BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Human Resources - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.h-r.la
X-WR-CALDESC:Events for Human Resources
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20230312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20231105T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20240310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20241103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20250309T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20251102T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240313T000000
DTEND;TZID=America/Los_Angeles:20240316T235959
DTSTAMP:20260729T165153
CREATED:20240227T192526Z
LAST-MODIFIED:20240826T164257Z
UID:7972-1710288000-1710633599@www.h-r.la
SUMMARY:Devotional See-Saw
DESCRIPTION:Gallery hours: Friday\, March 15th\, 2 – 6pm; Saturday\, March 16th 12 – 5pm \n\n\n\nA collaborative show by Canción Paz and Amia YokoyamaTo read texts about the show (in English / en español)\, click here. \n\n\n\nA parade with the main material being friendship (sacred relatedness) among ceramics\, drawings\, bells and fabric dolls. \n\n\n\nWith pieces (flags) by the sexiest CDMX artists Mata Flores\, Ada Navarro\, Cheslsea Gelwarg\, Helia Mejia\, Corona\, and Carolina Berrocal; and LA artists Syd Yocom\, Carolina Hicks\, Chiffon Thomas\, Josh Cloud\, Kayla Ephros\, Lyric Shen\, Venus Wikifur\, Ellie Gordon\, Forever Soo Hoo\, Jonathan Chacon\, Sebastian Loo\, Clue Quilala\, Kate Mosher Hall\, and Aimee Goguen. \n\n\n\nWednesday\, March 13th 6pm: Opening reception  \n\n\n\nPerformance at 7pm1. Pamper routine (guided stretching warm up ) with harpist Leng Bian2. Procession ⁠commencement speech (Jonathan Chacon)3. Kayla Ephros Acapella3. Ducky banquet by Jade Sky4. ⁠Aasir Cherot (shimmy spectacle)5. ⁠A Thousand Bows Ensemble ( Forever Soo Hoo\, Aasir Cherot\, Walter Vargas and Cancion Paz) musicalized by Tigress of the Lilypad (Amia Yokoyama\, Keane Nwede\, Leti Soriano\, and Mito del Desierto)Followed by closign reception with DJ Alitlebug and DJ Negashi Armada\, 10pm to midnight \n\n\n\nFriday\, March 15th 6pm: Stretching warm-up and double-feature1. Pamper routine (guided stretching warm up)2. Friendship Speech (Gloria Galvez)Two films directed by Shūji Terayama3. Pastoral: To Die in the Country (1980) 1h 44m4. Fruits of Passion (1981) 1h 23m
URL:https://www.h-r.la/event/devotional-see-saw/
CATEGORIES:exhibition,music/sound,screening
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2024/02/devotional-see-saw-Copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240319T000000
DTEND;TZID=America/Los_Angeles:20240323T235959
DTSTAMP:20260729T165153
CREATED:20240305T195845Z
LAST-MODIFIED:20240826T164210Z
UID:8000-1710806400-1711238399@www.h-r.la
SUMMARY:Alan S. Tofighi: Legal Fictions & Critical Bands (1993-2024)
DESCRIPTION:Alan S. Tofighi: Legal Fictions & Critical Bands (1993-2024) Traces trajectories from two ongoing work cycles; Critical Bands (2010-present) and Legal Fictions (2014-present). Respectively rooted in histories & counter histories in the performance of objects and the processes of aesthetic forms utilized to forge and manipulate social structures\, retrocausal collaboration of these separate arcs interlock and collaborate in real time. Further linking these zones is the accumulation of art adjacent remnants\, refuse\, and research repositories from past and future works in a complication of separation. Infinite game where the viewer can mine and undermine dominant culture to navigate their own counter history.  \n\n\n\nAccompanying the event will be two evenings of performances culminating with a closing performance on March 23\, as part of Tofighi’s ongoing work of collecting acoustic and architectural samples where collaborators will acoustically shift the resonant frequencies and architectural basis of the site.  \n\n\n\nAlan S. Tofighi (they/them) is an Interdisciplinary artist who lives and works in Southern California. Utilizing a background in research\, performance\, sound\, consumer products\, and video\, their work deals with analyses of the dispersion\, obfuscation\, and formation of information/history to renegotiate narratives of history & power in the present. Tofighi utilizes the infiltration of legal parameters\, social structures\, myth\, (dis)information\, folk ontologies and extensive research of these cells as they shift from fringe culture to central in their infiltration/engineering of dominant culture.  \n\n\n\nTofighi has shown work and/or performed at REDCAT\, Blum & Poe\, The Box\, LACE\, The Roxy\, The Horse Dublin\, The Bob Baker Marionette Theater\, the wulf.\, Los Angeles Contemporary Archive\, The Troubadour\, MOTOR\, The Hotel Congress\, and many other sites/spaces throughout the world and internet.
