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DTSTART;TZID=America/Los_Angeles:20180413T193000
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SUMMARY:Pauline Gloss: Lullabies for the Psychotic and Other Recent Work
DESCRIPTION:Literary sound-artist Pauline Gloss will present an evening of new and recent work in the text-sound / sound-poetry tradition. She will perform a new piece for electronics and spoken voice\, conduct a participatory language game\, and present her new cycle for solo voice\, “Lullabies for the Psychotic.”  \nPauline’s current body of work is concerned with how the smallest bits of language— in both their sonic and meaning-making dimensions— can\, through repetition\, variation\, and syntactical rewiring\, create temporary sonic and semantic meaning-making structures.  \nHer work investigates and foregrounds the physicality of language by rendering it architecturally. She makes of its discreet bits shifty semantic and sonic building-blocks whose stability is always already in question.  \nWith the character and reach of this tool set\, she attempts to form a language in which the boundaries and traditional formations of selfhood are plied\, questioned\, and reformed. \nPauline Gloss is a writer and literary sound-artist based in Los Angeles. Her language-sound work attempts to dramatize and expand language in its timbral\, rhythmic\, textural\, and meaning-making dimensions.  \nShe runs Spoken Records\, a label specializing in the release of work in the Text-Sound tradition. She has been written about favorably in art and music publications and has performed or had work shown in Los Angeles\, London\, and New York at institutions including MoCA Geffen\, Cal Arts\, Resonance FM (London)\, Poetic Research Bureau\, The Lambda Literary Festival\, Automata\, Betalevel\, and others. \n$5 suggestion donation doors at 7pm\, performance at 7:30pm
URL:https://www.h-r.la/event/pauline-gloss-lullabies-for-the-psychotic-and-other-recent-work/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/HR-pauline-new-gloss.jpg
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DTSTART;TZID=America/Los_Angeles:20180414T200000
DTEND;TZID=America/Los_Angeles:20180414T230000
DTSTAMP:20180726T003940Z
CREATED:20180411T024453Z
LAST-MODIFIED:20180726T003940Z
UID:3395-1523736000-1523746800@www.h-r.la
SUMMARY:Nicholas Deyoe and Matt Barbier
DESCRIPTION:TWO SETS – 8pm and 9:30pm \nDoors at 7pm \n$5-15 Sliding Scale \nVOLUME and Human Resources are pleased to present a performance by guitarist Nicholas Deyoe and trombonist Matt Barbier\, as part of “Cosm\, Organization-Construction\, Second Instance\,” an exhibition of new work by Anja Weiser Flower. Combining both improvisation and multi-channel electronics\, both Deyoe and Barbier will work with large pedal setups to create rich textures of feedback loops and other processed material\, dynamically relayed through multiple amplifiers spread throughout the darkened space. With Flower’s work\, a centralized\, receding point of fixation\, providing a kind of dais and altar\, the performance will build on the transiting and circumambulatory nature of her work to create an enveloping\, panoramic sonic experience. \nThe fourth event in this seven-part series\, Deyoe and Barbier’s performance skillfully combines the two major areas of this event program’s focus–instrumental improvisation and performance on the one hand\, multi-channel electronic work on the other. A hybrid electro-acoustic entity playing on opposite ends of Flower’s work\, the duo will lead a sonic and cosmic transit around this central axis point\, while audience members will be encouraged to relate to both by freely moving throughout the space. As such\, the evening will present an opportunity to draw closer to the often dual influence of sound on Flower’s practice\, ranging from the riot-\, war-\, and crowd-like sounds in Iannis Xenakis’ probabilistic and electronic compositions to the intense silence emanating from Nicholas Poussin’s landscape paintings\, which for him was the confrontation with death. \nTickets may be purchased in advance or at the door on a suggested sliding scale donation of $5 to $15. There will be two performances this evening\, one at 8pm and one at 9:30pm.  VOLUME strives to make its programming as accessible as possible\, and no one will be turned away for lack of funds. All proceeds from the show will go towards supporting the artist and production expenses. \nThis event is intended to be accessible to users of wheelchairs and other accessibility devices. Human Resources’ front entrance has one step\, with a folding wheelchair ramp available. The side entrance is wheelchair accessible. Human Resources does not have a wheelchair accessible restroom. The bathroom is gender neutral and has 2 stalls adjacent to each other. Please contact Human Resources with any accessibility questions or requests. \nABOUT NICHOLAS DEYOE \nNicholas Deyoe is a Los Angeles based composer\, conductor\, and guitarist\, and is the Co– Founder and Artistic Director of the wasteLAnd concert series. His music has been called “intriguingly complex and excitedly lush” by the LA Times. The New York Times wrote that Deyoe’s a new(er) anxiety “contrasted filigree lightness and explosive loudness…without seeming to strain for effect.” Drawn to sounds that are inherently physical\, Nicholas strives to create music that engages listeners intellectually and emotionally by appealing to their inner physicality. His compositions combine uses of noise\, delicacy\, drama\, fantasy\, brutality\, and lyricism to create a diverse sonic experience. As a guitarist\, Nicholas strives to further the already vast sound world of the electric guitar by experimenting with microtonal tunings\, preparation\, bows\, and beer cans. He has received commissions from The LA Philharmonic\, Carnegie Hall\, USINESONORE Festival\, The La Jolla Symphony\, Palimpsest\, and several soloists. His music has been performed in throughout North America\, Europe\, and Japan. As a conductor\, Nicholas has performed with wasteLAnd\, ICE\, The La Jolla Symphony Orchestra\, Red Fish Blue Fish\, Ensemble Ascolta\, The Darmstadt Preisträgerensemble\, Noise\, The University of Northern Colorado Symphony Orchestra\, and many ad-hoc ensembles in the United States and Germany. He holds a Ph.D. in composition from UC San Diego where he studied with Roger Reynolds. Nicholas is currently on faculty at California Institute of the Arts where he conducts The Ensemble and teaches composition. \nABOUT MATT BARBIER \nMatt Barbier is an LA based trombonist and composer focused on experimental intonation\, noise\, and the physical processes of his instrument. His playing has been described by the LA Times as being “of intense\, brilliant\, virtuosic growling that gave the striking impression that Barbier was dismantling the instrument while playing it.” \nTo encourage new repertoire and the expansion of his instrument\, Matt engages in collaborative relationships with a range of composers including Wolfgang von Schweinitz\, Michelle Lou\, Nicholas Deyoe\, David Brynjar Franzson\, Timothy McCormack\, and Katherine Young. He has also given world premieres of works by a wide spectrum of composers including Katharina Rosenberger\, Richard Barrett\, Catherine Lamb\, James Tenney\, Anne LeBaron\, Scott Walker\, and Jürg Frey. \nMatt is a founding member of gnarwhallaby\, the low brass duo\, RAGE Thormbones\, with Weston Olencki\, Trio Kobayashi\, wildUp\, and is an assistant director of wasteLAnd music. Matt is a member of the performing arts faculty at CalArts and teaches trombone and euphonium at Los Angeles City College (LACC). \nMatt has performed for the Monday Evening Concerts\, LA Phil’s Green Umbrella\, Internationales Musikinstitut Darmstadt\, Dartington International Summer School\, the Museum of Jurassic Technology\, Hamburg’s KlangWerkTage and Kampnagel\, Berlin’s 7Hours\, Palimpsest Ensemble\, InAuthentica\, Carnegie’s Zankel Hall\, the New Century Players\, and The Ensemble at CalArts\, as well as presenting guest lectures at CalArts\, UCSD\, UCSB\, University of British Columbia\, and Simon Fraser University. He has also been in residence at Harvard (HGNM)\, UCSD\, Stanford\, CalArts\, UCSC\, Columbia\, NYU\, and UCLA. Matt has recorded works for release of Populist\, Mode\, Hat Hut\, and Innova Records. Additionally\, he has released a technical manual for composers and trombonists on the production and compositional integration of lip multiphonics and split tones. \nAs a composer he has written music and created sound installations for The Factory Seconds Brass Trio\, WasteLAnd\, gnarwhallaby\, RAGE Thormbones\, the Museum of Jurassic Technology\, SASSAS\, Machine Project\, LACMA\, the Los Angeles Trombone Collective\, and the Getty Villa\, as well as engaging in a long term collaborative relationship with digital media artist Tom Leeser. \nHis trombone teachers include Richard Stout\, James Miller\, Michael Svoboda\, Alex Iles and Dick Erb. He studied composition with Ulrich Krieger and Wolfgang von Schweinitz. Matt received a MFA from CalArts. \nABOUT ANJA WEISER FLOWER \nAnja Weiser Flower is trying to stitch together a newly centralized aesthetic construction. Anja Weiser Flower wants to pull the unitary social mind together with you. Is modeling a point of concentration whose sheaves you can read through\, feeling some of the patterns in which our Everything organizes itself. Is trying to get you to feel the underlying potential of a transsexual universality in human life\, is here for the potential of an unwhite disabled queer feminine transcendent overcoming\, the material human community. Coming to meet the still very real possibility of globally overcoming the capitalist social world and establishing communistic social relations. Coming to meet the cosmos. \nShe lives in San Francisco\, California\, attended the San Francisco Art Institute\, and will have her work featured in an upcoming project by the Columbia University Graduate School of Architecture\, Planning\, and Preservation (GSAPP) and Printed Matter\, Inc.
URL:https://www.h-r.la/event/nicholas-deyoe-and-matt-barbier/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/unnamed-10.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180418T200000
DTEND;TZID=America/Los_Angeles:20180418T230000
DTSTAMP:20180726T003940Z
CREATED:20180411T025009Z
LAST-MODIFIED:20180726T003940Z
UID:3398-1524081600-1524092400@www.h-r.la
SUMMARY:Stephanie Cheng Smith
DESCRIPTION:Doors at 7pm\, performance at 8pm \nInstallation viewable during gallery hours\, April 18 – 22\, 12pm – 6pm \nVOLUME and Human Resources are pleased to announce an interactive multi-channel sound installation by Stephanie Cheng Smith. This will be a part of “Cosm\, Organization-Construction\, Second Instance\,” our exhibition of new work by Anja Weiser Flower. Smith will present a live performance within her installation Wednesday evening\, the 18th\, starting at 8pm. Using light sensors trained on the angled beam illuminating Flower’s work in an otherwise darkened space\, Smith will create a sound environment that dynamically responds to the movement of the audience towards\, away from\, and around this central point of fixation. The installation will be up during regular gallery hours from 12pm to 6pm Wednesday the 18th through the show’s closing on Sunday\, April 22nd. \nTickets for Stephanie Cheng Smith’s performance on the 18th may be purchased in advance or at the door for a suggested donation of $5 to 15. VOLUME strives to make its programming as accessible as possible\, and no one will be turned away for lack of funds. The exhibition is free to visit during gallery hours. All proceeds from Smith’s performance will go towards supporting the artist and production expenses for this series. \nThis event is intended to be accessible to users of wheelchairs and other accessibility devices. Human Resources’ front entrance has one step\, with a folding wheelchair ramp available. The side entrance is wheelchair accessible. Human Resources does not have a wheelchair accessible restroom. The bathroom is gender neutral and has 2 stalls adjacent to each other. Please contact Human Resources with any accessibility questions or requests. \nABOUT STEPHANIE CHENG SMITH \nStephanie Cheng Smith is a composer\, performer and programmer who creates interactive pieces\, installations\, improvisations and through-composed works. She often uses electronics\, violin and light\, and her latest explorations with motor arrays have been featured in the 2016 issue of Experimental Music Yearbook. Smith’s performances and residencies include Studio for Electro-Instrumental Music (STEIM\, Amsterdam)\, PACT Zollverein (Essen)\, liebig12 (Berlin)\, Re-New Digital Arts Festival (Copenhagen)\, EcoSono (Caribbean)\, Centre for the Living Arts (Mobile)\, Megapolis Arts Festival (Baltimore)\, and—in Los Angeles—Machine Project\, LA Film Forum\, REDCAT\, and the Society for the Activation of Social Space through Art and Sound (SASSAS). She has also made appearances on webcasts such as EarMeal\, Experimental Half-Hour and dublab. Smith frequently performs electronic music under the name Stephie’s Castle\, is a member of networked music ensemble bitpanic\, and has composed for and performed as a member of the Dog Star Orchestra. Serving on the wulf.’s Artistic Advisory Board\, she also curates and produces experimental music concerts in the Los Angeles area. \nABOUT ANJA WEISER FLOWER \nAnja Weiser Flower is trying to stitch together a newly centralized aesthetic construction. Anja Weiser Flower wants to pull the unitary social mind together with you. Is modeling a point of concentration whose sheaves you can read through\, feeling some of the patterns in which our Everything organizes itself. Is trying to get you to feel the underlying potential of a transsexual universality in human life\, is here for the potential of an unwhite disabled queer feminine transcendent overcoming\, the material human community. Coming to meet the still very real possibility of globally overcoming the capitalist social world and establishing communistic social relations. Coming to meet the cosmos.  \nShe lives in San Francisco\, California\, attended the San Francisco Art Institute\, and will have her work featured in an upcoming project by the Columbia University Graduate School of Architecture\, Planning\, and Preservation (GSAPP) and Printed Matter\, Inc.
