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DTSTART;VALUE=DATE:20160602
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UID:1645-1464847200-1466315999@www.h-r.la
SUMMARY:The Distance Plan - Climate and Infrastructure
DESCRIPTION:Opening Thursday June 2nd\, 2016\, 7-10pm. \nExhibition on view June 3rd – June 18th\, Wed-Sun 12-6pm or by appointment. \nArtist talk – Bjarki Bragason and Sarah Rara in conversation with Abby Cunnane & Amy Howden-Chapman Saturday June 11th\, 2016\, 3pm. \n  \nBjarki Bragason\, Carolina Caycedo\, Fiona Connor\, Ryan Jeffery & Boaz Levin\, Steve Kado\, Susannah Sayler & Edward Morris for The Canary Project and Sarah Rara. With a new text by Lina Moe. Organized by Abby Cunnane\, Amy Howden-Chapman and Luke Fischbeck. \nThe Distance Plan: Climate and Infrastructure brings together work by 10 practitioners that address major infrastructural forms of the present – energy generation\, digital frameworks and mass transport networks – in relationship to future alternatives. Providing a diagram of our carbon-intensive era\, these works look at the ideologies driving development\, and how today’s infrastructure determines both the means by which natural resources are consumed\, and the ability of communities to change patterns of carbon consumption by redefining the built environment. \nThe politics of infrastructure is often caught in the fraught terrain between strategies for mitigating climate change and those promoting adaptation. The Distance Plan: Climate and Infrastructure thereby responds to the concept of ‘path dependency’ – the idea that the choices available to us in the present are contingent on knowledge and decisions made in the past\, and that future capacity for change is substantially determined by our current planning. \nWorks consider the energy use of data centers (Ryan Jeffery & Boaz Levin); Colombian dams being built to power extractive industries (Carolina Caycedo); and the energy use of arts institutions (Fiona Connor). The Canary Project’s work\, The American River Archive (Water Gold Soil) tells the story of a single flow of water in present-day California from origin to end-use. The project is a form of historiography\, an allegory in which one strand of California’s vast waterworks becomes a broader exploration into an Age of Extraction that appears near its culmination. \nWork by Steve Kado tracks the aesthetics and paraphernalia of global mobility\, while Bjarki Bragason’s project considers the relationship between geo-engineering and emissions reductions. Through documentation of ‘CarbFix’ Bragason presents images of a project in which Icelandic scientists work with industry to mineralize Co2 by funneling it deep into basaltic rock hundreds of meters below the earth’s surface\, accelerating a process which would otherwise take dozens of millennia. Sarah Rara’s work Broken Solar [Accumulator] is a meditation on natural resources\, human-built environments\, and the aesthetics of renewable energy. The work studies photo-voltaic surfaces and strategies for converting light into electricity and heat\, traversing sites of production from the skeleton of a blue whale to Biosphere 2\, from the riparian hills of Ukiah to Arizonan solar farms. \nThe soft infrastructures of institutions are also considered\, as attempts to manage the present effects of climate change are confronted by municipal and national governments and local community organizations alike. In a new text by Lina Moe about the closure of New York City’s L train for post-Sandy repairs she observes how issues of inclusion\, equity\, and efficiency play out at all institutional levels. The line’s closure is an example of the increasing vulnerability of civic infrastructure and Moe asks if retreat\, rather than rebuilding should be the goal\, concluding that the latter directly reflects the present state of denial about the increasing environmental precarity of the system. \nFor further information visit TheDistancePlan.Org\nor contact info@thedistanceplan.org \nBjarki Bragason Ten Thousand and One Years (one year of emissions at 449\,5 meters) detail for installation. 2016.\nSarah Rara “Broken Solar” Still from single-channel video\, 2016.\nThe Distance Plan: Climate and Infrastructure (installation view)\nThe Distance Plan: Climate and Infrastructure (installation view)\nThe Distance Plan: Climate and Infrastructure (installation view)
URL:https://www.h-r.la/event/the-distance-plan-climate-and-infrastructure/
