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DTSTART;TZID=America/Los_Angeles:20160507T100000
DTEND;TZID=America/Los_Angeles:20160507T150000
DTSTAMP:20260614T005147
CREATED:20160522T204312Z
LAST-MODIFIED:20160617T005140Z
UID:1824-1462615200-1462633200@www.h-r.la
SUMMARY:DecolonizeLA: Un-casting colonization from our dreams\, casting spells\, igniting our decolonized collective dreams through dance and plants w/ Charmaine Bee + Joy
DESCRIPTION:Join us to co-create change collectively as well as release restrictive & oppressive structures that limit expansion. Together let’s un-cast the nightmares of colonization! \nThis workshop/performance will consist of movement that co-creates ritual space\, use of herbs to support collective spell casting/ un-casting and to invoke and activate individual and collective dreams. Together we will interrogate how we can use our dream world as a space to activate our intentions. \nWe come to this work acknowledging the history\, psychological\, economic\, physiological impact of colonization on people Indigenous to the Americas as well as people of African heritage and the impact on our sacred practices of spell casting and un-casting. This work addresses “decolonizing” as a recognition and grounding in community to connect to the ever – evolving work (of our ancestors). Some of this work includes practices that have been passed on such as working with intention to manifest our desires. We are engaging in this work in order to assess/ release the oppressive structures that impact our growth and expansion from the micro to the macro level in the everyday. \nWe will bring our experience in herbalism/ plant medicine\, dream interpretation\, and healing movement work into the space to support the work of spell/un-casting. Be ready to move\, walk through the city\, dream & dance. Bring a lunch\, water\, and your intentions to decolonize L.A \nThis event is part of the Decolonize LA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs.
URL:https://www.h-r.la/event/decolonize-la-un-casting-colonization-from-our-dreams-casting-spells-igniting-our-decolonized-collective-dreams-through-dance-plants-w-charmaine-bee-joy/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/lacespellcast7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160507T200000
DTEND;TZID=America/Los_Angeles:20160508T000000
DTSTAMP:20260614T005147
CREATED:20160522T203312Z
LAST-MODIFIED:20160617T005300Z
UID:1807-1462651200-1462665600@www.h-r.la
SUMMARY:RecolonizeLA- Isaac Ledesma: New Los Angeles
DESCRIPTION:This event is part of the DecolonizeLA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs.
URL:https://www.h-r.la/event/recolonizela-isaac-ledesma-new-los-angeles/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/05/ScreenShot2016-04-30at12.09.17PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160508T100000
DTEND;TZID=America/Los_Angeles:20160508T140000
DTSTAMP:20260614T005147
CREATED:20160522T205323Z
LAST-MODIFIED:20160617T005433Z
UID:1838-1462701600-1462716000@www.h-r.la
SUMMARY:DecolonizeLA: Project Q
DESCRIPTION:Project Q presents: \n‘We don’t have mothers’ a 1-day art installation at Human Resources LA.\nI will be cutting hair for the kids as well as Patty Wack Vintage giving them clothing. Music workshops and yoga class all at once. I really hope you can be apart of this homage to homeless queer youth and possibly be a person that they can also look up to! \nProjectQ is a non-profit organization founded by Madin Lopez to help LGBTQIA and homeless youth combat bullying\, develop self esteem and find an identity for themselves through hair styling. For the past three years\, they have been working with different organizations to help realize this goal. \nCollapsing social binaries with our individuality\nhttp://www.projectq.me/ \nThis event is part of the DecolonizeLA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs.
URL:https://www.h-r.la/event/decolonize-la-project-q/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/projectQ.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160510T190000
DTEND;TZID=America/Los_Angeles:20160510T210000
DTSTAMP:20260614T005147
CREATED:20160510T082954Z
LAST-MODIFIED:20160617T005507Z
UID:1632-1462906800-1462914000@www.h-r.la
SUMMARY:Decolonize LA - Window to the Inside
DESCRIPTION:From Habeus Corpus to prison art practice\, Liberated Lifers will lead a discussion about our experiences within California’s State Prisons. \nTuesday May 10th\nFellowship & Food: 6pm\nPresentation&Discussion: 7-9pm\nHRLA: 410 Cottage Home St\, LA 90012\nPart of the DecolonizeLA Art Exhibition: May 1-11 \nThe Liberated Arts Collective is a collaboration between formerly incarcerated people serving term-to-life sentences\, teaching artists and writers. We are invested in art as a tool for personal and community liberation\, cultural expression and social change. Formerly incarcerated people come to the collective with a range of art experience and interests; some began our art practice years before being incarcerated\, some started making art in prison\, while others haven’t called our work “art” until now. While incarcerated\, many of us used art as a tool to make money\, remain sane in solitary confinement or steer away from prison politics. Now on the outside\, we use art to recognize our power and potential\, engage in leadership\, build notoriety\, express our concerns and our solutions\, and exhibit our progress and our evolution. Through art\, we gain a platform for our collective voices\, speak to younger generations\, address the “crisis on the streets” and educate the public about our experiences in California State Prisons and the probation system. \nThe Liberated Arts Collective grew out of and is a project of the Youth Justice Coalition’s “Welcome Home LA\,” a re-entry project and support system built by formerly incarcerated people in order to bring others home. Welcome Home was a direct response to the lack of community-input in L.A. County’s and the state’s Reentry plans. The collective is owned and operated by liberated lifers and other formerly incarcerated people and serves as democratic space for the uplifting of the collective’s members\, their wisdom and vision. This event is part of HRAL’s DecolonizeLA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs. \nFor more info or to participate\, contact us:\nLiberatedArtsCollective@gmail.com\n(213) 536-1911 \n \n 
URL:https://www.h-r.la/event/decolonize-la-window-to-the-inside/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/13123070_1037158999698945_1258225599539623666_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160510T213000
DTEND;TZID=America/Los_Angeles:20160510T213000
DTSTAMP:20260614T005147
CREATED:20160510T090733Z
LAST-MODIFIED:20160617T005539Z
UID:1635-1462915800-1462915800@www.h-r.la
SUMMARY:DecolonizeLA - DivineBrick
DESCRIPTION:DivineBrick (josie j) makes research-based existentially iconoclastic artwork. A lifetime of re-configuring views\, beliefs\, self-structure and modeling a research-oriented existence that explores belief and where it stems from\, this is where it has lead. \nBass pushing air\, creaking\, cracking a wooden device called the Basso\, to set the bio and molecular rhythm of the space. A device\, part bazooka subwoofer speaker\, part drum\, and part bellowing feedback loop. Supplier of urban noise this wooden sub-woofer will be the splintered connection to indigenous past. A exploration in movement called Corporeal Reformation will occupy the rest of this space. Inner woven reaction to time\, space voice and body\, will be aided by the pulse of the sub\, riding on witnesses inside a WhiteBox as landscape with their collective voices to activate our collective memory. \nTrying to reclaim some sort of indigenous or forgotten belief or behavior is close to impossible when these things have been destroyed or co-opted. Where does one turn if their past does not exist to borrow from it? Sometimes the things that the colonizer has stereotyped as “indigenous” become the only symbols on which to connect to\, either in act of dissent or in hopes of connection. This will further convolute this already broken system. This semiotics is also the way the colonizers themselves find ways of connecting to more holistic ways of existing. Unearthing resources and the destruction of land not only uproots the indigenous people but also further removes the colonizer from forgotten memories of coexisting\, not occupation of this land and its inhabitants (this includes plants and animals). \nTo add a bit more texture and dimensionality to this night I welcome Mike Meanstreetz (drums) and Z. Vidal (loop effects). Please come bath in this wave of sound\, be our landscape that we have forgotten. Share in the collective vocalization. I hope to remember something I forgotten many lives over. \n  \nThis event is part of the DecolonizeLA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs.
