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X-WR-CALDESC:Events for Human Resources
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150109T210000
DTEND;TZID=America/Los_Angeles:20150109T230000
DTSTAMP:20260409T025110
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T173457Z
UID:1392-1420837200-1420844400@www.h-r.la
SUMMARY:INSECT ARK + ENABLERS + HEX HORIZONTAL
DESCRIPTION:Experimental doom-drone\, post-rock\, noise-rock. 9pm/$7
URL:https://www.h-r.la/event/insect-ark-enablers-hex-horizontal/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/HexHorizontal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150110T140000
DTEND;TZID=America/Los_Angeles:20150110T180000
DTSTAMP:20260409T025110
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T173303Z
UID:1393-1420898400-1420912800@www.h-r.la
SUMMARY:Ted Byrnes + Jeff Parker / Guillermo brown / fay
DESCRIPTION:Please join us for this special ‘matinee’ show with the trio of Ingebrigt Håker Flaten\, Jeff Parker and Ted Byrnes. \n2PM/7$ \nAbout Ingebrigt:\nIngebrigt Håker Flaten (b. 1971\, Oppdal) – studied Jazz at the Music Consevatory in Trondheim\, Norway (1992-1995) under the tutelage of bassplayer Odd Magne Gridseth. \nA muscular player whose tone and attack run the gamut from Paul Chambers to Buschi Niebergall\, his sense of both openness and control serves ensembles as diverse as The Thing\, Free Fall\, Atomic\, Scorch Trio and the Kornstad/Håker Flaten Duo. In addition to his own Chicago Sextet and Austin-centric Young Mothers\, Flaten has also recorded and performed with Frode Gjerstad\, Dave Rempis\, Bobby Bradford\, the AALY Trio\, Ken Vandermark\, Stephen Gauci\, Tony Malaby\, Daniel Levin\, Dennis Gonzalez and numerous others. Flaten studied at the Conservatory in Trondheim (1992-1995)\, turning professional shortly afterward\, yet his hunger to play in new situations with new musicians – schooled or amateur\, frequently recorded or just starting out – puts him in a rare class\, that of a truly broad-minded artist. That mettle has served him well\, living and developing the music under his own steam and drawing from influences as diverse as Derek Bailey\, George Russell\, Chris McGregor\, filmmakers Ingmar Bergman\, contemporary pop melody and gritty punk music as well as everyday sights and sounds. \nAbout Jeff:\n“I’m mainly a guitar player. I like to make music in many different ways. I think music opens doors. Some of the bands I play/have played with: Tortoise\, Chicago Underground\, Isotope 217º\, New Horizons Ensemble\, A Cushicle\, SpliceCat\, Moment Of Inertia\, TriColor\, Brian Blade Fellowship\, Joey DeFrancesco Trio\, Jeff Ballard Fairgrounds\, Powerhouse Sound\, Fred Anderson Quartet\, Joshua Redman Elastic Band\, a.o. I sometimes lead projects of my own: they usually are simply called “Jeff Parker” or “Jeff Parker _____ (trio\, quartet\, organ quartet\, etc.) and may consist of myself performing alone or with small or large aggregates of various configurations…” \nAbout Ted:\nTed Byrnes is a improvisor/drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston\, MA\, he comes from a jazz background and has since made his home in the worlds of free improvisation\, electro-acoustic music\, and noise. Ted plays in a variety of circumstances\, but plays occasionally with: Ulrich Krieger\, John Wiese\, Airway (LAFMS)\, Alfred Harth\, Jaap Blonk\, Torsten Mueller\, Nicholas Deyoe and others. \nAbout Guillermo:\nGuillermo E. Brown\, a drummer\, emerged as a result of his association with David S. Ware and other free jazz musicians from New York. As a solo artist and in his work with artists such as Spring Heel Jack and Matthew Shipp\, he has attempted to combine free and traditional jazz playing with electronic music\, hip-hop\, and ethnic musics. \nBrown was born into a musical family in New Haven\, CT\, in 1976. He grew up around jazz\, hip-hop\, and rock\, and he became involved with ambient and techno after hearing DJ Spooky. Brown replaced Susie Ibarra in the David S. Ware Quartet before the recording of Ware’s Surrendered in 2000. He also played on 2001’s Corridors & Parallels\, the first Ware album to feature Matthew Shipp on synthesizer. In 2001\, Brown also played on Rob Reddy’s Seeing By the Light of My Own Candle and Roy Campbell’s It’s Krunch Time\, as well as on Masses\, an album that featured many New York free jazz musicians improvising over backing tracks created by the electronic duo Spring Heel Jack. In 2002\, Brown appeared on DJ Spooky’s Optometry; Shipp’s jazz/hip-hop album Nu Bop; and he played with William Parker’s big band\, the Little Huey Creative Music Orchestra. Brown also released his solo debut\, Soul at the Hands of the Machine\, an album even more eclectic than those on which he had previously appeared.
URL:https://www.h-r.la/event/ted-byrnes-jeff-parker-guillermo-brown-fay/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Jeff-Parker-jan-10-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150110T193000
DTEND;TZID=America/Los_Angeles:20150110T230000
DTSTAMP:20260409T025110
CREATED:20160311T093552Z
LAST-MODIFIED:20180727T222759Z
UID:1394-1420918200-1420930800@www.h-r.la
SUMMARY:Bastard Noise + Amps for Christ
DESCRIPTION:BASTARD NOISE (FARGHER/WOOD)\nAMPS FOR CHRIST\nWITCHES OF MALIBU\nCONSCIOUS SUMMARY\nDSE\nJASON WADE (screening original 16mm/ super 8 films featuring live accompaniment by RELAY FOR DEATH/ SENAToR BUTTHOLe JOHNSoN) \n$5.00 doors at 7:30. Door prizes for he first 25!!
URL:https://www.h-r.la/event/bastard-noise-amps-for-christ/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Bastard-Noise-Jan-10-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150111
DTEND;VALUE=DATE:20150112
DTSTAMP:20260409T025110
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T172716Z
UID:1395-1420956000-1420956000@www.h-r.la
SUMMARY:SAVE MUSIC IN CHINATOWN benefit with MIKE WATT!!!!
