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DTSTART;TZID=America/Los_Angeles:20150307T000000
DTEND;TZID=America/Los_Angeles:20150307T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035159Z
UID:1410-1425686400-1425686400@www.h-r.la
SUMMARY:Decolonizing the White Box III
DESCRIPTION:This fall two large public forums gathered under the premise of “Decolonizing The White Box\,” in response to artworld racism and\, in specific\, to the critique leveled at the Made in LA show at The Hammer Museum by writer Sesshu Foster. Both events drew large crowds. The first\, led by Raquel Gutierrez\, involved exercises and strategies to interrogate the dividing lines between aesthetics and politics. The second coincided with news of the non-indictment of the murderous cop in Ferguson. During a rather heated Q & A\, panelist Ricardo A. Bracho called for a people of color artist meeting. This third event in the series is the response\, developed by artists and organizers of color of LA. \nThis is an intentional people of color only event. \nWe welcome you to continue our conversations.We hope to create a dialogue which challenges and explores the mechanisms of power in the art world. We invite artists\, organizers and all Angelenos of color to join us in an intimate exchange on race and representation\, communities and the art market\, and the (im)possibilities of artworld decolonization. \nSaturday March 7th\n7 to 10pm\nBring food to share- its a potluck! \nThis event was organized by Oscar Miguel Santos and a group of artists involved in both previous meetings.
URL:https://www.h-r.la/event/decolonize-poc-event/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/decolonizing-III.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150308T180000
DTEND;TZID=America/Los_Angeles:20150308T210000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035035Z
UID:1411-1425837600-1425848400@www.h-r.la
SUMMARY:The Border Again: Dis-automation and the Border (?)\, an open forum
DESCRIPTION:An Open Forum — closing event for The Border Again. \nArtists attending: Simon Pecco\, Alfredo Gonzalez Reynoso\, Luisa Fernanda Martinez and Reuben Torres.* \nCLOSING EVENT FOR THE BORDER AGAIN \n3/8 Sunday\, 6:00 pm to 9:00 pm \nWe would like to invite you to an open forum\, an un-moderated talk at Human resources for the closing of The Border Again. \nOpen Forums are un-moderated talks that use prompts as starting points to engage in conversation through the discourse of aesthetics and politics. \nOpen Forums were started in Tijuana to open up the gallery space\, in order to engage the community of Tijuana more intimately. Some of the prompts for past forums were drugs\, apathy\, and politics\, and small instances in dissidence. Being that this iteration will be in Los Angeles\, in addition to speaking of the border as a place where artistic practice can be socially engaged and also what it means to work in contested spaces\, it might be useful to imagine what future borders will come\, symbolically and in the real(?)\, what will the border look like (the aesthetics of the military?)\, what types of imaginary technologies will be used and how will we counteract surveillance (just some thoughts). For this iteration of Open Forums\, there are two small texts that might be helpful. \nAudre Lorde\, “The Transformation of Silence Into Language and Action” from I Am Your Sister\, 39-44 \nand \n“Bifo” Berardi’s “The Mind’s We:Morphogenesis and the Chaosmic Spasm\,” p. 7-33. \nDownload links for PDF’s \n*Open Forums were started by a curatorial collective with artists from Tijuana and Mexico City and included Jaqueline Andrade from Praxis Gallery\, Anna Bon\, Vidal Castillo\, Carlos Matsuo\, Marcel Miranda\, Joey Muñoz\, Christian Vargas\, and Michael Ray-Von.
URL:https://www.h-r.la/event/open-forum-otras-obras/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/Border-Again.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150311T200000
DTEND;TZID=America/Los_Angeles:20150312T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034803Z
UID:1412-1426104000-1426118400@www.h-r.la
SUMMARY:Being for the Benefit of Mr. Ford
DESCRIPTION:HR and LAFMS present Being for the Benefit of Mr. Ford: A benefit and celebration for Ace Farren Ford 8PM \nAce Farren Ford has been on the outskirts of the improvisational / noise scene for more than 40 years\, an original founding member of the Los Angeles Free Music Society and has been with a variety of ensembles such as Smegma\, AIRWAY\, the Mystery Band\, the Hangar Quartet\, Crowbar Salvation\, EXP\, Heltir and many others. As many have in today’s economy\, he has been struggling to stay afloat in recent years. \nHuman Resources and LAFMS has come to his aid with this evening of sound and art\, including performances by Joe Potts\, Sleepwalkers Local\, s&ndc&stl&\, Balkh\, Small Drone Orchestra\, Ted Byrnes\, the Hangar Quartet\, and special guests.  \nOriginal art by Ace Farren Ford and records will be available for sale. \n$10 suggested donation FB event page
URL:https://www.h-r.la/event/benefit-for-lafms-ace-farren-ford/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Benefit-Mr-Ford.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150312T200000
DTEND;TZID=America/Los_Angeles:20150313T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034611Z
UID:1413-1426190400-1426204800@www.h-r.la
SUMMARY:THEE OH SEES and CALDWELL/TESTER
DESCRIPTION:MUSICAL EXPOSITION featuring Thee Oh Sees and Caldwell/Tester \nThis will be a test run of sorts for the newly formed double drums lineup of Thee Oh Sees… John Dwyer has still got it.. he just has more thump and whack behind it.\n\nCALDWELL/TESTER are synths and electronics emotified… bring your slow dancing shoes.\n\nDoors at 8PM\, $5
URL:https://www.h-r.la/event/oh-sees-caldwelltester/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Oh-Sees.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150313T180000
DTEND;TZID=America/Los_Angeles:20150313T180000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224859Z
UID:1414-1426269600-1426269600@www.h-r.la
SUMMARY:A STONE IN THE MIDDLE | CONTEMPORARY TECHNO-TEMPORAL INNOVATION
DESCRIPTION:a stone in the middle | contemporary techno-temporal innovation \nI understand techno- from the Greek τέχνη. It could mean arts or craft or both.  I also understand -temporality as relative to time\, in many ways. It is also a form of electronic dance music\, I heard\, but this is also relative to time. So what is techno-temporality? I think of the term as related to the digitization of our times and to the way our apperception of time is (re)built. In that case\, isn’t a contemporary techno-temporality a pleonasm? When else in history did we experience an age of digitization prior to now? Could digitalization ever precede the invention of the digital? The artists of the show share the same space in the same time. And this seems already enough to know. Together their works engage into a never ending techno-dance that\, ultimately\, leaves us questioning the floor we thought we were dancing on. But was it ever a floor in the first place? \nFilm\, performance — 8PM \nPerformances by Joanna Swan and Noon Tran \nParticipating artists: Martha Dimitratrou\, Jane Moseley\, Audrey Wollen\, Jullen Borno\, Ilana Kozlov\, Kinkey Dolores Cosi S\, Dylan Corbett\, Timo Fahler\, Jesse Adams\, Judith Rau\, Joanna Swan\, Noon Tran
URL:https://www.h-r.la/event/video-screening-final-plankton-w-tran/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/1889054_10152810774543918_3110541365098055932_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150314T193000
DTEND;TZID=America/Los_Angeles:20150314T193000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033958Z
UID:1415-1426361400-1426361400@www.h-r.la
SUMMARY:Charles Atlas: Dance! Dance! Dance!
