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DTSTART;TZID=America/Los_Angeles:20160205T200000
DTEND;TZID=America/Los_Angeles:20160205T200000
DTSTAMP:20160525T062540Z
CREATED:20160311T093557Z
LAST-MODIFIED:20160525T062540Z
UID:1491-1454702400-1454702400@www.h-r.la
SUMMARY:Phill Niblock | Carl Stone
DESCRIPTION:Human Resources\, in cooperation with VOLUME\, is pleased to presents acclaimed intermedia artist Phill Niblock and one of the pioneers of live computer music Carl Stone. \nPhill Niblock is an intermedia artist using music\, film\, photography\, video and computers. He makes thick\, loud drones of music\, filled with microtones of instrumental timbres which generate many other tones in the performance space. Simultaneously\, he presents films / videos which look at the movement of people working\, or computer driven black and white abstract images floating through time. He was born in Indiana in 1933. Since the mid-60’s he has been making music and intermedia performances which have been shown at numerous venues around the world among which: The Museum of Modern Art; The Wadsworth Atheneum; the Kitchen; the Paris Autumn Festival; Palais des Beaux Arts\, Brussels; Institute of Contemporary Art\, London; Akademie der Kunste\, Berlin; ZKM; Carpenter Center for the Visual Arts at Harvard; World Music Institute at Merkin Hall NYC. Since 1985\, he has been the director of the Experimental Intermedia Foundation in New York where he has been an artist/member since 1968. He is the producer of Music and Intermedia presentations at EI since 1973 (about 1000 performances) and the curator of EI’s XI Records label. In 1993 he was part of the formation of an Experimental Intermedia organization in Gent\, Belgium – EI v.z.w. Gent – which supports an artist-in-residence house and installations there. Phill Niblock’s music is available on the XI\, Moikai\, Mode and Touch labels. A DVD of films and music is available on the Extreme label. \nCarl Stone is one of the pioneers of live computer music\, and has been hailed by the Village Voice as “the king of sampling.” and “one of the best composers living in (the USA) today.” He has used computers in live performance since 1986. Stone was born in Los Angeles and now divides his time between San Francisco and Japan. He studied composition at the California Institute of the Arts with Morton Subotnick and James Tenney and has composed electro-acoustic music almost exclusively since 1972. His works have been performed in the U.S.\, Canada\, Europe\, Asia\, Australia\, South America and the Near East. In addition to his schedule of performance\, composition and touring\, he is on the faculty of the Department of Media Engineering at Chukyo University in Japan. A winner of numerous awards for his compositions\, including the Freeman Award for the work Hop Ken\, Carl Stone is also the recipient of grants from the National Endowment for the Arts\, the Rockefeller Foundation and the Foundation for Performance Arts. In 1984 he was commissioned to compose a new work premiered as part of the Olympic Arts Festival in Los Angeles. His music was selected by the dancer/choreographer Bill T. Jones for the production 1-2-3. in that same year. In 1989 he resided for 6 months in Japan under a grant from the Asian Cultural Council and in that same year\, The Museum of Contemporary Art\, Los Angeles commissioned a new work\, Thonburi as part of the radio series “Territory of Art”. In 1990 he was commissioned to create music for a 60-minute program for ZDF Television in West Germany entitled Made in Hollywood. In 1991 he received separate commissions from Michiko Akao (She Gol Jib\, for traditional Japanese flute and electronics)\, Sumire Yoshihara (for percussionist and electronics) and Sony PCL (Recurring Cosmos\, for High Definition video and electronics)\, which was awarded special honors at the International Electric Cinema Festival in Switzerland in 1991. In 1993\, he was commissioned by the Paul Dresher Ensemble to create a new work\, Ruen Pair\, with funds from the Meet the Composer/Reader’s Digest Commissioning Program. In 1994 he was commissioned by the Strings Plus Festival\, Kobe to create Mae Ploy\, for string quartet and electronics. In that same year he also created Banh Mi So\, for ondes martenot and piano\, at the request of Takashi Harada and Aki Takahashi. In 1995\, he was commissioned by NTT/Japan to create a new work for the internet \, Yam Vun Sen\, as part of IC95. In 1996\, with support from the Rockefeller Foundation\, he created music for The Noh Project\, a collaboration with choreographer June Watanabe and Noh master Anshin Uchida. In 1997 he was commissioned by Bay Area Pianists and Cal Performances to create a new work\, Sa Rit Gol\, for disklavier and pianist\, as part of the Henry Cowell Centennial Celebration at UC Berkeley. Other festival performances in 1997 included Other Minds (San Francisco) and TonArt (Bern). In 1999 he was invited as Scholar-in-Residence at the Rockefeller Foundation Bellagio Study and Conference Center. In 2001 he served as Artist-in-Residence at the International Academy of Media Arts and Sciences (IAMAS) in Japan\, and in that same year he joined the faculty of Chukyo University’s School of Cognitive and Computer Sciences.
