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X-WR-CALDESC:Events for Human Resources
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DTSTART;VALUE=DATE:20180711
DTEND;VALUE=DATE:20180717
DTSTAMP:20180707T172308Z
CREATED:20180626T010426Z
LAST-MODIFIED:20180707T172308Z
UID:3521-1531288800-1531720799@www.h-r.la
SUMMARY:Sarah Rara: Alias
DESCRIPTION:  \n  \nsolar rays reached the surface without meaning \ndepending on the day\nthe observer melts exactly where the sun rises \nthe heavy sun tethers to hangers-on\nthrows them counter-clockwise \nthe northern axis points in the direction\nno one yields \ncolors de-saturate in the dark \na cylindrical projection graphs the sun\nrolled for an eye to look through \nfeel what happened to the horizon after the fires \nwe need to take all that we can\, read the azimuth\, and run \nwhen the sun flickers\, time abolishes pleasing positions \n  \nHuman Resources presents Alias\, an exhibition of new video work by Los Angeles-based artist Sarah Rara. \nRara’s multi-disciplinary practice—incuding performance\, writing\, and video—explores the position of witness within fragile systems. \nFor Alias\, Rara focuses on a characteristic distortion of sampled images—Aliasing—where one grid fails to cleanly capture another\, and separate entities become indistinguishable. One form ingesting another\, a parasite larger than its host: Alias is a story about solar energy\, ruined by observation. \n  \nClosing reception Sunday July 15th\, 3-6pm \nGallery hours Weds 7/11—Sun 11/15 12p—6p
URL:https://www.h-r.la/event/sarah-rara-alias/
LOCATION:Human Resources LA\, 410 Cottage Home\, Los Angeles\, CA\, 90012
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/06/alias-stills.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180719
DTEND;VALUE=DATE:20180725
DTSTAMP:20180717T004452Z
CREATED:20180717T001236Z
LAST-MODIFIED:20180717T004452Z
UID:3545-1531980000-1532411999@www.h-r.la
SUMMARY:Arc\, Wobble\, Fade\, Fold
DESCRIPTION:Image: Sasha Bergstrom-Katz\, Cup and Ball\, cast aluminum\, 2018 \nOpening Reception: July 19\, 7-10pm \nGallery Hours: Thursday – Monday\, 12pm-6pm \n  \nSasha Bergstrom-Katz  \nRachel Borenstein  \nNiloufar Emamifar  \nMiranda Javid \nKyle Welker \nKim Garcia  \nJoshua Ross  \nEva Słapa \nAmy Mackay  \n  \nConsider the idea of the fold. It is both a gesture and a mark\, a mode of concealment and of obfuscation. One can get lost in the fold just as the act of folding might provide direction or even answers. A fold is a fracture in the surface and it is a gentle graze. It is\, in this way\, a clever contradiction. A fold implies elasticity\, movement\, and variation. The works in Arc\, Wobble\, Fade\, Fold rely on the tensility of their materials\, the malleability of their formation. These pieces come together in their shifting\, volatile dispositions.  \nIs a fold a boundary? Some works delve into the politics of geographic “air rights” and the arbitrary property rights used to delineate borders and measure public space. Other pieces consider the inherent choreography of the garment as it wrinkles\, puckers\, and cinches on the body. There are abstract documents of constructed or staged group experiences\, where a large-scale painting of curved\, undulating strokes might serve to mark\, or archive\, a collective event.  \nThe fold—or the fissure—is hidden in the systems of other artworks. In one sculptural installation of tangled glass tubes\, both the flow and the source of tube water is concealed by the coiling continuity of its transparent conduit. Another artist explores the interior apparatus of the magician’s false “cup-and-ball” props. Here\, the trick is embedded into the object itself\, eliminating any need for sleight of hand.  \nSome cast structures carry impressions and indentations of tactile molds. These fabricated forms likewise hint at tensions\, misunderstandings\, missed connections—an elaborate index of social interactions. Another work seeks to demarcate definitive moments in more abstract pursuits such as mapping the pollination range of honey bees. Still other pieces dissect the flat surface of the canvas\, carving holes and manipulating material into intricate contours. Short looping animations dwell on mortality and the passage of time\, the folding of the day as the sun sets.  \nAs both a cover and an idea that might open out into something else\, the fold is a point of entry into deconstruction\, revision\, and the broader notion of change. When we see these artworks together\, we see the seams that hold our surroundings.  \nCurated by Simone Krug and Eric Kim 
URL:https://www.h-r.la/event/arc-wobble-fade-fold/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/07/uci-image.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180728
DTEND;VALUE=DATE:20180813
DTSTAMP:20180728T213746Z
CREATED:20180723T185421Z
LAST-MODIFIED:20180728T213746Z
UID:3553-1532757600-1534053599@www.h-r.la
SUMMARY:Every Unlikely Story
DESCRIPTION:Image credit: Cameron Coffman\, slow crawl\, 66″ x 22″ x 34″\, wood\, clay\, resin\, glass\, ladybug\, aphids\, waterbug\, plants\, dirt\, plastic\, 2018 \nOpening Reception: Saturday\, July 28\, 7-10pm\nExhibition Dates: July 28 – August 11\, 2018\nGallery Hours: Wed-Sun\, 12-6pm \nImagine the chapters in a long book as individual\, freestanding fragments. Take this collection of distinct plot twists\, allegories\, flashbacks\, and scenic descriptions and shuffle them. There is always something compelling about the exquisite corpse—its reliance on chance\, its absurdist form that is at once distorted\, grotesque\, and yet still enticing. \nThis exhibition brings together a disparate grouping of images\, anecdotes\, and narratives that coalesce into a cohesive portrait of the now. They rely on drama\, on fantasy\, and on farce. Some stories plumb the depths of history. Others examine their immediate surroundings. Many are deeply rooted in the personal and explore identity through the lenses of race\, gender\, and nationality. Process is the focal point in some pieces\, where the journey towards the end takes on more significance than the end itself. Other works are more concise portraits; and while they might employ a plainer vocabulary\, they are no less complex. \nThere is a grandmother as she is hoisted from her deathbed. Elsewhere\, on a different empty bed\, crumpled unmade sheets mark the trace of a distant lover. In other spaces\, one finds a hand lit on fire\, but inexplicably luminous and unscathed. And there is another hand whose thin arm connects to the body of a snake\, its outstretched finger resting on a strange box of bugs and dirt. There are layered stories told in song\, gathered in found internet footage from gospel church choirs. There are pieces of buildings—bricks\, stained concrete\, chipped walls—whose nicks and dents tell of one location’s past. Here we are transported to ancient\, foreign lands. At the same time\, we dwell on the political implications of the rapidly changing neighborhoods and gentrifications of our own city. \nAs in all recollection\, there is both sadness and joy. Where there is heartbreak today\, there was once intrigue\, piercing chemistry\, and so many bouquets of flowers. One might get blisters on their feet from salsa dancing all night\, but the memory of a late night out trumps the morning hangover. \nAdrian Abela\nAlex Anderson\nCarey Coleman\nCameron Coffman\nColeman Alexander Collins\nJenny Gagalka\nMariam Graff\nShasha Dothan\nNasim Hantehzadeh\nLouis Heilbronn\nJohn Hulsey\nTodd McQuade\nKamaria Shepherd\nSean Sprague\nHiejin Yoo \nCurated by Simone Krug and Eric Kim
URL:https://www.h-r.la/event/every-unlikely-story/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2018/07/Cameron-Coffman-1.jpeg
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