DESCRIPTION:7:30PM \n“Ex-Romance”\, 1987 (48 min) \n“Hail the New Puritan”\, 1985 (84 min) \nAs part of the ATLAS IN LA festival\, a nine-day festival of film screenings\, which will occur March 10th-19th at eight venues around Los Angeles\, Human Resources presents a night of Charles Atlas’ two most well known dance-narratives. In Ex-Romance\, Atlas’ fascination with “narrative\, psychology\, dance\, and flights of fantasy\,” is manifested in this dynamic videodance musical. Here the postmodern choreography of Karole Armitage is performed by Armitage\, Michael Clark and others to American pop and Latin music. Framed and interrupted by the ironic observations of two parodic “public television” commentators\, the dancers play fictionalized versions of themselves in a wry tale of contemporary romance\, in which the dance literally and metaphorically advances the narrative. Hail the New Puritan is a simulated day-in-the-life of British dance celebrity/choreographer Michael Clark. Atlas’ fictive portrait of the charismatic choreographer serves as a vivid invocation of the studied decadence of the 1980s post-punk London subculture. Contriving a faux cinema-verite format in which to stage his stylized fiction\, Atlas seamlessly integrates Clark’s extraordinary dance performances into the docu-narrative flow. Focusing on Clark’s flamboyantly postured eroticism and the artifice of his provocative balletic performances\, Atlas posits the dance as a physical manifestation of Clark’s psychology. \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-hr/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlast-Dance.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150315T200000
DTEND;TZID=America/Los_Angeles:20150315T220000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034214Z
UID:1416-1426449600-1426456800@www.h-r.la
SUMMARY:MAX EILBACHER AND LUMINOUS ALL KUDLER AND GUESTS
DESCRIPTION:HRLA presents Max Eilbacher’s The VanderBleakin Tour Comes To The West Coast with:\nMax Eilbacher \nWe have Eilbacher ripping sets of electro-acoustic shard flappery with drone-rockers Teeth Mountain\, rocking a guitar and violent acts of peace with aktionist noise-rock unit Needle Gun (of which he helped found)\, bobbing his own head along a top a swarm of electronics with technocrats Matmos\, keeping just intoned enough with comp-rockers Horse Lords (of which he is also a founding member) as well as improvising at events like High Zero\, making video art\, and eating a nasty mountain of hot peppers just to impress two brothers with different last names; the psychedelic noise-triXXXster Twig Harper and the reel-to-reel builder and stoic impresario of deadened ambush\, Caleb Johnston. At this point\, the context returns to its’ steady placement as useless. If one places a musician within every-damn-musical-area one can fall into\, then can’t one as easily put them into no-damn-musical-area? After all who ever heard of a technocrat drone-rocker noise aktionist eating hot peppers with two psychedelic brothers all while playing junked out electronics mixed with developing and progressive\, but still rather nostalgia tinged\, digital sounds\, except there are no beats\, drones\, or noise-blasts but rather interlocking layers of clang-y misshapen patterns that are replaced by rising and descending tones smattered together to be torn apart to create a carousel affect of the cogent and the confused? There seems to be just nothing to say about Max Eilbacher other than that he is a Baltimore based musician working with a wide variety of electronics\, both sampled and synthetic. Eilbacher has a solo record out on the Spectrum Spools label\, a sub-label of Editions Mego \nLuminous All Kudler \nLuminous All Kudler is one of many interchangeable performing aliases of currently Baltimore based electronic musician and sound artist Ben Kudler. In response to the recent move to integrate computers into every facet of daily life\, including the body\, Kudler’s sounds create physiological snaps and bumps in addition to psychoacoustic errors and confusions on the part of the listener. The immediately identifiable synthetic sounds used are strapped into shaky\, if not plain stupid\, structures stacked on top of one another rendering a centrifugally hung spinning force of a composition that can only have sense derived from by each individual listener\, the end user. Luminous All Kudler’s debut full length record will be released on Spectrum Spools\, a sub-label of Editions Mego this year. \nSalamander Wool\nhttp://www.ehserecords.com/salamanderwool/ \nMatthew Sullivan\nhttp://matthewsullivanearn.bandcamp.com/ \nVRS\nwww.vrs-music.tumblr.com \nDoors at 8PM\, $5 FB event page
URL:https://www.h-r.la/event/ben-kudler-max-eiibacher/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/March-15-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150316T193000
DTEND;TZID=America/Los_Angeles:20150316T193000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033802Z
UID:1417-1426534200-1426534200@www.h-r.la
SUMMARY:Charles Atlas: Turning
DESCRIPTION:7:30PM \n“Turning”\, 2012 (76 min) \n“You Are My Sister”\, 2006 (3 min) \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-2/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlas-Turning.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150331T000000
DTEND;TZID=America/Los_Angeles:20150331T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160516T181922Z
UID:1419-1427760000-1427760000@www.h-r.la
SUMMARY:Night of Music w/ Emily Joyce
DESCRIPTION:Emily Joyce and friends including Adam Goldman. Low Key night of music.
URL:https://www.h-r.la/event/night-of-music-w-emily-joyce/
LOCATION:CA
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150402T000000
DTEND;TZID=America/Los_Angeles:20150402T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T231051Z
UID:1420-1427932800-1427932800@www.h-r.la
SUMMARY:KREaction: Kevin Robinson Ensemble with Kenyatta C Hinkle and Niela Orr
DESCRIPTION:A night of improvised sonic meditations led by the Kevin Robinson Ensemble (KREation) working in collaboration with live visual art by Kenyatta A C Hinkle and live writing by Niela Orr. KREation consists of: Sarah Belle Reid – Trumpet; Christin Hablewitz – Woodwinds; Kevin Robinson – Woodwinds; Rachel O’Connor – Horn; Evan Jiroudek – Drums; Tony Giuseppe Gennaro – Vibes; Lee Hodel – Bass. This performance will take place amidst Emily Joyce’s exhibition. \n8PM/Donation at the Door
URL:https://www.h-r.la/event/kreationimprov-jazzspoken-word/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/KREationensemble.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150404T200000
DTEND;TZID=America/Los_Angeles:20150405T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T230841Z
UID:1421-1428177600-1428192000@www.h-r.la
SUMMARY:ARRINGTON de DIONYSIO + PARK DETAIL'S BAND + telecaves + LEE NOBLE
DESCRIPTION:Doors at 8PM\, $7. Join us at HR for experimental\, noise sets with Lee Noble\, Park Detail’s Band\, Ezra Buchla\, Arrington de Dionysio\, and Telecaves.
