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DTSTART;TZID=America/Los_Angeles:20231019T120000
DTEND;TZID=America/Los_Angeles:20231019T180000
DTSTAMP:20260811T085109
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SUMMARY:JD's Preventing Harassment & Discrimination Training
DESCRIPTION:While gallery sitting for Carlos Agredano’s Smog Check\, Jennifer Doyle will complete her state-mandated sexual harassment prevention training program\, and livestream this exercise (via HRLA’s Instagram account) while offering running commentary about the process. Doyle is the author of Campus Sex/Campus Security\, a book which takes up the braiding of harassment and security dynamics. The possibility of harassment alibis the intensification of the security apparatus—how do we undo that relation? what is a safe space? what makes for a hostile environment? What does it mean to refuse these securitizing structures\, and to reckon with our expectations of institutions and our relationship to them? This training\, normally taken with zero real engagement with these issues\, is supposed to take two hours. Doyle stretches this obligation out: it is unlikely she’ll get all the way through it. Pop by the gallery to check out Agredano’s exhibition and to join her in conversation about social ecology and harassment as a form of toxicity.  This training exercise is meant to be interrupted.
URL:https://www.h-r.la/event/jds-preventing-harassment-discrimination-training/
CATEGORIES:online event,performance,seminar/workshop
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220212
DTEND;VALUE=DATE:20220314
DTSTAMP:20260811T085109
CREATED:20220112T163314Z
LAST-MODIFIED:20220113T222804Z
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SUMMARY:Reading with José Muñoz
DESCRIPTION:This (online) seminar takes up the work of José Esteban Muñoz\, a defining figure in queer theory\, queer of color critique\, and performance studies. We will read excerpts from his three books (Disidentifications\, Cruising Utopia\, and The Sense of Brown) to explore his key terms and the impact of his thinking on the work of artists and scholars. The intention is to host a conversation for artists\, art critics\, curators and other art workers who want to better understand the story of his work\, and the importance of his interventions. Students/academics who are not artists and who appreciate an artist-centered context are welcome to join. This seminar will be hosted by HRLA member & UC Riverside professor Jennifer Doyle. We will hold three meetings\, 11am Saturday Feb 12\, 26 and March 12th. To register for this seminar and gain access to our readings\, please fill out this form.   \nThis class grows out a project which began as Marxism for Artists. It is intended as a welcoming environment in which people can spend time with the ideas that shape criticism & theory.
URL:https://www.h-r.la/event/reading-with-jose-munoz/
LOCATION:Online
CATEGORIES:online event,seminar/workshop
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210821
DTEND;VALUE=DATE:20210913
DTSTAMP:20260811T085109
CREATED:20210722T151819Z
LAST-MODIFIED:20210810T234113Z
UID:6248-1629525600-1631426399@www.h-r.la
SUMMARY:Visual Sovereignty: Indigenous Studies for Artists
DESCRIPTION:Saturday August 21\, Sept 4\, Sept 11 noon-2pm (note\, schedule has shifted) \nJoin us for a series of virtual seminars on Indigenous Studies as a paradigm for decolonial/anti-colonial art practices. This seminar will survey different threads of Indigenous Studies as a political\, educational\, and aesthetic movement. By engaging Michelle Raheja’s  “Visual Sovereignty” as a praxis\, we will emphasize the need for trans-Indigenous worldmaking that deploys individual and community assertions of what representation means in art and literature. The works in this seminar also embody what Maile Arvin calls “regenerative refusal” in which Indigenous peoples voice dissent from colonial hierarchies of being and relating to the world and enable transformed and liberatory futures. “Refusal” emphasizes the need for Native understandings of tradition\, relationality\, and alternative worlds and hierarchies of being that are opposite vis-à-vis western epistemologies that stems from histories of colonialism to modern day neocolonialism\, the military-industrial complex\, neoliberalism\, and late-stage capitalism.  \nRegister here for the seminar: we will send people who sign up a syllabus\, information on the zoom seminar\, and access to the readings. \nThe readings are organized in an archipelagic way\, connecting Native American thought with Indigenous theory of Oceania in the Pacific\, with that in the Caribbean\, and networks of Indigenous coalitions of resistance across the globe. By connecting the broad field of Indigenous Studies through what Audra Simpson calls “nested sovereignties” our readings will consist of varied perspectives of Native peoples and critiques of inherent paradigms of colonial power asymmetries. Categorizing these readings through an archipelagic standpoint connects these divergent narratives\, positions\, times\, and spaces. As Manulani Meyer states: \nIndigenous epistemology [is] a wide-open field of knowledge production and exchange with priorities in practice\, relevance\, context\, consciousness\, and shared common sense. It is knowledge through experience\, individual or collective\, and a way of being via site-specific familiarity through years\, generations\, and life-times. In this way patterns emerge collapsing time into space and all unknowns into mystery and story. \nBy putting together in conversation these formative readings in the wide-ranging field of Indigenous studies\, our focus will be concerned with critical Indigenous pedagogies that center cultural reclamation against the violences of the settler state. \nThis seminar will be led by Nicole Ku’uleinapuananiolikoawapuhimelemeleolani Furtado. She is a Ph.D. student at the University of California\, Riverside. Nicole is of Kanaka Maoli heritage and is from Nanakuli\, Hawaii. She received her B.A. in English from the University of Hawaii at Manoa and her M.A. in English at UC Riverside. Her current research interests are in Speculative Fiction\, Indigenous Studies\, Digital Art\, Disability Studies\, Science and Technology Studies\, and Decolonial Futurities. \nThis seminar is partially supported by UC Riverside. Flyer image: Sofia Kaleomalie Furtado.
