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DTSTART;TZID=America/Los_Angeles:20220205T190000
DTEND;TZID=America/Los_Angeles:20220205T210000
DTSTAMP:20220204T010538Z
CREATED:20220125T004214Z
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UID:6517-1644087600-1644094800@www.h-r.la
SUMMARY:Sylvia Wynter's The Big Pride\, (1961.) Film screening by LAND x HRLA
DESCRIPTION:Mrs.Dowling (Nadia Cattouse) and Mallboy Dowling (Johnny Sekka) in The Big Pride\, (1961.) \nHuman Resources Los Angeles in partnership with LAND (Los Angeles Nomadic Division) presents a screening of The Big Pride (1961) the film adaptation of Sylvia Wynter’s play of the concurrent name. \n“Scripted by Guyanese writers Jan Carew and Sylvia Wynter\, The Big Pride is a powerful drama about the quest for freedom. Classically-trained American actor William Marshall and Senegalese-born Johnny Sekka play convicts\, desperate to escape not just the physical bars of the prison cell but also an iniquitous social order that relegates them from birth to the bottom of the heap. However the critique by Dolly Green\, in a virtuoso performance by Trinidadian actor Barbara Assoon\, exposes a third confinement\, ultimately the most devastating of all\, the imprisonment of the mind by bitterness and hatred. In the end for Sutlej and Smallboy Dowling there is no fantasy future. There is only death and surrender.” — British Film Institute \nThe film screening is a part of LAND and LACA’s (Los Angeles Contemporary Archive) course on the work of Sylvia Wynter facilitated by manuel arturo abreu. \nSpecial thanks to Blue for making the film screening possible. \nFor free tickets please RSVP to our Eventbrite here.  \nDoors open at 7:00pm with the film starting promptly at 7:30pm.  \nThe screening will be followed by Q&A between manuel arturo abreu and LAND’s Associate Curator Hugo Cervantes. \nVaccination card is required for entry and attendants are required to wear a mask at all times inside the gallery. \nPlease note this film screening has limited capacity. Be sure to arrive early to ensure entry. \n 
URL:https://www.h-r.la/event/the-big-pride-land-x-hrla/
CATEGORIES:one-time event at HR
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DTSTART;TZID=America/Los_Angeles:20220212T200000
DTEND;TZID=America/Los_Angeles:20220212T220000
DTSTAMP:20220203T223949Z
CREATED:20220202T202427Z
LAST-MODIFIED:20220203T223949Z
UID:6566-1644696000-1644703200@www.h-r.la
SUMMARY:Purple Glitter Slime
DESCRIPTION:An evening of queer performances and works by \nAmanda-Faye Jimenez \nAimee Goguen & Dakota Higgins \nJohn Burdole \nLaub \nNathan Lam Vuong \nZori Swanegan \n\n\n7$ \nDoors open at 8 \nPerformances begin promptly at 830 \n\nTickets can be purchased here: https://withfriends.co/event/13568875/purple_glitter_slime_21222 \n\nAmanda-Faye Jimenez is a writer and comedic performer born and raised in Los Angeles. She is mostly known for being a huge lesbian irl and online @failureprincess and for having long conversations with dogs. \nAimee Goguen (she/they) is a moving-image artist working in analog video\, hand-drawn animation\, and creative writing. She explores the grotesque and abject\, crafting scenarios that reimagine bullying as staged\, repetitive actions. Goguen’s work is anchored in imagination\, fantasy\, and escape. Goguen lives and works in Los Angeles. \nDakota Higgins is an artist\, writer\, and musician based in Los Angeles. He runs the experimental venue\, The DMV\, LA (aka The Departure from music Venue[s]). \nJohn Burdole is a queer artist. They like making work with their friends\, and making out. \n\n\nNathan Lam Vuong’s work deals with Asian-American culture\, the nuances of loneliness and confusion in dating\, and ideas of non-relationships. Born in Pascagoula\, Mississippi and raised in Florida\, Vuong received his BFA from the University of Miami and an MFA from CalArts.  