DESCRIPTION:SAVE MUSIC IN CHINATOWN 5 benefit with MIKE WATT and the SECONDMEN + THE GEARS + STEVE SOTOTickets: https://www.eventbrite.com/e/save-music-in-chinatown-5-steve-soto-solo-acoustic-the-gears-mike-watt-the-secondmen-tickets-14636916411 \nAdvance ticket sales end at noon on Sunday\, January 11. If we do not sell out\, there will be tickets at the door. \nTHE SHOW \nThis is the fifth in a series of fundraising concerts organized to pay for the defunded music education program at Castelar Elementary School. Established in 1882 and sitting right in the middle of Chinatown\, the inner-city campus serves mostly immigrant kids who don’t get much exposure to performing arts or creative outlets. \nChinatown has an unbeatable musical past (mostly punk) and rad art scene in the present (post punk). Neither crowd has had very much to do with the residents in Chinatown but we’re trying to create a bridge for both to help out the local kids. \nThe bill channels Chinatown’s past and present\, punk and art\, raw and refined: \n• Steve Soto of The Adolescents\, Agent Orange\, Manic Hispanic\, 22 Jacks\, Joyride\, and so many other great bands is a musical dynamo\, punk legend\, and famously good guy who is making time to play a special solo acoustic set for our cause.\n• The Gears were a fixture in the pre-hardcore L.A. punk scene\, incorporating surf guitar\, blues\, and rockabilly into their roots-rocking sound\, and we’re stoked that they’re returning to Chinatown to play our show. They still crank out new music\, and are the subject of a soon-to-be-released documentary.\n• Mike Watt & The Secondmen are led by the San Pedro-based bass player from the Minutemen\, fiREHOSe\, DOS\, and countless other projects. Watt is as creatively active as he is beloved by the SoCal punk scene as he is influential to modern music in general\, and this trio is unbelievably tight.\n• DJ services will be KCHUNG’s Kings of Punk. \nThat’s a lot of entertainment value for 12 lousy bucks (and maybe some raffle tickets). \nTHE RAFFLE \nIn addition to donating for admission\, guests will be able to donate money toward raffle tickets for a chance to score prizes. $1 = 1 ticket. So far\, contributions from supporters include: \n• DVD of History Lesson Part 1 (w/ Minutemen\, Meat Puppets\, Redd Kross\, and more)\n• A pair of tickets to the Cafe NELA show of your choice.\n• A pair of shoes from Keep Company.\n• The Fifth Beatle signed by artist Andrew Robinson (courtesy of The Beatle Years)\n• CDs from Sean & Zander\n• Our Vinyl Weighs a Ton DVD signed by Peanut Butter Wolf (courtesy of Poketo)\n• Zines and stickers from Allister Lee\n• Packet of backyard honey-based lip balm courtesy from Sticky Acres \nCheck this site regularly for additions as the show draws nearer. \nSET TIMES \nTentatively…\n3:00 Doors\, DJ set by KCHUNG’s Kings of Punk\n3:30 Mike Watt & The Secondmen\n4:15 The Gears\n5:00 Steve Soto (solo\, acoustic) \nMusic between bands provided by Kings of Punk \nPARKING \nThere is free parking on the streets (try going north on Broadway) and cheap parking at Mandarin Plaza (across Broadway\, slightly south). \nMISC. \nAll ticket proceeds minus surcharges will be donated directly to FACES (Friends and Alumni of Castelar Elementary School\, a registered nonprofit organization) to be applied specifically to the music education program.
URL:https://www.h-r.la/event/save-music-in-chinatown-benefit-with-mike-watt/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/SavetheMusicJan2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150119T200000
DTEND;TZID=America/Los_Angeles:20150119T230000
DTSTAMP:20260409T025110
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T172314Z
UID:1397-1421697600-1421708400@www.h-r.la
SUMMARY:TERRE THAEMLITZ: SOULNESSLESS: CANTOS I-IV & FÉLIX SOLANO VARGAS: CRUNCHY EGGS
DESCRIPTION:VOLUME presents a very rare performance by acclaimed artist and electronic musician Terre Thaemlitz. Terre will present selections from Soulnessless\, her 32 hour opus described as the “world’s longest album in history.” Described by Thaemlitz as “a deconstruction of notions of spirituality\, meditation\, superstition\, and religiosity perpetuated through audio marketplaces that insist upon judging audio in relation to “authenticity” and “soul\,”Soulnessless is comprised of several “cantos\,” each of which explore themes such as gender transitioning\, immigration\, Catholicism\, and labor.\n\nThe performance starts with a 5-10 minute slide show\, where Thaemlitz explains the scale and format of the Soulnesslessproject\, followed by an 80 minute performance of Cantos I-IV.  The evening will conclude with a 30-45 minute Q&A with the audience. \nThe event will commence with a reading by LA based writer Félix Solano Vargas from his recent publication\, Crunchy Eggs\,  a series of micro-fiction and prose about growing up in a Chicano Jehovah’s Witness household\, family\, queer trauma and survival. This work is also place based\, about Riverside\,CA and brown trans labor. \n\nThere will be a limited number of tickets available for only $7 now through the end of December\, then they go up to $10 before the event\, then $15 at the door. \n\nABOUT THE ARTISTS \nTerre Thaemlitz is an award winning multi-media producer\, writer\, public speaker\, educator\, audio remixer\, DJ and owner of the Comatonse Recordings record label. Her work combines a critical look at identity politics – including gender\, sexuality\, class\, linguistics\, ethnicity and race – with an ongoing analysis of the socio-economics of commercial media production. He has released over 15 solo albums\, as well as numerous 12-inch singles and video works. Her writings on music and culture have been published internationally in a number of books\, academic journals and magazines. As a speaker and educator on issues of non-essentialist Transgenderism and Queerness\, Thaemlitz has lectured and participated in panel discussions throughout Europe and Japan. As of January\, 2001\, he resides in Kawasaki\, Japan. \nFélix Solano Vargas is a writer and visual artist. He was born and raised in Riverside\, CA. Vargas is a queer working-class transman of color. As a young brown butch dyke\, he got his start as a grassroots activist in the Inland Empire. He has a deep background in community organizing and convening. Vargas received his B.A. in English from the University of California Riverside.  His work is often place-based and satirical. His chapbook Crunchy Eggs (2014) was published through Econo Textual Objects. Vargas’ community work is centered on affordable and comprehensive healthcare access for transgender and gender non-conforming communities\, specifically of color\, in and around Los Angeles.
