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DTSTART;TZID=America/Los_Angeles:20170504T190000
DTEND;TZID=America/Los_Angeles:20170521T180000
DTSTAMP:20180811T174822Z
CREATED:20170421T193517Z
LAST-MODIFIED:20180811T174822Z
UID:2592-1493924400-1495389600@www.h-r.la
SUMMARY:LESBIAN GULLS\, DEAD ZONES\, SWEAT AND T.
DESCRIPTION:LESBIAN GULLS\, DEAD ZONES\, SWEAT AND T. \nOpening Reception: Thursday May 5th\, 7-10pm \nExhibition Dates: May 5-21\, 2017 \nExhibition hours: Wednesday – Sunday\, 12-6pm \n*Gallery will be closed on Sunday\, May 14th \nFree and open to the public. \nAn exhibition of new work by Los Angeles based collaborators Candice Lin and Patrick Staff. \nLESBIAN GULLS\, DEAD ZONES\, SWEAT AND T. is a new site-specific project for Human Resources\, taking the form of a foggy installation within a roughly framed wooden structure. Reminiscent of construction sites\, the space contains various squatted objects— ceramics\, hacked electronics\, herbs\, erotic texts\, hormonal joints and greasy stains. The installation is organized in a loose hexagonal layout\, referencing the chemical compound of benzene\, part of a phyto-hormonal change that occurs during the aromatization of certain plants. \nFilling the space\, the artists have hacked commercial fog machines to vaporize homemade herbal tinctures into hormonal smoke. The common botanical ingredients used – such as licorice and black cohosh – are natural anti-androgens\, a class of drug typically known for suppressing testosterone production in the human body. The installation of these fog-machine sculptures creates a slow forming cloud\, enacting a potential intrusion of disruptive botanical knowledge\, and proposing a cross-pollination and infection between bodies\, ecosystems\, and institutions. \nLin and Staff’s research and queer re-readings of botanical texts inform the foundation of the project\, beginning with a consideration of how herbal treatments were historically associated with female social roles of healer\, herbalist\, and witch; and the transplantation and exploitation of plant knowledge through colonialism; its suppression\, renaming and regulation. Within this lineage\, the artists propose a non-binary queer exploration of hormone therapy and toxic sex\, both seeking to pervert pollution and queer the possibilities of endocrine disruption. \nConstructed from simple household and hardware materials such as fans\, funnels\, hot plates and aluminum roasting pans\, the sculptural machines reference an unassuming auto-didacticism\, wherein grassroots knowledge of both DIY construction and herbal medicine can be utilized. The smoke that rises from them points to the ways in which inanimate matter\, and specifically ephemeral\, shifting\, and permeable matter\, takes on human\, biopolitical and necropolitical significance and effect. \nSimultaneously empty and dense\, dispersed and ingested\, LESBIAN GULLS\, DEAD ZONES\, SWEAT AND T. invites visitors to lose the illusion of their bodily boundaries and float within the influence of a hormonal mist\, suggesting questions of relationship and care\, dosage and tolerance and inciting a dissipating redefinition of subjectivity and knowledge. \nAvailable at the show is a new artist edition by Lin and Staff\, produced by Closing. \nCandice Lin and Patrick Staff live and work in Los Angeles\, and have been collaborating since 2010. Their collaborative practice focuses on the queer potential of herbal practices and cross-species interactions. Their work has been shown at Gasworks\, London; Teoretica\, Costa Rica; Centro Para Os Assuntos Da Arte E Arquitectura\, Portugal; 18th Street Arts Center\, Los Angeles; and as part of Witchy Methodologies at the ICA\, London\, 2017 and the Serpentine Galleries’ Transformation Marathon\, 2015. Candice Lin has had recent solo exhibitions at Gasworks Gallery\, London; François Ghebaly Gallery\, Los Angeles; Artissima\, Turin; and Galeria Quadrado Azul\, Porto. Patrick Staff’s recent solo exhibitions include MOCA\, Los Angeles; Contemporary Art Gallery\, Vancouver; Institute of Modern Art\, Brisbane; and Chisenhale Gallery\, London. \nThanks to Ghebaly Gallery for additional support \nAll photos by Ian Byers-Gamber
URL:https://www.h-r.la/event/candice-lin-and-patrick-staff/
CATEGORIES:exhibition
