguistic metaphor and/or as sexualized fetish object. In their work\, the disabled body becomes a vessel for the taboo corporeal fears and desires of the able-bodied audience.  \n\n\n\nPanteha Abareshi’s artistic practice is rooted in their existence as a chronically ill/disabled body contending with multiple medical illnesses\, at the foundation of which is sickle cell zero beta thalassemia— a genetic blood disorder that causes debilitating pain and bodily deterioration\, both of which increase with age. Their work explores the complexities of living within a body that is highly monitored\, constantly examined\, and made to feel like a specimen\, critically interrogating the sick/disabled body’s place within medical institutions.  \n\n\n\nCAREROTICS: on giving and taking is curated by Jennifer Doyle\, Caroline Ellen Liou\, and Jeanne Vaccaro. Major support for the exhibition is provided by the Mike Kelley Foundation for the Arts and the English Department at the University of California\, Riverside. We are also grateful to Miguel Barragan and his students at ASU Herberger Institute for Design & the Arts\, and to Alpha Medical Resources. \n\n\n\nExhibition Programs \n\n\n\nExhibition Walkthrough with Panteha Abareshi and Jeanne VaccaroSunday\, November 2\, 2025 | 2–4pm | Human Resources\, Los Angeles (HRLA) \n\n\n\nReading by Panteha Abareshi\, moderated by Johanna HedvaSaturday\, November 8\, 2025 | 7–8:30pm | Human Resources\, Los Angeles (HRLA)Panteha Abareshi shares the intimate\, the hyper-personal\, and the crip-theoretical in this reading of unreleased writing. Beginning with fictive pieces of an autobiographical nature\, the reading will also include the recitation of the poetics featured in the exhibition\, as well as new written work around the pieces presented in CAREROTICS: on giving and taking. Followed by a Q&A with writer\, artist\, and musician Johanna Hedva. \n\n\n\nFetish Material and Pornographic Screening and LectureFriday\, November 14\, 2025 | 7:30–9pm | Whammy! Analog Media\, 2514 Sunset Blvd. Los Angeles\, 90026Join us for a screening/sharing of pornographic and fetishistic materials collected and examined by Panteha Abareshi over the course of their research. The artist will lead a lecture-based discussion around the sick/Crip body’s representation in these explicit materials. This program will be an exploration of how the disabled body is made into and used as [sex] object\, and an interrogation of consent\, control\, pleasure and power through a close examination of a slew of porno vids\, fetish pics and kinky JPEGs.  Please note: 𝗧𝗛𝗜𝗦 𝗣𝗥𝗢𝗚𝗥𝗔𝗠 𝗜𝗦 𝗡𝗦𝗙𝗪 & 𝟭𝟴+\, bear in mind that we will be watching and discussing explicit pornographic material\, and some of these may be difficult and challenging to view. This program is first and foremost a safe space of non-judgement\, but also one dedicated to pushing into what is most taboo\, unknown and uncomfortable as a means of expanding how we know\, see and image the sick/Crip subject. \n\n\n\nExhibition Walkthrough with Panteha Abareshi and Ron AtheySunday\, November 16\, 2025 | 2–3pm | Human Resources\, Los Angeles (HRLA)
URL:https://www.h-r.la/event/carerotics-on-giving-and-taking/
LOCATION:CA
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/09/CAREOTICS-BANNER-BODY.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251121T193000
DTEND;TZID=America/Los_Angeles:20251121T230000
DTSTAMP:20260608T002929
CREATED:20251111T060019Z
LAST-MODIFIED:20251113T223019Z
UID:9182-1763753400-1763766000@www.h-r.la
SUMMARY:Pedestrian Deposit | Jordan Blankenship | The Zero Collective | Hidhawk & Panica | Dohoon Kim | The Benders Circuit