URL:https://www.h-r.la/event/arrington-de-dionysio-park-details-band-telecaves-lee-noble/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-4-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150405T200000
DTEND;TZID=America/Los_Angeles:20150406T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224618Z
UID:1422-1428264000-1428278400@www.h-r.la
SUMMARY:father murphy + xiu xiu noise set
DESCRIPTION:Doors at 8PM\, $7 everyone welcome \nout of this world psych and noise blowout on Easter Sunday.. .come blessed in yr sunday dress \nFATHER MURPHY (IT) visiting darkness\nXIU XIU NOISE – hometeam supergroup featuring Elaine Carey & Juliette Amoroso (Telecaves)\, Tamaki Ueda (Banetoriko)\, Shayna Dunkelman\, Angela Seo & Jamie Stewart (Xiu Xiu).\nXIA – hometeam darkness\nplus a special opener and closer dj set from the folks who brought you the 1/8th FEST
URL:https://www.h-r.la/event/father-murphy-xiu-xiu-noise-set/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/934748_10153027829688446_1141129769213277987_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150408T200000
DTEND;TZID=America/Los_Angeles:20150409T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T230549Z
UID:1423-1428523200-1428537600@www.h-r.la
SUMMARY:jessica pavone\, owen stewart-robertson\, ted byrnes
DESCRIPTION:Doors at 8PM\, $10 all ages. \nAn evening of 3 solo performances from Jessica Pavone (viola)\, Owen Stewart-Robertson (guitar)\, Ted Byrnes (percussion). Possibly\, a trio at the very end. \nABOUT THE ARTISTS\nJessica Pavone (composer\, viola\, violin\, el.bass) has performed in countless improvisation\, avant jazz\, experimental\, folk\, soul\, and chamber ensembles since moving to NYC in 2000. She currently plays with Normal Love\, in a duo with guitarist Mary Halvorson\, with Anthony Braxton’s ensembles and as a solo violist. As a composer\, The Wire magazine praised her “ability to transform a naked tonal gesture into something special\,” and The New York Times described her music as “distinct and beguiling…its core is steely\, and its execution clear.” \nPavone’s recent works for solo viola and voice stem from years of concentrated long tone practice and an interest in repetition\, song form\, and sympathetic vibration. She combines her long tone rituals with delay\, understated melodies and sparse lyrical content while continuously experimenting with new forms. She is interested in the physicality of performing her somewhat larger-than-comfortable instrument and believes that cultivating physical bodies as a strong container for her thoughts is part of the creative process. \nPavone has toured extensively throughout the U.S.\, Canada and Europe\, performing in venues ranging from international music festivals\, universities\, and art galleries\, to community centers and basements. Her music has premiered in venues in New York City such as\, Roulette\, Issue Project Room\, and The Kitchen\, and at the Klangbad Festival in Sheer\, Germany. In 2011 she was featured in NPR’s “The Mix: 100 Composers Under 40.” She has received grants and commissions from the Aaron Copland Recording Fund\, the American Music Center\, The Kitchen\, MATA\, The Jerome Foundation\, Experiments in Opera\, and the chamber music collective\, Till By Turning. \nPavone’s music is available from Taiga Records\, Tzadik\, Thirsty Ear\, Porter\, Skirl\, and Peacock Recordings. \nOwen Stewart-Robertson is\, among other things\, a native of Saint John\, New Brunswick\, Canada\, a guitarist\, composer\, educator\, performer\, a formerly active member of music scenes in\, chronologically\, the Maritimes\, Montreal\, Cincinnati\, and New York City\, a mild claustrophobic\, a participant in ensembles including VaVatican\, Old Salt\, This Sporting Life\, Evelyn\, Teenage Burnout\, Make A Circus\, Jason Ajemian’s HighLife and Folklords\, Katherine Young’s Pretty Monsters\, a founder and director of experimental music label Prom Night Records\, a brother of 3\, a former student of a wonderful guy named Mick Goodrick\, and an enthusiast of enthusiasm. \nTed Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston\, MA\, he comes from a jazz background and has since made his home in the worlds of free improvisation\, new music\, electro-acoustic music\, and noise. \nTed primarily works in ad hoc improvisational settings\, but has standing improvisational groups including: a group with Ulrich Krieger\, a duo with Jeff Parker\, a duo with Chris Cooper (AQH)\, a duo with Nicholas Deyoe\, a duo with John Wiese\, a duo with Scott Cazan\, a trio with Jacob Wick and Owen Stewart-Robertson\, among others. Additionally\, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj\, David Watson\, Ingebrigt Haker Flaten\, Charlemagne Palestine\, Alfred 23 Harth\, Tim Perkis\, Jaap Blonk\, Torsten Muller\, Kim Myhr\, Jim Denley\, Lloyd Honeybrook\, Chris Schlarb\, Mike Watt\, Paul Masvidal\, the LAFMS (including Smegma\, Airway\, Ace Farren Ford’s Artificial Art Ensemble\, Rick and Joe Potts\, Fredrik Nilsen\, Tom Recchion\, Vetza\, etc)\, Sissy Spacek (the band)\, Maher Shalal Hash Baz\, and more. \nTed has also collaborated with / worked for a variety of visual artists: he has accompanied a Doug Aitken “happening”\, collaborated with Olivia Booth to play her glass artworks\, collaborated with Dani Tull on a sound performance\, performed with John Knuth and Bret Nicely at an installation in an empty pool\, and has performed for FLUXUS artist Jeff Perkins on multiple occasions for his projector/light installations. \nCurrently\, Ted is delving further into the possibilities and realities of solo drumset performance in addition to continuing to work with his existing projects.
