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X-WR-CALDESC:Events for Human Resources
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DTSTART;VALUE=DATE:20101020
DTEND;VALUE=DATE:20101023
DTSTAMP:20161218T205832Z
CREATED:20160310T104300Z
LAST-MODIFIED:20161218T205832Z
UID:1040-1287554400-1287727199@www.h-r.la
SUMMARY:Two Performances w/Nicholas Grider\, Ryan Majestic\, Aaron Drake\, David Earle\, Elana Mann\, and Juliana Snapper
DESCRIPTION:Masculinity Cycle (Houdini)\nNicholas Grider with Ryan Majestic\nWed. Oct. 20th\, 8pm\nHuman Resources\, 510 Bernard in Chinatown \nFor this performance I’ll restage a famous Houdini rope challenge which goes like this: three audience volunteers tie me to a chair with 100 feet of rope.  Then I escape (probably).  Where Houdini would have moved on\, though\, we’ll go back to the beginning and do the whole thing over again and again with new volunteers each time until either I or the audience give up.  I really need (male) audience volunteers for this so come prepared to get me secured to that chair. \nOcean of Noise\nAaron Drake\, David P. Earle\, Elana Mann with Juliana Snapper\nThurs. Oct. 21st\, 8pm\nHuman Resources \nOcean of Noise is an evening of music\, sound art\, and performance by the above-named artists working at the intersections of these media and work with ideas of disconnection and miscommunication.  Ranging from answering machine messages to muffled lectures to reconstructed opera\, each work in the event speaks to something that can get lost\, orally and aurally\, during human communication.
URL:https://www.h-r.la/event/nicolas-grider/
LOCATION:Human Resources on Bernard St.\, 510 Bernard St.\, Los Angeles\, CA\, 90012\, United States
CATEGORIES:one-time event at HR
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20101022
DTEND;VALUE=DATE:20101024
DTSTAMP:20161218T210702Z
CREATED:20160310T104300Z
LAST-MODIFIED:20161218T210702Z
UID:1041-1287727200-1287813599@www.h-r.la
SUMMARY:SASSAS Presents: Kim Myhr and Jim Denley
DESCRIPTION:(LOS ANGELES) SASSAS is pleased to announce Ad Hoc\, a new concert series presented in collaboration with the Chinatown based collective\, Human Resources. Ad Hoc #1 takes place Friday\, October 22\, 2010 at Human Resources’ space in Chinatown and features the renowned experimental musicians Kim Myhr (Norway)\, Jim Denley (Australia) performing as Mural\, and local artist GE Stinson. \nSince its founding over ten years ago SASSAS (The Society for the Activation of Social Space Through Art and Sound) has presented the best experimental music to Los Angeles audiences through the sound. series of concerts. While sound. requires months of advance planning\, all to often\, SASSAS is approached by national and international touring musicians looking for venues to perform in Los Angeles with little advance notice. Ad Hoc was founded out of the belief that it benefits the greater Los Angeles community and the reputation of LA in the international sound community if these musicians are able to add Los Angeles to their tour schedule. \nDeveloped in collaboration with the Chinatown-based collective Human Resources\, Ad Hoc is designed to accommodate short term requests by national and international touring musicians wanting to perform in Los Angeles. SASSAS and Human Resources collaborate to find lodging for the musicians and transportation as needed. All Ad Hoc concerts are volunteer run and low cost with tickets sold on a first come\, first serve basis the night of the show. The majority of door proceeds go directly to the touring musicians. \nDoors for Ad Hoc #1 open at 8:30pm on Friday\, October 22 at Human Resources\, 510 Bernard St. in Chinatown\, 90012. Tickets are $8.00. For show info visit www.sassas.org or phone 323/960-5723. \nA quietly outstanding piece of Improv\, a haunting world of breathtaking timbral beauty … an extraordinary creation – The Wire on nectars of emergence by Jim Denely and Kim Myhr \nJim Denley is considered one of Australia’s foremost improvisers of new music with a career spanning over three decades. An emphasis on spontaneity\, site-specific work and collaboration has been central to his work. He was recently awarded a Fellowship by the Australia Council and is currently working towards a paradigm shift in the notion and perception of the saxophone; to establish its relevance to ancient and current traditions in Australian music\, and to extend its range with the addition of innovative electronics and miking. Denley also runs the record label Splitrec. In Mural\, Jim plays flute and saxophone. (http://www.splitrec.com) \nKim Myhr is a guitarist and composer based in Oslo\, Norway. He studied at Berklee College of Music in Boston and has since had an active performance schedule with concerts throughout Europe\, Australia\, Asia and North-America. In 2008\, he received the JazZtipend at the Molde International Jazz Festival which included a commission for Trondheim Jazz Orchestra\, a large ensemble consisting of thirteen handpicked improvisers from Norway and Australia; the one hour piece received wide critical acclaim. Myhr is also the co-director of the Fri Resonans festival\, which has been presenting cutting-edge and innovative music in Trondheim\, Norway since 2005. (http://www.myspace.com/kimmyhrmusic)