URL:https://www.h-r.la/event/terre-thaemlitz/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Terre-Thaemlitz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150122T210000
DTEND;TZID=America/Los_Angeles:20150123T000000
DTSTAMP:20260409T025110
CREATED:20160311T093552Z
LAST-MODIFIED:20180824T220650Z
UID:1399-1421960400-1421971200@www.h-r.la
SUMMARY:CVI\, Telecaves\, Obscurer
DESCRIPTION:FREE though donations for non birthday having musicians would be appreciated. There will be free beverages and snacks  \ncome on down and enjoy the Tiger Munson exhibit whilst checking out mine and several other fun acts\nall are welcome \ncatered til it isn’t \n11:30p CVI – six beings\, name very close to CVS and with probably as many drugs inside em \n10:30p telecaves – sound made substance\, a heavy fog \n9:30p OBSCURER – two theremins and a mouth (mine) \nWith inbetwixt sounds from Igor Amokian w/ DJ E-Spinfiniti \nupstairs and downstairs
URL:https://www.h-r.la/event/music-night-cvi-telecaves-obscurer/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/CVITelecavesOscurer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150124T140000
DTEND;TZID=America/Los_Angeles:20150124T160000
DTSTAMP:20260409T025110
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T174600Z
UID:1400-1422108000-1422115200@www.h-r.la
SUMMARY:Numinous Rupture: Symposium
DESCRIPTION:Featuring: Ali Tobia The Puissance of the Human Energy Field: A Yogic Look at Energy Possibilities for When the Polar Ice Caps Melt and Fossil Fuel Supplies Deplete; Joseph Hankins\, author of Working Skin: Making Leather\, Making a Multicultural Japan\, on the Buraku\, the “untouchable” social class\, the workers at Fukushima
URL:https://www.h-r.la/event/tiger-symposium/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Munson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150210T210000
DTEND;TZID=America/Los_Angeles:20150210T230000
DTSTAMP:20260409T025110
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T041218Z
UID:1403-1423602000-1423609200@www.h-r.la
SUMMARY:CHRIS CORSANO + PETER KOLOVOS + CARLOS GIFFONI solo and trio plus UN CIEGO
DESCRIPTION:HRLA presents CORSANO + KOLOVOS + GIFFONI solo and trio plus UN CIEGO \n9PM/$7
URL:https://www.h-r.la/event/chris-corsano-peter-kolovos-carlos-giffoni-solo-and-trio-plus-un-ciego/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Feb-10-2015-music-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150214T160000
DTEND;TZID=America/Los_Angeles:20150214T190000
DTSTAMP:20260409T025111
CREATED:20160523T040422Z
LAST-MODIFIED:20160523T040513Z
UID:1995-1423929600-1423940400@www.h-r.la
SUMMARY:Overstimulated: the Limits of Performance
DESCRIPTION:OVERSTIMULATED is an afternoon and evening of presentations by artists\, concerning the theme of limits in performance — limits of the body\, performance\, aesthetics\, material conditions\, institutional practices\, pleasure\, or desire. \nWhat limits are imposed on performance? How are these imposed\, both actively and tacitly\, by institutions\, or by form\, by tradition or by history? How are limits imposed by artists themselves\, towards productive ends\, as constructive boundaries with which to wrestle? Or by collaboration? How do artists comply with\, reject\, or overcome limits in the course of their work\, or in its presentation\, documentation\, or dissemination? \nSCHEDULE \n4:00 Introduction by Dominic Johnson (5-10 minutes)\, and first “microlecture” by Amelia Jones (10 minutes) \n4:30 Panel of artists: Heather Cassils\, Sheree Rose\, Zackary Drucker\, Nao Bustamante; followed by Q&A (chaired by Dominic Johnson \n6:30 Microlecture by Jennifer Doyle (10 minutes\, excerpt from Campus Sex\, Campus Security); wrap-up. \n7:00 Break (and chance for dinner – PHO 87 is right next door!) \n8:00 Performance by Rocio Boliver and Thibault Delferière: “The Sea Anemone and the Hermit Crab” (from the series Between Menopause and Old Age) \n9:00 End of event \nOrganised by Dominic Johnson as Scholar in Residence at University of California\, Riverside\, in association with UCR QueerLab. With thanks to Jennifer Doyle and Human Resources LA. With financial support from Arts and Humanities Research Council (UK).