URL:https://www.h-r.la/event/alan-s-tofighi-legal-fictions-critical-bands-1993-2024/
CATEGORIES:exhibition,performance
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2024/03/Alan-s-tofighi-HR-flyer-1-Copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240329T000000
DTEND;TZID=America/Los_Angeles:20240419T235959
DTSTAMP:20260729T165153
CREATED:20240319T151943Z
LAST-MODIFIED:20250730T101917Z
UID:8014-1711670400-1713571199@www.h-r.la
SUMMARY:There in Green California / هناك في كاليفورنيا الخضراء
DESCRIPTION:Opening reception: Saturday\, March 30\, 6 – 10pm \n\n\n\nAli Eyal\, Andre Keichian\, Ignacio Perez Meruane\, Izdihar Afyouni\, Golrokh Nafisi\, Hande Sever\, Susu Attar \n\n\n\nGallery hours: Wednesday through Sunday\, by appointment. Contact info@humanresourcesla.com to make a reservation. \n\n\n\nIzdihar Afyouni\, 2024 (detail)\, oil on canvas\, 2024\n\n\n\n\nIt is difficult\, even righteously offensive\, to make art in the face of so much destruction and death which need little interpretation. The work of art (making)\, exhibition (making) and writing are never separate from their makers. And what of our “marginalized” identities if we can’t transform our lived experiences into ways of seeing and being in the world? Like grains of sand melted into a solid and fragile piece of glass\, the alchemy allows for light to be filtered through so we can be guided by it. It is through this lens that we can see life and write about living in a carceral world invested in our slow and sudden death. \n\n\n\nThe artists in this exhibition address cycles of violence and loss. From the most abstract to the figurative\, the material or psychological\, they provide embodied perspectives across experiments with material and form. A violent memory of disappearance\, dispossession and displacement etched onto a surface\, rebuilt through layers of paint; An image that self-effaces as soon as it emerges. What is the role of memory in the age of total destruction? \n\n\n\nThere in Green California brings together works by artists who have been making work with the bombs already dropping; already on the run from the kidnappers and their haunting memories; already violated and already under siege; generations displaced and memories already relived through so many stories there is no separating them from fiction. And there is no dreaming without the nightmares.  \n\n\n\nThe artists remind us of how the perceived peacefulness of our homes here is not in contrast to\, but at the price of war at home over there. Here in our (not for much longer) green California\, at the rate with which weapons are being made\, we have been living in war for as far back as we can remember. Here in green California it is our struggles against indigenous dispossession and land theft\, and our fights against the police and military industrial complex that connect us to the homes we have been uprooted from.  \n\n\n\nAs I write this text the genocide of Palestinians in Gaza is continuing in the hands of the necrophiliac Israeli government and with the direct support of the so-called United States and its allies. Here in the West where rhetoric is constantly utilized to distract us from the material reality of genocide and ethnic cleansing\, I am more wary of the art jargon. Moving away from rhetoric\, it is the material that confronts me: the layers of paint on canvas forming the guts of an animal; the paper rolling down onto the floor to keep the image of a body afloat; the pristine yet dismembered body parts replicated from the monument of a colonizer; the black and white gradients of mundane photographs as testaments to systemic removal; wet clay that fire has fixed into the shape of bullets preserved from memory; lines that connect one arm to another extended across separate sheets of paper; and glass that\, by letting light through\, makes but the process of seeing visible. \n\n\n\nThere in Green California borrows its title from Ghassan Kanafani’s 1956 Letter from Gaza. In the fictional letter\, Palestinian author and novelist addresses his comrade\, Mustafa:  \n\n\n\nI won’t follow you to “the land where there is greenery\, water and lovely faces” as you wrote. No\, I’ll stay here\, and I won’t ever leave. The choice to leave\, the choice to stay or live one’s life as defined by crossing a border and living on both its sides\, is not a question of privilege. Exile comes in its different shades and colors.  \n\n\n\n–Gelare Khoshgozaran \n\n\n\n\n\n\n\n\nHuman Resources Los Angeles commits to the Palestinian international call for Boycott\, Divestment and Sanctions (BDS). The commitment to the Palestinian Academic and Cultural Boycott of Israel is twofold. It is a refusal to participate in the normalization of occupation and apartheid by Israel and a commitment to instead bring awareness to the material realities of these structures in Palestine. We stand with our colleagues who have already joined this movement\, and who are putting their name on solidarity statements. We urge all arts organizations\, writers\, cultural workers\, and artists to take action now. This boycott is a principled refusal to participate in artwashing. Learn more: https://bdsmovement.net/pacbi.
URL:https://www.h-r.la/event/there-in-green-california/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2024/03/feature-scaled.jpg
END:VEVENT
END:VCALENDAR