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UID:8763-1746057600-1777593599@www.h-r.la
SUMMARY:HRLA | 15 Years | Everyone
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Journal\, Thalia Williamson\, Thank You Rosekind\, The Action Bureau\, The Adonis Project\, The Album Leaf\, The All Stars of Non-Violet Communication\, The Barbra Streisand Portrait Bender\, The Canary Project\, The Centimeters\, The Crop Project\, The Deep Silence\, The Department of Descriptive Services\, The Dog Star Orchestra\, The Eternal Chord & Zachary Paul\, The Experimental Music Yearbook\, The Gears\, The Gift Machine\, The Goddexx Cori\, The Hag\, The Hangar Quartet\, The Institute For New Feeling\, The Institute of Ceramics and Alliance\, The Karabal Nightlife\, The Koan Quarter\, The Los Angeles Wood Wind Skill Share\, The Mamas\, The New Brutalists\, The Oriental Picture Factory\, The Relatives\, The Royal US\, The Sand Ninja\, The Uhuruverse\, The Unwrinkled Ear\, The Urxe\, Thee Oh Sees\, Thee Snow Snake Orchestra\, Theo Adams\, Theo Cuthand\, Theo Triiantafyllidis\, Theresa Hak Kyung Cha\, Thiago Hersan\, Thibault Delferiere\, Thinh Nguyen\, Thirstie Alley\, Tiana Reid\, TiFemme\, Tiger Munson\, Tim Barnes\, Tim Dahl\, Tim Feeney\, Tim Hecker\, Tim Reid\, Timo Fahler\, Timonium\, Timothy Hatch\, Tiny Creatures\, Tiny Tech Zines\, tir journal\, Tita Salina & Irwan Ahmett\, TJO\, Tobaron Waxman\, Todd Lerew\, Todd McQuade\, Tolliver\, Tom and Christina Carter\, Tom Carter\, Tom Dunn\, Tom Greenwood\, Tom Hall\, Tom Tom Magazine\, Tom Tsai\, Tony Feher\, Tony Payne\, Tora Kim\, Torie Zalben\, Toshinori Tanaka\, Total Freedom\, Totally Serious\, Touch Praxis\, Touriszt\, Tra My Nguyen\, Tracy Jeanne Rosenthal\, Tracy Zuniga\, Tranze Danza Contemporánea\, Trap Girl\, Travelling Kolkata People’s Film Festival \, Travesdee\, Travis Diehl\, Travis Walker\, Travis Wood\, Tre’vell Anderson\, Trent Crawford\, Trenttruce\, Trevor Treglia\, Trevor Wayne\, Tricia Lawless Murray\, Tristan Douglas Acker\, Tristan Espinoza\, Troy Sanders\, Troyese Robinson\, Trulee Hall\, Tuni Chatterji\, Twin Schism\, Twin Steps\, Two Serious Ladies\, Twomey\, Tyler Holmes\, Tyler Matthew Oyer\, Tyler Yin\, Tzuan Wu\, UBIKETAL\, Ulrik Heltoft\, Ultra Red\, Ulysses Jenkins\, Ulysses Pascal\, Umbra Vita\, Un Ciego\, Unica\, Unitry Garish\, Univa\, untune\, Uriel Orlow\, V Haddad\, Vaginal Davis\, Val Koziak\, Valentine\, Valeria Tizol Vivas\, Vanessa Angélica Villarreal\, Vanessa Daish\, Vanessa Hernández Cruz\, Vanessa Roveto\, VAR\, Varese Group\, Vasculae\, Veggie Cloud\, Venus Wikifur\, Véra (V) Haddad\, Verbs\, Verma\, Veronica Bianqui\, Veronica De Jesus\, Veronique d’Entremont\, Vertical Blanking\, Very Be Careful\, Vicki Ray\, Vicki Vértiz\, Vicky & The Vengents\, Víctor Santana\, Victoria Keddie\, Victoria Sin\, Vincent Ramos\, Vincente Colomar\, vine a incendiar este lugar\, Viola Yesiltac\, Violet Hannesena\, VIP\, Virgie Tovar\, Virons\, Vishal Jugdeo\, Visperd Madad-Doust\, Viva Padilla\, Voice on Tape\, VOLUME\, Von Curtis\, Von Doog\, Vyper SynVille\, W00DY\, Waggy Baby\, Walt Gorecki\, Warm Climate\, Warren Neidich\, Watermelon Sisters\, Waverly Mandel\, Wayne Koestenbaum\, WDSM\, Weasel Walter\, weepingwillowtree\, Wells Lang\, Wendy C. Ortiz\, Wendy Cabrera Rubio\, Wendy Mason\, Wendy Red Star\, Weng San Sit\, Wesleigh Gates\, Weston Lyon\, Wet Power\, Whirlynn\, White Dove\, White Gold\, White Magic\, White Manna\, White Rainbow\, Whitman\, Whitney Gibson\, Whitney Hook\, Whits n Giggles\, WIFE\, Wild Up\, Will O’Loughlen\, Will Rawls\, Will Schwartz\, William Basinski\, William Burgess\, William Camargo\, William E. Jones\, William Fowler Collins\, William Hutson\, William Jones\, William Roper\, William Ruíz Morales\, Willian Basinski\, Wilson Shook\, Wing Cheung\, Winston Hacking\, Witches of Malibu\, Wizard Apprentice\, Wo Chan\, Wojciech Kosma\, Wolfboy\, WoM\, Wood Wind Skill Share\, Woodbury College\, Woohee Cho\, Wounded Lion\, Wren Gardiner\, Wynne Greenwood\, X-TRA\, XANA\, Xandra Ibarra\, Xandro Segade\, XI: A North American Football Quarterly\, Xin Xin Ahree Lee\, Xina Xurner\, Xiner Lan\, Xiu Xiu\, xTimido\, Yacuziz\, Yanina Orellana\, Yann Novak\, Yann Sérandour\, Yasi Alipour\, Yasmine Diaz\, Yek Koo\, Yelena Zhelezov\, Yishi Chen\, Yo-Yo Lin\, Yong Soon Min\, Yoni Zonszein\, Yoshi Sakai\, Yoshie Sakai\, You (流)\, You Guys Suck Like Real Hard Shut The Fuck Up Thanks! (YGSLRHSTFUT!)\, Young Chung\, Young Joon Kwak\, Yrneh Gabon Brown\, Yu Chen-Ta\, Yunhee Min\, Yunuen Rhi\, Yuri Ríos\, Yuval Pudik\, Zachary Paul\, Zack Benson\, Zack Khalil\, Zackary Drucker\, Zah\, Zaina Bseiso\, Zander Porter\, Zara Kuredjian\, Zeek Scheck\, Zeina Baltagi\, Zen Sekizawa\, Zoë Beery\, Zoe Rappaport\, Zoé Samudzi\, Zora Duncan\, Zoria Swanegan\, Zyanya Arellano\, ZZ Krebs\, Zzyzxzyzz \n\n\n\nHRLA opened its doors on May 1\, 2010. The names listed above belong to the more than 3\,100 people & organizations who have shared their work with us over the past fifteen years. This list includes visual & performance artists\, musicians & noise/sound artists\, writers\, filmmakers\, video and digital media artists\, choreographers and dancers\, comedians\, small presses\, programming collectives\, sister arts organizations\, record labels\, teachers\, students\, & activists. (If we are missing anything/anyone\, let us know!) \n\n\n\nHRLA’s program is curated by an artist-centered\, volunteer collective. Most of our resources are directed to artists and to the people making their projects happen.  \n\n\n\nWe welcome donations to HRLA — $15\, $115\, $1515 — it all makes a difference! You can make a one-time donation or give regularly via our ticketing platform. As you can see from the above list\, donations go a long way\, long way!
URL:https://www.h-r.la/event/hrla-15-years-everyone/
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DTSTART;TZID=America/Los_Angeles:20260227T180000
DTEND;TZID=America/Los_Angeles:20260301T170000
DTSTAMP:20260219T231552Z
CREATED:20260217T233956Z
LAST-MODIFIED:20260219T231552Z
UID:9418-1772215200-1772384400@www.h-r.la
SUMMARY:Lynne Marsh: after-lived
DESCRIPTION:Friday\, February 27 –Opening Performances 6–9 pm \n\n\n\nSaturday\, February 28 –Performances 1–5 pm \n\n\n\nSunday\, March 1 –Performances 1–3 pm\, Conversation 3–5 pm \n\n\n\nThese poor nymphs of the present\, distorted by the endless screens they must pass through before finding themselves in something resembling “the real world.” Unaccustomed to the weight of what we might call reality\, they fall out of an infinite space-time into the brutal pull\, or rather push\, of gravity. \n\n\n\n–Hannah Sage Kay\, Poor Nymphs Poorer Selves* \n\n\n\nafter-lived unfolds over three days at Human Resources Los Angeles as an exhibition-based performance. Performers work through gestures learned from a motion-capture animation archive: they embody\, repeat\, reorient\, and endure them. Each performer trains with an avatar generated from a digital scan of their own body\, set in motion as if possessed. What begins as data becomes flesh\, altered by the screens it has passed through. \n\n\n\nThe archive carries its own residue: combat loops\, evasions\, falls\, and impacts. Gestures circulate in a dense image economy\, detached from their original conditions and optimized for reuse. Here\, however\, they meet the weight of gravity. Slowed down and enfleshed\, a fall is no longer seamless. Impact registers. Repetition produces strain. \n\n\n\nThe title after-lived names a condition in which systems persist beyond their declared obsolescence\, continuing to operate even after their logic has been exhausted. In this state\, gestures survive their contexts. They loop\, mutate\, and return. The body becomes the site where these loops are absorbed\, tested\, redirected\, and possibly exited. \n\n\n\n*excerpt from exhibition text for Standing Death Backward at council_st\, June 2025 \n\n\n\nLynne Marsh is a Canadian artist based in Los Angeles and Associate Professor at UC Riverside. Her practice questions the status of the image through mediation\, technology\, and production. Ideas central to Marsh’s research include offstage space\, production-in-production\, affective and cultural labor\, music as a framing device\, and the Brechtian revealing of the mechanics of cultural and theatrical production. \n\n\n\nPerformers \n\n\n\nAbriel Gardner (aka bob) is an artist. She has a background in dance and works in many media. She currently lives in New York. \n\n\n\nJobel Medina is a Filipino-American dancer and choreographer based in Los Angeles. His work spans the United States and France\, and he has collaborated with artists including Tino Sehgal\, Benjamin Millepied\, Dimitri Chamblas\, Alex Prager\, Kim Gordon\, Simon McBurney\, Shahar Binyamini\, Danielle Agami\, and Tom Weinberger. His choreography has been presented at institutions such as the Philharmonie de Paris (with LA Dance Project)\, The Broad\, the Museum of Contemporary Art\, the Musée d’Orsay\, and the Institute of Contemporary Art. \n\n\n\nRyan OByrne is an artist and MFA candidate in Studio Art at The University of California\, Riverside. His work antagonizes the compulsive circulation of conventional terms of logic\, investing in the poetic potential of neologisms that might interrupt repetitions of violence\, extraction\, and exploitation. He is a graduate of The Juilliard School’s Drama Division. \n\n\n\nCecilia Slongo is an interdisciplinary artist from Argentina\, based in Los Angeles. She investigates the body as an archive and its relationality with the material and non-material realms. Cecilia is currently exploring the intersection of media\, corporeality and memory. \n\n\n\nIn conversation with \n\n\n\nAmy Skjerseth is Assistant Professor of Popular Music at University of California\, Riverside. She researches media\, music\, material culture\, and technology. Her books Preprogrammed: How Electronic Presets Changed Music and Media (UC Press) and the coedited volume The Routledge Companion to Voice and Identity will be out later this year. \n\n\n\nJudith Rodenbeck is an art and cultural historian whose research focuses on intermedial art practices since 1945. She trained at Yale\, Columbia\, and the Massachusetts College of Art & Design\, and is currently a Professor of Media & Cultural Studies at the University of California\, Riverside. \n\n\n\nLynne Marsh would like to acknowledge the support of the UC Riverside Center for Ideas and Society and the UC Humanities Research Institute.