URL:https://www.h-r.la/event/decolonizela-divinebrick/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/13083148_577690662391698_5849450544883477679_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160511T193000
DTEND;TZID=America/Los_Angeles:20160511T213000
DTSTAMP:20260614T005147
CREATED:20160510T070521Z
LAST-MODIFIED:20160617T005906Z
UID:1628-1462995000-1463002200@www.h-r.la
SUMMARY:DecolonizeLA: The Crop Project
DESCRIPTION:The Crop Project’s exhibition includes an installation of the cornfield’s digging process and found objects from underground. Join members of The Crop Project on May 11\, 7:30-9:30 p.m for some corn snacks and drinks! \nThe Crop Project is a public art piece that invites people to grow corn in USC Roski School of Art and Design from April- July 2016. The project includes a 15-square-foot corn field\, educational corn growing workshop\, corn cooking lessons and a group harvest event in June when corn fully matures. Through a group effort of cultivating a staple food\, corn\, and sharing the unprocessed product in a city that consumes but rarely grows corn\, we can be closer to nature\, and closer to each other. This event is part of the DecolonizeLA series\, and was made possible in part by a grant from the City of Los Angeles\, Department of Cultural Affairs.
URL:https://www.h-r.la/event/decolonize-la-the-crop-project/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/13147645_1090389381020587_7671073470266903067_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160518T200000
DTEND;TZID=America/Los_Angeles:20160518T200000
DTSTAMP:20260614T005147
CREATED:20160516T195125Z
LAST-MODIFIED:20160519T043008Z
UID:1642-1463601600-1463601600@www.h-r.la
SUMMARY:The Institute for New Feeling - Felt Book Screening
DESCRIPTION:Felt Book Screening at Human Resources\n((in conjunction with the the Felt Book Exhibition + Prod Shop)) \nThe Institute for New Feeling presents a 70-min video program to complement the current exhibition in the Arts District\, and celebrate the launch of the Felt Book as a complete digital anthology.  \nNote: this program is made up of works NOT currently on display in the exhibition–don’t miss this chance to see them\, one night only!  \nARTISTS\nPeter Clough\nBrody Condon\nJeremy Couillard\nDadpranks\nEverything is Terrible\nDavid Fenster\nSteve Gurysh\nHarrison Apple & Dani Lamorte\nBrennan Hill\nEgor Kraft\nKim Laughton\nDaniel Luchman\nHolli McEntegart\nEva Papamargariti\nJohn Peña\nAlina Tenser\nBen Thorp Brown\nGary Tyler Plus\nAngela Washko \n——————————-More Info: \nFELT BOOK\nBorrowing the structure of Fluxus scores\, YouTube tutorials\, eHow articles\, technical diagrams\, home remedies\, etc.\, the Felt Book includes text\, video\, sculpture and interactive works from over 100 artists around the world\, each proposing some instruction for “new feeling.”\ninstitutefornewfeeling.com/feltbook \nFELT BOOK EXHIBITION + PROD SHOP\nat Werkartz in the Arts District\n927 S Santa Fe Ave\, Los Angeles\nOpening Reception May 6\, 7-10pm\nClosing Event May 24\, 7-10pm\nAdditional Open Hours May 7 & 13\, 12-5pm\nand by appointment thru May 23 \nThe Felt Book project began with an exhibition at SPACES in Cleveland\, OH in January 2015\, and toured the United States with shows at Recess (New York)\, Vox Populi (Philadelphia)\, Sediment Arts (Richmond)\, DOUBLE DOUBLE LAND (Toronto)\, Cave (Detroit)\, Skylab Gallery (Columbus)\, The Luminary (St. Louis)\, Threewalls (Chicago)\, The White Page (Minneapolis)\, Leisure Gallery (Denver)\, False Front (Portland)\, StoreFrontLab (San Francisco). It was also featured on hour-long Radio broadcasts on KChung Radio (LA) and Clocktower (NY). For over a year Felt Book projects have been distributed weekly via an email subscription called eFELT.  \nThe Institute for New Feeling is a 3-person artist collective committed to the development of new ways of feeling\, and ways of feeling new. We create artwork in the form of treatments\, therapies\, retreats\, research studies\, audio meditations and wellness products.  \nnewfeeling.institute\nhello@institutefornewfeeling.com
URL:https://www.h-r.la/event/the-institute-for-new-feeling-felt-book-screening/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/13217593_10208552092854215_5227286270033254142_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160529T170000
DTEND;TZID=America/Los_Angeles:20160529T180000
DTSTAMP:20260614T005147
CREATED:20160522T200411Z
LAST-MODIFIED:20160522T200411Z
UID:1731-1464541200-1464544800@www.h-r.la
SUMMARY:REHEARSAL: Song of Eurydice
DESCRIPTION:doors: 4:30\nperformance: 5 PM SHARP\nmediated discussion: 5:30 $10 suggested donation \nSong of Eurydice is a choral / movement piece that re-envisions the Greek myth of Orpheus and Eurydice as a call to marginalized artists\, emphasizing a discourse between Eurydice (mecca vazie andrews) and the deity of the underworld\, Persephone (Carolyn Pennypacker Riggs). Picking up where the ancient tale left off\, Eurydice descends once more into the Underworld to contemplate its infrastructure and inhabitants.  \nThis work-in-progress preview of Prelude + Act 1 marks the LA premiere of Sophia Cleary’s REHEARSAL series. REHEARSAL\, founded in 2011\, is a works-in-progress performance series in which one artist or group shares their work with the opportunity to hear back from their audience. Loosely following the Liz Lerman Critical Response process\, REHEARSAL provides a nurturing and structured space for feedback for artists at any stage in their process.  \nSong of Eurydice\nchoreography by mecca vazie andrews\nlibretto + score by Carolyn Pennypacker Riggs\ncostume by 69  \nSong of Eurydice is made possible by support from the California Arts Council – Local Impact Grant\, and the generous time and effort on the part of Sarah Williams / Women’s Center for Creative Work.