URL:https://www.h-r.la/event/visual-sovereignty-indigenous-studies-for-artists/
LOCATION:Online
CATEGORIES:online event,seminar/workshop
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210724
DTEND;VALUE=DATE:20210809
DTSTAMP:20260811T085109
CREATED:20210703T180250Z
LAST-MODIFIED:20210705T233030Z
UID:6181-1627106400-1628402399@www.h-r.la
SUMMARY:Marxism for Artists\, redux
DESCRIPTION:Join us for two online seminar meetings dedicated to thinking/learning about money\, currency and value. In our first session (Saturday 7/24\, 11am-12:30 PST) we will return to the sections of Capital centered on money. In our second (Saturday 8/7\, 11am-12:30 PST)\, we will work through a handful of readings centered on cryptocurrency\, blockchain and NFTs (like this).   \nTo participate in this reading group\, an extension of “Marxism for Artists\,” please fill out this registration form. We will send registrants a link to a folder containing readings\, links to video lectures as well as information regarding the seminar zoom sessions. This reading group is intended as a welcoming space for people often marginalized\, silenced\, excluded from conversations about Marxist thought and centers Marxist feminist and Black Marxist perspectives on our subjects. It is furthermore intended to nourish the practices of artists and art workers. These sessions are hosted by HRLA member & UCR professor Jennifer Doyle. 
URL:https://www.h-r.la/event/marxism-for-artists-redux/
LOCATION:Online
CATEGORIES:online event
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DTSTART;TZID=America/Los_Angeles:20201212T130000
DTEND;TZID=America/Los_Angeles:20201212T150000
DTSTAMP:20260811T085109
CREATED:20201205T230033Z
LAST-MODIFIED:20201206T200209Z
UID:5508-1607778000-1607785200@www.h-r.la
SUMMARY:October\, November and MARCH: How Has the Weather Changed?
DESCRIPTION:October\, November and MARCH: How Has the Weather Changed? \nA Roundtable Discussion on Art & Strategy + MARCH 01 Issue Launch\nSaturday\, December 12 @ 1PM PST/4pm EST/9pm GMT\nThis event is free and online: RSVP\n\n“We are in the period of November\, when revolution seems to be over\, and peripheral struggles have become particular\, localist and almost impossible to communicate. In November\, the former heroes become madmen and die in extra-legal executions somewhere on a dirty roadside and information about it is so diffused with predictable propaganda\, that hardly anyone takes a closer look.” \nIn a scene from Hito Steyerl’s November (2004)\, we hear these words distinguish between the revolutionary days of October and “ours” as the artist is seen participating in a protest against the US and allies’ invasion of Iraq. Yet\, that ‘present’ is now sixteen years old and separated from our present by a pandemic which has caused over 1.5 million deaths worldwide\, global uprisings in defense of Black lives\, massive deportations and barring of asylum seekers\, major housing and student debt crises\, drone assassinations and proxy wars\, oil spills and environmental catastrophes – alongside  ever louder calls for the abolition of the institutions of capitalism: the police\, the prison and the military\, among others.  \nIn its inaugural print edition\, MARCH: a journal of art & strategy occupies the first issue of October (itself a direct reference to the 1917 October Revolution) in order to reopen an inquiry into the relationship between revolutionary practice\, theoretical inquiry and artistic innovation in our time. Through this process we ask: Can publication (the act of making public) be an act of protest (public making)? Can publication be thought of spatially and materially as a consequential conspirator? Incendiary insurrection? What strategies do (and can) we employ? Towards what goals? Can an abolitionist framework be applied to the institution of art? Can we avoid the pitfalls of allegorical thinking? \nThe conversation brings together perspectives from Nora N. Khan\, Serubiri Moses\, Zoé Samudzi\, Andrea Steves\, MARCH founders Sarrita Hunn and James McAnally\, and is moderated by Gelare Khoshgozaran with Human Resources for the occasion of MARCH: a journal of art & strategy’s inaugural print edition.  \n***\nHuman Resources was founded in 2010 by a team of creative individuals who seek to broaden engagement with contemporary and conceptual art\, with an emphasis on performative and underexposed modes of expression. Human Resources is not-for-profit and seeks to foster widespread public appreciation of the performative arts by encouraging maximum community access. Human Resources also serves as a point of convergence for diverse and disparate art communities to engage in conversation and idea-sharing promoting the sustainability of non-traditional art forms. We are a volunteer organization. https://www.h-r.la/ \n  \nMARCH: a journal of art & strategy embraces publishing as an act of protest to address the critical social and political issues of our time. MARCH was founded in 2020 by Sarrita Hunn and James McAnally as an expansion of their previous publication\, Temporary Art Review (2011-2019). MARCH features an annual print edition alongside an active online platform commissioning essays\, interviews\, and experimental critical writing with a global perspective. https://march.international/ \n\nSarrita Hunn is an interdisciplinary artist\, editor\, curator and web developer whose often collaborative practice focuses on the culturally\, socially and politically transformative potential of artist-centered activity. She is the co-founder and editor of MARCH\, a journal of art & strategy; artistic coordinator for Saas-Fee Summer Institute of Art; and managing editor of artbrain.org. Additionally\, she is a founding member and co-chair of Liebe Chaos Verein e.V. and founding member of the queer cyberactivist collective Cypher Sex. \n  \nNora N. Khan is a critic\, an educator\, and a curator. She is on the faculty of Rhode Island School of Design\, in Digital + Media\, and has two short books: Seeing\, Naming\, Knowing (The Brooklyn Rail\, 2019)\, on machine vision\, and with Steven Warwick\, Fear Indexing the X-Files (Primary Information\, 2017). Forthcoming this year is The Artificial and the Real\, through Art Metropole. She is currently an editor of Forces of Art: Perspectives From a Changing World\, alongside Serubiri Moses and Carin Kuoni.  \n  \nGelare Khoshgozaran is an undisciplinary artist and writer who\, in 2009 was transplanted from street protests in a city of four seasons to the windowless rooms of the University of Southern California where aesthetics and politics were discussed in endless summers. Gelare is a keyholder at Human Resources. \n  \nJames McAnally is a strategic critic and dependent curator based in St. Louis\, MO. He is the co-founder and editor of MARCH: a journal of art & strategy\, the co-founder and director of The Luminary\, an expansive platform for art\, thought\, and action\, and a founding member of Common Field\, a national network of independent art spaces and organizers. McAnally is a recipient of the Creative Capital | Andy Warhol Foundation Arts Writers Grant for Short-Form Writing. \n  \nSerubiri Moses is a writer\, editor\, and curator\, and currently Adj. Asst. Professor in the Art and Art History Department at Hunter College. He is co-curator of the 5th perennial contemporary art survey\, Greater New York (2021)\, founded in 2000 at MoMA PS1\, Long Island City\, and previously was on the curatorial team of the 10th Berlin Biennale of Contemporary Art (2018). His current research focuses on theories in African visual art and art exhibitions.  \n  \nZoé Samudzi is a writer and doctoral candidate in Medical Sociology at the University of California\, San Francisco. Her writing has appeared in The New Republic\, Art in America\, The New Inquiry\, The Funambulist\, and other places\, and she is a contributing writer at Jewish Currents. Along with William C. Anderson\, she is the co-author of As Black as Resistance: Finding the Conditions for Our Liberation (AK Press\, 2018). She is currently a fellow with Political Research Associates. \n  \nAndrea Steves is an artist\, curator\, researcher\, and organizer currently based in Brooklyn. Her recent projects deal with museums and public history\, monuments and memorials\, and the complex legacies of the Cold War. Andrea also works in the collective FICTILIS and the Center for Hydrosocial Studies\, and is co-founder of the Museum of Capitalism. She is currently a visiting scholar at the Center For Capitalism Studies at The New School. \n\nimage caption: Hito Steyerl. November (still)\, 2004. See: https://vimeo.com/88484604
URL:https://www.h-r.la/event/march/
CATEGORIES:one-time event at HR,online event
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DTSTART;VALUE=DATE:20201101
DTEND;VALUE=DATE:20210202
DTSTAMP:20260811T085109
CREATED:20200131T000031Z
LAST-MODIFIED:20211228T050428Z
UID:5317-1604210400-1612159199@www.h-r.la
SUMMARY:Stoking The Flame
