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DTSTART;VALUE=DATE:20190218
DTEND;VALUE=DATE:20190222
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UID:4222-1550469600-1550728799@www.h-r.la
SUMMARY:Crinkle
DESCRIPTION:CRINKLE is a project exploring sensory perception and themes surrounding multi-sensory integration\, particularly the binding of taste and sound. An attempt at understanding the phenomenon of synesthesia moves one to question\, what does a taste experience sound like? How might a sound experience taste? \nIn asking\, this collaboration between artists Jonathan Silberman and Jasmine Sarp seeks to open a portal within which a unique culinary and soundscape experience will transpire. Over the course of a scored multi-course dinner\, performers and guests will examine and question orientation\, memory\, consciousness\, individual and shared experience\, resonance\, and vibration. \nThis dinner will take place three nights only\, with limited seating. Advanced ticket purchase is required to guarantee entry. \nFebruary 18\, 19\, and 20 @ 8 pm\nHuman Resources\, 410 Cottage Home Street \nfixed menu: $25\nfixed menu with wine: $35\n**The meal features a variety of small plates that include dairy\, gluten\, and nuts (pine nuts\, pistachios\, and hazelnuts). \nBios \nJonathan Silberman is a musician and community organizer based in Los Angeles. Known for his collaborative music making\, he has composed and performed extensively as a member of projects including Godzik Pink\, Rats and LA Fog. Recent work includes the solo saxophone album Red in the Missile Room. He runs the shop/studio/art space Character Projects and co-runs the nonprofit organization Art in the Park. \nJasmine Sarp is a food artist\, graphic designer\, and community organizer living in Los Angeles. Her culinary project Violet Plateau is a means to attune to the surrounding landscape and to explore ground with those willing to share a table. \nThis event is part of LA Fog’s three-day artist residency under Human Resources’ programming series\, 2019-Q1. \nNOTE:\nJust added\, LA Fog will be hosting an after hours Jam Session and hangout\, FREE and open to all\, taking place after the Tuesday night CRINKLE event\, beginning at 10:30PM. There will also be a bar with special drinks by CRINKLE’s Jasmine Sarp.
URL:https://www.h-r.la/event/crinkle/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
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DTSTART;TZID=America/Los_Angeles:20190223T180000
DTEND;TZID=America/Los_Angeles:20190223T210000
DTSTAMP:20190216T005711Z
CREATED:20190211T024400Z
LAST-MODIFIED:20190216T005711Z
UID:4240-1550944800-1550955600@www.h-r.la
SUMMARY:Kenyatta A.C. Hinkle: The Evanesced
DESCRIPTION:In The Evanesced\, 100+ drawings\, large scale paintings and a suite of performances bring attention to a painful subject: missing black womxn in America and the African diaspora\, from history to the present day. Abstract “un-portraits” of elusive figures are conjured up–drawn with handmade brushes and while the Hinkle improvises dances to blues\, hip-hop\, and Baltimore Club music–pivot between real and imagined narratives representing thousands of black women who have disappeared due to colonialism\, human trafficking\, homicides\, and other forms of erasure. The Evanesced: Embodied Disappearance is a suite of performances that evoke the presences of various types of womxn navigating historical and contemporary contexts. The performance–which includes a soundtrack of whispers\, shuffles\, and snippets of popular and underground music–adds another dimension to this emotional examination of a fraught part of the black female experience. The Evanesced is an expression of the #SayHerName movement of mourning\, awareness\, and healing. \nKenyatta A.C. Hinkle is an interdisciplinary visual artist\, writer\, and performer. Her practice fluctuates between collaborations and participatory projects with alternative gallery spaces within various communities to projects that are intimate and based upon her private experiences in relationship to historical events and contexts. A term that has become a mantra for her practice is the “Historical Present\,” as she examines the residue of history and how it affects our contemporary world perspective. Her artwork and experimental writing has been exhibited and performed at The Studio Museum in Harlem\, Project Row Houses\, The Hammer Museum\, The Museum of Art at The University of New Hampshire\, The Museum of the African Diaspora (MoAD) in San Francisco\, The Made in LA 2012 Biennial\, The BALTIC Centre for Contemporary Art\, Newcastle upon Tyne\, UK and Páramo Galeria\, Guadalajara\, Mexico. Hinkle’s work has been reviewed by the Los Angeles Times\, LA Weekly\, Artforum\, Hyperallergic\, The Huffington Post\, The Washington Post and The New York Times. She is also the recipient of several awards including: The Cultural Center for Innovation’s Investing in Artists Grant\, Social Practice in Art (SPart-LA)\, Jacob K Javits Fellowship for Graduate Study\, The Fulbright Fellowship\, and The Rema Hort Mann Foundation Emerging Artists Award. Her writing has appeared in Not That But This\, Obsidian Journal\, Among Margins: Critical & Lyrical Writing on Aesthetics\, and she has a forthcoming first book called SIR\, a reflection on naming as a tool for undefining the defined\, that will be published with Litmus Press. Hinkle is currently an Assistant Professor of Painting at UC Berkeley’s Department of Art Practice.
URL:https://www.h-r.la/event/kenyatta-a-c-hinkle-the-evanesced/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/02/51927873_10158140000458976_4984909867471863808_o.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190228
DTEND;VALUE=DATE:20190303
DTSTAMP:20190224T015210Z
CREATED:20190222T203503Z
LAST-MODIFIED:20190224T015210Z
UID:4262-1551333600-1551506399@www.h-r.la
SUMMARY:Medium Judith: The Plumbing Tree
DESCRIPTION:Thursday\, February 28 8pm\nFriday\, March 1 8pm  \nTickets: $10\, Buy online to reserve a seat as tickets are limited!! Tickets will also be available at the door if we do not sell out online. buy here \nThe Plumbing Tree is a three-act play\, told through the perspectives of an eccentric family plagued by dogma. Each act is narrated by Miasma\, the personification of a smell. What appears to be an episode of sibling rivalry as presented on a sitcom television show\, shatters into pandemonium after the family is poisoned by methane gas from a plumbing disaster in their front lawn. In the flood of excrement\, the family descends into a collective hallucination. Madness and despair gifts each member of the household with a lucidity that radically calls into question their world views. The play explores ideas of queer familial structures\, polarizing political ideologies\, and social contagions. \nPerformed By: Julia Yerger\, Arne Gjelten\, Chelsea Rector\, Christane Oyen\, Flannery Silva\, and Nour Moborak \nMedium Judith is a host for an interdisciplinary methodology for writing experimental theater works. The company originated in 2012 in Baltimore\, MD with works composed by Bully Fae Collins and Amanda Horowitz. Their collaboration began as an urgent response to emergent political tools of the internet and their recombinant effects on power. Backdropped by this changing political landscape\, they debuted Shy World (2013)\, a one-act play satirizing the conditions of the surveillance state\, internet addiction\, and online activism. It was performed at the Red Room in Baltimore MD and it’s documentation is distributed by Printed Matter NYC. Other projects include\, Flash Drive for Fluxus – a script generated through text messaging\, Lagoon Female – an ongoing collaborative research group\, and Defy a Thing to Be – a performance and dance piece created for Bully Fae. Through a process that utilizes conceptual sculpture\, joke writing\, and concept-map making\, Medium Judith creates a queer theater in which cultural signifiers are transmuted and recomposed into an experimental world logic and value system. \nImage credit: Jonathan Chacon
URL:https://www.h-r.la/event/medium-judith-the-plumbing-tree/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/02/0.jpeg
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DTSTART;TZID=America/Los_Angeles:20190302T190000
DTEND;TZID=America/Los_Angeles:20190302T190000
DTSTAMP:20190224T013806Z
CREATED:20190224T012337Z
LAST-MODIFIED:20190224T013806Z
UID:4267-1551553200-1551553200@www.h-r.la
SUMMARY:Mulan\, Make Up!