URL:https://www.h-r.la/event/volume-presents-phil-niblock-carl-stone/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160212T200000
DTEND;TZID=America/Los_Angeles:20160213T200000
DTSTAMP:20160522T201438Z
CREATED:20160311T093557Z
LAST-MODIFIED:20160522T201438Z
UID:1493-1455307200-1455393600@www.h-r.la
SUMMARY:Border Labs
DESCRIPTION:Contemporary performing artists gather from Los Angeles and Tijuana to exchange ideas in an informal salon. These free events will feature short works that muddle\, illuminate\, and transmute the Baja/Alta California border. Open discussion will follow with live interpretation by Antena Los Ángeles\, a language justice advocacy collective that supports groups in the creation of effective bilingual and multilingual spaces through translation\, interpretation\, and other tools of cross-language practice.  \nFRIDAY\, FEBRUARY 12\, 8:30PM \n1. Taco Two Time  \n           Antena: Jen Hofner (LA) and John Pluecker (Houston\, TX)  \n2.  Todavía (Still)  \n     Hernán Del Riego (Mexico City / TJ)  \nSATURDAY\, FEBRUARY 13\, 8:30PM \n1. Estrategias Para Cambiar La Frontera \n    Relaciones Inesperadas: Ingrid Hernández and Abraham Ávila (TJ) \n2. Erramos Perdidos En Una Cuidad de Millones\, Work-in-progress \n    Rebeca Hernández (LA) \n3. Dialegesthai  \n    Cognate Collective: Amy Sánchez- Arteaga (Santa Ana) and Miseal Díaz (TJ)  \nSalon will continue in Tijuana with the same artists at Estacion Teatro on February 19th and CECUT on February 20th.