URL:https://www.h-r.la/event/stephanie-cheng-smith/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/unnamed-13.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180421T190000
DTEND;TZID=America/Los_Angeles:20180421T220000
DTSTAMP:20180726T003940Z
CREATED:20180411T024100Z
LAST-MODIFIED:20180726T003940Z
UID:3391-1524337200-1524348000@www.h-r.la
SUMMARY:Sol Variations – A New Sound Installation by Richard Chartier
DESCRIPTION:VOLUME and Human Resources are pleased to present Sol Variations\, a new sound installation by Richard Chartier as part of “Cosm\, Organization-Construction\, Second Instance\,” an exhibition of new work by Anja Weiser Flower. Chartier’s work under his own name has been widely celebrated for his groundbreaking explorations of the spatial nature of sound\, silence\, focus\, perception\, and the act of listening itself. This four-channel installation\, which will be presented publicly for the first time at this event\, will be experienced in darkness\, with Flower’s work providing the sole source of illumination within the space. \nThis event will be free of charge\, and it is intended to be accessible to users of wheelchairs and other accessibility devices. Human Resources’ front entrance has one step\, with a folding wheelchair ramp available. The side entrance is wheelchair accessible. Human Resources does not have a wheelchair accessible restroom. The bathroom is gender neutral and has 2 stalls adjacent to each other. Please contact Human Resources with any accessibility questions or requests. \nABOUT RICHARD CHARTIER \nRichard Chartier (b.1971) is a Los Angeles based artist\, considered one of the key figures in minimalist sound art. Chartier’s works explore the inter-relationships between the spatial nature of sound\, silence\, focus\, perception\, and the act of listening itself. \nChartier’s critically acclaimed sound works have been published since 1998 on a variety of labels internationally including Room40 (Australia)\, Editions Mego (Austria)\, Important Records (US)\, Ash International (UK)\, Raster-Noton (Germany)\, Spekk (Japan)\, Trente Oiseaux (Germany)\, NVO (Austria)\, Farmacia901 (Italy)\, 12k (US)\, and his own imprint LINE (US). \nHe has collaborated with composer William Basinski\, sound artists ELEH\, CoH\, France Jobin\, Robert Curgenven\, Taylor Deupree\, AGF\, and Yann Novak\, and German electronic music pioneer Asmus Tietchens. In installation form\, he has created works with multimedia artists Evelina Domnitch and Dmitry Gelfand\, visual artist Linn Meyers\, and projected light artist Anthony McCall. Under his guise Pinkcourtesyphone\, an ambient project restarted in 2012\, he has collaborated with Cosey Fanni Tutti\, Kid Congo Powers\, harpist Gwyneth Wentink\, AGF\, and thereminist Evelina Domnitch. \nChartier’s sound works/installations have been presented in museums and galleries internationally including the Whitney Biennial and the influential sound art exhibit Sounding Spaces at NTT/ICC in Tokyo. His performances have occurred live across Europe\, Japan\, Australia\, and North America. \nSince 2000\, Chartier has curated his influential recording label LINE\, publishing nearly 100 editions documenting the compositional and installation work of international sound and video artists who explore the aesthetics of contemporary and digital minimalism. \nwww.3particles.com \nwww.lineimprint.com \nABOUT ANJA WEISER FLOWER \nAnja Weiser Flower is trying to stitch together a newly centralized aesthetic construction. Anja Weiser Flower wants to pull the unitary social mind together with you. Is modeling a point of concentration whose sheaves you can read through\, feeling some of the patterns in which our Everything organizes itself. Is trying to get you to feel the underlying potential of a transsexual universality in human life\, is here for the potential of an unwhite disabled queer feminine transcendent overcoming\, the material human community. Coming to meet the still very real possibility of globally overcoming the capitalist social world and establishing communistic social relations. Coming to meet the cosmos.  \nShe lives in San Francisco\, California\, attended the San Francisco Art Institute\, and will have her work featured in an upcoming project by the Columbia University Graduate School of Architecture\, Planning\, and Preservation (GSAPP) and Printed Matter\, Inc.
URL:https://www.h-r.la/event/sol-variations-a-new-sound-installation-by-richard-chartier/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/unnamed-11.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180422T200000
DTEND;TZID=America/Los_Angeles:20180422T230000
DTSTAMP:20180726T003940Z
CREATED:20180411T224755Z
LAST-MODIFIED:20180726T003940Z
UID:3410-1524427200-1524438000@www.h-r.la
SUMMARY:Christine Tavolacci and Ted Byrnes perform John Cage’s Ryoanji
DESCRIPTION:TWO PERFORMANCES – 8pm and 9:30pm \nDoors at 7pm \n$15 Suggested Donation \nOn the surface\, a comparison might be hazarded between John Cage’s mid-eighties composition Ryoanji and the untitled work at the center of “Cosm\, Organization-Construction\, Second Instance\,” the debut Los Angeles exhibition of Bay Area artist Anja Weiser Flower.  \nIndeed\, both works share an interest in surfaces and their relationship to time. In Cage’s case\, this arises through the musical transposition\, via a graphic score\, of the paths traced by fifteen moss-covered stones across the surface of a rock garden raked daily by Zen monks at the composition’s eponymous Kyoto temple. In Flower’s case\, the intricate\, primarily textile surface of the central portion of her work\, painstakingly developed over several years\, both conceals and reveals layers of materiality and meaning\, as the visible articulation of the work evolves over the course of the show’s run. Both artists share an interest in the intermediate zone between physical and sonic space\, as elaborated over the course of VOLUME’s event program for Flower’s exhibition. \nAs such\, VOLUME and Human Resources are honored to present a performance of Cage’s Ryoanji by flutist Christine Tavolacci\, co-founder and co-director of the celebrated Southland ensemble\, and percussionist Ted Byrnes as the closing event of “Cosm\, Organization-Construction\, Second Instance.” This evening will present a unique opportunity to experience the final articulation of this important artwork in tandem with an interpretation of Cage’s composition by two leading figures in contemporary experimental music. \nThere will be two performances of this work\, taking place at 8pm and 9:30pm\, with doors opening at 7pm. Tickets may be purchased in advance or at the door for a suggested donation of $15. The performance will take place in darkness\, with Flower’s work providing the sole source of illumination in the main exhibition space. \nThis event is intended to be accessible to users of wheelchairs and other accessibility devices. Human Resources’ front entrance has one step\, with a folding wheelchair ramp available. The side entrance is wheelchair accessible. Human Resources does not have a wheelchair accessible restroom. The bathroom is gender neutral and has 2 stalls adjacent to each other. Please contact Human Resources with any accessibility questions or requests. \nABOUT CHRISTINE TAVOLACCI \nChristine Tavolacci is a Los Angeles-based flutist\, composer\, and educator specializing in contemporary and experimental music. She has traveled across the United States and Europe to study and perform\, and has been involved in the premieres of many new works\, including those by Alvin Lucier\, James Saunders\, Michael Pisaro\, Chiyoko Slavnics\, Carolyn Chen\, and Catherine Lamb.  \nChristine is active as a soloist\, improviser\, curator\, and chamber musician both in California and internationally. She is co-founder and co-director of Southland Ensemble\, as well as a member of the Dog Star Orchestra and Gurrisonic. Her playing has been released on Orenda Records\,  Slub Music (Japan)\, and Tzadik. She has been a guest lecturer at both UCLA and CalArts\, an associate instructor at UC San Diego\, and has taught several workshops on contemporary music to children of various ages.  \nIn 2006\, Christine received her BFA in flute performance from California Institute of the Arts.  She has also received her Diplôme de Specialisation with mention trés bien from the Conservatoire National de Region Strasbourg in Strasbourg\, France\, where she studied flute with Mario Caroli from 2006-2008. Christine completed her Doctorate (DMA) in Contemporary Music Performance at the University of California San Diego in the spring of 2017. \nABOUT TED BYRNES \nTed Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston\, MA\, he comes from a jazz background and has since made his home in the worlds of free improvisation\, new music\, electro-acoustic music\, and noise. \nTed primarily works in ad hoc improvisational settings\, but has standing improvisational groups including: a group with John Wiese\, a duo with Jeff Parker\, a duo with Chris Cooper (AQH)\, a duo with Charlie Mumma\, a duo with Sam McKinlay\, a duo with William Hutson\, a trio with Jacob Wick and Michael Foster\, among others. Additionally\, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj\, Matt Weston\, Ingebrigt Haker Flaten\, Charlemagne Palestine\, Alfred 23 Harth\, Arrington de Dionyso\, Jaap Blonk\, Torsten Muller\, Kim Myhr\, Jim Denley\, Lloyd Honeybrook\, Chris Schlarb\, Mike Watt\, Paul Masvidal\, the LAFMS (including Smegma\, Airway\, Ace Farren Ford’s Artificial Art Ensemble\, Rick and Joe Potts\, Fredrik Nilsen\, Tom Recchion\, Vetza\, etc)\, Sissy Spacek (the band)\, Maher Shalal Hash Baz\, and more. \nTed’s recorded output oscillates between heavily acoustic music and harsh noise while keeping a similar approach. For a thorough overview of recordings\, please visit the Discography page of his website. \nTed has also collaborated with/worked for a variety of visual artists: he has accompanied a Doug Aitken “happening\,” scored and performed percussion for an Emily Mast performance\, collaborated with Olivia Booth to play her glass artworks\, collaborated with Dani Tull on a sound performance\, performed with John Knuth and Bret Nicely at an installation in an empty pool\, and has performed for FLUXUS artist Jeff Perkins on multiple occasions for his projector/light installations. \nCurrently\, Ted is delving further into the possibilities and realities of solo drumset performance in addition to continuing to work with his existing projects.