DESCRIPTION:Mulan\, Make Up! (轉世花木蘭)\, a queer exhibition curated by artist Yu Cheng-Ta (余政達) and organized by Taiwan Academy in Los Angeles (洛杉磯臺灣書院)\, delivers perspectives on body politics and highlights nakedness of gender fluid through visual art and performance. \nThe special screening and performance party of Mulan\, Make Up! features several experimental short films created by artists Tzuan Wu (吳梓安\, Taiwan)\, Chen Guan-Hong (陳觀鴻\, Taiwan)\, London-based Victoria Sin (UK)\, and the artistic duo Watermelon Sisters created by Ming Wong (黃漢明\,Singapore) and Yu Cheng-Ta (余政達\, Taiwan). These works examine the complex ideas of cultural\, political and social movements through a queer prism. \nParis-based artist River Lin (林人中\, Taiwan) and LA-based Mutant Salon led by Young Joon Kwak & Marvin Astorga will present durational performance\, inviting audiences to perform together in a series of participatory situations. \n7:00 pm – 8:30 pm\nSpecial Screening by the artists Tzuan Wu (吳梓安)\, Chen Guan-Hong (陳觀鴻)\, Yu Cheng-Ta (余政達)\, Ming Wong (黃漢明)\, Victoria Sin \n8:30 pm -12:00 am\nPerformance Party by River Lin and Mutant Salon with performances by Alice Cunt\, Sarah Gail\, Dalton Chase Goulette\, Hausa\, Anna Luisa Petrisko\, Elliot Reed\, TravisD. DJs: La Disco Es Qultura (Crasslos\, Sister Mantos\, xTimido) \nRSVP\nhttps://www.eventbrite.com/e/mulan-make-upspecial-screening-and-performance-party-tickets-57292262700 \nMore information about Mulan\, Make Up! \nhttps://yuchengta.wixsite.com/mulanmakeup\n*On view through April 6\, 2019 at Taiwan Academy in Los Angeles
URL:https://www.h-r.la/event/mulan-make-up/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/02/52991356_1991821694249420_7583736643467608064_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190308T200000
DTEND;TZID=America/Los_Angeles:20190309T040000
DTSTAMP:20190224T043236Z
CREATED:20190224T043236Z
LAST-MODIFIED:20190224T043236Z
UID:4276-1552075200-1552104000@www.h-r.la
SUMMARY:Beginning to End Fest day 1
DESCRIPTION:FREE \nWelcome to the first night of the three day celebration of music and performance at Human Resources Los Angeles. \n8:15pm – The Deep Silence – this guy’s instagram handle is the Wizard Adam… it is fitting because of the magic that springs from his mind\, his fingers and his gadgets. We run the risk of ruining the whole night by having him play first\, cuz he is so dang uplifting and soul crushing at the same time\, but sometimes you gotta say what the heck… \n9pm – McCann / Sullivan / Twomey – returning for another performance at this fine hall\, these three challengers of sound and thought will take us down the road on a journey we will not soon forget. Live and recorded media mix and weave together creating a 4th dimension of tone and texture. \n10pm – KID606 – a fave of mine for many many years\, and now I get to watch him play up close and personal.. Get yourself ready for a multi-channel video presentation as well.. .next level indeed’ \n11pm – SANA SHENAI – timeless in its existence\, this superduo of DNTEL (Jimmy Tamborello) and Mitchell Brown have just recently unleashed an EP on Leaving Records that broke a few End of Year lists for 2018… Come see and hear them start their work in a new year. \nthen around MIDNIGHT we are proud to bring you PERPETUAL DRONE\, an extended block of drone and sound bath performances\, hosted by Miguel de Pedro and his epic crew. They have been captivating and fascinating LA audiences for years with light and sound magic! \nso far we have TOM HALL (Sonoptik/Cycling74/Elli)\, JONATHAN SNIPES (clipping)\, JOHN CARROLL KIRBY (Leaving Records)\, JAKE MUIR (Sferic/Further)\, and CHRIS AVITABILE (Collapsible Animals) performing back to back to back 30 min sets!!!!! \nFREE
URL:https://www.h-r.la/event/beginning-to-end-fest-day-1/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/02/51319427_10157596429602788_5392964763120566272_o-2-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190309T113000
DTEND;TZID=America/Los_Angeles:20190310T040000
DTSTAMP:20190224T043753Z
CREATED:20190224T043753Z
LAST-MODIFIED:20190224T043753Z
UID:4281-1552131000-1552190400@www.h-r.la
SUMMARY:Beginning to End Fest day 2
DESCRIPTION:FREEEEEE… we will do our best to have a few BBQs going during the day so bring something to grill if you want… nothing like snacks and music! \ndoors at 11:30 \nnoon – Saint Cecilia will serenade us over coffee and donuts. Sweetness and light served with a hot splash of wake-up!!!! \n12:45 – Soft Sailors – Geoff Geis and crew bring their new musical project to the stage/floor of HR to help kick the second day in the butt\, softly. Sail away with them. \n1:30 – Daniel Brummel and Emily Lacy – the heavens open up\, the soil sings… mechanical birds flitter and tweet… this is vocal folk for the yoga age… restful and swelling at the same time. \n2:30 – Derek Monypeny – back in the day\, this band came from Oakland called Oaxacan. They raged in such a mind-bending way that was unforgettable… Luckily the guitarist Derek came back and has played at HR both as a solo oudist (?) and with his newer collective ALTO! so it was a no brainer to have him join us again. \n3:00 – Sahba Sizdahkhani – you will remember this name once you see this gentleman play his Persian santour. \n4:00 – the Gift Machine – friends from San Diego up for a visit to our lovely city\, bringing with them beautifully crafted songs of happy sadness. \n5:00 – SheKhan – Kathleen Kim and Kelly Coats effortlessly combine instrumental virtuosity with knob twiddling craziness. Like Don Cherry for the techno age. \n6:00 – Timonium – i am sorry\, what year is it? well hold onto your pilows cuz Timonium is taking over HR for an hour\, rocking like a granny on a porch. Dreamy shoe gaze the likes of which hasn’t walked this earth for 15 years. \n7:15 – Voice on Tape – i like to heckle this guy\, but it is only because i am so jealous of his songwriting craft\, effortless guitar playing and super romantic voice. \nand then there was JAZZ \n8:00 – Ace Ford Farren and the Artificial Art Ensemble – quizzical and mystical\, this irreverent master of the wind and whistle is curing an hour of musical adventure for us.. .come with! Andy Seven – tenor saxophone\, Mars Pharoah Ford – DX7\, Michael Intriere – cello\, Orlando Greenhill – bass\, Rich West – drums & percussion\, Itsuro Isokawa – flutes and harmonicas. Ace on the rest. \n9:15 – Dan Clucas’ Lost Iguana Ensemble – please join Dan Clucas (cornet)\, Christopher Garcia (El Monstro percussion)\, Breana Gilcher (oboe)\, Nathan Hubbard (vibraphone)\, Kyle Motl (double bass) and Brian Walsh (bass clarinet) as they present *After Upingos* \n10:30 – Danketsu 9 – like that is nine\, as in nine people!!!! a mighty sound indeed. Please welcome Patrick Shirioshi\, Kelly Coats\, Pauline Lay\, Ang Wilson\, Mallory Soto\, Dylan Fujioka\, Noah Guevara\, Jason Adams and Ken Moore. Also get excited for special video accompaniment. \n11:30 – Rob Magill’s Human Resources Dance Ensemble – Weird Cry Records master impressario brings another mad creation to our humble halls. \n12:30 – 4am – Psychobabes Afterhours presented by Crass Lips Records with Autosex\, bite marx\, Mr California and the State Police\, Kinetic Attack\, Squirrel Spam\, and Spring Bleeding… Crass Lips Records\, label home of the insanely prolific and prophetic Period Bomb and it is my honor to have them curate this fine celebration of new California music
URL:https://www.h-r.la/event/beginning-to-end-fest-day-2/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/02/51315355_10157596432127788_2112421824213024768_n-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190310T113000
DTEND;TZID=America/Los_Angeles:20190311T020000
DTSTAMP:20190224T044245Z
CREATED:20190224T044137Z
LAST-MODIFIED:20190224T044245Z
UID:4285-1552217400-1552269600@www.h-r.la
SUMMARY:Beginning to End Fest day 3
DESCRIPTION:FREE \ndoors at 11:30am \nnoon – Sobbing Honey – Grant Capes and Mike Meanstreetz. tone and silence. gibbering beats and accidental blasts. don’t worry\, it will be over soon. \n12:30 – James Fella / Seth Kasselman – visitors from the mighty desert citadel of Phoenix. Expect a diversity of unsettling sounds and pleasing juxtapositions. Jazz for calculators \n1:15 – SIDLE – bass destruction unit superior \n1:45 – Bonemagic – Oklahoma sized metal zone noise merchant. Masterful curator of the Tulsa Noise Fest \n2:15 – Rust Worship – the answer is in the tapes\, cut and repeat\, loop and destroy. \n3:00 – Gabie Strong and Christopher Reid Martin – two heads are better than one… individually these two slay\, but together\, hide your mind lest it be blasted \n3:45 – LOOP GOAT – Californian by way of Michigan\, Jessica A‘s sometimes masked persona careens and caresses her guitar and voice thru cascades of distortion and processing\, hypnotizing her prey before going in for the kill. \n4:30 – Witches of Malibu – funny to think of the darkest sounds coming from the nicest people. Such is the distinct case with the electro-wizardry of the pedal and box wielder that is cloaked as Witches of Malibu… Surf the blood red tide with us. \n5:30 – Rogue Squares – the combined might of Elaine Carey and Carlos Giffoni\, rocking the permutations of vibrations and the waves that save. \n6:15 – Conscious Summary – main man at the (Handbag) Factory\, shining hope for all things independent and good\, Samur also has created a beautifully frightening multimedia performance that is not to be missed. \n7:00 – Ian E. Wellman – another bright spot in the landscape of LA’s experimental music scene\, Ian has just released a stellar full length on Dragon’s Eye and has also continued to thrill us in the duo ZZyzxxzyzz \n7:30 – Umbra Vita – epic psychonauts from the Inland Empire… hoping the space can contain their expanse!!! \n8:15 – ANDORKAPPEN – A stalwart supporter and protagonist of all things extreme and true\, ANDORKAPPEN is a distillation of sound and rhythm\, a black hole of limitless energy (til he spills his drink on it) \n8:45 – GASP – another timeless classic\, still evolving and warping into your earholes. GASP is the best of so many worlds and also chock full of many friends of HRLA. \n9:30 – Skyline Electric – always an epic adventure\, this band of crazies was definitely first on my list to play this fest. They have the uncanny ability to wrap up tight as a ball of rubberbands and then spring out and fill a huge space like a cloud of laughing gas. \n10:45 – Whirlynn – You can’t take LA out of this current Floridian. Vanessa Whirlynn is coming back west to show her hometown what’s up\, with keyboard\, kaos pad and voice. Mystic references to Broadcast and Portishead abound but wrapped together in an all-new shell. \n11:15 – Taleen Kali – blissful cycles of tone and light to calm the fest in its last hours. A true innovator and creator in the LA landscape\, we are pleased and proud to host this artist. \nmidnight – Salted Circle – a meeting of the minds\, three parts coming together to crush expectation and rewrite our DNA. a trinity neither holy nor unholy \n1am – Psychic Health – you say you like beats\, you say you like to dance.. this is dancing with your head down\, with your eyes closed and brain expanding inward.
