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DTSTART;TZID=America/Los_Angeles:20170524T193000
DTEND;TZID=America/Los_Angeles:20170524T203000
DTSTAMP:20170801T084443Z
CREATED:20170511T160558Z
LAST-MODIFIED:20170801T084443Z
UID:2626-1495654200-1495657800@www.h-r.la
SUMMARY:Everything I Say Is True: Suzanne Kite
DESCRIPTION:WEDNESDAY MAY 24\, 2017\n7:30pm – 8:30pm\nEverything I Say Is True\nSuzanne Kite\na live sound/video performance presented by Decolonize LA \nEverything I Say Is True is a lecture performance by Southern California-based\, Oglala Lakota artist Kite. In the lecture Kite constructs a complex narrative through the use of her own family’s ephemera and historical documents as well as through a new body of work in various mediums\, including video\, sound and sculpture. Everything I Say Is True considers concepts of truth in relation to Oglala Lakota knowledge systems. \nhttp://kitekitekitekite.com/ \n____________________ \nA wheelchair accessible entrance (via portable ramp) and a wheelchair accessible bathroom will be provided.  \nPublic transit via the Chinatown Gold Line Station. Street parking available. \nat land’s edge is an autonomous pedagogical platform based in East and South Los Angeles that nurtures the voices of cultural producers who are committed to social transformation. We understand pedagogy as not only a method of education\, but as a critical space where the processes of teaching and learning\, knowledge and action\, and self and community are reflexive\, interwoven\, and oriented toward the liberatory possibilities of a just and democratic world. \nDecolonizeLA is an autonomous group made up of Los Angeles-based artists\, educators\, Indigenous Peoples and activists\, and members of HRLA’s Programming Committees. This group recognizes the word decolonize as a process and action word that must center Native/Indigenous people’s autonomy\, and the liberation of all oppressed peoples as its goal. Steps toward decolonization include acknowledging the effects of colonial oppressive structures\, and demanding an end to the legacy of environmental\, physical\, psychological\, cultural and artistic violence\, and opposing the perpetual structure of inequity forced upon us by colonialism and white male hetero-normative supremacy. This group recognizes that many communities are working towards decolonization. We embrace and celebrate this opportunity to honor their work and transform our city.
URL:https://www.h-r.la/event/everything-i-say-is-true-suzanne-kite/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/05/Suzanne_Kite_photo_by_Amanda_Farmer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170526T190000
DTEND;TZID=America/Los_Angeles:20170526T220000
DTSTAMP:20170801T084443Z
CREATED:20170511T194032Z
LAST-MODIFIED:20170801T084443Z
UID:2660-1495825200-1495836000@www.h-r.la
SUMMARY:on the other / side reception
DESCRIPTION:FRIDAY\, MAY 26TH\, 2017\n7pm – 10 pm\non the other / side Reception\nhosted by at land’s edge 2017 Fellows\nLight refreshments will be served. \nat land’s edge\, an autonomous ontological platform for creatives to co-learn\, presents its culminating reception. This exhibit\, “on the other / side\,” showcases works by the twelve 2017 at land’s edge fellows. It is an exploration\, via writing\, installation\, video\, 2D and 3D works\, of race\, disability\, resistance\, history\, power\, violence\, healing\, and survival. All artists and program coordinators will be present to discuss their works\, host readings\, and lead other activities during the reception.  \n**Free and open to the public** \n____________________ \nA wheelchair accessible entrance (via portable ramp) and a wheelchair accessible bathroom will be provided.  \nPublic transit via the Chinatown Gold Line Station. Street parking available. \nat land’s edge is an autonomous pedagogical platform based in East and South Los Angeles that nurtures the voices of cultural producers who are committed to social transformation. We understand pedagogy as not only a method of education\, but as a critical space where the processes of teaching and learning\, knowledge and action\, and self and community are reflexive\, interwoven\, and oriented toward the liberatory possibilities of a just and democratic world. \nDecolonizeLA is an autonomous group made up of Los Angeles-based artists\, educators\, Indigenous Peoples and activists\, and members of HRLA’s Programming Committees. This group recognizes the word decolonize as a process and action word that must center Native/Indigenous people’s autonomy\, and the liberation of all oppressed peoples as its goal. Steps toward decolonization include acknowledging the effects of colonial oppressive structures\, and demanding an end to the legacy of environmental\, physical\, psychological\, cultural and artistic violence\, and opposing the perpetual structure of inequity forced upon us by colonialism and white male hetero-normative supremacy. This group recognizes that many communities are working towards decolonization. We embrace and celebrate this opportunity to honor their work and transform our city.
URL:https://www.h-r.la/event/2660/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/04/17990302_1084062881725779_310358000878732968_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170527T110000
DTEND;TZID=America/Los_Angeles:20170527T120000
DTSTAMP:20170801T084443Z
CREATED:20170511T160928Z
LAST-MODIFIED:20170801T084443Z
UID:2637-1495882800-1495886400@www.h-r.la
SUMMARY:Elisa Harkins: Adoption\, Electronic Music\, and Enrollment
DESCRIPTION:SATURDAY\, MAY 27\, 2017\n11am – 12pm\nAdoption\, Electronic Music\, and Enrollment.\nElisa Harkins\na skype/virtual lecture presented by Decolonize LA \nArtist and Composer Elisa Harkins will be showing her work\, which examines the politics of the 1990 Indian Arts and Crafts Act\, enrollment and adoption\, as well as sharing some of her music with us. \nElisa Harkins | Artist and Composer \n \n____________________ \nA wheelchair accessible entrance (via portable ramp) and a wheelchair accessible bathroom will be provided.  \nPublic transit via the Chinatown Gold Line Station. Street parking available. \nat land’s edge is an autonomous pedagogical platform based in East and South Los Angeles that nurtures the voices of cultural producers who are committed to social transformation. We understand pedagogy as not only a method of education\, but as a critical space where the processes of teaching and learning\, knowledge and action\, and self and community are reflexive\, interwoven\, and oriented toward the liberatory possibilities of a just and democratic world. \nDecolonizeLA is an autonomous group made up of Los Angeles-based artists\, educators\, Indigenous Peoples and activists\, and members of HRLA’s Programming Committees. This group recognizes the word decolonize as a process and action word that must center Native/Indigenous people’s autonomy\, and the liberation of all oppressed peoples as its goal. Steps toward decolonization include acknowledging the effects of colonial oppressive structures\, and demanding an end to the legacy of environmental\, physical\, psychological\, cultural and artistic violence\, and opposing the perpetual structure of inequity forced upon us by colonialism and white male hetero-normative supremacy. This group recognizes that many communities are working towards decolonization. We embrace and celebrate this opportunity to honor their work and transform our city.
URL:https://www.h-r.la/event/elisa-harkins-adoption-electronic-music-and-enrollment/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/05/Elisa_Harkins_The-Plains-Indian-Sign-Language-Still_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170527T120000
DTEND;TZID=America/Los_Angeles:20170527T130000
DTSTAMP:20170801T084443Z
CREATED:20170511T161308Z
LAST-MODIFIED:20170801T084443Z
UID:2642-1495886400-1495890000@www.h-r.la
SUMMARY:Wendy Red Star: What does intergenerational collaboration look like?