URL:https://www.h-r.la/event/christine-tavolacci-and-ted-byrnes-perform-john-cages-ryoanji/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/unnamed-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180503T200000
DTEND;TZID=America/Los_Angeles:20180503T220000
DTSTAMP:20180726T003753Z
CREATED:20180420T043729Z
LAST-MODIFIED:20180726T003753Z
UID:3423-1525377600-1525384800@www.h-r.la
SUMMARY:Sherry Valence
DESCRIPTION:HRLA and The Institute of Ceramics and Alliance will host music by Sherry Valence.  Sherry Valence is an Indie Pop band formed in 2016. The band consists of vocalist Danielle Zamora\, guitarist Ryan Massie\, guitarist Jess Kelly\, bassist Sean Kelly\, and drummer Joseph Gallegos. Sherry Valence is a Los Angeles band and they released their first EP\, Call Your Dogs\, on January 27\, 2018.
URL:https://www.h-r.la/event/sherry-valence/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/0012442285_10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180505T130000
DTEND;TZID=America/Los_Angeles:20180505T160000
DTSTAMP:20180427T093827Z
CREATED:20180420T043912Z
LAST-MODIFIED:20180427T093827Z
UID:3425-1525525200-1525536000@www.h-r.la
SUMMARY:Nuestra América Poetry Reading
DESCRIPTION:“Nuestra América” celebrates the unique voices and styles of writers and poets who live in Southern California. The title of the poetry reading refers to José Martí’s seminal essay\, which was first published in 1891 in La Revista Ilustrada de Nueva York (New York) and then in El Partido Liberal (Mexico City). In his essay\, Martí highlights the independent spirit of the people of the Americas. Please join us and experience the distinct performances of Tristan Douglas Acker\, Alex Avila\, Juan Delgado\, Kelly Dortch\, Allyson Jeffredo\, Lilliana Gallegos\, George Hammons\, Timothy Hatch\, Angela Peñaredondo\, Daiana Rodriguez\, Isabel Quintero\, Micah Tasaka\, as part of the exhibition\, The Institute of Ceramics and Alliance. A variety of themes will be touched on\, and since the reading is on Cinco De Mayo\, some of the performers will speak to what they cherish and what they reclaim about nuestra América.
URL:https://www.h-r.la/event/nuestra-america-poetry-reading/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/31190024_2229184320643730_1655849066942507174_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180506T190000
DTEND;TZID=America/Los_Angeles:20180506T200000
DTSTAMP:20180726T003753Z
CREATED:20180326T191336Z
LAST-MODIFIED:20180726T003753Z
UID:3370-1525633200-1525636800@www.h-r.la
SUMMARY:CARRIAGE: Matty Davis & Ben Gould
DESCRIPTION:CARRIAGE \nby Matty Davis and Ben Gould \n  \nSunday\, May 6\, 2018 \n7:00PM–9:00PM (performance begins promptly at 7:15PM) \nHuman Resources\, 410 Cottage Home St\, Los Angeles\, CA 90012 \nFREE \n  \nCarriage is a site-responsive performance created by Matty Davis and Ben Gould that radically explores control and empathy\, motored in part by the raw energy of Gould’s Tourette Syndrome.  \nThis performance is informed by evolving senses of the body—injury\, trauma\, healing\, and growth—and offers a unique opportunity to create a work that draws from the variance of Davis and Gould’s distinct physicalities. The result is an intense\, viscerally and sonically charged experience\, where empathy is a physical tool\, resistance offers stability\, and we are all cast out into a space that levels us\, brings us real fear\, awakening\, new vocabularies and physical structures. \n  \nThis year the work travels the U.S. with performances in a wide range of sites\, responding to the ground and the way surfaces offer the body resistance and support. From ice\, to grass\, to concrete\, and within a wide variety of architectures\, the work continuously evolves and re-composes itself according to the unique visual\, sonic\, and kinesthetic possibilities of each location. Upcoming\, Carriage will be presented in partnership with Lightbox in Detroit\, MI on June 9\, 2018\, and upon a boat on the Chicago River later that month. \n  \nCarriage has been workshopped in New York City at Judson Church\, the Watermill Center\, the Edward F. Albee Foundation\, the Philadelphia School\, and Queenslab. It was supported through a residency at the Kickstarter Headquarters in NYC.  \n  \nYou may view Held Over Shore\, a 16mm short film based on Carriage made with artist Eryka Dellenbach here: https://vimeo.com/246698783/981a46c5a2 \n  \nMatty Davis is an artist from Pittsburgh\, PA\, where his grandfather worked for decades in the steel mills. His interdisciplinary work seeks embodied transformation\, often through collaboration with other people\, materials\, and landscapes. Described by the New Yorker as “fearless\,” his work is noted for its combination of intense\, imaginative physicality and intimacy. Recently\, Davis has been invested in how particular conditions of the body\, the elements\, and the ground necessarily impact kinesthesia\, energy systems\, and psychological states\, partially in relation to having undergone intensive hand surgery last year due to a saw accident. In 2012\, he co-founded and continues to co-artistic direct BOOMERANG\, a performance project based in New York City. His work has been presented by the Art Institute of Chicago\, Steppenwolf Theater\, the Museum of Contemporary Art Chicago\, Judson Church\, the 92nd St. Y\, the Watermill Center\, Dixon Place\, Danspace Project\, and the Arts Arena in Paris\, among others. He was the recipient of a 2016 Visual Arts Fellowship from the Edward F. Albee Foundation\, and has recently been an artist-in-residence at the Watermill Center and Kickstarter’s HQ in Brooklyn. Davis teaches at colleges and schools throughout the US\, including New York University\, Columbia College\, Oberlin College\, Muhlenberg College\, Kenyon College\, The Professional Performing Arts High School in New York\, and The Philadelphia School. More information is available at www.mattydavis.net \n  \nBen Gould is an artist currently living and working in New York City. After being diagnosed with Tourette Syndrome\, Gould’s studio practice has transformed to harbor a new investment in the body\, exploring limits\, resistance\, and the loss of control. Grounded in performance\, his multidisciplinary practice is built upon collaboration\, intimacy\, and urgency – cultivated by a deep interest in how energy is directed\, rerouted\, transformed and transferred. His condition has become an engine for movement-based performance work that is in search of stabilization\, and driven by an evolving practice of energetic restraint and release. Within a growing mythos\, a space for fantasy and freedom is created for the corresponding videos\, images\, and objects that emerge from this process. Gould has performed site-specific works across the country\, from varied geographies to institutional spaces – leading to solo exhibitions at Plug Projects in Kansas City and Ballroom Projects in Chicago\, and collaborations with musicians\, rock climbers\, singers\, and designers. Gould has apprenticed with master craftsmen in California\, was a 2015 Ox-Bow Fellow\, and a Kickstarter Artist in Residence in 2017. He was born in Grass Valley\, California in 1993 and was raised there\, in the foothills of the Sierra Mountains\, next to a decommissioned gold mine and a river. Most recently he has performed and shown new works in Kansas City\, San Antonio\, Miami\, and at the Watermill Center and Judson Church in New York. More information is available at www.bengould.net \n  \nClothing by Gabriella Lacza \nProduced by Jade Thacker \nPhotograph by Devin Yalkin \n 
URL:https://www.h-r.la/event/carriage-matty-davis-ben-gould/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/03/Carriage_DevinYalkinPhoto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180507T200000
DTEND;TZID=America/Los_Angeles:20180507T230000
DTSTAMP:20180501T171113Z
CREATED:20180430T223706Z
LAST-MODIFIED:20180501T171113Z
UID:3435-1525723200-1525734000@www.h-r.la
SUMMARY:Keijaun Thomas: I Knew That Was You
DESCRIPTION:In a special iteration\, Keijaun Thomas will present two sections from her current project\, My Last American Dollar: Round 1. Tricking and Flipping Coins: Making Dollars Hit and Round 2. Black Angels in the Infield: Dripping Faggot Sweat. I am thinking about resistance. How do we resist temptation\, how do we slow down\, how do we play\, how do we survive? How do we hold space for each other\, how do you carry the multiplicities of being young\, gifted and black. \n“It is complicated. it is blurry. it is rooted and unrooted in my peoples history. my people being black people. it is difficult and hard\, it is attached to my spine\, it is connected to the middle passage of the Atlantic slave trade\, it is in my blood\, it is in the color of my shit in the toilet bowel\, it is in the smell of my ancestors shit for weeks on end decaying\, decaying on their chained bodies. it is crystal clear. it is as blue as water\, it is as heavy as 1\,000 black bodies being dumped into the ocean. it is dark. it is so peculiar. it is only felt as phantom pains\, missing links\, pedestals of display. it is the value of the auction block\, it is the price of your coffee beans\, your sugar and your tea leaves.your coffee beans\, your sugar and your tea leaves. it is unforgiven and not speakable. it is unbelievable and thinkable. it is high yellow\, red bone\, caramel\, chocolate. it is so black\, it is blue. it is so black\, it is blue. it is so fucking queer\, it is so fucking clear\, it is so fucking queer\, it is detached and left for the faggots that can never be black men. it is detached and left for the faggots that can never be black men. it is fragile\, it is as soft as cotton and hair weaves. as cotton and hair weaves. it is an open as the wounds on a slaves back. my ancestors backs. it is everything that i have ever known and resisted. it is everything that I have ever known and resisted. it is every piece of fabric and different colored paper with numerical value. it is the palms of my hands\, my fathers hands\, my brothers hands\, my mothers hands\, my sisters hands\, my aunties hands\, my cousins hands\, my children’s hands. it is… complicated.” \n— “it is complicated” (2018) \nKeijaun Thomas creates live performance and multimedia installations that oscillate between movement and materials that function as tools\, objects and structures\, as well as a visual language that can be read\, observed\, and repeated within spatial\, temporal\, and sensorial environments. Her work investigates the histories\, symbols\, and images that construct notions of Black identity within Black personhood.  Thomas earned their Masters degree from the School of the Art Institute of Chicago and is a current  Franklin Furnace Fund Recipient. Thomas has shown work nationally and internationally in Los Angeles\, CA; Portland\, OR; Portland\, ME; Chicago\, IL; Saugatuck\, MI; Boston\, MA; New York\, NY; Miami\, FL; and Taipei\, Taiwan; Paris\, France; Mexico City\, Mexico; Santiago\, Chile; Istanbul\, Turkey; Beirut\, Lebanon; Saskatchewan and Vancouver\, Canada; and the United Kingdom. \nNicolas Bermeo is an artist currently living in Los Angeles\, California. He is the founder of both Like • Magazine and Like • Movie Night and has shown at 315 Gallery\, The Echo Park Film Center\, The Squeaky Wheel\, The New Latin Wave Festival\, The Queer Arts Festival and  The Hyde Park Art Center. \n 
URL:https://www.h-r.la/event/keijaun-thomas-i-knew-that-was-you/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/keikei.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180511T200000