URL:https://www.h-r.la/event/rehearsal-song-of-eurydice/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/eurydice.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160619T120000
DTEND;TZID=America/Los_Angeles:20160619T170000
DTSTAMP:20260614T005147
CREATED:20160601T123346Z
LAST-MODIFIED:20160601T123346Z
UID:2085-1466337600-1466355600@www.h-r.la
SUMMARY:DAD DAD DAD
DESCRIPTION:DAD DAD DAD is a three-channel collaborative video installation by Maura Brewer and Paul Pescador that takes Stanley Kubrick’s 1980 film The Shining as a site of analysis. The first channel is a short\, essayistic video that examines the relationship between the characters in The Shining and the Steadicam technology used to film their actions. In 1980\, the Steadicam was a new technology that combined the stability of the tripod with the freedom of movement of hand-held film. In The Shining\, Kubrick deploys the Steadicam both to track the action unfolding onscreen and as a point of view device\, elevating the characters outside the confines of their physical bodies. The second channel is a narrative interpretation of The Shining\, in which puppets made out newspaper and Styrofoam move through interiors\, each mimicking a series domestic activities (cooking\, masturbating and watching television.) Shifting between handheld camera and found footage\, an underlying tone of violence and perversity builds. The final channel is an overlay of the previous two\, which heightens the relationship between animate and inanimate actors. The mechanism of the moving camera becomes a character\, functioning like a ventriloquist who both observes and enables the narrative action. Power dynamics between camera operator and subject become a metaphor for the relationship between father and child. \nThis film will screen for one day only on Father’s Day.
URL:https://www.h-r.la/event/dad-dad-dad/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/06/DAD-DAD-DAD.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160715T200000
DTEND;TZID=America/Los_Angeles:20160715T200000
DTSTAMP:20260614T005147
CREATED:20160620T092152Z
LAST-MODIFIED:20160726T224724Z
UID:2105-1468612800-1468612800@www.h-r.la
SUMMARY:Southland Ensemble presents: Soundings
DESCRIPTION:Southland Ensemble presents a concert of music from the early issues of Soundings Press\, an important and influential journal of experimental music published by composer Peter Garland from 1971- 1990. Program will feature compositions by: \nJOHANNA MAGDALENA BEYER\nJOHN DINWIDDIE\nJAMES FULKERSON\nSTEPHEN L. MOSKO\nJAMES TENNEY \nCopies of many of the early issues of Soundings will be available for perusal after the concert. \nSoundings came to be in November 1970 in a workshop taught by Dick Higgins. From the start it was seen as encompassing more than just “local talent”\, and so contributions were solicited from many composers living in California. … (It) arose from a feeling that the work of musicians needed a much wider circulation than that afforded by current publications. \n“… old music can be just as inspiring as the traditional image of the Western composer\, forever pushing forward into explored territory. Both deserve equal attention in a magazine such as this.” \n– Peter Garland \nphoto: Eron Rauch\n \n  \n  \nSouthland Ensemble is: \nEric KM Clark & Christine Tavolacci\, directors\nCasey Anderson – Jennifer Bewerse – Orin Hildestad – James Klopfleisch\nJonathan Stehney – Cassia Streb \n  \n 
URL:https://www.h-r.la/event/southland-ensemble-presents-soundings/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/06/13433159_1180744475289846_8400172626440053329_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160731T190000
DTEND;TZID=America/Los_Angeles:20160731T190000
DTSTAMP:20260614T005147
CREATED:20160728T055226Z
LAST-MODIFIED:20160730T010101Z
UID:2135-1469991600-1469991600@www.h-r.la
SUMMARY:The Stars Down to Earth
DESCRIPTION:Screening\, with a short introduction and Q&A with Tashi Condelee\, Afia Fields\, Margaret Haines & others. \nThe text\, Sex Without Threat (within the upcoming Wrong Issue of Nonsensical)\, and the film\, The Stars Down To Earth\, consider the experience of attending astrology classes for five years under The Carroll Righter Astrology Foundation (home to Nancy and Ronald Reagan’s astrologer) while simultaneously keeping in mind philosopher and musicologist Theodor W. Adorno’s read of astrology (and astrologer Carroll Righter) as nothing close to an innocent past-time\, but instead—in line with ‘pseudo-rationality’ and ‘authoritarian irrationality’—fascism. \nThe film responds to this 1952/53 text\, The Stars Down to Earth\, and acts as its somatic secretary\, as Adorno—in his purposeful\, justified and pragmatic critique (myopia as tactic to scorn)—did not conduct evident field research.  \nShot in early 2015\, the 23 minute film acts as part sci-fi thriller\, part documentary\, part idealist anti-secrecy forecast.  \nAstrologers from the Carroll Righter Astrological Foundation divine events for 2015 and 2016—including\, reading the star charts for America\, Paris\, Russia\, Snowden and Chelsea Manning. Coupled with their predictions\, is the reincarnation of mythological prophetess Kassandra (Henry Hopper) and god Apollo (Afia Fields) in 2015 Los Angeles and Athens­. Kassandra’s divinations and access to past/present/future information see her momentarily and perhaps mistakenly identify with the ‘whistle-blowers’ the astrologers chart in their predictions for coming events\, as both live in multi-temporality (extreme knowing). And\, both are threatened with not only imprisonment\, physical harm or rape\, but worse: forget. This passing flash of identification sparks for Kassandra a kind of hysteric anarchy\, where she attempts to fool fate and create a dimensional transparency and chaos in defiance of Apollo and those around her (the world). \nResearch and notes for the film are included in the text\, Sex Without Threat\, which takes the internet as divination system\, and pairs the context of post-war Los Angeles (when Adorno is writing) with 2016 Los Angeles and Athens. This text also contains a short interview with artist\, trans-activist and filmmaker Paola Revenioti (who acts in the film as a pythia of Apollo)\, as Paola returns from Lesbos\, Greece where she is making two films and volunteering aid\, as the EU\, in part\, ignores its status and duties as signatories of the 1951 Refugee Convention—in this way\, Sex Without Threat also attempts to make the comparison between 2016 EU and the fascism/pseudo-rationalism Adorno relentlessly and carefully seeths and pin-points in 1952 California. \nCast and Crew:\nStarring Afia Fields & Henry Hopper\, Tashi Condelee\, Cynthia MacAdams\, Jack Taub\, Paola Revenioti\, John Sweet\, Veronica Monae\, Silvia Romero\, Doug Lee\, James Raymond.\nDirection: Margaret Haines\nCinematography: Dan O’Sullivan\nProduction Manager: Teague Schneiter\nOriginal Sound Score: Patrick Dyer\nAssistant Director: Giulia Caruso