URL:https://www.h-r.la/event/beginning-to-end-fest-day-3/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/02/51190472_10157596434332788_5225570607487254528_o-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190318T180000
DTEND;TZID=America/Los_Angeles:20190318T180000
DTSTAMP:20190308T230717Z
CREATED:20190308T230629Z
LAST-MODIFIED:20190308T230717Z
UID:4310-1552932000-1552932000@www.h-r.la
SUMMARY:A Portal Through Which Love May Enter 
DESCRIPTION:Veronique d’Entremont\, Veronica De Jesus and Cole M. James will discuss and share practices for healing ancestral and family connections\, discovered through art and writing. As a group\, we will engage a practice based in the work of trauma therapist and theologian Kelly Germaine-Strickland\, and spiritual activist Jardana Peacock\, who practice ancestral healing as an extension of anti-racist organizing work. We welcome others to bring their knowledge\, practices and experiences to the conversation. \nDoors will open at 6PM for food and viewing of:\nA Reproduction of the Trauma; A Portal Through Which Love May Enter\nInstallation by Veronique d’Entremont \nSENSORY EXPERIENCES\nArtwork by Veronica De Jesus \nRue: Explorations of Ether\,Fire\, Wata\, and Gia\nArtwork by Cole M. James \nDISCUSSION WILL START AT 7PM\nFood will be provided! RSVP is not necessary but it will help us with the headcount.\nplease email with questions or RSVP: verohneek (at) gmail.com \nA Reproduction of the Trauma; A Portal Through Which Love May Enter.\nInstallation by Veronique d’Entremont\nFamily linens\, clothesline\, charcoal from a churchfire. \nVDJ SENSORY EXPERIENCES. Artwork by Veronica De Jesus (2nd floor chapel)
. The goal of this project for me is to create an experience that brings to light the multi layers of life as it relates to our mind\, body and spirit.\nIn the room you have drawings I made recently which describe a need I feel for more spaces with shared resources\, more community building and more care overall that is not so Commerce driven.
Also in the room is a table set up with objects the were crafted by me\, crafted by nature and crafted by the time past. These objects serves as an offering space to spend time to connect\, play and build from within.
And finally I will have a letter writing station with stamps\, paper envelopes. I will specifically be encouraging guests to write to my brother Abraham who serves life in prison here in California. I will be sharing a book I handmade that has his writings and drawings he has been sending me over the years. \nRue: Explorations of Ether\, Fire\, Wata\, and Gia. Artwork by Cole M James. 
In 2013 I was ushered into a hospital room to undergo a small but invasive surgery.  The next day  I was face to face with an AK 47 at the door of my classroom as the Los Angeles Swat Division cleared the campus of Santa Monica College after a mass shooting. The trauma of my surgery followed by the trauma of living through a mass shooting at the hand of a person diagnosed with a manageable psychological disease made me question many modern practices embedded in our modern health care system.  I started searching for ancestral healing practices.  In an article the plant Rue was mentioned as a useful and abundant herb.  This plant that grows evasively is used all over the world.  It has the ability to aid in regulating the reproduction system of women and suppressing the fertile efficiency of men. Given the name witches herb and Herb of Grace\, Rue is mentioned in ballads of Cecilia Cruz and sonnets of Shakespeare. Rue has many roles within religious ceremony and can be found practices of Santeria\, Appalachian HooDoo\, Voodoo\, Wicca and the Catholic Church.  This project is an exploration of Rue and is centered on the connectivity of ancestral knowledge. \nVeronique d’Entremont (Boston\, 1983) is a LA-based interdisciplinary artist\, invested collaborative practice and community organizing.  Through reciprocal spiritual\, pedagogical and studio practices\, Veronique investigates art as a medium for healing individual and community experiences of trauma.  Her work explores how we are shaped by the social and institutional spaces we inhabit– from our families of origin to academic\, religious and correctional institutions—and seeks to transform these spaces.  She has exhibited in Los Angeles\, New York\, Boston and Mexico City\, and has lectured at UCLA\, CalArts\, California College of the Arts\, Palomar College\, and at California Rehabilitation Center\, a prison in Norco\, CA. In 2016 she co-founded The Liberated Art Collective\, and facilitates healing art workshops with formerly-incarcerated and institutionalized individuals. \nVeronica De Jesus is a visual artist raised in several American cities. She illustrates life as an American\, in all its varied splendor. Drawing on pop culture icons\, sports\, heroes and villains\, and more\, she draws our complex world into focus. Her Memorial Drawings\, an ongoing series of illustrations complemented with text\, honor the many people who have influenced our collective culture and reflect on loss and mourning. Her work also explores identity and the ways we hide and reveal elements of our personalities. For over a decade\, Veronica has been working with artists with disabilities\, including at The Lighthouse for the Blind in San Francisco and NIAD (National Institute for Adults with Disabilities) in the SF East Bay. She is currently The Head Arts Facilitator of the Arts Programming and Exhibitions at UCPLA (United Cerebral Palsy of Los Angeles). \nCole M. James’ work is that of a negotiator\, navigating the African Diaspora\, circling the expanse of queerness and fumbling through womanhood.  James creates paintings\, digital prints and video work that explore the intersections between digital production and the analog collections of lived experiences. James was born in Chicago and raised in Moreno Valley California.  She received a BA from Cal State San Bernardino and MFA from Claremont Graduate University James exhibits her work primarily in Los Angeles but has shown in New York\, Miami and South Korea. She was awarded the Alfred B. Friedman Grant\, Walker Parker Artist Fellowship\, and Mignon Schweitzer Award. In addition to her art practice James is a Human Rights Advocate and community collaborative partner.  James has an installation up at the University of LaVerne titled Edifice Artifice until May 2019.  CM James works and lives in Los Angeles CA. \nA Portal Through Which Love May Enter  is the second day of three days of programming at Human Resources\, organized by Veronique d’Entremont. \n***We apologize but the HR bathrooms and second-floor are not wheelchair accessible.***
URL:https://www.h-r.la/event/a-portal-through-which-love-may-enter/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/03/image-for-email.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190319T200000
DTEND;TZID=America/Los_Angeles:20190319T200000
DTSTAMP:20190304T020834Z
CREATED:20190304T020806Z
LAST-MODIFIED:20190304T020834Z
UID:4300-1553025600-1553025600@www.h-r.la
SUMMARY:The Death of Medea
DESCRIPTION:Theatre Roscius (Constance Strickland) and Project Nongenue\, in collaboration with and as part of Veronique D’Entremont’s show Church of Art  \nConceived by Constance Strickland\nDirected by Olivia Buntane\nMovement Direction by Christine Breihan\nPerformed and developed by Constance Strickland and Liz Eldridge \nConstance Strickland is Creative Director of Theatre Roscius\, an experimental theatre company that focuses on creating pieces reflecting past/present social issues facing the lives of women. Constance has appeared in the films RITE & Play by artist Dara Friedman\, presented at Gavin Brown’s Enterprise in New York\, Migros Museum für Gegenwartskunst in Switzerland\, the Hammer Museum and Kayne Griffin Corcoran Gallery in Los Angeles. She hopes to continue to collaborate with a wide variety of artist from various disciplines\, to dig deeper\, tell relevant stories affecting our world & explore what it means to be human.