DTEND;TZID=America/Los_Angeles:20180513T200000
DTSTAMP:20180726T003811Z
CREATED:20180509T230301Z
LAST-MODIFIED:20180726T003811Z
UID:3453-1526068800-1526241600@www.h-r.la
SUMMARY:A Dangerous Obsessions: Week 1 programing
DESCRIPTION:Activities occur simultaneously in both spaces BWEPS and HRLA; and will be broadcast by livestream. \nHuman Resources\, BWEPS Originals and The Transnational Temple of Subcritical Studies present their 3rd season: \n▬ A Dangerous Obsession ▬\nA THRILLER OF PLASTIC MOMENTS \nA transnational collective impulse of arts and literatures that takes place in Mexico City (Biquini Wax EPS) and Los Angeles (Human Resources). \nDuring three weekends in May\, writers and artists based here (USA) or based there (MX) will explore the marshy lands of NAFTAlgia in search of the mythical trade deficit. \nIsauro Huizar will do an object based choreography with artworks\, fragments and material feelings by John Burtle\, Pierre Vals and José María Rubio\, Madeline Jimenez\, Cristóbal Gracia\, Arnold J Kemp\, Daniel Aguilar Ruvalcaba\, kids from the house behind\, protestors\, Mauricio Múñoz\, Arte y Trabajo\, BWEPS\, Israel Urmeer\, Caroline Laura Gabrielle\, cannibis artist\, Wendy Cabrera Rubio\, Paloma Contreras Lomas\, SANGREE\, Bob Square Pans fans\, and sandwich artist from Guanajuato. \n♥ Friday May 11th ♥ \nExhibition opening reception \nFirst intervention by artist Jorge Satorre at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. \n→ 8:00pm ← PST \nBiquini Wax EPS will read two poems first one by Roman Lujan at HRLA and then would do ultra close reading of Anti-Humboldt A Reading of the North American Free Trade Agreement at BWEPS by Hugo García Manríquez. \n  \n♥ Saturday May 12th ♥ \n→ 4:00pm ← PST \nEmancipar el mapa. MolcajeteMundi / Jorge Comensal (with transductions by Nancy García\, Zyanya Arellano\, Andrea Medina\, Gerardo Contreras) – broadcasting from BWEPS hole\, Mexico City \n→ 5:00pm ← PST \nEste jale / Bernardo Núñez Magdaleno (with transductions of Isauro Huizar and Israel Urmeer) – broadcasting from HRLA hole\, Los Angeles. \nIntervention in the little Biquini Wax EPS house by Torie Zalben \n  \n♥ Sunday May 13th ♥ \n→ 2:00pm ← PST \nLa persona que cambió tu vida / Víctor Santana (with transductions by Andrea Medina\, Gerardo Contreras and Biquini Wats) – broadcasting from BWEPS hole\, Mexico City. \n→ 3:00pm ← PST \nMainly oranges and watermelons / Hugo Cervantes (with transcriptions by Israel Urmeer and Isauro Huizar) – broadcasting from HRLA hole\, Los Angeles. \nIntervention in the little house by David Gilbert and John Butole
URL:https://www.h-r.la/event/a-dangerous-obsessions-week-1-programing/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/32161736_1878796312419394_590046167652368384_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180517T210000
DTEND;TZID=America/Los_Angeles:20180517T210000
DTSTAMP:20180515T190410Z
CREATED:20180515T190410Z
LAST-MODIFIED:20180515T190410Z
UID:3461-1526590800-1526590800@www.h-r.la
SUMMARY:Angels in America • Odwalla1221 • Pinko Scum Joke • Negashi Armada
DESCRIPTION:ANGELS IN AMERICA (NYC)\nODWALLA 1221\nPINKO SCUM JOKE\nNEGASHI ARMADA \ndoors at nine / sound at ten / donate ten \nfrom New York City… \nANGELS IN AMERICA (aka Miami Angels\, Angels USA\, etc.) \n“Underground” is a know-it-when-you-hear-it place. And to take us there\, the instrumental and vocal duo Angels in America adhere to no one form or norm. Attention gripping and hypnotically haunting\, their soft singings and noisy sonics plum a number of depths with whatever delivers the dreamstate: fuzzed guitar and laconic melody\, crunchy sequences and electronic abstractions\, spoken words and pulled pranks. Catch the drift. \nTheir subterranea has been charted on labels such as Digitalis\, Night People\, and Hundebiss. The members are also known to inhabit the solo guises of Chicklette and Farewell My Concubine. \nhttps://angelsusa.bandcamp.com \n…and from Los Angeles \nODWALLA1221 \nspeak songs and trigger samples\nof whatever they wanna\nplus new tricks via drumstick hits\npoetry and punk\, rock and rose \nPINKO SCUM JOKE \nnewly pressed\nsome wave duo attack\nlife’s nothing if not a scream \nNEGASHI ARMADA \nblunt fang faded\nand now this gaze haze hop\nlyrically laid over synths and shuffle
URL:https://www.h-r.la/event/angels-in-america-%e2%80%a2-odwalla1221-%e2%80%a2-pinko-scum-joke-%e2%80%a2-negashi-armada/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/angels_fullsize-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180518T200000
DTEND;TZID=America/Los_Angeles:20180518T230000
DTSTAMP:20180726T003753Z
CREATED:20180430T204657Z
LAST-MODIFIED:20180726T003753Z
UID:3432-1526673600-1526684400@www.h-r.la
SUMMARY:Terry Riley's In C performed by David Harrow
DESCRIPTION:1964: The year that Terry Riley first performed In C\, the piece that laid the foundations for the entire minimalist movement\, is also the year of my birth. \nTurning full cycle to the present\, a time when contemporary synthesis has brought the principle of variation through repetition to our fingertips\, reaching for the sublime through sonic immersion is needed more now than ever. The compositional quality of In C shines through the use of the new media\, in fact the way the 53 phrases of the piece work with modern electronic is captivating. By programming them into contemporary sequencing methods new avenues for improvisation are revealed\, manipulating the very substance of the sounds themselves. \n“One of the joys of In C is the interaction of the instruments  in polyrhythmic combinations that spontaneously arise between patterns. Some quite fantastic shapes will arise and disintegrate as these groups move through the piece ” – Terry Riley \nAfter a rediscovering Terry Riley’s importance in repetitive patterned sound whilst researching the entire genre of Minimalism for a class I was teaching in Los Angeles\, it became clear to me this piece should be reinvented\, shifted from it’s temporal birthplace to reveal it still firmly at home\, flourishing  in todays Californian experimental music scene. \nPlease join me in a celebration of this icon in our part of the pacific rim. \nABOUT DAVID HARROW  \n\n\n\nDavid Harrow could easily play on musical heritage if he wanted\, but that’s not his style. The man has played with enough true legends of overground and underground music for several lifetimes\, and could dine out for years on the hair- raising stories of far out and extreme musical scenes he’s been involved with. But what links all his musical adventures so far is a constant quest for new and stimulating sounds\, and that applies as strongly now as when he first launched into the post-punk climate in the 80ʼs So through synth-soaked new wave and Neue Deutsche Welle\, through playing with disco legends like Razormaid on the San Francisco scene\, through going deep into dub and experimental electronics as part of the On-U Sound production and live team\, through the dirty rave haunts of London with Andrew Weatherall\, through huge international tours as Technova\, through a huge pop smash with Billie Ray Martin\, through his live drumʼnʼbass extravaganzas as James Hardway\, through the trance world\, on through the Californian bass and weird-beat scenes as OICHO\, to the esoteric ambient soundscapes and percussion soundtracks he releases today\, Harrow is always\, as a wise man once said “on to the next one”. And that hunger for the next sound\, the next new idea\, is what keeps his music as dazzlingly exciting as it has ever been. \n$5 suggested donation
URL:https://www.h-r.la/event/terry-rileys-in-c-performed-by-david-harrow/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/04/fwaystill.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180520T140000
DTEND;TZID=America/Los_Angeles:20180520T170000
DTSTAMP:20180726T003811Z
CREATED:20180516T180603Z
LAST-MODIFIED:20180726T003811Z
UID:3465-1526824800-1526835600@www.h-r.la
SUMMARY:A Dangerous Obsession: Week 2 Programming
DESCRIPTION:Activities occur simultaneously in both spaces BWEPS and HRLA; and will be broadcast by livestream (we will share the link on social media). \n  \nHuman Resources\, BWEPS Originals and The Transnational Temple of Subcritical Studies are glad to present their 3rd season:\n\n▬ A Dangerous Obsession ▬ \nA THRILLER OF PLASTIC MOMENTS\n\nA transnational collective impulse of arts and literatures that takes place in Mexico City (Biquini Wax EPS) and Los Angeles (Human Resources).\n\nDuring three weekends in May\, writers and artists based here (USA) or based there (MX) will explore the marshy lands of NAFTAlgia in search of the mythical trade deficit. \n  \nIsauro Huizar continues his object based choreography with artworks\, fragments and material feelings of BWEPS but this time he is going to switch the exhibition space with HR storage.  \n  \n  \n♥♥♥ Sunday May 20th ♥♥♥ \nWe would present more interventions by artists at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. So far\, we are showing artworks by Jorge Satorre\, Torie Zalben\, John Bartle and David Gilbert.  \n  \n  \n→ 02:00 pm ← PST \nNetflix\, Narcos\, and Neoliberal Magical Realism a translation by Aaron Chilewich\, a text by Arte y Trabajo BWEPS (with transductions by Israel Urmeer) – broadcasting from HRLA hole\, Los Angeles. \n  \n\n→ 02:30 pm ← PST\n\nYo de verdad entiendo la belleza (I do truly understand beauty) by Noel René Cisneros (with transductions by Diana Cantarey\, Gerardo Contreras and Biquini Waxs) – broadcasting from BWEPS hole\, Mexico City.\n \n  \n\n→ 03:00 pm ← PST \nPerformance by Sebastian Hernandez. \n  \n\n→ 3:30 pm ← PST\n\nbajo el árbol de navidad el déficit tiene forma de un tyco rc (under a xmas tree deficit looks like a tyco rc) by Yolanda Segura (with transductions by Diana Cantarey\, Gerardo Contreras and Biquini Wats) – broadcasting from BWEPS hole\, Mexico City.\n \n  \n\n \n 
URL:https://www.h-r.la/event/a-dangerous-obsession-week-2-programming/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/32839175_1881898728775819_8941597735283326976_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180525T210000
DTEND;TZID=America/Los_Angeles:20180526T010000
DTSTAMP:20180726T003713Z
CREATED:20180521T200524Z
LAST-MODIFIED:20180726T003713Z
UID:3481-1527282000-1527296400@www.h-r.la
SUMMARY:Fiesta NAFTAlgia
DESCRIPTION:Reggaeton\, Performance Art\, Magic\, Dr. Simi\, Cheap Drinks\, and more… gratis 🙂 \nMusic selections by:\nDJ Guapis (CDMX)\nBaile\, Liberacion\, Resistencia (Mexicali)\nDJ Telcel (Michocan) \nPerformances by:\nGabriela Ruiz (LA)\nAndrew Roberts (TJ) \nFood by: \nNehemias de Leon (LA) &  Biquini Wax (CDMX) \n  \npart of “A Dangerous Obsession” organized by Biquini Wax
URL:https://www.h-r.la/event/fiesta-naftalgia/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/big-fiesta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180526T143000
DTEND;TZID=America/Los_Angeles:20180526T183000
DTSTAMP:20180726T003811Z
CREATED:20180523T232254Z
LAST-MODIFIED:20180726T003811Z
UID:3492-1527345000-1527359400@www.h-r.la
SUMMARY:A Dangerous Obsession: Week 3