DESCRIPTION:SATURDAY\, MAY 27\, 2017\n1pm – 2pm\nWhat does intergenerational collaboration look like?\nForging Pathways for Future Apsáalooke Feminists\nWendy Red Star\na skype/virtual lecture presented by Decolonize LA \nAs a mother / daughter artist collaborative duo working in the realm of Native history\, identity politics\, cultural subversion\, and reclamation\, Wendy Red Star and her nine-year-old daughter Beatrice Red Star Fletcher probe the colonial thought bubble with intergenerational collaboration and institutional critique. Working with museums like the Denver Art Museum\, Portland Art Museum\, and Seattle Art Museum Beatrice and Wendy engage the public to decolonize thinking around Native American art and collections through performative tours\, interactive activities\, and interventionist installations. Intergenerational collaborative work is integral and a means to creating a forum for the expression of Native women’s voices in contemporary art. \nhttp://www.wendyredstar.com/ \n____________________ \nA wheelchair accessible entrance (via portable ramp) and a wheelchair accessible bathroom will be provided.  \nPublic transit via the Chinatown Gold Line Station. Street parking available. \nat land’s edge is an autonomous pedagogical platform based in East and South Los Angeles that nurtures the voices of cultural producers who are committed to social transformation. We understand pedagogy as not only a method of education\, but as a critical space where the processes of teaching and learning\, knowledge and action\, and self and community are reflexive\, interwoven\, and oriented toward the liberatory possibilities of a just and democratic world. \nDecolonizeLA is an autonomous group made up of Los Angeles-based artists\, educators\, Indigenous Peoples and activists\, and members of HRLA’s Programming Committees. This group recognizes the word decolonize as a process and action word that must center Native/Indigenous people’s autonomy\, and the liberation of all oppressed peoples as its goal. Steps toward decolonization include acknowledging the effects of colonial oppressive structures\, and demanding an end to the legacy of environmental\, physical\, psychological\, cultural and artistic violence\, and opposing the perpetual structure of inequity forced upon us by colonialism and white male hetero-normative supremacy. This group recognizes that many communities are working towards decolonization. We embrace and celebrate this opportunity to honor their work and transform our city.
URL:https://www.h-r.la/event/what-does-intergenerational-collaboration-look-like/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/05/Wendy_Red_Star.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170527T190000
DTEND;TZID=America/Los_Angeles:20170527T210000
DTSTAMP:20170801T084409Z
CREATED:20170511T161450Z
LAST-MODIFIED:20170801T084409Z
UID:2644-1495911600-1495918800@www.h-r.la
SUMMARY:Divine Creators!!! : Intro to Divination Practices for Creatives
DESCRIPTION:SATURDAY\, MAY 27\, 2017\n7pm – 9pm *\nDivine Creators!!! : Intro to Divination Practices for Creatives\nEdgar Fabián Frías\npresented by at land’s edge \nDivine Creators!!! : Intro to Divination Practices for Creatives is an ad-hoc\, site-specific\, and adaptive workshop meant to help support the initiation\, development\, and flourishing of ancestral divination techniques within contemporary creative communities. Attendees will learn about divination from a trans-historical perspective and will find ways to weave in (a) personal divination practice(s) into their creative\, organizing\, educational\, and cultural work. Attendees will leave the workshop with a zine on divination techniques and all of the psychic tools needed to initiate and sustain a scrying (hydromancy) practice.  \n*The workshop has a maximum of 11 participants. It takes place in the evening. Please wear comfortable clothing. This workshop is FREE BUT requires sign up and approval by moderator.  \n*Optional: Please bring protective amulets\, charms\, plants\, essences\, crystals\, etc. Bring something to cover your head (a hat\, a scarf\, a hoodie). Please contact seeingyouseeingmeseeingyou@gmail.com or go to https://goo.gl/forms/SRc4YMPLDoFoT7T53 to register.  \n*Queer\, trans\, gender nonconforming\, low-income\, people of color\, indigenous people\, immigrants\, and folks at other intersections will be given priority. \n____________________ \nA wheelchair accessible entrance (via portable ramp) and a wheelchair accessible bathroom will be provided.  \nPublic transit via the Chinatown Gold Line Station. Street parking available. \nat land’s edge is an autonomous pedagogical platform based in East and South Los Angeles that nurtures the voices of cultural producers who are committed to social transformation. We understand pedagogy as not only a method of education\, but as a critical space where the processes of teaching and learning\, knowledge and action\, and self and community are reflexive\, interwoven\, and oriented toward the liberatory possibilities of a just and democratic world. \nDecolonizeLA is an autonomous group made up of Los Angeles-based artists\, educators\, Indigenous Peoples and activists\, and members of HRLA’s Programming Committees. This group recognizes the word decolonize as a process and action word that must center Native/Indigenous people’s autonomy\, and the liberation of all oppressed peoples as its goal. Steps toward decolonization include acknowledging the effects of colonial oppressive structures\, and demanding an end to the legacy of environmental\, physical\, psychological\, cultural and artistic violence\, and opposing the perpetual structure of inequity forced upon us by colonialism and white male hetero-normative supremacy. This group recognizes that many communities are working towards decolonization. We embrace and celebrate this opportunity to honor their work and transform our city.
URL:https://www.h-r.la/event/divine-creators-intro-to-divination-practices-for-creatives/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2017/05/edgar-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170528T160000
DTEND;TZID=America/Los_Angeles:20170528T173000
DTSTAMP:20170801T084414Z
CREATED:20170511T161655Z
LAST-MODIFIED:20170801T084414Z
UID:2646-1495987200-1495992600@www.h-r.la
SUMMARY:Accidents of Birth: seren sensei
DESCRIPTION:SUNDAY\, MAY 28\, 2017\n4pm – 5:30pm\nAccidents of Birth\nseren sensei\npresented by at land’s edge \nWe are not all the same\, due to what I call “accidents of birth” that more often than not involve race\, gender\, class\, able-bodiedness\, and sexual orientation. We would be exploring this theme through a writing workshop wherein we discuss various ways to deal with accidents of birth. They can range from the fantastic to the mundane\, addressing the concept that you are born into a body\, and with it can come many expectations. How do you free yourself from ideas placed upon your body due to race\, gender\, sexual orientation\, ability/disability\, and/or class? \n____________________ \nA wheelchair accessible entrance (via portable ramp) and a wheelchair accessible bathroom will be provided.  \nPublic transit via the Chinatown Gold Line Station. Street parking available. \nat land’s edge is an autonomous pedagogical platform based in East and South Los Angeles that nurtures the voices of cultural producers who are committed to social transformation. We understand pedagogy as not only a method of education\, but as a critical space where the processes of teaching and learning\, knowledge and action\, and self and community are reflexive\, interwoven\, and oriented toward the liberatory possibilities of a just and democratic world. \nDecolonizeLA is an autonomous group made up of Los Angeles-based artists\, educators\, Indigenous Peoples and activists\, and members of HRLA’s Programming Committees. This group recognizes the word decolonize as a process and action word that must center Native/Indigenous people’s autonomy\, and the liberation of all oppressed peoples as its goal. Steps toward decolonization include acknowledging the effects of colonial oppressive structures\, and demanding an end to the legacy of environmental\, physical\, psychological\, cultural and artistic violence\, and opposing the perpetual structure of inequity forced upon us by colonialism and white male hetero-normative supremacy. This group recognizes that many communities are working towards decolonization. We embrace and celebrate this opportunity to honor their work and transform our city.
