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X-WR-CALNAME:Human Resources
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X-WR-CALDESC:Events for Human Resources
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DTSTART;TZID=America/Los_Angeles:20190712T203000
DTEND;TZID=America/Los_Angeles:20190712T233000
DTSTAMP:20190725T184809Z
CREATED:20190706T203403Z
LAST-MODIFIED:20190725T184809Z
UID:4561-1562963400-1562974200@www.h-r.la
SUMMARY:Borasisi Record Release Show
DESCRIPTION:Patrick Shiroishi  \nVinny Golia \nDylan Fujioka  \nAlex Cline  \nLA Fog \nDoors 8:30pm $7 \n*no one will be turned away for lack of funds
URL:https://www.h-r.la/event/borasisi-record-release-show/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/0-3.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190713T190000
DTEND;TZID=America/Los_Angeles:20190713T220000
DTSTAMP:20190725T184809Z
CREATED:20190706T223535Z
LAST-MODIFIED:20190725T184809Z
UID:4568-1563044400-1563055200@www.h-r.la
SUMMARY:Everyone I Love Bites Back: Poetry and Prose Reading
DESCRIPTION:Join us for a poetry and prose reading\, called “Everyone I Love Bites Back\,” hosted and curated by Christopher Soto\, award-winning poet and editor of Nepantla: An Anthology Dedicated to Queer Poets of Color. Celebrate the start to summer\, and Christopher’s return to Los Angeles\, with this gathering of writers\, activists\, academics\, and weirdos. Speakers include: Vanessa Angélica Villarreal\, Janel Pineda\, Joshua Jennifer Espinoza\, Blas Falconer\, Joseph Rios\, Myriam Gurba\, Tre’vell Anderson\, Ali Liebegott\, Joshua Javier Guzmán\, F. Douglas Brown\, Sophia Le Fraga\, Wendy C. Ortiz\, Reece Noi\, Vicki Vértiz\, and Mey Rude. After party info to be announced. \nFlyer photo credit to Kai Richards. \n*Human Resources’ front entrance has one step\, we have a folding wheelchair ramp. The side entrance is wheelchair accessible. We do not have a wheelchair accessible restroom. Bathroom is gender neutral and has 2 stalls adjacent to each other.
URL:https://www.h-r.la/event/everyone-i-love-bites-back-poetry-and-prose-reading/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/0-5.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190714T163000
DTEND;TZID=America/Los_Angeles:20190714T233000
DTSTAMP:20190725T184809Z
CREATED:20190712T063555Z
LAST-MODIFIED:20190725T184809Z
UID:4572-1563121800-1563147000@www.h-r.la
SUMMARY:The Never Quartet: An Installation by Michael Morley
DESCRIPTION:Music for The Never Quartet \nan installation for a quartet of four \nbowed acoustic guitars by Michael Morley \n  \nSunday July 14th \nAfternoon\, Dusk\, Night \n4:30pm – 6:30pm – 8:30pm \nfree and open to the public \n  \nwith special performances by Electric Sound Bath & CGRSM \nBlack Editions and Human Resources Los Angeles present the U.S. premiere of The Never Quartet\, a new sound installation piece by Michael Morley. \nMichael Morley is a New Zealand based sound artist and visual artist. His work across a range of genre confirms his abilities as an artist\, composer\, improvisor\, performer\, and producer. Responsible for over 100 audio releases from 1985 to 2019 as: Gate\, The Dead C\, The Righteous Yeah\, The Fuck Chairs\, Sun Valley\, and many other collaborations and solo recordings. The development of Music for The Never Quartet has come from a thirty year exploration of the guitar and of sound as art. \nMusic for The Never Quartet seeks to employ the resonating qualities of wooden acoustic guitars placed upon items of wooden furniture to reveal connections between time and space by sonically activating the instruments and the other wooden objects within architectural structures. Tonal drones are produced by acoustic guitars placed on the top of solid wooden furniture. The tones are generated in the guitars using electronic bows that are placed upon the steel guitar strings. \nDuring the installation the audience will be encouraged to record and playback loops of the quartet on their personal mobile devices so as to contribute to the composition and performance in real-time. \nThe installation will be activated for three 1-hour intervals. Between these intervals there will be special performances featuring: \nELECTRIC SOUND BATH  \nLos Angeles-based duo comprised of Ang Wilson (modular synthesizer and singing bowls) and Brian Griffith (bass guitar and electronics). Inspired by the sound baths made famous by the Integratron\, ESB uses singing bowls\, as well as electric instrumentation to create similarly dense wombs of sound that envelop the listener. \n& \nCGRSM \nLos Angeles artists Christopher Reid Martin and Gabie Strong combine forces as CGRSM to create long form drone music\, focusing on harmonic sensory inundations to render spirited body resonances. The duo traditionally use a variety of electronic instrumentations\, relying mainly on amplified guitars. For this performance\, the duo will play accordion and harmonium to explore the spatial conditions of vibrational acoustics.