URL:https://www.h-r.la/event/the-death-of-medea/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/03/unnamed-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190411T200000
DTEND;TZID=America/Los_Angeles:20190411T200000
DTSTAMP:20190328T200738Z
CREATED:20190328T200738Z
LAST-MODIFIED:20190328T200738Z
UID:4350-1555012800-1555012800@www.h-r.la
SUMMARY:Redactions (In Progress)
DESCRIPTION:This is a new way to think of oneself\, [ ] a body composite. No firm boundaries\, not a me with space around. But one of those games\, [ ] [ ] magnet shards that pull [ ] apart at a suggestion\, seem whole but disperse into their millions. Think of yourself that way\, a toy of many\, host\, hosting\, little bugs\, [ ] gathered for a feast\, a jam\, a quorum\, a minion. [ ] Body doesn’t do a dance\, it is one. \nA performance by Abigail Levine and Paula Matthusen. \nAbigail Levine is an artist working between New York and Los Angeles. Rooted in dance but moving across media—performance\, text\, drawing\, sound—Levine focuses on the poetics of our body’s work\, how we record and value it. Her latest work\, the Restagings series\, has been presented at Fridman Gallery\, Vox Populi and The Knockdown Center\, supported by Foundation for Contemporary Arts\, New Music USA\, and residencies at The MacDowell Colony\, Center for Performance Research\, Brooklyn Arts Exchange and Bemis Center for Contemporary Arts. Past works have been presented throughout the US\, in Cuba\, Canada\, Brazil\, Mexico\, Venezuela\, Greece and Taiwan. Levine performed with both Marina Abramovic (2010) and Yvonne Rainer (2018) in their retrospectives at the Museum of Modern Art. \nPaula Matthusen is a composer who writes both electroacoustic and acoustic music and realizes sound installations. She has written for diverse instrumentations\, such as “run-on sentence of the pavement” for piano\, ping-pong balls\, and electronics\, which Alex Ross of The New Yorker called “entrancing.” Her work often considers discrepancies in musical space—real\, imagined\, and remembered. Awards include the Walter Hinrichsen Award from the American Academy of Arts and Letters\, a Fulbright Grant\, two ASCAP Morton Gould Young Composers’ Awards\, and the 2014 – 2015 Elliott Carter Rome Prize. Matthusen is currently Associate Professor of Music at Wesleyan University. \nDoors 7:30\, show 8
URL:https://www.h-r.la/event/redactions-in-progress/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/03/017_ABodyComposite_Redactions_2019.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190412
DTEND;VALUE=DATE:20190415
DTSTAMP:20190408T202710Z
CREATED:20190408T202710Z
LAST-MODIFIED:20190408T202710Z
UID:4363-1555048800-1555221599@www.h-r.la
SUMMARY:3rd International Global Karaoke World Championships with Kim Jong Un
DESCRIPTION:Friday and Saturday\, April 12 and 13\nDoors at 7pm\nPerformance at 8pm \nFOR IMMEDIATE RELEASE—Fresh from his nation’s supreme victory at Hanoi—Supreme Leader of the DPRK—The Democratic People’s Republic of Korea Kim Jong Un (Seung-Min Lee) will make an appearance on the Pacific Rim of Los Angeles\, California\, USA at Human Resources LA to host The 3rd International Global Karaoke World Championships. Presented here will be the greatest innovation to International Relations: Karaoke Diplomacy. On a mission to share the DPRK’s national ideals of unilateralism\, peace\, and friendship in unity with the progressive peoples of the world through the magic of song\, he will be accompanied on keyboard by Comrade Sameer Kapoor. \nSeung-Min Lee (b. Seoul\, Korea) is an artist based in New York. She has an MFA from Hunter College and BA from Harvard University. She has performed most recently at the NYU Skirball Center\, The Kitchen\, Performance Space New York\, MoMA PS1\, and Luxembourg and Dayan. She will next be doing a series of performances at Human Resources LA April 12-14 during the LA Art Book Fair. \nwww.seungminlee.com
URL:https://www.h-r.la/event/3rd-international-global-karaoke-world-championships-with-kim-jong-un/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2019/04/unnamed.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190417T210000
DTEND;TZID=America/Los_Angeles:20190417T210000
DTSTAMP:20190415T050629Z
CREATED:20190415T050629Z
LAST-MODIFIED:20190415T050629Z
UID:4367-1555534800-1555534800@www.h-r.la
SUMMARY:Leather Bath (Greh Holger/John Wiese) • Noise Nomads • Joseph Hammer • Sarah Brady
DESCRIPTION:UPEND presents \nLEATHER BATH (Greh Holger/John Wiese)\nNoise Nomads\nJoseph Hammer\nSarah Brady \ndonate 8\ndoors at 9\nsound at 10 \nFacebook Event Page \nLEATHER BATH\nholger and wiese convene their end-of-the-world sound duo in L.A. for the first time in six years \nNOISE NOMADS\nprimal electro-acoustics and bonescrape anti-thetics. first show from jeff hartford as an angeleno \nJOSEPH HAMMER\nthe master of survey and delay; coaxing fragments of occluded origin into sound. looped tapes and a gloved hand. #LAFMS \nSARAH BRADY\ncoding sound in real time\, unleashing cascades of uncodifiables\, harsh and sheer \nFlyer by John Wiese
URL:https://www.h-r.la/event/leather-bath-greh-holger-john-wiese-%e2%80%a2-noise-nomads-%e2%80%a2-joseph-hammer-%e2%80%a2-sarah-brady/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/04/leatherbathHRweb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190420T203000
DTEND;TZID=America/Los_Angeles:20190420T203000
DTSTAMP:20190415T100043Z
CREATED:20190415T051958Z
LAST-MODIFIED:20190415T100043Z
UID:4370-1555792200-1555792200@www.h-r.la
SUMMARY:Guionnet & Khouri • Chen & Sadja • Guionnet & Kennedy & Hutson
DESCRIPTION:The Unwrinkled Ear Presents \nJean-Luc Guionnet and Lotus Edde Khouri – saxophone and dance \nAFTERBURNER: Audrey Chen and Doron Sadja – voice\, electronics and light \nJean-Luc Guionnet and William Hutson and Jeremy Kennedy – saxophone and electronics and drums \nDoors 8:30/ Music 9 \nJean-Luc Guionnet returns to Los Angeles after two years\, bringing with him a new dance collaboration with Lotus Edde Khouri\, and a new trio that has been incipient in his mind since his last foray in our fair city featuring locals Jeremy Kennedy and William Hutson. \nBerlin-based AFTERBURNER is the collaborative project of vocalist Audrey Chen and audiovisual artist Doron Sadja. A live collaboration for hyper-extended voice\, electronic noise and light\, the group weaves together Chen’s idiosyncratic vocal growls and chirps with Sadja’s dense synthetic noise\, often blurring the line between human- and electronically-generated sound. \nDoron Sadja is an American artist\, composer\, and curator whose work explores modes of perception and the experience of sound\, light\, and space. Often using multichannel or motorized speaker systems and high intensity fog and light\, Sadja crafts immersive performance and installation works that are both playful and transportive. Sadja has published music on 12k and Shinkoyo records\, and has performed/exhibited at PS1 MoMa\, Atonal Festival\, STEIM\, Norberg Festival\, Cleveland Museum of Art\, and Issue Project Room amongst others. \nAudrey Chen has created an uncompromising and idiosyncratic music\, tightly disciplined yet acoustically wild and heavy with implication.Her ultra-verbal vocalising\, often reminiscent of the visceral and emotionally charged sound poetry of François Dufréne or Henri Chopin\, exposes physiological aspects of utterance that are concealed within standardised articulation and day to day speech. Fleshy\, breath-driven and flecked with spittle\, Chen’s voice emanates not just from her mouth but from an ensemble of upper body surfaces\, channels\, passages and cavities. – Julien Cowley THE WIRE \nBrought to you with support from Black Editions
URL:https://www.h-r.la/event/the-unwrinkled-ear-presents-guionnet-khouri-%e2%80%a2-chen-sadja-%e2%80%a2-guionnet-kennedy-hutson/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/04/420flyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190426T200000
DTEND;TZID=America/Los_Angeles:20190426T200000
DTSTAMP:20190425T073228Z
CREATED:20190425T025401Z
LAST-MODIFIED:20190425T073228Z
UID:4395-1556308800-1556308800@www.h-r.la
SUMMARY:Greg Kelley/Jessika Kenney • Rob Noyes • Wilson Shook