URL:https://www.h-r.la/event/2646/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/05/seren-2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170528T190000
DTEND;TZID=America/Los_Angeles:20170528T210000
DTSTAMP:20180726T224845Z
CREATED:20170511T161953Z
LAST-MODIFIED:20180726T224845Z
UID:2649-1495998000-1496005200@www.h-r.la
SUMMARY:Ritual for Mutual Black Care: Melanie Griffin
DESCRIPTION:SUNDAY\, MAY 28\, 2017\n7pm – 9pm **\nRitual for Mutual Black Care\nMelanie Griffin\npresented by at land’s edge \nBlack people expend precious physical\, emotional and psychic energy responding to racial injustice and fighting that injustice in ways that serve all of humanity. So often these responses drain us and impact our mental\, physical\, and spiritual health and deplete us as we constantly pour energy outward.\nThis gathering will be an opportunity to build love\, care\,  and resilience amongst each other. It will provide a space to refill the emotional/ spiritual well\, that living in an anti-Black society drains daily. We will call in ancestors\, speak out our fears\, joys and affirmations for one another. We will interact in a ritualistic way with plant medicine\, smoke\, and a sewn garment with images inspired by Black diasporic myths and abstract patterns meditating on the (one of) Black experience. \n**This event is only for all Black identified people\n____________________ \nA wheelchair accessible entrance (via portable ramp) and a wheelchair accessible bathroom will be provided.  \nPublic transit via the Chinatown Gold Line Station. Street parking available. \nat land’s edge is an autonomous pedagogical platform based in East and South Los Angeles that nurtures the voices of cultural producers who are committed to social transformation. We understand pedagogy as not only a method of education\, but as a critical space where the processes of teaching and learning\, knowledge and action\, and self and community are reflexive\, interwoven\, and oriented toward the liberatory possibilities of a just and democratic world. \nDecolonizeLA is an autonomous group made up of Los Angeles-based artists\, educators\, Indigenous Peoples and activists\, and members of HRLA’s Programming Committees. This group recognizes the word decolonize as a process and action word that must center Native/Indigenous people’s autonomy\, and the liberation of all oppressed peoples as its goal. Steps toward decolonization include acknowledging the effects of colonial oppressive structures\, and demanding an end to the legacy of environmental\, physical\, psychological\, cultural and artistic violence\, and opposing the perpetual structure of inequity forced upon us by colonialism and white male hetero-normative supremacy. This group recognizes that many communities are working towards decolonization. We embrace and celebrate this opportunity to honor their work and transform our city.
URL:https://www.h-r.la/event/ritual-for-mutual-black-care-melanie-griffin/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/05/melanie-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170607T070000
DTEND;TZID=America/Los_Angeles:20170607T220000
DTSTAMP:20170801T084349Z
CREATED:20170602T163200Z
LAST-MODIFIED:20170801T084349Z
UID:2813-1496818800-1496872800@www.h-r.la
SUMMARY:FUPU Reparations Tour Fundraiser Birthday Celebration
DESCRIPTION:FUCK U PAY US WOULD LIKE TO INVITE THE ENTIRE CITY TO CELEBRATE THE BIRTH OF OUR LEAD VOCALIST JASMINE NYENDE! \nWE WOULD ALSO LIKE TO INVITE YOU TO OUR BENEFIT PARTY (A FUNDRAISER FOR OUR DIY TOUR IN EUROPE!!!) \nWE WILL FOR THE FIRST TIME PRESENT TO YOU ALL RECORDED MUSIC FOR SALE! \nA BOOTLEG CD FROM OUR LIVE PERFORMANCE AT THE “MELANIN UNITY” SHOW AT CIELO GALLERY IN SOUTH CENTRAL RECORDED BY Really Not Radio!!! \nWE WILL ALSO HAVE ZINES AND SHIRTS FOR SALE AND WILL PERFORM LIVE. \nWE HAVE THE HONOR OF SHARING THE SPACE WITH A BLACK SOUTH CENTRAL ARTIST WHO IS DOING AN INSTALLATION THAT WILL LEAVE YOU FEELING LIKE YOU JUST LEFT AN AMUSEMENT PARK!!! YOU DON’T WANNA MISS THIS SHOW!!!\n\nTELL EVERY FEMME YOU KNOW WHO NEEDS TO HEAR THE SCREAMS OF LIBERATION!\n \nMAGIC FLYER ART by BINX
URL:https://www.h-r.la/event/fupu-reparations-tour-fundraiser-birthday-celebration/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/06/18838477_10154695281075658_1967837027_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170608T193000
DTEND;TZID=America/Los_Angeles:20170608T213000
DTSTAMP:20170801T084342Z
CREATED:20170604T210654Z
LAST-MODIFIED:20170801T084342Z
UID:2820-1496950200-1496957400@www.h-r.la
SUMMARY:Performing "Deep Listening Chorus" by Pauline Oliveros
DESCRIPTION:We are gathering at Human Resources to perform this piece for relaxing and energizing our community. This can also be performed remotely by anyone\, anywhere\, at the same time: \nDeep Listening Chorus: A form to activate community creative sound making\nBy Pauline Oliveros \n1. Lying on the floor\, heads or feet toward center and touching\, listen/sound. Listen while sounding—listen while silent. \n2. Listen to the whole field of sound. Let any sound heard whether inwardly or outwardly be a cue for relaxation or energizing as needed. This implies a global form of listening\, which includes everything from the softest\, loudest\, nearest\, most distant sounds possible to hear. Keep expanding to include more sound without assigning importance to any particular sound\, except to cue relaxation or energizing. This form of auto-suggestion can also be used to accomplish goals. Is can be done as a separate daily practice. \n3. As a group\, practice relaxation by scanning the body and releasing whatever tension is not needed. Send sound either mentally or vocally to the parts of the body that need releasing. Then bring consciousness to a pre-selected metaphor such as ice breaking up in the spring\, the fullness or summer\, the flow of electricity\, etc. Each person helps to state the metaphor together simultaneously in an overlapping sound web using words\, phrases and sentences at first\, and then leading to a primarily nonverbal sounding. Words may weave in and out of the sounding\, or not. \n4. Anything goes if and only if you are listening. \nA period of silence after the sounding is beneficial to help absorb the sensations\, feelings and to assimilate the musical experience. After that\, some people like to share their experiences\, or not. \n  \n  \nthis event will be hosted by Elana Mann and take place in EJ Hill’s exhibition “A Subsequent Offering”
URL:https://www.h-r.la/event/performing-deep-listening-chorus-by-pauline-oliveros/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/06/18839448_10213470969073897_7518514606374820946_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170609T210000
DTEND;TZID=America/Los_Angeles:20170609T230000
DTSTAMP:20170602T020735Z
CREATED:20170602T012634Z
LAST-MODIFIED:20170602T020735Z
UID:2804-1497042000-1497049200@www.h-r.la
SUMMARY:Subsequent Performances
DESCRIPTION:An eclectic night of performances from \nAirChina \nMaria Maea \nBitter Party \nElliot Reed \nLaub \n  \n  \nPerformances will take place\, on EJ Hill’s A Subsequent Offering. \nMonetary donations for the artist will be excepted\, but are not required
URL:https://www.h-r.la/event/subsequent-performances/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/06/IMG_2506.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170611T193000
DTEND;TZID=America/Los_Angeles:20170611T220000
DTSTAMP:20170801T084334Z
CREATED:20170601T183026Z
LAST-MODIFIED:20170801T084334Z
UID:2801-1497209400-1497218400@www.h-r.la
SUMMARY:Steve Roden\, Yann Novak + Special Guest