URL:https://www.h-r.la/event/the-never-quartet-an-installation-by-michael-morley/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/0-6.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190720T203000
DTEND;TZID=America/Los_Angeles:20190720T233000
DTSTAMP:20190725T184809Z
CREATED:20190712T075607Z
LAST-MODIFIED:20190725T184809Z
UID:4582-1563654600-1563665400@www.h-r.la
SUMMARY:Jobel Medina: KILL THE MONSTERS
DESCRIPTION:Los Angeles based dancer\, choreographer\, and photographer\, Jobel Medina will premiere two new solos for the first time in two years at Human Resources. \nHighly physical and thought-provoking\, Jobel’s new solos undertake problematic subjects with humor and sensuality. By merging both experimental practices and over-the-top drama inside his process\, he’s become less burdened by the extreme seriousness that often paralyzed his creativity. \nSolos will be performed by Sarah Butler and Jobel Medina with a special guest\, Joey Navarrete-Medina and a music collaboration with Dylan Marx. \n*Plus\, a series of artwork by Sarah Butler will be open for viewing and purchase before and after the show. \nBring cash for drinks! \nVenmo is also accepted. \n$15 purchase tickets here \n  \nJobel Medina is a dancer\, choreographer\, and photographer based in Los Angeles. Born and raised in the Philippines\, Jobel migrated in the U.S. at the age of twelve. He received his Bachelor of Fine Arts in dance at California State University\, Long Beach and has been a member of Ate9 Dance Company since 2017\, where he worked closely with Danielle Agami and also performed works by Shahar Binyamini and Tom Weinberger. In 2018\, Jobel was one of the six interpreters to perform Tino Sehgal’s “Selling Out\, (2002)” at the Hammer Museum in Los Angeles\, CA. As a freelancer\, he’s worked with choreographers such as Christopher Bordenave of No1 Art House\, Kate Wallich and The YC\, Ania Catherine & Dehja Ti\, Rebecca Lemme\, Keith Johnson\, Andrew Winghart\, and Whyteberg. He’s also appeared in multiple music videos including Mac Miller\, Anderson Pak\, Noah Crus\, Raveena\, Watsky\, Jareena De Marco and more. Recently this year\, he performed for Shaun Ross’s musical debut at the Los Angeles Pride Festival in West Hollywood. \nJobel has been commissioned to choreograph for The Assembly\, PGK Dance Project\, and CSULA Dance Department and has presented work at multiple venues and festivals throughout the states. Additionally\, he’s taught dance workshops at various universities such as CSULB\, CSUF\, CSULA\, and in multiple high schools including Huntington Beach Academy of Arts\, AB Miller Conservatory of Dance\, and Laguna Beach HS. In the fall\, he’ll be attending CalArts for his MFA in Dance with integrated Media. \nSarah Butler is a performance and visual artist based in Los Angeles. She graduated from Cornish College of the Arts in Seattle\, WA with a BFA in Dance and has been a founding member of Danielle Agami’s Ate9 Dance Company since 2012. With Ate9\, Sarah has performed at prestigious venues nationally and internationally\, including Jacob’s Pillow\, American Dance Festival\, the American Platform for Dance at The Joyce\, and Context Vishneva Fest in