URL:https://www.h-r.la/event/sassas-and-hr-co-host-an-ad-hoc-music-event/
LOCATION:Human Resources on Bernard St.\, 510 Bernard St.\, Los Angeles\, CA\, 90012\, United States
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/myhr-denley2.jpg
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DTSTART;TZID=America/Los_Angeles:20101028T190000
DTEND;TZID=America/Los_Angeles:20101028T190000
DTSTAMP:20161218T211340Z
CREATED:20160310T104300Z
LAST-MODIFIED:20161218T211340Z
UID:1042-1288292400-1288292400@www.h-r.la
SUMMARY:Crying Over Spilled Milk
DESCRIPTION:ALEXIS DISSELKOEN \nBRIAN GETNICK \nPAUL PESCADOR \nOrganized by Paul Pescador \nCrying Over Spilled Milk\, is a one night performance event featuring the work of Alexis Disselkoen\, Brian Getnick\, and Paul Pescador\, Crying Over Spilled Milk\, will focus on site-specific situational and interactive performances. The event will examine the creation of performative objects as a means to develop live performance. Whether its costumes\, props\, or even photographs\, the event will focus on the power of an object to provoke and encourage performativity. \nHuman Resources will be divided into three separate spaces: hallway\, gallery\, and back courtyard. Each performers will separate their piece into one of these location. As the event unfolds varying parts of each performance will begin to move\, by the end of the event: performers\, objects\, and audience will begin to blur into one another. \nThe two hour performance will be begin at 7PM. \nALEXIS DISSELKOEN \nThrough the use of group activities and event based situations Alexis Disselkoen strives to connect contemporary issues of identity and the scholarship of interpersonal relations. She works around constructions of power that inform art production\, viewership and participation by creating encounters that are participatory and directed by the people that are involved. Simple devices and material become the atmosphere and space that viewers must negotiate with when experiencing the work. \nBRIAN GETNICK \nBrian Getnick is a Los Angeles based artist and the director of THE BALLET\, a performance troupe of hand made costumes. These costumes\, with their sculptural details\, are the primary text for each performance. Through collaborate\, Getnick explores how materials can translate subconscious desires from creator to performer. Getnick develops his performances with local dancers\, actors\, musicians and artists. These collaborations open up beyond a singular pathology and into an arena in which the interactions between performer\, object\, context and audience merge. \nPAUL PESCADOR \nPaul Pescador conducts small-scale gestures and performances that occur in both social and private environments\, such as homes\, sidewalks\, and galleries. The actions are small and lend themselves to repetition as a means to understand\, activate\, and disrupt a surrounding environment. Whether these events occur in front of an audience in a gallery or alone in a park\, they are documented with a camera. The camera becomes the primary witness to the event. The event wouldn’t occur if it wasn’t recorded and the photograph without the action. They are linked and rely on one another to exist.
URL:https://www.h-r.la/event/paul-pescador/
LOCATION:Human Resources on Bernard St.\, 510 Bernard St.\, Los Angeles\, CA\, 90012\, United States
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/crying1-1.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20101030
DTEND;VALUE=DATE:20101101
DTSTAMP:20161218T211651Z
CREATED:20161218T211651Z
LAST-MODIFIED:20161218T211651Z
UID:2429-1288418400-1288504799@www.h-r.la
SUMMARY:Divining Power
DESCRIPTION:music by: \nKINGDOM\nNGUZUNGUZU\nTOTAL FREEDOM \nwith: \na performance of not knowing\nby Vincente Colomar – from Madrid \nand Dawn Kasper \nIt’s our last hurrah at 510 Bernard so come dressed for the occasion and have a drink and a dance…
URL:https://www.h-r.la/event/divining-power/
CATEGORIES:one-time event at HR
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/12/divine.jpg
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