DESCRIPTION:VOLUME partners with LINE and Dragon’s Eye Recordings to celebrate the release of Steve Roden’s new double LP ‘small songs for kack jirby’. The evening will feature sound performances by Steve Roden\, Yann Novak and a very special international guest. The artists will perform alongside EJ Hill’s installation ‘A Subsequent Offering’. \nYann Novak is an artist\, composer\, and curator based in Los Angeles. His work is guided by his interests in perception\, context\, movement\, and the felt presence of direct experience. Through the use of sound and light\, Novak explores how these intangible materials can act as catalysts to focus our awareness on our present location in space and time. Novak’s diverse body of works – audiovisual installations\, performances\, architectural interventions\, sound diffusions\, recording\, and prints – ask participants to reclaim the present moment as a political act. \nNovak’s work has been experienced through exhibitions and performance at the Armory Center for the Arts\, Pasadena; The Broad\, Los Angeles; California Museum of Photography\, Riverside; Commonwealth & Council\, Los Angeles; de Young Museum\, San Francisco; Getty Villa\, Pacific Palisades; Hammer Museum\, Los Angeles; The Henry Art Gallery\, Seattle; Human Resources\, Los Angeles; Los Angeles County Museum of Art\, Los Angeles; Mutek Festival\, Montreal; Norton Simon Museum\, Pasadena; San Francisco Museum of Modern Art\, San Francisco; Soundfjord\, London; Susanne Vielmetter LA Projects\, Los Angeles; Tanya Bonakdar Gallery\, New York; and The Stone\, New York\, among others. His recorded sound works have been published by Crónica\, Porto; Dronarivm\, Moscow; Farmacia901\, Berlin; Hibernate\, Leeds; Home Normal\, London; LINE Imprint\, Los Angeles; Tigerbeat6\, Los Angeles; and Touch\, London\, among others. \nSteve Roden is a visual and sound artist from Los Angeles\, living in Pasadena. His work includes painting\, drawing\, sculpture\, film/video\, sound installation\, text and performance. \nRoden’s working process uses various forms of specific notation (words\, musical scores\, maps\, etc.) and translates them through self invented systems into scores\, which then influence the process of painting\, drawing\, sculpture\, and composition. These scores\, rigid in terms of their parameters and rules\, are also full of holes for intuitive decisions\, failures and left turns. The inspirational source material becomes a kind of formal skeleton that the abstract finished works are built upon. \nIn the visual works\, translations of information such as text and maps\, become rules and systems for generating visual actions such as color choices\, number of elements\, amounts of time and form building. \nIn the sound works\, singular source materials such as objects\, architectural spaces\, and field recordings\, are abstracted through humble electronic processes to create new audio spaces\, or possible landscapes. The sound works present themselves with an aesthetic Roden has described as lower case – sound concerned with subtlety and the quiet activity of listening. \nRoden has been exhibiting his visual and sound works since the mid 1980’s\, and has had numerous solo and group exhibitions internationally\, including: Mercosur Biennial Porto Alegre Brazil\, Centre Georges Pompidou Paris\, San Diego Museum of Contemporary Art\, UCLA Hammer Museum Los Angeles\, Museum of Contemporary Art EMST Athens Greece\, Singuhr-Horgalerie in Parochial Berlin\, Center for Book Arts New York\, The Kitchen New York\, Pomona College Museum of Art\, La Casa Encendida Madrid\, Susanne Vielmetter LA and Berlin Projects\, Studio la Citta Verona Italy\, and others. In 2010\, curator Howard Fox organized the exhibition “steve roden / in between: a 20 year survey”\, which opened at the Armory Center for the Arts in Pasadena\, and was accompanied by a full color catalog. \nRoden has performed his soundworks at various arts spaces and experimental music festivals worldwide including: Serpentine Gallery London\, San Francisco Museum of Modern Art\, Walker Art Center\, Minneapolis\, DCA Dundee Scotland\, Redcat Los Angeles\, Crawford Gallery Cork Ireland\, as well as performance tours of Brazil and Japan. Recent performances include John Cage’s Cartridge Music with composer Mark Trayle at the Norton Simon Museum in Pasadena\, and a tribute to Rolf Julius at the Hamburger Banhof Berlin. Since 1993\, Roden has released numerous CDs under his own name as well as under the moniker “in be tween noise” on various record labels internationally.
URL:https://www.h-r.la/event/steve-roden-yann-novak-special-guest/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/06/18920604_10156417889295620_6732159500537456976_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170615T203000
DTEND;TZID=America/Los_Angeles:20170615T203000
DTSTAMP:20170801T101803Z
CREATED:20170801T101803Z
LAST-MODIFIED:20170801T101803Z
UID:2889-1497558600-1497558600@www.h-r.la
SUMMARY:Nick Malkin\, SheKhan\, Julius Smack\, Corey Fogel
DESCRIPTION:Corey Fogel :::\nhttp://coreyfogel.com/ \nJulilus Smack ::::::::::\nhttp://www.juliussmack.com/ \nSheKhan ::::::::::::::::::::::::::::\nhttps://shekhan.bandcamp.com/ \nNick Malkin ::::::::::::::::::::::::::::::::::::\nhttps://nickmalkin.bandcamp.com/ \nperformances will take place in EJ Hill’s exhibition “A Subsequent Offering”
URL:https://www.h-r.la/event/nick-malkin-shekhan-julius-smack-corey-fogel/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/ej.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170616T200000
DTEND;TZID=America/Los_Angeles:20170616T200000
DTSTAMP:20170801T100955Z
CREATED:20170801T100955Z
LAST-MODIFIED:20170801T100955Z
UID:2883-1497643200-1497643200@www.h-r.la
SUMMARY:White and Wrong
DESCRIPTION:Over the past few years\, I’ve written short essays in response to artworks produced by white artists\, works exhibited and distributed through major art-world projects (the LA Art Book Fair\, the Whitney Biennial\, and the Walker’s sculpture garden). Each of these artworks were meant\, by the artists\, to be\, in some way\, “about racism.” Here\, I’ll share this writing with an eye towards developing it into something more formal — perhaps teachable. The question — the hesitation — for me is: how to stage a conversation like this without centering discussion of anti-racist art practices on the work of white artists — and\, too\, how to confront racism in work about racism.  \nFraming this conversation with E.J. Hill’s work should support a different kind of conversation — one which takes shape in the space opened up by the act of calling out — calling out\, dialing in — pushing through — imagining art\, embodiment and abstraction so differently that\, perhaps\, what we have been taught to think of as art falls apart — collapses into a wood pile. \n— Jennifer Doyle
URL:https://www.h-r.la/event/white-and-wrong/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/whiteandwrong.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170617T200000
DTEND;TZID=America/Los_Angeles:20170617T200000
DTSTAMP:20170801T100404Z
CREATED:20170801T100353Z
LAST-MODIFIED:20170801T100404Z
UID:2876-1497729600-1497729600@www.h-r.la
SUMMARY:Dog Star 13: Tail of the Dog
DESCRIPTION:George Brecht: water: coming from\, staying\, going to\nUlrich Krieger: Connect\nDaniel Corral: DISLIKE \nperformed by: The Dog Star Orchestra \nThis event is part of the Dog Start 13 annual festival of experimental music\, which runs from June 3-17th 2017. For details on other events in this year’s festival\, please visit: www.dogstarorchestra.com
URL:https://www.h-r.la/event/dog-star-13-tail-of-the-dog/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/dogstar.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170618T190000
DTEND;TZID=America/Los_Angeles:20170618T190000
DTSTAMP:20170801T100725Z
CREATED:20170801T100725Z
LAST-MODIFIED:20170801T100725Z
UID:2880-1497812400-1497812400@www.h-r.la
SUMMARY:EMOtional
DESCRIPTION:EMOtional \nstand-up by\,\nMICAHjames \nsongs by\nSARAHgail\nTYLERholmes\nEDDINGTONagain \nhosted along with\na recital by\,\nBDH \nHeehee haha boohoo giggle giggle gaggle gaggle LOL OH LORD WHY US WHY US GD OMFG LMFAO OOOOO00000ooooh WEE Oh Me! Ha! HA! Bwahahaha…\nWe laugh to keep from cryin and we cryin cause we can’t keep from dyin and we laugh from all our tryin even though the tears they a keep on lyin cause you see our smiles and think we buyin into your bullshit. \n*laughs out loud while dying on the inside* \nLast night to experience EJ Hill’s installation “A Subsequent Offering“