Moscow\, Russia\, among others. Sarah has taken part in the creation of new freelance dance works with Tom Weinberger\, Alex Ketley of The Foundry\, and Jobel Medina. She has guest taught at Cornish College of the Arts\, California Institute of the Arts\, and currently teaches Ate9 open classes in Los Angeles. Sarah has designed and built large-scale\, wearable pieces for her own performance-based productions including her flowerhead sculpture\, featured in DTLA’s Art Walk in 2017 in collaboration with visual artists Laurie Shapiro and Darren Sarkin; and The Guest House\, her most recent collection of photography\, embroidery\, & poetry work\, was shown as a part of Seattle’s Capitol Hill Art Walk in March 2019. Later this month\, she looks forward to performing with singer-songwriter Russian Red at Jardin Botanico Alfonso XIII in Madrid\, Spain. \nJoey Navarrete-Medina found dance in Fontana\, CA at the AB Miller Dance Academy with Nicole Robinson in 2005. In 2014\, he received his BFA in Dance at CSULB where he graduated Cum Laude and received the Dizzy Feet Scholarship. Comprehensively certified through Body Arts and Science International (BASI) Joey has taught Pilates with dance specialization in various settings. He collaborates frequently on dance works with his dance partner Rosa Rodriguez-Frazier and goes to different parts of Mexico to perform and facilitate contemporary or partnering workshops as a way to stay connected with his Mexican American roots. Joey has performed in various projects around Southern California and has worked with The Assembly Dance\, No1 Art House\, Acts of Matter\, Keith Johnson/Dancers\, Rosa Y Joey Dueto Collectivo\, Whyteberg\, plus more. Joey is entering his second year in the World Arts and Culture/Dance Program where he is pursuing his MFA degree in choreographic Inquisition. \nDylan Marx is a musician\, composer\, producer\, and educator currently living in Los Angeles\, California. He’s released music under the names Clownfisher\, Moths\, as well as his own. His albums Moths (2016)\, Champions (2018) and Midden (2018) are all available on Bandcamp and Spotify. He is currently an MFA Candidate at the California Institute of the Arts.
URL:https://www.h-r.la/event/jobel-medina-kill-the-monsters/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/https-cdn.evbuc_.com-images-64971427-178618305683-1-original.20190707-012118.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190721T200000
DTEND;TZID=America/Los_Angeles:20190721T233000
DTSTAMP:20190725T184809Z
CREATED:20190706T203754Z
LAST-MODIFIED:20190725T184809Z
UID:4565-1563739200-1563751800@www.h-r.la
SUMMARY:HOGG • Nghtcrwlr • Pistola • Newboy
DESCRIPTION:L&S and Night Gaunt present \nHOGG (Chicago)\nscrapesrecordings.bandcamp.com/album/self-extinguishing-emission \nNghtcrwlr \nyoutu.be/Zl3QtTu2ijI \nPistola\n(Anthony Vannicola and Michael Demaio\, LA Debut) \nNewboy ( Record Release)\nnightgauntrecordings.bandcamp.com/album/funky-bullshit \n+ Night Gaunt DJs \n8 PM | All Ages\n$10 advance tickets here https://withfriends.co/event/2074499/\n$15 day of show \n***Physical copies of Newboy’s “Funky Bullshit” Vinyl LP on Night Gaunt will be available for purchase.