URL:https://www.h-r.la/event/overstimulated-the-limits-of-performance/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/OverstimulatedBustamante.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150214T200000
DTEND;TZID=America/Los_Angeles:20150214T220000
DTSTAMP:20260409T025111
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T040322Z
UID:1405-1423944000-1423951200@www.h-r.la
SUMMARY:Rocío Boliver (La Congelada de Uva): The Sea Anemone and the Hermit Crab
DESCRIPTION:HRLA welcomes Rocío Boliver—an iconic figure in underground performance in Mexico and an internationally renowned performance artist. This will be Rocío Boliver’s first performance in Los Angeles. Rocío Boliver’s work stages a direct confrontation with the ideological grid that would determine the shape and trajectory of women’s lives\, especially in Mexico. Her performance concludes “Overstimulated: The Limits of Performance\,” a day dedicated to queer feminist performance studies and action. \nErich Fromm claims that the deepest\, most pressing need of mankind is to overcome a sense of loneliness and separation. Individual separatism is\, for Fromm\, an essential feature in understanding the human experience\, and one which is the source of much loneliness and existential angst. The prison of aloneness can only be transcended through a sense of union\, in the connection with the Other. \nWe are also pleased to welcome Thibault Delferière\, a painter and performance artist from Belgium\, who will be presenting his first performance in the US! This is Boliver and Delferière’s third international collaboration. \n8PM/$10 tickets sold at the door \nVideo of entire performance: https://vimeo.com/121222646
URL:https://www.h-r.la/event/rocio-boliver-dominic-johnson-program-on-limits/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/RocioBoliver.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150214T210000
DTEND;TZID=America/Los_Angeles:20150215T025900
DTSTAMP:20260409T025111
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T041034Z
UID:1404-1423947600-1423969140@www.h-r.la
SUMMARY:Maricón Collective presents Scam 'n Jam\, a dance party and HRLA fundraiser
DESCRIPTION:9pm – 2am \n$5-20 suggested donation to support HRLA \nMaricón Collective brings it’s Eastside backyard party vibes to Human Resources. DJ sets by Maricón Collective\, go go boys\, photo backdrops\, scamming room\, y mas. This party will be reminiscent of a high school valentines dance with decorations\, art\, photo ops and of course sexy slow jams throughout the night. \nMaricón Collective has been popping up all over the Eastside of town throwing parties that where dj’s spin high energy\, freestyle\, funk\, oldies\, spanish new wave\, cumbias\, Banda and much more. Parties have taken place at Akbar\, the Lash\, Ooga Twooga\, Elysian Park\, people’s homes etc. They have worked with artist like Shizu Saldamando\, Joey Terrill\, Alice Bag\, Martin Sorrondeguy and have released a zine packed with original art.
URL:https://www.h-r.la/event/maricon-collective-hrla-fundraiser/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Scam-and-JAm.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150215T190000
DTEND;TZID=America/Los_Angeles:20150215T220000
DTSTAMP:20260409T025111
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T040029Z
UID:1406-1424026800-1424037600@www.h-r.la
SUMMARY:M Lamar: Surveillance Punishment and the Black Psyche
DESCRIPTION:HRLA and Volume present Surveillance Punishment and the Black Psyche\, M. Lamar’s music theater piece for countertenor and piano emerges from the constant violent and sexualized surveillance of the black male body—plantation overseer\, the NBA\, police executions of unarmed black men\, the United States penal system. Utilizing multiple live and prerecorded camera feeds\, this plantation fantasy explores surveillance from the point of view of a black man condemned to death for the murder of his male overseer with whom he has fallen in love. The work plunges to extreme depths of interracial desire within our interracial culture and history. The text for Surveillance Punishment and the Black Psyche is written by M. Lamar\, with additional text by Tucker Culbertson. Music is written by M. Lamar\, with art design and video by Sabin Calvert. Live video is by Gigantic.\n\nAbout the artist: M. Lamar works across opera\, metal\, performance\, video\, and sculpture to craft sprawling narratives of racial and sexual transformation. Lamar holds a BFA from SFAI and attended the Yale School of Art\, sculpture program\, before dropping out to pursue music. Lamar’s work has been presented internationally\, most recently at Participant Inc.\, New York; New Museum\, New York; Södra Teatern\, Stockholm; Warehouse9\, Copenhagen; WWDIS Fest\, Gothenburg and Stockholm; The International Theater Festival\, Donzdorf\, Germany; Cathedral of Saint John the Divine\, New York; Performance Space 122\, New York; and African American Art & Culture Complex\, San Francisco; among others. Lamar has had many years of classical vocal study with Ira Siff\, among others; and is a recipient of the Franklin Furnace Fund Grant 2013–14 and a Harpo Foundation grant 2014-15. 7PM/$10 advance\, $15 at the door
URL:https://www.h-r.la/event/m-lamar/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/MLamarSurveillance.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150221T090000
DTEND;TZID=America/Los_Angeles:20150222T010000
DTSTAMP:20260409T025111
CREATED:20160311T093552Z
LAST-MODIFIED:20160523T035709Z
UID:1408-1424509200-1424566800@www.h-r.la
SUMMARY:Decompassion: A Background Music Screening Experience
DESCRIPTION:Decompassion is an event presented by Filmmakers Ian Randolph and Solomon Gross in collaboration with  HRLA. One half film screening\, one half live concert. There will be a exclusive Los Angeles premiere screening of Ian and Solomon’s film festival selected short film “Background Music”. This is documentary-based film chronicles one man’s struggles and successes within the music industry as Rap hype man. Unique and riveting\, the story\, much like this event\, represents the underdog and the unsung individuals who strive to make an impact in the most unconventional way. \nIn addition\, before and after the screening  there will be musical performances by Los Angles’s emerging musical talents such as Verbs\, Ryder Bach\, Durga Chamber\, Trenttruce\, Potion\, and TARK along side Dj RyToast providing a crowd pleasing mix in between sets. Each musical guest shares their own eclectic style and talent that goes beyond what’s expected from their “genres”.\nDoors open at 9pm and ends at 1am.\n$5
URL:https://www.h-r.la/event/ian-randolph-screening-and-night-of-music/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/decompassion.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150306T000000
DTEND;TZID=America/Los_Angeles:20150306T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035359Z
UID:1409-1425600000-1425600000@www.h-r.la
SUMMARY:COOLWORLD presents Phedre\, Jal\, Paper Slang\, Sistermantos\, Jeffzilla
DESCRIPTION:COOLWORLD presents: \nP H E D R E\n(http://www.soundcloud.com/phedre) \nJ A L\n(http://xxxjalxxx.tumblr.com/)\n \nP A P E R  S L A N G\n(https://soundcloud.com/paper-slang) \nS I S T E R  M A N T O S\n(http://www.sistermantos.com/)\n \nJ E F F  Z I L L A\n(https://soundcloud.com/gaytendencies) \nDJs\nC R A S S L O S\n+\nJ U L I U S  S M A C K \nDoors at 9pm\n$5 suggested donation \nFacebook invite\nhttps://www.facebook.com/events/1551206751800928
URL:https://www.h-r.la/event/coolworld-presents-phedra-and-more/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/cool_world_37.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150307T000000
DTEND;TZID=America/Los_Angeles:20150307T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035159Z
UID:1410-1425686400-1425686400@www.h-r.la
SUMMARY:Decolonizing the White Box III
DESCRIPTION:This fall two large public forums gathered under the premise of “Decolonizing The White Box\,” in response to artworld racism and\, in specific\, to the critique leveled at the Made in LA show at The Hammer Museum by writer Sesshu Foster. Both events drew large crowds. The first\, led by Raquel Gutierrez\, involved exercises and strategies to interrogate the dividing lines between aesthetics and politics. The second coincided with news of the non-indictment of the murderous cop in Ferguson. During a rather heated Q & A\, panelist Ricardo A. Bracho called for a people of color artist meeting. This third event in the series is the response\, developed by artists and organizers of color of LA. \nThis is an intentional people of color only event. \nWe welcome you to continue our conversations.We hope to create a dialogue which challenges and explores the mechanisms of power in the art world. We invite artists\, organizers and all Angelenos of color to join us in an intimate exchange on race and representation\, communities and the art market\, and the (im)possibilities of artworld decolonization. \nSaturday March 7th\n7 to 10pm\nBring food to share- its a potluck! \nThis event was organized by Oscar Miguel Santos and a group of artists involved in both previous meetings.