URL:https://www.h-r.la/event/emotional/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/emotional.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170623T190000
DTEND;TZID=America/Los_Angeles:20170623T220000
DTSTAMP:20170601T070209Z
CREATED:20170521T073025Z
LAST-MODIFIED:20170601T070209Z
UID:2694-1498244400-1498255200@www.h-r.la
SUMMARY:Dialectics of Isolation
DESCRIPTION:Dialectics of Isolation \nCrystal Sepúlveda\nAngie Jennings\nRebeca Hernandez\nArtemisa Clark \nIn 1980\, Ana Mendieta curated Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States at New York’s A.I.R. Gallery. The catalogue’s introduction describes the show as pointing “not necessarily to the injustice or incapacity of a society that has not been willing to include us\, but more towards a personal will to continue being ‘other.’” Dancers Rebeca Hernandez and Crystal Sepúlveda and performance artists Angie Jennings and Artemisa Clark will perform works that take as their starting point this “personal will to continue being ‘other\,’” via themes found in Mendieta’s work more generally – land\, ritual\, national (un)belonging. \nThis night was organized by Artemisa Clark and is part of ¡Mendieta Vive!\, an initiative facilitating Ana Mendieta-related events in and around Los Angeles. \nImage: Crystal Sepúlveda\, strands\, film still from the river knows
URL:https://www.h-r.la/event/dialectics-of-isolation/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2017/05/Event-Webpage-Image.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170625T170000
DTEND;TZID=America/Los_Angeles:20170625T190000
DTSTAMP:20170801T101449Z
CREATED:20170801T101449Z
LAST-MODIFIED:20170801T101449Z
UID:2886-1498410000-1498417200@www.h-r.la
SUMMARY:The Prison In Twelve Landscapes
DESCRIPTION:Please join us for a Screening + Pop Up Panel presented by critical resistance: \nMore people are imprisoned in the United States at this moment than in any other time or place in history\, yet the prison itself has never felt further away or more out of sight. The Prison in Twelve Landscapes is a film about the prison in which we never see a penitentiary. Instead\, the film unfolds as a cinematic journey through a series of landscapes across the USA where prisons affect lives\, from a California mountainside where female prisoners fight raging wildfires\, to a Bronx warehouse full of goods destined for the state correctional system\, to an Appalachian coal town betting its future on the promise of prison jobs.  \nCritical Resistance Los Angeles is hosting a screening of the film followed by a pop-up panel of local organizers who are fighting for a Los Angeles free of policing\, imprisonment and displacement: Pete White (Los Angeles Community Action Network)\, Laura Pulido (Chicana Studies Author and Professor)\, a member of Defend Boyle Heights\, Amber-Rose Howard (Californians United for a Responsible Budget)\, Xela de la X (Cihuatl CE of Ovarian Psycos Bicycle Brigade; Founders of autonomous community organizing space in BH – La Conxa and active members of the coalition DBH) \n$5 – $15 suggested donation\nNo one will be turned away for lack of funds \nPlease RSVP to crla@criticalresistance.org
URL:https://www.h-r.la/event/the-prison-in-twelve-landscapes/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/cr.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170803T193000
DTEND;TZID=America/Los_Angeles:20170803T193000
DTSTAMP:20170801T090228Z
CREATED:20170801T085713Z
LAST-MODIFIED:20170801T090228Z
UID:2832-1501788600-1501788600@www.h-r.la
SUMMARY:Looking at Performance: Guts\, Lust and Kinks
DESCRIPTION:A screening and discussion of the work of Johanna Went and Michael Turinsky\, \nwith Doran George\, Johanna Went\, Christine Wertheim\, and Mark Wheaton. \nIn celebration of X-TRA’s summer issue\, a discussion and screening about looking at performance through the work of Johanna Went and Michael Turinsky. \nJoin us for this special program with the artist Johanna Went\, her collaborator Mark Wheaton\, and issue contributors Christine Wertheim and Doran George. \nBoth Wertheim and George take up positions of enamored spectatorship\, presenting carefully crafted responses to the exuberant performance work of their subjects (Johanna Went and Michael Turinsky\, respectively). Bodies figure prominently—sexy\, messy and alluring. \nWertheim ends : “Johanna Went is a Dionysian genius\, a Siren whose irresistible song cannot help but lure us into the temptations of ecstatic\, participatory\, and brave self-annihilation.” Went was a fixture on the 80s punk scene in LA\, performing over 200 times between 1978 and 1988. \nGeorge begins his letter to Michael Turinsky\, the Artist’s Project in this issue: “Dear Michael\, You are hot and I want to have sex with you…” This letter thus consciously opens up pleasure\, sensation\, and desire as strategies for thinking—or should I say feeling—about dance\, disability\, sexual culture\, and social power.” The letter is in reaction to a performance by Michael Turinsky\, My body\, your pleasure (2014) that George saw in Germany. \nDon’t miss this foray into 80s punk\, desire\, disability\, fake blood\, and beats. \nAbout the participants: \nDoran George PhD is a cultural historian writing on sexual culture\, avant-garde dance\, and performance. They are also a performance artist and choreographer who deconstructs socio-political identity categories\, stages work that builds micro-communities\, and cultivates radical practices of intimacy. George’s artwork and scholarship is represented in art books\, Oxford University Press anthologies\, and journals. George currently lectures in Disability Studies and LGBTQ Studies at University of California\, Los Angeles\, and teaches erotic work in both art and sex-positive contexts. \nJohanna Went is an American performance artist who primarily works in the Los Angeles area. She started her career in the late 1970s as musician in the punk scene. Music is still an important element of her shows. She has often worked with musician Mark Wheaton\, whose fast\, rhythmic music beats provide the background noise in several of her performances. Further predominant elements of Went’s shows are the use of elaborate costumes\, which Went herself creates from various found objects\, and the use of artificial blood. The latter played an especially important role in her early work. Went’s performances are not strictly text-based. She typically works based on a sketch that determines the rough sequence of actions\, but leaves much room for improvisation. Went rarely uses language in her shows as means of communication. She rather sings\, screams\, whines and murmurs\, thus rendering large parts of the spoken words incomprehensible. (From wikipedia) \nChristine Wertheim’s books include three poetic suites\, the book of ME\, mUtter-bAbel\, and +|’me’S-pace; three edited literary anthologies\, Feminaissance\, The n/Oulipean Analects\, and Séance\, the last two with Matias Viegener; and Crochet Coral Reef\, with Margaret Wertheim\, about their decade-long art-science-feminist-community project. She has received grants from the Annenberg and Orphiflamme Foundations\, and teaches at the California Institute of the Arts. \nMark Wheaton has been composing music since he began collaborating with performance artist Johanna Went in the early 1980’s. In addition to composing for performance art projects\, Mark spends most of his time as the recording engineer for the studio Catasonic located in Echo Park\, California. \nPresented by X-TRA \nimage: Johanna Went performing at the Hong Kong Café\, Los Angeles\, 1979. Courtesy of the artist. Photo: Scott Lindgren.