DESCRIPTION:♥♥♥ Sunday the 27th ♥♥♥ \nActivities occur simultaneously in both spaces BWEPS and HRLA; and will be broadcast by livestream (we will share the link on social media). \n  \nWe would present more interventions by artists at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. So far\, we already are showing artworks by Jorge Satorre\, Torie Zalben\, Steven Perilloux\, John Bartle and David Gilbert and this sunday you will find works by Yelena Zhelezov\, Pedro Lasch\, Andrew Roberts\, Mariel Miranda and Mario V Romero. \n  \n→ 02:30 pm ← PST \n  \nNada nos falta by Aura García Junco (with transductions by Diana Cantarey\, Gerardo Contreras and whatever beings) broadcasting from BWEPS hole\, Mexico City. \n\n→ 3:00 pm ← PST \n  \nDestapa Mexicoke by Nora de la Cruz (with transductions by Diana Cantarey\, Gerardo Contreras and whatever beings) – broadcasting from BWEPS hole\, Mexico City. \n  \n→ 03:30 pm ← PST \n  \nSub-critical promiscuity\, and hot-tub curation by Yacuziz broadcasting from HRLA hole\, Los Angeles. \n\n→ 04:00 pm ← PST\n\nA text to read/perform by Namourah – broadcasting from HRLA hole\, Los Angeles. \n\n→ 4:30 pm ← PST \n  \nAvocado Toast a text by Jenn Tyburczy performed by Mauricio Múñoz\, Havi (with transductions by Israel Urmeer) broadcasting from HRLA hole\, Los Angeles. \n  \n→ 5:00 pm ← PST \n  \nBody In River\, Head Across Sky + Omi Toki Samantha Blake Goodman\, founder of MAPS\, will be presenting her work “Body in River\, Head Across Sky”. The work will be performed by Christopher Bordenave of No)One. Art house and will be accompanied by a screening of “Omi Toki – Water is Worthy of Praise” a film by Nery Madrid.  The film is a collaborative work that honors life and female ancestry. \nBlake Goodman’s collaboration offers an exploration of the body as a vehicle through which corporal heritage is preserved\, particularly that of the Afrolatino diaspora. The artist’s collaboration brings the body in movement to the table as one of the many platforms for the narratives of deficiency that constitute the lines of obsessive economic nostalgia\, or Naftalgia\, this exhibit traces. \n   \nMAPS ( Movement Arts Performance Space) is a project founded by Samantha Blake Goodman dedicated to cultivating the contemporary and traditional arts of the Afro-Latinx and Caribbean diaspora in Los Angeles. \n  \n→ 5:30 pm ← PST \n  \nGroup discussion about what was presented and moderated by BWEPS people. \n 
URL:https://www.h-r.la/event/a-dangerous-obsession-week-3/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/imagen_molcajet-ak47.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180529T200000
DTEND;TZID=America/Los_Angeles:20180529T223000
DTSTAMP:20180726T003728Z
CREATED:20180524T183941Z
LAST-MODIFIED:20180726T003728Z
UID:3497-1527624000-1527633000@www.h-r.la
SUMMARY:James Hoff ❖ Free The Land ❖ Lukas Marxt ❖ Phan & Karnsomport
DESCRIPTION:Audio-Visual Program // Live Performances + Cinema \n  \nJames Hoff  \nFree The Land  \nLukas Marxt \nEllen Phan & Nisa Karnsomport \n  \ncurated by Tim Leanse \n  \ndoors at eight – donate eight \nprogram begins promptly at 8:30 \n\n\n\n\n\n  \n  \nJAMES HOFF (PAN – NYC) \nJames Hoff is a Brooklyn-based artist who tweaks systems across disciplines – from fine art object-making to multimedia actions. His discordant sound work issued on the PAN label has collaged riots and attacked the vernacular – famously introducing computer viruses to drum machine programs and leveraging the resultant degradations as compositional fodder. At this audio-visual summit\, Hoff will perform HOBO UFO – a live\, video-projected\, rapid-fire click and spin through Google Street View driven by his real-time audio – hyper-rhythmic and fractured. HOBO UFO’s debut at Unsound 2017 in Kraków\, Poland\, utilized streetview imagery of Pripyat – a city in Chernobyl’s Zone of Exclusion. For this realization at Human Resources\, however\, Hoff’s peripatetic virtual dérive will course through the host city of Los Angeles. HOBO UFO is slated for multimedia release on PAN. \nhttp://www.james-hoff.com \nFREE THE LAND (Ascetic House – LA) \nFree The Land is an evolving project of change agent Jesse Sanes. A media intervention of environmental impressions natural and domestic\, it manifests as electronic sound\, installation art\, and archive. Live actions fold field recordings\, found sound\, and computer speech into a compost of synthesis and free manipulation. For this Spring outing\, Sanes sonics with contributing member Nial Morgan to express cold and distant extremes as a video-projected ‘live browse’ through an FTL file-set riffs on the project’s recent collaborative communiqué\, ‘Arctic Compilation.’ \nhttp://freethe.land \nLUKAS MARXT (Köln\, Germany) \n‘Imperial Valley (Cultivated Run-off)’  Color\, 2018 \nAustrian filmmaker Lukas Marxt explores places isolated and remote\, considering how landscapes are altered by – and the degree to which they remain impervious to – human influence.  Here he will screen a recent short shot above Southern California’s Imperial Valley. Flying by drone\, we reconnoiter the region’s agricultural infrastructure\, finding a language in the colors\, shapes\, and structures of it’s incursion into the vast and extreme Sonoran Desert. Shifts of perspective and perception are eerily matched by the psychoacoustics of the film’s hypnotic soundtrack. ‘Imperial Valley (Cultivated Run-off)’ premiered at Berlinale 2018. Filmmaker in attendance. \nhttp://lukasmarxt.com \nELLEN PHAN & NISA KARNSOMPORT (Elixir Sounds – LA) \nDithered out over the country are those that know what flows when Ellen Phan’s face is lit by her laptop screen: cascades of concrète and jagged valleys of squelch\, with an intention set to nothing less than brainwave state change. On choice occasions Nisa Karnsomport plies her wares to filter Phan’s noise and signal into a high-velocity sound-reactive video: flashing monochromatic animations\, abstract and geometric. \nhttp://ellenphan.tumblr.com
URL:https://www.h-r.la/event/james-hoff-%e2%9d%96-free-the-land-%e2%9d%96-lukas-marxt-%e2%9d%96-phan-karnsomport/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/180529_hoff2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180602T200000
DTEND;TZID=America/Los_Angeles:20180602T233000
DTSTAMP:20180726T003727Z
CREATED:20180522T042330Z
LAST-MODIFIED:20180726T003727Z
UID:3485-1527969600-1527982200@www.h-r.la
SUMMARY:Sex Tape Records presents Something Wild
DESCRIPTION:SEX. An homage to the 70s Vivienne Westwood store of the same name and the Gun Club’s inimitable song\, Sex Beat. \nTAPE. Every project is recorded to analog tape. \nRECORDS. All releases are pressed on vinyl. \nSex Tape Records is the concept of Costume and Fashion Designer\, Stacy Ellen Rich. As one of the few woman run record labels\, Rich’s prime directive is to meld her visual and aural obsessions of 70s and early 80s of glam punk\, death rock and beyond by pushing them into the now with new bands and diverse voices. Rich has also put her design skills to work and will present a pop up shop stocked with not only records but a capsule collection of Sex Tape Records attire and accessories. Sex Tape Records presents Something Wild will be a night to toast the underground and give credance to the magic that is always found there. \n8pm til late
URL:https://www.h-r.la/event/sex-tape-records-presents-something-wild/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2018/05/unnamed.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180603T200000
DTEND;TZID=America/Los_Angeles:20180603T230000
DTSTAMP:20180726T003649Z
CREATED:20180529T080842Z
LAST-MODIFIED:20180726T003649Z
UID:3509-1528056000-1528066800@www.h-r.la
SUMMARY:Dog Star 14: A House is Made With Walls & Beams
DESCRIPTION:Premieres by Stephanie Smith\, Cassia Streb\, Sepand Shahab\, Eric Heep and John Eagle for the 8 channel modular sound system ‘Sound House’\, a collaborative project with Janie Geiser\, John Eagle & Cassia Streb. \n$5-10 donation
URL:https://www.h-r.la/event/dog-star-14-a-house-is-made-with-walls-beams/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/05/32116301_1802288910077863_9184577804883197952_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180702T140000
DTEND;TZID=America/Los_Angeles:20180702T230000
DTSTAMP:20180726T003727Z
CREATED:20180629T001943Z
LAST-MODIFIED:20180726T003727Z
UID:3530-1530540000-1530572400@www.h-r.la
SUMMARY:Moonstone #2
DESCRIPTION:Moontone #2 \n  \nPerformance:\nMariel Carranza: 2pm-8pm\nhttp://www.marielcarranza.com/ \nJennifer Locke: 7pm\nhttp://www.jenniferlocke.net/ \n  \nMovement:\nAustyn Rich:  8pm\nhttps://www.instagram.com/blaqdemarco/?hl=en \n  \nDrag:\nDirect from NYC – Millicent: 7:30pm \n  \nPhotography: \nHiroshi Clark \nhttp://hiroshi-clark.com/ \n  \n  \nCurated by Marcus Kuiland-Nazario \n$10 Suggested donation \nPrecise details coming soon.\nShaking out to be an afternoon into evening event as we are presenting durational performance. \n  \n  \nImage by Hiroshi Clark
URL:https://www.h-r.la/event/moontone-2/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/06/hiroshi-clark.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180908T200000
DTEND;TZID=America/Los_Angeles:20180908T200000
DTSTAMP:20180904T200500Z
CREATED:20180825T234218Z
LAST-MODIFIED:20180904T200500Z
UID:3893-1536436800-1536436800@www.h-r.la
SUMMARY:Sonoptik + HR present:  Tom Hall | Anthony Baldino | Ellan Phan + Nisa Karnsomport | Sleep Clinic
DESCRIPTION:A night of synesthetic journey \nTom Hall \nAnthony Baldino \nEllan Phan + Nisa Karnsomport \nSleep Clinic \nDoors 8pm / $5 \nTom Hall is an Australian audio/visual artist\, residing in Los Angeles. \nHis practice involves micro exploration into place\, space and time. Inspired by peripheral space\, he focuses on using multiple approaches to engage and recontextualise them into live audio video works\, installations and recordings. Using sound as a means to translate and create hybrid environments and notions of journey. \nStylistically these outcomes vary\, including structured drone\, noise\, melody and installation; portrayed using synthesis\, programming and synesthetic delivery. Hall has released a number of recordings in the past decade on labels such as Elli\, Overlap\, Arlen\, and Presto!? along with extensive exhibitions and tours. \nPhan + Karnsomport \nEllen Phan is an artist working primarily in the field of computer music. Recent releases on Anomia and Banh Mi Verlag have been informed by her work as Neuro-Linguistic Programming Practitioner. Therapy-specific methodologies are employed as source material\, modulated autonomously by para-sympathetic activity through a variety of processing and synthesis\, with an aim to gather insight into cognitive and emotional states on a subconscious level. Hers is a distinctly hallucinatory psychoacoustic sound world aimed directly\, with intent and focus\, at the subconscious mind. Phan is based in Los Angeles. \nNisa Karnsomport is a media artist based in Los Angeles. Her work focuses on overlapping experimental media practices with new technology. She currently works as an Software Developer and collaborates with other artists on interactive video installations \nBaldino \nBaldino is a composer and sound designer based in LA whose work spans an enormous range of production avenues. The likelihood that you haven’t heard his work is nearly impossible with music and sound design in too many trailer campaigns to list. With Prometheus\, Interstellar\, Ex-Machina\, Star Wars: Rogue One and Avengers: Infinity War just to name a few\, from there his work ventures to the opposite pole of production with custom sound design based compositions mixed in Atmos for Dolby Labs\, beautifully glitched out remixes and continues on to mind bending modular synthesizer performances. \nSleep Clinic \nReturns to Los Angeles from performing across Europe on stage with the infamous EBM outfit Front Line Assembly. This is bound to be a blistering set.