DESCRIPTION:UPEND presents \nGREG KELLEY / JESSIKA KENNEY DUO\nROB NOYES\nWILSON SHOOK \ndonate 8\ndoors at 8\nsound at 9 \nFacebook Event Page\nhttps://www.facebook.com/events/1203512939823489/ \nGREG KELLEY / JESSIKA KENNEY \nFirst time meeting of a surely astounding duo of two key figures in sound: Trumpet player Greg Kelley – on tour from Seattle – and Jessika Kenney – a whose multivalent voice thankfully spectralizes here in Los Angeles – as it will Friday night with a light touch of electronic accompaniment. Acquainted from their years proximate in Seattle\, and having found a rapport collaborating in a larger group context\, they choose to join together on the occasion of the L.A. stop on Greg Kelley’s (and Rob Noyes’) Spring tour of the West Coast.\n\nDeep listeners have witnessed Greg Kelley deconstruct the trumpet’s timbre down to the thinnest splinter; He’s blown a lexicon of clicks and whispers in radical ‘micro’ projects nmperign and The BSC. The heaviest of heads have heard his horn push thresholds amidst seas of guitar squall in Heathen Shame. Hep jazzies have long dug his flourishes of freedom alongside such figures as Joe McPhee\, Chris Corsano\, and Paul Flaherty\, and Bill Nace.  Greg can extend to the fullest to be sure\, and – quite literally – brings a bag of tricks to each set. As a collaborator\, he ever explores dialogue and dynamics\, is at ease abstracting in delicate sound fields\, and resilient at full throttle.\nWhether singing amidst gamelan tones\, classical Persian music\, the heaviest metal\, or the noisiest fuzz\, Jessika Kenney keenly considers the play of frequencies\, and how song acts as a conduit for words and meaning. Her solo works – as well as projects with her core collaborator Eyvind Kang – offer an audio syncretism that draws from established forms while conjuring new expressions. Her sense of the spectral has been heard in the ensemble of Persian ney master Hossein Omoumi\, as well as at the helm of the Austrian Choir on Sunn O)))’s Monoliths and Dimensions. Though her practice includes many a studied approach\, she finds a continued freedom in musics of rebellion; her brushes with the Indonesian punk scene resonate. \nROB NOYES \nFirst solo Los Angeles performance from Rob Noyes a standout 12-string acoustic player from Boston. Rob certainly fits in the recommended-if-you-like Robbie Basho or John Fahey category\, but so simple a move would belie the creative depths he plums weaving a tapestry of sound only possible in the present day\, and only possible where the weaver is an astute listener of records (and practicer of playing) and mad creative. Byron Coley describes his debut LP The Feudal Spirit on the rarefied Poon Village label thusly: “On the way to developing his own compositional/performance approach\, Noyes sometimes seems to have absorbed an almost infinite reservoir of influences… Mr. Noyes hits a vast array of sub-genres on this album\, and he hits them all pretty damn hard. Rob’s playing carries the weight of many possibly-imaginary forebears\, but the way he smears them all together shows a holistic mastery of touch and imagination…” \nhttps://poonvillage.bandcamp.com/album/the-feudal-spirit \nWILSON SHOOK \nWith a range of avant-moves Saxophonist Wilson Shook plays free and fluid. Whether blipping and bursting\, laying out textural feels\, or blowing asymmetries circular and smooth\, Shook averts the obvious – his heightened-awareness flows direct attention to the very now of sound\, and whet anticipation for what’s next. After more than a decade in Seattle as an improvisor and activist\, he’s now home in Los Angeles where his playing has already gripped a few lucky rooms\, and hopefully many more. Heads\, ears – perk! \nhttps://otherghosts.net/
URL:https://www.h-r.la/event/greg-kelley-jessika-kenney-%e2%80%a2-rob-noyes-%e2%80%a2-wilson-shook/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/04/0-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190504
DTEND;VALUE=DATE:20190507
DTSTAMP:20190427T031829Z
CREATED:20190420T220337Z
LAST-MODIFIED:20190427T031829Z
UID:4380-1556949600-1557122399@www.h-r.la
SUMMARY:Jennie MaryTai Liu with Alana Reibstein: Nemeton
DESCRIPTION:Nemeton is a durational choreography which makes a thicket of words\, positions\, and breath. Nine bodies listen and voice words spoken by nine other bodies— artists no longer living— experiencing what language can make present\, and what it shrouds. \nperformed by \nStacy Dawson Stearns\, Jessica Emmanuel\, Cristina Fernandez\, Maria Maea\, Coral Lobera\, Jasmine Orpilla\, Alana Reibstein\, Gabriella Rhodeen\, and Laura Stinger \nSaturday 5/4 6-9pm*\nSunday 5/5 1-4pm* \n*viewers are free to come and go throughout the duration of the performance \nDoor: $5-10 sliding scale
URL:https://www.h-r.la/event/jennie-marytai-liu-with-alana-reibstein-nemeton/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/04/unnamed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190508T210000
DTEND;TZID=America/Los_Angeles:20190508T210000
DTSTAMP:20190502T213946Z
CREATED:20190502T213946Z
LAST-MODIFIED:20190502T213946Z
UID:4417-1557349200-1557349200@www.h-r.la
SUMMARY:William Basinski + Lawrence English: Selva Oscura
DESCRIPTION:UPEND presents \nWilliam Basinski + Lawrence English: Selva Oscura \nWednesday May 8th\nat\n9pm \nPlease note: this is a special seated performance with limited capacity. Advance tickets are recommended. \nticket link\nhttps://www.eventbrite.com/e/william-basinski-lawrence-english-selva-oscura-tickets-61247423693 \nfacebook event page\nhttps://www.facebook.com/events/2425987850747632/ \nFrom their respective bases in Los Angeles and Brisbane\, William Basinski and Lawrence English – two crucial figures of ambient music – collaborated remotely\, trading and manipulating sonic materials to create an ever fleeting\, ever unfolding masterwork: Selva Oscura. Released last year by Temporary Residence Ltd.\, the album explores a liminal space at the very edge of beholding\, at once strange and familiar. The phrase Selva Oscura literally translates “as ‘twilight forest\,’ it metaphorically speaks to both those who find themselves on the unfamiliar path and more explicitly the nature of losing one’s way in place and time.” \nJust after twilight on Wednesday May 8th\, the pair convene in the same room in Los Angeles for a rare performance around this cycle\, plumming the resonant space of Human Resources with a shifting pallette of sound. Come catch their perpetual drift.
URL:https://www.h-r.la/event/william-basinski-lawrence-english-selva-oscura/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/05/selvaoscura_social.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190510T200000
DTEND;TZID=America/Los_Angeles:20190510T200000
DTSTAMP:20190501T065439Z
CREATED:20190501T061345Z
LAST-MODIFIED:20190501T065439Z
UID:4403-1557518400-1557518400@www.h-r.la
SUMMARY:Laida Lertxundi: Words\, Planets
DESCRIPTION:This film applies the six principles for composition delineated in ‘Opinions on Painting by the Monk of the Green Pumpkin’\, written by the eighteenth-century Chinese painter Shih-T’ao as referenced in Raúl Ruíz’s essay ‘For a Shamanic Cinema’ (for example\, ‘draw attention to a scene emerging from a static background’ or ‘add scattered dynamism to immobility’). The film is composed of scenes with non-actors\, and texts by R.D.Laing and Lucy Lippard. \nMade with:\nMuhe Chen\, Victor Artiga Rodriguez\, Ashley Campbell\, Anastasia Sargent\, Tanner Cook and Hanah Lur Ebel Lertxundi \nFilmed and recorded in:\nHabana\, Cuba; Los Angeles; Devil’s Punch Bowl; Ryan Mountain; Jurupa Hills\, Pasadena and Idyllwild\, California. \nText from:\nKnots\, R.D. Laing\nI see / You mean\, Lucy Lippard \nMusic: Faint Jade\, Nikhil Banerjee \nColourist: Caitlin Díaz \nFilm scans: Andrew Busti and Light Press \nSound assistance: Ren Ebel\, Christina C. Nguyen \nSound mix: Craig Smith \nTitles: Lucas Quigley \nExcerpt: Days of Being Wild\, Wong Kar-wai \nThank you: Begoña Prado\, Greg Pope\, Tooth\, Kate Dollenmayer\, Luisa Cameron-Coat\, Betzy Bromberg\, Laura Merando\, Usoa Fullaondo\, Light Press Grant and Foundation for Contemporary Arts Emergency Grant.
