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X-WR-CALDESC:Events for Human Resources
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DTSTART;VALUE=DATE:20190614
DTEND;VALUE=DATE:20190620
DTSTAMP:20190517T183935Z
CREATED:20190517T183935Z
LAST-MODIFIED:20190517T183935Z
UID:4465-1560492000-1560923999@www.h-r.la
SUMMARY:Stalgia Grigg: is a weapon and we
DESCRIPTION:opening reception: fri june fourteen : seven to ten\non view sat june fifteen—tues june eighteen : noon to six \nThe ideological ground that Logic and Rationality stand on is slipping away. Liberalism has rallied to defend the sacred ground of “truth\,” while slowly realizing it may have been a constructed fiction all along. At the same time\, a reactionary Right (including a nascent fascist movement) has weaponized fuzzy logic\, finding a unified front in the incomprehensible. In this cultural space\, the Left struggles with the stasis generated by an inability to resolve a contradictory multiplicity\, much less shift this resolution into a true consensus. \nIn his first US solo show\, Stalgia Grigg exhibits work which draws upon a long lineage of artistic practices that reject sense-making. He extends this tradition with game engine simulations\, emergent non-human intelligence\, and machine-generated political outrage. This is not for its own sake\, but towards an understanding of how contradiction\, incoherence\, and looping logic can serve the Left in escaping the stasis of history.
URL:https://www.h-r.la/event/stalgia-grigg-is-a-weapon-and-we/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2019/05/final.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190619
DTEND;VALUE=DATE:20190623
DTSTAMP:20190620T203403Z
CREATED:20190614T011454Z
LAST-MODIFIED:20190620T203403Z
UID:4494-1560924000-1561183199@www.h-r.la
SUMMARY:Brian Getnick: Poem for the community
DESCRIPTION:Poem for the community \nsculptures and works on paper by Brian Getnick \n  \nExhibition dates: Wednesday\, June 19—Friday\, June 21 \nGallery hours: 5pm-9pm or by appointment (call 773.351.1888) \n  \nIn the fall of 2018\, artist Brian Getnick presented Punishment’s Place—an ensemble performance wherein the shattered pieces of a monument to Prometheus Bound were assembled to the beat of a chant. At the core of that script was the “Poem for the community\,” a premonition of impending violence against artists. On June 19th through the 21st\, Getnick presents a display of ceramics\, large tapestries and works on paper that further explore the precarity of artists working within an era of punitive logic. The monument to Prometheus Bound will also be on display. This event is a preview of a solo show and performance debuting at HRLA in the fall of 2019. \nArtwork will be up for sale with proceeds supporting the artist’s project and HRLA.
URL:https://www.h-r.la/event/brian-getnick-poem-for-the-community/
CATEGORIES:exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190623
DTEND;VALUE=DATE:20190701
DTSTAMP:20190620T204219Z
CREATED:20190612T092544Z
LAST-MODIFIED:20190620T204219Z
UID:4490-1561269600-1561874399@www.h-r.la
SUMMARY:Look Who's Talking Now
DESCRIPTION:Opening: Sunday\, June 23rd  6-10pm \nGallery Hours: Monday\, June 24 – Saturday\, June 29   12-6pm \nPerformances by Malinche and Figgy \nDJ Set by Paxico Records \nThe more intricately connected that people are to one another\, the more their ideas and projects appear to follow similar patterns. Look Who’s Talking Now focuses on painting as its principal medium and challenges homogeneity in an increasingly globalized world. By showcasing the work of artists based in Mexico City and Los Angeles\, the exhibition proposes that the ability to share diverse perspectives not only helps dismantle cultural stereotypes but also encourages a revision to the ever-evolving definition of Latinx Art. The featured artists in this exhibition have roots in Mexico\, Guatemala\, Puerto Rico\, and El Salvador. Together they explore a variety of mediums and illustrate the wide range of interests and cultural influences in their work. \nLook Who’s Talking Now begins by showcasing abstract works of art that allude to a historical break from hyper-realistic paintings\, followed by works that portray universal archetypes such as family units\, romantic relationships\, as well as contemporary mass-media images like soccer teams and fashion brand logos. The exhibition then transitions into a unique selection of portraits depicting people who have played significant roles in the lives of the artists\, including friends\, classmates\, and even strangers. Finally\, the show concludes with experimental works that move away from the canvas altogether. The artists in the last section demonstrate color theories used in modern art\, explore bodily fluids to create pigments\, and experiment with interactive video work. As the viewer progresses through the exhibition\, they will experience the disintegration of paintings that will evolve into more experimental works. \n\nThe exhibition suggests that globalization does not need to equal homogeneity and that the possibility to expand the definition of Latinx Art is endless. It views history as a living entity that requires constant reappraisal in order to present art that does not belong to a single genre or medium. \nFeaturing work by: Liza Feurtado\, Bryan Valdez\, Maria Fragoso\, Angela Leyva\, Marek Wolfryd\, Francisco Palomares\, Circe Irasema\, Jackie Amezquita\, Derek Holguin\, Ginger Quintanilla\, and Lauren D’Amato \nCurated by Nahui Garcia
URL:https://www.h-r.la/event/look-whos-talking-now/
CATEGORIES:exhibition
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