DESCRIPTION:ticket link \n\n\n\nPedestrian Deposit  \n\n\n\n@pedestriandeposit \n\n\n\nJordan Blankenship  \n\n\n\n@jordanblankenship \n\n\n\nThe Zero Collective  \n\n\n\n@thezerocollective + @viola.wav \n\n\n\nHidhawk & Panica  \n\n\n\n@ayddhid + @leah_van_bach \n\n\n\nDohoon Kim  \n\n\n\n@dohimkoo \n\n\n\n3D Projections by The Benders Circuit \n\n\n\n@thebenderscircuit \n\n\n\nDoors 7:30 \n\n\n\nShow 8-11 \n\n\n\n$15 NOTAFLOF
URL:https://www.h-r.la/event/pedestrian-deposit-jordan-blankenship-the-zero-collective-hidhawk-panica-dohoon-kim-the-benders-circuit/
LOCATION:CA
CATEGORIES:music/sound
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/11/Screenshot-2025-11-10-at-9.59.53-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251122T203000
DTEND;TZID=America/Los_Angeles:20251122T220000
DTSTAMP:20260608T002929
CREATED:20251014T171010Z
LAST-MODIFIED:20251113T223011Z
UID:9151-1763843400-1763848800@www.h-r.la
SUMMARY:Anh Vo - Untitled (Break Fast)
DESCRIPTION:Tickets \n\n\n\nUntitled (Break Fast) centers around the durational act of squatting above a boiling pot of pho broth. Vo takes as a poetic point of departure the memory of going on a hunger strike as a teenager in order to fight with their mother for the chance to study abroad. Untitled (Break Fast) explores the fetish of individual freedom—how it is pursued through extreme acts of refusal\, denial\, and harm—and of the paradoxical clarity that emerges from confronting one’s own limitations. In each iteration\, Anh Vo stages this ambivalence between freedom and limitation\, hovering between endurance\, self-mutilation\, and collective witnessing. \n\n\n\nBased in Brooklym and Hanoi\, Anh Vo is a Vietnamese choreographer and writer working in the expanded field of performance. Their practice mobilizes the naked body in its variations to make explicit the entanglement of power and apparitional forces that cut across flesh. Their work is situated in the unlikely lineage convergences between Downtown New York experimental performance\, Hanoi performance art\, and Vietnamese folk ritual practices. Vo is indebted to Miguel Gutierrez’s unapologetic queerness and amorphous excess\, Moriah Evan’s speculative commitment to the depth of interiority\, Tehching Hsieh’s existential sense of time\, and Ngoc Dai’s guttural sonic landscape of postwar Vietnam. Their formal training is in Performance Studies\, studying with esteemed theorists and practitioners at Brown University (BA) and New York University (MA) \n\n\n\nPhoto by Albert Yee. Courtesy of Asian Arts Initiative. 
URL:https://www.h-r.la/event/anh-vo-untitled-break-fast/
LOCATION:CA
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/10/AY2_6165-20250912-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251123T000000
DTEND;TZID=America/Los_Angeles:20251130T210000
DTSTAMP:20260608T002929
CREATED:20251113T222940Z
LAST-MODIFIED:20251125T190705Z
UID:9199-1763856000-1764536400@www.h-r.la
SUMMARY:Tech Nightmares\, Illusions of Control
DESCRIPTION:Hosted by clara lópez menéndez\, Tech Nightmares\, Illusions of Control is a 2-day study on contemporary and historical critical perspectives on the effects and implications that our reliance on technological devices\, screens\, data management systems\, and the internet have for our forms of socializing\, governmentality and participation\, and therefore our sense of politics and the self. \n\n\n\nTwo sessions: Sunday November 23\, Sunday November 30\, 6:30 – 9PM \n\n\n\nSECOND DATE CHANGED! NOW SUNDAY NOV 30! \n\n\n\nSuggested Readings: \n\n\n\nhumdog: pandora’s box \n\n\n\nRichard Barbrook & Andy Cameron: The Californian Ideology  \n\n\n\nDeleuze: Postscript on the society of control \n\n\n\nKimberle Crenshaw & Gary Peller: Reel Time / Real Justice  \n\n\n\nVilém Flusser: Into the Universe of Technical Images (whole book pdf\, recommended: “To Touch\,” “To Signify\,” & “To Scatter”) \n\n\n\nAlso this video by Safiya Umoja Noble on Algorithms of Oppression \n\n\n\nHRLA Studies –– Free of cost –– No RSVP –– Come share and take some home