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DTSTART;TZID=America/Los_Angeles:20170524T100000
DTEND;TZID=America/Los_Angeles:20170528T210000
DTSTAMP:20170801T084454Z
CREATED:20170425T200944Z
LAST-MODIFIED:20170801T084454Z
UID:2605-1495620000-1496005200@www.h-r.la
SUMMARY:On The Other Side: 2017 at land’s edge fellows
DESCRIPTION:at land’s edge\, in conjunction with Decolonize LA and Human Resources Los Angeles\, proudly presents\, “on the other / side.” This week-long\, culminating exhibition showcases the projects of the 2017 at land’s edge fellowship cohort\, exploring issues of race\, disability\, resistance\, history\, power\, violence\, survival\, and healing.  \nWednesday\, May 24th – Sunday\, May 28th \nGallery Hours:\n3pm – 9pm\, Wed – Thurs\n11am – 7pm\, Sat\n1pm – 7pm\, Sun \nSpecial Reception: 7pm – 9pm. Friday\, May 26th\nworkshops and performances throughout the week presented by\nDecolonize LA & at land’s edge \n \nAll events are free and open to the public\, made possible with funding from the Los Angeles Department of Cultural Affairs.  \nVisit the at lands edge website for more information. \n_____________________ \nWEDNESDAY MAY 24\, 2017\n \n7:30pm – 8:30pm\nEverything I Say Is True\nSuzanne Kite\na live sound/video performance presented by Decolonize LA \nEverything I Say Is True is a lecture performance by Southern California-based\, Oglala Lakota artist Kite. In the lecture Kite constructs a complex narrative through the use of her own family’s ephemera and historical documents as well as through a new body of work in various mediums\, including video\, sound and sculpture. Everything I Say Is True considers concepts of truth in relation to Oglala Lakota knowledge systems. \nhttp://kitekitekitekite.com/ \n_____________________ \nFRIDAY\, MAY 26TH\, 2017 \n\n\n7pm – 9 pm\non the other / side Reception\nhosted by at land’s edge 2017 Fellows\nLight refreshments will be served. \nat land’s edge\, an autonomous ontological platform for creatives to co-learn\, presents its culminating reception. This exhibit\, “on the other / side\,” showcases works by the twelve 2017 at land’s edge fellows. It is an exploration\, via writing\, installation\, video\, 2D and 3D works\, of race\, disability\, resistance\, history\, power\, violence\, healing\, and survival. All artists and program coordinators will be present to discuss their works\, host readings\, and lead other activities during the reception.  \n**Free and open to the public** \n_____________________ \nSATURDAY\, MAY 27\, 2017\n\n\n11am – 12pm\nAdoption\, Electronic Music\, and Enrollment.\nElisa Harkins\na skype/virtual lecture presented by Decolonize LA \nArtist and Composer Elisa Harkins will be showing her work\, which examines the politics of the 1990 Indian Arts and Crafts Act\, enrollment and adoption\, as well as sharing some of her music with us. \nhttp://www.elisaharkins.org/ \n\n\n1pm – 2pm\nWhat does intergenerational collaboration look like?\nForging Pathways for Future Apsáalooke Feminists\nWendy Red Star\na skype/virtual lecture presented by Decolonize LA \nAs a mother / daughter artist collaborative duo working in the realm of Native history\, identity politics\, cultural subversion\, and reclamation\, Wendy Red Star and her nine-year-old daughter Beatrice Red Star Fletcher probe the colonial thought bubble with intergenerational collaboration and institutional critique. Working with museums like the Denver Art Museum\, Portland Art Museum\, and Seattle Art Museum Beatrice and Wendy engage the public to decolonize thinking around Native American art and collections through performative tours\, interactive activities\, and interventionist installations. Intergenerational collaborative work is integral and a means to creating a forum for the expression of Native women’s voices in contemporary art. \nhttp://www.wendyredstar.com/ \n\n7pm – 9pm *\nDivine Creators!!! : Intro to Divination Practices for Creatives\nEdgar Fabián Frías\npresented by at land’s edge \nDivine Creators!!! : Intro to Divination Practices for Creatives is an ad-hoc\, site-specific\, and adaptive workshop meant to help support the initiation\, development\, and flourishing of ancestral divination techniques within contemporary creative communities. Attendees will learn about divination from a trans-historical perspective and will find ways to weave in (a) personal divination practice(s) into their creative\, organizing\, educational\, and cultural work. Attendees will leave the workshop with a zine on divination techniques and all of the psychic tools needed to initiate and sustain a scrying (hydromancy) practice.  \n*The workshop has a maximum of 11 participants. It takes place in the evening. Please wear comfortable clothing. This workshop is FREE BUT requires sign up and approval by moderator.  \n*Optional: Please bring protective amulets\, charms\, plants\, essences\, crystals\, etc. Bring something to cover your head (a hat\, a scarf\, a hoodie). Please contact seeingyouseeingmeseeingyou@gmail.com or go to https://goo.gl/forms/SRc4YMPLDoFoT7T53 to register.  \n*Queer\, trans\, gender nonconforming\, low-income\, people of color\, indigenous people\, immigrants\, and folks at other intersections will be given priority. \n_____________________ \nSUNDAY\, MAY 28\, 2017 \n\n\n4pm – 5:30pm\nAccidents of Birth\nseren sensei \npresented by at land’s edge \nWe are not all the same\, due to what I call “accidents of birth” that more often than not involve race\, gender\, class\, able-bodiedness\, and sexual orientation. We would be exploring this theme through a writing workshop wherein we discuss various ways to deal with accidents of birth. They can range from the fantastic to the mundane\, addressing the concept that you are born into a body\, and with it can come many expectations. How do you free yourself from ideas placed upon your body due to race\, gender\, sexual orientation\, ability/disability\, and/or class? \n\n7pm – 9pm **\nRitual for Mutual Black Care\nMelanie Griffin \npresented by at land’s edge \nBlack people expend precious physical\, emotional and psychic energy responding to racial injustice and fighting that injustice in ways that serve all of humanity. So often these responses drain us and impact our mental\, physical\, and spiritual health and deplete us as we constantly pour energy outward.\nThis gathering will be an opportunity to build love\, care\,  and resilience amongst each other. It will provide a space to refill the emotional/ spiritual well\, that living in an anti-Black society drains daily. We will call in ancestors\, speak out our fears\, joys and affirmations for one another. We will interact in a ritualistic way with plant medicine\, smoke\, and a sewn garment with images inspired by Black diasporic myths and abstract patterns meditating on the (one of) Black experience. \n**This event is only for all Black identified people\n____________________ \nA wheelchair accessible entrance (via portable ramp) and a wheelchair accessible bathroom will be provided.  \nPublic transit via the Chinatown Gold Line Station. Street parking available. \nat land’s edge is an autonomous pedagogical platform based in East and South Los Angeles that nurtures the voices of cultural producers who are committed to social transformation. We understand pedagogy as not only a method of education\, but as a critical space where the processes of teaching and learning\, knowledge and action\, and self and community are reflexive\, interwoven\, and oriented toward the liberatory possibilities of a just and democratic world. \nDecolonizeLA is an autonomous group made up of Los Angeles-based artists\, educators\, Indigenous Peoples and activists\, and members of HRLA’s Programming Committees. This group recognizes the word decolonize as a process and action word that must center Native/Indigenous people’s autonomy\, and the liberation of all oppressed peoples as its goal. Steps toward decolonization include acknowledging the effects of colonial oppressive structures\, and demanding an end to the legacy of environmental\, physical\, psychological\, cultural and artistic violence\, and opposing the perpetual structure of inequity forced upon us by colonialism and white male hetero-normative supremacy. This group recognizes that many communities are working towards decolonization. We embrace and celebrate this opportunity to honor their work and transform our city. \nHuman Resources Los Angeles\n410 Cottage Home St\, Los Angeles\, CA 90012\nnear Broadway and Cottage Home in Chinatown
URL:https://www.h-r.la/event/on-the-other-side-2017-at-lands-edge-fellows/
CATEGORIES:exhibition
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