URL:https://www.h-r.la/event/jessica-pavone-owen-stewart-robertson-ted-byrnes-1-night-music/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-8-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150412T000000
DTEND;TZID=America/Los_Angeles:20150412T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T225202Z
UID:1425-1428796800-1428796800@www.h-r.la
SUMMARY:ALTO! / Cinder Cone / NARC
DESCRIPTION:Doors at 8:30PM\, music starts at 9:30\, $5. \nooooffff… heavy doses in triplicate\nthree drummers and four guitars players\nthats it… \n3 + 3 + 4 = 10 = 1 + 0 = 1 \nunity \nABOUT THE ARTISTS \nALTO! \nCinder Cone\, a two-piece minimalist rock outfit from Los Angeles\, emit a thunderous sound. Anyone can attest to this if they have attended a Cinder Cone show\, listened to the band’s releases\, or even heard a rumbling somewhere near a downtown practice space on the banks of the great LA River. Only two members comprise the band: David plays a drum set and Anthony plays a guitar while vocalizing into a microphone. They do not use keyboards\, laptops\, or any other technical wizardry to create their sound. If you hear it on the record\, they can do it live.  Their full sound of octopus drumming and innovative fretwork weave together to place the listener on a propulsive freeway one minute only to drop them off in a placid field the next\, capping off the journey with an earthquake of drum rolls and precisely controlled feedback. \nNARC \nFB event page
URL:https://www.h-r.la/event/alto-cinder-cone-narc/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-12-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150414T190000
DTEND;TZID=America/Los_Angeles:20150415T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T224949Z
UID:1426-1429038000-1429056000@www.h-r.la
SUMMARY:ESPTV
DESCRIPTION:Directed by Scott Kiernan and Victoria Keddie\, this expansive project utilizes a mobile television studio to explore the artist dialogue with broadcast transmission\, analog and digital media\, and televisual liveness. \nE.S.P. TV’s live TV studio hybridizes technologies old and new to realize synthetic environments for performance that also expose the process of production. Each live taping event is the realization of an artists’ collaboration with us.  These events are taped live with a crew of cameramen\, sound engineer\, and video mixing team in front of an audience. The recorded events air on Manhattan Neighborhood Network public television weekly\, as well as online\, and have been exhibited internationally. \nE.S.P. TV Live Taping:\n\nDVA DAMAS\nJennifer Juniper Stratford\nZumi Rosow and Cole Alexander\nElena Bajo\nSuzy Poling\nExperimental Half-Hour\nJack Name’s Furniture Girls\n\nVideo Program by UNDERVOLT AND CO. with works by :\nAndrew Benson\nCristopher Cichocki\nExtreme Animals\nAdam Ferris\nYoshi Sodeoka\nSpectral Net\nJohnny Woods\nGiselle Zatonyl\nEve Parmagariti\nE.S.P. TV has held over 50 live taping events internationally and has aired over 70 episodes to date. E.S.P. TV has worked with various venues including: The Whitney Museum of American Art\, New Museum\, Museum of Arts and Design\, Printed Matter\, Millennium Film Workshop\, New School\, Rawson Projects\, Recess (NYC); Interstate Projects\, Spectacle Theater\, Issue Project Room\, Roulette (Brooklyn); Franklin Street Works (Stamford\, CT)\, Liminal Space (Oakland\, CA)\, Yerba Buena Center for the Arts (San Francisco\, CA)\, Ballroom Marfa (Marfa\, TX)\, General Public (Berlin)\,  STORE (Dresden)\, Studio XX (Montreal)\, Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin). \nE.S.P. TV broadcasts every Tuesday night at 10PM on Manhattan Neighborhood Network (MNN). Channel 67 in Manhattan\, as well as online at www.mnn.org.  All episodes are then posted online on our website and Vimeo platforms.  E.S.P. TV now also airs on Wednesdays with Comcast Cable 66/966 or Verizon Fios 29/30 in Philadelphia at 11:30PM.
URL:https://www.h-r.la/event/esptv/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/ESPTV2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150417T210000
DTEND;TZID=America/Los_Angeles:20150418T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224302Z
UID:1427-1429304400-1429315200@www.h-r.la
SUMMARY:MIKE TAMBURO + DJ ESPINFINITI + KEVIN GREENSPON
DESCRIPTION:Doors at 9PM; $5. \nMike Tamburo (Pittsburgh\, PA) – https://miketamburo.bandcamp.com/\nEast coast hammered dulcimer\, gong and meditation master comes to float your boat \nBrown bread (Beacon\, NY) – https://brownbread.bandcamp.com/\nDrifting nebula of a cappella vocal harmonies and keyboard swirl \nDj E-Spinfiniti – https://soundcloud.com/djesp-infiniti-1\nInterdimensional DJ and meditative sounds for the upliftment of all creation \nKevin Greenspon – http://www.kevingreenspon.info/\nAmbient techno meets immersive visual projection overload
URL:https://www.h-r.la/event/mike-tamburo-dj-espinfiniti-kevin-greenspon/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/11018594_10153788125502788_913954489947187516_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150418T210000
DTEND;TZID=America/Los_Angeles:20150419T000000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T224432Z
UID:1428-1429390800-1429401600@www.h-r.la
SUMMARY:I SPEAK MACHINE + CARLOS ROSSI  + AFTERHOURS
DESCRIPTION:Doors at 9PM; $7\, all ages welcome. \nI SPEAK MACHINE – music/ film duo from Los Angeles that create sci-fi/ horror short films that are screened with the score performed live. Tara Busch will be playing the live scores to THE SILENCE and GAGGLEBOX plus a few extras! The soundtrack to their first film\, THE SILENCE is out now on LEX RECORDS. \nLISTEN: https://open.spotify.com/album/5CATmzWxltkRQibgmS77gC\nBUY VINYL: http://lexprojects.com/the-silence/ \nDJ CARLOS ROSSI – Death Waltz Records/ Rendezvous LA \nAFTERHOURS
URL:https://www.h-r.la/event/i-speak-machine-carlos-rossi-afterhours/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/I-Speak-Machine-April-18.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150419T180000
DTEND;TZID=America/Los_Angeles:20150419T200000
DTSTAMP:20260614T015952
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T223851Z
UID:1429-1429466400-1429473600@www.h-r.la
SUMMARY:Keijaun Thomas: Partitions of Separation and Passing
DESCRIPTION:Join HRLA as we welcome Chicago-based artist Keijaun Thomas. This is Thomas’s first performance in Los Angeles. Sunday evening\, April 19. 6PM-8PM. 10-15$ suggested donation. \nPartitions of Separation and Trespassing \nSection 1. Selective Seeing \nPart 2. Looking While Seeing Through \nSection 2. Painted Images\, Colored Symbols \nPart 3. Sweet like Honey\, Black like Syrup \n  \nIn 4 zones\, where one is sometimes 3rd\, 3rd is four and sometimes two is 1st. \nThomas is constantly thinking about placement\, our placement\, lack of place\, here. \nThe structure cannot be pure(ly) viewed as linear\, horizontal nor vertical. \nMoving through space\, spreading materials— poring sugar and coffee like a stream of piss. \nYou can taste it\, bitter and sweet. If I am looking at you from a pile of green A3 land \nstacked high like a hill; I see you from a distance. Distance is Not Separation. \nIn four zones\, through a panel of glass covered in textual lube\, thick\, not separate. \nI see your yellow boots\, your black hair\, synthetic texture sticking like a cracker on honeyed flesh. \nCan you feel it? \nI am in Florida riding through a thick haze of red and black smoke. A controlled\, wild forest fire. \nIf you see the smoke rising on an idle Sunday in Los Angeles\, know that I see it\, too. \nIf only from a distance. The Poetics of Trespassing. Stomach pressed to the floor\, sneaky. Whatchu looking at? Us. \nPainted like syrup on a black box chest\, filtered with vaseline\, sticky. \nAthletes on plantation grounds\, clean it up. Denim trousers\, hands and knees\, watch your step. Go! \nBroom-heads leaving flour tracks. You can hear it. Competition\, who can collect the most. \nI’m not picking for them\, I’m picking for us. Us is expansive\, expensive. Yaki premium. Now. \nDistance speaks towards motion\, motion moves towards proximity\, proximity asks why\, here? \nSeparation ask for proximity\, proximity moves towards motion\, motion is a gesture of movement that speaks a language presented over a distance. You’re not suppose to be here. Queering images that we see or choose to see and how they function from place to place\, over distances\, through barriers. \nI’m not picking for them\, I’m picking for us. Clothes line\, hanging. Watch them dry\, watch them die. \nBlack tissue paper covering building blocks. Cardboard on the front line. When you hear the fireworks cracking beneath your feet on an bustling Sunday in LA\, Get ready.