URL:https://www.h-r.la/event/after-lived/
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DTSTART;TZID=America/Los_Angeles:20260307T160000
DTEND;TZID=America/Los_Angeles:20260322T180000
DTSTAMP:20260318T170041Z
CREATED:20260215T200413Z
LAST-MODIFIED:20260318T170041Z
UID:9388-1772899200-1774202400@www.h-r.la
SUMMARY:*autonomous together
DESCRIPTION:a proposition about autonomies and their meanders by gloria galvez\, fran ilich and clara lópez menéndez – with contributions from the larger Los Angeles organizing community \n\n\n\nOpening March 7th\, 4 – 8pm \n\n\n\nFor all related public programs please see bottom of this page \n\n\n\nautonomous together* \n\n\n\nautonomy is an act in motion\, a practice\, an attitude and approach to experience\, but one that is not pursued alone. autonomy is a perpetual joyous negotiation of the conditions of our shared freedom from the mandates of colonization\, commodification\, exchange\, dehumanization\, and the destruction of nature. \n\n\n\nlike ants move by sensing other ants\, tracing their routes through walls\, around trees\, and into the earth\, we move towards our desired autonomy following the trails that others have left behind in its quest.  \n\n\n\nworks throughout this exhibition study various social and political practices that move away from dominant systems that deprive the many and\, instead\, build towards collective\, non-hierarchical people and earth-centered infrastructures. together we seek to invite the audience to co-imagine a new commons\, because\, as some friends said over ten years ago\, we owe each other everything.** And liberation is not a solitary practice\, but an interdependent one. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nProgramming \n\n\n\nMarch 7 at 6pm Tumbleweed Soup Kitchen & Recipe Share session with Community Chef Chris Rodriguez \n\n\n\nOur knowledge of our surrounding edible environment has been intentionally severed by the dominant systems that seek to keep us dependent on their low wages and commodities. Tumbleweed soup is a generations-old recipe that has been passed on by indigenous communities and shared amongst people as a survival food during the Great Depression and Dust Bowl period. Chris Rodriguez\, a mutual aid chef of Mexican-Indigenous and Iberian ancestry\, will continue the culinary lineage of this soup and share with attendees a bowl of soup and his recipe for how to make it. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 15 – Urban Foraging session with Community Chef Chris Rodriguez\, Atlakatl Ce Totchli and clara lópez menéndez \n\n\n\nIn this session attendees will learn how to i.d. and harvest tumbleweed from Chef Chris Rodriguez. Through the hike to forage the plants Chris\, Atlakatl Ce Totchli and clara lópez menéndez will share stories about how traditional knowledge of foraging medicinal and edible plants around the world has actively suppressed as a means of status quo control. \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 20\, 7m to 9pm Autonomous Convening with Skira Martinez – Cielo\,  Kruti Parekh – Youth Justice Coalition\, and Marta Escudero – Alcove Learning Center. Food served by M.A.A.L.A. \n\n\n\nThis convening invites the community to share a meal and strategies for building resilient autonomous communities. The convening will be facilitated by community organizers who work in housing\, community safety\, and arts projects that practice community autonomy. They will  share strategies from their work and facilitate a conversation that explores how we can together build the world we desire. Food will be provided by Mutual Aid Action Los Angeles.  \n\n\n\n∞∞∞∞∞∞ \n\n\n\nMarch 21\, Reclaiming Presence – Saturday March 21st\, 5pm onward                    \n\n\n\nClosing gathering for autonomous together* –– join us for an evening that explores autonomy through storytelling\, film\, text\, and shared body movement  \n\n\n\n5:30pm – Amelia Bande\, will present a performance that is also a conjuring for us to orally weave counter narratives together. \n\n\n\n7:30pm – Screening Fences to Freedom (45min\, 2025) –– In 2021\, Gustavo Otzoy and his neighbors found themselves surrounded by hundreds of LAPD officers in the midst of the controversial raid on the Covid-era Echo Park homeless encampment. Fences to Freedom is the untold story of what led to the encampment forming\, its eventual eviction\, and the consequential effects on Gustavo’s life thereafter. Stick around after the screening for a Q&A with director Ian Midgley and community organizer Joann Swann. \n\n\n\n9 – 9:30pm – Bite & Write –– Grab a slice of pizza\, browse a book on autonomy\, and write down\, on the table\, a meaningful book quote for others to encounter \n\n\n\n10pm – closing – Music to celebrate\, reclaim collective presence and dancing with rhythms by DJ Adam O and DJ Swann \n\n\n\n∞∞∞∞∞∞ \n\n\n\n* in 2017 virgil b/g taylor made a series of screen printed t-shirts that said “autonomous together”\,  as a commemoration of virgil’s friends’s traumatic experience as part of the counter-rally that gathered in Charlottesville\, Virginia\, in August 2017. As an expression\, “autonomous together” articulates a form of reciprocity that resonated deeply with ourselves and the ethos of this project. So we asked if we could summon it for the title of this show. \n\n\n\n** Fred Moten and Stephano Harney in the Undercommons\, 2013. \n\n\n\n∞∞∞∞∞∞ \n\n\n\ngloria galvez is an artist\, educator\, organizer\, and nature steward whose artistic practice zig-zags across drawing\, video\, sculpture\, and communal experiences — while every so often interweaving into these forms and their making\, community organizing and citizen science insights and frameworks. within this practice\, her current focus invokes alternate and simultaneous realities that prompt rebellious and revealing questions to the current social-political conditions of things – both living and nonliving things – both human and non-human things. and her work offers people physical and abstract spaces of learning\, recollection\, possibility\, self-determination\, and imagination. \n\n\n\nFran Ilich is an artist and writer based in NYC. His practice deals with narrative media\, economy\, games and hacktivism. For instance\, the creation of collective wealth and alternative financial flows\, inventing unorthodox ways to fund and maintain social infrastructures. He draws on ancient modes of exchange\, and uses narrative and creative devices to forge organizational models that transform capitalist systems into solidarity platforms. Rather than reject existing financial tools and capitalist mechanisms\, such as banks\, bonds\, hedge funds\, and capital accumulation\, he shuffles them around in such a way that they instead can foster community building enterprises and non-vertical economies. He is the author of 3 novels and the book-long essay Another Narrative is Possible. His works range from interactive web telenovelas to alternate reality games and utopian experiments in social organization\, like the Diego de la Vega Coffee Co-op and Spacebank\, a virtual community investment bank. \n\n\n\nclara lópez menéndez is an art worker practicing in the fields of curating\, pedagogy\, writing and performance. Among her recent projects are The Awakening\, Antoni Hervas’ solo exhibition at Human Resources LA\, and HRLA Studies\, a series of free classes. She is regular faculty in the Art Program at CalArt’s School of Art.
URL:https://www.h-r.la/event/autonomous-together/
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DTSTART;TZID=America/Los_Angeles:20260328T200000
DTEND;TZID=America/Los_Angeles:20260328T235900
DTSTAMP:20260326T225740Z
CREATED:20260227T194647Z
LAST-MODIFIED:20260326T225740Z
UID:9433-1774728000-1774742340@www.h-r.la
SUMMARY:SHAME
DESCRIPTION:$15 tickets \n\n\n\nSHAME is a deliberately subversive nightlife concept created by curator Peter Kalisch after stepping away from booking Queerspace LA. Framed as a reaction against the excess\, vanity\, and image-driven culture of Los Angeles nightlife\, the party rejects hedonism and performative self-indulgence in favor of introspection\, discomfort\, and raw authenticity. Rather than offering escapism\, “Shame” confronts attendees with the emotional undercurrents often masked by club culture—inviting a space where vulnerability replaces spectacle. \n\n\n\nGirl Pusher “With a streamlined set up of just vocals from Gabby Giuliano and drums (both electronic & acoustic) from Jarrod Hine\, Girl Pusher is punk just the way we like it – futuristic and uncompromising” – Deathbomb Arc \n\n\n\nSRSQ (pronounced seer-skew) is the solo project of Kennedy Ashlyn. SRSQ explores nuance\, nostalgia\, reflection\, and reconciliation\, manifesting in the aural landscape of her 2018 debut album Unreality. \n\n\n\nDiesel Dudes is an Oakland-based “musclewave” or electro-punk band specializing in high-energy\, sweat-soaked music paired with body-building themes. Known for intense live performances involving muscle-bound dancers\, the group blends EBM (Electronic Body Music) with punk energy\, focusing on themes of strength\, lifting\, and humor. \n\n\n\nDagger Wound – a noise masochist bringing abrasive sounds with a strong political message and a cathartic performance style that slices through reality. \n\n\n\nDVVSK – (pronounced Dusk) is a non-binary drag queen based in Los Angeles\, known for their performances and artistry. with shoutouts from notable figures like Alaska Thunderfuck.
URL:https://www.h-r.la/event/shame/
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DTSTART;TZID=America/Los_Angeles:20260411T160000
DTEND;TZID=America/Los_Angeles:20260426T180000
DTSTAMP:20260416T174146Z
CREATED:20260331T015123Z
LAST-MODIFIED:20260416T174146Z
UID:9450-1775923200-1777226400@www.h-r.la
SUMMARY:Cumbia de mi Tierra
DESCRIPTION:Gallery Hours: Friday- Sunday\, April 12th – April 26th\, 12pm – 6pm \n\n\n\nOpening event on Saturday\, April 11 from 4pm – 9pm. \n\n\n\n \n\n\n\nOpening event on Saturday\, April 11 from 4pm – 9pm \n\n\n\nRSVP \n\n\n\nDance performance by Club Inspiración Mexico. \n\n\n\nSonidero performances by Sonido La Rumba and El Tropical San Pancho. \n\n\n\nLive music by cumbia group Dolores y su Conjunto. DJ sets by Ganas\, El Kevin and Sonido Dolores. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\nCeviche by Correas Mariscos. \n\n\n\n \n\n\n\n \n\n\n\nFilm screening on Saturday\, April 18 at 6pm \n\n\n\nTickets \n\n\n\nScreening of Sonidero Metropólis and Kumbia Net\, both directed by Alvaro Parra  \n\n\n\nGrupo Kual? Musica de Barrio\, directed by Discos Rolas. \n\n\n\nDJ sets by Noche Romantica\, Que Madre\, Dave Salvaje\, Sonido Sapo\, Kumbia Net\, Space Primo\, Discos Rolas\, Xandao and Ganas. \n\n\n\nQ&A with director Alvaro Parra. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\n \n\n\n\n \n\n\n\nClosing Celebration on Saturday\, April 25 from 4pm – 9pm. \n\n\n\nTickets \n\n\n\nDance performance by Cali All-Stars. \n\n\n\nSonidero performances by Rafael Pamatz and Tropical San Pancho. \n\n\n\nDJ sets by Ritmo Santanero\, Discos Rolas\, Mas Exitos. \n\n\n\nRecord store pop-up by Innovation Records and Discos Rolas. \n\n\n\nMore related programs to be announced. \n\n\n\nCumbia de mi Tierra is an art exhibit and installation that celebrates cumbia music from Mexico through ephemera\, material culture\, and art. From humble beginnings at family gatherings in Tepito and Peñon de los Baños\, Mexican cumbia transformed the folkloric\, regional dance music style from Colombia as it took roots in Mexico City and Puebla and in the diaspora in New York\, New Jersey and LA. Independent labels including Discos Dancing\, Discos Room\, and Discos Lambda released records of Mexican cumbia groups alongside bootleg compilations of South American cumbia. Sonideros such as La Changa\, La Conga\, Sonido Samurai and thousands of others not only set up mobile soundsystems throughout Mexico but also DJ their vast collections and perform saludos (shout-outs). Groups such as Super Grupo Colombia and Los Angeles Azules emerged in Mexico City innovating the cumbia by imitating the bass-heavy and mediated sound of cumbia sonidera.  \n\n\n\nCurated by artist Gary Garay\, the exhibit brings together collector\, Jose Hernández\, photographer Stefan Ruiz\, and artist Yair Sarmiento. Drawing on the extensive collection of Jose Hernández\, Gary Garay tells a story of cumbia sonidera in Mexico through curation and the creation of new work based on this archive. Consisting of flyers\, posters\, stickers\, sonidero business cards\, and cassette mixtapes and cassette recordings of specific bailes from the 1980s and 1990s Mexico City constitute a counter-history of print and graphic design. With its wild appropriation of Looney Toons\, Hannah Barbera\, Betty Boop\, this visual vernacular helped transform cumbia from rural folkloric popular dance music from Colombia into a modern\, urban\, soundsystem-based culture. From the printing press to the record press\, typewritten and Xeroxed cassette covers\, screen printing\, this fast-paced\, inexpensive independent media culture of the marginalized masses.  \n\n\n\nDancer and record collector\, Hernández is an organic archivist of the cumbia sonidero scene who grew up in Mexico City and in the 1980s and 1990s and built his massive collection around the various ephemera of the scene. Garay documented\, archived\, and curated Hernández’s vast collection—which had been spread between California and his mother’s house in Mexico City.  Inspired by the collection\, Garay’s new work amplifies details that matter to diggers—record label logos\, album cover photographs of dancers and sonideros—by screen printing on materials such as silver\, tarps\, and brick. The metallic color recalls platinum records\, Mexican silver mines\, Pop Art\, and roll-up galvanized metal shop doors for places like Sonoramico Records and Discos Cali. Long part of Garay’s art practice\, the tarp acknowledges improvisation\, making do\, hiding\, and taking care—a temporary roof or wall at swap meets\, alleys\, bailes\, and Hélo Oiticica’s Tropicália. \n\n\n\nFinally\, Stefan Ruiz will have five large-format photographs from his 2011 photo essay documenting the “Cholombiano” street style of young cumbia and vallenato fans in Monterrey\, Mexico. 