URL:https://www.h-r.la/event/border-labs-2/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160214T210000
DTEND;TZID=America/Los_Angeles:20160214T210000
DTSTAMP:20160522T200418Z
CREATED:20160311T093557Z
LAST-MODIFIED:20160522T200418Z
UID:1497-1455483600-1455483600@www.h-r.la
SUMMARY:Valentine's Day Party / Benefit for Decolonize LA
DESCRIPTION:C O O L W O R L D presents \n♡ VALENTINE’S DAY ♡ \nA BENEFIT/ KICK-OFF\nCELEBRATION\nFOR\nHRLA’s\nDECOLONIZE LA\nSERIES \nw/\nE L S A N C H A\n+\nA N A T O M M Y\n+\nF E L I D A E\n+\nL I Q U I D \nA S S E T \n+\nF R I S C O\nD Y K E S\n \n*DJ/SELECTORS \nS I S T E R M A N T O S\n+\nC R A S S L O S\n+\nJ I Z Z Y  \n*PARTY DECOR/DESIGN\nby JFZLA  \n*$5 DONATION
URL:https://www.h-r.la/event/fundraiser-for-decolonizing/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160219T203000
DTEND;TZID=America/Los_Angeles:20160219T223000
DTSTAMP:20160523T020656Z
CREATED:20160311T093557Z
LAST-MODIFIED:20160523T020656Z
UID:1499-1455913800-1455921000@www.h-r.la
SUMMARY:MEET & GREET 2016
DESCRIPTION:MEET & GREET 2016:\nA project fair & party for\nnew & independent contemporary\narts groups in Los Angeles \nOrganized by Human Resources\, Project X / X-TRA and LA Contemporary Archive \nWhat is MEET & GREET 2016?\nIt’s somewhere in between a party and a science fair: an opportunity meet some of the new & independent arts organizations in Los Angeles. \nCome have a drink\, mingle and hear short 2-minute presentations from some of the unique upstarts that make Los Angeles so great. \nPARTICIPANTS INCLUDE: \nActual Size\nAs It Stands\nBBQLA\nChin’s Push\nClub Pro\nCoaxial\nContemporary Art Daily\nContemporary Art Review LA\nEastside International\nEmbassy\nFull Haus\nHakuna Matata\nHarborview and Pole/Yard Pedro\nHesse Press\nJOAN\nKCHUNG\nLAMOA\nLACA\nmetro pcs\nMonte Vista Projects\nNonsensical\no.n.o.\nPAM\nPermanently Closed\nPieter\nPoetic Research Bureau\nThe Public Interjection Project\nPssst\nSade\nsome times\nSouth of Sunset / Volume\nThe Kingsboro Press\nVacancy\nVeggiecloud \n$$ All proceeds from the cash bar will be raffled off to one of the presenting groups to support programming! $$ \nThe event is free and open to the public.
URL:https://www.h-r.la/event/meet-and-greet/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12743518_844910798951912_5770224465289927781_n.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160220T210000
DTEND;TZID=America/Los_Angeles:20160220T210000
DTSTAMP:20160522T194643Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160522T194643Z
UID:1500-1456002000-1456002000@www.h-r.la
SUMMARY:(Same) / Folklords / Lone Wolf
DESCRIPTION:A very rare chance to see some very deep and free musicians together under one roof. \nJason Ajemian’s Folk-Lords is the sound of an outstanding group of New York improvisors performing six conceptual\, visual & sonic landscapes. Meditative Mingus ballads\, imaginary conversations between Sun Ra & Thelonious Monk\, poetic takes on pop culture\, and an elegy for Malachi Rischter are transmitted via Ajemian’s unique notational methodology. Folk-Lords defies genre with an adhesiveness that expands on the creative music tradition through a social/cultural lens of now. \nRyan Sawyer (Lone Wolf) plays drum kit and sings. He is probably best known for his collaborations with other high profile improvisational performers (Trio with Nate Wooley / C. Spencer Yeh\, Trio with Thurston Moore / Daniel Carter\, Trio with Colin Steston / Shahzad Ismaily\, Duo with Tunde Adebimpe\, Duo with Matana Roberts\, Duo with Darius Jones\, and so forth)\, or as a key member to various groups he has played with throughout his prolific and fruitful career (At The Drive-In\, Boredoms\, Stars Like Fleas\, Tall Firs\, Glass Rock\, Family Dynamics\, Eye Contact). However\, his live set simply has to be witnessed to be really understood. \n(Same) is a site-specific\, performance based duo comprised of Butchy Fuego and Jeremiah Chiu. Both have backgrounds as musicians and artists. The collaboration is equal parts visual art and experimental live band. (Same) began through a series of performances by the Seeing Trails Hike Gang\, Division of Fine Art (DFA) in October\, 2015 at High Desert Test Sites: Epicenter. The performance\, Doppler at High Noon\, took place on the tarmac of Green River Municipal Airport. The performers accelerated up to 50mph\, strapped to the back of two pickup trucks\, crossing past the audience. Their second performance\, at The Getty Center\, was a visual music work\, synthesizing instruments and improvisation as an abstract digital painting. (Same) continues to collect their multi-faceted interests into hybrid works of art\, presenting audiences with new expressions of contemporary art and music.