URL:https://www.h-r.la/event/keijaun-thomas/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/KeijaunThomas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150420T210000
DTEND;TZID=America/Los_Angeles:20150420T210000
DTSTAMP:20260614T015952
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T223503Z
UID:1430-1429563600-1429563600@www.h-r.la
SUMMARY:FLESHTONE AURA screening and performance
DESCRIPTION:Doors at 9PM; $5 \nFLESHTONE AURA with live projections by WINSTON HACKING\n“Fleshtone Aura serves his spicy dinner with a tangle of source cassettes and electronics that deploy the deeply arousing aromas of both a series of poignant and extraordinairily well timed belches and farts (or the equivalent thereof) AND the grandest gestures of the sternest-most-serious-never-leaving-the-lab shut in tape music connoiseurs of days of yore…but\, ah\, those toots never act merely as a humorous apology\, never slapping a stick just for slapstick\, nor are those high brows ever talking down to us\, they’re just gifts\, we’re supposed to use them as catapults into the ??!!??!!…..a series of dynamics and moments (karate chop\, massage\, flower sniffing\, paper airplane glides\, broken table leg\, spoiled milk\, et c) that sometimes explode atop or beside each other in matter of seconds\, or sometimes linger on a sweet spot for us to suckle sugary nectars……. these juxtapositions described cease being juxtapositions when heard\, all moments contribute to a fabulous\, pink-pulsing-writhing whole\, the superflousness is left in the waste basket\, even the meanderers meander with great purpose\, leaving nothing but a strobing (perhaps beaked) body builder (who never bathes or waxes: why lie?) flexing themselves into a vast meadow of previously unseen flowers in some public park somewhere.”- Id M Theft Able \n+ a screening of their 35mm painted/collaged film PUBLIC SLAW (16 minutes) \nperformance preview: http://vimeo.com/116794143\ntrailer for the movie: http://vimeo.com/105030158 \nCLEAV’D CLEAVER\nCleav’d Cleaver is Chicago-based Jason Soliday (J.Soliday/Coeurl/Gunshop/Enemy) on modular synth and Jake Rodriguez (bran(…)pos) of SF/Bay Area weirdness fame on mouth/vox. Savory electronics collide with face-twisting vocal exhortations in an acutely well controlled yet freely improvised (noisy) forms. This will be Cleav’d Cleaver’s first tour after premiering the duo on Glossolalia on KXLU 88.9FM Los Angeles in 2013
URL:https://www.h-r.la/event/fleshtone-aura-screening-and-performance/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-20-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150421T210000
DTEND;TZID=America/Los_Angeles:20150421T230000
DTSTAMP:20260614T015952
CREATED:20160522T223258Z
LAST-MODIFIED:20160522T223309Z
UID:1904-1429650000-1429657200@www.h-r.la
SUMMARY:ARTTU PARTINEN + JEFFREY ALEXANDER + ANTTI TOLVI + HASE PFEFFER NASE
DESCRIPTION:Doors at 9PM; $5\, all ages.\n \n\n\n\nAn expansive experimental tour of psychedelic trance to jump cut tape music. A RARE chance to see two of Finland’s most acclaimed sonic adventurers – neither have ever performed in California before! \nARTTU PARTINEN\nmember of Avarus\, Amon Dude\, Heteroskeleton.\n“If heaven exists\, Andy Kaufman and Hunter S. are cheering on Arttu Partinen.” — Cleveland Scene \nJEFFREY ALEXANDER\nMember of Jackie O Motherfucker\, Dire Wolves\, Black Forest/Black Sea.\n“A gorgeous snapshot of the free psych underground\, one of the purest spaces of otherworldly terrain in the current musical landscape.” – Pitchfork\nhttp://tinyurl.com/pjloypj \nANTTI TOLVI\nmember of Lau Nau\, Lauhkeat Lampaat\, Kemialliset Ystävät\n“It’s as if Tolvi set out to mimic a flock of birds and ended up with a sped up\, home-cooked version of pipe music from the Solomon Islands cut with a personalized\, disorienting minimalism…Sound emerge from all angles and criss-cross in a kind of low-boil ecstasy.” (The Wire)\nhttps://soundcloud.com/anttitolvi/urkupilvi-b \nAngst Hase Pfeffer Nase – > Chris Cooper’s( Caroliner/ Bill Nace Chris Cooper Duo) idiosyncratic guitar and writhing tape manifestations of untamed pitch and speed exchange.https://www.youtube.com/watch?v=LhcfAes_qp0
URL:https://www.h-r.la/event/arttu-partinen-jeffrey-alexander-antti-tolvi-hase-pfeffer-nase/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/April-21-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150424T200000
DTEND;TZID=America/Los_Angeles:20150425T000000
DTSTAMP:20260614T015952
CREATED:20160522T222639Z
LAST-MODIFIED:20161106T212146Z
UID:1899-1429905600-1429920000@www.h-r.la
SUMMARY:CARLA Issue 1 Launch Party
DESCRIPTION:The publication includes feature essays and reviews by:\nJonathan Griffin\nTravis Diehl\nAnthony Pearson\nAnna Breininger\nEric Morse/ Alexandra Grant\nBarnett Cohen\nMateo Tannatt\nKate Wolf\nTracy Jeanne Rosenthal\nKeith Vaughn\nEvan Moffitt\nCatherine Wagley\nAaron Horst\nand\nCal Siegel \nAnd new editioned series by :\nNora Slade (Waggy Tee)\nBen Medansky\nLauren Cherry & Max Springer \nThe launch party will include a new performance by:\nLex Brown\nAnd music by:\nJewelz Le Baron
URL:https://www.h-r.la/event/carla-issue-1-launch-party/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/05/Carla.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150425T220000
DTEND;TZID=America/Los_Angeles:20150425T230000
DTSTAMP:20260614T015952
CREATED:20160522T222901Z
LAST-MODIFIED:20161106T212154Z
UID:1902-1429999200-1430002800@www.h-r.la
SUMMARY:SARAH HARRON\, JENNY SAYAKA NONO\, DIVIDED DAUGHTERS
DESCRIPTION:Saturday April 25th 2015 \nSarah Harron / Jenny Sayaka NONO / Divided Daughters \na night of performance\, sound and video curated by Oscar Miguel Santos. \nDOORS at 10pm \nSTARTS at 1030pm \n***** \nSarah Harron’s work is narrative based and system seeking. Composed of controlled structures that once setup beget their own chance and destiny.  Her video work lightly steps around sturdy constructions in order to favor the missteps of evolution and the elusive innocence of naivety. \nSarah will present  ‘Inanna Rescued by Black Moon’ an immersive performance of Inanna’s trip to the Underworld. It combines gum\, sound\, text and video. \n***** \nJulie & Swan Moon are DIVIDED DAUGHTERS\, two sisters from Los Angeles. \nDIVIDED DAUGHTERS perform live ‘Womb Drone’ on a Hammond XB2 & a Yamaha YC-25\, demonstrating an acausal parallelism through sound. Their drone in combination with curated light\, and floral sculptures\, form a kind of astral vehicle useful for reaching heightened vibratory planes. \n***** \nJenny Sayaka NONO is a filmaker and DJ (Dublab). \nJenny Sayaka NONO’s films have been described as\,\n“Visual surgery used to remove a rare psychological tumor growing daily on the imagination”