URL:https://www.h-r.la/event/cumbia-de-mi-tierra/
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DTSTART;TZID=America/Los_Angeles:20260413T200000
DTEND;TZID=America/Los_Angeles:20260413T223000
DTSTAMP:20260407T230911Z
CREATED:20260407T230910Z
LAST-MODIFIED:20260407T230911Z
UID:9472-1776110400-1776119400@www.h-r.la
SUMMARY:SPRINGCLING
DESCRIPTION:SPRINGCLING is the latest experiment in curation by local percussionist-artist Corey Fogel\, challenging & augmenting what fits in a gallery\, on a “music program”\, within an acoustic setting\, and at an event. “Salon” may best describe this happening that marries artists from all corners of the country; of Corey’s creative friend circle; of the media sphere. Proceeding these prepositions is a preposterously proposed presentation of presumably preferred praxes. P’rhaps we’ll see you there!  \n\n\n\nsound\, saxophone\, food\, voice\, bass\, drama\, poetry\, percussion\, food\, projection\, electronics\, performance\, text\, noise.  7:58 PM \n\n\n\nTickets \n\n\n\nSam Weinberg is a saxophonist\, composer\, and improviser from New York City. His work attempts to forge and develop a distinct intervallic lexicon which is both mutable and structurally coherent.He has released three records for trio since 2023: Implicatures (Astral Spirits\, with Chris Lightcap and Tom Rainey)\, and two with his long-standing group with Henry Fraser and Jason Nazary (Plays Quarter Notes and Other Notes\, and Of Peeling Passage: Live at Sisters). Weinberg has also focused heavily on solo work in the last several years\, which has resulted in the albums Academy\, My Druthers\, Live at the Oche\, with another forthcoming in 2025. \n\n\n\nHeidi Ross is a private chef and multidisciplinary artist who creates culinary performances\, installations\, and dinners for private events\, galleries\, public and outdoor spaces. Heidi uses food as visceral communication through communion—exploring sentience and interspecies connection through sound\, touch\, taste\, and new media. \n\n\n\nCordey Lopez is an experimental musician and audio engineer currently based in Los Angeles\, CA. Through original composition and collaborative projects\, such as Gong Gaada and the Berkeley Gamelan\, his work currently explores intersections of electronics and Indonesian gamelan music. Cordey also performs solo under the moniker Baby Aspirin DVD using modular synthesizer to deconstruct and recontextualize cultural aesthetics of death metal. As an audio engineer\, Cordey tours internationally as Front of House with other experimental artists and is the lead engineer at Gnarnia Studios. \n\n\n\nMeg Shevenock is a writer\, artist and private teacher.Meg’s debut poetry collection\, The Miraculous\, Sometimes\, won the Marystina Santiestevan first book prize\, judged by Bob Hicok for Conduit Books & Ephemera. Her poems and essays have appeared in such places as Times Literary Supplement\, Lana Turner\, Best New Poets\, Denver Quarterly\, Ninth Letter\, jubilat\, and Kenyon Review blog. She is a recipient of a writer’s grant from The American Academy of Arts and Letters and an Ohio Arts Council Individual Excellence Award winner in Poetry. She is an occasional “reader” and researcher for internationally acclaimed visual artist Ann Hamilton. \n\n\n\nJudith Berkson is a composer\, vocalist\, and pianist. Her multi-disciplinary work explores tuning as it relates to memory and perception. She explores small spaces between similarity and difference as in her String Quartet 1 where each instrument is tuned a syntonic comma apart. Her solo project\, Liederkreis\, draws on 19th century German lieder\, noise\, and electroacoustic performance. She is also a Cantor and officiates traditional liturgical chanting. She has been featured in the Wall Street Journal\, The New York Times\, The New Yorker\, and on NPR. She has collaborated with the Kronos Quartet\, City Opera\, Laurie Anderson and has worked with ensembles including Mivos Quartet\, Wet Ink\, Yarn/Wire\, Experiments in Opera\, and the Boston Microtonal Society. She has recorded for ECM Records\, has written two operas. She is currently based in Los Angeles. \n\n\n\nCorey Fogel (b 1977) is a composer\, drummer\, and artist based in Los Angeles. He works across genre and medium to explore many facets of improvisation. He approaches sounds\, textiles\, collaborators\, gestures\, and objects as viable materials for spontaneous\, strategized\, time-based experimental performance\, often incorporating sculpture\, video\, music traditions\, theatricality\, and ritual. Fogel performs and composes in many rock\, jazz\, noise\, folk\, and chamber music capacities. He can be heard on over one hundred recordings as a percussionist. His compositions range from collaborative media scores to aleatoric ensemble compositions which use a combination of traditional and novel notation. For two decades\, he has worked with alternative music notation\, creating innovative and novel systems that encode and visualize the behaviors that comprise musicians’ improvisational vocabulary. His scores use digital design techniques to represent sonic trajectories\, relational dynamics\, and situationism in space. Once an exclusive transaction between composer and performer\, this work has grown into site-specific\, immersive mural paintings for an expanded audience. This creative activity became the subject of his doctoral dissertation\, entitled Graphic Score On Trial – The Utility and Emergence of a Transciplinary Linguistic. \n\n\n\nEllenberg is an academic and artist who works across the disciplines of film/video\, performance and theater. She began her career as filmmaker and video artist\, screening her films widely at international venues\, since creating her first film at Ocularis Collective\, in Williamsburg in 2000. Her creative practice centers around a re-imaging of the gendered subject within contemporary American popular culture and mythology. In the 2000’s\, she curated a range of multi-media events and screenings at venues including Monkeytown\, Anthology Film Archives\, Galapagos and The Horse Hospital (London). Ellenberg’s short films and art installations have been exhibited internationally at venues such as The Collectif Jeune Cinéma\, LA Freewaves\, LACMA\, Gallery SC (Zagreb)\, Issue Project Room\, Migrating Forms\, La Di Da Film Festival\, Art in General and EMAF (Osnabrueck). Recent Press; Art F City\, Art in America\, Bomb\, LA Weekly and Hyperallergic.
URL:https://www.h-r.la/event/springcling-2/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260424T183000
DTEND;TZID=America/Los_Angeles:20260424T213000
DTSTAMP:20260424T222245Z
CREATED:20260415T205854Z
LAST-MODIFIED:20260424T222245Z
UID:9502-1777055400-1777066200@www.h-r.la
SUMMARY:BUTCHONA - A Queer Cumbia Dance Party
DESCRIPTION:homeLA x Human Resources \n\n\n\nSchedule6:30–7:30 PM — Dance Instruction with Jasmine Flores7:30–9:30 PM — DJ Set + Dance Party with Butchona \n\n\n\nTickets$20 — Lesson + Dance Party (6:30 PM entry)$5–$10 — Dance Party Only (7:30 PM entry) \n\n\n\n \n\n\n\n\n\n\n\nhomeLA and Human Resources are teaming up for a night of queer cumbia—dance\, rhythm\, and collective joy—presented in conjunction with Gary “Ganas” Garay’s exhibition\, Cumbia de mi tierra at Human Resources. \n\n\n\nCumbia has long been a music of migration\, memory\, and movement—traveling across borders and evolving through community. This special evening brings that spirit to the dance floor\, beginning with an all-levels dance lesson by Jasmine Flores followed by a queer cumbia dance party led by Butchona\, with DJs Lady Soul and Killed by Synth. \n\n\n\nWhether you’re new to cumbia or already fluent in the rhythm\, this is an invitation to learn\, gather\, and move together. \n\n\n\nPart of Cumbia de mi tierra\, Gary “Ganas” Garay’s exhibition at Human Resources\, this evening extends the exhibition into lived experience—where sound\, movement\, and community animate the cultural histories and contemporary vitality of cumbia. \n\n\n\nCome early to learn. Stay late to dance.See you on the dance floor. \n\n\n\n— \n\n\n\nAbout the Artists and Exhibition \n\n\n\nButchona is a DJ collective and monthly lesbian party based in Los Angeles. Pulling from the rich history of Mexican norteño culture\, Butchona aims to be a space where lesbians and other queer and trans individuals can reclaim part of their Mexican identity on their own terms. Spinning a blend of corridos\, quebradita\, banda and more\, Butchona is the family house party where you can always show up as your authentic self. \n\n\n\nJasmine Flores  — Jayzeejazz — California native Jasmine Flores lives and breathes the rhythm of Los Angeles\, working as a full-time professional dancer\, choreographer\, instructor\, and movement artist in the heart of the city’s creative flow. Jasmine made her live television debut in 2018 at the American Latin Music Awards (The ALMAs)\, performing with reggaeton star J Alvarez. She closed out that same year with another major televised appearance at the Rose Parade in Pasadena\, dancing alongside the legendary Kool & The Gang. Her career continued to rise as she hit some of the most iconic stages in the world\, including Crypto.com Arena\, The Microsoft Theatre\, The Globe Theatre\, the Universal Dance Awards\, The Forum\, and more — performing with artists such as YoYo\, Darkeil ShahKar\, and others. Jasmine has also brought her fierce energy to legendary Los Angeles venues including Whisky a Go Go\, The Roxy Theatre\, and The Viper Room\, solidifying her presence in the city’s most historic entertainment spaces. Most recently\, Jasmine reached a global career milestone\, performing with Karol G at the NFL Opening Games in Brazil\, a major live televised event in São Paulo. She continues to expand her artistry\, traveling internationally for burlesque shows\, fire performances\, and immersive dance experiences that blend storytelling with movement. A true hybrid dancer\, Jasmine trains and performs across multiple styles — salsa\, jazz\, Latin fusion\, contemporary\, hip hop\, and burlesque — working closely with celebrity dancers and choreographers. Her versatility has led her across countless stages\, music videos\, and creative productions\, always ready for the biggest occasions and boldest challenges. Beyond performing\, Jasmine is a passionate dance instructor\, mentor\, and community builder\, teaching full-time across Los Angeles and cultivating inclusive spaces for dancers of all levels. She lives her dream daily — inspiring through movement\, culture\, and connection\, and celebrating the magic that happens every time she steps onto a stage. \n\n\n\nGary “Ganas” Garay (b. 1977) is a multidisciplinary artist\, performer\, DJ and record collector based in Los Angeles. His artistic practice is informed by his lived experiences crossing the U.S.-Mexico border\, recognizing and drawing attention to the rich and dynamic culture of everyday life. He is the founder of Mas Exitos music collective\, host of the dublab program Mas Exitos con Ganas\, and co-founder of Discos Rolas\, a record label and collaborative project dedicated to the cosmic sounds and musical histories of Latin America.Cumbia de mi Tierra is an art exhibit and installation that celebrates cumbia music from Mexico through ephemera\, material culture\, and art. From humble beginnings at family gatherings in Tepito and Peñon de los Baños\, Mexican cumbia transformed the folkloric\, regional dance music style from Colombia as it took roots in Mexico City and Puebla and in the diaspora in New York\, New Jersey and LA. Independent labels including Discos Dancing\, Discos Room\, and Discos Lambda released records of Mexican cumbia groups alongside bootleg compilations of South American cumbia. Sonideros such as La Changa\, La Conga\, Sonido Samurai and thousands of others not only set up mobile soundsystems throughout Mexico but also DJ their vast collections and perform saludos (shout-outs). Groups such as Super Grupo Colombia and Los Angeles Azules emerged in Mexico City innovating the cumbia by imitating the bass-heavy and mediated sound of cumbia sonidera.  \n\n\n\nCurated by artist Gary Garay\, the exhibit brings together collector Jose Hernández\, photographer Stefan Ruiz\, and artist Yair Sarmiento. Drawing on the extensive collection of Jose Hernández\, Gary Garay tells a story of cumbia sonidera in Mexico through curation and the creation of new work based on this archive. Consisting of flyers\, posters\, stickers\, sonidero business cards\, and cassette mixtapes and cassette recordings of specific bailes from the 1980s and 1990s Mexico City constitute a counter-history of print and graphic design. With its wild appropriation of Looney Toons\, Hannah Barbera\, Betty Boop\, this visual vernacular helped transform cumbia from rural folkloric popular dance music from Colombia into a modern\, urban\, soundsystem-based culture. From the printing press to the record press\, typewritten and Xeroxed cassette covers\, screen printing\, this fast-paced\, inexpensive independent media culture of the marginalized masses.  \n\n\n\nHuman Resources was founded in 2010 by a team of creative individuals who seek to broaden engagement with contemporary and conceptual art\, with an emphasis on performative and underexposed modes of expression. Human Resources is not-for-profit and seeks to foster widespread public appreciation of the performative arts by encouraging maximum community access. Human Resources also serves as a point of convergence for diverse and disparate art communities to engage in conversation and idea-sharing promoting the sustainability of non-traditional art forms. We are a volunteer organization. \n\n\n\nhomeLA is a performance platform that critically engages with the sites\, histories\, and narratives of Los Angeles to reveal the complexity of the city—past\, present\, and future—through varied contextual imaginings of “home.” We support experimental performance makers within the fields of dance and art through programs\, dialogue\, and advocacy. www.homela.org  / @home_la
URL:https://www.h-r.la/event/butchona/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260428T200000
DTEND;TZID=America/Los_Angeles:20260428T220000
DTSTAMP:20260424T214359Z
CREATED:20260424T205812Z
LAST-MODIFIED:20260424T214359Z
UID:9523-1777406400-1777413600@www.h-r.la
SUMMARY:LOCAL OCCURRENCE
