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X-WR-CALDESC:Events for Human Resources
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DTSTART;VALUE=DATE:20151121
DTEND;VALUE=DATE:20151215
DTSTAMP:20160703T022610Z
CREATED:20160311T093557Z
LAST-MODIFIED:20160703T022610Z
UID:1479-1448085600-1450072799@www.h-r.la
SUMMARY:The Closer I Get To The End The More I Rewrite The Beginning
DESCRIPTION:The Closer I Get to the End the More I Rewrite the Beginning \nCurated by Suzy Halajian \n with Basma Alsharif\, Doa Aly\, Gilda Davidian\, Mariah Garnett\, David Horvitz\, Hiwa K\, Mark Leckey\, Klara Liden\, Christine Rebet\, Julie Tolentino\, Erika Vogt\, and Hanna Wildow\ntexts by Doa Aly\, Janine Armin\, Shoghig Halajian\, and Litia Perta\n& a video program organized with Clara López Menéndez  \nOpening Saturday\, November 21\, 7-10pm\nNovember 21-December 13\, 2015 (Gallery Hours: Tue-Sun\, 12-6pm)\nVideo program and performance info below \nBodies are moving\, swaying\, spinning\, coming together in ecstatic relief\, only to come apart in Mark Leckey’s 1999 video work\, Fiorucci Made Me Hardcore. The video mashes up found footage of British youth culture in various underground dance scenes from the 1970s\, ‘80s\, and ‘90s with a single soundtrack unifying the images. Serving as a starting point to the project\, the work presents a timeless social experience that celebrates the party as a political tool in its diehard resistance to the capitalistic workweek\, as well as transcendence found through the act of ‘getting lost’ in subcultural dance codes and ultimately\, in fatigue. \nThe Closer I Get To The End The More I Rewrite The Beginning (1) presents works by Basma Alsharif\, Doa Aly\, Gilda Davidian\, Mariah Garnett\, David Horvitz\, Hiwa K\, Mark Leckey\, Klara Liden\, Christine Rebet\, Julie Tolentino\, Erika Vogt\, and Hanna Wildow to explore the state of exhaustion\, through the time and space that make it possible. The project questions the appearance and contours of social spaces that enable this condition\, and locates instances within these sites that allow for new forms of sociability. By considering both individual and collective states of being together situated within a neoliberal and mutating model of capitalism\, the exhibition asks how these spaces may be realized in a state of nonstop action and renewal and how their potentials may unfold over time. The works in this exhibition reimagine\, re-perform\, consume\, and even obliterate images and places set in motion. They refuse to remain static or meet at the center\, but continue to turn and shift\, only to begin again. \nThe exhibition brings together artists’ works\, a video program\, and writings that respond to spaces found within relentless states of operation. It takes into account more recent political insurgencies and sites of dissent; refusal and/or withdrawal from work\, action\, and participation; a lack of physical tenacity due to the durational; and the effects of these on cultural and historical imagination that define both the personal subject and public event. Further expanding out from the exhaustion of space due to withdrawal and protest\, the project stresses the position of indefinable bodies in the social sphere\, as well as an all-consuming understanding of institutional frameworks in a move away from the authorial. It does not advance the notion that once an option disappears its potential is lost; but rather it is in the act of clearing out\, the voiding of\, that allows for new possibilities to come into fruition or to be made visible. Once emptied\, fields of echo\, repetition\, and perpetual reflection can prove useful. \n1. Part 1 of this project\, The Recorder Was Left On\, Or The Closer I Get To The End The More I Rewrite The Beginning\, was on view at LACA (www.lacaarchive.org) from August 7 to September 26\, 2015. Both exhibitions partially borrow their titles from Alejandro Cesarco’s installation\, The Streets Were Dark With Something More Than Night Or The Closer I Get To The End The More I Rewrite The Beginning (2011). \nVideo program  \nPart 1. Screening & Discussion at 1009 N. Madison Ave. LA\, 90029  \nSaturday\, November 14\, 2-9pm \nScreening of Peter Watkins’ La Commune (Paris\, 1871)\, 2000\, 345 min. \nSunday\, November 15\, 5:30-9pm \nScreening of Jasmina Metwaly and Philip Rizk’s Out on the Street\, 2015\, 71 min\, followed by a discussion on both films. \nNote: The screenings above are scheduled before the exhibition opens at Human Resources. \nPart 2. Screening at Human Resources\n \nFriday\, December 11\, 7-9pm: Screening featuring works by Malin Arnell\, Phil Collins\, Harry Dodge and Stanya Kahn\, and Basim Magdy followed by a Q&A with Malin Arnell\, Harry Dodge\, and Stanya Kahn.\n \n\nPerformance by Julie Tolentino \nSaturday\, December 5\, 11pm \n\nThanks to the support provided by the Cultural Services of the French Embassy in the United States. \nImage: Klara Liden\, Bodies of Society\, 2006\, DVD\, color\, sound\, 5:08 min\, courtesy the artist\, Reena Spaulings Fine Art\, New York and Galerie Neu\, Berlin.