URL:https://www.h-r.la/event/decolonize-poc-event/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/decolonizing-III.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150308T180000
DTEND;TZID=America/Los_Angeles:20150308T210000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035035Z
UID:1411-1425837600-1425848400@www.h-r.la
SUMMARY:The Border Again: Dis-automation and the Border (?)\, an open forum
DESCRIPTION:An Open Forum — closing event for The Border Again. \nArtists attending: Simon Pecco\, Alfredo Gonzalez Reynoso\, Luisa Fernanda Martinez and Reuben Torres.* \nCLOSING EVENT FOR THE BORDER AGAIN \n3/8 Sunday\, 6:00 pm to 9:00 pm \nWe would like to invite you to an open forum\, an un-moderated talk at Human resources for the closing of The Border Again. \nOpen Forums are un-moderated talks that use prompts as starting points to engage in conversation through the discourse of aesthetics and politics. \nOpen Forums were started in Tijuana to open up the gallery space\, in order to engage the community of Tijuana more intimately. Some of the prompts for past forums were drugs\, apathy\, and politics\, and small instances in dissidence. Being that this iteration will be in Los Angeles\, in addition to speaking of the border as a place where artistic practice can be socially engaged and also what it means to work in contested spaces\, it might be useful to imagine what future borders will come\, symbolically and in the real(?)\, what will the border look like (the aesthetics of the military?)\, what types of imaginary technologies will be used and how will we counteract surveillance (just some thoughts). For this iteration of Open Forums\, there are two small texts that might be helpful. \nAudre Lorde\, “The Transformation of Silence Into Language and Action” from I Am Your Sister\, 39-44 \nand \n“Bifo” Berardi’s “The Mind’s We:Morphogenesis and the Chaosmic Spasm\,” p. 7-33. \nDownload links for PDF’s \n*Open Forums were started by a curatorial collective with artists from Tijuana and Mexico City and included Jaqueline Andrade from Praxis Gallery\, Anna Bon\, Vidal Castillo\, Carlos Matsuo\, Marcel Miranda\, Joey Muñoz\, Christian Vargas\, and Michael Ray-Von.
URL:https://www.h-r.la/event/open-forum-otras-obras/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/Border-Again.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150311T200000
DTEND;TZID=America/Los_Angeles:20150312T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034803Z
UID:1412-1426104000-1426118400@www.h-r.la
SUMMARY:Being for the Benefit of Mr. Ford
DESCRIPTION:HR and LAFMS present Being for the Benefit of Mr. Ford: A benefit and celebration for Ace Farren Ford 8PM \nAce Farren Ford has been on the outskirts of the improvisational / noise scene for more than 40 years\, an original founding member of the Los Angeles Free Music Society and has been with a variety of ensembles such as Smegma\, AIRWAY\, the Mystery Band\, the Hangar Quartet\, Crowbar Salvation\, EXP\, Heltir and many others. As many have in today’s economy\, he has been struggling to stay afloat in recent years. \nHuman Resources and LAFMS has come to his aid with this evening of sound and art\, including performances by Joe Potts\, Sleepwalkers Local\, s&ndc&stl&\, Balkh\, Small Drone Orchestra\, Ted Byrnes\, the Hangar Quartet\, and special guests.  \nOriginal art by Ace Farren Ford and records will be available for sale. \n$10 suggested donation FB event page
URL:https://www.h-r.la/event/benefit-for-lafms-ace-farren-ford/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Benefit-Mr-Ford.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150312T200000
DTEND;TZID=America/Los_Angeles:20150313T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034611Z
UID:1413-1426190400-1426204800@www.h-r.la
SUMMARY:THEE OH SEES and CALDWELL/TESTER
DESCRIPTION:MUSICAL EXPOSITION featuring Thee Oh Sees and Caldwell/Tester \nThis will be a test run of sorts for the newly formed double drums lineup of Thee Oh Sees… John Dwyer has still got it.. he just has more thump and whack behind it.\n\nCALDWELL/TESTER are synths and electronics emotified… bring your slow dancing shoes.\n\nDoors at 8PM\, $5
URL:https://www.h-r.la/event/oh-sees-caldwelltester/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Oh-Sees.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150313T180000
DTEND;TZID=America/Los_Angeles:20150313T180000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224859Z
UID:1414-1426269600-1426269600@www.h-r.la
SUMMARY:A STONE IN THE MIDDLE | CONTEMPORARY TECHNO-TEMPORAL INNOVATION
DESCRIPTION:a stone in the middle | contemporary techno-temporal innovation \nI understand techno- from the Greek τέχνη. It could mean arts or craft or both.  I also understand -temporality as relative to time\, in many ways. It is also a form of electronic dance music\, I heard\, but this is also relative to time. So what is techno-temporality? I think of the term as related to the digitization of our times and to the way our apperception of time is (re)built. In that case\, isn’t a contemporary techno-temporality a pleonasm? When else in history did we experience an age of digitization prior to now? Could digitalization ever precede the invention of the digital? The artists of the show share the same space in the same time. And this seems already enough to know. Together their works engage into a never ending techno-dance that\, ultimately\, leaves us questioning the floor we thought we were dancing on. But was it ever a floor in the first place? \nFilm\, performance — 8PM \nPerformances by Joanna Swan and Noon Tran \nParticipating artists: Martha Dimitratrou\, Jane Moseley\, Audrey Wollen\, Jullen Borno\, Ilana Kozlov\, Kinkey Dolores Cosi S\, Dylan Corbett\, Timo Fahler\, Jesse Adams\, Judith Rau\, Joanna Swan\, Noon Tran
URL:https://www.h-r.la/event/video-screening-final-plankton-w-tran/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/1889054_10152810774543918_3110541365098055932_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150314T193000
DTEND;TZID=America/Los_Angeles:20150314T193000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033958Z
UID:1415-1426361400-1426361400@www.h-r.la
SUMMARY:Charles Atlas: Dance! Dance! Dance!