DESCRIPTION:Stoking The Flame brings together DJs\, Poets\, Artists\, Musicians whose work invokes new worlds imagined and forged within nightlife.  \nStoking The Flame aligns itself with artists who wield the allure and radicality of nightlife to experiment and amplify new sounds\, moves\, and ways of being with one another amidst the on-going state violence.  \nStoking The Flame will feature one artist per week over the span of the last months of 2020. In a combination of mixes\, videos\, interviews\, and other virtual experiments Stoking The Flame stages a site to add onto nightlife’s constant forging of other worlds\, of more nights\, and ways of being. \nDJ Erika Kayne \nBAE BAE \nGemma Castro \nSebastian Hernandez \nKelman Duran \nJasmine Nyende \nXina Xurner \nElliot Reed \nKaili \n 
URL:https://www.h-r.la/event/stoking-the-flame/
LOCATION:Online
CATEGORIES:exhibition,online event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200822
DTEND;VALUE=DATE:20200928
DTSTAMP:20260811T085109
CREATED:20200730T210452Z
LAST-MODIFIED:20200730T225644Z
UID:5248-1598076000-1601186399@www.h-r.la
SUMMARY:Marxism for Artists\, Pt. 2
DESCRIPTION:Participants in HRLA’s online seminar\, Life in the Iron Mills/Marxism for Artists (organized by Jennifer Doyle and concluded in early July)\, expressed a desire to keep going — and so we will! \nOur next session will center on Marxist thinking about kinship\, collectives\, society and social transformation\, and will run from August 22 until the end of September. If you would like to participate\, please sign up here. \nOur readings will move across distinct areas in Marxist critical thought — Friedrich Engels’s The Origins of Family\, Private Property and the State\, Gayle Rubin’s “The Traffic in Women: Notes on the Political Economy of Sex\,” excerpts from Glen Coulthard’s Red Skin\, White Masks: Rejecting the Colonial Politics of Recognition\, Saidiya Hartman’s Wayward Lives\, Beautiful Experiments: Intimate Histories of Social Upheaval\, and Cedric Robinson’s Black Marxism. We will discuss Black cooperatives with Dr. Irvin Hunt (University of Illinois)\, author of the forthcoming Dreams of the Present: Time\, Aesthetics and the Black Cooperative Movement. \nA preoccupation with philosophies of history are defining features of Marxist critical theory — the turn to the past expresses a need to understand change — to push against a sense of the always-already ongoingness and inevitability of oppression. To refuse the way things are\, we grapple with the possibilities of what might have been. In Marxist critical theory\, these lines of inquiry are braided with a turn to cultural anthropology — this is particularly important to Marx’s writing about primitive accumulation\, and to The Origins of the Family\, which was developed from Marx’s notes on 19th-century anthropological writing about Indigenous societies in North America and the Pacific. These writings were really important to Marx and Engels – and to the latter’s ideas about kinship and family structures\, and the relationship between the rise of Capital and the organization of production/consumption around the patriarchal\, monogamous family. Collectively\, this reading explores the origin of Capital and white heteropatriarchy and begins to suggest other ways of living and working together. \nMarxism for Artists is a weekly reading and discussion group intended to support the development of our understanding of key texts in Marxist thought\, especially as they might support artists’ practices. While students/scholars are welcome\, this group is formed as an alternative to the vibe which tends to dominate academic settings. This group is meant to make space for people often pushed out by the turn to “theory” — not because they do not have the competency to contribute\, but because the culture around Marxist critical theory\, in particular\, is often overtly hostile to the perspectives of BIPOC\, women\, queer and trans folks.  The very rich tradition of feminist\, queer\, Indigenous and anti-racist engagement with Marxism has\, historically\, been marginalized within art and art history — the effect is to reinforce a conceptual apartheid which divides work concerned with race\, gender and settler-colonial contexts and work concerned with the status of the art object\, within Capital. This was never OK; today more and more contemporary art contexts are reckoning with that fact. \nThese conversations are meant to be a space for working-through our shared interests in learning more\, and also for\, in a sense\, doing some repair-work. It is a chance for people to read and think together because it feels good. \nIf this sounds to you like it would feel good to you\, please consider joining us. \nThese events are hosted on zoom thanks to Jennifer Doyle’s professional home\, The English Department at UC Riverside.
