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DTSTART;TZID=America/Los_Angeles:20151205T230000
DTEND;TZID=America/Los_Angeles:20151205T230000
DTSTAMP:20160701T040609Z
CREATED:20160522T195600Z
LAST-MODIFIED:20160701T040609Z
UID:1727-1449356400-1449356400@www.h-r.la
SUMMARY:Julie Tolentino: The End of the Party\, 2015 + subtitled by my sister\, Rita: (I Hope She Doesn't) Fall Asleep In The Ocean
DESCRIPTION:The End of the Party\, 2015\nsubtitled by my sister\, Rita:\n(I hope she doesn’t) Fall Asleep In The Ocean \nJulie Tolentino with the eternal players: \nMark So\, Pigpen\, Maria Garcia\, John Bertel\, Patrick Murch\, Tamaki aka Banetoriko\,\nLeon Hilton\, Ivan Ramos for N.T. and the rest of the worst of us \nSaturday\, December 5\, 2015\, 11pm \nThis performance is part of the group exhibition The Closer I Get to the End… curated by Suzy Halajian and on view until December 13\, 2015 at Human Resources. \n  \nI may be fully missing the mark —\nthis space with you\, this piece\, the spaces opened by Her \nout of my range\noverdue\nout of luck\nunder\ndisenchanted \nwhile completely immersed —\nHer: non-verbal\, horizontal\, chip-like\, adducting\nShe reveals herself as material & person\, righteously object\, abject\nr e a l\nand wandering\nunreal\, curved\, sweet even\, out-of-time\nnon-psychoanalytical\, not familial\, not dull\ndeeply seeking pleasure\, comfort\nsteeped in animal scent\nqueerest of them all\, resistant\nelusive and delicate \nfully invested —\nto relate to this -how- and learn about the unreal stretch of time that it may\nactually\ntake\nto\ndie\n“naturally” \nvery there\, running too\nloyal\nmoving on\, dismantling\nre-engaging \nyet vaguely aware that we are “waiting” as Frank O’Hara says\,\n“for the catastrophe of my personality to seem beautiful again\, and interesting\, and modern.” \n– Julie Tolentino \nJulie Tolentino creates intimate movement-based installations\, including performance\, objects\, sound and video works. Her diverse roles have included host\, producer\, mentor\, and as collaborator/performer with artists such as Meg Stuart\, Lovett/Codagnone\, David Rousseve\, Kelly/Gerrard\, Diamanda Galàs\, Pigpen/Stosh Fila\, Ron Athey\, Catherine Opie\, Robert Crouch\, Mark So\, Matanoise\, Stanley Love\, Maya Munoz\, Madonna\, Gran Fury\, Candidate\, and Rodarte. As an extension of her practice after twenty-five years in New York City\, she designed and built a small solar-powered live–work residency in the Mohave Desert called FERAL House and Studio\, where she explores remote forms of one-to-one physical inquiry through landscape and texts. Her work has been presented at Participant Inc.\, The New Museum\, The Kitchen\, Invisible Exports\, Performa 2005 and 2013\, Wexner Center\, St. Mark’s Danspace\, High Desert Test Sites\, Tramway\, Spill Festival\, DanceExchange\, queerupnorth\, Theaterworks\, Singapore\, Myanmar FC Project\, Manila Contemporary\, Green Papaya Gallery in the Philippines\, as well as Broad Art Space at University California Los Angeles (UCLA)\, Yerba Buena Center for the Arts In-Community program with Alter Space and the Luggage Store with Ryan Tacata and Kadet Kuhne and five young emerging artists\, Los Angeles Contemporary Exhibitions (LACE)\, Commonwealth & Council\, Volume at the Night Gallery\, Honor Fraser\, PSI19 at Stanford\, Perform Chinatown\, Install Weho\, MOCA\, Incognito at Santa Monica Museum of Art\, Church of the Epiphany\, Santa Barbara Museum of Art\, San Francisco Art Institute\, Derive-Mulholland Drive\, NYU Abu Dhabi\, Haus der Kulturen der Welt\, Pact Zollverein\, Essen\, Germany. She is developing three works: the VOID Series\, THE SKY REMAINS THE SAME archiving the work of Stanley Love in NYC and LOLAs\, upcoming with Ryan Tacata. She is the co-editor of the TDR Provocations section and editor of an upcoming book entitled: Guard Your Daughters – Clit Club 1990-2002. \nJT thanks Suzy\, Pigpen\, Mark\, Sho\, Rita\, Vardui\, Human Resources \nImage: Christopher Wormald
URL:https://www.h-r.la/event/julie-tolentino-the-end-of-the-party-2015-subtitled-by-my-sister-rita-i-hope-she-doesnt-fall-asleep-in-the-ocean/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/tolentino.jpg
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DTSTART;TZID=America/Los_Angeles:20151211T190000
DTEND;TZID=America/Los_Angeles:20151211T220000
DTSTAMP:20160701T045409Z
CREATED:20160522T200059Z
LAST-MODIFIED:20160701T045409Z
UID:1744-1449860400-1449871200@www.h-r.la
SUMMARY:The Closer I Get to the End the More I Rewrite the Beginning: Video Program PART 2
DESCRIPTION:Phil Collins\, marxism today (prologue)\, 35 min\, 2010 \nVideo program. Part 2 \nThis program is conceived in conjunction and in dialogue with the exhibition The Closer I Get to the End the More I Rewrite the Beginning. Part 2 is a video program and Q&A curated by Suzy Halajian and Clara López Menéndez. \nFeaturing works by Malin Arnell\, Phil Collins\, Harry Dodge and Stanya Kahn\, and Basim Magdy\, followed by a Q&A with the curators and Malin Arnell\, Harry Dodge\, and Stanya Kahn. \nMalin Arnell\, This is What We Do Part 1\, 2:37 min\, 2009\, This is What We Do Part 2\, 3:30 min\, 2009\nPhil Collins\, marxism today (prologue)\, 35 min\, 2010\nHarry Dodge and Stanya Kahn\, Winner\, 15:33 min\, 2002\nBasim Madgy\, The Everyday Ritual of Solitude Hatching Monkeys\, 13:22 min\, 2014 \n 
URL:https://www.h-r.la/event/12-11-15-video-screening-and-qa-part-2-the-closer-i-get-to-the-end-the-more-i-rewrite-the-beginning/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/05/Collins-Marxism-Today-Prologue.jpg
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