DESCRIPTION:7:30PM \n“Ex-Romance”\, 1987 (48 min) \n“Hail the New Puritan”\, 1985 (84 min) \nAs part of the ATLAS IN LA festival\, a nine-day festival of film screenings\, which will occur March 10th-19th at eight venues around Los Angeles\, Human Resources presents a night of Charles Atlas’ two most well known dance-narratives. In Ex-Romance\, Atlas’ fascination with “narrative\, psychology\, dance\, and flights of fantasy\,” is manifested in this dynamic videodance musical. Here the postmodern choreography of Karole Armitage is performed by Armitage\, Michael Clark and others to American pop and Latin music. Framed and interrupted by the ironic observations of two parodic “public television” commentators\, the dancers play fictionalized versions of themselves in a wry tale of contemporary romance\, in which the dance literally and metaphorically advances the narrative. Hail the New Puritan is a simulated day-in-the-life of British dance celebrity/choreographer Michael Clark. Atlas’ fictive portrait of the charismatic choreographer serves as a vivid invocation of the studied decadence of the 1980s post-punk London subculture. Contriving a faux cinema-verite format in which to stage his stylized fiction\, Atlas seamlessly integrates Clark’s extraordinary dance performances into the docu-narrative flow. Focusing on Clark’s flamboyantly postured eroticism and the artifice of his provocative balletic performances\, Atlas posits the dance as a physical manifestation of Clark’s psychology. \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-hr/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlast-Dance.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150315T200000
DTEND;TZID=America/Los_Angeles:20150315T220000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034214Z
UID:1416-1426449600-1426456800@www.h-r.la
SUMMARY:MAX EILBACHER AND LUMINOUS ALL KUDLER AND GUESTS
DESCRIPTION:HRLA presents Max Eilbacher’s The VanderBleakin Tour Comes To The West Coast with:\nMax Eilbacher \nWe have Eilbacher ripping sets of electro-acoustic shard flappery with drone-rockers Teeth Mountain\, rocking a guitar and violent acts of peace with aktionist noise-rock unit Needle Gun (of which he helped found)\, bobbing his own head along a top a swarm of electronics with technocrats Matmos\, keeping just intoned enough with comp-rockers Horse Lords (of which he is also a founding member) as well as improvising at events like High Zero\, making video art\, and eating a nasty mountain of hot peppers just to impress two brothers with different last names; the psychedelic noise-triXXXster Twig Harper and the reel-to-reel builder and stoic impresario of deadened ambush\, Caleb Johnston. At this point\, the context returns to its’ steady placement as useless. If one places a musician within every-damn-musical-area one can fall into\, then can’t one as easily put them into no-damn-musical-area? After all who ever heard of a technocrat drone-rocker noise aktionist eating hot peppers with two psychedelic brothers all while playing junked out electronics mixed with developing and progressive\, but still rather nostalgia tinged\, digital sounds\, except there are no beats\, drones\, or noise-blasts but rather interlocking layers of clang-y misshapen patterns that are replaced by rising and descending tones smattered together to be torn apart to create a carousel affect of the cogent and the confused? There seems to be just nothing to say about Max Eilbacher other than that he is a Baltimore based musician working with a wide variety of electronics\, both sampled and synthetic. Eilbacher has a solo record out on the Spectrum Spools label\, a sub-label of Editions Mego \nLuminous All Kudler \nLuminous All Kudler is one of many interchangeable performing aliases of currently Baltimore based electronic musician and sound artist Ben Kudler. In response to the recent move to integrate computers into every facet of daily life\, including the body\, Kudler’s sounds create physiological snaps and bumps in addition to psychoacoustic errors and confusions on the part of the listener. The immediately identifiable synthetic sounds used are strapped into shaky\, if not plain stupid\, structures stacked on top of one another rendering a centrifugally hung spinning force of a composition that can only have sense derived from by each individual listener\, the end user. Luminous All Kudler’s debut full length record will be released on Spectrum Spools\, a sub-label of Editions Mego this year. \nSalamander Wool\nhttp://www.ehserecords.com/salamanderwool/ \nMatthew Sullivan\nhttp://matthewsullivanearn.bandcamp.com/ \nVRS\nwww.vrs-music.tumblr.com \nDoors at 8PM\, $5 FB event page
URL:https://www.h-r.la/event/ben-kudler-max-eiibacher/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/March-15-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150316T193000
DTEND;TZID=America/Los_Angeles:20150316T193000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033802Z
UID:1417-1426534200-1426534200@www.h-r.la
SUMMARY:Charles Atlas: Turning
DESCRIPTION:7:30PM \n“Turning”\, 2012 (76 min) \n“You Are My Sister”\, 2006 (3 min) \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-2/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlas-Turning.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150331T000000
DTEND;TZID=America/Los_Angeles:20150331T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160516T181922Z
UID:1419-1427760000-1427760000@www.h-r.la
SUMMARY:Night of Music w/ Emily Joyce
DESCRIPTION:Emily Joyce and friends including Adam Goldman. Low Key night of music.