URL:https://www.h-r.la/event/sonoptik-hr-present-tom-hall-anthony-baldino-ellan-phan-nisa-karnsomport-sleep-clinic/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/08/40051747_1989933064399266_2552605033740894208_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181023T200000
DTEND;TZID=America/Los_Angeles:20181023T200000
DTSTAMP:20181008T220820Z
CREATED:20181008T215701Z
LAST-MODIFIED:20181008T220820Z
UID:4036-1540324800-1540324800@www.h-r.la
SUMMARY:Astor | Sean McCann\, Matthew Sullivan & Alex Twomey | Erika Bell
DESCRIPTION:Erika Bell\, Astor\, and a trio performance by Sean McCann\, Alex Twomey\, and Matthew Sullivan. \nErika Bell will be presenting a new\, four-channel work titled Saint-Girons\, which was inspired by a recent field recording she took in a workshop led by Christina Kubisch. The recording captures both the electromagnetic sounds (via Kubisch’s headphones) and the acoustic atmospheric sounds of Saint-Girons\, France in real-time. This field recording will be paired with\, and accompanied by\, a small ensemble. \nOriginally hailing from Australia\, Astor’s music can range from claustrophobic to cosmic while incorporating a wide range of techniques spanning the history of electronic music. Their most recent solo album\, 2018’s Lina in Nida on UK-based Penultimate Press\, featured a spoken word contribution from Estonian artist Kris Lemslau alongside a proposed anthem for Britain during a potential invasion by ISIS and more. This event will be a rare opportunity for fans of field recordings\, musique concrete\, dark ambient\, and fringe electro-acoustic music to experience this artist in a live setting. \nSean McCann\, Alex Twomey\, and Matthew Sullivan will perform as a trio\, bringing together three highly notable LA-based artists involved in sacred and propane music. Their debut live performance\, following the release of their cassette\, The Bird. \n“There is something about this music that reminds me of the great Walter Marchetti\, and I almost never say that. One of my favourite tapes from the last few years that doesn’t have me on it.” – Scott Foust (Idea Fire Company/Swill Radio) \nChristopher Reid Martin will provide music between sets. \nTickets for the event may be purchased for $9.99 in advance or for $12 at the door. \n  \nBios: \nAstor is an Australian publisher\, event curator\, and sound artist who is now residing in London\, United Kingdom. Under this guise\, they deploy a wide variety of techniques including field recording\, musique concrete\, electronics\, and spatialisation. All of these forms are approached with a sense of bypassing the clichés imbedded within in order to coerce a sound world which is simultaneously contemporary\, foreign\, beautiful\, unsettling and engaging. Astor has released 2 acclaimed LPs on Kye (USA) and has a third Lina in Nida on Penultimate Press (UK). \nErika Bell is a Los Angeles-based composer and instrumentalist. Her work comes from a place of intuition\, preference and the personal\, with an emphasis on exploring the timbre of sonic realms. Bell often derives from found text\, objects\, and sounds\, and juxtaposes strict notation with elements of openness in the use of time and material. With her work slowly and methodically unraveling she allows full immersion into the audible phenomenon of beating\, cyclical melodic/harmonic loops\, and washes of texture. Bell’s Sucking Stones (2017) for large-ensemble was performed at the Walt Disney Concert Hall in L.A. Phil’s 2017 Noon to Midnight concert. She has received commissions from the wulf.\, premiered her large-ensemble work < | > (2018) in Dog Star Orchestra’s fourteenth festival and will have a piece performed at the Göteborg Art Sounds festival in Sweden this September. Currently Bell is preparing two album-length audio releases of her music and an installation version of her large-ensemble work Moving Like Icebergs Against Each Other (2018). Erika holds a BFA in music composition from California Institute of the Arts where she studied with Michael Pisaro and Laura Steenberge. \nPresented by VOLUME and Last Visible Dog Records.
URL:https://www.h-r.la/event/astor-sean-mccann-matthew-sullivan-alex-twomey-erika-bell/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/10/showflyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181027T200000
DTEND;TZID=America/Los_Angeles:20181027T200000
DTSTAMP:20181019T051341Z
CREATED:20181016T225022Z
LAST-MODIFIED:20181019T051341Z
UID:4052-1540670400-1540670400@www.h-r.la
SUMMARY:Maggi Payne | Maria Chavez | Kaori Suzuki | Joseph Hammer
DESCRIPTION:VOLUME presents legendary composer\, video artist\, recording engineer\, and multi-instrumentalist Maggi Payne (Oakland). Joining the lineup are Maria Chávez (NYC)\, Kaori Suzuki (Oakland)\, and Los Angeles local Joseph Hammer for what will surely be a night of focused and sustained immersive listening. \nPayne will present several works from recent years\, including Heat Shield (2018)\, Black Ice(2014)\, and Quicksilver (2011). Black Ice and Heat Shield will both be presented in four-channel audio. Of the works\, Payne notes\, “At times multiple spaces coexist […] There is always a sense of place\, an atmosphere\, in these acoustic constructs. The sounds are choreographed in an expanded three-dimensional space beyond boundaries\, with no walls\, ceilings\, or floors to constrain them.” Payne’s work in electroacoustic and electronic media spans an historical era in California’s experimental composition. The three compositions she will perform tonight reflect both the technical and conceptual rigours and fascinations of our locale––explorations of land\, light\, and space; highly technical expressions of immersive experiences. \nKaori Suzuki returns to Los Angeles on the heels of her second solo record of the year out on Second Editions (Berlin)\, titled Conduit. This evening she will perform the record live as it was originally composed\, for full\, extended duration and high volume playback. The work is immersive\, physically charging\, and will magnetize listeners in a venue as reverberant as Human Resources. \nChávez’s work in improvised turntablism is also a special treat for listeners in a space as reverberant as Human Resources. Her approach examines the nature of the materials used––turntable\, needle\, vinyl\, time\, choice\, chance\, and accident. These interests in deterioration and generation are also reflected in her scholarly and visual work\, which has been widely celebrated and internationally supported. \nAbout the artists \nMaria Chávez\, born in Lima\, Peru\, and based in NYC\, is best known as an abstract turntablist\, conceptual sound artist and DJ. Her improvised solo turntable performance combines recorded sounds from vinyl records with the electroacoustic sounds of vinyl and needle in various deteriorating phases. Her conceptual sound installation practice tends to be site specific\, allowing each space to highlight its own sonic qualities. Her solo exhibitions are often interactive\, ranging from spatial sound presentations to turning an entire art space into a gigantic string instrument for the audience to perform. \nChávez has been a research fellow of the Sound Practice Research Department\, Goldsmith’s University\, a composer fellow with Civitella Ranieri in Umbertide\, Italy\, and an artist fellow at the Robert Rauschenberg Foundation. Her instructional book of essays and illustrations\, OF TECHNIQUE: Chance Procedures on Turntable\, was published in 2012. She has participated in various artist residencies including the CEC Artslink/Back Apartment residency in St. Petersburg\, Kunstmeile Krems sound artist residency in Austria\, The Kitchen in New York and the Royal Academy of Music in Denmark. Her work has been exhibited internationally\, including at HeK – haus der elektronischen Künste-Basel\, INKONST Art Center\, Sweden\, The Judd Foundation\, Marfa\, Texas\, The Brooklyn Museum of Art\, The Getty Museum\, Black Mountain College Museum and Documenta14 in Kassel. More at www.mariachavez.org \nIn the field of found sound\, Joseph Hammer is the master of survey and delay; with looped tape and a gloved hand\, he taps a magnetic vein\, coaxing fragments of occluded origin into a sonic sui generis. Hammer is longstanding contributor to the undulating Los Angeles experimental music scene. PAN\, which released a record of Hammer’s in 2010\, describe the work as a “journey into playful yet heavily focused idiot-savant infinite psychedelic inertia […] utilising consumer audio technology and 20th century detritus.” He is a member of the trio Solid Eye\, a frequent collaborator and improviser\, and member of LAFMS. \nMaggi Payne is a composer primarily of electronic and electroacoustic music\, a flutist\, and a video and installation artist. She is a recording engineer/editor\, archivist\, and historical remastering engineer. She taught composition\, electronic music\, and recording engineering at Mills College from 1972-2018. \nHer electroacoustic works often incorporate visuals\, including dancers outfitted with electroluminescent wire and videos she creates using images ranging from nature to the abstract. Many works address issues around the environment\, especially noise pollution. She has composed music for dance\, theatre\, and video\, including the music for Jordon Belson’s video Bardo. She collaborated for several years with video artist Ed Tannenbaum in his Technological Feets performance. \nShe received Composer’s Grants and an Interdisciplinary Arts Grant from the National Endowment for the Arts; video grants from the Mellon Foundation and the Western States Regional Media Arts Fellowships Program; and was awarded six honorary mentions from Concours International de Musique et d’Art Sonore Electroacoustiques de Bourges and one from Prix Ars Electronica. Her works appear on Aguirre\, The Lab\, Lovely Music\, Innova\, Starkland\, Music and Arts\, New World Records (CRI)\, Root Strata\, Ubuibi\, Asphodel\, and/OAR\, Centaur\, MMC\, Digital Narcis\, Capstone\, Mills\, and Frog Peak labels. \nKaori Suzuki (b.1984) is a Japanese-born music maker currently based in Oakland\, CA. She has toured and presented her work in various venues across the U.S.\, Japan\, Mexico\, and Canada. Her compositions combine electronics\, bowed percussion and string instruments\, resonating objects\, computer\, and others. Her feedback/synthesizer recordings are found on Newsun (Sounds et al)\, and her recent release of a durational composition for very high frequencies\, Conduit\, is out on Second Editions (Berlin). \nIn addition to her solo music\, she plays drums in the Oakland-based minimalist psych-punk group Night Collectors\, and collaborates with partner\, John Krausbauer\, on voice\, amplified strings\, bells\, and immersive light/sound happenings. Her works have been presented at San Francisco Electronic Music Festival\, Debacle Fest\, Berkeley Art Museum\, CCRMA\, The Lab\, Mills College\, Elastic Arts\, and many others. \n  \nPlease note that as seating for this event is limited\, advance ticket purchase is recommended. For more info\, and to purchase tickets\, please visit https://volume.wedid.it/events/56
URL:https://www.h-r.la/event/maggi-payne-maria-chavez-kaori-suzuki-joseph-hammer/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2018/10/Suzuki-Payne10-27promo.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181030T180000
DTEND;TZID=America/Los_Angeles:20181030T210000
DTSTAMP:20181008T213306Z
CREATED:20181008T213306Z
LAST-MODIFIED:20181008T213306Z
UID:4033-1540922400-1540933200@www.h-r.la
SUMMARY:Whale Song: A Workshop