DESCRIPTION:Tickets \n\n\n\nLOCAL OCCURRENCE\, is a project that I\, Henryk Golden\, am starting together with the violinist Myra Hinrichs and the percussionist Corey Fogel\, performing written and improvised music. The goal is to work with a set group of artists based in Southern California\, including the trio itself\, Ana Luisa Díaz de Cossío and Daniel Allas and experiment with what is possible with our trio over a series of OCCURRENCES. We use our instruments as tools to shape the sound and space the audience experiences. This includes the use of amplification\, distortionation and the physical dislocation within the space. \n\n\n\nWe hope to be in dialogue with the audience and between ourselves on what directions we can take. Creating a music community that is local to LA\, especially in a social sense. Where we as artists are coming together with the audience to create music that is of a place. In honor of one of the greatest creators of a local music community\, including the creation of the Scratch Orchestra in the UK\, we’ll play Cornelius Cardew’s “autumn 60”\, which is a set of instructions for writing a piece. So it is a new improvisation every time it is performed. \n\n\n\nWe are thrilled to share our music and the start off our project at Human Resources. The night will feature amplified noise tuba\, improvisation\, creative minds and a hunger for experimentation. Please share your thoughts with us during and after the show\, we’d love to hear them. The show will feature Kathleen Kim on violin and Michael Matsuno on flute as special guests.  \n\n\n\nSo excited to be part of music together with everyone at the show. \n\n\n\n \n\n\n\n \n\n\n\nCorey Fogel: https://coreyfogel.com \n\n\n\nMyra Hinrichs\, violinist\, is currently living in Los Angeles after spending several years living and working in Chicago. She is a graduate of Oberlin College and Conservatory and the Chicago Civic Orchestra training program. In performance\, she is a member of Chartreuse\, a string trio devoted to performing the music of living composers from around the world\, and Acorn Projects\, a string quartet exploring the edges of improvisation\, canon repertoire\, and activism. Myra has appeared with many other ensembles including Monday Evening Concerts\, dal niente\, 3+1 Quartet\, Mucca Pazza\, mocrep\, and a.pe.ri.od.ic. In the classroom\, Myra teaches violin students to explore and enjoy music making\, combining her Suzuki training and her love of new music. \n\n\n\nHenryk Golden: https://www.goldencomposer.com \n\n\n\nMichael Matsuno: https://www.michaelmatsuno.com \n\n\n\nKathleen Kim: https://kathleenkim.bandcamp.com \n\n\n\nDaniel Allas: http://www.danielallas.com/ \n\n\n\nAna Luisa Díaz de Cossío: https://analuisadiazdecossio.com/
URL:https://www.h-r.la/event/local-occurrence/
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DTSTART;TZID=America/Los_Angeles:20260430T190000
DTEND;TZID=America/Los_Angeles:20260430T220000
DTSTAMP:20260425T005004Z
CREATED:20260415T014006Z
LAST-MODIFIED:20260425T005004Z
UID:9477-1777575600-1777586400@www.h-r.la
SUMMARY:Dafne Vicente-Sandoval and Charles Curtis
DESCRIPTION:Bassoonist Dafne Vicente-Sandoval and cellist Charles Curtis perform live-in-concert – at an event pulled by UPEND – premiering a new version of Tashi Wada’s 2017 Witness\, originally written for Vicente-Sandoval on bassoon and now including accompaniment by Curtis on cello. In Witness\, a series of microtonally inflected scales and tetrachords are explored through repetition\, variation\, and improvisation. At this intimate concert\, Curtis will also present brief solo cello pieces\, possibly including music by Tashi Wada\, Morton Feldman\, Christian Wolff\, Alvin Lucier\, and/or other works in progress. Vicente-Sandoval’s own Minos Circuit Rewired\, for microphone feedback\, voice\, and disassembled bassoon\, will close the evening. \n\n\n\nDafne Vicente-Sandoval (b. 1979\, Paris) works at the intersection of bassoon acoustics\, resonant spaces\, and amplification; Charles Curtis (b. 1960\, Laguna Beach) explores classical cello performance\, precise tuning\, and sustained sound. Together\, they have marked out a distinctive perspective on contemporary experimental music. Working collectively with composers Alvin Lucier\, Tashi Wada\, and Éliane Radigue\, and individually with Jakob Ullmann\, Phill Niblock\, Peter Ablinger\, La Monte Young and Marian Zazeela\, and Christian Wolff\, Vicente-Sandoval and Curtis present a shared concert of works made for them\, along with original sound pieces. \n\n\n\n[ Advance tickets available via withfriends ]
URL:https://www.h-r.la/event/dafne-vicente-sandoval-and-charles-curtis/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260501T190000
DTEND;TZID=America/Los_Angeles:20260501T233000
DTSTAMP:20260424T204821Z
CREATED:20260424T204654Z
LAST-MODIFIED:20260424T204821Z
UID:9519-1777662000-1777678200@www.h-r.la
SUMMARY:HRLA BirthDay / MayDay Extravaganza
DESCRIPTION:Celebrate May Day & HR’s 16th Birthday \n\n\n\nWithAjani BrannumCassia Streb & Jennifer BewerseHuntrezzJay CarlonMaria MaeaOlivia MoleTzotzona \n\n\n\nTickets \n\n\n\nFree for HR members
URL:https://www.h-r.la/event/hrla-birthday-mayday-extravaganza/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260502T180000
DTEND;TZID=America/Los_Angeles:20260502T220000
DTSTAMP:20260425T055511Z
CREATED:20260415T142255Z
LAST-MODIFIED:20260425T055511Z
UID:9486-1777744800-1777759200@www.h-r.la
SUMMARY:Songs to Quell the Monster Program 1 of 4: A Mother’s Lullaby
DESCRIPTION:Saturday\, May 2nd. Doors open at 6PM\, Starts at 6:30PM. \n\n\n\nPay What You Can (Suggested $10) \n\n\n\nTICKETS \n\n\n\nGrowing up\, we are first held by the voice of our mothers—its rhythms teaching us how to listen\, how to imagine\, how to feel our way through the world before we fully understand it. A lullaby can soothe\, but it can also shield\, shaping what is heard and what remains unsaid. In this opening program\, A Mother’s Lullaby\, Milisuthando Bongela’s Milisuthando returns to the fragile architectures of such protection\, tracing a childhood in the Transkei where the violences of apartheid were both ever-present and eerily obscured. Through a lyrical weaving of memory\, poetry\, and image\, the film lingers in the dissonance between what we inherit and what we later come to know—how love can coexist with omission\, and how care can be entangled with erasure. In dialogue\, Jonathon Haffner’s live performance extends this meditation\, improvising a sonic space where memory is not fixed but continually reworked. Together\, they ask: what songs carried us through\, and what truths did they quiet? \n\n\n\n______________________ \n\n\n\nSongs to Quell the Monster is a four-part programming series that gathers films and live performances that channel the defiant spirit of songs across histories and borders. Moving between the intimate and the collective\, these works confront authoritarianism\, colonial violence and and erasure–transforming memory\, voice and image into acts of refusal. A reminder that while the monster is vast\, so too are our songs.  \n\n\n\n______________________Milisuthando Bongela-Davis (b.1985\, South Africa) is an award-winning writer\, filmmaker\, cultural worker and artist. Her career began in the fashion industry but the last 16 years have seen her traverse the worlds of music\, art\, media and film – continually turning towards indigenous knowledge systems.  \n\n\n\nShe was Arts Editor for the Mail & Guardian’s Friday section and was host and co-producer of the podcast Umoya: On African Spirituality with Dr. Athambile Masola. Her debut feature film\, a personal essay documentary titled MILISUTHANDO had its in competition world premier at the 2023 Sundance Film Festival and selected for MoMA’s New Directors / New Films programme 2023 before opening the 2023 Encounters Documentary Film Festival. It was nominated and won awards for its groundbreaking form\, subject matter and approach to personal filmmaking.  \n\n\n\nShe is an inaugural fellow of the 2020 Adobe Women at Sundance Fellowship and in 2024\, she made an experimental silent film INGQUMBO commissioned by Neo Muyanga and William Kentridge’s Centre for the Less Good Idea in Johannesburg.  \n\n\n\nAfter a theatrical run at Anthology Film Archives in May 2025\, MILISUTHANDO was released on The Criterion Channel on 1 October 2025 and is independently distributed in Africa and as of April 7th 2026\, is distributed by The Tape Collective in the UK and  EU.  \n\n\n\nShe is currently an Artist in Residence at Headlands Centre for the Arts in the Marin Headlands of California where she is developing her second film.  \n\n\n\nWhile she has lived in New York since 2024\, the subject of her work is always rooted in South Africa   \n\n\n\nJonathon Haffner – Recently based in Los Angeles after more than two decades within New York City’s downtown music\, film\, and art scenes\, he has built a career across genres\, disciplines\, and international stages. \n\n\n\nFor over a decade\, he performed and recorded with filmmaker and poet Jonas Mekas\, accompanying live poetry and creating live scores for Mekas’ films. These collaborations included performances at the Serpentine Gallery in London\, Hiro Ballroom in New York City\, and The Stone\, founded by John Zorn. \n\n\n\nHaffner also toured extensively with Butch Morris\, appearing on more than 15 recordings with the late conductor in several different ensembles\, including Orchestra Slang and Nublu Orchestra. \n\n\n\nHe performs with the Great Lakes Quartet\, led by Wadada Leo Smith\, alongside the late Jack DeJohnette and John Lindberg. Their release on TUM Records was named a Top 10 Box Set of the Year by The New York Times\, and the ensemble has performed at the Berlin Jazz Festival\, the Leibnitz Festival in Austria\, and Jazz em Agosto in Lisbon\, Portugal. \n\n\n\nHaffner has also toured and recorded with Red Baraat\, Cyndi Lauper\, and Louis Cole\, appearing on Cole’s albums and video productions and performing with him in New York and Los Angeles. \n\n\n\nHis solo album\, Life on Wednesday\, produced by David Binney and featuring Craig Taborn and Wayne Krantz\, was invited to perform at the North Sea Jazz Festival in a concert also featuring Nasheet Waits and Marc Ducret. Following North Sea\, he led his own ensembles at the Vilnius Jazz Festival in Lithuania\, as well as the Nublu Jazz Festival and Winter Jazzfest in NYC.Additionally\, he co-leads projects with Kenny Wollesen and Tony Scherr\, released Rasa Rasa on John Zorn’s Tzadik label\, performs with Rocket Sci on Nublu Records\, and co-leads Big Shapes with Dave Harrington of Darkside and Max Jaffe. Big Shapes will release its second album in 2026. \n\n\n\nAdvik Beni and Nehal Vyas  are programmers and filmmakers based in Los Angeles. Originally from South Africa and India respectively\,  their curatorial work draws from oral traditions\, nationhood\, citizenship\, mythology\, and family histories. They are committed to building community spaces where filmmaking serves as an ally.
URL:https://www.h-r.la/event/songs-to-quell-the-monster-program-1-of-4-a-mothers-lullaby/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:performance,screening
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260508T193000
DTEND;TZID=America/Los_Angeles:20260508T220000
DTSTAMP:20260505T193757Z
CREATED:20260505T181947Z
LAST-MODIFIED:20260505T193757Z
UID:9574-1778268600-1778277600@www.h-r.la
SUMMARY:YEARS AS RUIN: A History of Los Angeles Art
DESCRIPTION:Presented by East of Borneo and Hard to Read\, YEARS AS RUIN highlights L.A. art through the ages\, bringing together a dynamic group of East of Borneo contributors past and present for an evening of words\, music\, and visuals. \n\n\n\nWith readings by Norman Klein\, Allison Noelle Conner\, Thomas Lawson\, Emma Dexter\, Vivian Chang and Dr. Nizan Shaked\, and A. R. Stain.  \n\n\n\nFollowed by Reynaldo Rivera in conversation with Fiona Duncan on his Los Angeles. \n\n\n\nFriday\, May 8\, 8pm  \n\n\n\nDoors 7:30pm \n\n\n\nat Human Resources – 410 Cottage Home St. \n\n\n\n* \n\n\n\nHard to Read is a literary social practice founded by Fiona Duncan. \n\n\n\nEast of Borneo is an online magazine of contemporary art and its history in Los Angeles. \n\n\n\n* \n\n\n\n“In the midst of our economic and political crisis\, we must assume that art history will be remade. New points of origin will be invented\, probably starting with the 1960s instead of the 1860s. Fluxus\, Archigram\, Conceptual art\, Minimalism\, Pop—1968 and ‘all that’… are now understood as the beginning\, not the finale… Of course\, that raises the question: the beginning of what?”—Norman Klein from “Notes on the Arts: Curating the Past 50 Years as Ruin\,” East of Borneo\, 2011
URL:https://www.h-r.la/event/years-of-ruin-a-history-of-los-angeles-art/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260510T193000
DTEND;TZID=America/Los_Angeles:20260510T213000
DTSTAMP:20260507T182425Z
CREATED:20260505T194110Z
LAST-MODIFIED:20260507T182425Z
UID:9577-1778441400-1778448600@www.h-r.la
SUMMARY:MIRRORS OF RESISTANCE
DESCRIPTION:MIRRORS OF RESISTANCE \n\n\n\nWHEN: 7:30 PM\, May 10 \n\n\n\nCOST: $12 \n\n\n\nThe WAWOG LA community invites you to join us for a night of Palestinian film to raise funds for journalists in Gaza. \n\n\n\nWriters Against the War on Gaza (WAWOG) is a coalition of media\, cultural\, and academic workers who are committed to the horizon of liberation for the Palestinian people. We organize against Zionism and American militarism from within the imperial core.  \n\n\n\nWe will screen THE LAST SUPPER dir. Issa Freij and JAMILA’S MIRROR dir. Arab Loutfi. Films will have English subtitles. \n\n\n\nAs part of the fundraiser we will have a raffle. Every ticket holder is entered into the raffle for a chance to win BOOKS\, GIFT CARDS\, POSTERS\, and other prizes from local authors and our friends at Los Angeles literary institutions. Each payment of $12 is equal to one raffle ticket. Those who cannot attend in person can still send in a donation to be entered into the raffle. \n\n\n\nThe following Items will be available for the raffle: \n\n\n\n    —      $100 gift card and tote from Stories Bookstore \n\n\n\n    —      Posters form Justseeds Collective \n\n\n\n    —      T-Shirt from Poetic Research Bureau  \n\n\n\n    —      Books by authors Summer Farrah\, Muriel Leung\, Maya Salameh and Vanessa Villarreal \n\n\n\n    —      Books\, Jiji Keychain and tote from All Power Books \n\n\n\n    —      As well as limited edition prints available for raffle or purchase \n\n\n\nTickets sold at door. Masks required and provided. Space is wheelchair accessible.