URL:https://www.h-r.la/event/the-closer-i-get-to-the-end-the-more-i-rewrite-the-beginning-exhibition/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Closer-I-Get-to-End-Klara-Liden.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20151218T000000
DTEND;TZID=America/Los_Angeles:20151220T180000
DTSTAMP:20180727T222112Z
CREATED:20160311T093557Z
LAST-MODIFIED:20180727T222112Z
UID:1481-1450396800-1450634400@www.h-r.la
SUMMARY:Mark Golamco: Ghostlight
DESCRIPTION:Mark Golamco founded and hosted a monthly performance cabaret called Ghostlight at the infamous (and now shuttered) Cafe Dancer bar in New York City. Ghostlight is an eclectic night of performance featuring exceptional artists and DJs. Each night is grounded by an intimate solo performance by Golamco self-accompanied on the viola. \nGhostlight has now become a nomadic series\, recently staged aboard the steamboat SS Lilac on the Hudson River and at Judson Memorial Church in NYC. Mark is thrilled to bring this performance series to HRLA. He will be joined by musical guests Michael Gerald Bauer\, Oscar Santos and DJ Earthen Oxytocin. The performance will also include some installation magic by Felisa Funes from Of The Flowers and Travis D of Project Rage Queen. Special guest appearance on Saturday night by Gorgeous Vermillion and Beast Nest featuring Alexander Brown and John Brumley. \nThese artists will be charging the space with energy before and during the performances through art making\, installation and elemental ritual. The public is invited to see the remnants of these occurrences as well as impromptu performances during open gallery hours. \nFriday\, December 18th\nDoors 8PM Show starts at 9PM\nPerformance -Evening One: The Dance of Ted Dragon\nNew York City Ballet Dancer\, Lover\, Muse and Outlaw. Ted Dragon was all these things. Through original songs and choreography\, artist Mark Golamco tells the story of Ted Dragon’s passionate existence among the Hampton’s social elite and artist circles and how his eccentricities led to certain consequences. \nSaturday\, December 19th\nDoors 8PM Show starts at 9PM\nPerformance -Evening Two: Night at Cafe Dancer\nSince it’s establishment in 2013\, Mark Golamco has been performing monthly as a singer\, self-accompanied on the viola at Cafe Dancer. This is an artist’s space in the Lower East Side of Manhattan. Mark brings Cafe Dancer to HRLA by presenting elements of the space (a projection of the street window\, a portion of the bar) as well as the music he performs there live. \nSunday\, December 20th\nGallery Hours 11AM-6PM \nMark Golamco is an artist that lives in New York. He is a classically trained violist from San Francisco who grew up playing in Orchestras\, but went solo as he began to study and practice visual art at UCLA. Later\, he received an MFA in Painting from RISD. His work combines music performance and art installations that are reflective of his personal history. He has performed at The Whitney Museum of American Art\, NY\, The Metropolitan Museum of Art\, NY\, and The Redcat Theater\, LA.
URL:https://www.h-r.la/event/mark-golamco-a-night-at-cafe-dancer-performance/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/mark_golamco.jpg
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DTSTART;TZID=America/Los_Angeles:20151224T000000
DTEND;TZID=America/Los_Angeles:20151228T000000
DTSTAMP:20160522T205554Z
CREATED:20160311T093557Z
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UID:1482-1450915200-1451260800@www.h-r.la
SUMMARY:JEFFZILLA WORLD
DESCRIPTION:Jeffzilla presents JEFFZILLAWORLD\, a three-night installation and performance series that will transform HRLA into a fantasy fun house from beyond the pumpkin. \nJeffzilla\, aka Jeff Galvan\, is an an LA based multi-disciplinary artist\, musician and co-founder of the infamous Coolworld Party LA. \n**** \n*A queer little pumpkin\, a jolly fat fellow\,\nStood close to his mother so rotund and yellow.\n“What a stupid old place! how I long to aspire\,”\nCried he\, “I was destined for something much higher.”\n“My son\,” said the mother\, “pray do be content\,\nThere’s great satisfaction in life that’s well spent!”\nBut he shrugged up his shoulders\, this pumpkin\, ‘t is true\,\nAnd acted just like some bad children will do. \n \n**** \nThursday Dec 24 \nOpen 5pm-midnight\nFriday Dec 25 \nOpen 12pm-10pm\nSaturday Dec 26\nOpen 12pm-7pm & Closing Celebration 9pm\nfeaturing live music and performance by Scourge & Coolworld Djs + More TBA
URL:https://www.h-r.la/event/jeffzillas-christmas-wonderland/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/jeffzilla.jpg
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