DESCRIPTION:“The greatest amount of change appears when singing is most pervasive and the effort of each singer is most intense.”\n— Katy Payne \nSince they were first recorded by hydrophones in the late 1960s\, the haunting songs of humpback whales have been objects of human inquiry. These “long\, complexly organized patterns of sounds\,” which include\, “the highest and lowest frequencies that humans can hear\,” are shared between whales\, and sung seasonally\, with differences arising as the songs repeat over time. \nWe do not know precisely why the whales sing. But as Katy Payne\, an acoustic biologist and preeminent scholar of humpback whale song\, observed in 1985\, “we have not yet been able to discover any ‘leaders’…. [It is] as though decisions on how the song should change were made democratically.” \nCo-led by vocalist\, composer\, and cantor Daniela Gesundheit and media scholar Sarah Kessler\, this workshop will facilitate an environment within which a primary experience of the compositional techniques and structures at play in humpback whale song can emerge. Together\, we will employ leaderless collaboration and experimentation to examine and illuminate the vocalizations of the world’s largest broadcasting mammals\, and to see what we might discover about group identity\, distance\, competition\, innovation\, and empathy in the process. \nAfter a presentation and discussion of the key insights uncovered by Katy Payne’s groundbreaking research\, we will put our own voices to work\, apprenticing ourselves to the songs of these masterful composers. All voices welcome. \nWhile this event is free to attend\, space is limited: email for RSVP: info@humanresourcesla.com
URL:https://www.h-r.la/event/whale-song-a-workshop/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/10/Whale-Song-w-emoji.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181117T190000
DTEND;TZID=America/Los_Angeles:20181118T120000
DTSTAMP:20181110T211421Z
CREATED:20181029T181840Z
LAST-MODIFIED:20181110T211421Z
UID:4088-1542481200-1542542400@www.h-r.la
SUMMARY:Perpetual Drone
DESCRIPTION:This night is an official benefit for Maps.org to help raise awareness and money for their efforts to help make psychedelic assisted therapy a legal treatment option in America\, this is something they have made great strides towards completing and has garnered lots of support worldwide. All the performers\, Artists and organizers are donating their time and talents. 100% of the proceeds from ticket sales go directly to Maps.org who will have some speakers at the events. \nThe Event will start 7pm Saturday November 17th and will end at noon on Sunday November 18th. \nHuman Resources can offer almost complete isolation from the outside world and it has lots of floor space to accommodate people lying down so it is the ideal venue in Los Angeles for this kind of event. \nThe Theme of the night takes inspiration from Max Richter’s Sleep concerts\, Tibetan sound meditation\, Dublab’s overnight Tonalism events\, Phil Niblock’s Experimental intermedia foundation\, and LaMonte Young’s Dreamhouse. \nWe are creating a comfortable setting that people can feel free and safe to stay as long as they want and bring any cushions\, pillows\, sleeping bags\, blankets\, etc to stay overnight so the overnight musical performances be the soundtrack to the audience’s sleeping and dreaming. \nThe musical sets from midnight onward will be beatless/ ambient/modular synth/drone and as chill as possible so that it is comfortable for people to sleep in and not have any startling awakenings. \nAttendees are free to come and go as they please but we would ideally like to create an atmosphere where people would like to spend the night and have an immersive/deep listening/durational/meditative experience. This is why we won’t be programming any overstimulating performances aka noise/beats/drums/loud singing/extreme volumes or excessive high frequencies. \nAmbient/Soundbath/Drone/Modular/Quadraphonic/Deep listening & AV performances from: \nTelefon Tel Aviv\nSam Gendel\nSecret Circuit\nHeare\nMark Van Hoen / Locust\nElectric Sound Bath\nGeorgia (J. Tripp solo)\nKid606\nOne Child Policy\nCristopher Cichocki-Circular Dimensions\nBrad Laner\nDevin Sarno\nYann Novak\nRobert Crouch\nIzapa\nEllen Phan\nAnna Luisa Petrisko\nLogreybeamMusic\nGeorge Jensen\nGeneva Skeen\nThe Eternal Chord & Zachary Paul\nconscious summary\nAlex the Brown\nRichard Chartier /pinkcourtesyphone\nChristopher Reid Martin (Shelter Death)\nAlex Pelly\nNaomi Mitchell\nLauren Bousfield\nKate Parsons\nMike Dobler\nC1t1zen\nJames Powell\nMitchell Brown\nDerek MonyPeny\nAaron Meyers\n& more TBA \ntickets: https://restlessnites.com/perpetualdronemaps
URL:https://www.h-r.la/event/perpetual-drone/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/10/44878359_732247717141675_6213319730158108672_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181118T190000
DTEND;TZID=America/Los_Angeles:20181118T190000
DTSTAMP:20181110T211306Z
CREATED:20181110T211230Z
LAST-MODIFIED:20181110T211306Z
UID:4102-1542567600-1542567600@www.h-r.la
SUMMARY:Nikki Darling: "Fade Into You"
DESCRIPTION:Join us for the launch of Nikki Darling’s debut novel Fade Into You With guests Luis J Rodriguez and Raquel Gutierrez. \n(You can read an excerpt here) \n 
URL:https://www.h-r.la/event/nikki-darling-fade-into-you/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/11/download.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181127T200000
DTEND;TZID=America/Los_Angeles:20181127T200000
DTSTAMP:20181126T221305Z
CREATED:20181125T030456Z
LAST-MODIFIED:20181126T221305Z
UID:4121-1543348800-1543348800@www.h-r.la
SUMMARY:Audrey Chen • Nour Mobarak • Conscious Summary
DESCRIPTION:– live in concert – \nsolo performances \nAudrey Chen (Berlin/Baltimore)\nNour Mobarak\nConscious Summary \n8pm-11pm\ndonate eight \n  \nAUDREY CHEN \nArticulate down to a single vocal cord click\, Berlin-based improvisor Audrey Chen hyperextends voice\, mining material in between – and beyond – previous utterance. Finding sound via microtones of larynx squeak\, blowing wind turbulence with lip-flip flutters\, and plumming the corporeal with full throated phonation\, Chen also channels an electric flow of tone and pulse accompanying herself on a Ciat Lonbarde synth. Though clearly diverged from staid forms\, she thankfully maintains the rigor of her Classical training to service ever-new and of-the-moment free expression! Returning to L.A. for this solo scorcher and hopefully more\, Chen has worked with Maria Chavez\, Nate Wooley\, C. Spencer Yeh\, and Martín Escalante among many other players in the field. She also maintains a couple of core duos\, regularly parrying with Phil Minton\, and playing in Beam Splitter with Norwegian trombonist Henrik Munkeby Nørstebø. \nhttp://www.audreychen.com \n  \nNOUR MOBARAK \nScouting a new situation with each outing\, Nour Mobarak is an artist whose performance practice rarely repeats a scene\, though – it could be said\, out loud – her voice itself occupies a core presence in her work. Recently Mobarak has investigated the limits of language via a vexing and hyper-personal mode of inquiry: recording conversations with her father\, who speaks clearly\, but is constrained by a fugue state and a perpetually fleeting memory. Topics progress only so far\, before they cycle back or drift away\, even as the polylingual pair hop from one tongue to another. As she readies a record that draws from these convos\, she also prepares a late 2018 live performance at Human Resources Los Angeles. What it will be\, and how we will remember it\, may differ from one moment to the next. \nhttp://nour.computer \n  \nCONSCIOUS SUMMARY \nRightly associated with the autonomous zone that is (the) Handbag Factory performance venue and the Seahorse Sound recording studio\, Samur Khouja has also long poured the surreal into a solo project called Conscious Summary. This is a sound space where possibilities remain open. As this master of tech patches together an organic array of electronic process\, we can access other existential planes via swelling hums and dream of desert sand blowing. Just as easily\, auditory incursions of the weird and jagged shock us back into place. Conscious Summary’s latest Exhaustions has been issued just this month on Skintrade Recordings. \nhttps://conscioussummary.bandcamp.com
URL:https://www.h-r.la/event/audrey-chen-nour-mobarak-conscious-summary/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/11/flyerplainflat.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181201T163000
DTEND;TZID=America/Los_Angeles:20181201T220000
DTSTAMP:20181125T030152Z
CREATED:20181124T213254Z
LAST-MODIFIED:20181125T030152Z
UID:4118-1543681800-1543701600@www.h-r.la
SUMMARY:(de) Color-Es 2018/ Primera Generación Dance Collective
DESCRIPTION:Saturday\, December 1\, 2018 \n5:00pm and 8:30pm doors open 30min before the show \nDiscounted Tix $15 before 11.23.18 with code: “pgdc”; General Tix $20 \nTICKETS: www.brownpapertickets.com/event/3625627 \n(de) Color-Es is an event that questions what color and marginalization is\, how it is constructed by/within art and where it can go/what it can do. The project seeks to cultivate community and networks amongst artists of color and first generation individuals through the coalition of art. This event is made possible through the generosity of HUMAN RESOURCES LA. The overall vision is produced and curated by Primera Generación Dance Collective and their goal to promulgate a community held between the experience of marginalization that seeks visibility and mobility; sociality that includes where they come from\, where they are\, and where they are going. \nFeatured artists: Isis Avalos\, Jonathan Godoy\, Sebastian Hernandez\, Mujeres en Resistencia\, Justin Morris & Steven Rosa\, Tom Tsai\, and Tranze Danza Contemporánea \n(de) Color-Es literally translates to “of color is”\, and moves towards the celebration of bodies of color interested in who they are\, what our community can be\, and what this all is/es. \nAudiences will be encouraged to navigate the multifaceted space at human resources as performances and durational art exhibits take place.
URL:https://www.h-r.la/event/de-color-es-2018-primera-generacion-dance-collective/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/11/unnamed-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181202T120000
DTEND;TZID=America/Los_Angeles:20181202T213000
DTSTAMP:20181110T210241Z
CREATED:20181110T210241Z
LAST-MODIFIED:20181110T210241Z
UID:4096-1543752000-1543786200@www.h-r.la
SUMMARY:Alexander Kluge: "News from Ideological Antiquity"
DESCRIPTION:Alexander Kluge’s film\, News From Ideological Antiquity: Marx-Eisenstein-Capital\, begins with Eisenstein’s ambitious but unrealized plan to combine Capital and Ulysses. For over nine hours\, the film expands in concentric circles as Kluge\, his guests\, interlocutors and monologists make associative links on a range of topics that starts from a filmic discussion of Eisenstein’s notes. Kluge’s film is divided into three parts: I. Marx and Eisenstein in the Same House; II. All Things are Bewitched People; III. Paradoxes of Exchange Society. At several points in the film we get a sense of what Eisenstein had in mind with his project. In one scene\, we see that a “pot of soup has become a water kettle\, boiling away and whistling: the image recurs at several moments in the exposition (Eisenstein’s notes projected in graphics on the intertitles)\, in such a way that this plain object is ‘abstracted’ into the very symbol of energy. It boils impatiently\, vehemently it demands to be used\, to be harnessed\, it is either the whistling signal for work\, for work stoppage\, for strikes\, or else the motor-power of a whole factory\, a machine for future production …” (Frederic Jameson in the New Left Review\, July/August 2009). By insistence and repetition this banal object\, a commodity\, transforms into a larger-than-life symbol\, and we start to get a sense of the full range of cognitive and material links this commodity has to the web of life that surrounds it. (Marty Kirchner) \nGermany\,  2008\, 570 minutes. Documentary/essay anthology film. German with English subtitles\nWriter/Director: Alexander Kluge\, Cinematography: Michael Christ\, Erich Harandt\, Werner Lüring\, Claudia Marcell\, Heribert Kansy\, Thomas Mauch\, Thomas Willke\, Walter Lennertz\, Editor: Kajetan Forstner\, Andreas Kern \nPresented in its entirety as a 9.5 hour “marathon” screening / Installation. Come and go as you like. Bring extra pillows/cushions for comfort. Refreshments will be served throughout the event. \n \npresented in collaboration with Los Angeles Film Forum and Goethe-Institut Los Angeles as part of their MARX NOW project.