Vuong produced the weekly comic strip\, Post-Ironic\, for The Heat Lightning (Miami). In 2011\, he attended the Banff Art Centre in Canada for the thematic residency “What’s Love Got To Do With It?”  Vuong has exhibited/performed at Soy Capitán in Berlin\, The Center – NYC’s LGBT Community Center\, Krause Gallery NYC\, Machine Projects LA\, LACMA (band performance with J-Lep)\, Aljira Center for Contemporary Art Newark NJ\, and Boston Center for the Arts. \n\nBuddy\, gentle like an angel sent from the heavens\, is Laub with some clown makeup on. Every once and a while he comes out of hiding to sing some songs.  He grew up Mennonite\, in Virginia\, and misses singing every Sunday\, in a congregation of people who sang in four-part harmony. He plays the guitar\, banjo\, piano or octave mandolin and sings from his iPhone\, very seriously\, like a boy in church. Laub\, also known as Taliesin is currently enrolled in massage school and needs practice. If you’d like to make an appointment or inquiries please call 562-583-5773 or DM @laublife. He has great hands and his own portable massage table. Also\, in recent developments\, Laub needs a place to live. \n\n\n\nZori Swanegan is a visual artist based in Los Angeles\, CA. She primarily makes works on paper.\n  \n  \n\nProof of full vaccination and contact info required for entry to this event\nMasks required at all times while inside the space\nThis event has a limited capacity\, pre-sale tickets are highly encouraged
URL:https://www.h-r.la/event/purple-glitter-slime/
CATEGORIES:exhibition,one-time event at HR,performance
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DTSTART;TZID=America/Los_Angeles:20220219T190000
DTEND;TZID=America/Los_Angeles:20220219T210000
DTSTAMP:20220210T231123Z
CREATED:20220125T235157Z
LAST-MODIFIED:20220210T231123Z
UID:6545-1645297200-1645304400@www.h-r.la
SUMMARY:Mascota a film by Nico Garcini & Misael José Oquendo
DESCRIPTION:Human Resources-Los Angeles presents Mascota an experimental film by Nico Garcini and Misael José Oquendo. \nSaturday\, February 19th  \nDoors: 7pm  \nFilm to begin promptly at 7:30pm  \nVaccination card is required for entry and attendants are required to wear a mask at all times inside the gallery. \nPlease note this film screening has limited capacity. Be sure to arrive early to ensure entry. Please RSVP here.  \nThe story of MASCOTA follows a lost pilgrim (PEREGRINA) who finds themselves furloughed in a town full of live action role players. In need of a square meal\, the Pilgrim meets and follows a vagrant LARPer\, RATBOY\, who is fervently obsessed with an entity called the Floon. The townsfolk are not only all participating in a town wide LARP campaign\, but they all appear to be compulsively partaking in a town lottery. The pilgrim comes to find that each individual’s lottery ticket is what allows them to participate in the town’s activities. Without a ticket\, one is ostracized from all establishments and events\, and like Ratboy\, becomes a Mascota\, and townsfolk then consider them to be a subaltern citizen. Mascotas present as half human/half animal figures\, as they have chosen a path whereby they no longer see the difference between their in-game role-play and their out-of-game persona. These mascotas all live together in a ‘monster camp\,’ a harmonious socialist community just outside of town. Here they worship the ways of the Floon\, a deity whose name has its origin in a LARP term that signifies the feeling of exaltation one gets from participating in a campaign. Our protagonist\, after becoming familiar with this shunned community\, begins to notice certain inherent disparities between these two societies. Noticing a sense of superiority among the townsfolk\, the Pilgrim becomes increasingly worried that the ticket holders and the ticketless will inevitably be brought to conflict. \nMASCOTA is an animated experimental fantasy film created through the use of keyframing\, image plating and motion capture A.I. software. MASCOTA’s story and aesthetic draws from a myriad of