URL:https://www.h-r.la/event/sarah-harron-jenny-sayaka-nono-divided-daughters/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/jennysarahdivided.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150426T000000
DTEND;TZID=America/Los_Angeles:20150426T000000
DTSTAMP:20260614T015952
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T222357Z
UID:1431-1430006400-1430006400@www.h-r.la
SUMMARY:"Liminally Yours" After Party: Los Angeles Asian Pacific Film Festival closing party
DESCRIPTION:8:30pm-midnight
URL:https://www.h-r.la/event/los-angeles-asian-pacific-film-festival-closing-party/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/HRLA-Liminally-Yours-Afterparty.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150427T200000
DTEND;TZID=America/Los_Angeles:20150427T230000
DTSTAMP:20260614T015952
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T222045Z
UID:1432-1430164800-1430175600@www.h-r.la
SUMMARY:MAX/MSP SHOWCASE
DESCRIPTION:8PM \nOne week across five different cities we will introduce you to Max 7 and its creative possibilities. \nWhether you’re a seasoned user or have only thought about downloading our 30-day demo\, we want to hangout with you and talk about Max. \nNot since the introduction of Max 5 has a new release included so many updates and changes. Max 7 introduces a new video engine\, quicker patching via new objects and an entirely new time stretching algorithm built from the ground up. In addition\, it’s now easier to drag and drop audio\, video\, VSTs and Max For Live devices directly into your patcher and be up and running. \nCome for some swag\, linger for refreshments\, and stay for the people.\n\nDemos and Performances by:\nAndrew Pask\nAndrew Benson\nJonathan Snipes\nTom Hall\nAnenon (w/ Jon-Kyle Mohr)
URL:https://www.h-r.la/event/maxmsp-showcase/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/MAX-7-showcase.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150428T193000
DTEND;TZID=America/Los_Angeles:20150428T220000
DTSTAMP:20260614T015952
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T221818Z
UID:1433-1430249400-1430258400@www.h-r.la
SUMMARY:Manuel Vason/Double Exposures book launch
DESCRIPTION:COMMUNITY FORUM & Book Launch for Manuel Vason’s Double Exposures. \nTuesday April 28\, 7:30PM \nJoin us a community forum exploring the relationship of performance art to photography\, and photography’s relationship to performance art. This forum celebrates the publication of Manuel Vason‘s Double Exposures\, a series of collaborations between the London-based photographer and some of today’s most important and provocative performance artists. Artists featured in Double Exposures include Mat Fraser (pictured above)\, Ron Athey\, Franko B\, Helena Goldwater\, Joshua Sofaer\, Oreet Ashery\, Jamie Lewis Hadley\, and Martin O’Brien. Join Manuel in a conversation with H. Cassils\, Zackary Drucker\, Jamie McMurry\, Jennifer Doyle and more! All are invited to contribute to this artist-centered conversation about the cultivation of productive collaboration between photographers and performance artists. We’ll show images fromDouble Exposures\, and there will be copies of the book for sale.
URL:https://www.h-r.la/event/manuel-vasondouble-exposures-book-launch/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/FraserandVason.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150429T200000
DTEND;TZID=America/Los_Angeles:20150429T200000
DTSTAMP:20260614T015952
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T221613Z
UID:1434-1430337600-1430337600@www.h-r.la
SUMMARY:JEPH JERMAN & TIM BARNES + TED BYRNES & SCOTT CAZAN + TASHI WADA & JAMES RUSHFORD + FLORENT COLAUTTI
DESCRIPTION:Doors at 8PM\, $10 all ages. \nJeph Jerman and Tim Barnes duo\, touring in support of ‘Matterings’\, their new record on Erstwhile Records \nTed Byrnes and Scott Cazan duo \nJames Rushford and Tashi Wada duo \nFlorent Colautti\n\nABOUT JEPH JERMAN\nI grew up in a military family\, so we moved around a lot\, a different place every two years until my father retired in Colorado. I started playing music in a number of bar bands\, whilst also experimenting with other forms- playing around with tape recorders and trying to find people to improvise with. Formed a few long lasting bands (Big Joey\,City Of Worms\, Blowhole) and began recording and playing solo as hands to. Ran a cassette label during the ’80’s cassette culture explosion.Eventually ended up in Seattle\, where I fell in with the localmusical community. Two years of near-constant playing with people like Paul Hoskin\, Doug Theriault\, Dave Knott\, Angelina Baldoz\, Lori Goldston\, Mike Shannon and Wally Shoup. One memorable concert with John Butcher. Continued to develop my solo work\, and began improvising with naturalsound makers (stones\,shells\, pine cones) around 1996. Formed the first animist orchestra in 1999\, to perform works for same.Moved to Arizona and have since done tours with Tim Barnes\, Sean Meehan and David Daniell\, Paul Hoskin\, and toured Australia and New Zealand with Greg Davis. In 2001 I made recordings of the desert and it’s interaction with man made structures and released a new cassette every month for a year. I continue to investigate the desert\,build crude sound making devices and play and record whenever the opportunity arises. In 2014 I received an Artist Grant from the Foundation for Contemporary Art. \nABOUT TIM BARNES\nSince 2001\, Tim Barnes has been a widely recognized percussionist\, composer\,sound designer\, and audio archivist. He has performed at the Guggenheim\, Whitney\, andPompidou museums\, as well as in galleries and performance halls in Tokyo\, Berlin\, Rome\, Belgium\, Stockholm\, Mexico City\, and Melbourne. He has been recruited to perform with some of experimental music’s most accomplished players – John Zorn\, Kim Gordon\, Ikue Mori\, Jim O’Rourke\, Lee Ranaldo\, and Jeph Jerman. American corporations such as Starbucks\, Nike\, Cadillac\, and Merrill Lynch have hired Tim to create sound collages for their television advertisements. He has also worked closely with Fluxus artists La Monte Young and Henry Flynt with archival restoration of recorded works\, and in 2005\, Tim performed and recorded Alison Knowles’ composition “Onion Skin Song”. Currently\, he is working with Vito Acconci and the publisher Primary Information on presenting Mr. Acconci’s complete recorded works.Tim lives in Louisville\, Kentucky\, where he is the Artistic Director of the performing and visual art space Dreamland. \nABOUT TED BYRNES\nTed Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston\, MA\, he