URL:https://www.h-r.la/event/laida-lertxundi-words-planets/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/04/WordsPlanetsStill5A.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190511
DTEND;VALUE=DATE:20190514
DTSTAMP:20190504T054936Z
CREATED:20190502T001432Z
LAST-MODIFIED:20190504T054936Z
UID:4414-1557554400-1557727199@www.h-r.la
SUMMARY:Theo Triantafyllidis: Anti-Gone
DESCRIPTION:Anti-Gone\nA Performance in Mixed-Reality by Theo Triantafyllidis\nMay 11th & 12th\, 7pm\nDuration: 3 acts\, 60mins\, no intermission \nIn a post-climate change world\, environmental catastrophe has become normalized. Cities are sunken\, yet the vestiges of late-capitalist culture – consumerism\, inequality\, social unrest – live on\, clinging like barnacles to the ruins of civilization. Spyda and Lynxa are a couple navigating this world frictionlessly. On their sailboat\, they glide from shopping to movies to psychedelic drugs. In a damaged world where you can have anything you want\, what’s the cost? \nTheo Triantafyllidis’ debut feature-length performance\, Anti-Gone\, is a sprawling experiment in 3D world-building\, real-time simulation\, interactivity and theatricality. Adapted from the eponymous graphic novel by Connor Willumsen\, Triantafyllidis takes the idiosyncratic narrative and visual style of Anti-Gone as a platform to explore the possibilities and limitations of what was once called “Theater”. As Triantafyllidis re-creates the world of Willumsen’s Anti-Gone as a series of 3D scenes\, performers Matthew Doyle\, Lindsey Normington and Zana Gankhyug embark on improvisational excursions in this mediated world. The performers explore dramatic tropes from absurdist theater to psychological realism and somatic awareness\, while the game engine performs alongside them. The actors presence is augmented and complicated by virtual reality headsets\, motion capture suits and audio DSP. Using these tools\, Triantafyllidis directs and shapes the world that is being presented to both the performers and the audience in real time. Anti-Gone asserts theatricality as a new way of thinking fictionally\, as real space is re-incorporated into subjective game logics. The audience is given a theater re-invigorated with new techniques for pleasure and play as the world outside simulates its own destruction… \nBased on the original comic book by Connor Willumsen\nProduced by Matthew Doyle\nStarring Lindsey Normington\, Zana Gankhuyag\, Matthew Doyle\nLighting Design by Connor Childs\nSound by Jeffrey Alan Scudder\nProduction Assistant Polina Miliou\nSpecial Thanks to Mari Spirito\, Celia Hollander\, Luke Fischbeck. \nTheo Triantafyllidis is represented by The Breeder\, Athens and Meredith Rosen\, New York. \nWith the support of UCLA Design | Media Arts\, bitforms gallery.\nTechnical sponsorship by Barco Projectors\, Noitom MoCap. \nAdvance tickets may be purchased here
URL:https://www.h-r.la/event/theo-triantafyllidis-anti-gone/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/05/screen_6160x4620_2019-04-29_19-40-38.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190513T200000
DTEND;TZID=America/Los_Angeles:20190513T200000
DTSTAMP:20190512T225636Z
CREATED:20190512T225636Z
LAST-MODIFIED:20190512T225636Z
UID:4437-1557777600-1557777600@www.h-r.la
SUMMARY:Phil Minton & Audrey Chen • Swinging Chandeliers • Corey Fogel
DESCRIPTION:UPEND  presents \nPHIL MINTON & AUDREY CHEN (London/Berlin)\nSWINGING CHANDELIERS\nCOREY FOGEL \ndoors 8pm\nsound 9pm\ndonate $10 \nPHIL MINTON /  AUDREY CHEN DUO\n✶ Los Angeles debut ✶ \nPhil Minton (b. 1940\, Torquay\, England) is a improvisor whose contorted vocal emissions have pushed beyond the boundaries of genre. The past four decades have heard his glossolaliac gurgles\, squeaks\, and deconstructed operatic flights operate within the realms of Free Improvisation\, the body of Jazz itself\, and varied electro-acoustic activities. Over the eras\, he’s collabbed live and on record with an epic list of ace improvisors including Fred Frith\, John Butcher\, Bob Ostertag\, and Joëlle Léandre. To this day (at the end of his 70s!) Minton is a mainstay of London’s Café OTO scene\, and regularly parries in an acoustic vocal duo with Berlin-based improvisor Audrey Chen (b. 1976\, Illinois). With compatible palates\, and complimentary instincts they engage in an instant interplay of queue and chase\, gesture and spittle. Chen herself hyperextends voice\, mining material in between – and beyond – previous utterance. Finding sound via microtones of larynx squeak\, blowing wind turbulence with lip-flip flutters\, and plumming the corporeal with full throated phonation! She has worked with Maria Chavez\, Nate Wooley\, and C. Spencer Yeh among many others. Though Minton and Chen have toured in Europe and U.S. and have cut a couple records together – including a fine duo outing on Sub Rosa – this date marks their first performance in Los Angeles. \nSWINGING CHANDELIERS \nSwinging Chandeliers is the life-duo of reel-to-reel master Joseph Hammer and hypno-visualist Sayo Mitsubishi\, and together they divine a liminal zone of total art and perpetual weirdness. Previous swings have seen Mitsuishi improvise visuals via overhead projector\, unfurling a stream of subconsciousness – drawing simultaneously with each hand. The transparency that scrolls across her platten is more of a match than a metaphor for the looped tape traveling over the heads of Hammer’s rig. \nCOREY FOGEL \nCorey Fogel is a artist and drummer who has clear control over percussive rudiments as well as the will to disrupt the flow. Setting and breaking expectations\, breaking out of rhythm\, and finding ways to surprise with what-to-hit and what-to-drop\, whether it’s a beat or a wrench – either in the system or\, yes\, literally a wrench – Fogel is continually active locally and across the country and the pond improvising and on recent tours with the versatile unit that is Julia Holter’s band and the Tasha Wada Group. Fogel’s solo outings in town\, however\, are curiously infrequent\, and on this auspicious occasion he’ll share some of his instant art idioms.
URL:https://www.h-r.la/event/phil-minton-audrey-chen-%e2%80%a2-swinging-chandeliers-%e2%80%a2-corey-fogel/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/05/59812679_516927415508449_3960616079260123136_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190529T193000
DTEND;TZID=America/Los_Angeles:20190529T233000
DTSTAMP:20190522T002351Z
CREATED:20190517T024812Z
LAST-MODIFIED:20190522T002351Z
UID:4453-1559158200-1559172600@www.h-r.la
SUMMARY:Queer Intimacy and States of Emotion / Cross-Continental Friendships
DESCRIPTION:SELF#2 by Telémachos Alexiou \nGroup Show Fundraiser/Art Sale curated by Telémachos Alexiou \nJoin us for a one-day fundraising exhibition combining works by established and emerging queer artists from Berlin and Los Angeles. \nExhibiting artists include: Ron Athey\, Lucas Bihler\, Cassils\, Alex Chaves\, Zackary Drucker\, Spilios Gianakopoulos\, Monilola Ilupeju\, Young Joon Kwak\, Eva Mitala\, Tyler Matthew Oyer\, Zander Porter\, Elliot Reed\, Spyros Rennt\, Jason Al-Taan & Telémachos Alexiou. \nPerformances by Christopher Argodale and Tyler Matthew Oyer. \nCurated by Greek filmmaker Telémachos Alexiou\, this selection of work manifests Alexiou’s personal relationships with the artists\, shedding light upon the intimate moments\, struggles\, pleasures and agonies of being queer in 2019. The exhibition’s curation is a love letter to the artists\, intended to bridge the geographical distance\, and emotional longing between continents. \nEvery artwork will be up for sale at a reduced price; all proceeds will be given to the artists\, to a fund supporting Alexiou’s feature film projects (see below) and to HRLA. (Suggested donations at the door – $5-20.) \nHalf of the funds raised will support Telémachos Alexiou’s next feature film projects: The Voice Of An Angel and Emi’s Movie. The Voice Of An Angel is a European arthouse drama about a young Greek actor who is freed of his demons by metamorphosing into a drag persona of his iconic pop star mother. Emi’s Movie is a documentary about the life and work of visionary gallerist\, muse\, cultural producer\, curator\, yogini and writer Emi Fontana. \nCo-hosted by Zak Stone. \nAfterparty with DJs Buckmonster & Kevin Mcgarry \nDoors at 7pm\nPerformance by Christopher Argodale: 7:30pm sharp\nPerformance by Tyler Matthew Oyer: 10:15pm\nDJ sets: 10:30pm \nTelémachos Alexiou was born on January 3\, 1992 on the island of Evvia\, Greece. During his childhood and teens he was trained as a ballroom dancer and won several titles nationally and internationally. At the age of 17 he moved to London\, UK\, to study Communications and Visual Culture and three years later to Berlin where he studied Film Theory at the Freie Universität Berlin and started working as a filmmaker and artist. His diverse body of work includes narrative feature films\, media installations\, performance art and photography. His work is characterized by a dreamy\, surrealistic approach to every day experience and to notions such as identity\, sexuality\, repression and desire.