URL:https://www.h-r.la/event/hogg-%e2%80%a2-nghtcrwlr-%e2%80%a2-pistola-%e2%80%a2-newboy/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/0-4.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190724T200000
DTEND;TZID=America/Los_Angeles:20190724T200000
DTSTAMP:20190701T184428Z
CREATED:20190625T234247Z
LAST-MODIFIED:20190701T184428Z
UID:4525-1563998400-1563998400@www.h-r.la
SUMMARY:Donna Oblongata: All 100 Fires
DESCRIPTION:Somewhere in a forest nearby\, a lone guerrilla commander will ask you to prove yourself during a game of Pass the Sponge. If you fail at that\, maybe you can help grind the sulfur. \nMeanwhile\, the Giant Ibis was thought to be extinct in Cambodia\, though footage from a few years ago reveals that some still exist. That part of the story is true. Basically. But can you really believe a man who was brought up in the taxidermy trade? Join our hero\, who actually is maybe a traitor\, for the war we were born to fight. \nDonna Oblongata returns after taking three years off from touring with a new solo show\, All 100 Fires. The show stars a guerrilla commander and you\, the new recruits. Birds flutter in and out\, though mostly they are dead. \nIt’s a funny play if you like being told that your best isn’t good enough. It’s a sad play if you were hoping for something more optimistic. It’s an educational play if you want to learn how to make explosives. \nWritten & performed by Donna Oblongata\nProduction/puppet design by Patrick Costello\nDirected by Francesca Montanile Lyons \nRunning time: 70 minutes. \ntickets $10-15 sliding scale available here and at the door\, no-one turned away for lack of funds. \nNOT FOR CHILDREN. Ages 16+ only\, please. \nCONTENT WARNINGS: Show features guns\, suicide\, scary noises and smoke effects. \n“A visionary with a knack for creating experiences that transcend the norm…The scope of this production was unreal…a masterpiece.” –Geekadelphia \n“A welcome oasis of imagination…High-energy\, funny\, and surprisingly moving.” –DC MetroArts
URL:https://www.h-r.la/event/donna-oblongata-all-100-fires/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/06/100FiresPR1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190727T200000
DTEND;TZID=America/Los_Angeles:20190727T200000
DTSTAMP:20190701T181727Z
CREATED:20190625T234247Z
LAST-MODIFIED:20190701T181727Z
UID:4522-1564257600-1564257600@www.h-r.la
SUMMARY:toxinosexofuturecummings
DESCRIPTION:“Ages ago\, about exactly one week after having Nexplanon removed from the inner side of my left arm\, under the skin\, I felt how my shoulders widened.\nNexplanon is a birth control implant that releases progestin.\nIt contains 68 mg of the active substance etonogestrel.\nSynthetic progestin mimics the actions of progesterone\, a naturally occurring hormone.” \n– Ana Teo Ala-Ruona \ntoxinosexofuturecummings is a bodyfiction about pleasurable sex on a polluted planet. It’s a speech performance of a body making itself with words. In the performance sex is seen as an evolutionary and developmental process. It opens up a world in which materials and multispecies bodies infiltrate each other\, giving and receiving pleasure. The world is thoroughly polluted\, but possible\, queer and trans: full of new pleasures and sexualities. \ntoxinosexofuturecummings is a performance about an anticipatory and transformational state. \nContent warning: The piece deals with environmental toxins\, pollution\, hormones and transition. The speech also includes sexual and pornographic content. \nIn Human Resources the work will be performed in collaboration with LA based trans-futurist and sound synthesist Scallion Chloe. \nWorking group:\nAna Teo Ala-Ruona (text & speech)\nAlvi Haapamäki (costume & maski)\nSatu Kankkonen (sound design)\nScallion Chloe (sound design and processing)\nElina Minn (dramaturgy) \nSaara Hannus (production assistance) \nPhoto credit: Nova Kaspia \nAna Teo Ala-Ruona is a performance and visual artist and educator based in Helsinki. They are interested in generating new forms of collectivity\, interdependence and futurities in artistic practice\, while creating space for silenced\, unheard or non-normative\, queer and trans narratives and experiences. Drawing from techniques found in the fields of feminist pedagogy\, contemporary performance and theater\, activism\, and literature\, they create collaborative strategies for feminist speculative fiction in lived practice. https://anateoalaruona.net \nOrganized in conjunction with Ana Teo Ala-Ruona’s solo exhibition TWAH(=These Worlds Are Here) at Gas\, a mobile\, autonomous\, experimental and networked platform for contemporary art located in a truck gallery parked around Los Angeles and online. TWAH(=These Worlds Are Here) will be parked outside of Human Resources post-show on July 27 from 9-10pm. http://www.gas.gallery \nSupported by Frame Contemporary Art Finland\, the Finnish Cultural Foundation and Poets & Writers. \nSliding scale tickets available here and at the door.