sources: Live Action Role Playing\, an interactive role-playing game wherein the participants portray characters through physical action and fashion. This heavily inspired the premise of the film wherein every character in the film aside from the protagonist is a ‘LARPer’ engaged in a fantasy campaign. Through the use of animation\, the film is free to explore and engage anachronistically with any setting\, mythology\, fashion and style. The dialogue of the feature merges LARPing terminology and antiquated speech as a diachronic experiment in\nform. Concerning the etymology of MASCOTA\, look to the 19th century French\, mascotte\, meaning a pet or lucky charm\, a concept by which the feature’s auteurs gather certain thematic symbols. The film’s satirical and abstracted reenactment of the christ myth is told through the haze of unrequited love and its heavily tragic consequences. \nNico Garcini  is a Cuban writer\, filmmaker\, musician and visual artist currently based in Tucson\, AZ. He graduated with a BFA in film from Bard College in Annandale-on-Hudson\, NY\, where he studied under Peter Hutton. \nMisael José Oquendo is a Puerto Rican video artist\, curator and writer based in Los Angeles. He recently graduated from the Aesthetics & Politics (2020\, MA) program at the California Institute of the Arts. He also studied film and visual critical studies at the School of the Art Institute of Chicago where he graduated with a BFA in 2016. His videos have been exhibited at the Gene Siskel Film Center in Chicago and most recently at the LA Contemporary Archive in Los Angeles.
URL:https://www.h-r.la/event/mascota-a-film-by-nico-garcini-misael-jose-oquendo/
CATEGORIES:one-time event at HR
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DTSTART;TZID=America/Los_Angeles:20220226T210000
DTEND;TZID=America/Los_Angeles:20220226T210000
DTSTAMP:20220224T040534Z
CREATED:20220222T194730Z
LAST-MODIFIED:20220224T040534Z
UID:6651-1645909200-1645909200@www.h-r.la
SUMMARY:Cube - Pure Shit - Prosperity
DESCRIPTION:Cube is the electronic music project of NY-based artist Adam Keith.  Live\, Cube conjures a whirlwind of strobing light and video to hypnotic effect.  Searing textures and violent rhythms give way to moments of hushed\, eerie beauty.  Musically\, the project touches on industrial\, dub\, drum & bass\, noise\, and more\, but does so with a distinctly personal\, infectious touch – the spirit of a songwriter lurks somewhere underneath. \nKeith also publishes the art & culture magazine Baited Area. \n“Keith’s vocals rattle around the majority of the tracks\, grounding them in some kind of snarling NYC 1982 attitude that’s hard to ignore. But the productions themselves dance around genres with complete freedom\, occasionally sounding like Suicide\, occasionally like Foodman\, occasionally like The Prodigy and occasionally like HTRK… This is jagged\, jolting DIY music that succeeds because it takes bold risks.” – Boomkat \nSeismic drum machine parts partition an album that layers industrial-tipped takes on \ndigi-dub with roaming guitar lines\, piano vignettes\, and breakbeat theatrics.” – Alter \n  \nPure Shit is a punk band based in and around Los Angeles\, but biographies are not important. Revelations and regeneration is what Pure Shit is all about. \n  \nProsperity \nWhich word\, would you use\, \nto describe her defiant grin? \nA look that says: \nthat demon\, \nthat man\, \nwill never steal our joy. \nAnd for us.. \na smile back.. \na long ride home.. \neveryone; a different war. \nUntil a star aligns \nacross our line in the sand\, \ndisappearing in the wind; \nto be drawn again and again. \nAn impression\, \nforever forward\, \nholding our same place. \nProsperity is a project by Michael DeMaio beginning July 2020 in Los Angeles\, California. \n 
URL:https://www.h-r.la/event/cube-pure-shit-prosperity/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR,performance
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