URL:https://www.h-r.la/event/the-stars-down-to-earth/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/07/13767189_10154281802692557_1621825934659984190_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160801T210000
DTEND;TZID=America/Los_Angeles:20160801T210000
DTSTAMP:20260614T005147
CREATED:20160728T054249Z
LAST-MODIFIED:20160728T054249Z
UID:2133-1470085200-1470085200@www.h-r.la
SUMMARY:Some Ware
DESCRIPTION:No Vacancy Inn\nA$AP Bari\nSome Ware DJ\nDJ Cuntry Noise
URL:https://www.h-r.la/event/some-ware-2/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/07/image1-e1469684555192.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160805T200000
DTEND;TZID=America/Los_Angeles:20160805T200000
DTSTAMP:20260614T005147
CREATED:20160722T233232Z
LAST-MODIFIED:20160722T233403Z
UID:2127-1470427200-1470427200@www.h-r.la
SUMMARY:Folktale Fest VII
DESCRIPTION:Carla Bozulich || Los Angeles\, CA\nwww.carlabozulich.com  \nHuman Behavior || Tucson\, AZ\nhumanbehaviormusic.bandcamp.com \nNight Auditor || Nashville\, TN\n[Record release for “Drugz” 7-Inch]\nhttps://nightauditor.bandcamp.com/ \nRococo Jet || Los Angeles\, CA\nhttps://www.facebook.com/Rococo-Jet \nCharlyne Yi || Los Angeles\, CA\nhttps://charlyneyi.bandcamp.com/
URL:https://www.h-r.la/event/folktale-fest-vii/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/07/folktale.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160807T180000
DTEND;TZID=America/Los_Angeles:20160807T200000
DTSTAMP:20260614T005147
CREATED:20160802T143703Z
LAST-MODIFIED:20160909T195633Z
UID:2176-1470592800-1470600000@www.h-r.la
SUMMARY:Tita Salina & Irwan Ahmett: Ring of Fire/Pacific Rim (Screening and Q&A)
DESCRIPTION:Screening of short video pieces by Irwan Ahmett and Tita Salina\, Jakarta-based artists who have been working together since 2010. Their tactical\, interventionist approach to social issues frequently plays itself out in public space\, and translate into spontaneously unfolding events through a spontaneous and self-organized approach that they describe as Urban Play. In the last few years\, they have been working with vulnerable groups in society\, including Indonesian undocumented workers and migrant laborers living in the Netherlands and Taiwan. Their ambition is to reflect the real situations and what has been happening\, but also to generate critical alternatives to these complicated issues through play. \nA brief conversation with the artists will follow the screening. \nAhmett and Salina recently completed a month-long residency at the Museum of Fine Arts\, Boston\, in the context of the Megacities Asia exhibition. Their work has also been exhibited at the ST Paul St Gallery (Auckland NZ\, 2016)\, Biennale Jogja (Yogyakarta ID\, 2015)\, Asian Art Biennial (Tainan TW\, 2015)\, the Stedelijk Museum (Amsterdam NL\, 2014)\, and the ZK/U Center for Art and Urbanistics (Berlin DE\, 2013).
URL:https://www.h-r.la/event/tita-salina-irwan-ahmett-ring-of-firepacific-rim-screening-and-qa/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/08/e116b_sept19_ntfa_img.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160809T140000
DTEND;TZID=America/Los_Angeles:20160809T180000
DTSTAMP:20260614T005147
CREATED:20160809T044756Z
LAST-MODIFIED:20160809T044756Z
UID:2184-1470751200-1470765600@www.h-r.la
SUMMARY:With(n)essing in Motion Workshop
DESCRIPTION:With(n)essing in Motion Workshop\nInstructors:\nKandis Williams\nJosh Johnson \nVisual artist Kandis Williams and dancer Josh Johnson (Forsythe company\, Sad for No Reason) will guide a group of participants through screenings and movement exercises that will excavate the space between affective moving bodies and documentation. Dance pieces will be constructed around the device as it witnesses and proofs bodies within our collective mind. This workshop will ask participants to engage in exercises and conversations around the camera phone as an extension of the eye and internalizer of the voice. The eye\, the body and the document of bodies in space created by our ability to witness our surroundings with this technological extension of the eye will be investigated through movement exercises. In dialogue\, we will examine specifically civic and journalistic images of violence. The recent rash of police shootings post Ferguson will be treated as a starting point to look back on these documents and the way they shape the interactions of a multitude of partial subjects\, in the hopes that dissecting these videos as strange choreographies will explore how the tensions in the bodies of victim\, perpetrator\, and witness are framed\, aligned and circulated within the distended Cartesian mind of web2.0.  \nPlease bring:\nA camera phone w/ internet access and at least 2GB of space\nMovement clothes \nWe ask a $30 suggested donation\, please come even if you don’t have it!\nReaders of the material viewed will be provided to all participants. Please RSVP by email: kandis.williams@gmail.com \nv. wit·nessed\, wit·ness·ing\, wit·ness·es\nv.tr.\n1. To see or know by personal experience: witness a robbery; witness the birth of a new nation.\n2.a. To provide or serve as evidence of: The child’s laughter witnessed her delight.\nb. To consider as an example. Often used in the imperative: Even a widespread species can go extinct.Witness the passenger pigeon.\n3. To testify to; bear witness of: The diary witnesses the difficult living conditions of the time.\n4. To be the setting or site of: This old auditorium has witnessed many ceremonies.\n5. To attest to the legality or authenticity of (a document) by signing one’s name.\nv.intr.\n1. To furnish or serve as evidence: The fine buildings witness to the town’s prosperity.\n2. To testify to one’s religious beliefs: “As they witnessed to their faith they brought others to believe” (Leon Morris)\nWebster’s Dictionary \n“A left-over of the activity of the scopic drive in the Real\, the objet a is cleft from the subject as well as from the Other\, and it has no direct representation by image. In the field of vision\, such a split objet a is the gaze. It is a remnant of the scopic drive’s trajectory of reaching for objects. It is a leftover of inaccessible “bodily samplings” of my corpo-reality and of the Other. Split from the subject and split from the Other\, such a gaze is for Lacan an absence\, a libidinal loss.”\n-Bracha Ettinger\, parallax\, 2001\, vol. 7\, no. 4\, 89-114 \n“As long as the centuries continue to unfold\, the number of books will grow continually\, and one can predict that a time will come when it will be almost as difficult to learn anything from books as from the direct study of the whole universe. It will be almost as convenient to search for some bit of truth concealed in nature as it will be to find it hidden away in an immense multitude of bound volumes.\n-Denis Diderot\, “Encyclopedie” (1755) \nPresented in connection with the performance Affect: Network: Territory (A Performance of Syllogisms in Motion)\, August 10th and 11th at Human Resources.