comes from a jazz background and has since made his home in the worlds of free improvisation\, new music\, electro-acoustic music\, and noise. Ted primarily works in ad hoc improvisational settings\, but has standing improvisational groups including: a group with Ulrich Krieger\, a duo with Jeff Parker\, a duo with Chris Cooper (AQH)\, a duo with Nicholas Deyoe\, a duo with John Wiese\, a duo with Scott Cazan\, a trio with Jacob Wick and Owen Stewart-Robertson\, among others. Additionally\, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj\, David Watson\, Ingebrigt Haker Flaten\, Charlemagne Palestine\, Alfred 23 Harth\, Tim Perkis\, Jaap Blonk\, Torsten Muller\, Kim Myhr\, Jim Denley\, Lloyd Honeybrook\, Chris Schlarb\, Mike Watt\, Paul Masvidal\, the LAFMS (including Smegma\, Airway\, Ace Farren Ford’s Artificial Art Ensemble\, Rick and Joe Potts\, Fredrik Nilsen\, Tom Recchion\, Vetza\, etc)\, Sissy Spacek (the band)\, Maher Shalal Hash Baz\, and more. www.tedbyrnesdrums.com \nABOUT SCOTT CAZAN\nScott Cazan is a Los Angeles based composer\, performer\, creative coder\, and sound artist working in fields such as experimental electronic music\, sound installation\, chamber music\, and software art where he explores cybernetics\, aesthetic computing\, and emergent forms resulting from human interactions with technology. His work often involves the use of feedback networks where misunderstanding and chaotic elements act as a catalyst for emergent forms in art and music.Scott has performed and received numerous commissions with international organizations such as The LA County Museum of Art\, MOCA (Los Angeles)\, Issue Project Room (NY)\, Feldstarke International (with CENTQUATRE\, PACT Zollverein\, and Calarts)\, Ausland (Berlin)\, Art Cologne\, Ensemble Zwischentöne\, The University of Art in Berlin\, Toomai String Quintet\, Southern Exposure (San Francisco)\, Guapamacátaro (MX)\, the BEAM Festival (UK)\, REDCAT (Los Angeles)\, Machine Project and many others. He has collaborated and performed alongside a variety of artists such as Jason Kahn\, Ulrich Krieger\, Mark Trayle\, Michael Pisaro\, Carmina Escobar\, Carole Kim\, Jana Papenbroock\, and many others.www.scottcazan.com \nABOUT FLORENT COLAUTTI\nProtean artist\, he creates in a universe where dance\, theater\, instrumental sets\, and live electronic and sound arts cross. He has collaborated with art centers\, companies\, composers\, and musicians. He has completed residencies with La muse en circuit\, SCRIME\, Fées d’hiver\, GRIM\, and Landesmusikakademie Hessen. He has received a Sacem prize\, a 1st prize in the “Vacances percutantes” (percussion quartet) contest\, and a grant from Hessen/Aquitaine.His work has been presented in France and abroad (Spain\, Canada\, Belgium\, California\, Germany\, Italie).His studies started at a very young age: escorted by his mother a professor of music theory and choral singing\, he learned classical music. Later\, after a diploma in architecture and restoration of heritage sites\, he obtained a DEM in electro-acoustic and instrumental composition at the Bordeaux Conservatory (Eloy\, Havel\, Bosseur). He then moved to the Île de France and continued his work with P. Leroux\, T. Blondeau\, and R.R. Larivière. He has completed training at various stages (in France and abroad) with renowned composers and artists (Manifeste 2013 & 2014/Ircam\, centre d’art Orford/CA\, Imal/BE\, and Musique et recherche/BE).He is published on labels: Les Potagers Natures\, corps électriques. Edited on Alfonse production andBabelScores.www.florentcolautti.net
URL:https://www.h-r.la/event/tim-barnes-florent-coulatti/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Jeph-Jerman-and-Tim-Barnes.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150501T200000
DTEND;TZID=America/Los_Angeles:20150501T235500
DTSTAMP:20260614T015952
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T220947Z
UID:1435-1430510400-1430524500@www.h-r.la
SUMMARY:ODEYA NINI: A SOLO VOICE & SOUTHLAND ENDSEMBLE: INSTRUCTABLES
DESCRIPTION:May 1st\, 2015 – Doors at 8pm – $10 \nAn evening of contemporary and experimental music and performance. \nA Solo Voice by Odeya Nini is an investigation of extended vocal techniques\, resonance and pure expression\, exploring the relationship between mind and body and the various landscapes it can yield. The work is a series of malleable compositions and improvisations that include field recordings and theatrical elements\, aiming to dissociate the voice from its traditional attributes and create a new logic of song that is not only heard but seen through movement. Through multi-dimensionality that serves to both provoke and soothe in abstract communication\, the voice is presented in its spectrum of natures as it travels through cultures\, ages\, emotions and colors\, like photographs\, with tender intimacy and bold aberrance. \nMembers of Southland Ensemble present a set entitled INSTRUCTABLES\, a long form composition by Cassia Streb incorporating new work by Eric KM Clark alongside compositions by Taku Sugimoto and Manfred Werder.\nPerformers: Casey Anderson\, Eric KM Clark\, Orin Sie Hildestad\, Cassia Streb & Christine Tavolacci \nOdeya Nini is a Los Angeles based experimental vocalist and contemporary composer. At the locus of her interests are textural harmony\, gesture\, tonal animation\, and the illumination of minute sounds\, in works spanning chamber music to vocal pieces and collages of musique concrète. Her solo vocal work extends the dimension and expression of the voice and body\, creating a sonic and physical panorama of silence to noise and tenderness to grandeur. Odeya’s work has been presented at venues and festivals around the US and internationally from Los Angeles to Tel Aviv\, Odessa\, Mongolia and Vietnam. Odeya holds a BFA from the New School for Jazz and Contemporary Music where she studied with Theo Bleckmann and Gerry Hemingway\, and an MFA in composition from California Institute of the Arts. Her debut album Vougheauxyice\, for solo voice\, was released in April of 2014. \nFormed in 2013\, the Southland Ensemble is a recent addition to the experimental music community.  The ensemble is flexible in size\, consisting of eight core members who possess a vast amount of experience within the experimental tradition\, particularly in the interpretation of graphic notation and text scores. Since its formation\, the Southland Ensemble has presented concerts featuring work by Christian Wolff\, Alvin Lucier\, Pauline Oliveros\, James Tenney\, with their most recent concert featuring the early works of Robert Ashley in April 2015.