CATEGORIES:exhibition
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DTSTART;VALUE=DATE:20160622
DTEND;VALUE=DATE:20160628
DTSTAMP:20160729T011211Z
CREATED:20160617T100814Z
LAST-MODIFIED:20160729T011211Z
UID:2101-1466575200-1467007199@www.h-r.la
SUMMARY:Exit Interview
DESCRIPTION:Drawing credit: Class of 2016\, Courtesy of CalArts \nOpen Daily June 22—26\, 11am to 6pm\nReception June 25\, 2016 6-10pm \nExit Interview\, the culminating exhibition by the California Institute of the Arts (CalArts) School of Arts’ 2016 MFA graduates\, departs from the strictly bureaucratic associations of its title. The group exhibition highlights the dialogic dimension of two years of thinking and working in relation to one another. Acknowledging the paradoxical quality of institutionalized art education\, the show is conceived as a field of interferences and counterpoints\, the aftermath of a vital encounter and commitment to critical discourse. \n \ndownload / view program as PDF\n  \n\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n		\n\nSchedule of events: \n\nJune 22 – Wednesday 10am-5pm \nKyle Johanson and Tim Tsang\n“2 people\, 3rd space\, 5th wall: a long form activity practicing engagement with Exit Interview and each other in the forms of live and recorded talking and listening and looking”\nTim and Kyle walk and talk and listen and look with each other through the works of Exit Interview. The activity is recorded on two head mounted cameras and later replayed in an audio/video/text format. \n  \nJune 22 – Wednesday 7pm-9pm\n \nGloria Galvez\n“Soft Drink Social”\nSoft Drink Social bringing you soft drinks and soft tunes during hard times. A gathering and function hosted by Gloria Galvez in collaboration with hoops\, delivering a soft strike to the social pyramid. \n  \nJune 23 – Thursday 7pm-9pm\nScreenings:\n\nArtur Da Silva\n“St. Lazarus” (Running Time: 12:22)\n“Winter in America” (Running Time: 7:45) \nAy?e Melis OKAY\n“Fetish” (Running Time: 16:00) \nJohn Alexander\n“On Magic Mountain” (Running Time: 4:48) \nJuhee Han\n“Redroom” (Running Time: 13:30)\nA day in her red room. \nNebras Hoveizavi\n“Sometime in January\, Nakhodka Mammad was singing his songs while smuggling fabrics. It was sometime in June when I was born out of fabrics made by a loom.” (Running Time: 16:59)\nTime and Place are in snooze mood\, and the sleeping zone brought realistic form of talking about smuggling in Iran. The question is how one could talk about smuggling and the economy of the country which had been dealing with sanctions for decades. \nCarlos Diaz-Sullivan\n“Take Care of You (Running Time: 35:00) \nJulio Orta\n“Movie Trailer: El Chapo”\n(Running Time: 4:55)\nMovie Trailer for “El Chapo” Guzman movie. Starring Sean Penn and Kate del Castillo.\n“The Players” (Running Time: 4:00)\nA baby and a grown-up having a tennis match. \nShaoyu Su\n“Hongshan Relic: 4700 BC to 2014″ (Running Time: 0:07)\nMachine version of the history in Hongshan Relic Site. \n  \nJune 25 – Saturday 6-10pm\nReception \n  \nJune 25 – Saturday 6:30pm-6:50pm\nPerformance: \nRachel Yezbick\n“For Purposes Hereof”\nFor Purposes Hereof is a performance piece written for a group of readers. Created from a documentary film contract between Jeff Harmes – a homeless man\, gardener and panhandler – and a L.A. production company – Motiv8 Media – the piece highlights the obfuscating uses of legal language. \n  \nJune 26 – Sunday 12:00pm\nPerformance and Readings:\n\nKarley Sullivan\n“Venus Rising”\nPerformance/Mark-Making\, with Charmaine Bee\, Jonathan Molina-Garcia\, Brandon Rhoads\, and Karley Sullivan. \nErica Palmiter\n“Scenic Papers”\nA reading from a series of short stories that describe the artist’s family history. The stories speak to generational memory gaps and the recreation of narrative through a distanced cultural lens. \nB Neimeth\n“Josephine”\nJosephine weaves together a poetic narrative with genetic information. It is a mother-daughter relationship described in distance and the lasting residuals that lie in the body. \nKarley Sullivan\n“Snake Stories”\nReading\, opening\, erasing\, recasting. \nJuliana Lujan\n“Goodbye Flavia”\nA farewell letter to a spider-friend. \nGeorgia Lassner\n“Last Exit”\nDescription: A reading of excerpts from essays on art and art shows\, both real and imagined.
URL:https://www.h-r.la/event/exit-interview/
CATEGORIES:exhibition
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