URL:https://www.h-r.la/event/withnessing-in-motion-workshop/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/08/kandis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160810
DTEND;VALUE=DATE:20160813
DTSTAMP:20260614T005147
CREATED:20160806T191206Z
LAST-MODIFIED:20161218T205720Z
UID:2180-1470808800-1470981599@www.h-r.la
SUMMARY:AFFECT: NETWORK: TERRITORY  (A performance of syllogisms in motion)
DESCRIPTION:August 10th and 11th\, 8pm sharp\nPerformer: JOSH JOHNSON (Forsythe Company\, Sad for No Reason)\nScore : VIOLENCE Olin Caprison (http://soundcloud.com/vilentsiolence)\nLighting: NATHAN AZHDERIAN (Juliette Jongma gallery NL)\nDramaturgy: KANDIS WILLIAMS (http://www.kandiswilliams.com/) \nIn connection with these performances\, Kandis Williams and Josh Johnson will lead a public workshop at Human Resources on August 9th from 2—6pm. \n  \nhttps://www.youtube.com/watch?v=s5IXjFXkAgY
URL:https://www.h-r.la/event/affect-network-territory-a-performance-of-syllogisms-in-motion/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/08/kandis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160813T080000
DTEND;TZID=America/Los_Angeles:20160813T170000
DTSTAMP:20260614T005147
CREATED:20200410T073513Z
LAST-MODIFIED:20200410T073513Z
UID:5158-1471075200-1471107600@www.h-r.la
SUMMARY:xina xurner
DESCRIPTION:
URL:https://www.h-r.la/event/xina-xurner/
LOCATION:CA
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160820T203000
DTEND;TZID=America/Los_Angeles:20160820T235500
DTSTAMP:20260614T005147
CREATED:20160820T213844Z
LAST-MODIFIED:20160909T195633Z
UID:2196-1471725000-1471737300@www.h-r.la
SUMMARY:Pehrspace Benefit: Signor Benedick the Moor\, Dream Panther\, Amir Says Nothing\, DJs Margot Pauline and Micah James
DESCRIPTION:bring your friends so we can dance\n————————————————– \nSignor Benedick the Moor \nDream Panther \nAmir Says Nothing \nDJ Margot Pauline \nDJ Micah James \nThank you\, D Wing for getting it all together! \n$5-$10\, all ages.
URL:https://www.h-r.la/event/pehrspace-benefit-human-resources-signor-benedick-the-moor-dream-panther-amir-says-nothing-djs-margot-pauline-and-micah-james/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/08/IMG_6438.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160825
DTEND;VALUE=DATE:20160830
DTSTAMP:20260614T005147
CREATED:20160812T181355Z
LAST-MODIFIED:20160812T181458Z
UID:2187-1472104800-1472450399@www.h-r.la
SUMMARY:TROPHY
DESCRIPTION:TROPHY is a dance/music/media performance of fragments\, stop-n-go selfies\, and broken encounters. In a hyperbolic world of live music and immersive video art\, TROPHY follows the pursuits of three dancers who face a gnawing pressure to exhibit success and the impact of media authority over them.  It asks\,  how does the labor of performing\, posing\, and posting about life – while it is presumably happening – affect the experience of simply being in the world?   \nChoreography: Kevin Williamson\nIn collaboration with performers: Barry Brannum\, Jasmine Jawato\, Kevin Le\nScore: Jeepneys (Anna Luisa Petrisko)\nVideo Art: Cari Ann Shim Sham*\nLighting Design: Katelan Braymer \nThu Aug 25 – 8pm\nFri Aug 26 – 8pm & (10pm pay-what-you-can)\nSat Aug 27 – 8pm\nSun Aug 28 – 7pm \n*Special event:\nSat Aug 27th (following the show): community dance jam with live dj set by Jeepneys and video art by Cari Ann Shim Sham*.  This event is free and open to the public.  Starts at 9pm!  \nFor more info or to purchase tickets: www.kevinwilliamsontrophy.eventbrite.com
URL:https://www.h-r.la/event/trophy/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/08/Kevin-Williamson_-Photo-Rafael-Hernanadez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160830T200000
DTEND;TZID=America/Los_Angeles:20160830T233000
DTSTAMP:20260614T005147
CREATED:20160826T213959Z
LAST-MODIFIED:20160827T082539Z
UID:2198-1472587200-1472599800@www.h-r.la
SUMMARY:SCREAM: FUPU\, DOVE\, SARAH GAIL\, LA PORSCHA
DESCRIPTION:SCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM\nSCREAM \nFUPU \nDOVE \nSARAH GAIL \nLA PORSCHA \nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING\nSCREAMING \nHOSTED BY BDH \n*eardrums bleed not from sound\, but truth* \nHuman Resources\nAugust 30th\n8PM SHARP\n$5 \nBlack Woman don’t create for you. Black Women create to understand themselves. Black Women create to communicate their existence. Black Women create to survive. Black Women create to survive their oppression. Black Women scream because we don’t listen. Black Women scream because we kill them for breathing. You are killing Black Women because they exist for themselves. \nPerformances by Dove\, La Porscha and FUPU (Fuck You\, Pay Us)\, as well as a special reading by Sarah Gail for the launch of her new chapbook SOMETHING LIKE DREAMING\, released by n0 eg0 p0ems. \nYOU WILL HEAR THEM