URL:https://www.h-r.la/event/looking-at-performance-guts-lust-and-kinks/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/unnamed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170804
DTEND;VALUE=DATE:20170806
DTSTAMP:20181026T194534Z
CREATED:20170722T003053Z
LAST-MODIFIED:20181026T194534Z
UID:2825-1501826400-1501912799@www.h-r.la
SUMMARY:Sarah Gail - Straight Chillin
DESCRIPTION:Dear World\, \nI am Sarah Gail. I have arrived and I mean business. My heart overflows with love for humanity and the beauties of this world. This love is so precious\, so deep\, so strong that I invite you to get lost in my vision for the world. A world that can be transformed and ascend through art\, through dance\, through revelry and through love. Open yourself up to my love. \nLove\, \nSarah Gail \nPerformances by:\nDonna J\nCam Cameron\nCrasslos\nSenay\nGaylord Fiend\nTrap Girl\nMarvina-7\nL.A. Drones \nFood provided by:\nRoyce Burke \nBar:\nSteph Russ \nGALLERY HOURS: 3pm – 7pm\nPERFORMANCES: 8pm – 12am \n$5 suggested donation
URL:https://www.h-r.la/event/sarah-gail-straight-chillin/
LOCATION:CA
CATEGORIES:exhibition,one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/07/19702988_1692031280824458_7406340093243887403_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170806T170000
DTEND;TZID=America/Los_Angeles:20170806T210000
DTSTAMP:20170801T091410Z
CREATED:20170801T091258Z
LAST-MODIFIED:20170801T091410Z
UID:2839-1502038800-1502053200@www.h-r.la
SUMMARY:Encounter #37
DESCRIPTION:Since July 2012\, a group of Los Angeles performance artists (and international guests passing through town) have met regularly to engage in a practice called Encounter\, organized by Peruvian American performance artist Mariel Carranza. Encounter is a space where we encounter each other\, ourselves\, and the space itself. We perform with and for one another within given conditions. There is no preparation\, no agenda (and generally\, no “audience”). Things unfold on their own. We agree that there will be no idle observers; everyone is active in the space. \nEncounter has been invited to perform in REDCAT’s International Festival of Live Art and Performance as part of Pacific Standard Time: LA/LA in January 2018. 6 Latin American and European artists will fly to Los Angeles\, joining 13 local artists in 8 hours of unscripted collaborative performance. For this reason\, Encounter is doing this show as a fundraiser. The film Same Difference: Equinox to Equinox\, a global performance convened by Bbeyond will be screened. \nThe public performance will be followed by a shared dinner (beginning at roughly 8pm).  \n$20 suggested or pay-what-you-can at the door\, or at http://www.brownpapertickets.com/event/3046662. \nParticipating artists:\nMariel Carranza\nPaul Outlaw\nSebastian Hernandez\nAllison Wyper\nRebeca Hernandez\nCarol McDowell\nDouglas Green\nDoran George\nRochelle Fabb\nRossen Ventzislavov\nDorian Wood\nJohn Burtle\nSamuel White \n image: Carol McDowell\, Rossen Ventzislavov and Dorian Wood\nPhoto by Tyler Matthew Oyer
URL:https://www.h-r.la/event/encounter-37/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/19780642_10156334678718976_5307065362434664287_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170810T200000
DTEND;TZID=America/Los_Angeles:20170810T200000
DTSTAMP:20170809T075308Z
CREATED:20170801T093850Z
LAST-MODIFIED:20170809T075308Z
UID:2862-1502395200-1502395200@www.h-r.la
SUMMARY:Tino Sehgal (Untitled)(2000) - danced by Frank Willens
DESCRIPTION:Thursday\, August 10th 2017\, 8:00pm \nPlease note: Seating is limited and available on a first-come\, first-served basis. NO RSVP needed. \nConcept: Tino Sehgal\nDanced by: Frank Willens \nThis presentation contains nudity\, Viewer discretion advised \nHow can a society learn from choreographers? (Untitled) (2000) depicts an image of a world where dance and choreography can inspire a society. Originally conceived for stage and danced by Tino Sehgal himself\, the solo remains in the cultural memory as a “museum of dance.” The space of this museum does not contain objects\, but movements and gestures of iconic dance styles.  \nWith the mere presence of his body (unaccompanied by music\, and without a set)\, Frank Willens allows new spaces to emerge for new readings and interpretations. What is the task of theater or museum in a society? Has the obsession for objects\, for material values reached its end? \nThe art of Tino Sehgal is immaterial; it takes shape in the moment in which the spectator encounters it. Since 2000\, he has been constructing live situations in which performers enter into contact with the visitors and spectators by way of movements\, conversations\, or song\, inviting them to influence the structure of the work. \nTino Sehgal Born in London in 1976\, Tino Sehgal studied economics and dance. In 2005\, he represented Germany at the Venice Biennale. The Guggenheim\, Tate Modern\, and dOCUMENTA (13) have also presented solo shows of his work. In 2013\, he was awarded the Golden Lion at the 55th Venice Biennale. \nFrank Willens (US/DE) is a dancer\, choreographer\, performer\, interpreter\, artist\, actor\, collaborator\, tour manager\, human\, father\, singer\, beat-boxer\, thinker\, marathon-runner\, train-traveler. He grew up in California and has lived and worked in Berlin since 2003 where he has had the privilege to work with a wide number of persons in a wide range of projects presented in a wide range of venues. His associates include Tino Sehgal\, Meg Stuart\, Falk Richter\, and Peter Stamer\, to name a few. Frank developed a project in collaboration with the Transform Festival in Leeds in 2015 and headed a residency/lab at the Kunstmuseum in Bonn in 2016. His new solo piece 60 minutes towards being here or what we can do until we do what we can do premiered in Berlin in January 2017. \nPresented with support from the Getting To Know Europe program\, awarded by the Delegation of the European Union to the United States. \nInfo: +1 323 5253388 or Info@losangeles.goethe.org
URL:https://www.h-r.la/event/tino-sehgal-untitled2000-danced-by-frank-willens/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/frank-willens-home.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170811
DTEND;VALUE=DATE:20170814
DTSTAMP:20170809T000147Z
CREATED:20170801T094906Z
LAST-MODIFIED:20170809T000147Z
UID:2866-1502431200-1502603999@www.h-r.la
SUMMARY:On Truth and Lie in an Extra-Moral Sense - Frank Willens and Peter Stamer
DESCRIPTION:Friday\, August 11\, 2017 @ 8:00 PM\nSaturday\, August 12\, 2017 @ 5:30 PM \nPlease note: Seating is limited and available on a first-come\, first-served basis.\nNO RSVP needed. \nConceived\, directed\, set and staged by Peter Stamer\nPerformed by Frank Willens\nText by Friedrich Nietzsche\nAbridged and re-translated from German into English by Peter Stamer & Frank Willens \nPosthumous fragments: In some remote corner of the universe that is poured out in countless flickering solar systems\, there once was a star on which clever animals invented knowledge. That was the most arrogant and the most untruthful minute in ‘world history’ – yet indeed only a minute. After nature had taken a few breaths\, the star froze over and the clever animals had to die.\n(Friedrich Nietzsche\, 1873) \nIn the light of infinity\, the limited time a human being spends on this planet does appear tobe deplorable\, even ridiculous. Knowing about the futility of his existence\, man tries to comprehend life by means of language which locks him into the cage of concepts though. Language\, following Nietzsche\, denies access to the actual life of matter. Searching for knowledge about the world\, about truth\, about himself\, man gets lost in the woodwork of his own thinking. To put it casually: man becomes a blockhead\, unable to see what is there. Taking away the foundation of the boards that mean the world to him: this is what it means to live. \nFrank Willens (US/DE) is a dancer\, choreographer\, performer\, interpreter\, artist\, actor\, collaborator\, tour manager\, human\, father\, singer\, beat-boxer\, thinker\, marathon-runner\, train-traveler. He grew up in California and has lived and worked in Berlin since 2003 where he has had the privilege to work with a wide number of persons in a wide range of projects presented in a wide range of venues. His associates include Tino Sehgal\, Meg Stuart\, Falk Richter\, and Peter Stamer\, to name a few. Frank developed a project in collaboration with the Transform Festival in Leeds in 2015 and headed a residency/lab at the Kunstmuseum in Bonn in 2016. His new solo piece sixty minutes towards being here or what we can do until we do what we can do premiered in Berlin in January 2017 On Truth and Lie in an Extra-Moral Sense is his 5th collaboration with Peter Stamer. \nPeter Stamer (DE/A) is a theatre maker in the context of contemporary performing arts. In his projects\, he is interested in exploring conditions for discursive and physical empowerment within given performative\, social and narrative apparatuses. Currently\, Peter is working on a theatrical and installative adaptation of Kafka’s story In the Penal Colony (to premiere in 2017). \nPresented with support from the Getting To Know Europe program\, awarded by the Delegation of the European Union to the United States.