URL:https://www.h-r.la/event/queer-intimacy-and-states-of-emotion-cross-continental-friendships-2/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/05/COVER-HR.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190531T200000
DTEND;TZID=America/Los_Angeles:20190531T230000
DTSTAMP:20190517T184404Z
CREATED:20190513T194738Z
LAST-MODIFIED:20190517T184404Z
UID:4441-1559332800-1559343600@www.h-r.la
SUMMARY:Cody Putman\, Marta Tiesenga\, Amanda Bonaiuto\, Gabriela Escovar
DESCRIPTION:Performance\, installation\, and screenings\n\n8pm\nFree
URL:https://www.h-r.la/event/cody-putman-marta-tiesenga-amanda-bonaiuto-gabriela-escovar/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/05/palms.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190608T200000
DTEND;TZID=America/Los_Angeles:20190608T200000
DTSTAMP:20190604T200251Z
CREATED:20190604T200251Z
LAST-MODIFIED:20190604T200251Z
UID:4481-1560024000-1560024000@www.h-r.la
SUMMARY:Crom\, Persekutor\, Beyond Pain\, Forest Lawn
DESCRIPTION:Church of the 8th Day Presents:\nSaturday June 8th 2019 at Human Resources \nCROM\nPERSEKUTOR \nBEYOND PAIN\nFOREST LAWN \n8pm / $10 / 21+ / FREE BEER
URL:https://www.h-r.la/event/crom-persekutor-beyond-pain-forest-lawn/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/06/59533829_10161642091155103_6172073522832080896_n.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190615T200000
DTEND;TZID=America/Los_Angeles:20190615T200000
DTSTAMP:20190611T071212Z
CREATED:20190611T071212Z
LAST-MODIFIED:20190611T071212Z
UID:4487-1560628800-1560628800@www.h-r.la
SUMMARY:W00DY / Stevie Richards / Sleep Clinic / In-House Pharmacy
DESCRIPTION:Sonoptik & Human Resources present euphonic journey \nW00DY [pgh]\nStevie Richards [aus] (aka Cleaning Lady)\nSleep Clinic\nIn-House Pharmacy \nFREE FREE FREE \nThere will also be an installation in place by Stalgia Grigg for all to enjoy. \n————– \nW00DY [pgh]\nhttps://w00dy.bandcamp.com/ \nW00dy from Pittsburgh is attempting to bring absurdity to the dance floor with fast bpm’s\, high energy polyrhythms\, and wacky samples. She sees the dance floor as a place for healing\, and therefore writes music inspired by moments of catharsis.\n________ \nStevie Richards [aus]\nhttps://soundcloud.com/cleaninglady\nhttps://www.youtube.com/watch?v=kO7ZaPprc_c \nA veteran of improvised music\, Stevie Richards (aka Cleaning Lady) has been a regular of the Melbourne\, Australian music scene for more than three decades\, along with running sound at the world’s longest running weekly improvised music night ‘Make It Up Club’ which has ran weekly for more than 21yrs. \nStevie brings a deft style of improvised music using a handmade Serge modular system to Los Angeles\, not to be missed.\n________ \nSleep Clinic\nhttps://sleepclinic.bandcamp.com \nSleep Clinic (aka Jeff Swearengin) produces some of the most succinct IDM Los Angeles has to offer. When Sleep Clinic isn’t making his own music he can be found producing\, mixing and mastering a larger variety of Los Angeles bands. And we should mention in his “free time” he’s touring and playing live as a member of Front Line Assembly 😉 \n________ \nIn-House Pharmacy\nhttps://laurenbousfieldanyev3r.bandcamp.com/\nhttps://www.omiindustriies.com/ \nIn-House Pharmacy are one of LA’s newest\, exciting electronic duos. Joining forces are skilled producer Lauren Bousfield and Electronics genius Naomi Mitchell. \n 
URL:https://www.h-r.la/event/w00dy-stevie-richards-sleep-clinic-in-house-pharmacy/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/06/62232678_2407565759302659_6178208806305005568_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190712T203000
DTEND;TZID=America/Los_Angeles:20190712T233000
DTSTAMP:20190725T184809Z
CREATED:20190706T203403Z
LAST-MODIFIED:20190725T184809Z
UID:4561-1562963400-1562974200@www.h-r.la
SUMMARY:Borasisi Record Release Show
DESCRIPTION:Patrick Shiroishi  \nVinny Golia \nDylan Fujioka  \nAlex Cline  \nLA Fog \nDoors 8:30pm $7 \n*no one will be turned away for lack of funds
URL:https://www.h-r.la/event/borasisi-record-release-show/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/0-3.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190713T190000
DTEND;TZID=America/Los_Angeles:20190713T220000
DTSTAMP:20190725T184809Z
CREATED:20190706T223535Z
LAST-MODIFIED:20190725T184809Z
UID:4568-1563044400-1563055200@www.h-r.la
SUMMARY:Everyone I Love Bites Back: Poetry and Prose Reading
DESCRIPTION:Join us for a poetry and prose reading\, called “Everyone I Love Bites Back\,” hosted and curated by Christopher Soto\, award-winning poet and editor of Nepantla: An Anthology Dedicated to Queer Poets of Color. Celebrate the start to summer\, and Christopher’s return to Los Angeles\, with this gathering of writers\, activists\, academics\, and weirdos. Speakers include: Vanessa Angélica Villarreal\, Janel Pineda\, Joshua Jennifer Espinoza\, Blas Falconer\, Joseph Rios\, Myriam Gurba\, Tre’vell Anderson\, Ali Liebegott\, Joshua Javier Guzmán\, F. Douglas Brown\, Sophia Le Fraga\, Wendy C. Ortiz\, Reece Noi\, Vicki Vértiz\, and Mey Rude. After party info to be announced. \nFlyer photo credit to Kai Richards. \n*Human Resources’ front entrance has one step\, we have a folding wheelchair ramp. The side entrance is wheelchair accessible. We do not have a wheelchair accessible restroom. Bathroom is gender neutral and has 2 stalls adjacent to each other.
URL:https://www.h-r.la/event/everyone-i-love-bites-back-poetry-and-prose-reading/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/0-5.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190714T163000
DTEND;TZID=America/Los_Angeles:20190714T233000
DTSTAMP:20190725T184809Z
CREATED:20190712T063555Z
LAST-MODIFIED:20190725T184809Z
UID:4572-1563121800-1563147000@www.h-r.la
SUMMARY:The Never Quartet: An Installation by Michael Morley
DESCRIPTION:Music for The Never Quartet \nan installation for a quartet of four \nbowed acoustic guitars by Michael Morley \n  \nSunday July 14th \nAfternoon\, Dusk\, Night \n4:30pm – 6:30pm – 8:30pm \nfree and open to the public \n  \nwith special performances by Electric Sound Bath & CGRSM \nBlack Editions and Human Resources Los Angeles present the U.S. premiere of The Never Quartet\, a new sound installation piece by Michael Morley. \nMichael Morley is a New Zealand based sound artist and visual artist. His work across a range of genre confirms his abilities as an artist\, composer\, improvisor\, performer\, and producer. Responsible for over 100 audio releases from 1985 to 2019 as: Gate\, The Dead C\, The Righteous Yeah\, The Fuck Chairs\, Sun Valley\, and many other collaborations and solo recordings. The development of Music for The Never Quartet has come from a thirty year exploration of the guitar and of sound as art. \nMusic for The Never Quartet seeks to employ the resonating qualities of wooden acoustic guitars placed upon items of wooden furniture to reveal connections between time and space by sonically activating the instruments and the other wooden objects within architectural structures. Tonal drones are produced by acoustic guitars placed on the top of solid wooden furniture. The tones are generated in the guitars using electronic bows that are placed upon the steel guitar strings. \nDuring the installation the audience will be encouraged to record and playback loops of the quartet on their personal mobile devices so as to contribute to the composition and performance in real-time. \nThe installation will be activated for three 1-hour intervals. Between these intervals there will be special performances featuring: \nELECTRIC SOUND BATH  \nLos Angeles-based duo comprised of Ang Wilson (modular synthesizer and singing bowls) and Brian Griffith (bass guitar and electronics). Inspired by the sound baths made famous by the Integratron\, ESB uses singing bowls\, as well as electric instrumentation to create similarly dense wombs of sound that envelop the listener. \n& \nCGRSM \nLos Angeles artists Christopher Reid Martin and Gabie Strong combine forces as CGRSM to create long form drone music\, focusing on harmonic sensory inundations to render spirited body resonances. The duo traditionally use a variety of electronic instrumentations\, relying mainly on amplified guitars. For this performance\, the duo will play accordion and harmonium to explore the spatial conditions of vibrational acoustics.