URL:https://www.h-r.la/event/scream-fupu-dove-sarah-gail-la-porscha/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/08/scream.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160909T190000
DTEND;TZID=America/Los_Angeles:20160909T220000
DTSTAMP:20260614T005147
CREATED:20160811T224352Z
LAST-MODIFIED:20160908T005738Z
UID:2185-1473447600-1473458400@www.h-r.la
SUMMARY:Break It Down: Art and Resistance
DESCRIPTION:INVEST IN COMMUNITIES — NOT JAILS AND PRISONS! \nBreak it Down: Art + Resistance is an evening of art\, community and celebration to benefit Californians United for a Responsible Budget (CURB). We are a statewide coalition of 70 grassroots organizations working to reduce the number of people in prisons and jails\, reduce the number of prisons and jails in the state\, and shift local spending from corrections and policing to vital human services.  \nCURB relies on grassroots funding to help make our vision of true social\, racial\, and economic justice in California and across the nation a reality. Join us and our allies in the art community to help cultivate the resources we need to fight the Prison Industrial Complex. \nBidding for our on-line art auction starts Wednesday\, September 7th at 12pm PT exclusively on www.paddle8.com. Please join us Friday\, September 9th at Break it Down: Art + Resistance to celebrate the launch\, view the work available in the auction and bid live. Bidding ends Wednesday\, September 21st at 12PM PT on the Paddle8 website.  \n+ FEATURING THE WORK OF… \nA.L. STEINER + ANDREA FRASER + BRENDAN FOWLER + BRIAN WILLS + CASSILS + CELESTE DUPUY-SPENCER + CINDY VALLEJO + DANNY JAUREGUI + EMILY ROYSDON + ENRIQUE CASTREJON + EVE FOWLER + FREDERICK TINSLEY + GALA PORRAS-KIM + GERALD MORGAN + GLORIA GALVEZ + HEATHER O’BRIEN + JENNIFER MOON + JENNIFER ROCHLIN + JIBZ CAMERON + JOHANNA BREIDING + JOHN MASCARO + JOSHUA ASTER + JPW3 + JULIE TOLENTINO + KARI ORVIK + KEAN O’BRIEN + KELLY AKASHI + KELTIE FERRIS + KRISTIN CALABRESE + LAUB + LAURA OWENS + LAURIE NYE + LETHA WILSON + MARIAH GARNETT + MICHAEL PARKER + MOLLY LARKEY + NANCY POPP + NATASHA RUDENKO + ORLANDO TIRADO + PAMELA JORDEN + PARKER ITO + PAUL MPAGI SEPUYA + PETER HARKAWIK + RACHEL MASON + RAFA ESPARZA + SHEPARD FAIREY + SAYRE GOMEZ + SILVIA PRADA + SOFIA LEIBY + TALA MADANI + WU TSANG & BOYCHILD + XYLOR JANE + YOUNG JOON KWAK + YUNHEE MIN + ZAK PREKOP + MORE!  \n+ COMMUNITY + PARTY + ABOLITION + PERFORMANCES  \n+ MUSIC BY DJ MICAH JAMES  \n+ Art Photos by ADLA Photo Collective www.adlaphotocollective.com \n+ Framing by Mut LA \n+ Catering by Full Moon Pickles \n+ Brewing Services by Vernon Brewers Guild \nwww.paddle8.com\nwww.curbprisonspending.org
URL:https://www.h-r.la/event/break-it-down-art-and-resistance/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/08/CURB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160915T200000
DTEND;TZID=America/Los_Angeles:20160915T200000
DTSTAMP:20260614T005147
CREATED:20160909T195846Z
LAST-MODIFIED:20160910T223419Z
UID:2214-1473969600-1473969600@www.h-r.la
SUMMARY:Marisa J. Futernick “13 Presidents” Book launch and artist’s talk\, in conversation with Steve Kado
DESCRIPTION:In 2014\, Marisa J. Futernick drove nearly ten thousand miles across America\, visiting all thirteen of the country’s Presidential libraries along the way. 13 Presidents is the result: an artist’s book that combines photographs from the journey with a suite of short stories. Mixing fact and fiction\, each President from Herbert Hoover to George W. Bush is a protagonist in this collection of unexpected portraits. \nThe photographs\, shot on analogue film\, depict the everyday details of the towns that these men are from\, including the homes where they were born\, and their final resting places. 13 Presidents weaves together personal narrative with wider cultural observation\, forming a vision of America that is both invented and true. \nMarisa J. Futernick is an artist and writer based in London. She was born in Detroit\, Michigan and raised in Hartford\, Connecticut. Futernick has published several books\, including How I Taught Umberto Eco to Love the Bomb (RA Editions and California Fever Press\, 2015) and The Watergate Complex (Rice + Toye\, 2015). She has exhibited widely\, at venues including the Whitechapel Gallery\, London; Royal Academy of Arts\, London; Jerwood Space\, London; Arnolfini\, Bristol\, England; and Yale University. \nSteve Kado is an artist\, writer and musician from North York. Works and performances of his have been seen at places like The Wattis\, 8-11\, Tate Britain\, YEARS and REDCAT. He co-hosts the Talking Show on KCHUNG radio with Nicolas Miller and is the Editor-at-large for Prism of Reality. Other writing of his has appeared in Artforum\, Flash Art and a piece about his visit to the Nixon Library was recently published in Night Papers. He is in the band LEAD. \n13 Presidents is published by Slimvolume in September 2016.