URL:https://www.h-r.la/event/same-folklords-lone-wolf/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160221T200000
DTEND;TZID=America/Los_Angeles:20160221T200000
DTSTAMP:20160523T020404Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160523T020404Z
UID:1501-1456084800-1456084800@www.h-r.la
SUMMARY:QUEER POP
DESCRIPTION:Sophia Cleary + Bradford Nordeen assemble a coterie of luminary queers for this one-off night of dance\, drama and dissonance. Rending pop from its staid axis with underground sounds and outré styles\, Queer Pop brings together an international roster of musicians and performers: \nMacy Rodman (NYC) \nXina Xurner (LA) \nPRICE (Switzerland) \nTMO (LA) \nABOUT THE ARTISTS \nMacy Rodman is a NYC based recording artist and producer whose debut EP “HELP” was released in February 2016.  Macy’s work contains elements of Pop\, Punk\, and Dance/Electronic music and deals with such topics as nightlife\, misandry\, and her trans experience.  In 2015\, Macy released “Lazy Girl” as the first single from “HELP” along with a video directed by Josef Kraska featuring an all trans and gender non-conforming cast.  Lazy Girl has been featured in Vice\, Original Plumbing and Bullet Media and was featured in a spread for ArtForum Magazine in which avant garde pop producer Sophie named Macy as one of his favorites acts of 2015.  Rodman got her start as producer and curator of the notorious queer performance party “BathSalts”\, and frequently collaborates with performance artists and musicians like QT\, Colin Self\, Jake Dibeler\, JX Cannon\, and Cecilia Corrigan.  \nXina Xurner is a music and performance collaboration between LA-based artists Marvin Astorga and Young Joon Kwak. Xina Xurner melds together a variety of musical genres (including industrial\, happy hardcore\, punk\, house\, noise)\, to create sadical and exuberant diva-dance anthems driven by sweat\, sex\, death\, and transformation. Their performances seek to embody a unique form of drag terrorism that brings together Queer People of Color communities\, while expanding the limits of understanding queer bodies beyond the fixed terms of gender and sexuality. Xina Xurner regularly performs at a wide variety of spaces throughout LA\, including live music venues such as The Smell and Pehrspace\, Queer parties such as Coolworld and Mustache Mondays\, and art spaces and museums such as the Hammer Museum\, Night Gallery\, and LACE. Xina Xurner will make you sweat. \nxinaxurner.com \nxinaxurner.bandcamp.com \nMathias Ringgenberg (born 1986 in Zurich) finished 2015 the master theater & performing arts at the College of the arts Bern in Switzerland. In his current performative works called\, “Can not say much about anything that’s new” and the associated debut album “Greatest Hits” or its video performances “A: I am impressed B: Well – I am in love” or “Home is a place we all have to find”\, Mathias developed the fictional character PRICE. In this project\, he investigated mechanisms of mainstream pop while attempting the potential of musical and performative formats to explore. The forms of his work are mutating through their showrooms or clubs and can be experienced always differently. His works are musical and performative situations which deal with the topics of ‘love’\, ‘faith’\, ‘desire’ and ‘sex’. He uses the language of pop culture\, which embodies the language of folk culture\, the masses\, society and globalisation. This aesthetic he brings in connection with sociological issues such as the issue of transparency society of self-expression urge\, the language as the house of being and how PRICE would say his homeless Generation Y. \nCalled an “interdisciplinary gospel immortalist” by Kembra Pfahler of the Voluptuous Horror of Karen Black\, Tyler Matthew Oyer is an artist\, writer\, and organizer based in Los Angeles. He has presented work at MoMA PS1\, REDCAT\, dOCUMENTA (13)\, Hammer Museum\, Kunstnernes Hus Oslo\, Art Basel Miami Beach\, Bergen Kunstall\, Rogaland Kunstsenter\, The Royal Vauxhall Tavern\, High Desert Test Sites\, Highways Performance Space\, Human Resources LA and the Orange County Museum of Art. He has written works of performance including GONE FOR GOLD\, Shimmy Shake Earthquake\, and 100 Years of Noise: Beyoncé is ready to receive you now. Oyer is represented by Cirrus Gallery and his work is in the permanent collection of the Museum of Modern Art (NY). Oyer is the founder of tir journal\, an online platform for queer\, feminist\, and underrepresented voices. He received an MFA from the California Institute of the Arts in 2012. He is currently working on his first movie\, Conquest of the Universe or When Queens Collide. TMOSTUDIO.COM