URL:https://www.h-r.la/event/on-truth-and-lie-in-an-extra-moral-sense-frank-willens-and-peter-stamer/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/web_Peter-Stamer-Frank-Willens_c_eSeL_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170815
DTEND;VALUE=DATE:20170818
DTSTAMP:20170801T094241Z
CREATED:20170801T093236Z
LAST-MODIFIED:20170801T094241Z
UID:2858-1502776800-1502949599@www.h-r.la
SUMMARY:60 Minutes towards being here - Frank Willens
DESCRIPTION:Tuesday\, August 15\, 2017 @ 8.00 PM\nWednesday\, August 16\, 2017 @ 8.00 PM \nPlease note: Seating is limited and available on a first-come\, first-served basis. NO RSVP needed. \nCreated and performed by Frank Willens.\nGuest musician: Klaus Janek \n… or this is probably going to be a downer\, or in lieu of addressing insurmountable graver circumstances\, or best to keep on believing\, or giddy-up\, cowboy\, or too old to be new\, or some more rituals from the discarded catalogue…the title can change\, but nothing is to be taken for granted…that’s another possibility\, nothing is to be taken for granted. \n60 Minutes towards being here is an encounter with the moment. It is a negotiation between fixed material and an ever-evolving situation whose conditions can’t be ignored\, a composition between a performer and a musician. Frank Willens sets the alarm for one hour and investigates the vast multiplicity of the given condition. \nFrank Willens (US/DE) is a dancer\, choreographer\, performer\, interpreter\, artist\, actor\, collaborator\, tour manager\, human\, father\, singer\, beat-boxer\, thinker\, marathon-runner\, train-traveler. He grew up in California and has lived and worked in Berlin since 2003 where he has had the privilege to work with a wide number of persons in a wide range of projects presented in a wide range of venues. His associates include Tino Sehgal\, Meg Stuart\, Falk Richter\, and Peter Stamer\, to name a few. Frank developed a project in collaboration with the Transform Festival in Leeds in 2015 and headed a residency/lab at the Kunstmuseum in Bonn in 2016. 60 minutes towards being here or what we can do until we do what we can do premiered in Berlin in January 2017.  \nPresented with support from the Getting To Know Europe program\, awarded by the Delegation of the European Union to the United States.
URL:https://www.h-r.la/event/60-minutes-towards-being-here-frank-willens/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/20031957_10155419564940786_6409804979040005624_n.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170817
DTEND;VALUE=DATE:20170820
DTSTAMP:20170801T094349Z
CREATED:20170801T092013Z
LAST-MODIFIED:20170801T094349Z
UID:2844-1502949600-1503122399@www.h-r.la
SUMMARY:Dirty Vestiges - Simone Aughterlony & Michael Günzburger
DESCRIPTION:Thursday\, August 17\, 2017 @ 8.00 PM\nFriday\, August 18\, 2017 @ 8.00 PM \nPlease note: Seating is limited and available on a first-come\, first-served basis. NO RSVP needed. \nConcept and Performance: Simone Aughterlony & Michael Günzburger \nThis performance contains nudity\, Viewer discretion advised \nIn this dirty art-making practice Simone and Michael invite a collection of commonly understood domestic forms of dirt to confederate and co-perform on a high gloss reflective surface. With dust\, hair\, fat\, blood\, ash\, pigment and skin a temporary printing station is activated that pays close attention to qualities of materials\, their desires and orientations towards bodies and their transformation through intimacy and movement. With a knowing wink but certain irreverence towards art-historical references they stage a close-up inquiry into both the happenstance and determinism of dirt transmission. Attraction and repulsion are mutual forces that go beyond the surface and play out in this sleazy cleaning/mess making fantasy. In an intensely concentrated environment and companioned by a queer alchemy of materials\, Michael and Simone practice touch and the narratives produced by the surplus of touching. Vestige research accentuates the potentiality and futurity of indelible traces and acts as a response to the so-called ephemerality of performance. \nCreated within the project DRECK: EIN APPARAT at Ufer Studios Berlin\, a project initiated and produced by Stephanie Wenner that examined dirt and the communion of all things through a new materialist perspective. \nSimone Aughterlony is an independent artist based and supported in Zurich and Berlin\, working predominantly in dance and performance contexts. Over more than decade\, Simone she has been devising and producing choreographic works. As a performer she has worked with artists such as Meg Stuart/Damaged Goods\, Forced Entertainment and Jorge León\, Phil Hayes amongst others. In 2015 «Supernatural»\, a collaboration with artists Antonija Livingstone and Hahn Rowe premiered in American Realness while in the same year the performance project «Uni * Form»\, devised by Jorge León and Simone premiered at Zuercher Theater Spektakel. Alongside an extensive tour of these works and the «Biofiction Trilogy»\, she is currently touring with Jen Rosenblit «Everything Fits In The Room»\, a commission from HAU Hebbel am Ufer and Haus der Kulturen der Welt.  \nEngaging with alternative forms of kinship inside her process\, new constellations of family emerge as possibilities for reconfiguring a culture of togetherness that fosters both familiar and unknown quantities. Her works playfully compose with representation and its saturation\, seeping into and embracing the phenomenology of mis-recognition and the absurd. Simone approaches the performance genre as a world-building practice where she navigates the contradiction between the domination of desire alongside the agency of all elements. \nMichael Günzburger is a visual artist living in Zürich\, working with methods of drawing and printing and research on the reference to the materials of used production. Collaborations with other fields of the arts\, sciences and crafts like performer Ntando Cele\, writers Lukas Bärfuss and Raphael Urweider\, Masterprinter Thomi Wolfensberger\, hunters\, gatherers\, virologists\, genetic scientist\, etc. has always been an important part of his work. His works have been shown in galleries\, museums\, public spaces and project spaces across the world such as the Zürcher Kunsthaus\, Kunstmuseum Bern\, Galleries in Mexico D.F.\, Sao Paulo\, New York\, Paris\, Bern and Zürich in solo and group shows. They found their way into many private and public collection\, and he has received a numerous fellowships and grants. He is a research fellow at the Institute for Contemporary Art and Research (IFCAR) at the University of the Arts in Zürich (ZHdK). \nPresented with support from the Getting To Know Europe program\, awarded by the Delegation of the European Union to the United States
URL:https://www.h-r.la/event/dirty-vestiges-simone-aughterlony-michael-gunzburger/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/20228674_10155459599085786_4361856388632010143_n.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170828T200000
DTEND;TZID=America/Los_Angeles:20170828T200000
DTSTAMP:20170825T015821Z
CREATED:20170825T015821Z
LAST-MODIFIED:20170825T015821Z
UID:2916-1503950400-1503950400@www.h-r.la
SUMMARY:3 Sonic Performances: Lev Abramov / Jeremy Young / Kern Haug
DESCRIPTION:Join us at Human Resources for a night of music-related performances beginning promptly at 8pm: \nLev Abramov‘s ENERGY TRANSFER is an action performance in two parts.  \nJeremy Young (Montréal) is an American sonic artist\, improviser and creative strategist living and working in Montréal\, Canada. His creative work includes instrumental and electroacoustic composition for recording and live performance\, reel-to-reel tape collage\, sound-poetry and audio-visual scoring. \nKern Haug sings songs of assholes\, guilt\, time management\, and aesthetic sensation. A guitar ensemble accompanies him and you’re welcome to be in it if you show up with a guitar. \nhttps://vimeo.com/199750264
URL:https://www.h-r.la/event/3-sonic-performances-lev-abramov-jeremy-young-kern-haug/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/08/3sonicperformances2.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170902T213000
DTEND;TZID=America/Los_Angeles:20170902T213000
DTSTAMP:20170901T225116Z
CREATED:20170830T014906Z
LAST-MODIFIED:20170901T225116Z
UID:2919-1504387800-1504387800@www.h-r.la
SUMMARY:5 x 5 by Pauline Lay
DESCRIPTION:a composition for 25 synthesizers\nby Pauline Lay\nSaturday\, 9/2 at 9:30pm \n5 x 5 is an arrangement for 25 unique players\, comfortable with their synthesizer of choice (and personal settings) to explore distinct stages of reception/transmission.  \n1	Unreadable\n2	Readable now and then\n3	Readable but with difficulty\n4	Readable\n5	Perfectly readable	 \nopening performance by\nPeter Kolovos \nfree \nthank you to Aaron Olson\, Ang Wilson\, Brian Griffith\, Chelsea Rector\, Cindy Sukrattanawong\, Elaine Carey\, Eric Shevrin\, Gawby Weinstein\, Geneva Skeen\, Geoff Geis\, George Jensen\, Ihui Wu\, James Aranda\, Jen Bruce\, Jesse-Marie DW\, John Connolly\, Lee Noble\, Lisa Sonoda\, Margot Padilla\, Michael Macapagal\, Michael Vidal\, Mike Trejo\, Noah Klein\, Peter Hernandez\, Thom Lucero for performing.