URL:https://www.h-r.la/event/marisa-j-futernick-13-presidents-book-launch-and-artists-talk/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/09/unnamed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161015T210000
DTEND;TZID=America/Los_Angeles:20161015T210000
DTSTAMP:20260614T005147
CREATED:20161003T024827Z
LAST-MODIFIED:20161003T024827Z
UID:2243-1476565200-1476565200@www.h-r.la
SUMMARY:Robert Beatty • John Wiese/Mitchell Brown • Smokey Emery
DESCRIPTION:live in concert \nROBERT BEATTY\nJOHN WIESE / MITCHELL BROWN\nSMOKEY EMERY \ndonate eight\n_ _ _ _ _ _ _ \nRobert Beatty (Lexington\, Kentucky) \nConcurrent to crushing noise-rock norms and jockeying shattered electronics in Hair Police\, Robert Beatty has – over a decade and a half – also cut a solo path of pulses and tricks under the guise of Three Legged Race. These underground sounds have been spooled by tape labels crucial to their times: Gods of Tundra\, Night People\, NNA\, and Vitrine. More frequent live appearances and Beatty’s Soundtracks for Takeshi Murata have brought his sounds to more ears and his name to more lips. An apparent insistence on cassette and vinyl for physical releases hint at the technology-stretch at play in all of his work. Like the globally recognizable album art Beatty has created for others\, his own electro-sonics blur the line between analog artifact and digital method. And this ambiguity is intrinsic to his era-less weirdness: mystery mindscapes that can evoke The Residents or alternately offer a fully twisted take on contempo fake-techno. This is Beatty’s first show in Los Angeles in three years and his first in town since shedding the Three Legged Race moniker for live performances in favor of his own name. \nJohn Wiese / Mitchell Brown \nCuts and folds and layers of sound; abstractions that suggest referent but defy recognition. Words fail\, but still these here do loosely approximate audio aspects of two perennial figures of experimental music activity in Los Angeles. Mitchell Brown’s seemingly ubiquitous presence performing live has brought his analog alchemies and head expansion techniques to the front of the class as Professor Cantaloupe and as a next-gen LAFMS exponent. John Wiese’s digital incisions and perpetual bricolage have laid a concrète path from the extremities of the American underground\, around the earth\, and to the studios of INA-GRM. Duo collaborations are core to each of these system-riggers\, and – of course – they are no strangers: the Superstitious cut on Wiese’s mid-career chronicle Deviate from Balance documents an early aughts meeting between the two\, and they have collabed live with each other in various Spacek ensembles and Smegma connected jams. Yet\, the two haven’t paired up for a live action in nearly a dozen years. Come hear the air tear. \nSmokey Emery \nBarely within sight\, darkness swallows a shadow at the far end of a long corridor\, leaving only a cascade of echoes. Such are the dank dreamstate atmospherics conjured by Smokey Emery\, a long running project of Houston-born artist Daniel Hipólito. An itinerant accumulator of sound\, he coaxes a mix of soundscape fragments and material decay from prepared tape loops snaking through a apparatus of vintage dictaphone\, reel-to-reel\, and cassette decks. Synthesis and rhythm also work their way into the flow\, as has been captured on recent releases on Holodeck and Chondritic Sound. With Hipólito’s re-location to Los Angeles from Texas\, Smokey Emery has begun to be more readily visible diffusing sound into rooms around town.
URL:https://www.h-r.la/event/robert-beatty-%e2%80%a2-john-wiesemitchell-brown-%e2%80%a2-smokey-emery/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/10/hr_interim_horizontal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161020T190000
DTEND;TZID=America/Los_Angeles:20161020T210000
DTSTAMP:20260614T005147
CREATED:20160923T014537Z
LAST-MODIFIED:20160926T233112Z
UID:2231-1476990000-1476997200@www.h-r.la
SUMMARY:Keywords for Radicals: L.A. Launch and Discussion
DESCRIPTION:In Keywords (1976)\, Raymond Williams devised a “vocabulary” of culture and society that reflected the vast social transformations marking the post-war period. Following Williams\, Keywords for Radicals asks: what vocabulary might illuminate the social transformations marking our own contested present? How do these words shape the political imaginary of today’s radical left? \nBringing together the insights of dozens of scholars and committed troublemakers\, Keywords for Radicals constellates a vocabulary of contested words that shape today’s political landscape. More than a glossary\, Keywords for Radicals makes clear that contests over word usage and meaning are themselves meaningful. By forcing words to reveal the underlying social contradictions they symptomatically express\, the contributors to this volume provide an important new vantage on the terrain—and the stakes—of contemporary struggle. \nJoin special guest Robin D.G. Kelley and Keywords for Radicals editor Clare O’Connor to explore the meaning and significance of the worlds within our words! \nROBIN D.G. KELLEY is is the Gary B. Nash Professor of American History at UCLA. His research has explored the history of social movements in the U.S.\, the African Diaspora\, and Africa; black intellectuals; music; visual culture; contemporary urban studies; poverty studies and ethnography; colonialism/imperialism; organized labor; constructions of race; Surrealism\, Marxism\, nationalism\, among other things. \nCLARE O’CONNOR is a contributing editor of Keywords for Radicals and a doctoral student in Communication at USC. She is former Coordinator of the Public Interest Research Group (Toronto) and cofounder of the activist training program Tools for Change. Between 2007 and 2013 she served on the editorial committee of Upping the Anti: A journal of theory and action. \nFor more information about the book\, visit:\nhttps://www.akpress.org/keywords-for-radicals.html
URL:https://www.h-r.la/event/keywords-for-radicals-l-a-launch-and-discussion/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/09/14372396_781374875336235_5395554754568885145_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161023T200000
DTEND;TZID=America/Los_Angeles:20161023T200000
DTSTAMP:20260614T005147
CREATED:20160926T233517Z
LAST-MODIFIED:20161021T231707Z
UID:2236-1477252800-1477252800@www.h-r.la
SUMMARY:Southland Ensemble: John Cage 1975-77