URL:https://www.h-r.la/event/tech-nightmares-illusions-of-control/
LOCATION:CA
CATEGORIES:seminar/workshop
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/11/Flyer_techNightmares.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251129T193000
DTEND;TZID=America/Los_Angeles:20251129T230000
DTSTAMP:20260608T002929
CREATED:20251111T235821Z
LAST-MODIFIED:20251112T174934Z
UID:9187-1764444600-1764457200@www.h-r.la
SUMMARY:Enter Ear
DESCRIPTION:A night of music to celebrate the release of Enter Ear’s first album \n\n\n\ntickets \n\n\n\nEnter Ear \n\n\n\nhttps://debaclerecords.bandcamp.com/album/visitors \n\n\n\nSynsor (Steve McQuarry) \n\n\n\nhttps://piqued.fm/artist/synsor \n\n\n\nDavid Ralicke  \n\n\n\nhttps://www.ralicke.com \n\n\n\nSean Smith \n\n\n\nhttps://elefzed.com/about
URL:https://www.h-r.la/event/enter-ear/
LOCATION:CA
CATEGORIES:music/sound
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/11/a4066197329_16.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251205T000000
DTEND;TZID=America/Los_Angeles:20251214T235959
DTSTAMP:20260608T002929
CREATED:20251104T214437Z
LAST-MODIFIED:20251128T211854Z
UID:9166-1764892800-1765756799@www.h-r.la
SUMMARY:Acacia Marable: trash flag
DESCRIPTION:Found matter elicited a certain detachment from the object itself. It could be sold for asong\, traded\, or given away but also could be returned to the streets\, to the land\, or to thejunk pile. Sometimes it was left to ripen\, and sometimes it was just left.—Kellie Jones\, South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017) \n\n\n\nOver the course of several months\, Acacia Marable gathered discarded objects and slowlytransformed them through assemblage\, reconfiguration\, and sculptural improvisation. Thisprocess was at once devotional and absurdist: he cleaned\, sealed\, and\, in oil\, painted each itemred\, white\, and blue—the palette of nationalism\, shared identity\, and soft power. Ranging frombanana peels to a grand piano\, the trash-objects were primarily gleaned from the streets betweenMarable’s house and studio or generated by the artist himself. Across these sculptural paintings\,the American flag repeats: at times it is reproduced in full\, at others it is fragmented\, skewed\, orreduced to its basic compositional elements\, rendered abstract. \n\n\n\ntrash flag builds on the Afro-Atlantic legacy of Yard Shows\, intricate installations of scavengeditems created by Black Southerners primarily in the wake of the Civil Rights movement.Through these exhibitions\, objects deemed valueless or otherwise obsolescent were transfiguredinto expansive assemblages with spiritual\, subversive\, and testimonial significance. Through therepetitive\, ritualistic acts of remaking and undoing the flag across the refuse of daily life\,Marable creates space for objects to belong in ways they were not intended to. Rupture isvisible—or possible—only in relation to pattern\, to a recursive act. Here\, broken\, cast-off\,jettisoned\, discarded matter is reclaimed in the form of a vast\, all-over painting\, its multifacetedsurface at turns coalescing and dissolving its primary loaded symbol. \n\n\n\nOpening Reception\, December 5  \n\n\n\n· 6–9 PM \n\n\n\nArtist Walkthrough & Cookout\, December 14• Walkthrough begins at 1 PM• Cookout from 2 PM until closing \n\n\n\nGallery HoursWednesday–Sunday · 12–6 PM
URL:https://www.h-r.la/event/acacia-marable-trash-flag/
LOCATION:CA
