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DTSTART;TZID=America/Los_Angeles:20200215T200000
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SUMMARY:Feldman and Frey performed by The Koan Quartet with Katie Porter
DESCRIPTION:Performance: 8pm\n$15 at the door (no one turned away for lack of funds)\n\n\n\n\n\n\nFeldman and Frey performed by The Koan Quartet with Katie Porter\n\n\nJürg Frey; Quintet\, Clarinet and String Quartet\nMorton Feldman; Clarinet and String Quartet\n\n\n\n\nEric KM Clark & Orin Hildestad\, violins\nCassia Streb\, viola\nJennifer Bewerse\, cello\nKatie Porter\, clarinet\n\n\n\n\n\n\nQuintet\, Clarinet and String Quartet\nJürg Frey\, b.1953\, Swiss\n\n\n“Silence requires one decision – sound or no sound. Sound requires a great many more decisions. These shape the sound and give it its quality\, feeling and its content. Thus silence\, in its comprehensive\, monolithic presence always stands as one against an infinite number of sounds or sound forms. Both stamp time and space\, in that they come into appearance\, in an existential sense. Together they comprise the entire complexity of life.”\nJürg Frey\, from The Architecture of Silence\n\n\nClarinet and String Quartet\nMorton Feldman\, 1926-1987\, American\n\n\nTowards the latter part of his life\, Feldman became increasingly interested in the patterns of Coptic Rugs as an influence on his music. There is a phenomena in rug making called abrash where there is a natural color variation due to the use of vegetable-based inks made in small batches. Feldman explores his fixation on abrash through the imperfect stillness designed in Clarinet and String Quartet. Patterns and shapes appear and are repeated with minuscule differences in strict\, grid-like scoring. The musicians see slow\, abstract rhythms fit into various stretched durations\, repeated sometimes four to five times. Feldman designs these complex musical patterns to naturally vary from one another to avoid the music sounding “too perfect.” As listeners\, the result is peaceful\, ominous\, introspective\, and unsettling; distant passing storm clouds.
URL:https://www.h-r.la/event/feldman-and-frey-performed-by-the-koan-quartet-with-katie-porter/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2020/02/feldmanfrey.png
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DTSTART;TZID=America/Los_Angeles:20200229T190000
DTEND;TZID=America/Los_Angeles:20200229T210000
DTSTAMP:20200227T175808Z
CREATED:20200112T210512Z
LAST-MODIFIED:20200227T175808Z
UID:4938-1583002800-1583010000@www.h-r.la
SUMMARY:Lanzamiento en Los Angeles de "Slow Down Fast\, A Toda Raja" por Cecilia Vicuña y Camila Marambio / Book Launch of "Slow Down Fast\, A Toda Raja" by Cecilia Vicuña and Camila Marambio
DESCRIPTION:  \nANNOUNCEMENT: DUE TO UNEXPECTED SICKNESS CECILIA WON’T BE ABLE TO BE THERE ON SATURDAY. \nCAMILA MARAMBIO AND CLARA LOPEZ MENENDEZ WILL HOST THE BOOK LAUNCH AND CHANNEL CECILIA IN A POETIC READING. EVENT STILL ON!! COME!! \nSaturday February 29\, 2020\n7 – 9 pm \nReading will start at 7:30pm\nEnglish and Spanish \nHuman Resources is pleased to present the book launch of “Slow Down Fast\, A Toda Raja.” In this slim publication two indigenous mestizas from Chile\, Camila Marambio\, curator\, and Cecilia Vicuña\, artist-poet\, engage in a translational\, intergenerational dialog on de-colonial\, non-sexist perceptions and experiences in sessions conducted in Santiago\, New York and Melbourne Australia\, where they live. \n“This is a book of the female giggling that terrifies men” \n                                                                               James O’Hern\, poet. \n“We propose to slow down fast\, a toda raja\, before it is too late\, before the nauseating speeding up of (our) destructiveness kills us all. We can perform it daily and slowly awareness that others are be doing it too will come. \nTune into the Raja\, the slit\, the opening\, the tear between your legs—to take its pulse. Slip out of time and slide into the cosmic current. Wiggle loose from the grip of the worldview based on monetary currency and swim the laps of what we really are. \nTo slow down as a symbolic/active gesture is to bring back the notion of paradise on earth. Paraíso (para-iso)\, paradise\, is to stop and lift the soul.” \n¿Qué se construye con un detenimiento y una elevación? \nEl paraíso\n              Adivinanzas\, 1966\nCecilia Vicuña \nWhat place skirts hazard and is worth the gamble? \nParadise\n Riddles\, 1966\nCecilia Vicuña \n                                (Translated by Rosa Alcalá) \n  \nthis event is organized by Clara López Menéndez with the support of Calarts and the Herb Alpert Award \n  \nCecilia Vicuña’s work has addressed ecological destruction\, human rights\, and cultural homogenization\, since her first poems and paintings\, made in Chile during the 1960s. Her performances and installations\, such as the Quipu (created in nature\, streets\, and in museums)\, combine ritual and assemblage elements in a practice that Vicuña calls lo precario (precariousness): transformative acts that bridge art and life\, the ancestral and the avant-garde. Her paintings\, poetry\, and Palabrarmas (prints and collages that create new meanings by decomposing signifiers in words) all propose a free and futuristic vision considered pioneering indigenous decolonization. Her work can be found in the collections of museums such as the Guggenheim and MoMA in New York\, the Tate Modern\, London\, MoMA and the Guggenheim Museum in New York and the Museo Nacional de Bellas Artes in Santiago\, Chile. Her first retrospective exhibition\, Veroir el Fracaso Iluminado/Seehearing the Enlightened Failure\, organized by the Witte de With Center for Contemporary Art in Rotterdam\, the Netherlands\, opened on May 26 th\, 2019. \n  \nCamila Marambio/ Bio according to Goldin+Senneby \nShe is 68% Southern European\, 10% Native American and 0.2% Scandinavian according to 23&me. \nShe was part of a magic circle according to Juan Esteban Varela. \nShe set up a laboratory for making time according to visitors at the IMA in Brisbane. \nShe has developed a method to communicate with beavers according to a peer-reviewed science journal. \nShe has stolen part of an artwork at Moderna museet in Stockholm according to an anonymous source. \nShe flatlined twice according to doctors. But is still alive according to multiple sources. \nShe is developing an ecology of the soul according to Cecilia Vicuña. \nShe is queering cancer according to Nina Lykke. \nShe is a character in the novel Headless according to her own account.
URL:https://www.h-r.la/event/lanzamiento-en-los-angeles-de-slow-down-fast-a-toda-raja-por-cecilia-vicuna-y-camila-marambio-book-launch-of-slow-down-fast-a-toda-raja-by-cecilia-vicuna-and-camila-marambio/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2020/01/Camila-y-Cecilia.jpg
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