URL:https://www.h-r.la/event/the-never-quartet-an-installation-by-michael-morley/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/0-6.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190720T203000
DTEND;TZID=America/Los_Angeles:20190720T233000
DTSTAMP:20190725T184809Z
CREATED:20190712T075607Z
LAST-MODIFIED:20190725T184809Z
UID:4582-1563654600-1563665400@www.h-r.la
SUMMARY:Jobel Medina: KILL THE MONSTERS
DESCRIPTION:Los Angeles based dancer\, choreographer\, and photographer\, Jobel Medina will premiere two new solos for the first time in two years at Human Resources. \nHighly physical and thought-provoking\, Jobel’s new solos undertake problematic subjects with humor and sensuality. By merging both experimental practices and over-the-top drama inside his process\, he’s become less burdened by the extreme seriousness that often paralyzed his creativity. \nSolos will be performed by Sarah Butler and Jobel Medina with a special guest\, Joey Navarrete-Medina and a music collaboration with Dylan Marx. \n*Plus\, a series of artwork by Sarah Butler will be open for viewing and purchase before and after the show. \nBring cash for drinks! \nVenmo is also accepted. \n$15 purchase tickets here \n  \nJobel Medina is a dancer\, choreographer\, and photographer based in Los Angeles. Born and raised in the Philippines\, Jobel migrated in the U.S. at the age of twelve. He received his Bachelor of Fine Arts in dance at California State University\, Long Beach and has been a member of Ate9 Dance Company since 2017\, where he worked closely with Danielle Agami and also performed works by Shahar Binyamini and Tom Weinberger. In 2018\, Jobel was one of the six interpreters to perform Tino Sehgal’s “Selling Out\, (2002)” at the Hammer Museum in Los Angeles\, CA. As a freelancer\, he’s worked with choreographers such as Christopher Bordenave of No1 Art House\, Kate Wallich and The YC\, Ania Catherine & Dehja Ti\, Rebecca Lemme\, Keith Johnson\, Andrew Winghart\, and Whyteberg. He’s also appeared in multiple music videos including Mac Miller\, Anderson Pak\, Noah Crus\, Raveena\, Watsky\, Jareena De Marco and more. Recently this year\, he performed for Shaun Ross’s musical debut at the Los Angeles Pride Festival in West Hollywood. \nJobel has been commissioned to choreograph for The Assembly\, PGK Dance Project\, and CSULA Dance Department and has presented work at multiple venues and festivals throughout the states. Additionally\, he’s taught dance workshops at various universities such as CSULB\, CSUF\, CSULA\, and in multiple high schools including Huntington Beach Academy of Arts\, AB Miller Conservatory of Dance\, and Laguna Beach HS. In the fall\, he’ll be attending CalArts for his MFA in Dance with integrated Media. \nSarah Butler is a performance and visual artist based in Los Angeles. She graduated from Cornish College of the Arts in Seattle\, WA with a BFA in Dance and has been a founding member of Danielle Agami’s Ate9 Dance Company since 2012. With Ate9\, Sarah has performed at prestigious venues nationally and internationally\, including Jacob’s Pillow\, American Dance Festival\, the American Platform for Dance at The Joyce\, and Context Vishneva Fest in Moscow\, Russia\, among others. Sarah has taken part in the creation of new freelance dance works with Tom Weinberger\, Alex Ketley of The Foundry\, and Jobel Medina. She has guest taught at Cornish College of the Arts\, California Institute of the Arts\, and currently teaches Ate9 open classes in Los Angeles. Sarah has designed and built large-scale\, wearable pieces for her own performance-based productions including her flowerhead sculpture\, featured in DTLA’s Art Walk in 2017 in collaboration with visual artists Laurie Shapiro and Darren Sarkin; and The Guest House\, her most recent collection of photography\, embroidery\, & poetry work\, was shown as a part of Seattle’s Capitol Hill Art Walk in March 2019. Later this month\, she looks forward to performing with singer-songwriter Russian Red at Jardin Botanico Alfonso XIII in Madrid\, Spain. \nJoey Navarrete-Medina found dance in Fontana\, CA at the AB Miller Dance Academy with Nicole Robinson in 2005. In 2014\, he received his BFA in Dance at CSULB where he graduated Cum Laude and received the Dizzy Feet Scholarship. Comprehensively certified through Body Arts and Science International (BASI) Joey has taught Pilates with dance specialization in various settings. He collaborates frequently on dance works with his dance partner Rosa Rodriguez-Frazier and goes to different parts of Mexico to perform and facilitate contemporary or partnering workshops as a way to stay connected with his Mexican American roots. Joey has performed in various projects around Southern California and has worked with The Assembly Dance\, No1 Art House\, Acts of Matter\, Keith Johnson/Dancers\, Rosa Y Joey Dueto Collectivo\, Whyteberg\, plus more. Joey is entering his second year in the World Arts and Culture/Dance Program where he is pursuing his MFA degree in choreographic Inquisition. \nDylan Marx is a musician\, composer\, producer\, and educator currently living in Los Angeles\, California. He’s released music under the names Clownfisher\, Moths\, as well as his own. His albums Moths (2016)\, Champions (2018) and Midden (2018) are all available on Bandcamp and Spotify. He is currently an MFA Candidate at the California Institute of the Arts.
URL:https://www.h-r.la/event/jobel-medina-kill-the-monsters/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/https-cdn.evbuc_.com-images-64971427-178618305683-1-original.20190707-012118.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190721T200000
DTEND;TZID=America/Los_Angeles:20190721T233000
DTSTAMP:20190725T184809Z
CREATED:20190706T203754Z
LAST-MODIFIED:20190725T184809Z
UID:4565-1563739200-1563751800@www.h-r.la
SUMMARY:HOGG • Nghtcrwlr • Pistola • Newboy
DESCRIPTION:L&S and Night Gaunt present \nHOGG (Chicago)\nscrapesrecordings.bandcamp.com/album/self-extinguishing-emission \nNghtcrwlr \nyoutu.be/Zl3QtTu2ijI \nPistola\n(Anthony Vannicola and Michael Demaio\, LA Debut) \nNewboy ( Record Release)\nnightgauntrecordings.bandcamp.com/album/funky-bullshit \n+ Night Gaunt DJs \n8 PM | All Ages\n$10 advance tickets here https://withfriends.co/event/2074499/\n$15 day of show \n***Physical copies of Newboy’s “Funky Bullshit” Vinyl LP on Night Gaunt will be available for purchase.
URL:https://www.h-r.la/event/hogg-%e2%80%a2-nghtcrwlr-%e2%80%a2-pistola-%e2%80%a2-newboy/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/0-4.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190724T200000
DTEND;TZID=America/Los_Angeles:20190724T200000
DTSTAMP:20190701T184428Z
CREATED:20190625T234247Z
LAST-MODIFIED:20190701T184428Z
UID:4525-1563998400-1563998400@www.h-r.la
SUMMARY:Donna Oblongata: All 100 Fires
DESCRIPTION:Somewhere in a forest nearby\, a lone guerrilla commander will ask you to prove yourself during a game of Pass the Sponge. If you fail at that\, maybe you can help grind the sulfur. \nMeanwhile\, the Giant Ibis was thought to be extinct in Cambodia\, though footage from a few years ago reveals that some still exist. That part of the story is true. Basically. But can you really believe a man who was brought up in the taxidermy trade? Join our hero\, who actually is maybe a traitor\, for the war we were born to fight. \nDonna Oblongata returns after taking three years off from touring with a new solo show\, All 100 Fires. The show stars a guerrilla commander and you\, the new recruits. Birds flutter in and out\, though mostly they are dead. \nIt’s a funny play if you like being told that your best isn’t good enough. It’s a sad play if you were hoping for something more optimistic. It’s an educational play if you want to learn how to make explosives. \nWritten & performed by Donna Oblongata\nProduction/puppet design by Patrick Costello\nDirected by Francesca Montanile Lyons \nRunning time: 70 minutes. \ntickets $10-15 sliding scale available here and at the door\, no-one turned away for lack of funds. \nNOT FOR CHILDREN. Ages 16+ only\, please. \nCONTENT WARNINGS: Show features guns\, suicide\, scary noises and smoke effects. \n“A visionary with a knack for creating experiences that transcend the norm…The scope of this production was unreal…a masterpiece.” –Geekadelphia \n“A welcome oasis of imagination…High-energy\, funny\, and surprisingly moving.” –DC MetroArts
URL:https://www.h-r.la/event/donna-oblongata-all-100-fires/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/06/100FiresPR1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190727T200000
DTEND;TZID=America/Los_Angeles:20190727T200000
DTSTAMP:20190701T181727Z
CREATED:20190625T234247Z
LAST-MODIFIED:20190701T181727Z
UID:4522-1564257600-1564257600@www.h-r.la
SUMMARY:toxinosexofuturecummings
DESCRIPTION:“Ages ago\, about exactly one week after having Nexplanon removed from the inner side of my left arm\, under the skin\, I felt how my shoulders widened.\nNexplanon is a birth control implant that releases progestin.\nIt contains 68 mg of the active substance etonogestrel.\nSynthetic progestin mimics the actions of progesterone\, a naturally occurring hormone.” \n– Ana Teo Ala-Ruona \ntoxinosexofuturecummings is a bodyfiction about pleasurable sex on a polluted planet. It’s a speech performance of a body making itself with words. In the performance sex is seen as an evolutionary and developmental process. It opens up a world in which materials and multispecies bodies infiltrate each other\, giving and receiving pleasure. The world is thoroughly polluted\, but possible\, queer and trans: full of new pleasures and sexualities. \ntoxinosexofuturecummings is a performance about an anticipatory and transformational state. \nContent warning: The piece deals with environmental toxins\, pollution\, hormones and transition. The speech also includes sexual and pornographic content. \nIn Human Resources the work will be performed in collaboration with LA based trans-futurist and sound synthesist Scallion Chloe. \nWorking group:\nAna Teo Ala-Ruona (text & speech)\nAlvi Haapamäki (costume & maski)\nSatu Kankkonen (sound design)\nScallion Chloe (sound design and processing)\nElina Minn (dramaturgy) \nSaara Hannus (production assistance) \nPhoto credit: Nova Kaspia \nAna Teo Ala-Ruona is a performance and visual artist and educator based in Helsinki. They are interested in generating new forms of collectivity\, interdependence and futurities in artistic practice\, while creating space for silenced\, unheard or non-normative\, queer and trans narratives and experiences. Drawing from techniques found in the fields of feminist pedagogy\, contemporary performance and theater\, activism\, and literature\, they create collaborative strategies for feminist speculative fiction in lived practice. https://anateoalaruona.net \nOrganized in conjunction with Ana Teo Ala-Ruona’s solo exhibition TWAH(=These Worlds Are Here) at Gas\, a mobile\, autonomous\, experimental and networked platform for contemporary art located in a truck gallery parked around Los Angeles and online. TWAH(=These Worlds Are Here) will be parked outside of Human Resources post-show on July 27 from 9-10pm. http://www.gas.gallery \nSupported by Frame Contemporary Art Finland\, the Finnish Cultural Foundation and Poets & Writers. \nSliding scale tickets available here and at the door.
URL:https://www.h-r.la/event/toxinosexofuturecummings/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/06/photo_Nova-Kaspia.jpg
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END:VCALENDAR