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/11/trash-flag-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251217T170000
DTEND;TZID=America/Los_Angeles:20251219T203000
DTSTAMP:20260608T002929
CREATED:20251204T173404Z
LAST-MODIFIED:20251229T204735Z
UID:9220-1765990800-1766176200@www.h-r.la
SUMMARY:eloise deluca –– pursuit of play
DESCRIPTION:a movement workshop led by Eloise DeLuca \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n               pursuit of play \n\n\n\nThis movement based workshop will offer participants an embodied approach to play\, game theory\, practice and performativity. By analyzing how we approach\, strategize\, and consider choice making through playing games we can learn about our own negotiations and relationships to one another in space. What games can we play that advance us as a collective?  \n\n\n\nThe class begins with a warm-up of conditioning\, stretching\, and alignment practices. We will explore solo and partnered movement research using somatic and experimental improvisational scores. Guided prompts will shape our focus on both the internal and external experience of contemporary dance technique\, with special attention to spatial awareness. We will play movement games\, observe one another in groups\, and reflect through discussion on what we discover. The concepts of strategic interaction will be introduced to analyze conflict between individual and group interests\, strategic uncertainty\, and attempt physical applications of these efficient and inefficient coordinations. In the last part of class we will build phrase work together using movement vocabulary and material gathered from previous exercises.  \n\n\n\nSign up for 3 days or drop in available. RSVP to eloisedeluca@gmail.com \n\n\n\n \n\n\n\nEloise DeLuca has worked as a performance artist in New York and Los Angeles for the last twelve years. She movement directed for Solange Knowles at the Solomon R. Guggenheim and toured with Devonté Hynes of Blood Orange. She performed and acted as dance captain for the First National Tour of Fiddler on the Roof and restaged concert works at James Madison University\, Sacred Heart University\, Barnard College\, and New York University. She received her BA in Dance from California State University of Long Beach and an MFA in Choreography from California Institute of the Arts. \n\n\n\nProgram organized by clara lópez menéndez
URL:https://www.h-r.la/event/pursuit-of-play/
LOCATION:CA
CATEGORIES:dance/movement,seminar/workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251221T180000
DTEND;TZID=America/Los_Angeles:20251221T223000
DTSTAMP:20260608T002929
CREATED:20251212T025943Z
LAST-MODIFIED:20251213T015850Z
UID:9240-1766340000-1766356200@www.h-r.la
SUMMARY:Circles and Moons
DESCRIPTION:Celebrate the winter solstice with a moon gazing durational performance by Rachel Beetz and Jennifer Bewerse. \n\n\n\nWe will observe Jennifer’s real-time films of the year’s 12 full moons while listening to an expanded version of Rachel Beetz’s auditory hallucination drone\, Pareidolia\, through the 12 musical keys. Each season will be infused with a different scent. \n\n\n\nBeginning just after sunset on the longest night of the year\, enter this ritual to reflect on past cycles and enter into the dark winter. \n\n\n\nCircles and Moons lasts 4 hours. You are invited to stay for the full duration or come and go as you need. Each moon will last approximately twenty minutes\, and each season is 50-70 minutes. Seating is modular\, and will include chairs and floor cushions. You are welcome to bring your own chair\, blanket\, or favorite meditation object for comfort.  \n\n\n\nAdvance tickets are available here.