URL:https://www.h-r.la/event/toxinosexofuturecummings/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/06/photo_Nova-Kaspia.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190728T180000
DTEND;TZID=America/Los_Angeles:20190728T233000
DTSTAMP:20190726T232651Z
CREATED:20190725T165443Z
LAST-MODIFIED:20190726T232651Z
UID:4601-1564336800-1564356600@www.h-r.la
SUMMARY:INFECTIOUS WASTE TOUR SUMMERTIME KICKBACK
DESCRIPTION:Show 6pm-late \nRequested Donations: $6-$66 (all donations go towards the tour! This is a fundraiser show) \nperformances by: \nThe Uhuruverse  \nDem Cauldronz \nJupiter Black \nMimi Tempestt  \nLove & Tolliver \nYou Guys Suck Like Real Hard Shut The Fuck Up Thanks! (YGSLRHSTFUT!) \nDJ sets by:  \nGrotessk \nShane Clay \nOpen Mic (6-7:30PM) \n#SnatchPower Zines for sale!  \nBYOW -BYOB— Some Booze will also be sold!  \nWhippets Bar!  \nClothing Swap! \nVendors! \nFlyer by @shagazewhoahmanifestations
URL:https://www.h-r.la/event/the-uhuruverse-infectious-waste-black-satanic-summer-tour/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2019/07/uhuru-infectious.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190731T200000
DTEND;TZID=America/Los_Angeles:20190731T200000
DTSTAMP:20190730T194024Z
CREATED:20190730T032720Z
LAST-MODIFIED:20190730T194024Z
UID:4620-1564603200-1564603200@www.h-r.la
SUMMARY:Shawn Greenlee • Vasculae • Nial Morgan
DESCRIPTION:UPEND presents \nwednesday night noise \ndoors at eight\nsound nine\n–\ndonate seven \nSHAWN GREENLEE (Providence\, RI) \nA perennial figure of Providence’s stridently independent underground\, Shawn Greenlee is known as a pusher of thresholds as a core member of the noise-rock unit Landed\, and had been long identified with his project Pleasurehorse. Having shed that moniker some years back in favor of his own name for solo work\, Greenlee’s practice has only grown to encompass more ground\, branching into complex electro-acoustic experiments\, while still courting the extremes possible within the fabric of digital manipulation. Focused on generating digital audio from graphic patterns – via computer programs of his own design – he advances new methods for interpreting visual image as sound. Indeed\, his live sets pull in a staggering range of sounds\, from crackle to shrill. And\, he’s successfully bridged the gap\, bringing the noise into academic spheres – teaching at Rhode Island School of Design\, and recently diffusing his work through the High Density Speaker array at Virginia Tech. \nVASCULAE \nSound in opposition\, Vasculae is a solo project from Jonathan Borges of Pedestrian Deposit. Untethered by a single compositional approach\, he corrals organic source material into a heavy contemplations\, emphasizing textures and natural dynamics. \nNIAL MORGAN \nNial Morgan has played it fast in loose in solo projects Wrong Hole and Race to the Bottom\, and is a sound contributor to the aesthetic juggernaut that is Free The Land. Lately – under his own name – he has been booting up to process his cache of field recordings.
URL:https://www.h-r.la/event/shawn-greenlee-%e2%80%a2-vasculae-%e2%80%a2-nial-morgan/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/07/67416909_564875704046953_1444988660943421440_o.jpg
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