URL:https://www.h-r.la/event/hrla-macypricexinatmo/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160222T180000
DTEND;TZID=America/Los_Angeles:20160222T180000
DTSTAMP:20160522T194814Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160522T194814Z
UID:1502-1456164000-1456164000@www.h-r.la
SUMMARY:Gaymer Cave
DESCRIPTION:A video game get together and video installation by Johnnie JungleGuts \nBring your 3DS and max out that StreetPass! Play casual games of Smash Brothers\, Pokemon and Mario Kart\, or whatever the kids are into these days! Just hang out! outlets for charging will be available! This event is entirely free! Friendly to all\, LGBT or straight! \nCome in cosplay! Anyone in cosplay will be entered into two chances to win a gift certificate to Comics Vs. Toys for $100! https://www.facebook.com/Comics-vs-Toys-172284276187827/?fref=ts Decision will occur at 8 pm! No weapons! \nDon’t StreetPass? Come anyway and experience a really big 3 channel floor to ceiling video installation. Chopped and screwed My Little Ponies\, gaymers\, monkey grooming and more! View these videos by Johnnie JungleGuts in their ideal environment- around gamers! Also\, there will be custom perlers for sale by the Pikashop. \nAlso\, this cave utilizes an installation from Martine Syms show\, “Black Box” and you should all go check it out whle it’s up! https://www.facebook.com/events/958351080917279/ \nJohnnie JungleGuts is a professional fan. He is best known for drawing every Pokemon. He was in Art in America for drawing Pokemon AND he was on an episode of Storage Wars where he appraised a collection of My Little Ponies. He does a video series called L3T’S GAY! where he interviews people while playing Final Fantasy 6 and you can find it on YouTube. He has a comics and more talk show on Kchung Radio called Outbreak. He does the social media for Comics Vs. Toys\, a comic book store in Eagle Rock. He is currently organizing a Pokemon tournament to raise money for the Sante D’Or cat shelter. His favorite X-Man is Kitty Pryde. \nStreetPass is a feature present in every Nintendo 3DS system that allows users to exchange data from games and applications that the two own. It is on regardless of whether the 3DS is in sleep mode or not (though the system itself must be on)\, and automatically acts when another 3DS user walks within the console’s range. If you’re into StreetPassing\, check out StreetPass LA for more StreetPass events! https://www.facebook.com/StreetPassLA/?fref=ts
URL:https://www.h-r.la/event/johnnie-jungleguts-streetpass-gathering/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160224T200000
DTEND;TZID=America/Los_Angeles:20160224T200000
DTSTAMP:20160523T032952Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160523T032952Z
UID:1503-1456344000-1456344000@www.h-r.la
SUMMARY:Postcommodity / White Boy Scream / Carmina Escobar
DESCRIPTION:Postcommodity\nhttp://postcommodity.com/\nhttps://postcommodity.bandcamp.com/ \nPostcommodity is an interdisciplinary arts collective comprised of Raven Chacon\, Cristóbal Martínez\, and Kade L. Twist. Postcommodity’s art functions as a shared Indigenous lens and voice to engage the assaultive manifestations of the global market and its supporting institutions\, public perceptions\, beliefs\, and individual actions that comprise the ever-expanding\, multinational\, multiracial and multiethnic colonizing force that is defining the 21st Century through ever increasing velocities and complex forms of violence. Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social\, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self-determination with the broader public sphere. \nWhite Boy Scream\nhttp://www.micaelatobin.com/wbs \nWhite Boy Scream is a solo experimental-music project that dissects the operatic qualities of the voice through a series of electronic effects pedals and looping stations. Micaela Tobin aims to dismantle and ultimately\, reconcile\, the construct of the classically-trained soprano within the genres of noise and drone. \nCarmina Escobar\nhttp://carminaescobar.com/ \n“I am an experimental vocalist\, performer\, improviser\, sound and intermedia artist from Mexico City. My work focuses primarily on the voice\, the body and their interrelations to physical\, social and memory spaces. At the moment I live and breath in Los Angeles\, CA.”
