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X-WR-CALNAME:Human Resources
X-ORIGINAL-URL:https://www.h-r.la
X-WR-CALDESC:Events for Human Resources
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DTSTART;VALUE=DATE:20131003
DTEND;VALUE=DATE:20131015
DTSTAMP:20160527T090202Z
CREATED:20160311T093545Z
LAST-MODIFIED:20160527T090202Z
UID:1264-1380780000-1381730399@www.h-r.la
SUMMARY:BASE : Session I
DESCRIPTION:Niv Acosta\nGina Dell’Amico\nNick Duran\nLauren Davis Fisher\nMadeline Hollander\nArley Marks\nTemra Pavlovic\nMårten Spångberg\nSylvie Spencer \nSession I is a choreography of spaces. \nAll architecture is impermanent. All human spaces are constructed. Some walls are meant to conceal. \nStructured space dictates human flow; it is a choreographic force. \nA sewing factory; a cinema; a corral; an arena; a cell; a corridor\, the Beverly Hills Hotel. \nHUMAN RESOURCES\, LOS ANGELES\nOCTOBER 3 – 13\nOPENING RECEPTION OCT 3 6 – 8 PM\nEXHIBITION HOURS 10 AM – 10 PM DAILY \nBASE is a series of choreography exhibitions.\nThese Sessions incorporate performance\, workshops\, video\, and material research. \nBASE is the curation of choreography which reflects the specific nature of the medium. BASE seeks to construct a viewing experience that promotes the consideration of choreographic works as artworks\, but disrupts traditional relationships between viewer and objects\, spectator and performer. Choreography implies the intentional construction of relationships of bodies to space\, architecture\, other bodies\, and viewers. BASE explores the multitude of possibilities for a choreography of the viewing experience. \nBASE: Session I will be held at Human Resources\, Los Angeles\, whose mission is to broaden public engagement with experimental\, interdisciplinary and conceptual art and foreground underexposed modes of expression. For the duration of the exhibition\, artist Lauren Davis Fisher will continuously construct a mobile skeleton structure\, dividing the warehouse space into multiple\, shifting interiors that will support works from a selection of artists and performers. These modules become evolving organs examining the conscious and unconscious potentialities of the body\, performance\, and perception. \nLauren Davis Fisher\, “New Structures\, New Orientations”  (2013Dimensional lumber\, cable\, lights. Dimensions variable). Photograph by Cameron Crone.
URL:https://www.h-r.la/event/elizabeth-sonenberg/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/99a8e2334c235e24-BASE-SCHEDULE-UPDATE.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20131017
DTEND;VALUE=DATE:20131029
DTSTAMP:20160729T005142Z
CREATED:20160311T093545Z
LAST-MODIFIED:20160729T005142Z
UID:1265-1381989600-1382939999@www.h-r.la
SUMMARY:John Knuth: Fading Horizon
DESCRIPTION:Opening Reception:\nThursday\, Oct 17\, 7:00 – 10:00 pm \nGallery Hours:\nSaturday and Sunday\, 12:00 pm – 5:00 pm and by appointment \nSpecial closing performance with HECUBA and Bret Nicely Sunday Oct. 27 starting at 7 pm \nHuman Resources is pleased to announce a new show by John Knuth: Fading Horizon. This all-encompassing installation will utilize 1\,000 pounds of sugar\, light bulbs and Mylar thermo blankets. \nThe floor of the gallery will be covered with Mylar thermo blankets\, light bulbs and mounds of sugar. As the light bulbs heat the sugar\, the sugar caramelizes and creates small volcanoes which mark the blankets underneath. The gallery fills with sweet smelling smoke that is at first enticing but soon becomes overwhelming. Eventually the blankets are hung on the walls\, displaying the minimal abstract compositions left behind by the caramelized sugar. These compositions change over time as the material slowly drips down the blankets and on to the floor. \nFading Horizon is a commanding fusion of material\, sculpture\, painting and installation work\, which evokes ideas of climate change and entropy. Knuth is inspired by sugar as a material with infinite sculptural possibilities. It can be diluted in water\, crystalized\, eaten\, caramelized or molded into forms. The pure white color of sugar gives the sense of a blank canvas with the deep brown caramel rivulets providing a stark contrast. The show explores the idea of chance\, uncertainty and change as an amorphous\, transcendent place. \nJohn Knuth’s work engages base-level alchemy. He often employs simple materials that transcend their base quality. He has fed hundreds of thousands of houseflies paint\, which they regurgitate on to canvas to make delicate abstract compositions. His work explores the physical quality and poetic meaning of materials.  \nJohn Knuth has most recently exhibited his work in a solo show at SOD Gallery in Copenhagen\, Denmark. His fly paintings were featured in a video entitled “Made in Los Angeles” on MOCAtv which quickly went viral and was picked up by the Huffington Post\, BoingBoing.net\, Gizmodo.com\, Wired\, among other news outlets. He has shown work at Another Year in LA\, International Art Objects\, Greene Exhibitions\, The Santa Monica Museum of Art\, LACMA\, LACE and Cohen Gallery in Los Angeles\, and Land of Tomorrow in Louisville\, KY. He has show internationally in Denmark\, Germany\, Iceland\, Sweden and England. Knuth was born in 1978 in Minneapolis\, MN and received an MFA from USC and a BFA from the University of Minnesota.
URL:https://www.h-r.la/event/john-knuth/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.h-r.la/wp-content/uploads/2016/03/knuth.jpg
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