URL:https://www.h-r.la/event/odeya-nini-dancemusic-performance/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Odeya-Nini.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150503T000000
DTEND;TZID=America/Los_Angeles:20150503T000000
DTSTAMP:20260614T015952
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T214804Z
UID:1436-1430611200-1430611200@www.h-r.la
SUMMARY:Dirty Looks (screening)
DESCRIPTION:Doors open at 6PM\, Screening at 6:30PM; $8 suggested donation \nVanessa Roveto\, Excitability\, 32 min.\, 2013 \nMichael Robinson\, Light Is Waiting\, 11 min.\, 2007 \nMichael Robinson\, All Through The Night\, 4.20 min.\, 2008 \nMichael Robinson\, These Hammers Don’t Hurt Us\, 13min.\, 2010 \nMichael Robinson\, The Dark\, Krystle\, 9min.\, 2013 \nQueer pop cultures collide in the exciting video work of Vanessa Roveto and Michael Robinson. Collaging delusional gossip from freak encounters with lesbian icons\, or queering popular iconography through mechanical manipulation\, mashups or supercuts\, this evening of recent video works leave nothing sacred\, no text unturned. \nVanessa Roveto’s Excitability assembles the artist’s alleged encounters with paramours Kristen (“call me Kstew”) Stewart\, Lindsay Lohan\, Lilly Tomlin through homespun monologues. The hilarious recollections are thrown into question by the dystopic interstitial sequences or the artist struggling to adapt to a brutal consumerist culture. \nMichael Robinson’s Light is Waiting reinvisions as a very special episode of television’s Full House that devours itself from the inside out\, excavating a hypnotic nightmare of a culture lost at sea. Tropes of video art and family entertainment face off in a luminous orgy neither can survive. All Through the Night offers a charred visitation with an icy language of control: “there is no room for love”. Splinters of Nordic fairy tales and ecological disaster films are ground down into a prism of contradictions in this hopeful container for hopelessness. Tired of underworld and overworld alike\, Isis (Elizabeth Taylor) escorts her favorite son (Michael Jackson) on their final curtain call down the Nile\, leaving a neon wake of shattered tombs and sparkling sarcophagi\, in These Hammers Don’t Hurt Us. The Dark\, Krystle is supercut\, comprised of footage from the 1980s soap\, Dynasty. The cabin is on fire! Krystle can’t stop crying\, Alexis won’t stop drinking\, and the fabric of existence hangs in the balance\, again and again and again. \nVANESSA ROVETO is a writer and filmmaker. Her work has been screened at the Anthology Film Archives\, Redcat and Lincoln Center\, and her first book of poetry is forthcoming from the University of Iowa Press. She holds an MFA from from the Iowa Writers’ Workshop\, where she was a poetry fellow. \nMICHAEL ROBINSON (b.1981) is a film\, video and collage artist whose work explores the joys and dangers of mediated experience\, riding the fine lines between humor and terror\, nostalgia and contempt\, ecstasy and hysteria. His work has screened in both solo and group shows at a variety of festivals\, museums\, and galleries including The 2012 Whitney Biennial\, The International Film Festival Rotterdam\, The New York Film Festival\, The Walker Art Center\, MoMA P.S.1\, The London Film Festival\, REDCAT Los Angeles\, among others. He was the recipient of a 2012 Creative Capital grant\, a 2011-2012 Film/Video Residency Award from The Wexner Center for the Arts\, a 2012 Kazuko Trust Award\, a 2009 residency from The Headlands Center for the Arts\, and his films have received awards from numerous festivals. Michael was featured as one of the “Best 50 Filmmakers Under 50” by Cinema Scope magazine in 2012\, and listed as one of the top ten avant-garde filmmakers of the 2000’s by Film Comment magazine\, and his work has been discussed in publications such as Frieze\, Artforum\, Art Papers\, The Village Voice\, Time Out New York\, Dazed and Confused\, The Nation\, BOMBlog\, and The Brooklyn Rail. He has curated programs for San Francisco Cinematheque\, Whitechapel Gallery\, The Museum of Contemporary Photography\, Cornell Cinema\, and The State Contemporary Art Center in Moscow\, and served on the awards juries of The Ann Arbor Film Festival\, The Aurora Festival\, The Big Muddy Film Festival\, and Migrating Forms. Michael holds a BFA from Ithaca College\, an MFA from the University of Illinois at Chicago (UIC)\, and has taught at Binghamton University and UIC.
URL:https://www.h-r.la/event/dirtylooks-screening/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Dirty-Looks.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150507T210000
DTEND;TZID=America/Los_Angeles:20150507T230000
DTSTAMP:20260614T015952
CREATED:20160311T093554Z
LAST-MODIFIED:20160522T220343Z
UID:1437-1431032400-1431039600@www.h-r.la
SUMMARY:SMEGMA + MSHR + HOWARDamb + GX JUPITTER LARSEN + DAMION ROMERO
DESCRIPTION:Doors at 9PM; $7 all ages \nlife is good \nThis article is about a secretion of mammalian genitals. For the substance that covers the skin of a baby at birth\, see Vernix caseosa. For the experimental noise band\, see Smegma (band). MSHR is beyond anything we have ever seen and heard… craftsmanship of alien proportions… intensity of biblical scope
URL:https://www.h-r.la/event/smegma-mshr-howardamb-gx-jupitter-larsen-damion-romero/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Smegma-May-7-2015.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150509T140000
DTEND;TZID=America/Los_Angeles:20150510T020000
DTSTAMP:20260614T015952
CREATED:20160311T093555Z
LAST-MODIFIED:20160522T202057Z
UID:1439-1431180000-1431223200@www.h-r.la
SUMMARY:benefit show for HRLA!!!
DESCRIPTION:2PM-2AM \nhelp us help you \ncome listen to new and exciting music\, eat some hot dogs\, drink some drinks in the evening part of the show… \nlife is good \ntwo shows in one… bring what you can and we’ll take care of the rest…. but remember this is a benefit and we need dough to pay rent and power and buy toilet paper and whatnot so be generous \nAFTERNOON BBQ BLOWOUT \n2-2:30 – SUNKEN LANDSCAPES moog synth bath\n2:30-3 – MATTHEW DOTSON and guests mystery sound\n3-3:30 – BELLY BELT who doesnt like pizza\n3:30-4 – DEADPANZIES a rose by any other name\n4-4:30 – PANTHAR rawk\n4:30-5 – Ghost Noise the young royals\n5–5:30 – EISENHOWER deep cuts from the past\n5:30 – 6 – CLARE KELLY + MARIA GARCIA motion concrete \n6- 6:30 – Gun/Her a most colourful darkness \nEVENING EXTRAVAGANZA\n8-8:30 – BLACK SUN SUTRA sight and sound\n8:30 – 9 – VIRONS re-circuiting your brain\n9–9:30 – COREY FOGEL drums and vids\n9:30- 10 – MOOMAW surf candle drone karaoke\n10-10:30 – SHE KHAN the voodoo they do\n10:30-11 – WITCHES OF MALIBU battery born acid rain\n11-11:30 – SADISTIC CANDLE groove from pluto\n11:30-12 – ACTUARY full frontal horror\n12-12:30 – CAT MUSEUM a gentle tapestry covering us\n12:30-1 – Period BOMB pervasive confrontation\n1-1:30 – ABJECTFAILUREXHRISTDCVR detroit trash
URL:https://www.h-r.la/event/benefit-show-for-hrla/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/granty.jpg
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END:VCALENDAR