URL:https://www.h-r.la/event/night-of-music-w-emily-joyce/
CATEGORIES:one-time event at HR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150402T000000
DTEND;TZID=America/Los_Angeles:20150402T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T231051Z
UID:1420-1427932800-1427932800@www.h-r.la
SUMMARY:KREaction: Kevin Robinson Ensemble with Kenyatta C Hinkle and Niela Orr
DESCRIPTION:A night of improvised sonic meditations led by the Kevin Robinson Ensemble (KREation) working in collaboration with live visual art by Kenyatta A C Hinkle and live writing by Niela Orr. KREation consists of: Sarah Belle Reid – Trumpet; Christin Hablewitz – Woodwinds; Kevin Robinson – Woodwinds; Rachel O’Connor – Horn; Evan Jiroudek – Drums; Tony Giuseppe Gennaro – Vibes; Lee Hodel – Bass. This performance will take place amidst Emily Joyce’s exhibition. \n8PM/Donation at the Door
URL:https://www.h-r.la/event/kreationimprov-jazzspoken-word/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/KREationensemble.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150404T200000
DTEND;TZID=America/Los_Angeles:20150405T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T230841Z
UID:1421-1428177600-1428192000@www.h-r.la
SUMMARY:ARRINGTON de DIONYSIO + PARK DETAIL'S BAND + telecaves + LEE NOBLE
DESCRIPTION:Doors at 8PM\, $7. Join us at HR for experimental\, noise sets with Lee Noble\, Park Detail’s Band\, Ezra Buchla\, Arrington de Dionysio\, and Telecaves.
URL:https://www.h-r.la/event/arrington-de-dionysio-park-details-band-telecaves-lee-noble/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-4-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150405T200000
DTEND;TZID=America/Los_Angeles:20150406T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224618Z
UID:1422-1428264000-1428278400@www.h-r.la
SUMMARY:father murphy + xiu xiu noise set
DESCRIPTION:Doors at 8PM\, $7 everyone welcome \nout of this world psych and noise blowout on Easter Sunday.. .come blessed in yr sunday dress \nFATHER MURPHY (IT) visiting darkness\nXIU XIU NOISE – hometeam supergroup featuring Elaine Carey & Juliette Amoroso (Telecaves)\, Tamaki Ueda (Banetoriko)\, Shayna Dunkelman\, Angela Seo & Jamie Stewart (Xiu Xiu).\nXIA – hometeam darkness\nplus a special opener and closer dj set from the folks who brought you the 1/8th FEST
URL:https://www.h-r.la/event/father-murphy-xiu-xiu-noise-set/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/934748_10153027829688446_1141129769213277987_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150408T200000
DTEND;TZID=America/Los_Angeles:20150409T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T230549Z
UID:1423-1428523200-1428537600@www.h-r.la
SUMMARY:jessica pavone\, owen stewart-robertson\, ted byrnes
DESCRIPTION:Doors at 8PM\, $10 all ages. \nAn evening of 3 solo performances from Jessica Pavone (viola)\, Owen Stewart-Robertson (guitar)\, Ted Byrnes (percussion). Possibly\, a trio at the very end. \nABOUT THE ARTISTS\nJessica Pavone (composer\, viola\, violin\, el.bass) has performed in countless improvisation\, avant jazz\, experimental\, folk\, soul\, and chamber ensembles since moving to NYC in 2000. She currently plays with Normal Love\, in a duo with guitarist Mary Halvorson\, with Anthony Braxton’s ensembles and as a solo violist. As a composer\, The Wire magazine praised her “ability to transform a naked tonal gesture into something special\,” and The New York Times described her music as “distinct and beguiling…its core is steely\, and its execution clear.” \nPavone’s recent works for solo viola and voice stem from years of concentrated long tone practice and an interest in repetition\, song form\, and sympathetic vibration. She combines her long tone rituals with delay\, understated melodies and sparse lyrical content while continuously experimenting with new forms. She is interested in the physicality of performing her somewhat larger-than-comfortable instrument and believes that cultivating physical bodies as a strong container for her thoughts is part of the creative process. \nPavone has toured extensively throughout the U.S.\, Canada and Europe\, performing in venues ranging from international music festivals\, universities\, and art galleries\, to community centers and basements. Her music has premiered in venues in New York City such as\, Roulette\, Issue Project Room\, and The Kitchen\, and at the Klangbad Festival in Sheer\, Germany. In 2011 she was featured in NPR’s “The Mix: 100 Composers Under 40.” She has received grants and commissions from the Aaron Copland Recording Fund\, the American Music Center\, The Kitchen\, MATA\, The Jerome Foundation\, Experiments in Opera\, and the chamber music collective\, Till By Turning. \nPavone’s music is available from Taiga Records\, Tzadik\, Thirsty Ear\, Porter\, Skirl\, and Peacock Recordings. \nOwen Stewart-Robertson is\, among other things\, a native of Saint John\, New Brunswick\, Canada\, a guitarist\, composer\, educator\, performer\, a formerly active member of music scenes in\, chronologically\, the Maritimes\, Montreal\, Cincinnati\, and New York City\, a mild claustrophobic\, a participant in ensembles including VaVatican\, Old Salt\, This Sporting Life\, Evelyn\, Teenage Burnout\, Make A Circus\, Jason Ajemian’s HighLife and Folklords\, Katherine Young’s Pretty Monsters\, a founder and director of experimental music label Prom Night Records\, a brother of 3\, a former student of a wonderful guy named Mick Goodrick\, and an enthusiast of enthusiasm. \nTed Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston\, MA\, he comes from a jazz background and has since made his home in the worlds of free improvisation\, new music\, electro-acoustic music\, and noise. \nTed primarily works in ad hoc improvisational settings\, but has standing improvisational groups including: a group with Ulrich Krieger\, a duo with Jeff Parker\, a duo with Chris Cooper (AQH)\, a duo with Nicholas Deyoe\, a duo with John Wiese\, a duo with Scott Cazan\, a trio with Jacob Wick and Owen Stewart-Robertson\, among others. Additionally\, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj\, David Watson\, Ingebrigt Haker Flaten\, Charlemagne Palestine\, Alfred 23 Harth\, Tim Perkis\, Jaap Blonk\, Torsten Muller\, Kim Myhr\, Jim Denley\, Lloyd Honeybrook\, Chris Schlarb\, Mike Watt\, Paul Masvidal\, the LAFMS (including Smegma\, Airway\, Ace Farren Ford’s Artificial Art Ensemble\, Rick and Joe Potts\, Fredrik Nilsen\, Tom Recchion\, Vetza\, etc)\, Sissy Spacek (the band)\, Maher Shalal Hash Baz\, and more. \nTed has also collaborated with / worked for a variety of visual artists: he has accompanied a Doug Aitken “happening”\, collaborated with Olivia Booth to play her glass artworks\, collaborated with Dani Tull on a sound performance\, performed with John Knuth and Bret Nicely at an installation in an empty pool\, and has performed for FLUXUS artist Jeff Perkins on multiple occasions for his projector/light installations. \nCurrently\, Ted is delving further into the possibilities and realities of solo drumset performance in addition to continuing to work with his existing projects.