URL:https://www.h-r.la/event/5-x-5-by-pauline-lay/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2017/08/IMG_2290.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170915T200000
DTEND;TZID=America/Los_Angeles:20170915T230000
DTSTAMP:20170905T193815Z
CREATED:20170903T192000Z
LAST-MODIFIED:20170905T193815Z
UID:2928-1505505600-1505516400@www.h-r.la
SUMMARY:FUTURE LADIES OF WRESTLING
DESCRIPTION:Los Angeles’ Human Resources welcomes the most talked about mutant television show in the multiverse: Telefantasy Enterprise’s FUTURE LADIES OF WRESTLING! \nF.L.O.W. is the no holds barred television extravaganza in which the wildest interspecies wrestlers battle for the title of Ultimate Multiversal Warrior! \nGet your juices F.L.O.W.ing as new episodes of the show make their world premiere\, then step into the ring with an all-star live wrestling variety show featuring F.L.O.W fan favourites including: CANDY PAIN! CHEMTRAILS! LISA 5000! DIVA COLADA! VALIBU TINA! HARDCORE TINA! MACHINE! ERUPTIA! AND FLESH EATING CORPULOUS!!! \nHosted by the Bad Girls’ sick and twisted manager: DIANA DZHAKETOV! \nDoors at 8pm\nShow at 9pm\nAutograph signing following the show. \nBe there or be crushed!\nWe’re the FUTURE LADIES OF WRESTLING!!! \nProduced by Telefantasy Studios and Directed by Jennifer Juniper Stratford. \n*Telefantasy Enterprises accepts no responsibility for injuries\, brain melt or paralysis caused by our wrestlers. \nSubscribe to our youtube channel : https://www.youtube.com/channel/UCxKCB_rPi1PLGbQZDV2XB1g\nwww.futureladiesofwrestling.com\nwww.telefantasystudios.com
URL:https://www.h-r.la/event/future-ladies-of-wrestling/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/09/FLOW_ForHR.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170924T180000
DTEND;TZID=America/Los_Angeles:20170924T210000
DTSTAMP:20170918T003318Z
CREATED:20170907T222332Z
LAST-MODIFIED:20170918T003318Z
UID:2947-1506276000-1506286800@www.h-r.la
SUMMARY:Moon Flowers don’t need invitations: They require a particular part of night
DESCRIPTION:SCREENING OF WORKS BY\nMorehshin Allahyari \nmicha cárdenas & Frances Lee \nMichelle Dizon \nGuiyoung Hwang \nBhanu Kapil \nRashayla Marie Brown \nREADINGS & PERFORMANCES BY\nDan Bustillo \nNasrin Himada \nIris Yirei Hu \nCandice Lin \n“Moon Flowers don’t need invitations: They require a particular part of night” is contemptorary’s first IRL event and fundraiser. The intent of the fundraiser is to feature the artists that contemptorary has been most excited about\, and to raise funds for our next two issues. All of the funds raised will go directly towards honorariums we provide our writers and copy editors. Admission is $10-$50 and will automatically enter you in our raffle! Raffle tickets are each worth $10. \nRaffle prizes include artworks\, books\, poetry and other surprises from Aisha Sabatini Sloan\, Amber Atiya\, Aram Han Sifuentes\, Bhanu Kapil\, Brandon Shimoda\, Don Mee Choi\, Erica Mena\, Eunsong Kim\, Gelare Khoshgozaran\, James McAnally\, Jennifer Tamayo\, Jimena Sarno\, Katy Collier\, Lisa Vinebaum\, Maya Mackrandilal\, Mg Roberts\, Nooshin Rostami\, Nuttaphol Ma\, and Pedro Vélez. \nThe event is organized and hosted by Eunsong Kim and Gelare Khoshgozaran\, co-founding editors of contemptorary. \n\n 
URL:https://www.h-r.la/event/moon-flowers-dont-need-invitations-they-require-a-particular-part-of-night/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/09/larger.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171012T190000
DTEND;TZID=America/Los_Angeles:20171012T190000
DTSTAMP:20171009T181059Z
CREATED:20171005T224027Z
LAST-MODIFIED:20171009T181059Z
UID:2979-1507834800-1507834800@www.h-r.la
SUMMARY:MERCE (Maria Chavez/Shelley Burgon)\, Lucas Gorham
DESCRIPTION:MERCE is a duo comprised of harpist/electronic musician Shelley Burgon and turntablist Maria Chavez. Tracing it’s roots to the artists’ time in residence with the Merce Cunningham Dance company\, this project finds Maria and Shelley performing improvised pieces that employ loops and live processing. MERCE has performed at Issue Project Room\, MoMA PS1 and the Stone in New York City. This will be the duos’ first performance in Los Angeles. \nMaria Chavez is an avant-turntablist whose work has been known to focus on solo electric-acoustic sound pieces that use a collection of new and broken needles\, which she calls “pencils of sound.” Accidents\, coincidence and failures are themes that unite her sound sculptures\, installations and other works with her improvised solo turntable performance practice. \nShelley Burgon is a harpist\, composer and sound artist living and working in both NYC and CA. Shelley is currently a member in the chamber group Ne(x)tworks featuring Joan La Barbara and in Anthony Braxton’s Septet. As a soloist she performs ambient\, ethereal\, electronic music and enjoys making multichannel sound and light installations. \nLucas Gorham is an interdisciplinary artist whose work ranges from music (both pop and avant- forms) to conceptual art. Within the world of experimental music\, he is most known for his work on prepared lap steel guitar\, where his live performances seek to walk the line between meditative compositions and spastic improvisations. \nDoors at 7pm / Sound at 8pm
URL:https://www.h-r.la/event/merce-maria-chavezshelley-burgon-lucas-gorham/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/10/MERCE.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171020T200000
DTEND;TZID=America/Los_Angeles:20171020T230000
DTSTAMP:20181026T193948Z
CREATED:20171004T023809Z
LAST-MODIFIED:20181026T193948Z
UID:2968-1508529600-1508540400@www.h-r.la
SUMMARY:Book Launch — PLAYING MONSTER :: SEICHE by Diana Arterian
DESCRIPTION:Come celebrate Diana Arterian’s first full-length poetry collection PLAYING MONSTER :: SEICHE (1913 Press) on Friday\, October 20 @ 8PM.\n\n\n\n\nStellar lineup of readers/performers/participants includes:\n\n\n\n\nDIANA ARTERIAN\nDANA JOHNSON\n\n\nJACK SJOGREN\n\n\nEMILY LACY\n\n\nDJ EDIE\n\n\nSOO_N FOOD\n\n\n\n\nThere will be reading and singing and music and dancing and booze and delicious food. Above all\, there will be fun and book birth celebration. All are welcome!
URL:https://www.h-r.la/event/book-launch-playing-monster-seiche-by-diana-arterian/
LOCATION:CA
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2017/10/unnamed.jpg
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