URL:https://www.h-r.la/event/circles-and-moons/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:music/sound
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/Moon-Circle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260104T180000
DTEND;TZID=America/Los_Angeles:20260104T200000
DTSTAMP:20260608T002929
CREATED:20251229T204201Z
LAST-MODIFIED:20251229T204614Z
UID:9261-1767549600-1767556800@www.h-r.la
SUMMARY:Every Workplace Needs A Union
DESCRIPTION:In the last few years workers have led unionization efforts across the country at a wide range of companies such as Starbucks and Amazon. Workers at Natural History Museum\, LACMA\, CalArts and other cultural institutions in Los Angeles have recently organized\, linking their struggles to the broader labor movement.  \n\n\n\nJoin AFSCME Local 126\, which represents workers at the Museum of Contemporary Art Los Angeles (MOCA)\, Academy Foundation\, Academy Museum and Kidspace Children’s Museum\, to chat about labor organizing in the museum field and beyond. There will be information about unions\, button-making\, embroidery\, a selection of material about the history and horizon of labor organizing\, eBooks\, and a book drive for the Claremont Forum Prison Library Project.
URL:https://www.h-r.la/event/every-workplace-needs-a-union/
LOCATION:CA
CATEGORIES:forum
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2025/12/for-banner-honk-to-support.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260106T200000
DTEND;TZID=America/Los_Angeles:20260106T220000
DTSTAMP:20260608T002929
CREATED:20251231T181826Z
LAST-MODIFIED:20251231T181828Z
UID:9275-1767729600-1767736800@www.h-r.la
SUMMARY:Steve Kado & Joe Stewart
DESCRIPTION:Steve Kado & Joe Stewart will play electronic music at Human Resources \n\n\n\nThis is a free event
URL:https://www.h-r.la/event/steve-kado-joe-stewart/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/SteveNJoe.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260110T190000
DTEND;TZID=America/Los_Angeles:20260110T230000
DTSTAMP:20260608T002929
CREATED:20251213T203528Z
LAST-MODIFIED:20260109T204400Z
UID:9244-1768071600-1768086000@www.h-r.la
SUMMARY:Memory Saw x Silt | Iris Ipsum | C_Robo | Cyka | Munki
DESCRIPTION:This Saturday Jan 10thLive sets & performance – experimental // electronic // noise-y \n\n\n\nMEMORY SAW & SILT (NY)Collab set from electronic music duo MEMORY SAW and performance artist SILT@memorysaw x @si.l.t \n\n\n\nC_ROBOLived coded / deconstructed dance music@c_robo_ \n\n\n\nIRIS IPSUMSpectral ambient idm@irisipsum \n\n\n\nCYKA @_zvzdaIndustrial post soviet product \n\n\n\nMÜNKI @pious_global“hypergrunge” \n\n\n\nVisuals @postfemale \n\n\n\nLights @whiterabbitelectric \n\n\n\nAdvance tickets are available here. \n\n\n\n$15 NOTAFLOF
URL:https://www.h-r.la/event/memory-saw-x-silt-iris-ipsum-c_robo-cyka-munki/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:music/sound
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/final9.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260113T200000
DTEND;TZID=America/Los_Angeles:20260113T223000
DTSTAMP:20260608T002929
CREATED:20260107T221513Z
LAST-MODIFIED:20260107T221517Z
UID:9294-1768334400-1768343400@www.h-r.la
SUMMARY:Tzotzona | Anna Luisa Petrisko | 01168
DESCRIPTION:$10 tickets
URL:https://www.h-r.la/event/tzotzona-anna-luisa-petrisko-01168/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/01/11326.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260117T190000
DTEND;TZID=America/Los_Angeles:20260117T203000
DTSTAMP:20260608T002929
CREATED:20251216T190826Z
LAST-MODIFIED:20251229T204643Z
UID:9250-1768676400-1768681800@www.h-r.la
SUMMARY:Raquel Gutiérrez - Southwest Reconstruction book launch
DESCRIPTION:A night of readings and sounds to celebrate the release of Raquel Gutiérrez first collection of poetry\, Southwest Reconstruction published by Noemi Press Books. \n\n\n\nRaquel will be joined by Heidi Andrea Restrepo Rhodes\, Joshua Escobar\, Farrah Rosefang\, Gabie Strong and Hidhawk. \n\n\n\nRSVP
URL:https://www.h-r.la/event/raquel-gutierrez-southwest-reconstruction-book-launch/
LOCATION:CA
CATEGORIES:reading
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/featured-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260118T200000
DTEND;TZID=America/Los_Angeles:20260118T220000
DTSTAMP:20260608T002929
CREATED:20260113T221246Z
LAST-MODIFIED:20260114T001609Z
UID:9313-1768766400-1768773600@www.h-r.la
SUMMARY:LAWWSS (Los Angeles Wood Wind Skill Share) & LAFRC (Los Angeles Field Recording Club).