URL:https://www.h-r.la/event/marxism-for-artists-pt-2/
LOCATION:Online
CATEGORIES:online event
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DTSTART;TZID=America/Los_Angeles:20200802T160000
DTEND;TZID=America/Los_Angeles:20200802T193000
DTSTAMP:20260811T085109
CREATED:20200724T191107Z
LAST-MODIFIED:20200724T191107Z
UID:5242-1596384000-1596396600@www.h-r.la
SUMMARY:CONTEXT-CON Book Launch: Alexandro Segade’s The Context 
DESCRIPTION:Please join us for a CONTEXT-CON\, an online book launch (in the form of a Comic Con) event celebrating Alexandro Segade’s new graphic novel The Context\, published by Primary Information in 2020. Register here! \nInterpreting The Context’s superheroes\, special guests include: \nEi Arakawa as Drives \nJennifer Doyle as The Body \nJonah Groeneboer as Form \nMary Kelly as Cathexis \nJennifer Moon as Barelife \nTavia Nyong’o as Objector \nDavid Velasco as Biopower \n  \nFollowed by Alexandro Segade in conversation with scholar andré carrington \nAnd live drawing with graphic novelist Luciano Vecchio \nCo-hosted by Human Resources\, Los Angeles and Participant Inc.\, New York. \n— \nAbout The Context \nThe Context reimagines the superhero comic book as a queer parable of belonging. The story follows six powerful beings from different worlds who find themselves inexplicably adrift together in an otherwise lifeless void: Biopower\, Cathexis\, Barelife\, Objector\, Drives\, and Form. The characters\, each named for a concept drawn from critical theory\, engage one another in skintight fight scenes that often look like sex scenes\, and philosophical debates masked as exposition. \nAs a lifelong fan and a more recent critic of the superhero genre\, artist and performer Alexandro Segade approached his first graphic novel as a solo performance\, acting out all the roles: writer\, penciller\, inker\, colorist and letterer. The Context considers the form of the graphic novel through conceptual\, minimalist\, op art\, and constructivist aesthetics\, while paying homage to the great cosmic comics of the 1970s and ’80s: Silver Surfer\, Legion of Super Heroes\, Green Lantern\, Adam Warlock and X-Men (to name a few). A meditation on group dynamics\, composed of foreshortened figures in flight set against an endless field of stars\, The Context illustrates a vastness that extends past the boundaries of different art forms and ways of being. \nAlexandro Segade is an interdisciplinary artist whose projects span video\, performance\, writing\, drawing\, and comics. Often collaborating with Malik Gaines\, Segade uses genre and theatricality to construct group identities in collectives such as My Barbarian\, A.R.M. and Courtesy the Artists. He is assistant professor of art at Cornell University. alexandrosegade.net \nFor more information\, or to purchase a copy\, visit Primary Information here. You can explore The Context thanks to Artforum. \n— \nBios: \nEi Arakawa is a performance artist based in New York. \nandré carrington is the author of Speculative Blackness: The Future of Race in Science Fiction (Minnesota\, 2016). \nJennifer Doyle is the author of Campus Sex\, Campus Security (2015)\, Hold it Against Me: Difficulty and Emotion in Contemporary Art (2013)\, and Sex Objects: Art and the Dialectics of Desire (2006). \nJonah Groeneboer is an interdisciplinary artist based in New York. \nMary Kelly is an American conceptual artist\, feminist\, educator\, and writer. \nJennifer Moon is an interdisciplinary artist based in Los Angeles. \nTavia Nyong’o is the author of The Amalgamation Waltz: Race\, Performance\, and the Ruses of Memory (Minnesota\, 2009)\, and Afro-Fabulations: The Queer Drama of Black Life (NYU Press\, 2018). \nLuciano Vecchio is based in Argentina. He is the artist of Marvel Comics’ Ironheart\, written by Eve Ewing\, and is the author and artist of Sereno. \nDavid Velasco is a New York-based writer and editor-in-chief of Artforum. \n  \n  \n  \n  \n 
URL:https://www.h-r.la/event/context-con-book-launch-alexandro-segades-the-context/
CATEGORIES:online event
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