URL:https://www.h-r.la/event/mirrors-of-resistance/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260514T000000
DTEND;TZID=America/Los_Angeles:20260524T235959
DTSTAMP:20260519T165910Z
CREATED:20260424T214744Z
LAST-MODIFIED:20260519T165910Z
UID:9532-1778716800-1779667199@www.h-r.la
SUMMARY:Collective Choreographies - Maura Chen
DESCRIPTION:Gallery Hours: Friday – Sunday 12pm – 6pm \n\n\n\nCollective Choreographies exhibits thirty-six labanotational ink drawings of line dances. Using a taxonomy of tiny and precise lines\, each notation corresponds to a movement within standard line dance choreography. These movements are typically specified by “stepsheets\,” written instructions popularly circulated through open-source websites to learn and teach line dances. Each drawing shows 121 “dancers” in a grid of 11 x 11 “dancing” simultaneously. Each hand-drawn depiction highlights the tension between coordinated\, identical movements and each unique and idiosyncratic instance. The representation of repetitive\, rhythmic sameness reveals itself to be\, in fact\, a representation of multiplicity and difference\, in the drawing as it is on the dance floor. As a meditation on coordinated movement\, the drawings seek to depict the muscle memory and propulsion of group movement that directs our physical bodies more than any coherent thought when moving together. \n\n\n\n–– Programs— \n\n\n\nOpening Reception \n\n\n\nThursday\, May 14\, 5-9pm \n\n\n\n– \n\n\n\nDance Lessons and Party \n\n\n\nSugar Honey IT and Fake ID \n\n\n\nSunday\, May 17\, 3-7pm (Lessons at 4pm and 5pm) \n\n\n\n$15 suggested donation NOTAFLOF \n\n\n\nTeachers: Corey & Abi of Bootleg Linedance  \n\n\n\n– \n\n\n\nDance Lessons and Party \n\n\n\nMucara Walk and Cherry Bottom Boom \n\n\n\nFriday\, May 22\, 7-11pm (Lessons at 8pm and 9pm) \n\n\n\n$15 suggested donation NOTAFLOF \n\n\n\nTeachers: Kira & Sean of Stud Country \n\n\n\n– \n\n\n\nDance Lessons and Closing Party \n\n\n\nPlay That Sax and Easy Rider (Contra Dance!) \n\n\n\nSunday\, May 24\, 3-7pm (Lessons at 4pm and 5pm) \n\n\n\n$15 suggested donation NOTAFLOF \n\n\n\nTeachers: Summer & Paris of Do Si Dontcha
URL:https://www.h-r.la/event/collective-choreographies/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T120000
DTEND;TZID=America/Los_Angeles:20260516T190000
DTSTAMP:20260516T185313Z
CREATED:20260506T194031Z
LAST-MODIFIED:20260516T185313Z
UID:9592-1778932800-1778958000@www.h-r.la
SUMMARY:Bob Flanagan Memorial and Marathon Reading
DESCRIPTION:Bob Flanagan Memorial and Marathon ReadingHuman Resources Los AngelesMay 16 th 12-7pm \n\n\n\nBob Flanagan Memorial and Marathon Reading is a durational performance\, live reading\, and space to gather and honor the life and legacy of Bob Flanagan (1952–1996). Flanagan was a poet\, artist\, performer\, and sadomasochist with cystic fibrosis. Over the course of his 43 years of life\, he was a piercer at The Gauntlet\, a reader in the mid-1970s at Beyond Baroque Literary Arts Center\, and in the 1980s\, met the love of his life and his dominatrix Sheree Rose. With Sheree\, he built a D/s dynamic that lasted over sixteen years\, spanning underground BDSM spaces\, artistic exhibitions\, performances\, and private scenes in and around their home. Rose and Flanagan collaborated on dozens of performances and educational scenes for the BDSM community; they are two of the founding members of Society of Janus in Los Angeles. In 1992\, Sheree Rose and Bob Flanagan exhibited A Matter of Choice at Los Angeles Contemporary Exhibitions (LACE). Rose and Flanagan also exhibited Visiting Hours in 1992 at the Santa Monica Museum of Art and again at the New Museum in New York in 1994. Over the course of his career\, Flanagan also read at the Poetry Project in New York numerous times. During Bob’s life and after his passing\, their work was exhibited internationally in Germany\, Australia\, and Japan. In 1997\, Sick: The Life and Death of Bob Flanagan premiered at the Sundance Film Festival and won the Special Jury Prize. \n\n\n\nThe 30th Anniversary Memorial and Marathon Reading is a testament to Flanagan’s broad-reaching impact across countless communities for decades. His work with Rose set the precedent of contemporary performance art in relation to BDSM\, kink\, and body modification. The lineages Flanagan and Rose built through their collaborations continue to shape the work of disabled\, leather\, and freak artists today. Curated and produced by Sheree Rose and Mae Howard\, the event brings together artists\, poets\, disabled folks\, and leather freaks across generations to uplift Flanagan 30 years after his passing. Running from 12pm to 7pm\, the event will be a marathon reading of some of Flanagan’s writing\, including Pain Journal (1996)\, Slave Sonnets (1986)\, The Wedding of Everything (1983)\, Fuck Journal (1988)\, and Book of Medicine(unpublished). \n\n\n\nThe readers and performers for the event\, in alphabetical order\, are as follows: A.\, Sydney Acosta\, Iris Afantchao\, Jerri Allyn\, Quetzal Arevalo\, Ron Athey\, Daniel Babcock\, Amelia Bande\, Badly Licked Bear\, Alcide Breaux\, Rocio Bolivar\, John Burtle\, Kathe Burkhart\, Grace Caiazza\, Camilla Caldwell\, Andy Campbell\, Cassils\, Lena Chen\, Navah Chestnut\, Monet Clark\, Vivian Crockett\, Amina Cruz\, Jess Dayan\, Bec Dean\, Nat Decker\, Jane DeLynn\, Spike Einbinder\, Ruben Esparza\, FLESHPIECE\, Fluent\, Beatrix Fowler\, Micol Hebron\, Johanna Hedva\, Spyke Hirshon\, Sloane Holzer\, Mae Howard\, Y Howard\, Joselia Rebekah Hughes\, Xandra Ibarra\, Dominic Johnson\, Amelia Jones\, Kerosene Jones\, Vishal Jugdeo\, Peter Kalisch\, Amy Kingsmill\, Pony Lee\, thái lu\, Ren L[i]u\, Angelo Madsen\, Amanda Majors\, Jasmine Marin\, Shelley Marlow\, Jeanelle Mastema\, Carta Monir\, Martin O’Brien\, Mehregan Pezeshki\, Dominic Quagliozzi\, Riven Ratanavanh\, Siyona Ravi\, Sam Richardson\, Sheree Rose\, Jamie Ross\, Nina Salerno\, Cielo Saucedo\, Margie Schnibble\, Judy Sisneros\, Stuart Sweezy\, Rebecca Teich\, Roger Tréfousse\, Julie Tolentino\, Jeanne Vaccaro\, Valentino Velez\, Anuradha Vikram\, Agnes Walden\, Ione Wang\, Emir West\, and Empress Wu. \n\n\n\nThe Bob Flanagan Memorial and Marathon Reading will take place in hybrid form. Attendees can join in person at Human Resources or via YouTube Live to livestream from bed\, the waiting room\, the dungeon\, their couch\, a gallery\, or the bath. You can watch live on Youtube via this link. To make space for disabled and chronically ill readers and attendees\, we strongly request that in-person guests mask unless physically unable to do so. The gallery will have a variety of seating options including padded chairs with backs\, non-padded chairs\, and benches. Human Resources Los Angeles is wheelchair and rollator accessible. \n\n\n\nIn conjunction with the Memorial and Marathon Reading\, on May 14th from 7–8:30pm at the ONE Archives at the USC Libraries\, join NEED ME\, or\, (de)mystifying the myth of the modern primitive curator Quetzal Arévalo on a tour of the exhibition. Spanning everything from the early network of body modifiers throughout the United States and Europe\, the founding of the first-ever body-piercing-specific business and magazine\, to the artists who made work inspired by the body piercing renaissance\, this walkthrough guides viewers through the history\, research\, and making of NEED ME. This tour will include a special focus on performance artists Bob Flanagan and Sheree Rose. In honor of thirty years since Flanagan’s passing\, additional objects from Flanagan’s archive will be showcased for the occasion. Masks are required for this tour. The tour will be moving\, so audience members should be prepared to be mobile for approximately 45 minutes. There are no accessibility barriers for entry. Ample free parking is available right in front. \n\n\n\nThe Bob Flanagan Memorial and Marathon Readings is made possible by Human Resources LosAngeles and the ONE Archives at USC Libraries alongside the following individuals:Produced and Curated by Sheree Rose and Mae HowardAccessibility Coordinator: Cielo SaucedoASL Interpretation: David Banda and Natanael EscaleraZoom Monitors: Cielo Saucedo and Casey WaitLivestream Tech: Jazzy RomeroDay of Stage Management: Natalie Nicole Dressel and Lee RosenScreen printed Shirts: Kate Mosher Hall
URL:https://www.h-r.la/event/bob-flanagan-memorial-and-marathon-reading-3/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T160000
DTEND;TZID=America/Los_Angeles:20260527T200000
DTSTAMP:20260516T184832Z
CREATED:20260513T185204Z
LAST-MODIFIED:20260516T184832Z
UID:9608-1779897600-1779912000@www.h-r.la
SUMMARY:Who Makes Chinatown?
DESCRIPTION:The Southeast Asian Community Alliance (SEACA) builds community power and develops youth leaders to advocate for immigrant and refugee families\, protect affordable housing\, and fight displacement. To understand Chinatown and the layered complexities of this working-class neighborhood\, students from Lincoln and Downtown Business Magnets High Schools interviewed Chinatown residents and workers on topics related to housing\, small businesses issues\, and cultural identity\, among others. They transformed their findings into art to share with our community. Join us to discover “Who Makes Chinatown?”\, an evening of youth-led storytelling\, art\, community\, and refreshments!