DESCRIPTION:A program that explores three compositions by John Cage from the mid to late 1970’s – Child of Tree\, Cheap Imitation and Renga. \nThese three works range from iconic (Child of Tree) to rarely performed (Renga)\, and feature three of Cage’s primary notational styles – text\, graphic\, and traditionally notated – yet are all equally pioneering and adventurous in nature. \nChild of Tree\ncomposed in New York City 1975 \nCheap Imitation for violin solo\nedited by Paul Zukofsky\ncomposed in New York City 1977 \nRenga\ncomposed in New York City\, Caracas\, Cuernavaca\, Toronto\, Perth\, Sydney\, Adelaide\, Canberra\, Kyoto\, Tokyo & Sapporo September 1975-April 1976 \nSouthland Ensemble is:\nCasey Anderson  Jennifer Bewerse  Eric KM Clark  Orin Sie Hildestad  James Klopfleisch  Jonathan Stehney  Cassia Streb  Christine Tavolacci
URL:https://www.h-r.la/event/southland-ensemble-john-cage-1975-77/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/09/renga_sample.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161027T193000
DTEND;TZID=America/Los_Angeles:20161027T220000
DTSTAMP:20260614T005147
CREATED:20161003T000316Z
LAST-MODIFIED:20161218T203606Z
UID:2241-1477596600-1477605600@www.h-r.la
SUMMARY:Dorian Wood + String Quartet : A Dios
DESCRIPTION:Of us\, repeatedly staring down into the precipice of fleeting consciousness; of milk and lust; of the breadth of celebrity death…an evening of music by Dorian Wood and conductor/arranger Danny Graziani\, with art direction by Eduardo Alvarez (director of Wood’s video “O”).\n \n\n“A fearless artist and performer whose voice inhabits a room like a choir of ghosts” (LA Weekly)\, Dorian Wood seeks to glorify both the sanctity and irreverence of intimacy. Through the use of his corpulent body and distinct vocalization\, Wood revels in challenging the artist-audience separation\, using subject matter informed by his own position in society as a queer man of color and an autodidact without a formal college education nor a strong alliance to any particular community. His work has been showcased in institutions such as LACMA (Los Angeles)\, The Stone (NYC)\, Kulturhuset (Stockholm)\, and Hebbel am Ufer (Berlin). As a musician\, he has released over a dozen recordings. His two most recent back-to-back albums\, Rattle Rattle and Down\, The Dirty Roof\, showcase a series of doomsday-themed songs that incorporate over 60 musicians. He is currently working on a new album\, XALÁ\, set for release in 2017. Tickets: $15 in advance; $20 at the door. Purchase advance tickets here!\n\n\n\nhttps://www.youtube.com/watch?v=y8vMUzj80Zs
URL:https://www.h-r.la/event/dorian-wood-string-quartet-a-dios/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/10/dwhr2016.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161105T190000
DTEND;TZID=America/Los_Angeles:20161105T210000
DTSTAMP:20260614T005147
CREATED:20161030T232251Z
LAST-MODIFIED:20161106T211927Z
UID:2270-1478372400-1478379600@www.h-r.la
SUMMARY:Spirit Quest: L.A. Premiere
DESCRIPTION:Spirit Quest: L.A. Premiere\nNovember 5\n7pm-9pm\n\n\nLos Angeles premiere of Spirit Quest\, a movie by Colin Read. Free admission. A journey through nature\, time\, and space. Featuring Jimmy Lannon\, Quim Cardona\, Marty Murawski\, Bobby Worrest\, Zach Lyons\, Jesse Narvaez\, Vincent Touzery\, Ryan Barlow\, Matt Town\, Leo Gutman\, Taylor Nawrocki\, Carlos Young\, Alex Fogt\, Chris Jones\, Connor Kammerer\, Hiroki Muraoka\, and many more from around the world. Presented by Monochrome.
URL:https://www.h-r.la/event/spirit-quest-l-a-premiere/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/10/unnamed-1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161106T193000
DTEND;TZID=America/Los_Angeles:20161106T210000
DTSTAMP:20260614T005147
CREATED:20161019T192013Z
LAST-MODIFIED:20161103T210614Z
UID:2252-1478460600-1478466000@www.h-r.la
SUMMARY:Jack Smith Rushes
DESCRIPTION:Jack Smith scholar Josh Lubin-Levy will introduce never-before-seen 8mm film rushes and improvised compositions\, featuring Mario Montez\, Tally Brown and Smith\, alongside his short film ‘I Was A Male Yvonne DeCarlo’ (1967 – 1970s). Ranging from the late 1960s to the late 1970s\, the featured films present a glimpse into significant period of Smith’s career in which his work began to turn from photography and film towards live performance.  \nJack Smith\, ‘I Was A Male Yvonne De Carlo\,’ 16mm on DV\, 1967 -1970s\nJack Smith\, ‘Gems\, Clips and Shorts\,’ 8mm on DV\, 1968 – 1977\nJack Smith\, ‘8mm Rushes\,’ 8mm on DV\, 1970s \n$8 suggested donation\n\n\n\nOrganized in conjunction with Barbara Gladstone Gallery\, presented by Dirty Looks.\n\n\n \nUzi Parnes\, I Was a Male Yvonne Decarlo for the Lucky Landlord Underground (Photo)\, 1982
URL:https://www.h-r.la/event/jack-smith-rushes/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/10/unnamed-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161108T200000
DTEND;TZID=America/Los_Angeles:20161108T200000
DTSTAMP:20260614T005147
CREATED:20161030T233200Z
LAST-MODIFIED:20161218T200644Z
UID:2272-1478635200-1478635200@www.h-r.la
SUMMARY:FUPU (Fuck You Pay Us)
DESCRIPTION:Doors at 8PM \nFUPU at 8:30 SHARP \n$5 OBO \n 
URL:https://www.h-r.la/event/fupu-fuck-you-pay-us/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/10/14877039_10210532050954341_691509847_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161111T200000
DTEND;TZID=America/Los_Angeles:20161111T220000
DTSTAMP:20260614T005147
CREATED:20161106T210220Z
LAST-MODIFIED:20161107T040055Z
UID:2295-1478894400-1478901600@www.h-r.la
SUMMARY:BODY TECHNIQUE: Waverly Mandel\, Rin Johnson\, Juri Onuki and Si Istwa
DESCRIPTION:IN THE AGE OF DISEMBODIED COMMUNICATION\, THE MEANING AND SIGNIFICANCE AND EXPERIENCE OF THE BODY IS UTTERLY TRANSFORMED AND DISTORTED.\n– Eric McLuhan \nBODY TECHNIQUE is a program of performance that elaborates on the theme of communication and it’s relationship to the body. \nWorks include: \nBody Technique (Reasons For Sex A – Z) by Waverly Mandel. Featuring Fabienne Gstottenmayr and Midori Mukai. \nSKETCH by Juri Onuki. \nSiam2\, Rash2 by Si Istwa. A piece written for two scratched records\, one broken record player and space. There are no control variables other than her voice. \nDeviations. A reading of new poems by Rin Johnson.
URL:https://www.h-r.la/event/body-technique/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
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END:VEVENT
END:VCALENDAR