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X-WR-CALDESC:Events for Human Resources
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DTSTART;TZID=America/Los_Angeles:20150306T000000
DTEND;TZID=America/Los_Angeles:20150306T000000
DTSTAMP:20160523T035359Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035359Z
UID:1409-1425600000-1425600000@www.h-r.la
SUMMARY:COOLWORLD presents Phedre\, Jal\, Paper Slang\, Sistermantos\, Jeffzilla
DESCRIPTION:COOLWORLD presents: \nP H E D R E\n(http://www.soundcloud.com/phedre) \nJ A L\n(http://xxxjalxxx.tumblr.com/)\n \nP A P E R  S L A N G\n(https://soundcloud.com/paper-slang) \nS I S T E R  M A N T O S\n(http://www.sistermantos.com/)\n \nJ E F F  Z I L L A\n(https://soundcloud.com/gaytendencies) \nDJs\nC R A S S L O S\n+\nJ U L I U S  S M A C K \nDoors at 9pm\n$5 suggested donation \nFacebook invite\nhttps://www.facebook.com/events/1551206751800928
URL:https://www.h-r.la/event/coolworld-presents-phedra-and-more/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/cool_world_37.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150307T000000
DTEND;TZID=America/Los_Angeles:20150307T000000
DTSTAMP:20160523T035159Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035159Z
UID:1410-1425686400-1425686400@www.h-r.la
SUMMARY:Decolonizing the White Box III
DESCRIPTION:This fall two large public forums gathered under the premise of “Decolonizing The White Box\,” in response to artworld racism and\, in specific\, to the critique leveled at the Made in LA show at The Hammer Museum by writer Sesshu Foster. Both events drew large crowds. The first\, led by Raquel Gutierrez\, involved exercises and strategies to interrogate the dividing lines between aesthetics and politics. The second coincided with news of the non-indictment of the murderous cop in Ferguson. During a rather heated Q & A\, panelist Ricardo A. Bracho called for a people of color artist meeting. This third event in the series is the response\, developed by artists and organizers of color of LA. \nThis is an intentional people of color only event. \nWe welcome you to continue our conversations.We hope to create a dialogue which challenges and explores the mechanisms of power in the art world. We invite artists\, organizers and all Angelenos of color to join us in an intimate exchange on race and representation\, communities and the art market\, and the (im)possibilities of artworld decolonization. \nSaturday March 7th\n7 to 10pm\nBring food to share- its a potluck! \nThis event was organized by Oscar Miguel Santos and a group of artists involved in both previous meetings.
URL:https://www.h-r.la/event/decolonize-poc-event/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/decolonizing-III.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150308T180000
DTEND;TZID=America/Los_Angeles:20150308T210000
DTSTAMP:20160523T035035Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T035035Z
UID:1411-1425837600-1425848400@www.h-r.la
SUMMARY:The Border Again: Dis-automation and the Border (?)\, an open forum
DESCRIPTION:An Open Forum — closing event for The Border Again. \nArtists attending: Simon Pecco\, Alfredo Gonzalez Reynoso\, Luisa Fernanda Martinez and Reuben Torres.* \nCLOSING EVENT FOR THE BORDER AGAIN \n3/8 Sunday\, 6:00 pm to 9:00 pm \nWe would like to invite you to an open forum\, an un-moderated talk at Human resources for the closing of The Border Again. \nOpen Forums are un-moderated talks that use prompts as starting points to engage in conversation through the discourse of aesthetics and politics. \nOpen Forums were started in Tijuana to open up the gallery space\, in order to engage the community of Tijuana more intimately. Some of the prompts for past forums were drugs\, apathy\, and politics\, and small instances in dissidence. Being that this iteration will be in Los Angeles\, in addition to speaking of the border as a place where artistic practice can be socially engaged and also what it means to work in contested spaces\, it might be useful to imagine what future borders will come\, symbolically and in the real(?)\, what will the border look like (the aesthetics of the military?)\, what types of imaginary technologies will be used and how will we counteract surveillance (just some thoughts). For this iteration of Open Forums\, there are two small texts that might be helpful. \nAudre Lorde\, “The Transformation of Silence Into Language and Action” from I Am Your Sister\, 39-44 \nand \n“Bifo” Berardi’s “The Mind’s We:Morphogenesis and the Chaosmic Spasm\,” p. 7-33. \nDownload links for PDF’s \n*Open Forums were started by a curatorial collective with artists from Tijuana and Mexico City and included Jaqueline Andrade from Praxis Gallery\, Anna Bon\, Vidal Castillo\, Carlos Matsuo\, Marcel Miranda\, Joey Muñoz\, Christian Vargas\, and Michael Ray-Von.