DESCRIPTION:LAWWSS (Los Angeles Wood Wind Skill Share) LP release & LAFRC (Los Angeles Field Recording Club). \n\n\n\nTickets \n\n\n\nOn Jan 18th the Los Angeles Wood Wind Skill Share (LAWWSS) is celebrating the release of their first Studio recorded LP (titled STUDIO on Radical Documents) with a concert at Human Resources.  \n\n\n\nJoining LAWWSS in celebration will be the Los Angeles Field Recording Club who will be presenting their recordings of LAWWSS in person.  \n\n\n\nPreceding the concert there will be screening of Neil Cloaca Young’s (dir. Milford Graves Full Mantis) new film Wind Journal (prominently featuring LAWWSS) at 3pm at 2220 Arts and Archives.  \n\n\n\nAbout the participants: \n\n\n\nThe Los Angeles Wood Wind Skill Share is a horizontally-organized wood wind learning effort that operates entirely through free improvisation. Started in 2020 as a wood wind practice/accountability group of three friends it has since grown to an informal group of more than 30 people\, all struggling to play wood winds together.  \n\n\n\nThe Los Angeles Field Recording Club is a collective focused on recording and presenting the sounds of Los Angeles. Members document environments across the city — natural\, industrial\, and everyday — and share these recordings through listening sessions\, concerts\, and exhibitions. In a gallery context\, the work treats field recordings as primary artistic material\, offering an immersive portrait of place through sound.
URL:https://www.h-r.la/event/lawwss-los-angeles-wood-wind-skill-share-lafrc-los-angeles-field-recording-club/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/01/Texture@2x-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260120T190000
DTEND;TZID=America/Los_Angeles:20260120T220000
DTSTAMP:20260608T002929
CREATED:20251231T184636Z
LAST-MODIFIED:20251231T184638Z
UID:9285-1768935600-1768946400@www.h-r.la
SUMMARY:bed crumb show - audioginary cinema
DESCRIPTION:audioginary cinema\, a night where we bring musicians together to reimagine catagory within film though sound improvisations. Each mysterious short will be live scored by 3 different ensembles/musicians:  \n\n\n\nBlack NASA  \n\n\n\nMountain Monastery Choir \n\n\n\nEduardo Soto + Ce Tochtli + grump  \n\n\n\nwith sounds by bed crumb show* resident DJs \n\n\n\nEvent is hosted by LA based radio station bed crumb show\, a freeform radio and mixed media platform dedicated to curiosity\, music\, film and events in the world of experimental  \n\n\n\nTickets $10 (half of the proceedings will be donated to Esperanzas Immigrant Rights) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlack NASA photo credit to Sean Deyoe \n\n\n\n2nd photo Eduardo Soto \n\n\n\n3rd photo grump
URL:https://www.h-r.la/event/bed-crumb-show-audioginary-cinema/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/audioginary-flyer-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260121T190000
DTEND;TZID=America/Los_Angeles:20260121T203000
DTSTAMP:20260608T002929
CREATED:20251223T190646Z
LAST-MODIFIED:20251223T190902Z
UID:9255-1769022000-1769027400@www.h-r.la
SUMMARY:A World Without The World Cup
DESCRIPTION:Lafayette Park\, Michael Wells\, featured in Municipal de Fútbol (2011)\n\n\n\nA lecture and forum for our community as we stare down the impending World Cup.  \n\n\n\nFIFA (the international body that governs soccer) is often described as the world’s largest criminal organization. What does it mean for arts and culture workers to engage with this event\, which operates explicitly as a bread & circus diversion from the global crisis of the collapse of democracy? How do we address the colonization of our attention by what is at once a dynamic\, engrossing spectacle\, a container for ecstatic communion\, and a festival of the worst our world has to offer? \n\n\n\nJennifer Doyle will share thoughts on the World Cup and discuss ideas for tactics that arts and culture workers might use to resist the epic levels of gaslighting that characterize the marketing of this event.