URL:https://www.h-r.la/event/who-makes-chinatown/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T000000
DTEND;TZID=America/Los_Angeles:20260531T235959
DTSTAMP:20260507T182036Z
CREATED:20260424T220528Z
LAST-MODIFIED:20260507T182036Z
UID:9534-1780012800-1780271999@www.h-r.la
SUMMARY:Shorter Than a Tunnel\, Longer Than a Bridge
DESCRIPTION:Shorter Than a Tunnel\, Longer Than a BridgeAmelia Charter and Sam Wentz \n\n\n\nFriday May 29th\, 7pm \n\n\n\nSaturday May 30th\, 7pm  \n\n\n\nSunday May 31st\, 4pmAmelia Charter and Sam Wentz collaborate for the first time in an evening-length performance at the intersection of movement\, object practice\, and sound. Gathering a growing body of materials\, organic and inorganic\, they construct an elemental\, sonic system. Structures are continuously emerging\, disrupted\, and reconfigured. How are things built around us\, under us\, between us\, and through us? When it falls away\, what are we left with? \n\n\n\nBios \n\n\n\nAmelia Charter is a performance artist\, producer\, teacher\, and writer. She earned her BA in Performance and Directing from Fort Lewis College in Durango\, Colorado\, was co-founder of Denver Performance Research (2009 – 2012)\, and received an MFA and fellowship in Performance from the School of the Art Institute of Chicago (2014).  \n\n\n\nHer works have been featured in Los Angeles at The Electric Lodge\, Paloma Street Studio\, and Pieter Performance Space\, in Chicago at Sector 2337\, Defibrillator Gallery\, Mana Contemporary\, Co-Prosperity Sphere\, and Links Hall\, in Indianapolis at The Sugar Space and The Oilwick\, in Philadelphia at the Museum of Art and Mascher Space Cooperative\, and at Kriti Gallery in Varanasi\, India. \n\n\n\nCharter’s work is often engaged with everyday objects that are at once familiar and yet not themselves. As an artist and designer\, the tactile and sensorial qualities are important both functionally and experientially. Her multidisciplinary processes include making clothing\, music\, building furniture\, and quilting. Charter’s work considers the spatial capabilities of ‘a stage’ as it lives in a theatre\, gallery\, and private and public spaces. She moves between the intimacy of one-on-one performances and the larger visibility of public space works. \n\n\n\nSam Wentz is an LA-based dancer\, performer and maker. Wentz has collaborated with a wide range of artists and companies\, including Ajani Brannum\, the Trisha Brown Dance Company (2009–2014)\, Wally Cardona + Jennifer Lacey\, Jay Carlon\, Gerald Casel\, Dimitri Chamblas\, the Merce Cunningham Trust\, Katherine Helen Fisher\, Levi Gonzalez\, Jmy James Kidd\, Mark Morris Dance Group\, Abigail Levine\, Annie B .Parson\, Judith Sánchez Ruíz\, Kensaku Shinohara\, Susan Sgorbati\, Jacob Wolff\, and Stephanie Zaletel. \n\n\n\nAs a maker\, his performance work\, often situated within studio and gallery contexts\, draws from improvisational practices and an ongoing inquiry into the relationships between bodies\, objects\, and attention. His work has been presented at the Bennington Museum (VT)\, the Firehouse Joshua Tree\, the Geffen Contemporary at MOCA\, G-Son Studios\, Human Resources LA\, Pieter Performance Space\, REDCAT\, and The Tank (NYC). In 2024\, he was published by the University of Michigan for “A Society to Me: On Conflict and Intimacy Training” in Conversations Across the Field of Dance Studies\, Volume 43.  \n\n\n\nBeyond his artistic practice\, Wentz extends choreographic thinking into organizational and collective contexts. A full time faculty member at CalArts\, he was elected Chair of Faculty for the 2024–2025 academic year\, where he played a key role in guiding faculty and staff through their successful unionization with the UAW. 
URL:https://www.h-r.la/event/shorter-than-a-tunnel-longer-than-a-bridge/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T000000
DTEND;TZID=America/Los_Angeles:20260606T235959
DTSTAMP:20260512T195528Z
CREATED:20260512T191550Z
LAST-MODIFIED:20260512T195528Z
UID:9599-1780617600-1780790399@www.h-r.la
SUMMARY:Dorian Wood: Canto (Versión Juanga)
DESCRIPTION:Doors at 7:30PM \n\n\n\nPerformance begins at 8:00PM  \n\n\n\n$15 / sliding scale  :   Friday Tickets  –  Saturday Tickets \n\n\n\nDorian Wood returns to Human Resources for two nights only with an immersive performance that interweaves music from her newly-released album Canto de Todes (New Amsterdam Records) with iconic songs by the legendary singer/composer Juan Gabriel. Loved by millions around the world\, El Divo de Juárez has left an undeniable imprint on our collective consciousness. Says Wood: “Growing up in South L.A. in the 80’s\, Juanga’s music was the air we breathed\, always on the radio\, on TV\, drifting in the air at picnics in MacArthur Park\, backyard birthday parties\, bake sales at Plaza de la Raza\, and soothing us to sleep from the living room while our parents stayed up. No other artist has achieved this kind of omnipresence. I want my brief return to L.A. this year to convey these memories\, and this honoring of Juanga\, de toda corazón.”  \n\n\n\nWood’s own composition Canto de Todes–Spanish for “Song of Everyone”–is a mutating project that began as a touring 12-hour work and was released in May 2026 as a 70-minute album that weaves together chamber classical\, folk\, torch song\, and experimental music. Canto de Todes emphasizes the urgency of music as a vessel for social change\, and simultaneously honors the ancestral trajectory of Wood’s Costa Rican-Nicaraguan family in the U.S.
URL:https://www.h-r.la/event/dorian-wood-canto-version-juanga/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260610T200000
DTEND;TZID=America/Los_Angeles:20260610T223000
DTSTAMP:20260527T212132Z
CREATED:20260527T205506Z
LAST-MODIFIED:20260527T212132Z
UID:9626-1781121600-1781130600@www.h-r.la
SUMMARY:RAGE Thormbones / Toil to Gather
DESCRIPTION:RAGE Thormbones: Breaking Ships.They play loud.  \n\n\n\nRAGE Thormbones will be playing Breaking Ships\, which is from their record of the same name: https://triptickstapes.bandcamp.com/album/breaking-ships \n\n\n\nRAGE Thormbones is Weston Olencki and Mattie Barbier.  \n\n\n\n \n\n\n\n\n\n\n\nToil to Gather \n\n\n\nNicki Chen (Viola) and Nicholas Deyoe (guitars) \n\n\n\n \n\n\n\n[Advance Tickets]
URL:https://www.h-r.la/event/rage-thormbones-toil-to-gather/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260611T200000
DTEND;TZID=America/Los_Angeles:20260611T210000
DTSTAMP:20260522T070505Z
CREATED:20260521T184226Z
LAST-MODIFIED:20260522T070505Z
UID:9619-1781208000-1781211600@www.h-r.la
SUMMARY:Ex Tortion₇
DESCRIPTION:Ex Tortion₇ \n\n\n\nOn Thursday June 11th\, please join us for the sixth installment in Ex Tortion\, an improvised performance series where performers engage around/inside a sculptural enclosure. \n\n\n\nAudience members are encouraged to move around freely during the performance. \n\n\n\nPerformance begins promptly around 8pm and runs approximately 40 minutes. \n\n\n\nFeaturing: \n\n\n\nJeonghyeon Joo – Haegeum \n\n\n\nHenry Gonzalez (from Silverlake Fencing Club) – Foil \n\n\n\nVictor Yuan (from Silverlake Fencing Club) – Foil \n\n\n\nShannon Kennedy – Assorted Amplified Instruments  \n\n\n\n \n\n\n\n \n\n\n\n \n\n\n\nFree
URL:https://www.h-r.la/event/ex-tortion%e2%82%87/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260621T130000
DTEND;TZID=America/Los_Angeles:20260621T170000
DTSTAMP:20260618T011557Z
CREATED:20260618T005214Z
LAST-MODIFIED:20260618T011557Z
UID:9655-1782046800-1782061200@www.h-r.la
SUMMARY:Juneteenth Workshop & Wellness
DESCRIPTION:Hood Rave Juneteenth Workshop and Wellness in collaboration with Black Techno Matters \n\n\n\nAn afternoon of music\, healing\, and creative exploration guided by Black artists. Dig into a hands-on Digitakt workshop with Jack TP2\, settle into ambient selections and a live performance by yNOTi and MyGhettoRomance\, get loose at the arts and crafts station\, and close the day with a sound bowl experience led by E.M. Bae.  \n\n\n\nWhether you’re here to learn\, to rest\, or to connect\, this programming is rooted in the spirit of Juneteenth and what liberation looks and sounds like in practice. \n\n\n\n$10 Suggested donation \n\n\n\nfree with the purchase of tickets to Hood Raves Juneteenth warehouse party  \n\n\n\n \n\n\n\n \n\n\n\nFlyer design by @leona_joo
URL:https://www.h-r.la/event/hood-rave-juneteenth-workshop-wellness/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260625T200000
DTEND;TZID=America/Los_Angeles:20260625T213000
DTSTAMP:20260609T193811Z
CREATED:20260608T194418Z
LAST-MODIFIED:20260609T193811Z
UID:9637-1782417600-1782423000@www.h-r.la
SUMMARY:Lechedevirgen: XOCHIHUA Ancestral Blooming
DESCRIPTION:$15 Suggested donation \n\n\n\n“Travestis somos\, vestimos fores\, y nos transformamos con las estaciones”Dusting off a seemingly withered past\, this performance addresses the transvestite ancestrythat survives and flourishes in Abya Yala\, emphasizing the sacred role of sexual dissidenceand trans people in precolonial times. \n\n\n\nLechedevirgen reclaims the symbolic power of flowers and their ancestral connection totransvestism\, using the metaphor of blossoming (the blossoming of the trans/travesti body\,the same blossoming of revolutions and liberation) to reclaim the history that was erasedand extirpated by the processes of domination that imposed compulsory heterosexuality anda cisgender fundamentalism that still pathologizes\, criminalizes\, and takes the lives of ourtransvestite/trans/non-binary communities. \n\n\n\nThe word “Xochihua\,” translated as “she who carries the flower\,” is the Nahuatl term fortransvestites and queer men—homosexual men who dressed and acted as women—inAztec times before colonization in the territory now known as “Mexico\,” the second deadliestcountry for trans people in the world in the current context. Xochihuas are strongly linked toXochipilli\, the “lord of flowers\,” a deity of art\, joy\, ecstasy\, sexual pleasure\, sacred flowers\,and entheogens. \n\n\n\nLechedevirgen (they/them)\, is a non-binary sexual dissident mexican artist that conceives oftheir artistic work as the creation of acts of disobedience and symbolic revenge\, combiningwriting\, performance\, ritual\, and expanded transvestism from an anti-patriarchal\, anti-colonial\, and anti-racist perspective. A representative of the LGBT+ counterculture and apioneer of post-pornography in Mexico\, their invented “Heterosexual DeconversionTherapies” and is the author of “Deshacer el Arte” (OnA Ediciones\, 2025)\, “PensamientoPuñal” (Dos Filos\, 2022)\, and the phrase “I Don’t Feel Pride\, I Feel Rage\,” which addresseshate crimes and critiques pinkwashing. Them has presented their work in Colombia\,Ecuador\, Mexico\, the United States\, Canada\, and Europe.