URL:https://www.h-r.la/event/open-forum-otras-obras/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/png:https://www.h-r.la/wp-content/uploads/2016/03/Border-Again.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150311T200000
DTEND;TZID=America/Los_Angeles:20150312T000000
DTSTAMP:20160523T034803Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034803Z
UID:1412-1426104000-1426118400@www.h-r.la
SUMMARY:Being for the Benefit of Mr. Ford
DESCRIPTION:HR and LAFMS present Being for the Benefit of Mr. Ford: A benefit and celebration for Ace Farren Ford 8PM \nAce Farren Ford has been on the outskirts of the improvisational / noise scene for more than 40 years\, an original founding member of the Los Angeles Free Music Society and has been with a variety of ensembles such as Smegma\, AIRWAY\, the Mystery Band\, the Hangar Quartet\, Crowbar Salvation\, EXP\, Heltir and many others. As many have in today’s economy\, he has been struggling to stay afloat in recent years. \nHuman Resources and LAFMS has come to his aid with this evening of sound and art\, including performances by Joe Potts\, Sleepwalkers Local\, s&ndc&stl&\, Balkh\, Small Drone Orchestra\, Ted Byrnes\, the Hangar Quartet\, and special guests.  \nOriginal art by Ace Farren Ford and records will be available for sale. \n$10 suggested donation FB event page
URL:https://www.h-r.la/event/benefit-for-lafms-ace-farren-ford/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Benefit-Mr-Ford.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150312T200000
DTEND;TZID=America/Los_Angeles:20150313T000000
DTSTAMP:20160523T034611Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034611Z
UID:1413-1426190400-1426204800@www.h-r.la
SUMMARY:THEE OH SEES and CALDWELL/TESTER
DESCRIPTION:MUSICAL EXPOSITION featuring Thee Oh Sees and Caldwell/Tester \nThis will be a test run of sorts for the newly formed double drums lineup of Thee Oh Sees… John Dwyer has still got it.. he just has more thump and whack behind it.\n\nCALDWELL/TESTER are synths and electronics emotified… bring your slow dancing shoes.\n\nDoors at 8PM\, $5
URL:https://www.h-r.la/event/oh-sees-caldwelltester/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Oh-Sees.jpg
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DTSTART;TZID=America/Los_Angeles:20150313T180000
DTEND;TZID=America/Los_Angeles:20150313T180000
DTSTAMP:20180727T224859Z
CREATED:20160311T093553Z
LAST-MODIFIED:20180727T224859Z
UID:1414-1426269600-1426269600@www.h-r.la
SUMMARY:A STONE IN THE MIDDLE | CONTEMPORARY TECHNO-TEMPORAL INNOVATION
DESCRIPTION:a stone in the middle | contemporary techno-temporal innovation \nI understand techno- from the Greek τέχνη. It could mean arts or craft or both.  I also understand -temporality as relative to time\, in many ways. It is also a form of electronic dance music\, I heard\, but this is also relative to time. So what is techno-temporality? I think of the term as related to the digitization of our times and to the way our apperception of time is (re)built. In that case\, isn’t a contemporary techno-temporality a pleonasm? When else in history did we experience an age of digitization prior to now? Could digitalization ever precede the invention of the digital? The artists of the show share the same space in the same time. And this seems already enough to know. Together their works engage into a never ending techno-dance that\, ultimately\, leaves us questioning the floor we thought we were dancing on. But was it ever a floor in the first place? \nFilm\, performance — 8PM \nPerformances by Joanna Swan and Noon Tran \nParticipating artists: Martha Dimitratrou\, Jane Moseley\, Audrey Wollen\, Jullen Borno\, Ilana Kozlov\, Kinkey Dolores Cosi S\, Dylan Corbett\, Timo Fahler\, Jesse Adams\, Judith Rau\, Joanna Swan\, Noon Tran
URL:https://www.h-r.la/event/video-screening-final-plankton-w-tran/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/1889054_10152810774543918_3110541365098055932_o.jpg
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DTSTART;TZID=America/Los_Angeles:20150314T193000
DTEND;TZID=America/Los_Angeles:20150314T193000
DTSTAMP:20160523T033958Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033958Z
UID:1415-1426361400-1426361400@www.h-r.la
SUMMARY:Charles Atlas: Dance! Dance! Dance!