URL:https://www.h-r.la/event/alexander-kluge-news-from-ideological-antiquity/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/11/73_kluge-2-1024x786.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181215T140000
DTEND;TZID=America/Los_Angeles:20181215T160000
DTSTAMP:20181213T065440Z
CREATED:20181213T054754Z
LAST-MODIFIED:20181213T065440Z
UID:4139-1544882400-1544889600@www.h-r.la
SUMMARY:Views from Here: Los Angeles | A panel discussion about being based in LA
DESCRIPTION:Moderated by Michelle Grabner with Jennifer Bolande\, Neha Choksi\, Courtney Fink\, Galia Linn\, Shana Lutker\, Forrest Olivo\, Paul Pescador\, and Paul Mpagi Sepuya \nJoin us for a conversation about regionality\, locality\, and the myriad of ways in which arts-workers find themselves living and working in Los Angeles. This panel is comprised of artists\, curators\, and art advocates who have spent time in Los Angeles looking out\, and outside of Los Angeles looking in. We come together to take a deeper look at ourselves\, as Angelenos. \nMilwaukee-based artist Michelle Grabner\, an informed “outsider\,” will lead a conversation among panelists and the audience about Los Angeles-ness. A lifelong midwesterner\, Grabner has questions about what’s happening in LA\, and wants to hear about Here. \nThis is the fourth X-TRA Forum\, a series of programs using the 20-year archive of contemporary art quarterly X-TRA as a springboard. Grabner looked back to her first contribution to X-TRA for inspiration for this program. In 1997\, she wrote a review of The Eagle Rock Show\, an exhibition organized by Laura Owens at the Eagle Rock Cultural Community Center printed in X-TRA Volume 1\, number 3. In her text\, Grabner considers the importance of “social skills and generosity” that infused the exhibition\, a group show of artists working in and around Eagle Rock. Now\, 20 years later\, what are the key elements that infuse our art lives in Los Angeles? \nModerator \nMichelle Grabner is an artist\, writer\, and a curator based in Wisconsin. She is the Crown Family Professor of Art at the School of the Art Institute of Chicago where she has taught for twenty-three years. In addition\, Grabner has also held teaching appointments at The University of Wisconsin-Madison\, Cranbrook Academy of Art; Yale Norfolk; Milton Avery Graduate School of Arts\, Bard College; Yale University School of Art; and Skowhegan School of Painting and Sculpture\, Maine. The Indianapolis Museum of Art\, MOCA Cleveland\, Illinois State Galleries\, and INOVA at University of Wisconsin Milwaukee have each hosted survey exhibitions of Grabner’s work. \nGrabner co-curated the 2014 Whitney Biennial and curated the 2016 Portland Biennial. She was the Artistic Director for the inaugural exhibition\, FRONT International\, the 2018 Cleveland Triennial for Contemporary Art. Her reviews are regularly published in X-TRA and Artforum. In 2010\, Mary Jane Jacob and Grabner co-edited THE STUDIO READER\, published by the University of Chicago Press. \nWith her husband Brad Killam\, she founded The Suburban in 1999 in Oak Park\, IL hosting a range of international contemporary art. After 16 years in the Chicago vicinity\, The Suburban began programming exhibitions in Milwaukee’s Walker’s Point neighborhood. In 2009 Grabner and Killam opened The Poor Farm in rural Waupaca County\, Wisconsin. The Poor Farm is dedicated to annual historical and contemporary exhibitions\, lectures\, performances\, publications\, screenings and alternative educational programs. \nPanelists \nJennifer Bolande came of age as part of New York’s Pictures Generation during the 1980s. Rooted in conceptualism\, her work employs various media—primarily sculpture\, photography and film—to explore the quiet affinities between particular sets of objects and images\, and the mercurial meanings they manufacture. Reviewing a show of her work at Metro Pictures\, New York Times’ critic Holland Cotter praised Bolande’s art for it’s “low-key wit\, lively inventiveness\, and subtle eye for metaphor.” Bolande is a professor in the New Genres area of UCLA’s Department of Art. A solo exhibition of her work\, titled The Composition of Decomposition\, is on view at Pio Pico gallery. \nNeha Choksi is a visual artist who works in multiple media\, across disciplines\, and at times collaboratively and in unconventional settings. She was awarded the India Today Best New Media Artist of the Year Award (2017) and the designation of Cultural Trailblazer by the City of Los Angeles DCA (2017/2018). She serves on the editorial board of X-TRA and is currently working with Anuradha Vikram on a series for X-TRA Online called “Views From Here” that will present perspectives on “here” from artists across the globe. Her work was included in Made in LA at the Hammer Museum earlier this year\, and her exhibition and installation\, ELEMENTARY\, is currently on view at 18th Street Arts Center in Santa Monica. \nCourtney Fink is an organizer\, arts advocate\, curator and writer. She is co-founder and founding executive director of Common Field\, a national network of independent visual arts organizations and organizers that connects\, supports\, and advocates for the artist-centered field. From 2002-2015 she was the executive director of Southern Exposure in San Francisco\, a non-profit organization dedicated to supporting visual artists. She serves on the Board of Directors of the Andy Warhol Foundation for the Visual Arts and the Seed Fund. \nForrest Olivo is the founder of Contemporary Art Daily\, a website that publishes high quality documentation of exhibitions from around the world every day. He is executive director of the small non-profit that produces that project as well as Contemporary Art Quarterly\, a set of exhaustive online archives documenting individual art practices. \nGalia Linn a sculptor and site-specific installation artist living and working in Los Angeles. Linn constructs relationships between subject\, object and their environments by creating elemental tensions; a delicate balance between the mediums’ limits and Linn’s exploration with life’s imperfections.  She has shown nationally and internationally\, and is part of numerous private collections in Los Angeles\, Miami\, New York\, Paris\, Brussels and Tel Aviv.  Linn is the founder of Blue Roof Studios is a multidisciplinary art hub located in South Los Angeles. It offers a place for artists to work in an environment that fosters creativity and community. \nShana Lutker is an interdisciplinary artist whose work explores the relationship between language and the unconscious. She has had solo exhibitions at the Hirshhorn Museum and Sculpture Garden in Washington DC\, and the Pérez Art Museum Miami\, and was included in the 2014 Whitney Biennial and Performa 13. Lutker received her MFA from UCLA. She serves as the Executive Director of Project X Foundation for Art & Criticism\, the nonprofit publisher of X-TRA. \nPaul Pescador is an artist\, filmmaker\, performer and writer discussing social interactions and intimacy as they pertain to his own personal identity and history. He graduated with an MFA from University of California\, Irvine and a BA from University of Southern California. Select exhibitions and screenings include: The Main Museum\, Los Angeles; The Pit\, Glendale; 18th Street Art Center\, Santa Monica; 5 Car Garage\, Santa Monica; Coastal/Borders\, Getty Pacific Standard Time: LA/LA at Angels Gate Cultural Center; LAND at The Gamble House\, Pasadena; Vacancy\, Los Angeles; Ashes/Ashes\, Los Angeles; Park View\, Los Angeles; and Human Resources\, Los Angeles. Select performances include: Machine Projects\, Los Angeles; Los Angeles Contemporary Archives; Performa 2015; Colony\, New York; UC Berkeley: Durham Studio Theater; PAM\, Los Angeles; Hammer Museum\, with KCHUNG TV\, Los Angeles; REDCAT\, Los Angeles; Guggenheim Gallery at Chapman University\, Los Angeles; and ForYourArt\, Los Angeles. \nPaul Mpagi Sepuya’s work is rooted in portraiture\, elements of storytelling\, and homoerotic visual culture. By inserting mirrors and collage-like photographs and staging his friends\, partners\, and lovers as his subjects\, Sepuya investigates the role of the studio as a social environment. He received his MFA from the University of California Los Angeles in 2016 and a BFA from New York University Tisch School of the Arts in 2004. Sepuya’s work has been featured in numerous exhibitions including at the Museum of Contemporary Art Los Angeles; The Studio Museum in Harlem; Franklin Art Works\, Minneapolis; and the Artist Institute\, New York. \nX-TRA Forums are made possible with additional support from Pasadena Art Alliance\, Isambard Kingdom Brunel Society of North America\, and The Andy Warhol Foundation for the Visual Arts. The preceding X-TRA Forums were “A Jennifer Moon Songbook” organized by Malik Gaines\, “Clean Needles Now and Now” organized by Patrick Staff\, and “Something About Feet” with Dorit Cypis and Simone Forti in conversation. \nPhoto by Shana Lutker
URL:https://www.h-r.la/event/views-from-here-los-angeles-a-panel-discussion-about-being-based-in-la/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/12/unnamed.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190104T180000
DTEND;TZID=America/Los_Angeles:20190104T200000
DTSTAMP:20181229T222019Z
CREATED:20181229T193610Z
LAST-MODIFIED:20181229T222019Z
UID:4153-1546624800-1546632000@www.h-r.la
SUMMARY:Autumn Knight: Yes + No: A Cult
DESCRIPTION:This event is a 2 part performance. Part 1 uses text\, light persuasion\, and vocalization to think about the construction of collective thought\, action\, and belief. Part 2 is a lecture about cognitive dissonance. \nAutumn Knight is an interdisciplinary artist working with performance\, installation and text. Her performance work has been in group exhibitions at various institutions including DiverseWorks Artspace\, Art League Houston\, Project Row Houses\, Blaffer Art Museum\, Crystal Bridges Museum\, Skowhegan Space (NY)\, The New Museum\, The Contemporary Art Museum Houston\, Optica (Montreal\, Canada)\, The Poetry Project (NY) and Krannart Art Museum (IL). Knight has been in residence with with In-Situ (UK)\, Galveston Artist Residency\, YICA (Yamaguchi\, Japan) and Artpace (San Antonio\, TX). In 2015\, Knight was an Artadia awardee. Knight was a 2016-2017 artist in residence at the Studio Museum in Harlem (NY). She has served as visiting artist at Montclair State University\, Princeton University and Bard College. She attended the Skowhegan School of Painting and Sculpture (2016) and holds an M.A. in Drama Therapy from New York University. \n$10 suggested donation\, no-one turned away for lack of funds.
URL:https://www.h-r.la/event/autumn-knight-yes-no-a-cult/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/12/MC-6560.jpg
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