URL:https://www.h-r.la/event/lechedevirgen-xochihua-ancestral-blooming/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260627T193000
DTEND;TZID=America/Los_Angeles:20260627T210000
DTSTAMP:20260619T211602Z
CREATED:20260618T010923Z
LAST-MODIFIED:20260619T211602Z
UID:9663-1782588600-1782594000@www.h-r.la
SUMMARY:Isaura String Quartet
DESCRIPTION:$15 sugested donation \n\n\n\n“The brilliant playing of the Isaura Quartet is a technical triumph\, equal to the emotional demands of the music.”— SEQUENZA 21 \n\n\n\n“[The music] was felt in the body\, in the nerves and sinews\, under the ribcage\, and in the throat. All this from a remarkable string quartet that extended the syntactical and sonic range of their instruments.”— JACKI APPLE\, FABRIK MAGAZINE \n\n\n\nIsaura String Quartet returns to the Dog Star Festival for the first time since 2016\, presenting music by Laura Cetilia\, inti figgis-vizueta\, Sarah Hennies\, and Gloria Coates. Inspired by their collaboration with Coates on the west coast premiere of her 9th string quartet\, ISQ’s program explores themes of transformation\, liberation\, and imagining new futures as we want to see them. Coates wrote of her 9th quartet’s final movement\, The Cry\, that it “suggests heralding of a new world of sound.” Audiences are invited to join ISQ for an evening of musical embodiment through microtonal tuning\, improvisatory soundscapes\, extended technique\, and very many long\, slow glissandi. \n\n\n\nIsaura String Quartet is a Grammy Award-nominated ensemble based in Los Angeles. Described as “venturesome” and “edgy” in the LA Times\, the quartet pushes boundaries while staying true to their mission of promoting contemporary chamber music through live performance\, workshops\, and collaborative projects with composers and interdisciplinary artists. Founded in 2013\, ISQ’s practice is centered around music\, community\, and developing systems to support and examine the spaces in which they work. The quartet has commissioned 35 new works\, prioritizing new pieces through their programming with a focus on workshopping and supporting the work of emerging composers. Isaura String Quartet is Betsy Rettig (she/her)\, Emily Call (she/her)\, Laila Zakzook (she/her)\, and Mads Falcone (they/them).  \n\n\n\nPhoto by Zeynep Yeldan
URL:https://www.h-r.la/event/isaura-string-quartet-2/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260702T000000
DTEND;TZID=America/Los_Angeles:20260712T235959
DTSTAMP:20260610T194705Z
CREATED:20260610T194530Z
LAST-MODIFIED:20260610T194705Z
UID:9649-1782950400-1783900799@www.h-r.la
SUMMARY:NO SLEEP/NO PICNIC
DESCRIPTION:On View: July 2–12\, 2026Hours: Wednesday–Sunday\, 12–6PM \n\n\n\nOpening Reception: Thursday\, July 2\, 6–9PMwith live performance \n\n\n\nNO SLEEP/NO PICNIC brings together work by queercrip artists Halo Starling and Libby Paloma in a two-person exhibition at Human Resources Gallery\, Los Angeles. The show pairs Starling’s textile installation NO SLEEP (2026) with Paloma’s soft-sculptural installation NO PICNIC (2023)\, two works that refuse the idea that surviving difficulty should be invisible\, dignified\, or done alone. \n\n\n\nStarling’s NO SLEEP (2026) draws on their experience of Severe Obstructive Sleep Apnea (OSA)\, chronic nightmares\, and Complex Post-Traumatic Stress Disorder (C-PTSD). Starling’s ensuing years-long sleep debt required five months of convalescence in their bed. The work takes the form of a sleep temple: the bedsheets from Starling’s recovery hang like temple walls\, adorned with pillow-shaped votives. The votives — silkscreened onto hand-woven linen\, the material of ancient Greek bedding — reference the stone offerings of affected body parts that Ancient Greek supplicants would bring to these temples. Viewers encounter vertical bed sheets that cannot be slept on\, mirroring the struggles of living with a sleep disorder. Private convalescence becomes sacred architecture; befriending sleep becomes a ritual.  \n\n\n\nPaloma’s NO PICNIC (2023) is an 18-foot-long soft-sculptural installation that transforms idiomatic expressions into an absurd\, meticulous picnic scene. Living with a connective tissue disorder and autoimmune illness\, Paloma draws on her background in Speech-Language Pathology to materialize phrases like “bigger fish to fry\,” “the whole enchilada\,” “in a pickle\,” and “when life gives you lemons” as soft sculptures in fabric\, vinyl\, polyfill\, and felt — a metallic rainbow fish\, a frying pan\, a lemonade pitcher sweating vinyl ice cubes\, lace enchiladas. The installation enacts what Paloma calls “world softening”: the practice of imagining a softer world\, while also considering who has the privilege to luxuriate in public spaces\, and what life circumstances might prompt someone to express these phrases. \n\n\n\nTaken together\, the NO SLEEP/NO PICNIC diptych is a meditation on the near-constant state of queercrip survival\, encountering and resisting barriers to access\, and the resulting body trauma\, all day and all night. NO SLEEP was created as a response to NO PICNIC\, meditating on the embrace and challenges of a “world-softening” bedtime for traumatized crips. NO PICNIC is about seeking softness in the daytime in public; NO SLEEP is about struggling with softness in the nighttime in private. Together the works ask what it costs to keep going\, and what forms of care make it possible. \n\n\n\nHalo Starling (he/they\, b. Perth\, Australia) is a Los Angeles–based artist\, filmmaker\, and writer whose work explores dreaming\, trans and queer countercultures\, crip futurity\, and the transformative potential of altered states. Drawing from archives\, ritual\, and speculative worldbuilding\, they create poetic forms that blur the boundaries between memory\, myth\, and collective imagination. Their debut solo show\, Fairy Prince (2025)\, was exhibited at ONE Archives at the USC Libraries. Starling earned their MFA in Film and Media Arts from Temple University\, and is a Ph.D. student in Media Arts + Practice at USC School of Cinematic Arts. \n\n\n\nLibby Paloma (she/they\, b. Santa Ana\, CA) is a New York-based interdisciplinary artist working across sculpture\, installation\, and performance. Embracing maximal aesthetics\, humor\, and craft traditions\, Paloma transforms familiar materials into representational forms imbued with layered meaning. Immersive and labor-intensive\, Paloma’s soft sculptures draw on craft practices and traditional sewing techniques passed down by the women in her Mexican and Chicana lineage. Through the conceptual framework of “world-softening\,” Paloma explores intersectional identity and the radical potential of softness. Paloma earned a Master of Science in Communicative Disorders from San Francisco State University and a Master of Fine Arts from Parsons School of Design at The New School.
URL:https://www.h-r.la/event/no-sleep-no-picnic/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260712T193000
DTEND;TZID=America/Los_Angeles:20260712T220000
DTSTAMP:20260702T211536Z
CREATED:20260701T200012Z
LAST-MODIFIED:20260702T211536Z
UID:9671-1783884600-1783893600@www.h-r.la
SUMMARY:Cassia Streb\, Tim Feeney\, Melissa Achten\, Eli Klausner
DESCRIPTION:Performance by Cassia Streb\, Tim Feeney\, Eli Klausner\, and Melissa Achten \n\n\n\nThese two established sound-making duos join together for the first time to present an evening of 2 brand new experiments. Taking inspiration from wind power they’ll be moving sound through the vast space that is HRLA over the course of both pieces. \n\n\n\nCassia Streb and Tim Feeney are both LA-based sound artists who have been performing\, recording\, and creating sound installations together since 2019. Their sound pieces explore instrumental and found sound\, movement\, tape recorders\, door frames\, window panes\, rainstorms\, pine cones\, concrete floors\, and children’s cartoons. They have collaborated to create sound projects for High Desert Soundings in Wonder Valley\, Sound Symposium in St. John’s Newfoundland\, the Evergreen Cemetery in Santa Cruz\, and other special places and unique circumstances. Their collaborative albums have been released by Kuyin\, MAPPA\, Infrequent Seams\, Full Spectrum\, Harmonic Ooze\, Sawyer Spaces\, and Extradition. \n\n\n\nMelissa Achten and Eli Klausner are two composers\, improvisers\, and multi-instrumentalists based in Los Angeles. Their decade long collaboration combines multimedia\, live electronics\, esoteric objects\, and hand-built instruments to create ᴅᴇᴀᴛʜꜰʟᴀᴠᴏʀᴋɪꜱꜱ. \n\n\n\n$15 presale tickets \n\n\n\nDoors at 7:30 \n\n\n\nSounds at 8:00
URL:https://www.h-r.la/event/cassia-streb-tim-feeney-melissa-achten-eli-klausner/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260721T000000
DTEND;TZID=America/Los_Angeles:20260925T235959
DTSTAMP:20260827T233403Z
CREATED:20260707T202918Z
LAST-MODIFIED:20260827T233403Z
UID:9682-1784592000-1790380799@www.h-r.la
SUMMARY:CINEMA LAND
DESCRIPTION:Join us this summer for CINEMA LAND! \n\n\n\n\n\n\n\nThis summer Human Resources transforms back into its origin as a movie theater including proper sound\, acoustic treatments\, carpet\, comfortable seating\, snacks and amenities to showcase the archival facet of performance and video art. CINEMALAND will feature artist retrospectives\, cult films\, experimental animation\, video art programs\, live film scores\, rare 16mm and archival prints to Chinatown six nights a week. Join us! \n\n\n\nAll screenings have modest sliding scale tickets. Become a member for $13/month to access all HR events including this summer’s Cinema Land screenings! \n\n\n\nFull lineup updated regularly. Stay tuned! \n\n\n\nCOMING UP:\n\n\n\nMonday\, August 24 at 10pm: Summer Night Terrors – Andrzej Żuławski\, Possession \n\n\n\nTuesday\, August 25 at 8pm: Lee Anne Schmitt\, Evidence \n\n\n\nWednesday\, August 26 at 8pm: Bedcrumbsshow\, Audioginary Cinema 3 \n\n\n\nThursday\, August 27 at 8pm: Pedro Alejandro Verdin\, Bay Area Video: Artists\, Tapes\, Performance \n\n\n\nThursday\, August 27 at 10pm: Summer Night Terrors – Panos Cosmatos\, Beyond The Black Rainbow \n\n\n\nFriday\, August 28 at 7pm: Cauleen Smith\, Possible Worlds – A Film Survey\, 1998–2024; Space Is the Place (A March for Sun Ra) (2011) + Crow Requiem (2015) + Pilgrim (2016) + Three Songs About Liberation (2017) + Sojourner (2018) \n\n\n\nFriday\, August 28 at 9pm: Anna Wittenberg\, Guts\, Machines and Animals: LA Artists Shorts \n\n\n\nSaturday\, August 29 at 7pm: Cauleen Smith\, Possible Worlds – A Film Survey\, 1998–2024; The Volcano Manifesto: My Caldera (2022) + Mines to Caves (2023) + The Deep West Assembly (2024) \n\n\n\nSaturday\, August 29 at 9pm: Hugo & Harmony Holiday\, Janet Jackson – The Velvet Rope Tour \n\n\n\nSunday\, August 30 from 12pm-9pm: Rainer Werner Fassbinder\, Eight Hours Don’t Make a Day  \n\n\n\nMonday\, August 31 at 8pm: Cecilia Vicuña\, What Is Poetry to You? featuring live readings from local poets \n\n\n\nTuesday\, September 1 at 8pm: Elana Mann & Susan Mogul\, Are you a Mann or a Mogul? \n\n\n\nThursday\, September 3 at 8pm: Bruce and Norman Yonemoto: Green Card: An American Romance \n\n\n\nFriday\, September 4 at 9pm: Juliet Bashore\, Kamikaze Hearts (alternately\, Fact or Fiction) \n\n\n\nBarbara Hammer\, a two-night survey  \n\n\n\nFriday\, September\, 4 at 7pm: Barbara Hammer\, two-night survey: Menses\, Dyketactics\, Superdyke\, Women I Love (1874-1976) \n\n\n\nSaturday\, September 5\, 7pm: Barbara Hammer\, two-night survey: Double Strength\, Sync Touch\, No Nooky T.V.