BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Human Resources - ECPv6.17.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.h-r.la
X-WR-CALDESC:Events for Human Resources
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20140309T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20141102T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20150308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20151101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20160313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20161106T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150321T000000
DTEND;TZID=America/Los_Angeles:20150405T000000
DTSTAMP:20160523T033547Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T033547Z
UID:1418-1426896000-1428192000@www.h-r.la
SUMMARY:Emily Joyce Famous Potatoes and Other Related Works
DESCRIPTION:Opening Reception: Saturday March 21 7–10 pm \nHuman Resources is pleased to announce Emily Joyce: Famous Potatoes and other related works.  Joyce’s first solo exhibition in Los Angeles\, Famous Potatoes and other related works features an on-and-off-the-wall installation of kinetic\, optical\, and symbolic abstract paintings. The exhibition is comprised of new works from three ongoing projects\, including: free-standing mixed media paintings from the Famous Potatoes series; 13 optically charged large-scale screen prints from the Sun Burn series\, and geometric acrylic on canvas paintings from the Captcha series.  \nThe Famous Potatoes paintings feature painting rags from the artist’s studio displayed within the squares of a rigid black grid. Upon closer examination\, the viewer sees that each rag is in fact impossibly identical. This haphazard and gestural element of the painting process has been transformed into a digital replica. At random intervals a fan starts and blows the rags up momentarily revealing a hieroglyphic-like ideogram beneath.  \nThe Sun Burn series is based on the optical phenomenon of after-image and chromatic vibration. These large-scale works on paper are hung from the ceiling as a sort of theatrical curtain that the viewer can traverse and experience from all sides. In this way the physical objectness of what initially was experienced as a visual phenomenon is exposed\, like getting to peek back-stage \nThe Captcha paintings (inspired by Magritte’s floating orbs) take their titles from the internet visual security feature“Completely Automated Public Turing test to tell Computers and Humans Apart (CAPTCHA)” These paintings are made up of three distinct layers of space: a foreground and background of floating orbs and a hand-painted mesh-like plane of parallel black lines which conceals the background orbs. For the installation\, the paintings are embedded in a wall relief of hundreds of bricks that have been wrapped in white paper and stacked into a huge triangle that covers the wall.  \nEmily Joyce (born 1976 in Arlington Heights\, Illinois) lives and works in Los Angeles\, California. Joyce studied at the Glasgow School of Art and received her BFA from the Rhode Island School of Design\, Providence\, in 1998. From 1999-2001 she was a Core Artist-in-residence at the Glassell School of Art\, Museum of Fine Arts Houston\, Texas. In 2002 she was an artist in residence at Le Pavillon at the Palais de Tokyo in Paris\, France. Joyce has exhibited her prints\, paintings\, and collages internationally for the last 15 years including recent solo exhibitions at Inman Gallery\, Houston\, Texas (2013); Elephant\, Los Angeles\, California (2013); Compact Gallery\, San Luis Obispo\, California (2012); and Sara Meltzer Gallery\, New York\, New York (2004). Her recent group exhibitions include Snack Time\, Campbell Hall Art Gallery\, North Hollywood\, California (2015); Machine Project Field Guide to the Gamble House\, The Gamble House\, Pasadena\, California (2014); Los Angeles Chez Vous\, Mains d’Oeuvres\, Paris\, France (2013); Garden Party\, FOCA\, Los Angeles\, California (2013); XYZ: The Geometric Impulse in Abstract Art\, The Torrance Art Museum\, California (2012)\, which she curated with Jessica Halonen; This & That\, Ricard Foundation\, Paris\, France (2012); and Wall Power\, Brand Library and Art Galleries\, Glendale\, California (2011). Joyce’s works are in the public collections of the Museum of Fine Arts\, Houston\, Texas; The Walker Art Center\, Minneapolis\, Minnesota; and the Hammer Museum\, Los Angeles\, California\, among others.  \nThe artist would like to make a special thanks to Inman Gallery in Houston\, Texas. Thanks also to Devin McNulty\, Gary Murphy\, Mark Allen\, Ian Byers-Gamber\, and Lucas Wrench. This project was brought to Human Resources by Devin McNulty and David Fenster.
URL:https://www.h-r.la/event/emily-joyce-famous-potatoes-and-other-related-works/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/Emily-Joyce-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150410
DTEND;VALUE=DATE:20150413
DTSTAMP:20160523T025509Z
CREATED:20160311T093553Z
LAST-MODIFIED:20160523T025509Z
UID:1424-1428645600-1428818399@www.h-r.la
SUMMARY:BULK TROUBLE
DESCRIPTION:The text tho OMG IS EVERYONE WORKING RIGHT NOW?\nMaybe one of you guys can work on the images w/descriptions\nwe could make  it a PDF?? is this allowed? a pdf? I can mess with it rn\nThey don’t want a PDF they want individual jpg files but anyways I work on it \nbut it might be good to start with something a little more “poetic” – an introductory paragraph that provides the “hook”. like NJ’s falsetto in the new American classic “Jealous”. “If you can provide a reality with virtual tools\, and if you can share this reality with another person\, you no longer need to describe the world\, because you can simply create this contingence\, this coincidence; you don’t need to describe an action\, you can create it.”1 \nWorking as a group is allowing us to make work on an intuitive level—where we collectively integrate our perceptions\, etc. We (free-associate) react\, interweave each other’s. a final iteration of the installation that is released of any singular subjectivity. Moreover\, the work will challenge the polarized definitions of success and failure\, instead placing them as parallel entities on separate scales that can be used to jusge one gesture simultaneously\, etc. \nHoneslty though last night megan got me pretty psyched on…..ambiguity? I could say ambiguity yeah \nI mean if wedo it we can jsut\, we’ll do it \nBulk Trouble \nFriday April 10\, 2015 7—10 pm\nSaturday April 11\, 2015 12—8 pm \nAlan Danielson\nGeorge Egerton-Warburton\nAndrea Longacre-White\nMegan Plunkett\nCharlie Smith\nOdwalla 88 \n1Franco Berardi “After the Future”
URL:https://www.h-r.la/event/bulk-trouble/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/BulkTrouble_2015.jpg
END:VEVENT
END:VCALENDAR