URL:https://www.h-r.la/event/a-world-without-the-world-cup/
LOCATION:CA
CATEGORIES:forum
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2025/12/Lafayette-Park-Michael-Wells.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260123T000000
DTEND;TZID=America/Los_Angeles:20260125T235959
DTSTAMP:20260608T002929
CREATED:20260112T230155Z
LAST-MODIFIED:20260113T213016Z
UID:9302-1769126400-1769385599@www.h-r.la
SUMMARY:RECITAL (EPILOGUE) - AMMA
DESCRIPTION:Tickets  \n\n\n\nFriday – 8pm \n\n\n\nSaturday – 8pm \n\n\n\nSunday Matinee – 3pm \n\n\n\n\nThis iteration of RECITAL was created during a development residency at MOCA Geffen Warehouse in the summer of 2025. Over the course of 6 weeks\, AMMA expanded the piece first presented at WIP LA in July of 2024. Now\, from AMMA’s sweat and tears comes RECITAL (EPILOGUE). \n\n\n\nAMMA has entered its chapter of lore building. Mysticism and fun have entered the chat. \n\n\n\nRECITAL (EPILOGUE) brings its audience into the pit of the pop-star arena\, where tickets cost $$$$ before taxes and fees. Dance has never felt this good to watch; every cent of your rent money is well spent here. \n\n\n\nPop stars are not regular people. They’re sexy angels fallen to the stage\, synchronized and syncopated. They slice through the music with their bodies\, hot knives through grass-fed butter. You’re crying\, dizzy\, screaming for more. \n\n\n\nThen\, the floor of the pit opens and you fall through. Bodies crash into each other\, the pop stars have come unglued. You came for a RECITAL\, but this is the (EPILOGUE)\, and it’s dirtier down here. More dangerous\, too. You won’t always like what you see. \n\n\n\nThe work will be presented at Human Resources Los Angeles\, January 23rd\, 24th & 25th\, 2026. \n\n\n\n\n\n\n\nAMMA (Alexsa Miles Miles Alexsa) is a run-on sentence in the form of a choreographic practice by artists Alexsa Durrans and Miles Brenninkmeijer. Established in 2018\, their dances are inspired by the spectacle of movement performed in the context of arena concerts\, halftime shows\, synchronized swimming\, etc. Previous performance presentations include Recital (Arena Tour) at WIP LA (2024)\, EQ at Eden (2023)\, The Halftime Show at Pieter Performance Space (2019)\, and Bye Bye Bye at Weekend At Berenice (2018).  \n\n\n\nAlexsa Durrans (b. Vancouver\, Canada\, 1994) is a Los Angeles based artist working in the fields of performance\, visual art and experimental dance.  \n\n\n\nMiles Brenninkmeijer (b. São Paulo\, Brazil\, 1993) is a dancer and choreographer based in Los Angeles working across live performance and on-screen movement.  \n\n\n\n\n\n\n\nAll photographs by Kobe Wagstaff and wardrobe by Hardeman \n\n\n\nWriting by Dante Matero
URL:https://www.h-r.la/event/recitalepilogue-amma/
LOCATION:CA
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2026/01/amma.jpg
END:VEVENT
END:VCALENDAR