\, Maya Deren’s Sink (1978-2011) \n\n\n\nSaturday\, September 5 at 3pm: Tim Feeney\, Dowsing \n\n\n\nSaturday\, September 5 at 9pm: Guadalupe Arellanes\, dream series \n\n\n\nSunday\, September 6 at 7pm: Stanya Kahn\, Deny\, Defend\, Depose \n\n\n\nMonday\, September 7 at 8pm: Maggie Lee + Judy Fiskin: Mommy paired with I’ll Remember Mama \n\n\n\nTuesday\, September 8 at 8pm: Mike Kelley\, five-night survey featuring guest speakers – The Banana Man (1983) + Kappa (1986) + Family Tyranny/Cultural Soup (1987) \n\n\n\nWednesday\, September 9 at 8pm: Mike Kelley\, five-night survey featuring guest speakers – Bridge Visitor (Legend-Trip) (2004) + BLIND COUNTRY (1989) + Extracurricular Activity Projective Reconstruction #1 (Domestic Scene) (2000) \n\n\n\nThursday\, September 10 at 8pm: Mike Kelley\, five-night survey featuring guest speakers – Heidi (1992\, with Paul McCarthy) \n\n\n\nFriday\, September 11 at 7pm: Mike Kelley\, five-night survey featuring guest speakers – A Voyage of Growth and Discovery (2010\, with Michael Smith) \n\n\n\nSaturday\, September 12 at 7pm: Chris Vargas & Eric Stanley\, Homotopia/Criminal Queers  \n\n\n\nSaturday\, September 12\, 8pm: Mike Kelley\, five-night survey featuring guest speakers – Day Is Done (2005) \n\n\n\nSaturday\, September 12 at 9pm: Yuval Pudik\, The Hom(o)stead Act \n\n\n\nSunday\, September 13 at 4pm: Noemi Mendez-Colon\, XHDЯBZ – La Familia P. Luche \n\n\n\nThursday\, September 17 at 8pm: David Wojnarowicz: Where Evil Dwells\, A Fire in My Belly\, ITSOFOMO (In the Shadow of Forward Motion) \n\n\n\nThursday\, August 24 at 10pm: Summer Night Terrors – Marc Caro & Jean-Pierre Jeunet\, The City Of Lost Children \n\n\n\nSunday\, September 20 at 8pm: Vital Signals: Early Japanese Video Art: with an introduction from Glenn Phillips (Getty Research Institute) \n\n\n\nFriday\, September 25 at 9pm: Harry Dodge & Silas Howard\, BY HOOK OR BY CROOK \n\n\n\nPAST SCREENINGS: \n\n\n\nTuesday\, July 21 at 8pm:  Mark So + Madison Brookshire\, Nonalignment \n\n\n\nThursday\, July 23 at 8pm: Stanya Kahn\, Stand in the Stream \n\n\n\nFriday\, July 24 at 7pm: P Staff presents Kate Bush Rarities \n\n\n\nSaturday July 25th\, at 9pm: Juzo Itami\, Tampopo \n\n\n\nTuesday July 28th\, at 8pm: Agnés Varda\, The Beaches Of Agnés \n\n\n\nWednesday\, July 29 at 8pm: Middle Ear Project\, Un-Silent Films \n\n\n\nThursday\, July 30 at 8pm: Stanya Kahn\, Don’t Go Back to Sleep \n\n\n\nFriday\, July 31 at 7pm: Nguyen Tan Hoang\, THE GAYSIAN ARCHIVE: RISKY BUSINESS  \n\n\n\nSaturday\, August 1 at 7pm: Nguyen Tan Hoang\, PIRATED FANTASIES \n\n\n\nSaturday\, August 1 at 9pm: Fast Cat Productions\, Cruising(at the movies) \n\n\n\nSunday\, August 2 at 4pm: Tuni Chatterji\, Heart Aches from Loving You: two films \n\n\n\nTuesday\, August 4 at 8pm: Shu Lea Cheang\, Fresh Kill \n\n\n\nThursday\, August 6 at 8p: Stanya Kahn\, No Go Backs and It’s Cool\, I’m Good \n\n\n\nThursday\, August 6 at 10p: Ivan Zulueta\, Arrebato \n\n\n\nFriday\, August 8 at 8pm: Olivia Mole\, the Videos of Olivia Mole \n\n\n\nSaturday\, August 8 at 12pm: Jasmine Nyende\, A Scream Workshop \n\n\n\nSaturday\, August 8 at 9pm: William E. Jones and Margie Schnibbe\, in conversation \n\n\n\nSaturday\, August 8 at 11:30pm: John Waters\, Female Trouble \n\n\n\nSunday\, August 9 at 7pm: Films For Horses\, Stick With Me \n\n\n\nMonday\, August 10 at 10pm: A. Hans Scheirl\, Flaming Ears \n\n\n\nTuesday\, August 11 at 8pm: Jasmine Nyende\, Final Girl Fantasy Portal \n\n\n\nThursday\, August 13 at 8pm: Eve Fowler\, Filles Manquées \n\n\n\nThursday\, August 13 at 10pm: Bill Gunn\, Ganja & Hess \n\n\n\nFriday\, August 14 at 7pm: Tony Cokes\, The Book Of Love  \n\n\n\nFriday\, August 14 at 9pm: Charles Atlas\, Hail the New Puritan \n\n\n\nSaturday\, August 15 at 7pm: East Of Borneo presents\, Play It As It Lays \n\n\n\nSaturday\, August 15 at 10pm: Shirley Clarke\, Portrait Of Jason \n\n\n\nSunday\, August 16 at 4pm: Advik Beni & Nehal Vyas\, Songs to Quell the Monster: Program 2 of 4—The People’s Chorus \n\n\n\nSunday\, August 16 at 6pm: Dirty Looks\, Suddenly Last Summer \n\n\n\nSunday\, August 16 at 10pm: Charles Atlas The Legend Of Leigh Bowery  \n\n\n\nMonday\, August 17 at 10pm: Summer Night Terrors – Agnieszka Smoczyńska\, The Lure \n\n\n\nTuesday\, August 18 at 8pm: Haruko Tanaka + Reader Chorous\, series of shorts + documentary \n\n\n\nWednesday\, August 19 at  8pm: An Unwrinkled Ear presentation \n\n\n\nThursday\, August 20 at 7pm: Cauleen Smith\, Possible Worlds – A Film Survey\, 1998–2024; Drylongso (1998) \n\n\n\nThursday\, August 20 at 10pm: Summer Night Terrors – Yukihiko Tsutsumi\, The Egg \n\n\n\nFriday\, August 21 at 7pm: Cauleen Smith\, Possible Worlds – A Film Survey\, 1998–2024; The Fullness of Time (2008) + H-E-L-L-O (2014) \n\n\n\nFriday\, August 21 at 9pm: Vishal Jugdeo & vqueeram\, Does Your House Have Lions  \n\n\n\nSaturday\, August 22 at 11am: BAD ASIANS\, Mukbang Matinee: Hunger\, Care\, and the Asian Body \n\n\n\nSaturday\, August 22 at 6pm: Christina Catherine Martinez\, Comedy is Sad \n\n\n\nSaturday\, August 22 at 9pm: Priya Sen\, Yeh Freedom Life \n\n\n\nSunday\, August 23 at 4pm: Tom Bowes\, Two Moon July
URL:https://www.h-r.la/event/cinemaland/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260721T200000
DTEND;TZID=America/Los_Angeles:20260721T213000
DTSTAMP:20260714T224659Z
CREATED:20260710T212143Z
LAST-MODIFIED:20260714T224659Z
UID:9695-1784664000-1784669400@www.h-r.la
SUMMARY:Nonalignment
DESCRIPTION:Madison Brookshire and mark so \n\n\n\n\n\n\n\n\n\ncontinue to \n\n\n\nspin \n\n\n\nor speak \n\n\n\ncopying the \n\n\n\ncode on sheets \n\n\n\nNow and again \n\n\n\nchance falling \n\n\n\nwhere they \n\n\n\nmove \n\n\n\nmark that spread \n\n\n\nbeyond \n\n\n\nspeaking. \n\n\n\n“no \n\n\n\nline\,” \n\n\n\nalmost \n\n\n\n“Nothing\,” \n\n\n\nthat arises \n\n\n\nfrom \n\n\n\nthis time \n\n\n\nunfolding\, of which each aspect is unique \n\n\n\nand unrepeatable\, \n\n\n\n \n\n\n\n \n\n\n\n16mm film\, notebooks\, and tapes \n\n\n\n \n\n\n\n \n\n\n\nTickets  \n\n\n\nAll screenings have modest sliding scale tickets. Become a member for $13/month to access all HR events including this summer’s Cinema Land screenings!
URL:https://www.h-r.la/event/nonalignment/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260723T000000
DTEND;TZID=America/Los_Angeles:20260806T235959
DTSTAMP:20260727T075818Z
CREATED:20260714T202437Z
LAST-MODIFIED:20260727T075818Z
UID:9729-1784764800-1786060799@www.h-r.la
SUMMARY:Stanya Kahn Survey of Films
DESCRIPTION:  \n\n\n\nThis is the first of 3 consecutive Thursday nights of films by Los Angeles artist Stanya Kahn. \n\n\n\nSliding scale tickets \n\n\n\nThursday July 23rd at 8pm – Stand in the Stream (2011-2017) \n\n\n\nStand in the Stream defies categorization—an ambient digital feature about life\, death\, the inextricability of the personal from the political\, the primacy of the image and the interplay of scale in human struggle\, from the intimacy of the home to the global streets\, the handheld camera to the drone. Shot over the course of six years\, Stand in the Stream captures historic shifts in popular uprisings and the nascent use of the internet to organize and document. Made during a period in which massive and unprecedented protest movements rose across the globe between 2010 and 2017—Tunisia\, Egypt\, Brazil\, Turkey\, the U.S.—the film is also follows the intimate arc of deterioration and death of the artist’s activist/worker mother\, alongside personal documentation of daily life amidst swiftly changing political and digital landscapes. Live-streams screen-recorded in real-time are intercut with footage Kahn shot on multiple camera formats\, as an embodied means to reframe our screen-saturated\, contemporary perspectives without using found footage. With a dense and visceral sound score\, Stand in the Stream moves from the home to the wild\, from online chat rooms to the streets. From the birth of a child to the death of a mother\, from Tahrir Square to Standing Rock and Trump’s (first) inauguration\, Stand in the Stream is an urgent contemporary ode and a story for the people. \n\n\n\nThursday July 30th at 8pm – Dont Go Back to Sleep \n\n\n\n\n\n\n\nColor HD video with stereo soundWritten\, directed\, shot\, edited and sound designed by Stanya Kahn ©2014 \n\n\n\nIncludes original sounds/music by Kahn and Keith Wood (Hush Arbors\, Chelsea Light Moving). B Camera by Ignacio Genzon\, Mike Soltz and Chiara Giovando. The cast contributed primary dialogue. Made with the support of Grand Arts\, Kansas City \n\n\n\nCourtesy of the artist \n\n\n\n“People are going back and forthacross the doorsill where the two worlds touch.The door is round and openDon’t go back to sleep!” –Rumi“When you affect something\, you are at the same time opening yourself up to being affected in turn\, and in a slightly different way than you might have been the moment before. You have made a transition\, however slight. You have stepped over a threshold.”—Brian Massumi\, (translator\, “A Thousand Plateaus”)\, from interview: Navigating Movements \n\n\n\nDon’t Go Back To Sleep is an experimental narrative feature film that operates as a metaphor for the violence of the state and resulting citizen trauma and resilience. As medical professionals perform haphazard triage\, mostly on each other\, in homes left vacant during the 2008 housing crash\, we realize they may be the only people left: workers (The People) vs the danger outside: the state (police/military/clampdown). In tenuous relations between strangers collaborating under pressure\, darkly comedic camaraderie arises in small human exchanges. \n\n\n\n \n\n\n\nThursday August 6th at 8pm – No Go Backs  ©Stanya Kahn\, 2020\, It’s Cool\, I’m Good Stanya Kahn ©2010 \n\n\n\n\n\n\n\nNo Go Backs  ©Stanya Kahn\, 2020 \n\n\n\nTRT: 33 min  \n\n\n\nColor super 16mm\, transferred to 2K Digital video with stereo sound \n\n\n\nA visceral 33-minute short film\, shot on super 16mm with an original sound-score and no words\, No Go Backs follows two sets of teenagers who leave the city for the wild\, only haphazardly prepared. Featuring the artist’s son (Lenny Dodge-Kahn) and his life-long best friend (Elijah Parks) and their friends (Serafina and Marisol Prietto\,) No Go Backs is a quietly dystopian fiction grounded in real-world relations and the understated but persistent presence of contemporary catastrophes. In the haunted precarity of a collapsed world\, the kids travel in dreamlike states of distraction\, malaise\, and resilience. They cut an arduous path along sites of California’s historic water wars\, following the aqueduct north toward its source\, through the monumental landscapes of the Eastern Sierra Nevada. Eventually encountering other kids along shared roads—and the prospect of camaraderie in facing the unknown—the film becomes a vison of tenuous survival and the astonishing power of the earth. Completed just a month before lockdown\, No Go Backs appears as an uncanny premonition and an allegorical epic about an entire generation that must make a new way forward.  \n\n\n\n\n\n\n\nIt’s Cool\, I’m Good Stanya Kahn ©2010 \n\n\n\nTRT: 35:22  \n\n\n\nColor SD video transferred to HD with options for 5.1 surround or stereo \n\n\n\nCommandeering a rotating staff of nurses with equal parts wit and belligerence\, a severely injured protagonist (Kahn) moves through the city\, hospice\, and wilderness\, seducing\, harassing and charming caretakers into holding the video camera. At once selfless\, narcissistic\, verbose\, elusive\, vulnerable and manipulative\, the patient is tenacious in the face of death. Memory and time have been destabilized by trauma. Mirroring economic collapse\, urban tension and ecological demise as contexts for contemporary stress\, the “patient” embodies damage and resilience with a relentless albeit morbid sense of humor. A compromised sense of social navigation gives way to uncompromised presence.  \n\n\n\nKahn shot at over twenty locations and designed a complex audio score\, to cut a narrative that’s organized across many small arcs in place of one grand one\, confounding linear time and troubling the line between the monstrous\, heroic and mundane. \n\n\n\nBecome a member for $13/month to access all of HR events including this summer’s Cinema Land featuring Stanya Kahn’s film survey!
URL:https://www.h-r.la/event/stanya-khan-screenings/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260725T210000
DTEND;TZID=America/Los_Angeles:20260725T233000
DTSTAMP:20260720T214846Z
CREATED:20260717T192707Z
LAST-MODIFIED:20260720T214846Z
UID:9774-1785013200-1785022200@www.h-r.la
SUMMARY:Tampopo
DESCRIPTION:Tickets \n\n\n\nTampopo (タンポポ\, Tanpopo; literally “dandelion”) is a 1985 Japanese film written and directed by Juzo Itami\, and starring Tsutomu Yamazaki\, Nobuko Miyamoto\, Kōji Yakusho\, and Ken Watanabe.  \n\n\n\nThe tale of an eccentric band of culinary ronin who guide the widow of a noodle-shop owner on her quest for the perfect recipe\, this rapturous “ramen western” by Juzo Itami is an entertaining\, genre-bending adventure underpinned by a deft satire of the way social conventions distort the most natural of human urges—our appetites. Interspersing the efforts of Tampopo (Nobuko Miyamoto) and friends to make her café a success with the erotic exploits of a gastronome gangster and glimpses of food culture both high and low\, the sweet\, sexy\, and surreal Tampopo is a lavishly inclusive paean to the sensual joys of nourishment\, and one of the most mouthwatering examples of food on film ever made.
URL:https://www.h-r.la/event/tampopo/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260728T200000
DTEND;TZID=America/Los_Angeles:20260728T213000
DTSTAMP:20260721T203827Z
CREATED:20260717T202251Z
LAST-MODIFIED:20260721T203827Z
UID:9784-1785268800-1785274200@www.h-r.la
SUMMARY:The Beaches of Agnès
DESCRIPTION:Tickets \n\n\n\nThe Beaches of Agnès is a 2008 French documentary film directed by Agnès Varda. \n\n\n\nMade as its auteur approached her 80th birthday\, Agnès Varda’s The Beaches of Agnès is a playful\, elegiac autobiography in cinema by the “grandmother” of the French New Wave. Varda has created a living\, moving collage in which clips from her earlier films are juxtaposed with images from her travels\, projects\, and relationships\, and documentary realism gives way to dreamy montages and surrealist set pieces. Supporting players include Harrison Ford and fellow filmmaker Chris Marker\, appearing in the guise of an orange cartoon cat. The result is a luminous meditation on Varda’s life in film and on the art of film itself.
URL:https://www.h-r.la/event/the-beaches-of-agnes/
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