URL:https://www.h-r.la/event/postcommodity/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160226T200000
DTEND;TZID=America/Los_Angeles:20160226T200000
DTSTAMP:20160522T191424Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160522T191424Z
UID:1505-1456516800-1456516800@www.h-r.la
SUMMARY:David Kanaga / Ben Babbitt
DESCRIPTION:8PM \nDAVID KANAGA\nOakland based experimental music composer\, new media artist and active writer\, exploring interactive possibilities of music in games and other dynamic environments. Works include DYAD / OGST\, the music for the interactive game Proteus. Listen Up: https://davidkanaga.bandcamp.com/ \nBEN BABBITT\nLA based composer\, working with creating soundtracks for interactive games\, including the soundtrack for Kentucky Route Zero. Listen Up: https://benbabbitt.bandcamp.com/
URL:https://www.h-r.la/event/david-kanaga-performanceinstallation/
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160228T180000
DTEND;TZID=America/Los_Angeles:20160228T180000
DTSTAMP:20160523T003043Z
CREATED:20160311T093558Z
LAST-MODIFIED:20160523T003043Z
UID:1506-1456682400-1456682400@www.h-r.la
SUMMARY:This Unwieldy Object: A Modern Research Drama by Anna Zett
DESCRIPTION:The screening of the 47 minute film will be followed by a Q&A with the director and the curator. \n5:30pm doors open\n6pm film starts  \nOrganized by Clara López Menéndez with HRLA \nTHIS UNWIELDY OBJECT\nA MODERN RESEARCH DRAMA BY ANNA ZETT 2014\, 47 min \nIn the trans-genre film “This Unwieldy Object” the animated dinosaurs of Hollywood cinema meet the petrified ghosts of colonial science. You follow the protagonist on a road trip into the dusty heart of the USA\, where fossil traders\, sculptors and scientists are trying to reconstruct the plot of natural history\, the plot of progress. But the more experts she encounters\, the more unwieldy their objects of research appear. Dig sites become crime scenes\, and fossils turn into characters\, determined to play a main part in the violent history of the American Frontier. The story ends in the middle. \nAbout the filmmaker:\nAnna Zett is an artist with a background in theory\, now working across the disciplines of video\, radio\, drama and dance. Playfully engaged with the tragedy of science & technology\, her practice tries to rely on physical vulnerability as much as it relies on historical inquiry and an experimental setup. Recent screenings and exhibtions at Serpentine Cinema London\, National Gallery Prague\, Transmission Gallery Glasgow\, Sorbus Gallery Helsinki\, Banner Repeater London\, TENT Rotterdam. Beyond the visual arts Anna Zett has written and co-directed a radio play for the public radio in Germany last year\, published essays online and offline\, and is co-hosting a dance show called Copy&Dance\, based at HAU2 Berlin.
URL:https://www.h-r.la/event/clara-lopez-screening/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/12698535_10208240888477496_7765715390056513311_o.jpg
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