URL:https://www.h-r.la/event/jessica-pavone-owen-stewart-robertson-ted-byrnes-1-night-music/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-8-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150412T000000
DTEND;TZID=America/Los_Angeles:20150412T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T225202Z
UID:1425-1428796800-1428796800@www.h-r.la
SUMMARY:ALTO! / Cinder Cone / NARC
DESCRIPTION:Doors at 8:30PM\, music starts at 9:30\, $5. \nooooffff… heavy doses in triplicate\nthree drummers and four guitars players\nthats it… \n3 + 3 + 4 = 10 = 1 + 0 = 1 \nunity \nABOUT THE ARTISTS \nALTO! \nCinder Cone\, a two-piece minimalist rock outfit from Los Angeles\, emit a thunderous sound. Anyone can attest to this if they have attended a Cinder Cone show\, listened to the band’s releases\, or even heard a rumbling somewhere near a downtown practice space on the banks of the great LA River. Only two members comprise the band: David plays a drum set and Anthony plays a guitar while vocalizing into a microphone. They do not use keyboards\, laptops\, or any other technical wizardry to create their sound. If you hear it on the record\, they can do it live.  Their full sound of octopus drumming and innovative fretwork weave together to place the listener on a propulsive freeway one minute only to drop them off in a placid field the next\, capping off the journey with an earthquake of drum rolls and precisely controlled feedback. \nNARC \nFB event page
URL:https://www.h-r.la/event/alto-cinder-cone-narc/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/April-12-2015.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150414T190000
DTEND;TZID=America/Los_Angeles:20150415T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20160522T224949Z
UID:1426-1429038000-1429056000@www.h-r.la
SUMMARY:ESPTV
DESCRIPTION:Directed by Scott Kiernan and Victoria Keddie\, this expansive project utilizes a mobile television studio to explore the artist dialogue with broadcast transmission\, analog and digital media\, and televisual liveness. \nE.S.P. TV’s live TV studio hybridizes technologies old and new to realize synthetic environments for performance that also expose the process of production. Each live taping event is the realization of an artists’ collaboration with us.  These events are taped live with a crew of cameramen\, sound engineer\, and video mixing team in front of an audience. The recorded events air on Manhattan Neighborhood Network public television weekly\, as well as online\, and have been exhibited internationally. \nE.S.P. TV Live Taping:\n\nDVA DAMAS\nJennifer Juniper Stratford\nZumi Rosow and Cole Alexander\nElena Bajo\nSuzy Poling\nExperimental Half-Hour\nJack Name’s Furniture Girls\n\nVideo Program by UNDERVOLT AND CO. with works by :\nAndrew Benson\nCristopher Cichocki\nExtreme Animals\nAdam Ferris\nYoshi Sodeoka\nSpectral Net\nJohnny Woods\nGiselle Zatonyl\nEve Parmagariti\nE.S.P. TV has held over 50 live taping events internationally and has aired over 70 episodes to date. E.S.P. TV has worked with various venues including: The Whitney Museum of American Art\, New Museum\, Museum of Arts and Design\, Printed Matter\, Millennium Film Workshop\, New School\, Rawson Projects\, Recess (NYC); Interstate Projects\, Spectacle Theater\, Issue Project Room\, Roulette (Brooklyn); Franklin Street Works (Stamford\, CT)\, Liminal Space (Oakland\, CA)\, Yerba Buena Center for the Arts (San Francisco\, CA)\, Ballroom Marfa (Marfa\, TX)\, General Public (Berlin)\,  STORE (Dresden)\, Studio XX (Montreal)\, Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin). \nE.S.P. TV broadcasts every Tuesday night at 10PM on Manhattan Neighborhood Network (MNN). Channel 67 in Manhattan\, as well as online at www.mnn.org.  All episodes are then posted online on our website and Vimeo platforms.  E.S.P. TV now also airs on Wednesdays with Comcast Cable 66/966 or Verizon Fios 29/30 in Philadelphia at 11:30PM.
URL:https://www.h-r.la/event/esptv/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/ESPTV2015.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150417T210000
DTEND;TZID=America/Los_Angeles:20150418T000000
DTSTAMP:20260409T025111
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224302Z
UID:1427-1429304400-1429315200@www.h-r.la
SUMMARY:MIKE TAMBURO + DJ ESPINFINITI + KEVIN GREENSPON
DESCRIPTION:Doors at 9PM; $5. \nMike Tamburo (Pittsburgh\, PA) – https://miketamburo.bandcamp.com/\nEast coast hammered dulcimer\, gong and meditation master comes to float your boat \nBrown bread (Beacon\, NY) – https://brownbread.bandcamp.com/\nDrifting nebula of a cappella vocal harmonies and keyboard swirl \nDj E-Spinfiniti – https://soundcloud.com/djesp-infiniti-1\nInterdimensional DJ and meditative sounds for the upliftment of all creation \nKevin Greenspon – http://www.kevingreenspon.info/\nAmbient techno meets immersive visual projection overload
URL:https://www.h-r.la/event/mike-tamburo-dj-espinfiniti-kevin-greenspon/
CATEGORIES:one-time event at HR
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