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DTSTART;TZID=America/Los_Angeles:20240119T000000
DTEND;TZID=America/Los_Angeles:20240204T235959
DTSTAMP:20240826T164052Z
CREATED:20240108T211621Z
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UID:7876-1705622400-1707091199@www.h-r.la
SUMMARY:Minor Gaps Between
DESCRIPTION:Gallery hours: 12 – 6pmOpening: Saturday\, January 20\, 6 – 9pm \n\n\n\nfeaturing work by:0ll668Derek HolguinJiayun ChenRodolfo Sousa \n\n\n\nMinor Gaps Between is the result of several conversations about the arcane and mystical. The title of the exhibition describes the vacuous space between the beginning and end of the void\, where the inexplicable intrusion of primordial impulses and revelations hide\, and where human logic cannot reach. The artists explored themes central to their practice\, ranging from the relationship between prophecy and coincidence\, the past and the future\, and the nebulous boundary between reality and fiction. In the void\, there are no correct questions or perfect beings; only nothingness exists. \n\n\n\nClick here to read a curatorial text by Nahui Garcia.
URL:https://www.h-r.la/event/minor-gaps-between/
CATEGORIES:exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240209T000000
DTEND;TZID=America/Los_Angeles:20240211T235959
DTSTAMP:20240818T005540Z
CREATED:20240124T192511Z
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SUMMARY:Jules Garder and Nat Decker: Posturing Collapse
DESCRIPTION:Friday\, February 9th\, 6pm – 10pmPerformances: 8pm – 10pmFeaturing: Jules Chimes Gårder and Nat Decker\, Star Feliz and Cielo Saucedo\, thai Lu\, Life Em Stebbins and Jazmin Romero \n\n\n\nGallery Hours: Saturday\, February 10th and Sunday\, February 11th\,  12 – 6 pm \n\n\n\nFree admission; donations will be split between Sensi Skins and the Palestine Children’s Relief Fund. \n\n\n\nPLEASE NOTE: Masks are required for the evening of performances to protect our immunocompromised community members. Free masks will be provided. HR is physically accessible with a small ramped entrance and ADA compliant bathroom. The event will be live-streamed. Auto captions will be provided in the space and on the live-stream. A visual description of the installation will be available during open hours. Please reach out to jules.c.garder@gmail.com for additional access requests.   \n\n\n\nPosturing Collapse is a two-person exhibition featuring works by Jules Chimes Gårder and Nat Decker. The duo will present a collaborative performance and installation of sculpture and video which measures the intersections (and differences) of their histories with grief\, disability\, and sexuality. The opening will include performances by Star Feliz and Cielo Saucedo\, thai Lu\, Life Em Stebbins\, and Jazmin Romero. \n\n\n\nJules Chimes Gårder is obsessed with their dead mom. Nat Decker is a fall risk toting the weight of abjection. Together they collapse and defy gravity in moments of recognition. Tendrils reach for stable ground\, exploring the spaciousness of absence. They count distances from shock\, perpetually reconstituting themselves. They crawl on uneven terrain\, defining new functional heights. They rest still\, knowing they are changing. Pressure delivers resistance. \n\n\n\nNat Decker (they/them) is a Chicago born Los Angeles based artist interpreting the intimacies of queer and disabled experience as provocation toward collective care and liberation. Bridging digital and physical mediums\, they leverage technology as a form of access\, seeking the integration of values into tools and processes. With Cielo Saucedo and Olivia Dreisinger\, Nat is building Cripping_CG – a community archive researching and documenting the intersection of disability culture and computer graphics. Nat is also an access worker\, consulting on accessibility for various arts organizations. They were a 2023 Processing Foundation Fellow and are a current member of NEW INC. In June 2022 they graduated from UCLA with a degree in Design/Media Arts and Disability Studies. \n\n\n\nJules Chimes Gårder (b.1987) (they/she) is a Los Angeles based artist indebted to the patterns of demise and reconstruction that are prompted by loss and grief. They primarily create sculptures and videos. Much of their work engages longitudinal experiences of mourning through collaborations with their mother Eva Chimes (posthumously). They will soon hold a BA in Art from UCLA. \n\n\n\nCielo Saucedo is an access worker and artist based in Los Angeles. Their work focuses on the dispersal of ableism through cultural economies. They work to dissolve the curative aspirations of technology. Their work encompasses computer generated imagery\, sculpture and virtual reality. They received their BFA from School of the Art Institute\, Chicago\, and are currently an MFA candidate at UCLA.  \n\n\n\nStar Feliz is a Dominican-American installation artist originally from New York\, NY currently based in Los Angeles\, CA. Building upon their ancestral Afro-Taino lineage of multi-dimensional healing — Feliz employs sound\, sculpture\, film\, earthworks\, and techniques of concealment\, language\, and mapping to transverse the psychic legacy of everyday resistance and world-making. Under the moniker of Priests they create experimental devotional music. They have exhibited\, performed\, and presented commissions nationally and internationally. \n\n\n\nthai Lu is a transdisciplinary artist\, writer\, and community organizer centering their practice on the social\, cultural\, and physical effects of chronic illness. As a chronically ill\, disabled\, neurodivergent\, and gender-divergent first generation American from a family of Vietnamese refugees\, thai works at the intersections of Western bio-politics\, Southeast Asian diaspora\, post-war intergenerational suffering\, relational ecologies of interdependence\, and the concept of metamorphosis. \n\n\n\nLife Em Stebbins is a poet and geologist living in Humboldt County\, California. As a graduate student at Cal Poly Humboldt\, Life studies mud to reconstruct glaciation history and paleoclimate patterns in the Klamath Mountains. Her poems focus on dry earth\, wet dirt\, and the sacrament of mud. Life reads poems across the country and digs holes throughout the Intermountain West.Jazmin Romero is a multidisciplinary artist born and raised in Los Angeles\, CA. Her work explores memory\, family\, migration\, and labor through performance\, sound\, music and visual art. Romero’s work is interested in understanding patterns of dispossession and displacement in her personal and familial history. Through experimental modes of storytelling\, she shares her experiences in performances\, video\, and sculptural installations that center her resilient origins and create space for personal and collective meditation.
URL:https://www.h-r.la/event/posturing-collapse/
CATEGORIES:exhibition,performance
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DTSTART;TZID=America/Los_Angeles:20240216T000000
DTEND;TZID=America/Los_Angeles:20240218T235959
DTSTAMP:20240818T005456Z
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UID:7895-1708041600-1708300799@www.h-r.la
SUMMARY:Meejin Hong: Deluge
DESCRIPTION:Still from Deluge by Meejin Hong\n\n\n\n\na screening and art show with Meejin Hong opening Friday\, February 16th\, 5 – 8pmGallery hours: Saturday\, February 17th and Sunday\, February 18th\, 12 – 6pm \n\n\n\nMeejin Hong is an experimental animator deeply rooted in the fine arts. She thrives off of a stream of conscious brainstorming that propels her into the fantastic\, more primitive side of creation. In her film Deluge (2024)\, she utilizes straight ahead animation to create an ever-evolving landscape where the present inevitably coexists with the past. Memories are formed\, reshaped\, and obliterated\, relentlessly competing for space. Control is surrendered\, and mistakes and second chances are embraced. It is the slow stampede of a vulnerable mind. Hong was born in Spartanburg\, SC and currently resides with a creep of tortoises and other unruly creatures in Winnetka\, CA.  \n\n\n\nDeluge (2024) by Meejin Hong is an animation constructed from ink and 24 frames. 24 drawings\, photographed\, added to\, re-photographed repeat\, repeat\, repeat. This cycle of drawing and photographing is repeated by Hong until she reaches complete darkness. Created out of thin black ink lines sprouting and erupting\, constantly protruding and reproducing themselves. A fun-fair takes form\, a parade of ghosts and whimsy. A stream of ground and bacterial swamp matter choreographed by Hong’s cunning use of movement\, humor and transformation.  \n\n\n\nTricky twirls and balancing acts\, a sinister hand encouraging us to come inside. An interior that grows deeper and further introverted. Micro organisms become increasingly clearer and in focus\, each with their own schema\, until consumed by itself or another matter. With each cycle of 24 frames the tricks and transgressions grow more delusional\, intricately interwoven birthing new specimens and offspring. Constantly re-producing\, overlapping\, and developing until all we are left with is deep darkness\, a very pure black.  \n\n\n\nMeejin Hong’s latest animation leaves us in a void and that seems on the mark. Deluge can be read as a cross section of our own human condition with each layer wrecking havoc\, elegantly causing chaos and catastrophe. From the bodily organisms\, the body politic and the mass that is this earth.  \n\n\n\ntext by Olivia Taussig
URL:https://www.h-r.la/event/meejin-hong-deluge/
CATEGORIES:exhibition,screening
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