DESCRIPTION:7:30PM \n“Ex-Romance”\, 1987 (48 min) \n“Hail the New Puritan”\, 1985 (84 min) \nAs part of the ATLAS IN LA festival\, a nine-day festival of film screenings\, which will occur March 10th-19th at eight venues around Los Angeles\, Human Resources presents a night of Charles Atlas’ two most well known dance-narratives. In Ex-Romance\, Atlas’ fascination with “narrative\, psychology\, dance\, and flights of fantasy\,” is manifested in this dynamic videodance musical. Here the postmodern choreography of Karole Armitage is performed by Armitage\, Michael Clark and others to American pop and Latin music. Framed and interrupted by the ironic observations of two parodic “public television” commentators\, the dancers play fictionalized versions of themselves in a wry tale of contemporary romance\, in which the dance literally and metaphorically advances the narrative. Hail the New Puritan is a simulated day-in-the-life of British dance celebrity/choreographer Michael Clark. Atlas’ fictive portrait of the charismatic choreographer serves as a vivid invocation of the studied decadence of the 1980s post-punk London subculture. Contriving a faux cinema-verite format in which to stage his stylized fiction\, Atlas seamlessly integrates Clark’s extraordinary dance performances into the docu-narrative flow. Focusing on Clark’s flamboyantly postured eroticism and the artifice of his provocative balletic performances\, Atlas posits the dance as a physical manifestation of Clark’s psychology. \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-hr/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlast-Dance.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150315T200000
DTEND;TZID=America/Los_Angeles:20150315T220000
DTSTAMP:20160523T034214Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T034214Z
UID:1416-1426449600-1426456800@www.h-r.la
SUMMARY:MAX EILBACHER AND LUMINOUS ALL KUDLER AND GUESTS
DESCRIPTION:HRLA presents Max Eilbacher’s The VanderBleakin Tour Comes To The West Coast with:\nMax Eilbacher \nWe have Eilbacher ripping sets of electro-acoustic shard flappery with drone-rockers Teeth Mountain\, rocking a guitar and violent acts of peace with aktionist noise-rock unit Needle Gun (of which he helped found)\, bobbing his own head along a top a swarm of electronics with technocrats Matmos\, keeping just intoned enough with comp-rockers Horse Lords (of which he is also a founding member) as well as improvising at events like High Zero\, making video art\, and eating a nasty mountain of hot peppers just to impress two brothers with different last names; the psychedelic noise-triXXXster Twig Harper and the reel-to-reel builder and stoic impresario of deadened ambush\, Caleb Johnston. At this point\, the context returns to its’ steady placement as useless. If one places a musician within every-damn-musical-area one can fall into\, then can’t one as easily put them into no-damn-musical-area? After all who ever heard of a technocrat drone-rocker noise aktionist eating hot peppers with two psychedelic brothers all while playing junked out electronics mixed with developing and progressive\, but still rather nostalgia tinged\, digital sounds\, except there are no beats\, drones\, or noise-blasts but rather interlocking layers of clang-y misshapen patterns that are replaced by rising and descending tones smattered together to be torn apart to create a carousel affect of the cogent and the confused? There seems to be just nothing to say about Max Eilbacher other than that he is a Baltimore based musician working with a wide variety of electronics\, both sampled and synthetic. Eilbacher has a solo record out on the Spectrum Spools label\, a sub-label of Editions Mego \nLuminous All Kudler \nLuminous All Kudler is one of many interchangeable performing aliases of currently Baltimore based electronic musician and sound artist Ben Kudler. In response to the recent move to integrate computers into every facet of daily life\, including the body\, Kudler’s sounds create physiological snaps and bumps in addition to psychoacoustic errors and confusions on the part of the listener. The immediately identifiable synthetic sounds used are strapped into shaky\, if not plain stupid\, structures stacked on top of one another rendering a centrifugally hung spinning force of a composition that can only have sense derived from by each individual listener\, the end user. Luminous All Kudler’s debut full length record will be released on Spectrum Spools\, a sub-label of Editions Mego this year. \nSalamander Wool\nhttp://www.ehserecords.com/salamanderwool/ \nMatthew Sullivan\nhttp://matthewsullivanearn.bandcamp.com/ \nVRS\nwww.vrs-music.tumblr.com \nDoors at 8PM\, $5 FB event page
URL:https://www.h-r.la/event/ben-kudler-max-eiibacher/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/March-15-15.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150316T193000
DTEND;TZID=America/Los_Angeles:20150316T193000
DTSTAMP:20160523T033802Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033802Z
UID:1417-1426534200-1426534200@www.h-r.la
SUMMARY:Charles Atlas: Turning
DESCRIPTION:7:30PM \n“Turning”\, 2012 (76 min) \n“You Are My Sister”\, 2006 (3 min) \nAtlas’ practice is firmly rooted in the moving image\, and he is most famous for works that blur the line between experimental dance documentation and performance for the camera. In his 40-year career\, he has produced dance films\, experimental videos and documentary features. Atlas has collaborated extensively with other artists\, dancers and choreographers\, including Marina Abramovic\, Antony and the Johnsons\, Leigh Bowery\, Michael Clark\, Merce Cunningham\, and Yvonne Rainer. Atlas has exhibited internationally at Tate Modern\, Centre Pompidou\, De Hallen\, South London Gallery\, SALT Istanbul\, Walker Art Center\, and he has been included in four Whitney Biennials including 2012\, but his work has rarely screened in Los Angeles. ATLAS IN LA\, is an opportunity to expose the city of Los Angeles to many more of Atlas’ films and videos. \nCharles Atlas was born in St. Louis\, MO in 1949; he has lived and worked in New York City since the early 1970s. His work has been exhibited and is in the permanent collections of such institutions as Tate Modern\, London; the Museum of Modern Art\, New York; the Centre Pompidou\, Paris; the Institute of Contemporary Art/Boston; Hamburger Bahnhof – Museum für Gegenwart\, Berlin; the Whitney Museum of American Art\, New York; and the New Museum\, New York\, among many others. \nATLAS IN LA is organized by Paul Pescador. Images and content courtesy of the artist\, Electronic Arts Intermix and Luhring Augustine. \nMedia partner: ForYourArt. For full festival details and more information about Charles Atlas\, please visit: atlasinla.tumblr.com.
URL:https://www.h-r.la/event/charles-atlas-screening-2/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Atlas-Turning.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150331T000000
DTEND;TZID=America/Los_Angeles:20150331T000000
DTSTAMP:20160516T181922Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160516T181922Z
UID:1419-1427760000-1427760000@www.h-r.la
SUMMARY:Night of Music w/ Emily Joyce
DESCRIPTION:Emily Joyce and friends including Adam Goldman. Low Key night of music.
URL:https://www.h-r.la/event/night-of-music-w-emily-joyce/
CATEGORIES:one-time event at HR
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